#halloween ends novelisation canon
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hersweetrevenge · 1 year ago
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here we go again, another ends novelisation canon post.
i've talked about this before i think, but i am forever fascinated by the ways in which corey proves himself to be very much his mother's son.
joan is terrible, of course. she's emotionally abusive, manipulative, and controlling. she's had corey on such a tight leash his whole life. she's convinced him that she is the only person that will ever love him. her greatest dream is to keep corey with her forever, where she is the only person he loves and she is the only person who loves him.
corey, of course, is nothing like that. he's kind and sensitive, devoted and passionate, awkward and earnest. but he is obsessive and possessive, too. love is a weapon that has been used against him his whole life. the only way corey has ever learnt how to love someone, is to keep them as close as possible and not let go. make it so that they can't let go either.
there are hints of it in the movie, but the novel really explores how corey sees his relationship with allyson as a competition against laurie. allyson can only love one person, he thinks, and he's going to do everything he can to make sure that person is him.
after michael spares him in the sewer, corey goes to talk to allyson. laurie is suspicious of him, and the change in his demeanour between talking to laurie and then to allyson is described in a much more deliberate way, like he's knowingly putting on an act.
the night he kills doug, corey once again goes to see allyson. laurie watches from outside and corey very pointedly looks in her direction while allyson leads him up to her bedroom.
the morning after, when he goes to leave he encounters laurie in the kitchen. she warns him about the dangers of motorcycle, says she's worried allyson might get hurt riding with him. he assures her, almost spitefully, that allyson is safe with him.
laurie watches the couple outside the radio station, where allyson finally agrees to leave with corey. as they embrace, corey sees laurie and, without allyson noticing, waves a her.
at the abandoned allen house, corey ruminates that if laurie is so against him and allyson being together then she should never of introduced them. he explicitly tells her to kill herself, because allyson doesn't need her anymore and it's the only way she can leave and be happy with him (and only him).
his phone call to allyson, saying he needs to leave tonight, is his clearest manipulation. he lies. he gives allyson an incredibly time sensitive ultimatum, she has to choose and when she's become so infatuated so quickly, and with all the seeds of doubt that corey has been planting, of course she'd choose him.
backed into a corner, with two bullet wounds and laurie looking at him so smugly, corey can't stop laughing. he kills himself with the last words, "what have you done?!", staged just in time for allyson to overhear and assume the worst possible scenario. corey had said laurie wanted him dead, right?
all of it is done purposely. he wants laurie to know what he's doing, wants her to see how she's losing allyson. he knows he'd be taking allyson away from laurie, and i don't think his decision to kill laurie comes entirely from the want to set allyson free. i think part of him wants to do it so he can be with allyaon without any distractions, so he's the only one in her life she cares about.
but i also don't think he manipulates allyson in an actively malicious way (only passively malicious lol). of course what he's doing is wrong, but it's an act of desperation. having finally found someone who he thinks can understand him, who could love him like he wants to be loved, he is desperate to hold onto them. corey consistently acts out of desperation and trauma, and this obsessive need to hold onto people (or person) is reflective of so many of his other issues.
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sserpente · 5 years ago
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Book review: “LOKI - Where Mischief lies”
Alright, my lovelies. I read it. I read this marvellous book called “LOKI – Where Mischief Lies” by Mackenzi Lee and I loved every single page. It made me cry and scream and gasp and squeal, and I have to talk about it with you guys. Before you read on, beware of spoilers though.
If you follow me on Instagram, you’ll know that I thought that reading this novel was like reading a fanfiction. When Odin banished Amora to Earth in Chapter 6, I swear to Loki, it was exactly like a fanfiction I once read.
There is so much canon information to work with. Seriously; that was my first thought. This novel confirmed Loki is pansexual because on Asgard, just like we thought, it doesn’t matter whom you love as long as you’re being genuine about it. And Loki is genderfluid. Canonically now. He literally said ”I don’t change my gender. I exist as both.” and the fact that in the novel, he is not willing to accept the concept of being feminine as a man or masculine as a woman being allegedly bad within society, or that certain things like painting your nails and wearing high shoes is something only the female gender should do, is prodigious. Guys. Loki painted his nails black when he was young. I’m in love.
This novel gave us such a perfect insight as to what Loki was like when he was young. The novel takes places roughly two centuries before the first Thor movie (as Odin declares Thor would become his heir in the end) and it proved singlehandedly that Loki (surprise surprise) was never evil has always been misunderstood. It literally states that Thor’s “warrior friends” (e.g. Fandral, Volstagg and Sif, etc.) didn’t want anything to do with him and that out of the two, Thor was the spineless one for the most part. I mean… blaming Loki alone for their failure in Alfheim? Buh, you whore. And Odin… well, Odin has always been a jerk but that’s been canon for a while anyway.
And then all the little details! The concept of there being little to no magic on Earth and your powers being drained from you if you spend too much time there is fascinating and it raises a particularly important question—with Asgard destroyed, what will Loki do? But then again, he has the Tesseract. He can go anywhere he pleases.
Did you notice Mackenzi mentioned more than once that Loki never freezes? That the amount of that blackout powder Theo had to use on him to render him unconscious when he arrived on Earth was strong enough to knock out a Frost Giant?
Oh and now we know that up until the 19th century, at the very least, Loki didn’t know who Shakespeare was. He didn’t know what dogs are, he’s a sweet tooth (though we already knew that thanks to the Junior Novelisation of Thor Ragnarok) and he likes coffee! For some peculiar reason, I’ve always wondered if Loki would like the black brew. He’d either love or loathe it. Now I’m glad I finally know the answer.
Back when he was young, Loki was pretty shy when in love. He did not dare kiss Amora for a long time and rest assured I screamed when he asked her. Loki was soft. He didn’t understand why the nine realms were so against him and why there is “something about him that makes people not trust him”. I dare say that the softness which we see glimpses of in the first Thor movie is not gone. Loki is still soft, especially when in love. I do think he is more farouche now, though. More dominant and hence even more restrained than he already was. Amora ceased to be Loki’s true friend when she turned hysterical and tried to kill him for her own benefit. As for Theo… he had already made up his mind about Loki when he read the myths which Loki wasn’t even aware of until he grabbed that book himself but at least Theo came round. Oh and Loki did like him. Because of his past, which this novel confirms, I think it’d be hard for him to believe that somebody would truly accept, like or love him just the way he is and I love how this plays right into my own Imagines which I’ve written in the past.
Anyway, my personal theory is that Amora is not truly dead. She was swept away by the force of the strong airflow more dead than alive when she let go (writing this I realised Loki attempted the same kind of suicide Amora did… oh my God…) but I highly doubt she died. Mind you she was strong enough to destroy the Godseye Mirror with Loki and drew life force from humans to survive on Earth. What does that mean? Could she possibly make an appearance in the Loki series? In the next novel? At this point, anything is possible. And what about Theo? I remember Loki’s “This day, the next, a hundred years, it’s nothing. It’s a heartbeat. You’ll never be ready.” Loki lied to him because he had to. He couldn’t have brought him to Asgard if he wanted to and he also couldn’t stay on Midgard with him. He knew it’d be so damn hard for him, an Asgardian (since he didn’t know he was a Frost Giant) and a human to be in love. Loki knew that when he told Thor to say goodbye in TDW. Odin would not have allowed Theo on Asgard, especially not if Loki asked. He even compared Thor’s (ex-)girlfriend Jane to a goat when he brought her.
So what did Theo do after? If you read the book, you’ll know that Loki discussed the SHARP Society’s name with him and Loki… Loki suggested SHIELD. I mean…?! Did Loki influence the foundation of SHIELD? Is that what Theo did with his life after Loki had gone?
Last but not least, Odin’s and Loki’s conversation at the end broke my heart. I thought having to witness Odin telling Loki that his birth right was to die was bad but apparently, there is worse:
“The only truth with which you need concern yourself,” Odin said, “is that any man who sticks his hand into a fire will be burned. You have disappointed me greatly today, my son.”
“As opposed to what, exactly?” The vehemence of his own voice surprised him. Before he knew what he was doing, before he had truly considered it, he mounted the stairs and walked up to the throne, uninvited, and faced his father. “You have never given me a reason to believe you were anything but disappointed with me since the day I was born.”
Odin shook his head. “You do not give me reason to show you anything but that.”
“I have done terrible things, but you let me be nothing but those things. Tell me, Father, do you think me evil? Do you think me monstrous?” He spread his arms. “Did you need a villain and I was available? Someone to make Thor look prettier than he is so that when you give him the throne, everyone will be willing to overlook the thousands he’s slaughtered in the name of peace and Asgard?”
“Enough!” Odin roared, […].
I was a sobbing mess. Now tell me if Loki ever had a choice not to be selfish. Who else is going to think about him, consider his opinion and take care of him if he doesn’t do it himself? That he decides to “become the witch and know everything”? And in spite of it all… I am soft for how much he still loves his brother. Mind you, the (actually deleted) scene from the first Thor movie in which Loki tells Thor that he’s looked forward to this day as long as he had, is yet to come. “My brother. My friend. Sometimes I’m envious… but never doubt I love you.” or what he told the Warriors Three after his banishment: “I love Thor more dearly than any of you but you know what he is.” Yes, he led some Frost Giants the way into Asgard to “protect the realm from his idiotic rule for a while longer” (thank God he did, Loki was right, Asgard would have drowned in chaos—not Loki’s kind of chaos but bad chaos) but I don’t doubt the sincerity of his words to Thor before his almost-coronation.
Yet to come is also the revelation that he’s a Frost Giant, for him to find out why he never stood a chance against Odin’s constant disappointment. I should have known from the beginning it was him who took the Norn Stones. For himself. Loki is so relatable it physically hurts.
He didn’t just snap when his whole world fell apart that day. This novel proved that it was only the tip of the iceberg; like a tiny pebble removed from a mountain made of rocks, causing it to collapse.
I am definitely going to read this novel again. It’s incredibly inspiring for Imagines (I’ve already got a pretty angsty Imagine planned based on Loki’s adventures and I’ll make sure to work that in between all the Halloween requests I received) and I am desperate for more details. Mackenzi has to write the next one ASAP.
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hersweetrevenge · 2 years ago
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some more thoughts about corey's affair with mr allen. i feel like corey's irrational concern about staying on the allens' good side makes all logic leave his brain.
he's worried that jeremy will tell his parents he's a shit babysitter, but i really think that if that did happen, corey could probably have just spoken to roger about it and everything would have been fine.
if corey just told told him that jeremy had been playing up and he just couldn't handle him, then i honestly think roger would have believed him. he knows how besotted corey is, he knows how genuine he is. he also knows how awkward corey can be. it wouldn't have been the end of the world for corey to admit he wasn't up to babysitting again. like he said, he isn't a babysitter, he mows the lawn.
but, he is desperate to be seen as responsible and he feels like he has to be a perfectionist because how else will anyone love him, let alone respect him, if he's anything but?
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hersweetrevenge · 9 months ago
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Hi there! <3 I re-watched Halloween Ends yesterday because I was upset and I needed Corey to save me, lmfao, and I wanted to ask you something that I've been wondering about. So, I have no way of getting the novelisation of the movie anytime soon, and you're kinda my only frame of reference for it; so I hope you don't mind me asking you this. When Corey is on his revenge killing spree, he kills those bullies at the mechanic shop. And Ronald is there. And then Ronald comes out to help the kids because of Terry. And only because of that. So, that makes me wonder... Did Corey plan on killing Ronald after he was done with the kids? Is that something that was elaborated on in the novel? Because I keep wondering about that, since Corey pretty much killed everyone that ever wronged him during that night, and Ronald was right there; but Corey didn't kill him (or didn't get the chance to, at least). Terry shot him by accident. But Corey killed his mom, of course. So, it'd make sense if he had at least planned on going after Ronald as well; even though he never actively wronged Corey (only passively, if we look at the way he just sat and watched while Joan abused Corey right in front of him, for example). But more so for completion's sake, y'know? They were on generally good terms, after all. I mean, in your latest post about the novel, you quoted that Ronald is "the loveliest thing" in Corey's life, according to Rohan. So, that makes me wonder all the more. OH, and... I fought with myself to include this point, but anyway- Corey takes the mask off when Ronald comes to help the kids, so that Ronald can see his face and know it's him. And it clearly disarms Ronald immediately and is the reason why Terry accidentally shot him instead of Corey, because he shielded him instinctively. Thus, I keep wondering if Corey meant for that to happen or if he took the mask off in order to assure Ronald that he wasn't actually in danger... It's such a seemingly insignificant thing that I'm thinking about far too much, but it's been bothering me that I don't know, and I was curious if the novel said anything about that at all, or if they just brushed over it there, as well. If they did, I'll just make up my own mind, of course, hdsfdjkfsk Anyway, I'm very sorry for rambling on about this, gosh! I love your blog(s) and everything you have to say about Corey and Rohan, you're awesome!!! Thank you for your detailed posts all the time, they keep me going! Take care! <3
ahhh hi !! thank you so much for sending this ask !! i love talking about this sort of thing more than anything lol and i’m sorry this took a little longer than i expected to reply, i was double checking like every ronald scene in the novel and cross-referencing that with behind-the-scenes details from making of, and re-watching the movie (i didn’t have to do that last one but like you, i needed emotional support from corey too 💗)
WARNING for discussions about (canon-typical) violence, murder, child abuse, abusive households, mentions of suicide and self-harm, and spoilers for the novelisation.
TL;DR – the novelisation does not elaborate on corey's intentions in any huge amount of detail, but it does provide some insight into a few different possibilities for ronald and corey’s relationship and what that would mean for corey's intentions.
general relationship
the novelisation actually gives some really specific details about the cunningham-prevo backstory, but also leaves a lot of aspects vague too.
joan married ronald when corey was 15, and she made it clear to ronald that he would "remain firmly on the sidelines when it came to corey's upbringing" which ronald "gladly" agreed to. so from the very beginning, ronald accepts he isn't going to be an active parent to corey, which maybe means he didn't believe he would do a good job anyway, or maybe he agreed it wasn't his place to parent corey in the same way joan does.
also, corey was already a teenager, he didn't need parenting in the same way a younger child would, which is partly why i think joan waited until corey was older to get remarried, because although being a single parent is difficult, she wouldn't want someone else in the picture as a father-figure for corey.
i don't personally see corey and ronald having a super close relationship, but there are multiple instances that show they are at least comfortable and familiar with each other (in line with what rohan said).
corey had a job before working for ronald, so we know ronald didn't have to give him a job. i hc that corey really wanted to do something stimulating instead of call centre work, and ronald agreed despite joan's grievances over it.
ronald doesn't seem too angry at him for being late, even though it is a regular occurrence (third time in a month).would he be so lenient on anyone who wasn't his stepson?
the gifting of the motorbike is a huge moment of course. that's a big gesture which, in the novelisation, also comes with some stilted bonding when ronald reminiscences that he used to "get laid [...], if you can believe it".
they have their united front moment over dinner when joan is trying to work a reaction out of them and neither gives her what she wants.
a smaller but still significant gesture is that corey uses dumbbells and a pull-up bar in his room to workout, which ronald bought him for christmas. very much feels like an attempt to help corey rebuild his self-confidence.
honestly though, rohan's comment about ronald being the "loveliest" thing in corey's life is probably right, especially as corey's life has been incredibly insular. as the town pariah with an abusive mom, his stepdad being cool about him being late for work is probably one of the best parts of his day.
but then on the other hand, there are moments which do not characterise their relationship very well, including multiple instances of ronald "ignoring" joan's abusive behaviour and not intervening.
to reiterate a previous point: ronald very willingly obliges joan's wishes of not "interfering" with corey's upbringing. her unfounded criticism and distrust of doctors, the school system and anyone other than her taking care of corey should have been a huge red flag (if, of course, any of that behaviour could have been inferred prior to their marriage).
ronald's passivity at being side-lined by his wife, allowing her to continue an unhealthy and unbounded relationship with corey.
when joan is berating corey for "sneaking around" and seeing allyson (the slap/kiss scene), she questions ronald as to whether he knew about the motorcycle, to which ronald stays completely out of it and doesn't answer her, despite her being furious with corey.
however it is a really difficult family dynamic to navigate, with so much nuance. i'm reluctant to say if ronald is a "good" or "bad" stepdad, or whether their father-son relationship is "good" or "bad", simply because their circumstances are so trying and complex. yes, joan has abused corey for a long time, but that abuse also extends to ronald in many ways too, resulting in him allowing (or enabling) joan's abusive behaviour in a flawed attempt to maintain the (toxic) status quo of the household.
did corey intend to kill ronald?
like i mentioned, there isn't any elaboration about corey's intentions in the novel, either through narration or extra dialogue. the scene happens almost exactly as it does in the film, with a few alterations and added background details. it's the surrounding details and plot differences that change my opinion.
i think movie!corey would have killed ronald if he had to. he knew ronald would be at home or at the yard, both of which were places he intended to go (to kill momma and the bullies). i'm not sure he had the same desire to kill ronald as he does the others, especially if he sees ronald in a good light, but to tie up loose ends he might do what is "necessary". i do find it very interesting that he lets ronald see his face though, and i can't decide if that is as a reassurance (he wouldn't kill ronald and ronald should know that) or because it just didn't matter (he's going to kill ronald so even if he sees corey's face, he won't be a liability to worry about).
however, i don't think novel!corey intended to kill ronald. in the novel, despite all of the extensive set-up of joan being abusive and corey's repressed desires to hurt her (and arguably ronald), there's no suggestion that corey planned to go back home as part of his spree and kill joan. if he wasn't going to kill joan after everything she did, i really don't think he'd have plans to kill ronald.
that's not to say there aren't implication in the novel that corey would hurt ronald too. there's a scene after the slap/kiss where corey can hear joan and ronald arguing about him, and once they've gone to bed corey gets a knife and stands outside their room, but ultimately doesn't go in. it isn't specified whether he wants to hurts just joan, or ronald as well.
michael's mask
ahh so when i was re-reading the scrapyard massacre in the novel to try and answer whether corey letting ronald see that it is him was a way of corey saying "you don't have to be scared of me" or even "you should be scared of me", i've come to a different conclusion about the mask.
“Who did this to you?” [Ronald] asked. “Him,” Margo said, pointing across the street. Ronald turned to find Corey twenty feet away on the other side of the fence, pulling Michael’s mask over his head. "Corey?" he muttered in disbelief.
the way the novel reads, i think that when corey puts the mask on in front of ronald, it's the first time he puts the mask on at all. if that is the case, it adds a whole other level to the transition between corey's kills as himself (or as the scarecrow) and his kills "as michael".
earlier, billy's sees "corey's shape wearing his prevo jumpsuit". it's fair enough that billy would assume it's corey without seeing his face, because they know that corey is there, but there's no mention of the mask either.
then, the way it describes ronald seeing corey put on the mask doesn't really indicate that corey was making sure ronald saw it was him. he's already "pulling on the mask" by the time ronald looks over at him; he wasn't waiting for ronald to look he was already doing it.
alternatively, the movie shows corey very deliberately stood there, waiting for ronald to see him and recognise him before he puts the mask on. i'm leaning towards it not being a gesture of reassurance but more of a last show of humanity to someone corey cares about -- "it's me, and i appreciate that you always treated me well, but this is the monster they've made me into".
in both versions, ronald jumps up to stop terry shooting corey. whether he was intending to shield corey or was just getting up to try and talk terry down, i think it says a lot about ronald as a character. he has been very passive this whole time, especially in scenes that take place at home, but in this moment he takes an authorative position to try and diffuse the situation. there's a scared kid with a gun, and his own stepson who he's starting to think might have done something awful, but this doesn't have to continue -- they can talk about it and calm down and whatever it is that has happened can be worked out.
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