#guo xiaodong

[cinemacentral666]

24 City (2008) & Cry Me a River (2008)

Movies #1,065 & 1,066 • Part of My JIA ZHANGKE Director Focus

JZ’s dual offerings for 2008: a faux-(or not so faux?)-documentary (24 City) and a short film, Cry Me a River (featuring long-time regulars Wang Hongwei and Zhao Tao), feel like minor works in the grand scheme of things. 24 is an interesting setup and potentially his most boundary pushing insofar as bleeding realism into the realm of narrative fiction is concerned. But I was a bit bored by both.

SCORE: ⭐️⭐️⭐️⭐️⭐️⭐️ (for both)

[hiddenonigiri]

watching amidst a snowstorm of love and the funniest thing to me is that like... as much as yin guo loves lin yiyang...

meng xiaodong is even more in love with him

[perfectlyincandescentlyhappy]

Request for Fanfic (Amidst a Snowstorm of Love)

guys can someone please write a soft fan fic about Meng Xiaodong and OC where she fell first and has been pining over him for years and then he fell harder..... And can it be soft like Yin Guo and Lin Yiyang.....and with maybe one or two intense scenes of confession/realisation.

[twilightronin]

Happy Birthday Andy On!

[movs4up-blog]

True Legend

Su Qi-Er, a wealthy man living during the Qing Dynasty who loses his fortune and reputation as a result of a conspiracy against him. After being forced out onto the streets, Su dedicates his life to martial arts and reemerges as a patriotic hero known as the “King of Beggars.”

[mermanmovies365]

Day 42: Summer Palace

Source: MUBI

Genre: Drama

Starring: Lei Hao, Xiaodong Guo

Summary: Two students at university in Beijing fall in love, but love quickly turns to obsession, and their toxic relationship has dire effects on the pair and the friends around them.

Like this?  Recommendations: Crazy/Beautiful

[cfensi]

Air date update, February 2019

Air date update, February 2019

Airing since Jan 30th:

My Father and Daddy 我的亲爹和后爸 starring Zhang Yi, Zhang Guoli and Li Jianyi

A World Without Fraud 天下无诈 starring Guo Xiaodong, Xu Yue

Yanshifan: New Youth 艳势番之新青年 – Feb 6 Starring: Huang Zitao, Yi Yangqianxi, Hu Bingqing Details: 60 eps, daily drama on Dragon TV / Beijing TV A forward-thinking noble and a commoner band together to save their country. (Extended)

(more…)

[us-china]

3rd Hainan Island Int'l Film Festival concludes in Sanya

3rd Hainan Island Int’l Film Festival concludes in Sanya

Actress Tong Liya (L) and actor Guo Xiaodong Xinhua | 30-Dec-2020 Actress Tong Liya (L) and actor Guo Xiaodong pose during the closing ceremony for the 3rd Hainan Island International Film Festival (HIIFF) in Sanya, south China’s Hainan Province. (Xinhua/Guo Cheng)

[badmovieihave]

Bad movie I have  True Legend 2010

[gozealouscloudcollection]

10萬個名人，1000 萬張照片，全球最大人臉識別數據庫被刪除了

訪問:

微軟中國官方商城 – 首頁

近日，微軟公司悄然刪除了該公司於 2016 年發布的人臉識別數據庫 MS-Celeb-1M——該數據庫是全球最大的公開人臉識別數據庫。

微軟為什麼要發布 MS-Celeb-1M 數據庫？

2016 年8 月，微軟在官網中公佈了一篇題為《MS-Celeb-1M: A Dataset and Benchmark for Large-Scale Face Recognition》的論文，論文作者包���來自微軟研究院的Yandong Guo（郭彥東，目前他已經離開微軟加入到小鵬汽車）, Lei Zhang（張磊）, Yuxiao Hu, Xiaodong He, Jianfeng Gao 等人。

在這篇論文中，微軟介紹了一個名為MS-Celeb-1M 的人臉識別挑戰賽，參賽者需要根據微軟提供的數據集作為訓練數據來開發自己的圖像識別系統，以便從100 萬個名人名單中進行人臉識別。

與此同時，隨著這一挑戰賽，微軟也發布了一個面向公眾開放下載的大規模人臉識別數據集MS-Celeb-1M，其中第一個版本包��了10 萬個名人（根據他們的受歡迎程度，從上述100 萬個名人名單中選擇而來）的1000 萬張臉部照片，來供研究者開發自己的人臉識別技術——微軟宣稱，這些照片來自於人們常用的搜索引擎，也就是公開渠道。

以 Lady Gaga 為例，我們來看一下數據庫中的相關照片：

微軟宣稱，該數據庫是全球最大的公開人臉識別數據庫。

微軟技術與研究院首席研究員/ 研究經理張磊（即上述論文作者中的Lei Zhang）博士曾對外表示，MS-Celeb-1M 的目標是識別百萬人臉，是計算機視覺內最大規模的分類問題，並且其中一個人物對應一個entity，綁定了知識庫，並且知識庫中提供了每個人的職業，性別等等豐富的信息，從而解決了人物重名的問題，可以從識別達到認知。

基於這一數據庫，微軟舉行了 MS-Celeb-1M 百萬名人識別競賽，這一競賽被業界認為是人臉識別的年度 “世界杯”。在 2017 年的微軟百萬名人識別競賽中：Panasonic-新加坡國立大學合作奪得第一，CIGIT（中科院重慶綠色智能技術研究院）和中科院合作隊伍位列第二，美國東北大學位列第三。

雖然在微軟的認知中，最開始這個數據集是面向學術界做的，但後來，這一數據集被許多工業界的同行所使用。

根據相關的引文資料，MS-Celeb-1M 數據庫已經被多商業機構所使用，比如說IBM、松下電氣、阿里巴巴、輝達、日立、商湯科技、曠視科技等，甚至有消息稱，也有相關的軍事研究人員採用了這一數據庫來訓練面部識別系統。

微軟刪除了，但它存在於全世界的硬盤裡

然而，伴隨著人臉識別技術的發展，人們對相關隱私的關注和擔憂越來越多增加，也有人認為微軟的這一數據庫涉嫌侵犯隱私，比如說來自德國柏林的藝術家和技術專家Adam Harvey，他在自己的Megapixel 項目中記載了包括MS-Celeb-1M 在內的數據庫的詳細信息以及使用用戶。

Adam Harvey 認為，微軟用 Celebrity 一詞指的是那些在網上工作並且在數字世界具備知名度的人，而不僅僅是 Lady Gaga、Steve Jobs 這樣的名人。

比如說，有媒體在針對MS-Celeb-1M 數據庫中的人臉進行核實後發現，MS-Celeb-1M 的確包含了不少名人的照片，比如說Lady Gaga、Steve Jobs 等，但是也包含一些媒體人的信息，比如說《連線》雜誌負責報導網絡犯罪、網絡安全、隱私等問題的高級記者Kim Zetter。

實際上，針對微軟涉嫌侵犯隱私問題，英國《金融時報》也設法聯繫了被收錄在MS-Celeb-1M 數據庫的當事人，某些當事人甚至根本不知道自己的照片已經被收錄——比如說科技作家Adam Greenfield；他在接受采訪時表示，自己絕不是公眾人士，無法放棄自己的隱私權。

也就是說，微軟在數據庫中使用的照片，並沒有徵得當事人的同意，即使他們是名人。

當然，微軟自己也意識到了這個問題，目前它已經刪除了 MS-Celeb-1M 數據庫；在對英國《金融時報》的回應中，微軟表示：

這個網站原本是用於學術目的，它是由微軟的一個前員工來運營的。目前，該員工已經離開微軟，因此我們也已經移除了它。

值得一提的是，伴隨著微軟刪除了MS-Celeb-1M 數據庫，另外兩個學術單位也刪除了它們旗下的類似相關數據庫，包括由杜克大學研究人員建造的Duke MTMC 監控數據庫和斯坦福大學的Brainwash 數據庫。

就目前的情況來看，微軟用來介紹 MS-Celeb-1M 項目的網站還在，但是數據集本身已經不能下載；然而，相關的數據庫資源依然可以從其他網站進行下載。更重要的是，作為一個公開下載的數據集，MS-Celeb-1M 實際上已經存在於不少企業或機構的本地硬盤中，被用作各類的用途，而照片當事人卻無法左右。

正如，Adam Harvey 所言：

一旦你發布了它，人們下載了它，那它就會存在於全世界的硬盤裡。

.

from 10萬個名人，1000 萬張照片，全球最大人臉識別數據庫被刪除了 via KKNEWS

[kartikdutt]

MERCEDES BENZ "Intelligence by your side" from Jonathan Gurvit on Vimeo.

* Director's cut

Director: Jonathan Gurvit Director Producer: Ruben Goots (Hamlet.tv) DOP: Carlos Ritter Editor: Matt Osborne Music: Massive Music Tokyo Production: Gwantsi EP: William Huen EP Assistant: Dora Su / David Liu / Zuyue Li / Cici Zhang Producer: Xiaodong Huang / Yunyuan Xue Production Assistant: Jiaxing Liu / Xu Tao Casting: Lu Ye 1st AD: Jiji 1st AD (2nd unit): Tik Liu Art Director: Zheru Ye Prop Master: Jun Wang / Suchun Zhang / Zhengguang Fu / Xueyang Fu Gaffer: Weimin Tan DOP(2nd Unit): Zhi 2nd AC: Ming Liu / Yang Yan / Chenxu Liu 1st AC: Elephant 1st AC(2nd unit): Weiguo Yu Remote Head: Xuechun Jiang / Yao Shen Stylist: Yu Zou / Yuqing Chen / Rong Ni / Jiangkui Zhao Drone Pilot: Enliang Guo / Gongcheng Yang DIT: Meishui Song / Zhiman He Script Supervisor: Yingzi Precision Driver: Xue Jin

VFX Company: LAPOSTA EP: Pablo Tufaro Producer: Celeste de Dios Vfx suervisor and Cg Head: Nicolas Cantarelli VFX Head: Damian Brillantino and Federico Quiros. 3D Modeler: Pablo Verettoni, Carlos Andreoni. 3D animators: Iga moto, Roly, Nicolas Broner, Hernan Caratoli, Nicolas Cantarelli. 3D lighting and Render: Facundo Lavenia, Alejandro Libman, Gonzalo Canepa. VFX simulation: Martin Peralta. Compositors: Damian Brillantino, Federico Quiros, Cristian Bopp, Diego Dzisiuk. Color Grading: Alejandro Armaleo.

Agency: Ogilvy & Mather Beijing Managing Partner: Autumn Guo Vice President：Tommie Yin Account Director: Isis Liu Associate Account Director: Shanshan Du

Client: Mercedes Benz China Head of Marketing: Freda Wang Senior Manager,Marketing Communication: Ning You Creative Management: Yao Zhao Creative Management: Yihan Jin

[paintingarta]

Five Gigantic Influences Of Famous Chinese Contemporary Artists | Famous Chinese Contemporary Artists

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from WordPress https://paintingarta.online/five-gigantic-influences-of-famous-chinese-contemporary-artists-famous-chinese-contemporary-artists/

[vidovicart]

Colorful Ceramics Accented by Gravity-Defying Drips

Photo courtesy of Bian Xiaodong

Rain falls through the air in smooth curvaceous orbs, instantaneously splitting as it splatters to the ground. Chinese artist Bian Xiaodong’s glossy ceramics resemble these falling droplets, however their inverted forms drip upwards rather than down. The artist crafts his gravity-defying artworks from kaolin clay derived from Jingdezhen —a part of east China’s Jiangxi Province known for its history of crafting porcelain.

After adding the clay to silicone moulds, Bian turns the pieces upside down and lets the natural flow of the clay create a unique shape. In the high-temperature firing process, this ultra-thin clay body further morphs into different forms. Once his ceramics are formed, the artist paints them, using an array of colorful pigments including metallic grey and sunflower yellow. “My work attempts to discover the special texture of ceramic materials, and the beauty that is brought to me by the natural forces,” he explains to Colossal. To view more of Bian’s raindrop-like artworks, visit the China Design Centre’s online gallery.

Photo courtesy of Bian Xiaodong

China Design Centre, photo by Phoebe Guo

China Design Centre, photo by Phoebe Guo

China Design Centre, photo by Phoebe Guo

Photo courtesy of Bian Xiaodong

Photo courtesy of Bian Xiaodong

Photo courtesy of Bian Xiaodong

Photo courtesy of Bian Xiaodong

[electronicdragonsong]

Colorful Ceramics Accented by Gravity-Defying Drips

Photo courtesy of Bian Xiaodong

Rain falls through the air in smooth curvaceous orbs, instantaneously splitting as it splatters to the ground. Chinese artist Bian Xiaodong’s glossy ceramics resemble these falling droplets, however their inverted forms drip upwards rather than down. The artist crafts his gravity-defying artworks from kaolin clay derived from Jingdezhen —a part of east China’s Jiangxi Province known for its history of crafting porcelain.

After adding the clay to silicone moulds, Bian turns the pieces upside down and lets the natural flow of the clay create a unique shape. In the high-temperature firing process, this ultra-thin clay body further morphs into different forms. Once his ceramics are formed, the artist paints them, using an array of colorful pigments including metallic grey and sunflower yellow. “My work attempts to discover the special texture of ceramic materials, and the beauty that is brought to me by the natural forces,” he explains to Colossal. To view more of Bian’s raindrop-like artworks, visit the China Design Centre’s online gallery.

Photo courtesy of Bian Xiaodong

China Design Centre, photo by Phoebe Guo

China Design Centre, photo by Phoebe Guo

China Design Centre, photo by Phoebe Guo

Photo courtesy of Bian Xiaodong

Photo courtesy of Bian Xiaodong

Photo courtesy of Bian Xiaodong

Photo courtesy of Bian Xiaodong

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[cancersfakianakis1]

Sorafenib in combination with gemcitabine plus cisplatin chemotherapy in metastatic renal collecting duct carcinoma: A prospective, multicentre, single-arm, phase 2 study

Publication date: September 2018

Source: European Journal of Cancer, Volume 100

Author(s): Xinan Sheng, Dengfeng Cao, Jianlin Yuan, Fangjian Zhou, Qiang Wei, Xiaodong Xie, Chuanliang Cui, Zhihong Chi, Lu Si, Siming Li, Lili Mao, Bin Lian, Bixia Tang, Xieqiao Yan, Xuan Wang, Yan Kong, Jie Dai, Xue Bai, Li Zhou, Jun Guo

Abstract

Background

Collecting duct carcinoma (CDC) is a rare type of renal cancer with a poor prognosis. As there are no standard guidelines for the management of metastatic CDC (mCDC), we evaluated the efficacy and safety of combined therapies of sorafenib, gemcitabine, plus cisplatin in patients with mCDC.

Materials and methods

A prospective, multicentre, single-arm, open-label, phase 2 trial (ClinicalTrials.gov identifier NCT01762150) that enrolled 26 mCDC patients with no prior systemic chemotherapy. Patients were treated with sorafenib (400 mg orally, twice daily) combined with chemotherapy (gemcitabine 1000 mg/m2, intravenously for 30–60 min on days 1 and 8, plus cisplatin 25 mg/m2, intravenously on days 1–3, repeated every 28 days for 4 cycles), until disease progression, unacceptable toxicity, or study discontinuation for any other reason. The primary end-points were progression-free survival (PFS) and 6-month PFS rate.

Results

The 6-month PFS rate was 65%, and the median PFS was 8.8 months (95% confidence interval [CI]: 6.7–10.9) with a median overall survival of about 12.5 months (95% CI: 9.6–15.4). The objective response rate was 30.8%, and the disease control rate was 84.6%. The treatment was generally well tolerated. Major grade 3/4 toxicities included leucopenia (26.9%), thrombocytopenia (23.1%), anaemia (11.5%) and palmar-plantar erythrodysesthesia (7.7%).

Conclusions

Though the combination of sorafenib and chemotherapy demonstrated a similar outcome as that of the previously reported regimens in patients with mCDC, this combination may be a suitable option for patients who have low Eastern Cooperative Oncology Group performance status or less metastatic sites.

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[codigokid]

Na China, robôs cuidam de humanos da infância até a velhice

Um exemplo dos novos papéis dos humanoides pode ser encontrado em uma das maiores creches do país, onde três robôs são os destaques da aula

Já estamos acostumados a ver robôs nas linhas de montagem das fábricas, mas na China, líder mundial na produção robótica, já é possível vê-los cuidando de idosos em residências ou brincando com meninos na creche.

Um exemplo dos novos papéis destes humanoides pode ser encontrado em uma das maiores creches do país, chamada “Jardim Dourado” e situada a meio caminho entre Pequim e Tianjin, onde três robôs brancos e de silhueta curva, para que pareçam inofensivos às crianças, são os destaques da aula.

As crianças, de quatro e cinco anos, se aproximam de Keeko, o robô-cuidador, o contam coisas diferentes, e ele ordena as informações e as une em um conto com música.

Na creche, onde as crianças também aprendem kung fu e caligrafia, a ideia é “combinar o tradicional com o moderno”, explicou à Agência Efe uma das professoras, Gao Haiyan, e em meio dessa tarefa Keeko “ajuda a melhorar a expressão oral, a lógica e a noção espacial das crianças”.

Keeko, cujo desenho lembra o Wall-E, do filme da Pixar, também dança com as crianças, faz contas e é dotado de inteligência artificial, recurso que o permite aprender com o tempo.  

“Se todos o dissessem coisas negativas, ele as tomaria como corretas, o que não seria bom para as crianças, portanto intervimos muito para que as aulas fossem positivas”, explicou Chen Xiaodong, responsável pela empresa Xiamen Zhitong, fabricante dos robôs Keeko.

O papel de Keeko nos primeiros anos de vida das crianças chinesas contrasta com o que a 1,2 mil quilômetros de lá, na cidade oriental de Hangzhou, desempenha A-Tai, outro robô, neste caso encarregado de ajudar os cuidadores de um asilo e tratar dos mais de 1,3 mil idosos que vivem no local.

A-Tai, um pouco mais alto que Keeko e dotado de duas simpáticas antenas azuis, é capaz de cantar ópera tradicional chinesa, a música favorita de muitos idosos, e de telefonar para os parentes dos residentes.

Ele também conversa com os idosos – embora às vezes não os entenda, porque um ou outro não fala mandarim padrão – e seu trabalho mais importante é o de lembrar aos idosos e enfermeiros quais remédios tomam e quando, algo de grande ajuda em um asilo enorme como este de Hangzhou.

O criador dos A-Tai, Shen Jianchun, disse que um dia suas “obras “substituirão os cuidadores, embora na creche de Pequim haja mais dúvidas sobre se Keeko, ou uma versão avançada deste, que já está sendo preparada, será algum dia o único professor das crianças.

“O robô é muito avançado, mas um professor tem emoções, que é indispensável para ensinar às crianças”, opinou a professora Gao.

De maneira similar se expressa o inventor do Keeko, Guo Changchen, que dedicou três anos ao desenvolvimento do robô de creche e reconhece que os humanos é que devem ensinar às crianças, embora “ao explicá-las o que é a primavera, o robô possa oferecer mais conteúdo do que um professor”.

A China entrou tarde no mundo da robótica, mas em poucos anos se atualizou e tornou líder mundial na produção de robôs, algo promovido pela campanha estatal “Made in China 2025”, que quer transformar o gigante asiático em líder mundial de alta tecnologia em todos os aspectos.

Em 2016, a China instalou, principalmente em fábricas, 90 mil novos robôs, metade do total mundial e 30% a mais que no ano anterior, embora ainda haja muito potencial se for levado em conta que no país há somente 49 robôs para cada 10 mil trabalhadores, 10 vezes menos que na Coreia do Sul, o país mais “robotizado” do mundo.

Também começam a se desenvolver, e a aparecer timidamente nas ruas chinesas, robôs policiais capazes de controlar o transito. A ficção científica está cada vez mais perto na China.

Fonte: Exame

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