#guskov

[cloacacarnage]

[theanticool]

Did…did the UFC have Ryan Spann fight Anthony Smith a 3rd time????

[moviesandfood]

Le Concert

[juliopison]

CINE Film El concierto (2009)

Título original: Le Concert Francia Dirección: Radu Mihaileanu Idioma: Francés con Subtítulos en Español

Atención: Solo para ver en PC o Notebook Para ver el Film pulsa o copia y pega el Link: https://artecafejcp.wixsite.com/escenario-cafejcp/post/el-concierto-2009

Reparto: Aleksei Guskov, Mélanie Laurent, Dmitri Nazarov, Valeriy Barinov, François Berléand, Miou-Miou, Vlad Ivanov,

Género: Comedia dramática

SINOPSIS: En tiempos de Brézhnev, Andreï Filipov, el mejor director de orquesta de la Unión Soviética, estaba al frente de la célebre orquesta del Bolchoï. Pero fue destituido al negarse a despedir a los músicos judíos, entre los que estaba Sacha, su mejor amigo. Treinta años después, sigue trabajando en el Bolchoï, pero como hombre de la limpieza. Un día en que se queda trabajando hasta muy tarde, descubre un fax dirigido al director del Bolchoï, en el que el Teatro del Châtelet invita a la orquesta a dar un concierto en Paris.

Críticas: "Recuerda a la brillantez de cuento de hadas de 'Train of Life', y vuelve a reírse de forma crítica y adorable de lo que hay detrás del poder, la ambición y el fracaso" -Natasha Senjanovic: The Hollywood Reporter

Premios: 2009: Premios Cesar: Mejor BSO y Mejor Sonido. 4 nominaciones 2010: Premios del Cine Europeo: Nominada a Mejor guión 2009: Premios David di Donatello: Mejor film de la Unión Europea 2010: Premios Gaudí: Nominada a Mejor película europea

Café Mientras Tanto jcp

[ulkaralakbarova]

After reuniting with his first mentor Bruno and receiving his latest mission, an exiled Ciro is left to fearlessly confront whatever comes his way, navigating a new chapter of gang warfare while grappling with devastating memories of loss and trauma. Weaving between his past as an orphan in Naples’ cruel underworld and present as a hardened, cunning assassin with nothing left to lose, Ciro is plunged into the cold, dark depths of a world where immortality is just another form of damnation. Credits: TheMovieDb. Film Cast: Ciro Di Marzio: Marco D’Amore Ciro bambino: Giuseppe Aiello Bruno: Salvatore D’Onofrio Bruno giovane: Giovanni Vastarella Vera: Marianna Robustelli Stella: Martina Attanasio Virgilio: Gennaro Di Colandrea Yuri Dobeshenko: Aleksey Guskov Don Aniello Pastore: Nello Mascia Coppola: Nunzio Coppola ‘O Mierlo: Salvio Simeoli Gennaro Savastano: Salvatore Esposito Eligio: Rocco Giordano Film Crew: Writer: Maddalena Ravagli Director: Marco D’Amore Writer: Leonardo Fasoli Writer: Francesco Ghiaccio Music: Mokadelic Editor: Patrizio Marone Camera Operator: Guido Michelotti Producer: Giovanni Stabilini Producer: Riccardo Tozzi Producer: Marco Chimenz Assistant Makeup Artist: Zane Zilinska Key Hair Stylist: Aniello Piscopo Key Grip: Aurelio Langella Colorist: Andrea Baracca Boom Operator: Alessandro Molaioli First Assistant Director: Lorenzo Grasso Camera Operator: Fabrizio La Palombara Key Grip: Luigi Rocchetti Production Design: Carmine Guarino Second Assistant Camera: Daniele Marcoccia Assistant Makeup Artist: Alīna Blinkova Sound Mixer: Gianluca Costamagna Casting: Davide Zurolo Makeup Designer: Giulio Pezza Electrician: Carmine Porricelli Electrician: Ciro Tommasino Costume Design: Veronica Fragola Electrician: Daniele Caiuli Assistant Makeup Artist: Kristine Kajaka Sound Editor: Gianfranco Marongiu Assistant Editor: Andrea Prosperi Gaffer: Daniele Verdenelli Visual Effects: Alessandro Clener Assistant Camera: Fabio Ciotto First Assistant Camera: Giulio Innocenti Music Coordinator: Joshua Berman Assistant Hairstylist: Ieva Sebre Makeup & Hair Assistant: Santa Sandule Sound Designer: Luca Anzellotti Camera Operator: Mārtiņš Jurēvics Electrician: Francesco Sacco Drone Operator: Gvido Puke Script Supervisor: Giulia Contino Assistant Production Manager: Olita Varpa Assistant Hairstylist: Nicola Griguoli Assistant Editor: Eleonora Quaglia Movie Reviews:

[news247planet]

#claims #Spann #UFC Ryan Spann claims he hasn't watched tape on Bogdan Guskov forward of UFC on ESPN 55 co-main bout https://news247planet.com/?p=842917

[cavenewstimes]

Bogdan Guskov promises to keep delivering exciting fights after UFC Vegas 91 win: ‘I love blood’

Bogdan Guskov isn’t changing his all-or-nothing style anytime soon. Saturday’s UFC Vegas 91 co-main event saw Guskov add to his impressive collection of knockouts with a second-round hammering of Ryan Spann. The fast-rising light heavyweight has now won back-to-back fights by knockout, and none of his 16 pro victories have gone to the scorecards. Afterward, Guskov told reporters that he expects…

[realfightjunkie]

UPSET ALERT! Bogdan Guskov {+170} DEFEATS Ryan Spann {-200} via 2 round KNOCKOUT on UFC Vegas 91. Won’t go 3 rounds {-800} & Guskov wins inside the distance {+195} hits!  

[judyreppart]

TOP RANKED FLYWEIGHTS (#5) MATHEUS NICOLAU AND (#6) MANEL KAPE LOCK HORNS AT UFC® APEX FEATURED BOUT: (#11) RYAN SPANN vs. BOGDAN GUSKOV   UFC® returns to UFC APEX with a pivotal rematch featuring No.

[fangirling-through-the-year]

January 23, 2024

Alexei Guskov.

[wild-icarus]

Judas Iscariot, Act 1 Costume (Евгений Егоров/Evgeny Egorov, Ivan Guskov/Иван Гусько) Stas Namin Music and Drama Theatre/Театр музыки и драмы Стаса Намина Jesus Christ Superstar Production (2/2)

All photos are of Egorov except for the last row which I’m pretty sure all is Guskov.

Costume Notes: So are all these photos of Judas uhhh.. I’m not entirely sure but from my understanding each Judas actor has a different costume. I think Egorov’s is definitely the most iconic with the net top, black trousers with lacing down the side seams also the vest has two buckles/straps in the back which is fun. I’m guessing they took inspiration from the Swedish version from 2012 and its preceding 2014 tour with Peter Johanson most fans know, this is just speculation but it’s just so similar with the side lacing and mesh top. As for the last row I’m pretty sure it’s Goskov’s Judas similar aesthetic to Egorov’s but much more conservative, with a collared long sleeve black shirt leather jacket and belt with black trousers. He even has fingerless gloves! The last row middle is Goskov but it might not be him as Judas, it’s taken from a thumbnail of a a now deleted video of him singing Heaven on their mind but only the thumbnail remains so I can’t confirm it as Judas but it is possible it’s his earlier costume or maybe a concert get up? 

Production Notes: See part 1

I can’t find Goskov singing as Judas anywhere but there is an abundance of Egorov’s Judas online.

Thanks again to livingsilentfilms for introducing me to this production and providing some of the photos

Parts: 1

[theanticool]

Bogdan Guskov KOs Zac Pauga in the 1st!

Good timing for Guskov who catches Pauga feinting an entry with the lead leg and then trying to slide out of range. I'm not a "hands up" advocate but if you're going to be hanging out right at the edge of range, you should probably have a layer of defense there - hands, range, angle, head movement, something. Guskov is able to lend the long right hand into the left hook and flurry that sends Pauga down and out.

[moviesandfood]

Le Concert

[festivalrussehonfleur]

L’acteur russe Aleksei Guskov a tourné dans « L’IMMORTALE », réalisé par Marco d’Amore. « L’IMMORTALE » sorti en Italie le 5 décembre est le spin-off de la célèbre série italienne GOMORRA, diffusé sur Canal +. Le film centré sur le personnage de Ciro di Marzio a conquis le coeur des spectateurs italiens avec Euro 2.816.294 dans le box-office pour son premier week-end. #limmortale #limmortalefilm #marcodamore #gomorra #gomorrah #gomorralaserie #canalplus #alekseiguskov #guskov #naples #mafia #italia #boxofficeitalia #cinemaitalien #acteurrusse #bestofrussia #festivalhonfleur #normandie #алексейгуськов #гуськов #италия #мафия #гоморра #культовая #сериалы #spinoff #avoirabsolument #likeforlike #likeforlikeback #likeforfollow (à Naples, Italy) https://www.instagram.com/p/B6Ahe8fC2JV/?igshid=t3v3sl57b5cj

[saturatedworld]

The Green and the Grey

Loud and low knocks, sing a song of what shall come to pass. The door opens, and the green-eyed youth enters. Only then he noticed the man opening the door for him, many-layered veils covering his upper half. “Oh, you are… Mr Chizuru’s husband.”

“Greetings.”

“Wait, it’s only you here?” asks Robin as he takes off his cap. “I thought Wren would be here before me.”

“Chizuru-han still has work to do,” replies the veiled man as he gets back to his chair and folding papers. “I haven’t seen Wren.”

“Oh, I see. Probably forgot about the meeting today, then,” replies Robin with a pout, now standing by the counter at the back of the small room. His hands reach for a cup and sugar jar. “Corn probably will be late too; the dockers have been rowdy lately, brawling over shipment crates again.”

“So I heard.”

“Did you hear about the incident at Flowerdene Street too? Awful, what happened to the factory workers. Not that Mr Fires would do anything to prevent it from happening again, though.”

“Unfortunate, indeed.”

For once, Robin regrets coming to the base-camp early. Never before he guessed he would be alone with this person – terse, unopinionated, difficult to approach. It’s difficult to imagine he is a spy like his husband. Aren’t spies supposed to be more socially flexible? Robin’s hand stops stirring his tea as something comes to his mind.

He turns toward the veiled man, who is in the middle of folding paper cranes. “Er, this is a little rude, but what is your name again? I thought it was something else, but this morning I saw someone called you ‘Yuri’...”

Did that question make the man’s veils thicker? A moment passes before he finally lifts his veils, locks eyes with Robin, and says, “I can’t decide if you are wise or foolish.”

“Sorry?”

“That question could’ve gotten you permanently killed for knowing too much in a different situation.” He continues, “You are not the kind of person who would forget.”

“Well, what if I… did forget….” Robin’s voice trails off as his face and ears turn red. The man is right; he asked out of mere curiosity and let it show in his words.

“I hope you have learned your lesson,” says the man, returning to his paper cranes.

“D-Don’t tell Mr Chizuru about this. Please,” asks Robin, his voice still low in embarrassment.

Silence envelops the room. Robin sips his tea, any thoughts about engaging in a conversation with the person before him evaporating along with the steam. Awkward, terribly so. When will the others show up?

“Why do you want to learn about espionage?”

“Huh? Me?” Of course it was directed toward Robin, but he didn’t expect to receive that question. He can’t see the man’s face, but he can feel the expecting gaze coming from behind the veils. “Well, I… I just want to be useful.” His eyes shy away from contact. “Not sure if you already knew, but I have a weak constitution. I grow tired easier than most people. I’m not athletic like Wren, and I’m not good at making and fixing things like Corn. So Mr Chizuru asked me if I want to learn how to collect, process, and put information to use, and here I am now.”

“Has he ever said why you?”

Robin winces at the question. “I asked once. He just said he ought to make himself useful too. Looked sad about it, but he always has that air about him.” The youth stops, frowns, lets a buried thought out, “I think it was just convenience. I get the feeling from how he acts that he doesn’t intend to be always here, but doesn’t want to leave the cell shepherdless either. And I was the only one without a defined role.” His expression softens. “A convenience, but I still feel glad that he cares.”

No more questions, but no more folding paper cranes either. They just sit in silence together, until Robin taps on the table. “Well, is that all you want to know? Mr Chizuru is really the only thing you’re interested in, huh? Isn’t he the entire reason you’re here?”

“I’m just thinking….” A pause, then a sigh. “Maybe Chizuru-han made the right decision in choosing you. You see, he calls me a bad spy sometimes. He can see through how everything about me was faked.”

“Ohh, is he that good?” He dodged the question, but Robin has no particular need to hear the answer from him – not with how he wanders into talking about his Chizuru-han.

He shakes his head. “He’s simply more in touch with his humanity than I am. I’m here because I still need to learn. But someone like you might be able to understand what makes his approach, and perhaps one of his regrets will be no longer. As for the question of my name….” He lifts his veils again – some even fall off like old feathers. “I am ‘Yuri’. I also have been ‘Aaron’, ‘Nikola’, and ‘George’, among other names. But more importantly, I am ‘Aleksei’. Does that suffice?”

“And ‘Aleksei’ is what he calls you by. I see.” Robin hums. Wait, what did the veiled man say just now again? Something about humanity? “Hold on, hold on. Are you telling me that when you’re not faking an identity you’re just awful at being a person?”

A hesitating, quiet nod.

“My Lord, I thought you were just being rude.”

For a moment, his veils appear to look denser than before. “Perhaps I should have brought a crafted identity when I first entered this room. It would’ve made getting along with everyone easier,” admits the man. He takes a paper crane, turning it around in his hands. A couple more of the veils fall off to the floor. “But I want to make something of the name he calls me by. Not something scripted by convenience, but something that will always belong to me.” Another pause, then a frown. “I really am a bad spy.”

“Surprisingly adorable, aren’t you?”

“Mmhm, I will take that as a compliment. Thank you.”

***

“By the way, I noticed you pronounce his name well.”

“He wants me to read and write his codes. In Japanese. Please tell him to reconsider.”