#gypsys tramps and thieves

[howardhawkshollywoodmusic]

12. Gypsys Tramps and Thieves by Cher debuted Sep 71 and peaked at number one, scoring 1500 points.

Cher's record label, Kapp (MCA) did not want Sonny to produce her, since she had not charted solo since You Better Sit Down Kids in 1967. The label chose Bob Stone to write a song specifically for her in the adult market, with Snuff Garrett producing. None of Bob's other songs made the top 40.

[cobbbvanth]

hey rb and tell me the LAST song on your Spotify wrapped playlist

[myimaginaryradio]

Gypsies Tramps And Thieves - Cher - 1971

[groovetrill]

I was born in the wagon of a travellin' show

My Mama used to dance for the money they'd throw

Papa would do whatever he could

Preach a little gospel

Sell a couple bottles of Doctor Good

Gypsys, tramps and thieves

We'd hear it from the people of the town

They'd call us gypsies, tramps and thieves

But every night all the men would come around

And lay their money down

[anxiousdragoncollector]

Whenever I hear the song Gypsies, Tramps, and Thieves by Cher, my brain immediately goes to Inkspell cuz of the Motley Folk. Speaking of, I need to reread that series cuz I never finished the third book

[francixoxoxo]

୨ৎ Silver Soul 𓆝 𓆟

𝐏𝐚𝐫𝐭 𝟐 𝐨𝐟 𝐏𝐞𝐚𝐫𝐥𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐒𝐚𝐧𝐝

𝐏𝐢𝐫𝐚𝐭𝐞!𝐁𝐢𝐥𝐥𝐲 𝐭𝐡𝐞 𝐊𝐢𝐝 𝐗 𝐌𝐞𝐫𝐦𝐚𝐢𝐝!𝐑𝐞𝐚𝐝𝐞𝐫

𝐁𝐢𝐥𝐥𝐲 𝐢𝐬 𝐚𝐛𝐬𝐨𝐥𝐮𝐭𝐞𝐥𝐲 𝐞𝐧𝐭𝐫𝐚𝐧𝐜𝐞𝐝 𝐛𝐲 𝐲𝐨𝐮. 𝐁𝐮𝐭 𝐚𝐟𝐭𝐞𝐫 𝐰𝐢𝐭𝐧𝐞𝐬𝐬𝐢𝐧𝐠 𝐡𝐢𝐬 𝐜𝐫𝐞𝐰 𝐜𝐚𝐩𝐭𝐮𝐫𝐞 𝐚 𝐦𝐞𝐫𝐦𝐚𝐢𝐝, 𝐚𝐧𝐝 𝐭𝐡𝐞𝐢𝐫 𝐝𝐢𝐬𝐠𝐮𝐬𝐫𝐢𝐧𝐠 𝐡𝐚𝐧𝐝𝐥𝐢𝐧𝐠 𝐨𝐟 𝐡𝐞𝐫, 𝐡𝐞 𝐰𝐨𝐫𝐫𝐢𝐞𝐬 𝐭𝐡𝐚𝐭 𝐡𝐢𝐬 𝐥𝐨𝐯𝐞 𝐢𝐬 𝐩𝐮𝐭𝐭𝐢𝐧𝐠 𝐲𝐨𝐮 𝐢𝐧 𝐝𝐚𝐧𝐠𝐞𝐫.

𝐓𝐖: 𝐋𝐈𝐆𝐇𝐓 𝐆𝐎𝐑𝐄, 𝐕𝐈𝐎𝐋𝐄𝐍𝐂𝐄

𝐏𝐫𝐞𝐯 | 𝐍𝐞𝐱𝐭

Ever since you came into Billy’s life, he began seeing in color.

You made his dreary, murky future feel a bit more appealing. Brighter. His work didn’t seem so gritty when he had your face painted in the walls of his mind. Hell, he whistled while he worked.

You were engraved into his heart like marble, written into the pages of his story. There wasn’t a way around it, you had him under your spell. His mind was filled with memories of your head against his chest, your lilted voice telling him all about yourself, your sisters, your life beyond him, and asking about his own world. The smell of your dark tresses, like sea salt and amber. The smooth warmth of your skin under his calloused palms, the wistful look in your eyes as you gazed up at the sky.

These memories were a comfort while he was away at sea. When he closed his eyes for a brief respite against the bustle of the crew, or the brutal sun beating down on his back as he tied the lines until ropes were burnt into his splintered skin, your face was behind his lids. Hanging over him like a rosary.

Billy found comfort in the image of those rosy cheeks and heart-melting smiles as he sat up in the crows nest. It was a particularly scalding day, he sighed wearily as he pushed his damp hair back, putting his hat back onto the smoothed locks. He held a barometer in his hands, Jesse was a particular stickler about keeping an eye on the air pressure.

Well. Atleast he wasn’t busting his ass on the deck, he thought as his gaze dropped to a few of his crew mates tying lines, mopping the wood and, what truly made Billy grin, Ollinger’s punishment of re-nailing the uneven screws in the floorboards. Served that bastard right.

“Feel sorry f’ya mama, Kid.” Bob had snorted, shaking his head as he leaned over the deck on his elbows. He was smoking from a pipe, the putrid smell curling Billy’s lip. He barely remembers what biting remark he even spat at the older man. Not like it made a difference.

“All that trouble f’ya t’just end up here?” Ollinger whistled, shaking his head. Billy’s nostrils flared. White hot anger was clawing at his core, toiling like a storm under his skin. “I bet that poor mick is rollin’ in ‘er grave.”

Billy drags a hand over his eyes and down his face, sighing heavily. The worst part was that Ollinger was probably right. His mother probably wouldn’t be happy with the path her son set out on. Well, her son wasn’t too pleased with himself either, so nobody’s happy.

He dreams of running off with you. He’s not even sure how it’d work. Maybe he’d build a special house for the two of you, half in the water and half above the ground. Billy would find a way. His future was brighter because you had come into his life, because there wasn’t a possible future for him without you in it. He’d live out of a dingy if it meant he could hold you close at night, live beside you, no matter what he had to do. If he could, he’d cut himself gills to live in your world.

From what you’ve told him, it’s a hell of a lot better than Billy’s world of gypsies, tramps and thieves. Of pirates and pillagers, rotten crooks and wry thieves.

Billy’s so caught up in his own head that he doesn’t notice the commotion on the deck below. It’s not until Dick calls up to him, climbing up the rope ladder halfway to get his attention, “Billy! Billy, come on down! You gotta see!”

“See what?” Billy whirled around, his forehead creasing as he peers down at his crewmate. But he’s already focusing on climbing down. He doesn’t even think to look out from the crows nest to see what’s going on down there before he’s coming down the ladder.

About halfway down he throws his head over his shoulder, the crew is crowded around the object of their attention, nearly blocking it from his view. But Billy’s got the altitude to see, and he nearly loses his grip on the ladder. His sapphire eyes are buggy and wild, his chest heaving in a raw kind of fear.

Writhing in a net, crying like a baby, a woman with dark hair, struggling ‘gainst the ropes as they scathe her bare skin. Her hips melt into iridescent scales. A mermaid.

A mermaid, caught in a net.

A mermaid, surrounded by pirates.

A mermaid, laughed and poked at as she cries.

Billy practically falls down the ladder more than he climbs down. He’s shoving aside his crew, gaping at the mermaid. He lets out a breath upon seeing that no, it’s not you, but it’s still a mermaid. Still somebody just like you, with lighter eyes and paler cheeks and darker scales, but just like you.

“Jess— Jesse, Jesse, what’re y’doin’? What’s this?” Billy scrambles to Jesse, the captain, the one eyeing the mermaid like a blank check to cash in.

A grin split Jesse’s face. “Bucket o’gold, Billy, that’s what this is!” Billy follows the blonde’s gaze to the mermaid again, terror painting her features. Her eyes are glassy and wide, trained on him. It puts bugs under his skin but he can’t make himself look away.

“What.. what d’you mean, Jesse, what’s.. What’re we doin’?” Billy feels as though his head is clouded, his mind hazy and his thoughts narrow. His eyes are buggy with a visceral horror.

Jesse does a double take to the younger man. “Well, what d’ya do when y’catch a mermaid?” The blonde grimaces as if Billy is the strange one here. Billy shakes his head, his voice dead in his throat, cut off by Jesse anyway, “Dick, Dick, nah, that ain’t good karma. C’mon now.”

“What?” Billy whips his head to look at his crewmate, wielding a cutlass with a slight curve to it. Like a scythe, he thinks lamely, picking the words out from the murky water he’s trudging in. The mermaid can’t seem to stop crying, saltwater pouring down her cherub cheeks as her chest heaves and brow furrows. She hardly notices as Dick undoes the ropes, looking up at Jesse, ignoring Billy completely.

“I thought they ain’t feel pain?” Dick huffed, carefully bringing the sword to the mermaid’s nape. Billy can’t tear his boots from their spot on the deck, he can’t move, he wants to scream for him to stop, but his tongue is cut from his mouth. He makes eye contact again with the woman.

“I think they do, heard somebody say they scream like crazy,” another crew member shrugged, Jesse grunting in agreement.

“Jess.. Jess, please, we ain’t gotta..” Billy pleads, turning to Jesse again with pleading eyes. Jesse shoots him a look with a sharp and clear purpose. Be quiet and don’t mess this up.

Her eyes are round and hazel, pleading for something he knows he could give, Billy knows he could do something, but at he same time he can’t. He can’t do a damn thing. And he knows he’ll hate himself to the day they pour dirt over his grave for it. “I mean, it’s kinda gruesome t’get straight to it anyhow.” Dick muses, as if they’re talking about how they take their tea.

“Get straight to what?” Billy breathes, blinking some haze from his vision. He can’t break away from the mermaid’s stare. Still, nobody is hearing the soft voice of the youngest man in their midst.

The blade moves, swipes, Billy’s eyes begin to water, because all he can see as he’s looking into this mermaid’s eyes is humanity.

How strange is that? To find something so human, something so familiar in somebody so mythical. Somebody nobody on this boat can find even a little bit of sympathy for.

(Would they find sympathy for you?)

Dick is clutching her locks in his hand a moment later, a whimper passing the woman’s lips. She wraps her own arms around herself tighter as the conversation about her body continues to pass around the men. “‘Cause the hair’s good luck.” Jesse explains beside Billy, an excited smile parting his lips.

Billy feels a sickening bile rising up his throat as he listens to the last wail the mermaid lets slip from her pinkened lips, the sound like a drizzle crashing into heavy, oppressive sheets of rain. Dick is pressing the blade against her jugular, her weeping dying in the air as the cutlass slices through her skin like a fin through water, vermillion and like sea foam bubbling at the crevice in her throat, staining the deck maroon.

He’s dizzy with it all, watching but not seeing thick blood spill. A brighter color than human blood, he thinks quite lamely. A passionate vermillion.

(What had her name been? Everything has a name, even when it leaves this world, but Billy supposes every name must also be forgotten.)

Billy blinks, granting tears passage down his cheeks. Jesse hasn’t a word to breathe about it.

(Was your blood that same hue? He didn’t want to know.)

Dick hands the cutlass off to Ollinger, Billy watches through hazy eyes, eyes that hardly feel like his own. The cutlass connects with her hip, where scale meets taupe skin, the sickening sound of blade cutting through tendon, bone and tissue. Sickeningly slow, the sword's wielder struggling to wedge the blade twixt her bones, wriggling the metal, cursing and shaking off a crewmate who offers his help. Skin tears like ripped linen and organs peeking like pearls in an oyster. Bile rises up Billy's throat, boots thump on wood, he vomits over the deck as screws his sapphire eyes shut to ignore the contents of his stomach floating away on the surface of the water like a carcass.

Her eyes are permanent carvings on the back of his eyelids, her weeping etched into his mind like the grooves of a music box's drum. Vermillion is a color that paints each crevice of his brain, the sight of a knife gutting a living, almost human being like a fish something no drink can wash away.

Billy feels a familiar ache for your warm hands on his arms, your fingertips scrubbing discontentment from his skin.

(Why didn't he do anything?)

But with a crashing wave of perturbation, some horrific thought is unearthed. What great danger is he putting you in, for his own selfish yearning for you? His love was a death sentence.

(Did you know the risks? Did you have any idea of what macabre gutting he just witnessed?)

All Billy knows, as his lips part to throw more bile into the rushing sea, is that he'd never forgive himself. You might. God may. But he would throw himself into the ocean, his body limp and resigned, he'd wave off passersby and call, "There ain't a point for me no more." He'd slit his arms vertical-like and let his body decompose into the sand, let the seagulls make dinner of his sun-freckled skin.

He's hunched over the railing like a beggar, purging his body of everything ailed until the only disease remains in his mind, behind his eyes, in shades of gray and striking vermillion. There is only one way, he decides, to keep his woman safe. To keep her eyes bright and her hair flowing, her heart content and most importantly beating. Billy will live with a broken heart if it means your own will go on.

A woman's body, mutilated and stained, cut at the hip and at the hair, crashes into the ocean like discarded refuse and sends sea spray into Billy's eyes.

It was the third day you laid in the sand, closing your eyes against the sun, perking your ears to the seagull's cawing and disappointing yourself with every glance down the shore.

Billy hadn't come to you in three days since his ship docked. You knew for yourself The Seven Rivers was at port, you'd watched it come into harbor with your own eyes. A handful of shells were clutched in your hand, your thumb brushing thoughtfully over the delicate ridges of one in particular. So very many questions had piled up in the corners of your mind. What were these spots and blotches appearing on your arms and shoulders? Your skin had been red and angry for a day, but now it was darkened, why was that? A word in one of the novels he'd given you; Totalitarianism, what did that mean?

But they all went unanswered, as the third day came and went listlessly. You watched the sun as it reclined in the sky, worry embedding itself into the deeper recesses of your heart. Could something have happened to him? Was he held up somewhere? You didn't want to consider that maybe, just maybe, he didn't want to meet you. Perhaps he was tired of you now, he'd had his fill, and moved on. Moved onto a girl he could hold in the night, a girl who fit better with him. A human girl.

The thought sent a shiver down your spine. You weren't sure what possessed you that night, the pearlescent moonlight drizzling over the basin of the sea or the unease brewing in your gut, willing you to glide through the navy waters, coaxing the bravery out of you as you swim to the marina, find his crew's boat, search for a slat in the side of the hull. What are you thinking, you wonder lamely as you peer over the desk, relieved that Billy'd been truthful when he told you he often took the night shift on deck. He'd admitted to you that it gave him a moment's respite to think. You feel a swell of relief at seeing his handsome face, illuminated by the moon as his eyes turn up to meet her demure light halfway.

But the relief doesn't come unscathed by the prying hands of doubt, her fingernails digging crescent moons into your arms. If he was alive, well and free, then why hadn't he come to see you? The Billy you loved wouldn't spend a moment away from you if he didn't have to. Unless his love had waned? Unless his heart was turning to face another's? Unless he didn't want you anymore?

You swallowed down a dry sob, the very thought of such a tender love being gifted to you just to be torn from your hands was earth shattering. Billy wouldn't just be stolen from your grip, but ripped from your heart, the deep sutures keeping him stitched into the fabric of your being ripped apart for you to bleed away, sink to the bottom of the sea. The worst part? He'd still be out there, out somewhere in the world, just not with you. Living, but not at your side. Existing, just out of reach.

Your name spoken in a hushed tone snapped you out of your thoughts. You lift your gaze from the wood of the deck to see Billy's large frame looming over you, those sapphire eyes bright even when swaddled in the darkness of midnight. They dart over you, you think you see a shine to them, before he reaches over the railing to lift you by under the arms. You don't protest as he hoists you to sit on the railing. Billy's hands clutch at your arms long after you're steady, your name falling from his lips again like a prayer.

"You're here." He breathed, his brows lifting and a faint smile crossing his lips. His hands smooth over your arms as if to assure himself you're material, you won't blow away like sand under his fingers.

You nodded simply, a strange feeling brewing. A feeling you've never had to name before now, and now that the time's come, you aren't sure what to call it. "Where have you been, Billy?" His expression falters at your whisper. "I've been waiting for you, and you never came."

Billy shakes his head, lips pressing almost nervously. "I couldn't. M' sorry, I wanted to, but... you shouldn't be here." You could name the feeling now as it licked at your insides like flame. Indignation.

"What do you mean?" You huff, curling your lip and drawing your brows.

Billy throws a glance over his shoulder as if he expects a bear to come up from the depths of the boat, ignoring your question. “You need to go, baby.”

When he turns back to you, his eyes avoid yours. Could his sentiments have changed so quickly that he can hardly look at you? It's oil on the fire in your belly. "You could have at least told me to my face if you didn't want this anymore!"

You watch as horror plays across Billy's face. His eyes, the deepest cerulean, a color you'd found endless comfort in, are buggy and wide as they fall on yours, his nostrils flaring, you guess to fight off the growing shine of those eyes. He shakes his head adamantly, hands roaming upward, one to your shoulder, the other to the back of your head, finger's carded in your wet hair. "I'll want you forever. You won't get it, baby, that's fine, but even when you ain't with me, you're with me. I love you more than anything in this world. Don't you doubt that."

There he goes. It's a bucket of ice water, dousing your anger, replacing it with a shiver. You wrap your arms around yourself, discovering that dripping hair and wet skin didn't bode well against the cold night's wind. You think Billy might kiss you, might press his lips to yours in the flurry aftermath of his confession, but he only stares. After a moment he pulls away from you, to your dismay, shrugging off the maroon cardigan over his button-up. Tenderly, with a lingering brush of fingers against your shoulders, he pulls the warm fabric around you. You murmur a soft thanks, he only nods.

"If you love me," Billy nods once again, taking the chance to wrap his arms around you, your tail wetting the calf of his trousers, "then why haven't you come to see me? I thought.. I thought you didn't like me anymore. Or that you'd been hurt." You whisper, your cheek finding a home on his shoulder.

Billy's strong palm rubs up and down your back over the cardigan, his other hand pulling your hair out of the neck and combing his hands through the tresses. Oh, how you missed those hands. You watch his Adams apple bob as he swallows hard, his voice gruff, "I just... I don't wanna put you in danger, sugar."

"Danger?" You snake your own arms around his back, feeling the firm expanse of him. Finding comfort in it.

"I..." Billy hesitates a moment before he goes on, his resolve melting away in your presence. "I saw somethin'. The other day. N'.. It was terrible." A soft breath is sighed into your hair. Your hand drifts to his arm, squeezing him in what you hope is a comforting gesture. "I can't stop thinkin' 'bout it." Billy admits in a whisper.

You push your cheek closer to his neck, his stubble scratching your forehead, a familiar and warm sensation. "What'd you see?"

The air is silent as the night is navy. Billy holds you just a bit closer to his chest, his hand cradling the back of your head. You were strong, you could handle the truth of the image stained behind Billy's eyelids. But an overwhelming need to keep you safe from the world surges in him, a duty to trim all thorns that could prick you. In fact, he knows he'd let you use his own chest as a shield, take a bullet, an arrow, a cannonball, it truly didn't matter to him; if it was for you, he would swallow them all.

He simply can't choke out the words. You'd want nothing to do with him after they broke the threshold of his lips. He can bear it on his own, he tells himself. "You don't wanna know."

A frown creases your face. You pull away from his chest, it feels like tugging at two magnets. "If it's about me, then I need to know." You murmur, shaking your head. Your hands roam over his shoulders aimlessly until they find themselves cupping his face. Billy's gaze falls, avoiding yours. Absently he draws his cardigan closer around your frame, thought tightening his expression. "What'd you see, Billy?"

Your thumb rubbing over the stubble on his cheek crumbles his resolve as if it had been made of nothing. Nothing at all, in the face of your gentle soul. "They caught a mermaid." Billy's eyes search yours for a sign that you might show him mercy, let his voice die in his throat. You don't, and so he goes on. "N' killed her. Slit her throat and they.. Cut 'er at the hip. Jesse's finding a buyer for the tail."

You feel, suddenly, like you swallowed an anchor. Your face goes lax, but the rest of you tense. Billy nods, whispers lowly and draws you back into his arms, "I know, I know, baby." He nestles a kiss into your hair. "I know."

It put a feeling under your skin that you couldn't scrub away; you had a price tag. Men'd kill you and sell you like an animal, like you hadn't a heart to feel, eyes to see, a mind to wonder. How could it be? Billy held you like a bird, a hollow-boned and delicate little thing, yet what he told you confirmed your mother's warnings. Men were vicious creatures, money clouding their sense. In a sea of dirt and pollution, your Billy was a sapphire.

You hadn't realized just how rare of a thing you possessed until now.

"Is that why.. You stopped coming?" You whisper against the fabric of his button-up, his musk filling your nostrils soothingly. Billy grunts in confirmation. Another kiss is dropped to your scalp.

"S' safer for you, sweet girl." Billy mumbles, though you hear the reluctance. "M' bad news."

"Is it wrong to say I don't care?" You fist your hands in his shirt, the material soft under your grip. He sighs your name, you can sense the impending conversation, so you rush to cut him off. "I don't want to be without you. I don't care what the risks are."

"I care," Billy huffs, but he only holds you tighter. "I don't want to ever, ever see you in a net. I'd-- I'd kill myself before I let that happen."

You lift your head from his chest. His aquiline nose bumps yours as he looks down at you, his brows drawn taut. "Then we'll be careful."

"Baby-"

"No. I'm not letting this go. Not letting you go." You shake your head hurriedly. Your voice is firmer than you thought it could possibly be. Billy's eyes dart twixt yours, his lips pressing together.

"You know what you're riskin'." He murmurs, his calloused fingers brushing a wild strand of hair behind your ear. You nod. "And you still wanna be with me? You'd still choose me?" Billy huffs, eyebrows lifted and a faint, almost self-deprecating smile playing at his lips.

You allow a smile to grow on your cheeks. Because it's true, true from the deepest crevice of your heart, true from the furthest reaches of your soul. Of all the things you've found on the Earth, of all the flowers, of all the birds, of the sun, moon and the constellations, this is the most precious thing. This was something worth dying for, you thought with a rosy lightness as you press a kiss to Billy’s lips.

Every time, the kiss said. Put a million beautiful things at my feet, and I will choose you, every time.

[cazzyf1]

Clay Regazzoni - Gypsies, Tramps & Thieves

[mthguy]

Congratulations to Cher on her installation in the Rock and Roll Hall of Fame!

Often referred to by the media as the "Goddess of Pop", she has been described as embodying female autonomy in a male-dominated industry. She is known for her distinctive contralto singing voice, for having worked in numerous areas of entertainment and for adopting a variety of styles and appearances. Cher rose to fame in 1965 as one half of the folk rock husband-wife duo Sonny & Cher before releasing her first solo top-ten singles "Bang Bang (My Baby Shot Me Down)" and "You Better Sit Down Kids". Throughout the 1970s, she scored the US Billboard Hot 100 number-one singles "Gypsys, Tramps & Thieves", "Half-Breed", and "Dark Lady", becoming the female solo artist with the most number-one singles in US history at the time.

Cher reached a new commercial peak in 1998 with the dance-pop album Believe, which featured pioneering use of Auto-Tune to distort her vocals, known as the "Cher effect". The title track became the number-one song of 1999 in the US and the best-selling single of all time by a female artist in the UK.

Having sold 100 million records, Cher is one of the world's best-selling music artists. Her accolades include a Rock and Roll Hall of Fame induction, a Grammy Award, an Emmy Award, an Academy Award, three Golden Globe Awards, a Cannes Film Festival award, the Billboard Icon Award, and awards from the Kennedy Center Honors and the Council of Fashion Designers of America. She is the only solo artist to date to have a number-one single on a Billboard chart in seven consecutive decades, from the 1960s to the 2020s. Her 2002–2005 Living Proof: The Farewell Tour became the highest-grossing concert tour by a female artist ever at the time, earning US$250 million (equivalent to $390 million in 2023). Aside from music and acting, she is noted for her trendsetting, elaborate outfits, political views, social media presence, philanthropic endeavors, and social activism, including LGBT rights and HIV/AIDS prevention.

[myimaginaryradio]

Gypsies Tramps And Thieves - Cher

[juliakristeva]

honestly nothing mike flanagan adapts for television will ever come close to that episode of the x-files that's a modernized retelling of frankenstein where the creature is named the great mutato and obsessed with cher, who comes out at the end of the episode and performs gypsies tramps and thieves while mulder and scully dance

[theredandwhitequeen]

Episode 3 Umbrella Academy season 4

Aftermath of the car crash, Klaus is pissed at Allison for saving him and giving him back his powers, says Ray left her. Why?

Ben leaves to find Jennifer, meets Sy at one point

Lila and Five on the subway while Diego searches the Gene and Jean building and he finds a ton, the other two arrive at the original apocalypse. See Apocalypse Five and Delores.

Luther, Allison, and Victor go to Hargreeves, meet his wife, she’s fascinating.

Klaus goes to Allison’s, steals money, the tv and other stuff to sell, apologizes to Claire, but scares her a bit too. Sad. Goes to dealer who ends up killing him, sees him come back to life and takes him to get money back

Lila tells Diego she wants to have time apart right before they get memories back of Ben’s death, which were erased by Hargreeves after death of Ben. Even though Victor wasn’t there for Ben’s death she still wanted to get memories back as well.

Jennifer is different from them, but has massive powers.

Weird nicknames between Gene and Jean. They’re incredibly creepy

Dancing to Gypsies. tramps and thieves.

[cbjustmusic]

The #1 song from 50 years ago was "Half-Breed" by Cher, here performed as a medley with "Gypsy, Tramps and Thieves" and "Dark Lady". _________________ Half-Breed Songwriter: Al Capps and Mary Dean

My father married a pure Cherokee My mother's people were ashamed of me The indians said that I was white by law The White Man always called me "Indian Squaw"

Half-breed, that's all I ever heard Half-breed, how I learned to hate the word Half-breed, she's no good they warned Both sides were against me since the day I was born

We never settled, went from town to town When you're not welcome you don't hang around The other children always laughed at me "Give her a feather, she's a Cherokee" Half-breed, that's all I ever heard Half-breed, how I learned to hate the word Half-breed, she's no good they warned Both sides were against me since the day I was born

We weren't accepted and I felt ashamed Nineteen I left them, tell me who's to blame My life since then has been from man to man But I can't run away from what I am

Half-breed, that's all I ever heard Half-breed, how I learned to hate the word Half-breed, she's no good they warned Both sides were against me since the day I was born Half-breed, that's all I ever heard Half-breed, how I learned to hate the word Half-breed, she's no good they warned Both sides were against me since the day I was born

[heresiae]

me, a millennial born and raised in the deep of the Alps whose first experience of Cher was "Believe" on MTV, discovering that "Gypsys, tramps and thieves" it's hers:

and of course nothing could prepare me for her wikipedia page...