#had marcoh died then they never would have deciphered the notes or captured envy and heinkel would have died against pride and kimblee
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Hydrogen bomb vs coughing baby 2: electric boogaloo
Something that will never not astound me about Full Metal Alchemist is just how tight the story is. Every scene and every character serves the story, which in turn serves the characters. There's no fluff, no detours, and no excess in cast, plot, or exposition
This comes into hyperfocus in the lead up to and on the Promised Day. Every character we've seen thus far, be they main, side, or support, has a role to play and their own reason for doing so. Each has a hand in saving the world
Even Yoki, the bumbling, self-serving comic relief, gets a moment in the spotlight when he hits Pride with a car to save Marcoh, Heinkel, and Alphonse. The best part? Despite it being a genuinely comedic moment in the midst of devestation, it doesn't destroy the tone. Not only has Yoki been a consistently silly character, but it's done in a way that serves the plot without overtaking it for the bit. That's such an incredibly tight line to walk and Arakawa walks it beautifully
Hard to say any of that about RWBY. It's extremely obvious the writers are flying by the seat of their pants towards a vast sea of nothing. That's why their characters and themes and general everything seems scattered and disconnected. Because it is. They don't know where they're going or even where they've been, so nothing is ever going to line up the way a proper story should
RWBY's story never serves the characters the way it should, and the writers are willing to break characters to force them into a role they were never meant to be in. Look no further than Weiss in V9, assigned comedic relief despite recent events, or Yang's weirdass optimism inside the whale during V8. These instances are so jarring because these characters have not been silly or optimistic since Beacon fell, and they're in the show to just... be there. Neither V8 nor V9 benefitted from these scenes, and you can pluck them out with no consequences. Hell, there'd be an improvement through lack of bathos
While both FMA and RWBY are large scale action stories, only one actually knows how to handle it
#rwde#yodeling into the void#almost done w the fma rewatch and it really is incredible to compare the two#obvs it cant be a 1:1 comparison but considering the overlap its still a helpful analysis#i cant help but think that blake is like someone tried to write Miles but gave him Scar’s backstory#itll never not boggle me that blake starts the story immediately deradicalized#where is her moment of confrontation? what is the Miles to her Scar? why does she switch?#these things are so important yet so absent#and rwby can never juggle its characters right nor can it split the party for efficiency#meanwhile ed and al are separated for literally months wo knowing if the other is even alive yet still manage to get shit done#we dive into greed and riza and kimblee and falman and grummar and-#its chaotic but it Works bc arakawa knows wtf she is doing#also smth thats worth talking abt but i aint got the time is how even the worst people get a chance at redemption#if dr marcoh had been in rwby he wouldve been killed but fma denied him that catharsis. he was given a chance to atone#had marcoh died then they never would have deciphered the notes or captured envy and heinkel would have died against pride and kimblee#hard to say how much the lack of redemption is due to the writers' beliefs and how much is due to their lack of skill#notice how the few they do grant 'redemption' to are written out immediately after?#these fools truly have no vision#no idea of what to do w the discomfort of wrongdoing. the weight of guilt. the neverending journey of thankless self betterment#also nothing in rwby is as brutal as mustang vs envy. its so beautiful in its horribleness#watching it rn and holy shit its just as amazing as the first time
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