#gu wei yi icons

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put your head on my shoulder headers

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TWITTER ICONS: Put Your Head On My Shoulder

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parte 1

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lin yi icons - like/reblog this post if you save.

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[kimmyyang]

210503 My favorite moments & translations of the SHL concert including the warming up livestream

1. Zhao Jing calling fans adopted sons and daughters during the livestream and revealing that there will be a game where they hug each other, telling fans to look forward to it (he knows what we want to see haha).

2. Gong Jun arrived at the livestream first, but he still waited for Zhang Zhehan and told Zhang Zhehan to introduce himself first.

3. Zhang Zhehan saying he will talk less as he needs to take care of his throat for the actual concert, so Gong Jun talked mostly in the livestream (translation is here).

4. In the beginning of the concert, ZZH introduced himself: "I'm your Ah Xu." (T ^ T)

5. The MCs asked the casts to write down their top 1 iconic scene, some of them picked the scene where Gao Chong died. GJ & ZZH were having a discussion and the MCs were like "why do these two have to discuss their top 1 scene?" (yeah, you just need to write your own fave scene, it's not pair work LMAO) ZZH picked "you're not worthy" scene where they had to fight against Ye Bai Yi, and GJ picked the sun basking scene where they called each other 'Lao Wen', 'Ah Xu' 3 times. ZZH said: thanks to Gao dage's iconic scene, they got to rest haha.

6. Gao Chong, Zhao Jing & Shen Sheng sitting behind GJ & ZZH wrote "Lao Wen ♡ Lao Zhou" on their whiteboards, they were laughing so much while holding it up.

7. When they played the sun basking scene, the MCs asked GJ "you were pretty focused when watching the scene." GJ replied, "it reminded me of the time when we were filming, it felt so warm just like now, I'm being surrounded with love."

8. MCs said that ZZH added the part where calling Lao Wen's name 3 times. ZZH said: "yes I even asked GJ to call Ah Xu 3 times, I like the number 3 and calling the names 3 times shows 3 different emotions". When MCs asked them to reenact the scene, I heard CWN saying he wants to see it. (I hope I didn't mishear it lol and the MCs were smiling so much while watching them)

9. After ZZH finished singing Gu Meng (T ^ T), the fans were all screaming 'lao po'. XDDD

10. At the beginning of the game segment, when the rules came up on the screen. Fans were screaming loudly and ZZH said: "did you guys even read/ understand it to be screaming like that?" And one of the MCs said: "shouldn't that be Ye Bai Yi's job to diss people?" (The MCs definitely did a lot of prep before the concert haha XD and that is the hugging game Zhao Jing talked about in the livestream)

11. GJ & ZZH were laughing hehehehe when they found out they got the same number.

12. The MCs had to say a number, they have to find enough people to make that number. At one point Ye Bai Yi was with 3 actresses, and ZZH said: "Ye Bai Yi you're a guy and you're hugging 3 girls??? I didn't expect you to be like this." (AHAHAHAHA)

13. I missed out on what happened with CWN & GX, but it seems that they wanted to get eliminated together. (T ^ T)

14. So at the end, ZZH and Cheng Ling won the game and GJ was like: "the person who won the game will sing until tomorrow's concert." (LOL)

15. GJ said: "I feel like you guys planned it out to make me lose the game." (ZZH called 'Lao Wen' 3 times here ahhhh GJ kinda just gave up lol) "Am I right, didi?" Cheng Ling replied yes. ZZH asked GJ to dance as a punishment but GJ forced ZZH to dance and ZZH was like why do I have to do it when I won the game?? Then ZZH sang and GJ danced to 爱的恰恰 (so cute I cry) GJ couldn't do the dance properly, he explained: "I need to save my energy, I have to sing later."

16. When they were picking the winners for the prizes, GJ said: "it's so unfair to the bottom floor, they haven't won anything." ZZH then jokingly added: "the people on the bottom floor, they're super fast at getting the tickets and they're pretty rich too." (because the tickets are more expensive) GJ jokingly followed: "then let's pick someone from level 3, haha I actually did pick out level 3 (from the bag)."

17. Another game, the MCs asked them to say something fierce to the other team, GJ was facing his teammates and kept saying (I can't remember what he said) really loudly. And ZZH was like did you not understand (the instructions) why are you shouting at your teammates? (AHAHAHAHAHA come on I don't think he would say anything fierce to his lao po XD)

18. I can't remember what happened but Ye Bai Yi shouted: "卧槽 (fuck)" during the game segment. (really loudly!!! and I haven't heard any Chinese actors/ celebrities say that in public lmao)

19. GJ couldn't find all the nails on ZZH and asked: "where did you guys hide it?" Ye Bai Yi lifts up ZZH's clothes and said: "here". GJ said:" I can't reach there, they won't be able to broadcast it." (asdfghjklfuuuuu)

20. When they reenacted the "you're not worthy" scene and still bickering like 3-year-olds XDDD

21. When Cao Wei Ning & Ah Xiang were singing Yuan Mie, Ah Xiang got so emotional she cried and messed up, so Cao Wei Ning sang her lines and held her hand really tightly. (I CRIEDDDD)

22. Afterwards, ZZH & GJ walked out with Cheng Ling (then everyone came out too). GJ forgot to bring the red bracelets and ZZH was like "where are the red bracelets? Lao Wen did you give it to someone else?" (AHAHAHAHA)

23. When they had to put the red bracelets on each other's wrists, CWN's hands were shaking so much, you can literally feel how nervous he is through the screen. (sobs) CWN called Ah Xiang "Cao furen (my wife)" and GX called Cao dage "my husband". (T ^ T)

24. When Xi Sang Gui came into the centre, she said: "Ah Xing (WKX) when will it be your wedding?" GJ just smiled and side-eyed ZZH. XDD

25. GJ said that SHL means a lot to him, it's a special, irreplaceable drama to him. I think he also thanked ZZH. ZZH said: "thank you shanrens who're here and watching in front of the screen for giving us the chance to dream and made our dream come true. (no, thank YOU for bringing Ah Xu into our lives T ^ T)

26. Picking winners again and CWN was trying so hard to find the bottom/ centre area card. (so cute)

27. ZZH & GJ singing Tian Wen, ZZH got confused at the start and GJ helped him to get back into the right key, they both laughed and it was just so cuteeeee. And GJ said: "everyone together" which made ZZH laugh cuz you don't usually say that during a slow song lmao.

28. Liu Qianqiao presented 嗑 upside down which is phonetically “嗑到了/ kdl” and it means my ship (cp) is sailing.

Day 2

[promomagazine]

Guggenheim Presents Art and China after 1989: Theater of the World Opening October 6, 2017

Largest Exhibition of Contemporary Art from China Spanning 1989 to 2008 Ever Mounted in North America

Exhibition: Art and China after 1989: Theater of the World Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York Location: Rotunda Levels 1–6, Tower Levels 5 and 7 Dates: October 6, 2017 to January 7, 2018

(NEW YORK, NY—March 21, 2017)—The Solomon R. Guggenheim Museum announces Art and China after 1989: Theater of the World, a major exhibition of contemporary art from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. A fresh interpretative survey of Chinese experimental art framed by the geopolitical dynamics resulting from the end of the Cold War, the spread of globalization, and the rise of China, Art and China after 1989 is on view from October 6, 2017, to January 7, 2018. The exhibition, the largest of its kind ever in North America, looks at a bold contemporary art movement that anticipated, chronicled, and agitated for the sweeping social transformation that has brought China to the center of the global conversation. With a concentration on the conceptualist art practice of two generations of artists, this exhibition examines how Chinese artists have been both agents and skeptics of China’s emergence as a global presence and places their experiments firmly in a global art-historical context.   

“Art and China after 1989: Theater of the World revolves around key artists, groups, and movements active across China and internationally, whose provocations aim to forge reality free from ideology, to establish the individual apart from the collective polity, and to define contemporary Chinese experience in universal terms,” remarks lead curator Alexandra Munroe. “This focused examination invites us to consider our own contemporary history through the lens of some of the most thoughtful contemporary artists from China.”

Occupying the Guggenheim’s full Frank Lloyd Wright–designed rotunda and two Tower Galleries, Art and China after 1989 highlights the conceptual and artistic achievements of 75 artists and collectives and features 150 iconic and lesser-known works on loan from private and public collections across Asia, Europe, the Middle East, and the United States. Divided into six chronological and thematic sections, the exhibition showcases works in experimental mediums including film and video, ink, installation, and Land art, as well as painting, sculpture, photography, performance, and socially engaged participatory art and activism. Archival materials documenting and contextualizing key moments and movements in this contested history are also interwoven throughout the exhibition.

The exhibition title derives from an installation by Huang Yong Ping that will occupy the High Gallery in the introductory section of the Guggenheim show. Theater of the World(1993) is a large, octagonal, cage-like structure that houses thousands of live scorpions, beetles, and lesser insects that devour each other over the course of the show. This real-life spectacle brings viewers into an immediate encounter with the violent yet matter-of-fact play of powerful forces over the weak.

A select roster includes Ai Weiwei, Big Tail Elephant Group, Cai Guo-Qiang, Cao Fei, Chen Zhen, Chen Chieh-jen, Datong Dazhang, Ding Yi, Geng Jianyi, Huang Yong Ping, Wenda Gu, Kan Xuan, Rem Koolhaas/OMA, Libreria Borges, Liu Dan, Liu Wei, Liu Xiaodong, New Measurement Group, Ou Ning, Ellen Pau, Qiu Zhijie, Shen Yuan, Song Dong, Wang Guangyi, Wang Jianwei, Yan Lei, Yang Jiechang, Yin Xiuzhen, Yu Hong, Xijing Men, Xu Bing, Zeng Fanzhi, Zhang Peili, Zhang Hongtu, Zhang Xiaogang, Zhao Bandi, Zhao Gang, and Zhou Tiehai.

Running parallel to the exhibition, the Guggenheim will present a 10-week documentary film series cocurated by Ai Weiwei and Wang Fen. Turn It On: China on Film features 20 documentary films by more than a dozen filmmakers, including Ai Weiwei, Huang Wenhai,Tang Danhong, and others, whose work investigates the political, social, economic, and cultural conditions of contemporary China. Produced between 2001 and 2016, many of the films will be screened in the United States for the first time.

Art and China after 1989: Theater of the World is organized by Alexandra Munroe, Samsung Senior Curator, Asian Art, and Senior Advisor, Global Arts, at the Guggenheim. She is working with guest cocurator Philip Tinari, Director of the Ullens Center for Contemporary Art, Beijing, and with consulting curator Hou Hanru, Director, MAXXI National Museum of the 21st Century Arts, Rome. Researcher Xiaorui Zhu-Nowell, Curatorial Assistant, Asian Art, and Kyung An, Assistant Curator, Asian Art, Guggenheim Museum, have provided organizational support. Archival research has been developed in collaboration with Asia Art Archives, Hong Kong. The curators are working with an international advisory committee that has met under the auspices of the China Academy of Art, Hangzhou, and the Central Academy of Fine Arts, Beijing. Art and China after 1989 is the 11th show developed by the museum’s Asian Art Initiative, which was founded in 2006 under Dr. Munroe’s leadership to expand the Guggenheim’s curatorial purview to encompass artistic achievements and critical discourses active beyond, but also intersecting with, the West.

CATALOGUE

Art and China after 1989: Theater of the World will be accompanied by a 300-page scholarly catalogue and a range of integrated digital resources. In addition to essays from the exhibition’s three curators, the catalogue features extended annotations on more than 75 of the objects on view, including interpretive analysis by scholars such as Katherine Grube, Lu Mingjun, Stephanie H. Tung, and Xiaorui Zhu-Nowell. It also includes an exhibition history of the period under consideration, prepared by Anthony Yung and Jane DeBevoise of the Asia Art Archive, Hong Kong.

TOUR VENUES

After its New York debut, Art and China after 1989: Theater of the World will tour to Guggenheim Museum Bilbao and the San Francisco Museum of Modern Art.

EXHIBITION FUNDERS

The Leadership Committee for Art and China after 1989: Theater of the World is gratefully acknowledged for its generous support, with special thanks to Co-Chairs Thomas and Lynn Ou and Liam Wee Tay and Cindy Chua-Tay, Trustee, as well as Karen Lo, Sophia Ma, Jane Yong, The Hayden Family Foundation, The Nancy Foss Heath and Richard B. Heath Educational, Cultural and Environmental Foundation, and those who wish to remain anonymous.

Art and China after 1989: Theater of the World is made possible in part by a major grant from the National Endowment for the Humanities. Major support is provided by the Henry Luce Foundation.

Funding is also provided by the W.L.S. Spencer Foundation and the E. Rhodes and Leona B. Carpenter Foundation.

ABOUT THE SOLOMON R. GUGGENHEIM FOUNDATION

Founded in 1937, the Solomon R. Guggenheim Foundation is dedicated to promoting the understanding and appreciation of art, primarily of the modern and contemporary periods, through exhibitions, education programs, research initiatives, and publications. The Guggenheim network that began in the 1970s when the Solomon R. Guggenheim Museum, New York, was joined by the Peggy Guggenheim Collection, Venice, has since expanded to include the Guggenheim Museum Bilbao (opened 1997) and the Guggenheim Abu Dhabi (currently in development). The Guggenheim Foundation continues to forge international collaborations that celebrate contemporary art, architecture, and design within and beyond the walls of the museum, including the Guggenheim UBS MAP Global Art Initiative and The Robert H. N. Ho Family Foundation Chinese Art Initiative. More information about the Solomon R. Guggenheim Foundation can be found at guggenheim.org.

VISITOR INFORMATION

Admission: Adults $25, students/seniors (65+) $18, members and children under 12 free. The Guggenheim’s free app, available with admission or by download to personal devices, offers an enhanced visitor experience. The app features content on special exhibitions as well as access to more than 1,600 works in the Guggenheim’s permanent collection. Additionally, information about the museum’s landmark building is available in English, French, German, Italian, and Spanish. Verbal Description guides for select exhibitions are also included for visitors who are blind or have low vision. The Guggenheim app is supported by Bloomberg Philanthropies.

Museum Hours: Sun–Wed, 10 am–5:45 pm; Fri, 10 am–5:45 pm; Sat, 10 am–7:45 pm; closed Thurs. On Saturdays, beginning at 5:45 pm, the museum hosts Pay What You Wish. For general information, call 212 423 3500 or visit the museum online at: guggenheim.org or guggenheim.org/social

#ArtandChina

For publicity images, visit guggenheim.org/pressimages Password: presspass

#1482 March 21, 2017

FOR ADDITIONAL INFORMATION

Sarah Eaton Director, Media and Public Relations

Kris Parker Senior Publicist, Media and Public Relations

212 423 3840 pressoffice@guggenheim.org

[dorameirasofredora]

TWITTER ICONS: Put Your Head On My Shoulder

— like or reblog if you like

— twitter: ajummasshi or dorameirasofre_

parte 3

[dorameirasofredora]

TWITTER ICONS: Put Your Head On My Shoulder

— like or reblog if you like

— twitter: ajummasshi or dorameirasofre_

parte 2

[akkaiito]

gu weiyi icon | put your head on my shoulder