#guldagergaard

[mybeingthere]

Ceramic sculptures by Nina Hole (1941 – 2016)

Nina Hole (1941 – 2016) was a Danish artist, sculptor, and performance artist who helped to found the CLAY Museum of Ceramic Art Denmark and the International Ceramics Center–Guldagergaard.

[artistopencalls]

💕➡️ @british_ceramics_biennial 📣 Fresh 2023: Call for Artists 💕➡️ https://linktr.ee/BritishCeramicsBiennial ⬅️ Fresh is an exhibition that celebrates and promotes emerging talent in contemporary ceramics in the UK and Ireland. Artists from various learning experiences – from self-taught artists and community workshops to degree programmes, apprenticeships and more will be represented. A panel of young people, artists, makers, educators and learning designers will select 25 exhibitors to display work at the 2023 British Ceramics Biennial festival programme of exhibitions, projects and engagement. Four Fresh Talent Awards will be given to extraordinary emerging talent exhibiting in Fresh during the BCB festival. The Fresh Talent Awards include a range of unique residency opportunities that will take place through partnerships with @staffsuni, Guldagergaard International Ceramics Research Center and @grymsdykefarm. Fresh and the Talent development programme is proudly sponsored by @potterycrafts_ . Deadline for applications: Midnight, 11 June 2023 Link in bio to learn more about eligibility, access support and how to apply. #BCB2023 #BCBFresh 📷 Ian Thompson, Fresh 2021 exhibitor; Dorcas Casey, Fresh Talent 2021 winner; Rosie Harman, Fresh 2021 exhibitor. Credit Jenny Harper (at British Ceramics Biennial) https://www.instagram.com/p/CrDzSScIULs/?igshid=NGJjMDIxMWI=

[kolhouse]

Glaze didn't do exactly what I planned for, but it's growing on me. #art #ceramic #figure #sculpture #portrait #clay #cyborg #cyberpunk #ceramics #guldagergaard (at Guldagergaard - International Ceramic Research Center)

[uncwcabartgallery-blog]

We are excited to announce our next exhibition: “Subtropical Wrecks” by Kathryn Baczeski beginning Monday, October 10, 2022 and on view through Friday, November 11, 2022. The exhibition reception will be held half way through the exhibition on Thursday, October 27, 2022 from 5:30 p.m. – 7:30 p.m. Just before the exhibition reception on Thursday, October 27, Kathryn Baczeski will give an artist talk at 5 p.m. in UNCW’s Cultural Arts Building, room 2033. Subtropical Wrecks explores the landscape of Wilmington, North Carolina where the rural meets the coastline. Thinking about waterways, beaches, sea shores, and canals; this exhibition highlights the colliding of water and land, creating erosion and a subtropical climate that allows strange and unusual life to thrive, decompose and transform yet again. Materials are sourced from local areas and arranged for an interactive experience in the gallery space. Here, the viewer is invited to think about the rural landscape in an art context and art in a rural context and to leave their impressions. Kathryn Baczeski is a clay-based artist and a professor of ceramics at Southeastern Louisiana University, in Hammond, Louisiana, where she teaches introductory to intermediate and advanced level courses. She earned her BFA in Sculpture at the University of Connecticut in 2009 and her MFA in Ceramics from Indiana University Bloomington in 2016. Her residencies and exhibitions include Guldagergaard in Denmark, Haystack Mountain School of Crafts in Deer Isle, Maine, and the Iowa Ceramics & Glass Studio in Cedar Rapids, Iowa. (at CAB Art Gallery at UNCW) https://www.instagram.com/p/CjQ0R2PvuUb/?igshid=NGJjMDIxMWI=

[museutextil]

Marielle van den Bergh, Dutch, @mariellevandenbergh

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“Em seus trabalhos têxteis, Mariëlle van den Bergh pesquisa a possibilidade de criar arte tridimensional. [...] Ela não se preocupa apenas com os aspectos técnicos dos materiais; ela escolhe materiais naturais para combinar com a natureza que ela tenta representar. [...] A natureza é sua fonte de inspiração mais importante. O trabalho que realiza mostra seu respeito pela natureza e sua vulnerabilidade da mesma. Os trabalhos têxteis foram inspirados em residências, entre outros, no Japão, Austrália, Tasmânia e Canadá. No mês passado, ela trabalhou com têxteis na residência Natthagen na Noruega (tingindo a lã com cogumelos e aprendendo a tecelagem de fitas), e agora ela trabalha no Centro Internacional de Pesquisa de Cerâmica Guldagergaard em Skealskor, Dinamarca, com porcelana e queima de madeira.”

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“In her textile works, Mariëlle van den Bergh researches the possibility of creating three-dimensional art. […] She is not only concerned with the materials’ technical aspects; she chooses natural materials to match the nature she tries to represent. […] Nature is her most important source of inspiration. The work she makes shows her respect for nature and its vulnerability. The textile works have been inspired by residencies in, among others, Japan, Australia, Tasmania and Canada. Last month she worked with textiles at the Natthagen residency in Norway (dying wool with mushrooms and learning band weaving), and right now she works in the International Ceramic Research Centre Guldagergaard in Skealskor, Denmark with porcelain and wood firing.”

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Ref.: http://www.mariellevandenbergh.eu/ ; https://dehulenhof.nl/geen-categorie/marielle-van-den-berg/ ; http://www.vulkaanvannunspeet.nl/pages/kunstenaar_MvdB.html ; https://breedartstudios.net/product/marielle-van-den-bergh-peloponnesus/ @breedartstudios

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#museutextil #mariellevandenbergh #textilart #art #contemporaryart #handmade #artetextil #arttextile #embroidery #textileart #textile #arte #textileartfever #fiberfever #fiberartnow #urdume #magazine #homedecor #architecture #paperworks

(em Denmark)

https://www.instagram.com/p/CGFF-Fnl7HQ/?igshid=1j4yx898jylhx

[hannahbok-bfa-va]

retrieved from: https://guildhouse.org.au/folio/9lT0TbQ/honor-freeman/?gclid=Cj0KCQjwi7DtBRCLARIsAGCJWBoEtFKDg_2CMTiL_dVLtx6dXVlufVWvEg9LILRGq7mpUQAh_8_C_P0aAlQFEALw_wcB

Honor Freeman is an Adelaide based artist whose practice reveals a careful observation of the domestic realm and the ordinariness of the everyday objects and mundane tasks that occupy our lives. Working primarily in clay, she utilises the mimetic properties of porcelain, crafting objects that belie their materiality and purpose. Freeman completed her studies (with Honours) in 2001 at the South Australian School of Art, University of South Australia. Following graduation, Freeman took up an Associate position and later a Tenant residency in the ceramics studio at JamFactory Contemporary Craft & Design. Her work has been curated into major exhibitions at institutions throughout Australia, including the Museum of Contemporary Art’s Primavera in 2007, Tarrawarra Museum of Art, and Adelaide’s Samstag Museum. She has undertaken international residencies at Guldagergaard, Denmark’s International Ceramic Museum and in the US at Indiana University’s School of Art & Design. In 2006 Freeman travelled to Chile to exhibit and participate in the The South Project and to continue her ongoing project 'on/off/on', installing slipcast porcelain light switches and powerpoints clandestinely in public spaces. Freeman's work is held in numerous private collections as well as important public collections, including the National Gallery of Victoria, Art Gallery of South Australia, ArtBank and Washington DC’s National Museum of Women in the Arts in the United States. Her works feature in the publication 101 Contemporary Australian artists, published by the National Gallery of Victoria. In a recent body of work, Freeman ambitiously slipcast, hand carved and sanded 656 porcelain used soaps - a lifetime’s. This important work continuing her enduring interest in how we measure and mark time’s passing.

Representation Sabbia Gallery

[lorie-ballage]

A little throw back to some wood firing pieces made in Danmark. . . . #ceramic #sculpture #water #ambiguity #functionaldisorder #unflow #residency #woodfiring #traditionalmaking (à Guldagergaard - International Ceramic Research Center) https://www.instagram.com/p/B2eUgFWIXRJ/?igshid=1mxlaepdfmkq

[gasemma]

Results from the Bourry box kiln (her: Guldagergaard - International Ceramic Research Center)

[aspexportsmouth]

35 & Counting

35 & Counting: Malene Hartmann Rasmussen

 In early February we launched ’35 & Counting’, an exhibition and online auction, marking 35 years of supporting emerging artists.

All proceeds of the online auction, launching on Thursday 16 February (5pm), will support our artist residency programme.

To showcase the 29 artworks generously donated, we have asked each of the artists to remind us about their involvement with the gallery and what a residency means to them. 

 Malene Hartmann Rasmussen

 “I am working with mixed media sculpture, making and arranging multiple components into complex narrative tableaux of visual excess. The dialogue between components and the way one's unconscious can direct the composition interests me.

 I try to create a place beyond reality, a deceitful echo of the real world, that bends the perception of what is real. I want my work to look like a very skilled child could have made it, clumsy and elaborate at the same time. Initially the viewer may, mistakenly, be drawn to my figures thinking them to be toys; however closer examination reveals their rather darker narrative. They invite you into an absurd and surreal world where things are not what they seem... A frozen moment that indicate a story and mood but at the same time is open for the viewer to filter their own references through, to make sense and contribute to the story themselves. My aim is to create a visual poetry based on my own personal story.”

 Malene Hartmann Rasmussen’s work vivaciously crosses the boundaries of Fine Art, Design and Applied Art. Graduating from Royal Danish Academy of Fine Art, School of Design, Bornholm and Royal College of Art in London she now lives and works in London. In 2014 she won ‘Craft Emergency’ at Aspex and had her solo show ‘Waldeinsamkeit’ at the gallery in 2016.

 What does a studio/place to work mean to you?

 The studio is my own private space, where I can daydream and create without having to relate to the real world outside.

 How have funded residencies supported your professional development, and what impact have they had on your work?

I have been lucky to have been awarded three Artist in Residence stays at Guldagergaard International Ceramic Research Center in my native Denmark. The stays there had a great impact on my practice and the way I work. I met many artists that later have become good colleagues, friends and Mentors. The creative environment that springs from an art residency and the way one get challenged and challenge others, is an invaluable benefit of living and working closely together with other artists and is something I regard as one of the key elements in a Artist in Residence stay.

[mybeingthere]

Ceramic sculpture by Nina Hole (1941-2016).

Nina Hole was a Danish artist, sculptor, and performance artist who helped to found the CLAY Museum of Ceramic Art Denmark and the International Ceramics Center–Guldagergaard.

https://en.wikipedia.org/wiki/Nina_Hole

[cumbrianblues]

#Repost @mara_superior with @repostapp ・・・ Just before the opening Mette, Paul, Jim and Fleming. New sculpture completed in time! #guldagergaard happy people #aflowerbedforalice #paulscott #lilimorpetersson #collaboration (at Guldagergaard - International Ceramic Research Center)

[craft2eu]

Guldagergaard sucht eine(n) neue(n) Young-Artist-in-Residence: Skælskør, Denmark

Guldagergaard sucht eine(n) neue(n) Young-Artist-in-Residence: Skælskør, Denmark

Haben Sie Grundkenntnisse in Keramik und möchten Sie Teil eines internationalen Arbeitsplatzes werden, der Innovation, Originalität und Experimentierfreude fördert? Dann sollten Sie sich definitiv für YAIR bewerben.

Guldagergaard ist ein internationales Artist-in-Residence-Zentrum für professionelle Künstler und unser Ziel ist es, Keramik als Kunstform zu fördern. Das Young-Artist-in-Residence-Pr…

[kolhouse]

TSA pulled me aside to check for explosives on my way back from Denmark. This is what they found. Good times. #art #guldagergaard #ceramic #ceramics #sculpture #black #figure #clay #glazed #glamourshot #snake #cyborg #cyberpunk #scifi #fineart (at Mesa Arts Center)

[thingsilearnhere]

Prep

OK so I have been terrible on updating this blog, mostly because I don’t see the point and there is no structure or story to it. But I want to get going again because: 

1. I am loving podcasts* which tell people’s stories right now. And most of them are quite NORMAL stories of people doing interesting things. So I think I’ll add my story to the black hole of the internet in case it is of interest.. I wished I’d started a blog about living in Dagenham, and then I wished I’d started a blog about running a community centre, but I didn’t. No time like the present to get on with it. 

2. I’m heading to Denmark in July to help at a Ceramics Centre and I want to document the experience! Hopefully will be lots of beautiful art to sneak photographs of.. and lots of terrible experiments of my own to keep track of!

So, there we are, let’s see if this is worthwhile.

*I’ll do a post on great podcasts. I’ll also do a post on the best made-for-tv Christmas movies. I want to share my passions.

[seenartscene]

PAUL SCOTT'S Blue Willow porcelain tree at Guldagergaard in Denmark | completed in 2013 | Paul will be speaking in the USA twice during 2015 at the New York Ceramics and Glass Fair in January and at NCECA in Providence in March. It will be nice to have him back at Project Art working for a couple of weeks on his American Scenery series | #nycgf #nceca2015 #projectart01026 #ferrincontemporary @nceca |thanks @metteblummarcher for this wintry scene 
・・・
The #guldagergaard tree dressed in white

[lorie-ballage]

Exhibition installations in process. #opening #saturday #projectnetwork2018 #endofresidency #sadfeeling (à Guldagergaard - International Ceramic Research Center)