#haha now he's done the fisheye thing too

[s0ull3ss-p3rs0n]

Fuckass Lloyd fisheye lense attempt

[ask-ikevamp-faust]

Some time ago I tried a IA that was supposed to roast me (haha) and it told me that I talk to much about you in my personal Twitter account (and is the true). I'm afraid I enjoy too much dissecting you in my own way in my free time. There is a lot I want to write about you but I tend to hold myself or bite my tongue, so is just me alone with my own thoughts.

I've been trying to recall where my fascination with your mythical figure started. I do remember I was about to visit the ranch of my family in the country side so I picked some books in the local library to entertain myself reading and I picked Goethe's "Faust". (Funny is that I also picked a copy of "Twilight" because the lovely girl in the store very enthusiatically recommended the book to me since it was the hot trend at that time. I already new of that book too because my friends love the Vampire genre and wanted to read it but that's another story. Anyway, what I found funny is that I got "Faust" and "Vampires" in the same day, interesting coincidence.)

I did read Faust first because it was my priority. I still think that Mephistopheles is my favorite character of that play, I find he was so delightful, he still gimme a good time because all the things he says. There is a lot of key scenes a love about the play, like when Faust creates a homunculous, when they visit the witch that will make Faust younger, all the drama when Faust wants to romance Margaret.

Some years later, there was a movie called "Faust" by Aleksandr Sokurov. Already knew about Sokurov because he was the one who filmed "Russian Ark". This Faust took some creative freedom and is a bit different from Goethe's version, but it was also very visually interesting in how the takes are deformed with a fisheye lend and some of the symbolism (Faust and Margaret literally drowning in pleasure and sin IIRC).

And I think one of my favorites so far is the classic "Faust" from Murnau. I was quite surprised because the movie is so well done and has incredible special effects for the era it was done, I love and miss when cinema was this level of creative, now everything is done with computers and graphics that makes things a lot more easy, but don't have the same flavor.

But I wonder how do you feel about all this fictional depictions of you since they are very different from the Johann I know. I'm still craving to learn about new undiscovered versions of you, but I also want to learn more about you in specific.

BTW, I was the one who wrote to the blog asking about what it was allowed or not about NSFW interactions and just asking questions because I'm not really familiar with roleplaying. I just thought it would be ok to say it since I feel like I'm already like three different people in your ask box, but now I'm only two (haha).

– @crowmero

I apologize for the long wait 🙂‍↕️ Thank you for your patience 💖

I’m not sure I completely understand what “roast” means. Charles explained it to me but it wasn’t very helpful. However, I do know what AI is, I have not used it very much myself; apparently it’s “the future”. While technology is useful I’m not sure it will ever completely replace real people, but who knows, I suppose it is a possibility. Anyway, I’m getting off topic… You say this AI said you talk about me too much and you admit that it’s true? How interesting, I’m flattered I occupy so much of your mind. There’s no better compliment than someone wanting to dissect me, please continue to do so. I see you have written much about me here already, if you’d like to continue sharing all your thoughts, don’t hesitate to come by and tell me. 

Ahh this is how you came to know my name, what an amusing introduction story. I’ve heard about these shiny vampires, they may be the most odd depiction of vampires I've seen; quite the coincidence you ended up with both. Since Mephistopheles is your favorite character here and you happen to enjoy his lines, quote 3 of your favorite lines from him. 

Both of these films sound both interesting and entertaining. They seem to do well in showing how you can take the same character and present them differently depending on the creative goals.

Actually, I haven’t interacted very much with the fictional depictions of myself. I’ve only heard whispers here and there whenever I go out. They all sound rather interesting, it wouldn’t be a bad idea to learn about them, maybe I’ll try it out sometime. I’ll use the ones you mentioned as starters, if you enjoyed them then they shouldn’t be bad. You’re always welcome to learn more about me, whether it’s myself or a different fictional depiction.

🌙 - Ohhh it was you?? Of course it’s okay! Thanks again for asking 😄 I was able to make more specific rules. I didn’t put any role-playing examples in the rules, I had some but didn’t add them since if anyone wanted to role-play that content, they would need to talk to me in the first place. I felt I could get more specific in DMs if needed. If you have more questions about it you can always DM me 😊

@crowmero

[gofancyninjaworld]

2020 in One-Punch Man. Part 1: Manga

How shall I describe this succinctly?

It's like ONE and Murata looked around them, saw a raging pandemic, massive disruption to all walks of life, uncertainty of when, if, or how it might affect them, took a massive drag of their cigarettes and said: “Fuck being conservative.  Let's go wild. Fuck making our current arc a webcomic retread with fancier fights.  Let's introduce more lore, let's have more characters interact in ways one would never have imagined, let's have characters do things that hadn't previously been thought of and make this really exciting.“

If you were holding onto the webcomic as your guide to what next, 2020 was not a good year for you. 

723 pages in 24 updates (including revisions) changed the status quo ante in deliciously unanticipated ways!

Where we left off in 2019, we were following the webcomic pretty faithfully, with most manga-original elements being removed at a fast clip.  Phoenixman was dead, the mercenaries had died a brutal death, the ninjas had been resurrected but had run off buck naked, Orochi was dead, G5 was very much destroyed, Drive Knight had appeared but had obligingly limped off, taking Nyan with him.  The S-Class heroes were in trouble with the cadre exactly as expected and Saitama had met up with Flashy Flash.  Tatsumaki had finally found Psykos. Yup, no real changes here.

2020, HAHA! 

Awaken!

Throwing manga-specific elements away? As if!   They took the great opportunity that preparing chapters for publication to critically review and revise the story so as to first, make it move at a faster pace and second, to be enriched.   It’s meant that chapters for volume 22, 23, and 24 (to come) have been redrawn to accommodate the changes and we got the benefit of many of them between April and August of this year.

We started with Phoenixman’s fight with Child Emperor.  It started innocuously enough with Phoenixman resurrecting, but then we got a much more interesting chunk of knowledge -- the existence of a metaphysical world modelled on one’s on psyche where the assault on Child Emperor’s sense of self took a much more existential nature. 

From a purely physical battle (and some nifty cool info about the Subterraneans) to an otherworldy battle happening in parallel with the physical battle:

It ended up a very interesting examination of Child Emperor’s character and his relationships with other heroes, as well as telling us something else freaky about Saitama’s ability to be anywhere he damn well wants to be.

Ah, and Phoenixman lives. Albeit as a little chick (for now).  He’ll probably be back, but not just yet.

The mercenaries were next.  They didn’t die.  Not because Amai Mask had a change of heart, but because Iaian listened to the niggling feeling in the pit of his stomach and turned his team mates around to intervene just in time. 

As you’d expect, trying to guide the mercenaries back to the safety of the surface has been an incredibly challenging ordeal for the disciples. It’s revealed much more about the way the disciples trust each other and lean on one another, and yet, when there was no option to do so, Iaian stepped up wonderfully to fight to save the mercenaries.

We’ve also learned something interesting about why mercenaries exist at all in a world supposedly at peace.  I look forward to seeing where this plot might go next.

Elsewhere,  we got to learn a little less about Puri Puri’s dancing and swimming lessons, but we got some really awesome nods to the mythical in Bakuma (the baku is a long-nosed creature formed out of all the bits left over after creation that eats dreams) and Electric Catfish Man’s sudden sense of doom is both reference to the way catfish are supposed to detect earthquakes and just damn cool. 

A monsterised exploitative business man taking the form of a demonic dream-eating monster that consumes weaker monsters so as to exploit their abilities is so appropriate on many levels (and unreasonably hot!).

Yes, Waganma does make it to the surface, along with Saitama and Child Emperor.  Saitama gets chased away by a Sekingar outraged that there’s a clueless hero just wandering aimlessly around.  Child Emperor goes back underground and I loved to death Waganma being pierced with remorse as he realises that the hero is going to go risk his life anyway.   He’s spoiled, but his keeping quiet came from a place of being a scared human being desperate to be saved  (a surprising number of fans did not like that -- they preferred to think of him as a psychopathic monster incapable of remorse).

Orochi still has a date with a gloved fist, but he’s getting to live a little longer than he did before.

Overall the story is tighter and there’s a lot more interest as well as future plot hooks than there were.  I’m interested in seeing how it gets tied up in the next volume sometime in 2021.

Reddit did not take it well.  Summary of discourse:

sorry not sorry, I lost patience around the 500th whiny post

Advance!

What about the new chapters we got?  Also here, ho ho ho, that status quo has gotten a good kicking!

Orochi came back.  Not the most surprising surprise in the world, given how carelessly Saitama punched him. Also not surprising that he came back stronger; Phoenixman had wonderfully demonstrated that monsters can bounce back from near-death situations much stronger.  But his form... such a disgusting, slimy, ever-shifting mass of tentacles and dragons, consuming all in its way led to the third craziest development: his fusion with Psykos to launch a new monster.

I’ll spare you the disgusting intermediate stages but the end result has been the birth of Psykos-Orochi and with that, what had been a total sweep for Tatsumaki turned into a much more dangerous enterprise where every mistake of hers got punished brutally.

Why is that only number three?  Because Tatsumaki raised up the entire base to try to encompass the whole monster (and it turns out that she was thinking far too small -- the monster had actually eaten large sections of City Z) and Psykos-Orochi uses the space to launch a beam so powerful that it literally cuts off part of the Earth itself.  It was a real I see it, but I don’t believe it moment.

if you didn’t spend a few seconds just staring in disbelief, you’re not paying attention. OMG.  Boy is the Earth in trouble.

Why is that only the second craziest thing?  Because of why this fusion monster was able to do as it did. ‘God’ doesn’t just go round looking like a semi-tangible being giving random homeless men magic powers.  Yup, the Earth really in in trouble if some supernatural being is smushing monsters together to make a stronger one and then granting it extra powers.   Just like that, the struggle has turned cosmic.

Tatsumaki trying to figure out how to fight back and save City Z from being swept away by a tsunami, save the heroes, and save the planet from further damage by the beams all at the same time was one of the most spectacular fights to date. 

As I said earlier, this monster has presented Tatsumaki with a real fight where the slightest mistake on her part leads to severe punishment.  She wound up in trouble when she underestimated how extensive the monster actually was and let up on twisting it too early, only to have it come right back and skewer her hands. 

Thankfully, Genos came in and saved her from that pinch, then held the monster at bay long enough for Tatsumaki to finish saving the strike team so she could give the monster her undivided attention.

Which is a very tame way of saying that that was an incredible development in capability.   That some of the fandom had trouble accepting (they suck). Watching their protests has been an exercise in special pleading.  They have no trouble understanding how Murata uses scale...until it came to accepting the size of the explosion resulting from Genos smacking away Psyko-Orochi’s execution beam then it had to be a fisheye lens (visibly incorrect, but who’s talking facts here?).   Have had no trouble understanding how Murata portrays escalation... until it came to accepting that Genos is strong then no, somehow the monster had to be weaker.   Have had no trouble with the freeze frame language that Murata uses to portray things happening at great speed... until it came to accepting that Genos could move really, really fast.   For some people, the new is only welcome when it confirms and validates preconceptions.  Anyway, that’s my rant done!

the most unlikely of partnerships and they’re still going despite having taken a hell of a battering since this scene

Guess who’s back?

We’ve also been seeing more heroes come back to the fray.  The emergence of the Tower of Doom acted as a clarion call to every hero around and able to move.  Metal Bat sneaked out of hospital to come running back.  Tank Top Master hitched a ride with Mumen Rider to go to City Z.  He intended to stick around and save people, but seeing how much wider scale the fight was,  he literally threw himself into battle. 

Drive Knight decided he literally had to have a piece of the action,  took up a ton of power from the nearest substation and came flying in to intercept a desperately escaping Psyko-Jet... ah, I didn’t say?  Yes, the monster turned into a machine to run away once hard-pressed.

And we finally got to see what Blast actually looks like, courtesy of a flashback of Amai Mask’s.   He definitely looks the part of a caped superhero and it’s little wonder he’s stuck in the imaginations of so many.   But now I’m even more interested in seeing what his deal is and what is he’s like now

The one thing we know for sure will be happening is that Garou will not be denied his destiny.   He’s coming.  But what else is happening?  Ah, that’s all in the air.

Bring on 2021!