#häkken

[piasgermany]

[Video] Gurriers teilen Video zu "Top Of The Bill"!

Gurriers veröffentlichen mit "Top Of The Bill" die neueste Single aus ihrem Debütalbum "Come And See", das am 13. September 2024 über No Filter erscheint.

"Top Of The Bill" vereint den wilden Sound der irischen Band mit einem ohrwurmverdächtigen Riff, während sich der Song immer weiter aufbaut. Einer der persönlichsten Songs von Sänger Dan Hoff, der selber sagt: "It's a distorted love story, a warning to myself of a person I could have been."

Begleitet wird der Track von einem One-Shot-Film des jungen und aufstrebenden Dubliner Regisseurs Adam Hart. “I think the buzzword for the band was Twin Peaks as the lads are huge fans, but apart from that there are a few Shane Meadows tropes in there too, showing small vignettes of characters that populate the world of the bar.”

Live: 15.10.24 Köln - YUCA 16.10.24 Hamburg - HÄKKEN 19.10.24 Berlin - Privatclub 20.10.24 Leipzig - Naumanns 23.10.24 A-Wien - Chelsea 24.10.24 München - Live/Evil Booking in D: Dreamhaus

[musikblog]

https://www.musikblog.de/2024/04/dana-rexx-tickets-zu-gewinnen/ 04.05.2024 Hamburg – Häkken

[icingcover]

Häkken in June by Tufu In june the tapefabrik dudes invited me to play a beatset at Häkken in Hamburg. Somehow someone pressed the recordbutton for a random timeperiod...i grabbed the mic afterwards. The pretty face shown belongs to my cousin and partner in crime who was on beatselction. Anyway: here is that 18 minute extract. Hint: I leaked some vocals of the upcoming Knowsum album - tihi love is the air.

[thegoldenmix]

Dopamine in the air & we couldn’t get enough! 🤩 . . . @francmoody #francmoody #francmoodylive #hakken #häkken #hamburg #hh #concertsinhamburg #dopamine #cantgetenough #moody #energyonthestage #greatliveband #konzert #konzerte (hier: Häkken) https://www.instagram.com/p/B3qtyVgnzBq/?igshid=1kf1ozz3w6j0q

[shokishoot]

SHOKI SHOOT // ICEBERG @ 1 NIGHT IN PANAME #1 (2016)

[abductionradiation]

Hamilton, Ontario -- I am finally so excited to share the new Jessy Lanza single “Lick In Heaven”. This is her first real piece of music since the release of her 2016 album Oh No and needless to say, it’s an absolute jam. The track is just a bit under 4.5 minutes long and it features Lanza’s glittery electronica and her distinct soulful R&B vocals. There’s also an infectious pop nature to the track, especially on the dance-y chorus as she sings “Once I'm spinning I can't stop spinning”. Despite the upbeat nature of the track, “Lick In Heaven” was written about the frustration at being angry at people and not knowing what to do about it - sometimes it just bottles up and comes spiraling down. 

ps you can spot me in a mustard-colored shirt dancing! 

EU/UK tour dates:

Fri        28-Feb             NO       Oslo ---- Larm Festival Sat       29-Feb             DK       Copenhagen ---- Journey Fest at VEGA Mon     02-Mar             DK       Aarhus ---- TAPE Tue      03-Mar             DE        Hamburg ---- HÄKKEN Thu      05-Mar             CZ       Prague ---- Meetfactory Fri        06-Mar             AT       Graz ---- Elevate Festival Sat       07-Mar             CH       St Gallen ---- Palace Tue      10-Mar             FR        Paris ---- Petit Bain Wed     11-Mar             UK       London ---- Space 289 w/ Loraine James Thu      12-Mar             UK       Leeds ---- Headrow House w/ Proc Fiskal Fri        13-Mar             IE         Dublin ---- Lost Lane Sat       14-Mar             DE        Berlin ---- Berghain Kantine Thur     21-May            FR        Lyon ---- Nuit Sonores Festival

Connect with Jessy Lanza:

Official Site | Facebook | Twitter | Instagram

[bandulera]

(HÄKKEN)

[beliarhimself]

Das wars mal wieder mit Hamburg. . . #Hamburg #City #rbf17 #rbfc17 #reeperbahn #festival #concerts #music #live #livemusic #architecture # building #pink #blue #latergram #nofilter #klubhaus #stpauli #häkken #spielbudenplatz (hier: Häkken)

[piasgermany]

[Album] Gurriers kündigen Debütalbum

"Come and See" an!

Die irische Band Gurriers veröffentlicht ihr Debütalbum "Come and See" am 13. September 2024 über No Filter. Darüber hinaus kündigt das Quintett auch einige Festivalshows sowie eine ausgedehnte UK- und Europa-Tournee für den Herbst an.

Während das 21. Jahrhundert immer weiter fortschreitet, taumelt unser Planet bedenklich von einer Krise in die nächste. Anstatt sich passiv zurückzulehnen und zuzusehen, starten Gurriers mit ihrem Album "Come and See" einen erbitterten Gegenangriff auf das Unbehagen des modernen Zeitalters. Die elf Songs erforschen viele Themen, sei es das Ende der Welt, die unterdrückte Jugend von Dublin, der Aufstieg der extremen Rechten, moderner Narzissmus in einer überreizten und realitätsfernen Social-Media-Bubble, die Desensibilisierung gegenüber Gewalt oder ein Papst, der mit dem Glauben und der Liebe ringt. Inspiriert von den zeitlosen ersten Platten von The Strokes, Arctic Monkeys, The Chemical Brothers und Black Midi, ist "Come and See" kein gewöhnliches Debüt, sondern eine erheiternde Absichtserklärung von fünf Leuten, die es satthaben, sich höflich um das Chaos herumzudrücken. Aufgenommen in Leeds in den The Nave Studios mit Alex Greaves, sind die Songs eine explosive Sammlung voller Progressive-Punk mit kreischenden Gitarren und bittersüßen, messerscharfen Lyrics: “The album is a noisy, guitar driven odyssey of our disillusionment with the modern world”.

Die aus verschiedenen Teilen Irlands stammenden Gurriers lernten sich 2020 in Dublin kennen. Dan Hoff (Vocals), Ben O'Neill (Gitarre und Backgroundgesang), Mark MacCormack (Gitarre), Pierce O'Callaghan (Schlagzeug) und Charlie McCarthy (Bass) nutzen dabei vor allem die Monate der Pandemie, um an Songs zu feilen und sich für Live-Shows einzuspielen. Als die Gruppe an Halloween 2021 ihren ersten Gig im Dubliner Workman's Club spielten, hatten sie sich als Band schon bemerkenswert weiterentwickelt. Seitdem spielten Gurriers auf Festivals in ganz Europa und darüber hinaus, darunter Reeperbahn Festival, London Calling, The Great Escape und Pukkelpop.

Die erste Singleauskopplung "Close Call" ist ein eindringlicher Track über die Herausforderungen, mit denen die vergessene und gelangweilte Jugend Dublins konfrontiert ist: “Forced out of youth by violence / The dead streets / Is where they’ll meet.“

Tracklist "Come And See": 01. Nausea 02. Des Goblin 03. Dipping Out 04. Prayers 05. Close Call 06. No More Photos 07. Interlude 08. Top Of The Bill 09. Sign Of The Times 10. Approachable 11. Come And See

Live: 18.05.24 Beverungen - Orange Blossom Special Festival 15.10.24 Köln - YUCA 16.10.24 Hamburg - HÄKKEN 19.10.24 Berlin - Privatclub 20.10.24 Leipzig - Naumanns 23.10.24 A-Wien - Chelsea 24.10.24 München - Live/Evil Booking in D: Dreamhaus

Website Instagram Facebook

[musikblog]

https://www.musikblog.de/2024/03/dana-rexx-konzert-in-hamburg/ Dana Rexx aus Belgien tritt am 4. Mai 2024 live im Hamburger Häkken auf. View this post on Instagram A post shared by 𝐃𝐀𝐍𝐀 𝐑𝐄𝐗𝐗 | 𝘿𝙖𝙧𝙠 𝙀𝙡𝙚𝙘𝙩𝙧𝙤𝙣𝙞𝙘 𝙋𝙤𝙬𝙚𝙧 𝙋𝙤𝙥 (@danarexx) Dana Rexx hat die einzigartige Fähigkeit, verschiedene Musikgenres nahtlos miteinander zu verschmelzen und einen unverwechselbaren Sound mit einer dunklen, stimmungsvollen Atmosphäre zu schaffen. Mit […]

[icingcover]

Häkken in June by Tufu In june the tapefabrik dudes invited me to play a beatset at Häkken in Hamburg. Somehow someone pressed the recordbutton for a random timeperiod...i grabbed the mic afterwards. The pretty face shown belongs to my cousin and partner in crime who was on beatselction. Anyway: here is that 18 minute extract. Hint: I leaked some vocals of the upcoming Knowsum album - tihi love is the air.

[passportapproved]

DONKEY KID

Last year 19-year-old Jurek Stricker aka Donkey Kid released four singles and earned praise from international magazines, blogs and fans, while garnering support from radio stations. His single “Deep Blue” made the cover of Spotify’s Best of Indie Brandneu 2021 list gained massive traction at British college radio. His first UK shows saw him supporting Cassia, following a summer tour with Von Wegen Lisbeth, Rikas, Drangsal and a performance at the Montreux Jazz Festival. This summer, he released his musical coming-of age-story, the debut EP Distant Shouts (Donkey Dub Records), featuring the single “Digging Holes.” Musically inspired by the likes of Talking Heads, Tame Impala and King Krule, the rising German artist creates his own extravagant soundscapes, ranging from a mixture of modern Western and beautiful psychedelic loops. Donkey Kid will be part of the “Wunderkinder - German Music Talent” export program at the Reeperbahn Festival, performing two shows: Thursday at Häkken and Friday at Bahnhof Pauli.

LINK: www.instagram.com/donkeythekid LISTEN: "Digging Holes"

[miezemia]

💵 C L A U D I A 💵 @jennylydmor #lydmor #claudia #sweetladymanynames #concert #konzert #live #loveit #mysistersname #claudia (hier: Häkken) https://www.instagram.com/p/BqWpxQXnndM/?utm_source=ig_tumblr_share&igshid=1ula751cretfo

[onestowatch]

Bear Rinehart Explores His Softer Side with Wilder Woods Project and “Supply & Demand” Acoustic [Q&A + PREMIERE]

Photo: LOWFIELD

Wilder Woods marks the beginning of a new era for seasoned folk-rocker Bear Rinehart. Rinehart has had a long and illustrious career as a founding member and lead singer of the band NEEDTOBREATHE, having racked up six full-length albums (including RIAA-certified gold The Outsiders) and a Grammy nomination since the group’s formation in 2001. Nearly two decades later, the singer begins his journey as a solo artist under the moniker Wilder Woods.

Our first look at Rinehart’s new project came in the form of a two-song release titled Introducing Wilder Woods, which contained the singles “Sure Ain’t” and “Someday Soon,” followed shortly by a third single titled “Supply & Demand.” While each track maintains elements of the singer’s folk-rock and soul familiar to us via Rinehart’s work with NEEDTOBREATHE, the Carolinian presents three vastly different approaches to songwriting and performance with each of the songs. For example, while “Sure Ain’t” is a defiant declaration featuring raspy vocals and soulful horns, “Supply & Demand” is a laid-back pop tune that feels drinking lemonade on your porch in the summertime.

To celebrate the emergence of the entity that is Wilder Woods, we sat down with Bear Rinehart to discuss his decision to start a solo project, the role of family in his music, and more.

OTW: What made you want to pursue a solo project in addition to a successful career with NEEDTOBREATHE? Who should we know Wilder Woods to be?

BR: Yeah, man. I mean, a lot of reasons. I’ve always wanted to do it. Everybody always wonders what it would be like on the other side. Probably it was prompted by some of the songs that I started to write for the band that weren’t right for the group, but I still really wanted to do. Collaborating with other people was a big factor, too. Spending more time with other people I hadn’t worked with before. It inspires fun artistic processes. I wanted to be scared to death. Wilder Woods wasn’t really a means to an end; there was no particular end in mind. So it’s been a wild ride. It’s something I set up to make sure I wouldn’t be my old self, to challenge myself to keep growing as a person. Not for any sort of marketing.

OTW: You’ve released three singles so far in the lead up to your debut LP – of all the songs on the album, what made you choose these three as the world’s first look at Wilder Woods?

BR: Hmm. There are a lot of factors that go into that choice. I definitely was trying to share a broad scope of what’s on the record. Some of them are just favorites. “Sure Ain’t” is a song I really like. When we were recording that it really felt like a moment when we found the sound of Wilder Woods. “Someday Soon” is probably the heaviest lyric on the record. It’s definitely a side I wanted to expose, something I could make to teach my kids about feelings like guilt and duty. We picked “Supply & Demand” because it just feels like a single. I remember coming home from recording it and listening back and thinking, “Wow. This could be something you hear on the radio.”

OTW: You’ve mentioned that your family has had a profound effect on your work – hence your moniker, a combination of your sons’ names. Are there specific memories or experiences with your family that you connect with specific songs on your album?

BR: I think everybody questions everything again when they have kids. For me, it makes me think about what’s important. Like, what do you want to leave with these people when they turn 20, when they don’t think your music is cool anymore. Who do you want them to see you as when they read through your liner notes? The experience of having kids changes everything.

OTW: How does the concept of “home” fit into your songwriting style?

BR: That’s interesting. One of the songs on the record is called “Hillside House.” I wrote it the day I moved to Nashville. I was shopping for a home, and I found one I loved and knew that one was the one I was going to buy. I wrote the song about how I loved this house but how empty and pointless it would feel without a family in it. There’s always a little gravitas when you look at things through that lens. It’s also a reminder to keep my family included – something that is really difficult to do when you’re on the road with your band. This project allows me to keep my family included more directly, like how my wife is in the music video for “Sure Ain’t.”

OTW: Clearly, Wilder Woods is the beginning of a deeper journey into Bear Rinehart as an individual. With this in mind, how did you go about choosing your collaborators during the album creation process? 

BR: You know, I asked my team to find people that were completely foreign to me. I wanted people who do something completely different than I do, to be in there with pop track guys and people who make dance records and that sort of thing. It was kind of exploratory, but I wanted to be scared out of my comfort zone. The guy who produced this record, I’d never met him before. Our teams were worried about us meeting, they didn’t think we would get along. But we hit it off and made something incredible. It would have been impossible to do without people pushing back a lot.

OTW: You’re kicking off your first tour as Wilder Woods this September. Are you particularly excited for any dates? Why?

BR: The first one. It’s the first time I’ve done it with these guys. What we’re planning for the tour is really coming together now. I know who the band is gonna be and all that. I think we’re gonna blow people away. It’s gonna be nerve racking in all the best ways. I think it’s gonna be great. It’s been a while since I’ve had that nervousness, it’s exhilarating.

OTW: You’ve toured all over the world with NEEDTOBREATHE. Are there any locations you haven’t played that are on your performance bucket list as an artist?

BR: There are definitely some things in Europe I’d like to do. We’ve done a little bit, but not as much as I’d like to. But really, no. It feels like the vibe of these Wilder Woods shows is going to be a lot of different. I think that venues I’ve played before will feel totally different with this project. It’s definitely going to scratch an itch I’ve had for a while now.

OTW: If you could form a supergroup made up of you and any three other musicians, living or dead, who would they be?

BR: Oh, man. I’d make a man band I think, of all singers. Ray Charles, Joe Cocker, and Otis Redding. And we’d just do three songs a piece or something like that. I’d probably just stand there while they sing, to be honest.

OTW: Who are your Ones to Watch?

BR: Some of them are starting to be known pretty well, but I’d say Foy Vance. I like him a lot. And Rainbow Kitten Surprise. People are figuring that one out, but their stuff is amazing.

Photo: Jesse DeFlorio

Wilder Woods embarks on his inaugural tour this September. Grab your tickets for one of the dates below, and be on the lookout for his full-length debut later this year.

Sept. 5 – Toronto, ON, CA – The Mod Club Sept. 7 – Philadelphia, PA – World Cafe Live Sept. 8 – Cambridge, MA – The Sinclair Sept. 9 – Brooklyn, NY – Music Hall of Williamsburg Sept. 11 – Washington, DC – 9:30 Club Sept. 13 – Raleigh, NC – Lincoln Theatre Sept. 14 – Charlotte, NC – The Underground Sept. 15 – Birmingham, AL – WorkPlay Theatre Sept. 18 – Atlanta, GA – Terminal West Sept. 19 – Nashville, TN – The Basement East Sept. 23 – Chicago, IL – Metro Sept. 24 – Minneapolis, MN – Fine Line Music Cafe Sept. 25 – Madison, WI – Majestic Theatre Sept. 27 – Lawrence, KS – Granada Theatre Sept. 28 – Omaha, NE – Slowdown Sept. 30 – Denver, CO – Bluebird Theater Oct. 2 – Salt Lake City, UT – Metro Bar Oct. 4 – Portland, OR – Hawthorne Theatre Oct. 6 – San Francisco, CA – The Independent Oct. 7 – Los Angeles, CA – Troubadour Oct. 20 – Hamberg, DE – HÄKKEN Oct. 21 – Cologne, DE – Helios 37 Oct. 23 – Paris, FR – 1999 Club Oct. 24 – Amsterdam, NL – Paradiso Oct. 25 – Glasgow, UK – King Tuts Wah Wah Hut Oct. 27 – Manchester, UK – The Deaf Institute Oct. 28 – London, UK – The Camden Assembly

[sebastianmadej]

Phoebe Bridgers, 24. Oktober 2017, Häkken/Hamburg

[sheilacwall]

Negroman – Bau

Negroman – Bau

Streaming: https://orcd.co/negroman

Song & Beat: Negroman https://www.instagram.com/nejromunn https://www.facebook.com/nejromunn https://www.sichtexot.com

Video: Theresa Weisheit https://www.instagram.com/theresagirl… ___

++ TOUR ++ Negroman – Die Drei Städte Tour – Oktober 2019:

24.10.19 – Hamburg, Häkken

25.10.19 – Stuttgart, Freund & Kupferstecher

26.10.19 – Berlin, Musik & Frieden Tickets jetzt: https://negroman.reservix.de/events

The post Negroman – Bau appeared first on Hip Hop World Music.

from Hip Hop World Music https://hiphopworldmusic.com/negroman-bau/?utm_source=rss&utm_medium=rss&utm_campaign=negroman-bau from Hip Hop World Music https://hiphopworldmusic.tumblr.com/post/188081548323