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earaercircular · 1 year ago

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Spain leads the techniques to obtain biofuel from manure

Pig macro-farms have waste deposits, called slurry. The large liquids that are concentrated there favour the contamination of subsoil waters with nitrates and other products, which put at risk the clean reserve of liquid in Spain, with which rivers, lakes, lagoons and community intakes are fed.

Large pig farms pose the greatest threat to groundwater

Under the feet of the Spanish is the most precious treasure of a country whose water resources decrease every year. Almost a third of the water available within the territory is in aquifers, but four out of ten are contaminated or overexploited. Experts agree that large pig farms are the main source of their poisoning. In Spain there are more than 30,000 farms of this type, but it is also the country that leads the cutting-edge technologies for the recycling and use of this waste. The Higher Centre for Scientific Research (CSIC)[1] and the universities of Madrid and Ávila convert manure into biofuels, running water and fertilizers.

The research group from the Autonomous University of Madrid (UAM)[2] has shown that, unlike other projects, theirs makes the complete reuse of slurry possible, which places its development at the forefront of the treatment of this waste in Spain and in the rest of Europe. Ricardo Ipiales is one of the members of that research group. In a warehouse on the Cantoblanco[3] university campus, Ipiales is pleased to show a system that cleanly uses pig waste, brings farms closer to the circular economy and enables them to obtain benefits while reducing their negative impact on the environment.

Spain is the leading exporter of pigs in the European Union[4]. The Ministry of Agriculture, Fisheries and Food has recorded a total of 32,612 large farms of this type, with more than a thousand pigs and less than 7,200[5]. The problem begins when it comes to managing waste. Although manure is not negative for the environment in small quantities, its accumulation causes soils to be unable to filter nitrates, which accumulate in groundwater tables and contaminate groundwater.

From sewage to biofuel

Hydrothermal carbonization is the process[6] that transforms organic matter, after passing through a kind of high-calibre pressure cooker, into a carbonaceous material called hydrochar[7]. This product can be used as a biofuel. Another resulting solid is struvite[8], a phosphorous-rich fertilizer that can also be used as a crop fertilizer.

The liquids that result from the separation of the slurry components are treated to recover their nutrients and go through anaerobic digestion[9], in which the bacteria consume the remaining organic material. From there, the material is transferred to a treatment plant, which eliminates the nitrates and converts this liquid into regenerated water, of such a quality that it could be used for human consumption, although in practice it would be used in farmyards or for irrigation. In this transformation, a biogas is obtained that also produces energy due to its high concentration of methane.

After the success of their small-scale research, the UAM, with the help of a biotechnology company, designs a plant capable of processing 500 litres per hour of these slurries. The technology has not yet been patented, so its promoters are wary of its advances.

In many of the "big livestock companies," as Ipiales points out, treatment is "limited." Consciously, they prefer to pay fines for environmental damage ranging from 901 euros to 45,000, as indicated by the law on waste and contaminated soil.[10] Obtaining economic benefits would radically change this situation because, according to Ipiales, farms could sell hydrochar for around 300 euros per ton, while the sale of unprocessed slurry is between 14 and 40 euros.

The fertilizer that is obtained, for its part, now reaches 800 euros per ton on the international market, although its use in agriculture is not yet legalized in the EU, but it is in China or India. In addition, the machine is capable of using the resulting biogas for its operation and the farmers could use the water or fertilizers.

Insurance against drought

The problem of subsoil contamination has an impact on the management of the droughts that Spain is suffering. 30% of the water is underground, according to data from the Groundwater Action Plan[11] of the Ministry of Ecological Transition (MITECO).

In 2021, the last year for which data is available, water from aquifers represented 23% of that used for consumption: some 6,600 cubic hectometres of the 29,400 that aquifers hold each year. These figures invite us to think of a usable water surplus, but not all river basins enjoy the same health.

The MITECO analysis indicates that, of the 762 bodies of water that make up the Spanish territory, 40% are in poor condition. A total of 349 aquifers do not reach acceptable levels of quantity or quality. The river basin districts with the highest percentage of bodies in poor condition are those of the Guadiana[12], the Internal Basins of Catalonia[13], Tinto-Odiel and Piedras[14], the Balearic Islands and Segura[15].

Experts[16] agree that prevention efforts to avoid contamination and suffocation of aquifers depend on greater control of the state of unseen waters, quality surveillance and the imposition of greater sanctions. Spain is risking the future of its greatest insurance against drought.

Source

Escuela de Periodismo UAM, España lidera las técnicas para obtener biocombustible de los purines, in: El País, 9-8-2023, https://elpais.com/masterdeperiodismo/master2022/2023-08-09/espana-lidera-las-tecnicas-para-obtener-biocombustible-de-los-purines.html

[1] The Consejo Superior de Investigaciones Científicas (CSIC) (Higher Council for Scientific Research) is the largest public institution in Spain dedicated to scientific and technical research and one of the most prominent in the European Research Area. It is attached to the Ministry of Science and Innovation through the General Secretariat for Research. https://www.csic.es/es/el-csic/sobre-el-csic

[2] The Universidad Autónoma de Madrid (UAM) (Autonomous University of Madrid) is a public university that combines quality teaching, intensive research and high job placement with a firm social commitment, being a benchmark in these areas, as recognized by various global indicators. In the QS World University Rankings 2023, UAM is consolidated among the 220 best universities in the world, thanks to its high academic reputation and among employers, as well as its extensive international research network. It is the third best university in Spain and the first in Madrid, and is among the 100 most prestigious universities in Europe. The UAM also stands out as a leader in the Teaching and Learning category among the 79 institutions analyzed by the report of the Knowledge and Development Foundation (CYD).

[3] Cantoblanco-Universidad is a railway station located in the Spanish municipality of Madrid, specifically in the Cantoblanco area. The railway facilities, inaugurated in 1975, are part of the C-4 line of Cercanías Madrid and mainly serve the Cantoblanco university campus of the Autonomous University of Madrid.

[4] Provisional data from the slaughter survey of cattle of the MAPA relative to the year 2022 place the pork production in Spain, for the first time time in the last decade, in decline. The number of slaughtered animals reached the figure of 56.6 million of slaughtered animals and about 5 million tons of meat produced, figures that support us, not However, in the first position of the EU and third world position, only behind China and

USA. During the year 2022, production has dropped by around 2.2% in tons and a 2.9% in number of heads, reversing the trend bullish last year. Within the European Union, Spain remains in first position, with 23.9% of production Community, surpassing Germany, which remains in second place with 19.9% of the production of

The EU. The importance of Spanish production in the of the EU as a whole has been increasing during the recent campaigns, since only 5 years ago the Spanish production barely reached 18% of the total of the EU, as a consequence of the spectacular development of the sector in Spain, clearly above the EU average. Thus, if during the last five years meat production in the EU has risen slightly, 0.3%, production in Spain has grown almost 24% in the same period, which gives an idea of the enormous growth that has experienced the industry nationwide https://www.mapa.gob.es/es/ganaderia/temas/produccion-y-mercados-ganaderos/indicadoreseconomicossectorporcino2022_tcm30-564427.pdf

[5] https://www.mapa.gob.es/es/ganaderia/temas/produccion-y-mercados-ganaderos/dashboard2trim2023_tcm30-566166.pdf

[6] https://pubs.acs.org/doi/10.1021/acs.energyfuels.1c01681

[7] Hydrochar is known as a kind of biochar that is gained from the hydrothermal carbonization process of biomass.

[8] Struvite (magnesium ammonium phosphate) is a phosphate mineral with formula: NH4MgPO4·6H2O. Struvite crystallizes in the orthorhombic system as white to yellowish or brownish-white pyramidal crystals or in platy mica-like forms. It is a soft mineral with Mohs hardness of 1.5 to 2 and has a low specific gravity of 1.7. It is sparingly soluble in neutral and alkaline conditions, but readily soluble in acid.

[9] Anaerobic digestion (AD) of organic wastes is a popular biological treatment method. It is a useful technology in waste management and environmental health especially for mitigating greenhouse gases (GHSs). It is an economic process that treats a wide range of low- to high-strength organic materials for the production of value-added products such as feed biobased products and bioenergy through a diverse group of microorganisms. https://link.springer.com/chapter/10.1007/698_2021_792

[10] From Doñana to fecal water, landfills and plastics: Spain is the European country with the most open environmental offenses. La Comisión mantiene activos 26 expedientes por incumplimiento de las normas verdes de la UE. Estos son los casos más importantes. https://elpais.com/clima-y-medio-ambiente/2022-02-20/de-donana-a-las-aguas-fecales-los-vertederos-y-los-plasticos-espana-es-el-pais-europeo-con-mas-infracciones-medioambientales-abiertas.html

[11] Groundwater is an essential resource for life. From an environmental point of view, they are the source of rivers, springs and many valuable wetlands and ecosystems. In a country with the climatic and hydrological characteristics of Spain, its role is also decisive from the socioeconomic point of view, both to guarantee the supply of quality water to the population, as well as the supply to other economic uses, such as industrial or agrarian. Added to this is their strategic role in situations of drought, given their lower vulnerability, and the special relevance they acquire in a context of climate change. Despite this enormous importance, diagnoses on the situation of groundwater show significant shortcomings. In recent years there has not been a significant boost in terms of the generation of new base knowledge. Added to this is the specific problem of a use of water that has generated socioeconomic benefits of great importance, but which has also resulted in negative impacts that are not always adequately attended to and addressed. About 40% of groundwater bodies do not reach the good status required by the Water Framework Directive, and problems such as diffuse contamination or the unsustainable exploitation of many aquifers do not reverse their situation. The Groundwater Action Plan proposed here is a necessity for improving knowledge and management of groundwater in Spain. It also responds to a legal mandate established in article 29 of Law 10/2001 of the National Hydrological Plan. On the other hand, the Groundwater Action Plan is defined as one of the instruments to carry out the Strategic Guidelines on Water and Climate Change, approved by the Council of Ministers on July 19, 2022. https://www.miteco.gob.es/es/agua/participacion-publica/plan_accion_aguas_subterraneas_2023_2030.html

[12] The Guadiana River is an international river defining a long stretch of the Portugal-Spain border, separating Extremadura and Andalusia (Spain) from Alentejo and Algarve (Portugal). The river's basin extends from the eastern portion of Extremadura to the southern provinces of the Algarve; the river and its tributaries flow from east to west, then south through Portugal to the border towns of Vila Real de Santo António (Portugal) and Ayamonte (Spain), where it flows into the Gulf of Cádiz. With a course that covers a distance of 829 kilometres, it is the fourth-longest in the Iberian peninsula, and its hydrological basin extends over an area of approximately 68,000 square kilometres (the majority of which lies within Spain).

[13] The Cuencas internas de Cataluña group the eastern slope of the Catalan hydrographic network, characterized by including the rivers that originate in Catalonia and end their journey in the Mediterranean Sea, without flowing into any inter-community bed. It includes the basins of the Muga, Fluviá, Ter, Daró, Tordera, Besós, Llobregat, Foix, Gayá, and Francolí rivers, as well as all of the coastal boulevards between the border with France and the drainage of the Cenia river. Except for the entire Ebro river basin and also that of Cenia.

[14] Tinto, Odiel y Piedras is a river basin district in southern Spain that, as its name suggests, covers the river basins of the Tinto, Odiel y Piedras autonomous community of Andalucía. These flow into the Atlantic Ocean, between the Guadalquivir and Guadiana rivers, which have their own demarcation. It was created in 2009, after the transfer of powers in matters of public water administration of the river basins from the central government to the autonomous communities.

[15] Segura is a medium-sized river in southeastern Spain. It has its source in the Sierra de Segura.

[16] 44% of the groundwater masses in Spain are in poor condition, according to the documents for the preparation of the third cycle hydrological plans (2022-2027) presented by the Hydrographic Confederations. This means that Spain has already failed to meet the 2015 and 2021 deadlines and runs a high risk of failing to meet the environmental objectives set in the Water Framework Directive in 2027, the last deadline except for highly valued cases in which an extension or less stringent goals. In 19% of groundwater bodies it is already taken for granted that they will not be met. Good status is not expected to be achieved for a decade or more. For 8% of the masses a time frame is given to 2039 and beyond. https://es.greenpeace.org/es/en-profundidad/sos-acuiferos/

#manure #groundwater management #biocombustibles

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luveline · 1 year ago

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𝐢𝐟 𝐢𝐭 𝐛𝐚𝐫𝐤𝐬 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧

part one | part two | part three | part four

You don’t mean to make an enemy of Eddie Munson — he’s handsome and talented, but he’s the biggest jerk you’ve ever met. Eddie thinks you’re infuriatingly pretty, emphasis on the infuriating. CH4: You work up the guts to call him, Eddie drags you out on a date, and the looming shadow of an unknown photographer follows you around. [14k]

fem!reader, enemies-to-lovers, rival rockstars, mutual pining, kisses! tender neck kisses <3, past miscommunication, angst, hurt-comfort, sexual tension ish, TW mentioned recreational drug use, drinking, smoking, swearing, nudes MDNI

𓆩❤︎𓆪

Dora’s Convenience, Florida, February 1991

The air here smells like sulphur.

After spending the last four and a half days in Canada, Florida is a shock. The air is warm and thick and the smells are less than pretty —hot baked seaweed floats in on the sea, and the groundwater carries a naturally occurring bacteria that prompts a scent that you can't say you care for— but the people are kind.

Perhaps too long alone with only Morgan, Ananya, and your tour manager, Angel, for company has made you biassed, but so far everyone's been incredibly sweet. Hotel attendants, venue staff, a batch of shiny new techies; all smiling, happy, and willing to help. You haven't carried your own bag since the plane touched down.

Florida is hellishly humid. You miss the freezing bite of cold that accompanied you everywhere in Toronto. You long for a gust of wind that has no smell.

"Come on, wonderboy," Morgan says, tapping her uncharacteristic sneaker into your ankle.

You savour the last blessed seconds of the store's open freezer before closing the door with a brokenhearted frown. The effects of the cold and the clean smell dissipate near immediately, leaving you uncomfortable once again. Morgan continues on without waiting for you, a basket heavy in the crook of her arm. She's got enough glass soda bottles for everybody, yet you doubt she's in a sharing mood. You double back to grab one for you and another for Ananya, winding between aisles and wondering how people can eat half of the stuff on display when the weather is this hot. It feels unlivable.

At the front wall behind plexiglass and an unhappy cashier there's a TV playing Madonna, chirpy pop lyrics clearly not working any wonders.

His long hair shifts against his shoulder with the artificial breeze. He looks a little like Eddie, you think unwittingly, pretty in an unexaggerated way, his eyes big but not brown. You nibble on your lip and put the coke bottles down by Morgan's basket.

"You can go wait in the car," Angel says. Morgan's already left, happy for Angel to foot the bill and carry her things.

You shake your head. You don't mind waiting with her and the car is stifling in the heat. Better to linger in the open air.

The TV fades from Madonna to Guns 'N' Roses. You tilt your head to one side wistfully. No offence meant to your not-boyfriend, but half the rockstars on TV look like Eddie. With the picture small and blurry and up as high as it is on the wall mount, they could swap him out for Slash and you'd be none the wiser. Maybe not half the rockstars, actually —bleaching is all the rage right now, a contrast to Eddie's dark head of hair. You wonder if you'd still want Eddie to press you up against bathroom walls if he were blonde.

Probably.

You're thinking of Eddie less than you worried you would. Things are hectic beyond words, and most spare moments are spent showering, eating, or trying to sleep. Sleeping on the bus was difficult at first due to the tight quarters and loud noise, but you're at a point of exhaustion where Morgan's ranting might as well be a lullaby. The rap of Ananya's sticks against the bench in front of her or her compulsive thigh slapping fades away when you've been awake for eighteen hours straight.

You're in good spirits tonight at the promise of a double bed in your own room. A tiny room, you'd been told, but your own. Privacy feels like a myth lately; you're ravenous for some alone time to do whatever you want without judgement.

You're toying with the idea of asking Angel how you could maybe possibly get into contact with Eddie. You honestly don't have a clue in the world where he is, what state or country. He could be in Alaska and you'd be none the wiser. Where Godless follow locations where they know they'll have full venues, like the Midwest, Canada, and smaller shows in the 'worldwide' branch of their tour later in the year, Corroded Coffin are hitting every venue that's open.

You can't deny it any longer. There's no point, and now you're on good terms you see little worth in pretending Corroded Coffin aren't wildly more popular than Godless. You aren't saying better. But beyond subjectivity is the cold hard truth: Eddie's band are charting high.

Godless' new album is doing better than anyone on your team really expected it to, but, while you're unsure of the inner working politics, you know that the sales team were 'positive' rather than ecstatic. You can't fucking imagine how stuffed the vaults are about to become over at Rollerboy. If they skewed themselves in the right light they could be up there with Van Halen in a year or two. Not that they will, who knows? What you understand about the band is limited to the feel of Eddie's hands and Jamison's quiet rejection.

Point is, Corroded Coffin's new album is about to come out, and it's going to do well, and as far as you know their tour is a sell-out dream.

The cashier bags Morgan's overstuffed basket and moves onto your cokes. Your eyes slide to the magazine stand in front of the checkout.

Exclusive Conversation with Rising Stars of Rock: Corroded Coffin.

You grab it up and try to add it to your stuff inconspicuously, which means you couldn't make it more obvious. Angel snorts.

"Can I escape ridicule for one day?" you ask.

"The ridiculous deserve ridicule." Angel eyes the total and cracks open the touring purse. "You don't need a rockstar boyfriend."

"I'm ridiculous?" you ask wryly.

"Yeah, babe. You and the girls," —she hands over a pretty wad of cash with a keep-the-change nod and grabs the brown paper bags— "might not be the next Aerosmith, but that means jack shit. You guys are awesome, not just 'cause you're my responsibility. I've seen it. I've seen you guys. And I know you hate talking about being a girl band, but you are a girl band–"

You groan. Of course you are. Pretending gender doesn't play into it would be silly. But it gives you a migraine whenever you think about it, so you try not to.

"You guys could be as big as The Bangles. Especially if you stopped wasting time on silly boys," she furthers. Ouch.

Angel steps out into the sunshine. You follow, shielding your eyes as you look for the car, a pretty red Mercedes-Benz with all the windows rolled down.

"The Bangles," you repeat, genuinely surprised by her comparison. "The only thing we have in common with them is that we're girls."

"You know what else you could have in common with them? Mansions and early retirement. Hey, Hazy Shade of Winter was actually good. You should try something like that."

"Uh-huh," you say.

"Hey!" Morgan shouts, shoulders out the passenger side window. "Could you guys at least pretend you have somewhere to be? We aren't all social rejects. A sense of urgency, if you will!"

"Walk slower," Angel mutters. "Ooh, I've dropped my contact. You know, the ones I've miraculously started wearing?"

"Oh no," you giggle, kneeling down to feel for it. You must be rather overdramatic about it, incurring Morgan's whining wrath.

You find Angel's very real contact and return to the car. Morgan drones about her throat and how it's reacting to the constantly changing weather, and then swaps tactics when nobody is quite as pitying as she would've liked to complain about Ananya's "antisocial behaviour".

Ananya has taken to listening to her Walkman non-stop while not on stage. Bad for her hearing, good for her mental health, you imagine. It came about after a missing wad of cash and has yet to see an end. You resent and revere Ananya's determination, jealous that she's escaping Morgan's frankly horrendous behaviour, amazed that she has the willpower.

The more you know Morgan, the less you’ve felt you could love her. It might be cruel to recognise that. She demeans your style, pokes fun at your body, and worst of all, she takes the piss out of your constant dedication to the music you make.

Proud isn't the right word when describing the relationship you have with making music. You aren't proud of yourself for anything. You'd pictured a sort of satisfaction in getting to this point, now that you're a real musician in a famous band with sweetheart fans and the occasional acclaim. You should feel proud of yourself, but you don't.

You'd felt relief, and now the agony of clinging to it.

Worse is that this could all be different. If you were prettier, someone Morgan approved of. If you were smarter, and could garner Ananya's interest. Feeling like an outsider in the extreme that you do can't be good for you, but there's no quick fix. The only time it goes away is when you're on stage playing music for a thousand outsiders.

Or when you're with Eddie.

As you stupidly told him.

What good will it do, telling a boy how you feel? When he's off map, surrounded by people who think he's great and women who won't stop telling him so. Maybe boys, too. You can't get a read on him.

Naive as it was to tell him– whatever it was that you told him. I don't feel sick when I'm with you. How romantic. Naive as it was, you don't totally regret it. He'd sought you out at your show to take you to dinner and suddenly he's cutting the sleeves off of your t-shirt in a family owned pizza place and kissing your neck all slow and smooth like it's the only place in the world he wanted to be. His hand at your waist, and the way he stopped when you got quiet. His hug. That might be what you miss most. Boy's got a world-class smile that gives dizzying, sickly kisses but what you want to feel most is the weight of his arms around you. You want him to hold you steady.

People suck. Eddie sucks. He was mean and then he was sweet and now he's just not here.

You want to see him again.

What a sickening revelation. Anxiety pricks your fingers, pins and needles shooting down the lengths of your arms from your skipping heart. You stick your head as far as you dare to out of the window, taking deep breaths to fight the nausea.

If it barks like a dog, and it heels like a dog…

You grip the door.

You miss him, and it's terrifying. He can be cruel. You can be cruel too, but you'd been at his fucking mercy. He'd looked at you and he'd known exactly what to say that was gonna mess you up. He has a talent for it. You hate this, and you know now you won't sleep until you're sure things are okay between you, though there's no reason anything would've changed since the last time you saw him. What kind of pathetic does that make you?

It would be nice to hear his voice. The Eddie who dotes on you. Eddie under all his layers. You don't want him fucked on bad ice again, but the version of him you'd met that night makes you smile as you recall it. Wide eyes, quiet but honest.

I sent you flowers, because… because those girls are mean to you, he'd rambled, slouched on the stairs, slightly too heavy for you to help him up. And I didn't like seeing you fall over. I wanted you to feel better. I don't know anything about girls... Did you like the flowers?

The Mercedes-Benz rolls up beside The Blue Lily Club, its name taken from what it used to be, presently a hotel. It has all the trimmings of a music venue, big windows and wood, but indoors it couldn't be more plush.

Ananya holds a hand out for her room key at the front desk and doesn't speak a word. She's kind enough to smile at the chauffeur who'd helped carry your bags inside.

"It doesn't usually look this nice in here, don't get used to luxury," Angel warns. "They're redecorating."

You trail behind her, dragging your suitcase over hardwood floors. The wheels click click click. "We'll come here again?"

"Next time we're in Clearwater. S'where we stayed last time. You hadn't bumped up yet."

"Was it this hot when you were here?" You rub your hand across a clammy cheek. "It feels like summer."

Angel smiles. "You think it's hot now, try a week here in May. I usually don't remember different tour dates but that was hell on Earth. Air conditioning broke in one of the buses into Jacksonville. Holy shit."

Angel divulges her evening plans for ice cold cocktails in the hotel bar and invites you along. You decline outside of your hotel room, "I'll probably sleep."

She nods. "Nice. Catch up on what you missed."

She gets a couple of steps further down the hall toward her own room when you admit defeat.

"Hey, Angel?" You pull at the neckline of your t-shirt. "You, uh, wouldn't know how I could get somebody's number? Someone from Rollerboy?"

"From Rollerboy, huh?" she asks, knowing exactly who you want to talk to. Fuck the techie who saw you and Eddie leaving, and fuck Morgan for spreading it around.

You push your bottom lip against the edges of your top teeth and drag until the delicate skin there hurts.

"I'll see what I can do," she says.

Twenty minutes later you have a phone number for his hotel and instructions on how to actually get through their privacy wall. You perch on the edge of your white bed and stare at the phone, like wanting to talk to him will make it ring. You reach for it, hesitate, and reach for it again.

You dial the number one rotation at a time and wait for it to pick up.

"Four Seasons Houston, Samantha speaking. How can I help you this afternoon?"

You choke on air. Four Seasons? What kind of money are these losers on?

"Hi, I'm hoping to be put through to one of your guests, an Eddie Munson? Room 146?"

"And is he expecting your call?"

"No, ma'am."

"Who's calling?"

"Y/N." You consider giving your second name. Does Eddie even know your second name? You suppose he could've seen it in one of the magazines, but that's doubtful.

"Hold please."

You think about hanging up, but you've given your name. If Eddie's there and he's willing to talk to you and you hang up, he'll still know it was you calling. Is that worse? The embarrassment of chickening out versus the endless mortifying possibilities of what you might say when he answers, if he answers, oh fuck–

"Transferring now."

You hold your breath.

The phone clicks twice.

"Hi?"

"Hey," you say quickly. You inhale, intending on– on what? Your panic is palpable.

"Hi," he says again, something warm in his voice. "Y/N? My Y/N, or a fan who knows just what to say to get my number?"

You go a bit blind. "Your Y/N."

"Hey. How's Florida?"

You sit back in bed and kick off your shoes. The phone shakes in your hand. This is more nerve-wracking than any conversation you've had beforehand, and it's in the small talk stages. It should be easy, you wanted to talk to him, but this is the first time you've sought him out ever. It shows your hand.

"Hot. Really hot. The receptionist, uh, said it isn't usually like this early in the year. Yeah, it's hot."

"It's not so bad here, considering." He sounds unlike himself. You've heard him flirting, almost torturous, and you've heard him mad. You've heard him drunk, high, offended, salacious, smug, and soft. None of those memories align. "Hey," he says, confusing you even worse, "why're you calling? Is everything okay?"

You hold the phone up in the air and twist to smash your face into the huge hotel pillows. They're gloriously cold and nowhere near enough to cool the open flame that is your flushing face.

"Nothing's wrong, I'm sorry," you say weakly, pulling the receiver back to your ear, head craned awkwardly so you don't smother it. "I was– I was thinking about you," —holy fucking fuck— "uh, 'cause I saw you in Lastick Magazine."

You can still save it.

"Who'd you have to blow for that one?" you ask.

Wrong.

"Loser!" he cheers. Your heart sinks, but he goes on, "You gave me a heart attack, I thought something happened!"

"No, nothing happened," you say. If you were on better footing you'd make a sly joke about big scary Eddie worrying about you.

"Okay, good."

You smile, tugging at the sheer, cornflower blue fabric of your skirt as you think, He sounds happy to hear from me.

"How's Houston?"

"Babe, you wouldn't fucking believe it. They got us posted up in some four star skyscraper. Two mini fridges. Two. It's insanity, I'm basically royalty here."

You look around your small room. "Ah, but do you have a damp splodge on the ceiling shaped like the letter W?" you ask.

"They musta forgot to put it in the welcome basket."

You laugh suddenly, startled at his good humour. It's like it's been hooked out of your chest on fishing wire, an ugly garbling sound that infects him down the line.

"Shit, I think I was starting to forget what you sound like," Eddie says.

You know exactly what he means.

You won't tell him, though. Your heart is racing again as it did in the car; he's being lovely like you're friends, like you're more than that, and you love it but it scares you shitless. Boys do this kind of stuff, right? Say pretty things, kiss you like you're something treasured, and one day they stop answering your calls. Vet you through to their assistant, and piggy bank your affections by acting like you're still something the next time you see them in person.

Eddie kissed the top of your arm the last time you saw him. If he acts like you're just friends when you see him next, you're gonna scalp him. Or self admit.

"I meant to ask you about something before I left," he says, bridging a mildly awkward silence with a dip into flirting bravado, "but you were all over me, you know? Didn't have time to ask."

"Yeah? That's not how I remember it."

"No accounting for stupidity." You can hear his smile. "Can I ask, or are you gonna talk over me again?"

"I should hang up on you."

"After all the trouble you went to to reach me," he sympathises.

"Tell me how the dial tone sounds next time."

"Alright! Jesus, you're pushy. What I wanted to ask is, you're in Oklahoma in a month.”

“Where’s the question?”

“You suck. Fine, I’ll spell it out for you. I’m in Oklahoma next month, and you’ll be there at the same time, and I know some of your shirts still have sleeves which is lame and very 1989 of you. I could maybe take some time out of my busy schedule and help you with it. Consider it my charitable act of the year.”

You want to see him. He can’t know it. You don’t want to play games with him, and you don’t wanna get messed around. He can’t have all the power.

“I don’t know, Munson… I’m pretty busy, ‘n’ I kinda like my sleeves.”

“Yeah?”

“Yep.”

He snorts. “Shit, fine. We’ll leave your sleeves alone. Maybe we could–”

“Are you listening to Loggins and Messina?” you ask suddenly, phone pressed so hard to your ear you know it’ll leave a mark.

“What?” he scoffs. “No, of course not.”

The music gets quieter, but you know what you heard. “You are! That’s Thinking Of You, I’d know it anywhere!”

“So what if I am?”

“You’re such a sweetheart,” you say, not really thinking about how it sounds. “I love that song, it’s so sweet. I thought you were this big scary jerk but it turns out you’re just as soft as the rest of us. Turn it up, I wanna listen.”

Eddie doesn’t argue with you. He turns it up.

“What is that? It’s too clean to be on the radio. Don’t tell me you’re carrying a Loggins and Messina record around with you, please don’t, because I’d really have to tell someone about it.”

“Oh, you would, would you?” he asks.

“I’m gonna drag your reputation through the mud, Munson.”

Your too-big smile slowly fades when he doesn’t joke back. Was that too far? He can’t possibly think that you’re being serious — as if. You don’t have the power, influence, or connections to touch his reputation, let alone drag it. Your lips part as you hesitate to correct yourself, uncurling where you’d been comfortable on the bed.

Eddie finally puts you out of your misery.

“Did you hear that?” he asks.

“No? What was it?”

“That was me crying out in terror. You didn’t hear it?”

“That’s not even funny,” you complain. “I'm not the only one. You realise they’re calling you a womaniser in Lastick, right?” You grab your copy of the magazine from the end of the bed and splay it open, flicking through pages until you find his article. “‘Heartthrob guitarist Eddie Munson is barely entering his mid-20’s, but his masterful fingering has captivated the hearts of young women and pro musicians alike,’” you read, letting the magazine flop back flat.

“Did they really say ‘masterful fingering’?” he asks.

You smile at the sound of his laughter. “You pig. What’s funny about that, Munson?"

“Uh…”

“I’m messing with you. Mastery aside, you’re missing the point. They described you as a heartthrob in the third biggest music magazine in intercontinental America. Like, someone went to college for four years, worked their way up the corporate ladder, blood, sweat and tears included, to call you a heartthrob, and they didn’t lose their job.”

“Right, right. The point is that you think I’m ugly.”

“The point is that I have proof you’re…” You think about the point. You want to ruin his reputation as a heartthrob by telling everyone he listens to romantic soft rock. Because that makes sense.

“You have proof that I’m not just a heartthrob, I’m sensitive.” He sounds so fucking smug. “Making me even more of a heartthrob.”

You frown, taking the article back into your hands. “Oh, right! ‘His masterful fingering has captivated the hearts of young women and pro musicians alike, but is Munson the sweetheart he seems? Insider information hints that this young musician is spending less time making music and more time womanising the elite bachelorettes of Palm Springs.”

You blink. Your reading had become less smug as it went, and by the time you’ve finished you’ve the beginnings of a pit forming in your stomach. His alleged womanising had felt funny a moment ago. Why does it bother you now?

Because you’ve been confronted with the good. His laugh. His love songs. And you’re realising he isn’t as in your reach as you’d thought.

Eddie snorts. There’s a sound like he’s rubbing the receiver against bedsheets, and you wait apprehensively for him to speak.

“Sorry, I was turning the lights off. That’s a bit fucking rich. Who’s their inside source, Pinocchio the real boy? I was in Palm Springs for two days, and you saw me, I was fucked the entire time.” He has no clue how much you’d needed him to say that. “Maybe someone saw us together, you could pass for one of those pretty rich girls easy.” He also doesn’t know how much of an affect his easy compliments have on you, apparently. “I don’t know how someone could look at me and describe my behaviour as womanising. Pathetic, sure.”

There’s a hard edge to his voice. He made you feel better, even if he doesn’t know it. You don’t mind doing the same.

“You were sweet,” you argue mildly. “You were. You asked me how I was, and when you saw I was wearing heels you sat down in the middle of the staircase and made me sit with you.”

“You don’t usually wear heels.”

“Morgan says–” Eddie groans. “What?”

“Morgan says a lot of dumb shit, is what she says,” Eddie grouches. “Forgive me but she’s a fucking loser.”

You feel oddly protective of her for a moment, “She’s the opposite.”

“No, but her attitude ruins everything she has going for her. She’s talented, she’s the next Nicks when she sings that one song, Heartbreak House? She impresses me, but she’s fucking mean, sweetheart. You know she’s mean.”

“I guess,” you mumble, scratching the seam of your pants with your fingernail, not sure why you're defending her. “Aren't we all?”

Another patch of silence.

“Yeah,” he says finally. “Yeah, we can all be pretty mean.”

“That’s the business, right?” you ask, knowing it isn't true.

“I think… we all have a propensity for cruelty when we feel pinned, and that…” He clears his throat. “Trying to make it when the scene is this competitive can feel like a looming hand. Just waiting to pluck you off of your pedestal.”

You laugh weirdly, all strangled breathlessness. “Easy to see who writes the lyrics.”

“Fuck you. You know what I mean.”

You do. Morgan’s probably trying her best, in the same way that you’re doing yours, balancing friendship and music and fame and a high-pressure job with little room for slip-ups. And now Eddie. Maybe Morgan has an Eddie somewhere, some larger than life loverboy with a penchant for sharpness and sweetness simultaneously.

“I want to tell you something,” Eddie says.

“Oh, gross. You can’t just say that, now I’m panicking,” you admit, sitting up in bed, knuckles aching at the tight grip you have on the phone. “It’s something normal, right? Or not normal. Did you get some unfortunately transmitted disease or something?”

“Unfortunately,” he quotes. “That’s funny. Definitely didn’t, the last person I touched was you.” It’s heart-rending, until he adds, “Apart from your fleas, I’m clean. And I’m trying to tell you something slightly serious, so if you could keep any allusions of disease to yourself for a minute, I’d appreciate that.”

“Okay, sure. Tell me something.”

There’s a small sound. Maybe he’s licked his lips, or changed positions. “When I… when we had that fight, in the Prover Theatre. I just want you to know that I regret how I treated you. I wish I could take it back, and… I wish I had the guts to tell you in person, but I don’t. Sorry. I’m sorry. It’s not how I want to be, and I need you to know that you’re right about me, I’m a loser, but I’m the kind of loser who wants to take you out to dinner and knock my soda in my lap or try to kiss you too soon, not the kind of loser who leaves you hanging.” He laughs like you had, like it’s being dragged out of him, and you realise that Eddie Munson is panicking on the other side. “Shit, can I take some of that back? I’m cool, I swear.”

You smile hard, your cheeks aching. “No, you can’t take it back.”

“Fine. I’m a loser.”

“For the record,” you say, “you did kiss me way too soon.”

He laughs roughly, a sound half threat and half promise. “You annoy me so much. When you get to Oklahoma I’m gonna make sure you know it.”

A curl of warmth unfurls deep in your stomach. You have the good sense not to ask what he means by that.

Cowboy Cadaver, Oklahoma, March 1991

Eddie finds that he hates having an almost-girlfriend. In his head, in his chest, you're his girl. He doesn’t know how to explain himself beyond that. It’s this feeling like heat, like light, like the kiss of a sunbeam on a cold day warming his skin. And it’s the blessed breeze in a heatwave, it’s ice on an ache, it’s the feeling of your skin, your pulse under his touch. Absence doesn’t make the heart grow fonder —it grabs wanting by the neck and squeezes all the air out. If he doesn’t get to see you soon he’s gonna lose it.

He tried explaining it to Wayne down the phone, because he’s being a good nephew now and actually calling, but he couldn’t take himself seriously, all those cheesy metaphors like chewed cud in his mouth waiting to be swallowed and yacked back up. He said, “Does it always feel like this?”

And Wayne sort of laughed, a derisive snort to seal the deal, and said, “Eds, you ain’t the first kid to fall for a girl.”

Which isn’t what he asked, but he reckons Wayne was telling him Yes, it always feels like this. Eddie doesn’t know if he’s ever been in love before. He’d wanted to kiss that guy on the track team junior year so badly it kept him awake at night, and he was sweet on the soft bartender when he bussed at the Hideout to the point where the entire kitchen staff started calling him ‘squirty cream’ on account of how whipped he was, but Eddie can’t ever remember feeling like this.

He blames himself, thinking you were right after all – he did kiss you too soon. And for the wrong reasons. Now he knows what it feels like, knows what sound you make when you like it, how was he ever supposed to move past that? Your arm under his lips, or your hair against his cheek as he tried to hug the bone-deep dread out of your system, a faucet drip drip dripping by your thigh. He can’t remember what you smell like anymore, only that you smelled good, and he gets that this’ll be the nature of whatever relationship you two manage to cradle for a long while; he’d never ask you to follow him, and he thinks you’d rather die than do anything similar.

Still, he’s starting to offer up whatever it is whoever it is that’s looking down on him will take to get a quick hit. Sweetheart for his face in the curve of your neck, five seconds to breathe in the smell of your subtle perfume. It’s extreme, but Eddie’s feeling extreme right now. Every minute that you’re late winds the wanting coil tighter.

He doesn’t have anyone with him to tell him to get real. He pictures it instead, Jamison in the chair opposite, grimacing at the cider sticky table between them and the state of Eddie’s patheticness clearly displayed. Stop bouncing your leg, fuckhead. She said she’d meet you here, didn’t she?

He’s going over what-ifs when you appear. You’re wearing a sweatshirt that says ‘I visited the Great Wall,’ with a helpful picture overtop and jeans without rips. He’d be upset at the lack of skin if he couldn’t see the shapes of your thighs so clearly. He’s a sucker for them.

Better are your hands. No, better is your smile, because he knows you more than he should already and he knows what your smile means. You’re happy to see him, and you don’t want him to know it.

He hasn’t practised this part. Shock horror, he’s been too confident in his head yet again and assumed he’d know what to do when he saw you, but he doesn’t, God, he doesn’t have a clue. Can he kiss you? Hug you? It’s feeling like neither. You slide into the booth chair opposite and your shoe bumps his.

“Hi,” you say.

“Yeah, hi. Holy fuck.”

“What?” you ask, head whipping back to look the way you came.

“No, nothing, I just forgot how pretty you are. It’s kind of shocking up close. You know they called you ‘homespun’ in Lastick?”

“Fucker,” you say, not a hint of malice in it as you deflate in front of him.

“Mm. Nice sweatshirt. How was it? The Great Wall?”

“I don’t know, I got this at Goodwill.” You both pause, a synchronised, silently agreed upon ceasefire to take the other in. You look more than pretty, really, ‘cos he was fucking with you when he said it but that doesn’t mean it isn’t true, it is, you’re lovely when you smile and you’re smiling like he’s just told you he got a lucky scratcher and he’s giving you the winnings. “You look happy,” you say.

“Ditto.”

You grab at the collar of your sweatshirt. “Sorry, this is awkward, I don't know why.”

Eddie’s surprised at your honesty, not because you aren’t an honest person, but maybe because he’s used to skirting around the issue with you. There’s a mutual attitude that anything unsaid is untrue, and lately you’ve both said a ton of stuff you can't take back. He’s sorry, he wants to see you. You feel better when you’re with him. It’s embarrassing considering how little time you’ve spent together, and Eddie wants to change that. Hence dinner here in a blowout with floors that grab at your shoes and cigarette ash caked in the salt and pepper holders. The likelihood of an interruption is small.

“It’s fine,” he says faux confidently, while his heart is thudding against his Adam's apple. “I know how to fix it.”

Eddie reaches down under the table for the rumpled jansport he’d brought with him and pulls out two gifts. They aren’t wrapped, even though that would’ve been more romantic. He hadn’t found the time. He places them in front of you without ceremony, a chocolate rose in plastic wrap and a CD from that Indiana band you like, signed and sealed.

“What…” you mumble, picking up the CD with an adorably awed pout. “How’d you get this?”

“Asked around.” A lot. It was shameful.

Unfortunately for him, there’s a little more awkwardness to cut through, the shame of vulnerability or the realisation that you’re both standing on the precipice of something shiny and new. Suddenly, every word feels important. He has to make it clear that he’s repentant, and desperate, but only for you.

“Do you like it?” he asks.

You immediately nod, two tight dips of your chin as your thumb rubs over the plastic wrap irreverently. Your eyes are slightly widened, your pupils like dimes. “Eddie, I didn’t bring you anything.”

He leans back against the cool leather seat. “You didn’t have to. I’m just happy to see you.”

You stand up, and he thinks Oh thank fuck, you’re sitting on the bench beside him, you’re gonna kiss him saccharine sweet on the cheek like the darling girl that you are. His hand lands unabashedly atop the curve of your hip as you settle down beside him, his heart like the pull cord on a chainsaw that keeps skipping, your impending kiss the roar of the engine as it wakes.

Your hand touches his thigh. You’ve the chocolate rose in hand, a shy smile on your lips.

“Will you share it with me?”

He comes up short. Yeah, a kiss would be nice, but this is good too.

Dramatics aside (dramatics being the kinder word, because Eddie doesn’t feel dramatic at all, and that’s genuinely worse), he’s missed you without metaphor. Something in him relaxes as you unpackage the rose and snap it up. You offer him a carved leaf as you nibble on the stem. The awkwardness begins to fade, at least on his end, though that might be down to his lingering hand behind your back, not touching you but close enough.

“I told everyone I was going window shopping,” you say, covering your mouth with your hand as you meet his eyes.

“They believe you?”

“Nope. They know you’re here.”

“Mine were the same,” Eddie comforts, reaching for the flower of your rose to break it apart. He holds some up to see if you’ll let him feed you. You wrinkle your nose at him and laugh. He laughs back. “Open up.”

“No,” you say, laughing through your nose as he presses a petal to your lip. Your jaw softens as you lean back, and it’s a sight to see, your eyes lit with amusement and your lips pressed tightly closed.

He doesn’t wanna push his luck. He puts the chocolate petal in your hand and leans back to chew through his own, happy to watch you through half-lidded eyes. His squinting makes you squirm, until you figure out his angle and give him a playful glare.

It's swiftly interrupted by a big yawn. “I’m so tired,” you say, rubbing your eye with a sore looking hand.

“Your hands are fucked,” he says. It’s no wonder that you’re tired. You never stop. Even when the guitar pick’s fallen between strings. “That’s a bad one.”

He takes your hand in his to rub his thumb over the pad of your index finger, where the whorl of your fingerprint is cut decisively down the middle and scabbing over. The skin around it is mottled. His thumbnail scratches down the side of your finger gently as he looks it over. There’s nothing he can do to make it better.

“You know they invented picks for a reason,” he says.

Your middle and marriage fingers rest lightly against the meat of his thumb. Your pinky fits in the slight dip of his palm, its tip at the the bisection of hills at the bottom of his palm. Your nails aren’t long, but you’ve painted them an unassuming, translucent blue. He pushes his thumb into your fingers so they curl toward your own palm and slowly, you cover his thumb with yours. It’s a weird angle to hold hands, but he doesn’t mind. Like you can read his thoughts, you turn your hand into his, but then you must change your mind. You pull it out of his hold and face toward the table again, away from him, your forearms pushed together. You lean back with a tired moan. It turns his heart.

“I like shows, but I don’t like touring,” you say. “I think we should get to pick a venue and that’s it, that’s where we play. The fans can come to us.”

“The fans,” Eddie repeats.

He’s not trying to make fun of you. It’s weird to say something like that aloud and know that it’s true. You have fans. You both do. People like your music enough to come and see you play.

And you both like playing music enough to subject yourself to borderline torturous conditions. Packing yourselves up like parcels delivered from one stage to another.

“I bet Madonna loves touring,” he says.

“Yeah?”

“They aren’t making her live in a ten by two box sixteen hours a day,” he says.

“Don’t do math,” you plead, your head dipped back and drifting toward his arm. “I really am tired.”

“You could’ve cancelled. Not that I wanted you to.” He softens his voice, his best approximation of a caring boyfriend, though he’s never been one before.

“I didn’t want to cancel…”

“You need me to take you home?” he asks, concerned as you let your head drop on his shoulder.

“Can I just sit here a while?”

“Sure. Anything. Uh…” He wraps his arm around your shoulder.

Eddie would be content if you fell asleep but you fight your fatigue, and he’s glad for it when you move into easy conversation. This part he can do. Over the phone, he's told you about Wayne and growing up, and about stuff he doesn’t think he’s told anyone before, not secret so much as mundanities that no one ever wanted to listen to. He sticks to mundane things for now. Like the phone calls between you both (new, occasional, but always too long), he talks until he runs out of things to say, and even then he drags it out to a painful threshold.

Somehow, some way, you lay your head on his shoulder and keep it there for a while, and you tell him about your nightmare tour and all the fighting. Morgan’s not speaking to you, Ananya’s not speaking to anyone. She has a pair of headphones that she keeps on morning noon and night, sometimes during soundcheck, where she adamantly refuses to participate.

“Ananya used to be okay,” you say, nearly whispering like you’re worried you’ll get caught telling him secrets. “But she’s just as bad as Morgan now. They’re still fighting about Morgan’s– Okay, don’t tell anybody, but Morgan does a lot of coke–”

“Is that a secret?” Eddie asks.

He’s not being condescending, it’s just that half the people you see on MTV have a bad coke problem and Morgan is often on MTV.

“No, but she stole money out of Ananya’s purse at a party when we were first touring ‘cos she didn’t have a dime to her name, it’s pretty bad. I didn’t tell you on the phone ‘cos I was worried someone was listening to us.”

Eddie blanches. “You think people were listening to us?” He said some brave things to you last time, a cheeky promise wrapped up in platitudes.

“I mean, no? But the secretaries can listen on the line in some places, ‘n’ you were staying in all those skyscrapers. It’s not, like, a thing. Morgan swears she was gonna pay it back. Anya got mad, ‘n’ Morgan implied that any money in Anya’s purse was money she made.”

“I see.”

You lift your head slightly. “Please don’t tell anyone. They’d kill me if they knew I told you.”

He smiles at you reassuringly. “My lips are sealed.” He eyes your pretty mouth, your face as close as it is. “Well, mostly sealed. Ooh, you could buy my silence.”

“How does one go about that?” you ask quietly, knowing exactly how, he’s sure.

Eddie gives you the softest kiss he can manage, hiding his nervousness well. He grabs your upper arm, and grab isn't the right word but it’s the only word that makes any sense given the quickness of his movement; he's leaning in and he needs to be touching you first, steady himself. You smile into his lips.

“That’s not gonna be enough,” he says as you pull away. You startle him by leaning in again quickly, your lips parted a fraction and hot against his as your hand stretches out across his chest.

He’d intended to stay chaste with you. He's trying to rescue the head-first plunge that was his handful of confessions, make your possible relationship one that works, but he can't help himself. He takes it slow, admittedly, but slow kisses become long, and he turns lax at the feeling of your fingertips over his heart.

Eddie pulls away when he can make himself, cupping your face in his hand in an effort to communicate how much he wants to be kissing you still. “Can I get you something to drink?”

“Why? Do I taste bad?” you ask. You have a shiny mouth.

“You taste like chocolate. I just figured I should buy you a drink before somebody else does.”

“Eddie,” you say, leaning into his palm ever so slightly, “there's no one else here.”

“Can’t say I blame them. Who names a bar ‘Cowboy Cadaver’?”

Your lashes kiss in the corners as you smile.

“Your band is called Corroded Coffin.”

“And it’s a good name.” He pecks you quickly. “Yes?”

Your answering hum tickles.

“Why do I feel like we aren't supposed to be doing this?” you ask, second hand joining your first on his chest.

“Because we’re meeting in secret?” he suggests, covering your hands with one of his. “Or mild secrecy. We aren't subtle.”

“You're not subtle.”

“No,” he agrees, and forgive him but he’s feeling positively sunny and sounds it.

“This is okay, though? We both want this?” you ask.

“I-” No more running away. No more casual cruelty. “I definitely want this.”

You grin, leaning up in a move that surprises him as your arms wrap around his neck, his hair under your arms. You smile sheepishly before ducking your face under his, the tip of your nose crushed to the soft part beneath his jaw. He has a grin all his own as he grasps your back. Eddie kisses the side of your head, any skin he can reach, three times in quick succession, and feels an acute sense of relief. There’s something final about it like a puzzle piece clicking into place that explains the photograph, or the snap of a finishing line against his stomach. He's suddenly pin-sharp ecstatic, and he shows it with a rough squeeze.

“You smell really nice,” he praises, his nose by your hair.

“That’s pervy, I think.”

“I’m trying to be nice,” he says.

He can hear even to himself how brazen he sounds, that awful flirtation he can't help from enacting with you now he knows you like this. He wants to impress, and he wants to be honest at the same time. He wants to be himself. It’s getting easier.

“Nice isn’t a word I’d associate with you,” you say, but you sit back to meet his eyes and amend, “That’s not true. You can be lovely.”

You give him a look that can only be described as loving. It’s pure affection, and if he weren't sitting he’d have fallen over from how it makes him feel. You lean forward until the top part of your face is on his cheek, your eyelashes twitching like a butterfly’s wing.

“Thank you for the presents. You didn't have to get me anything," you say.

He looks behind your head to the bar around you both. He's been so distracted by your looming presence, your arrival, and now having you in his arms, he hadn't noticed the patrons milling in as happy hour draws nearer. There’s a couple of older men at the bar, and one looks unseeing toward your public display. It makes him uneasy.

“You're welcome," he says. "We have an audience."

You follow his gaze over your shoulder and promptly untuck yourself from his embrace when you see the bar isn't as empty as you'd thought. There’s no time for heartbreak —you weave your fingers with his and hide them between your thighs, a small smile playing on your lips.

Eddie could get used to this.

—

Marriott Dean Music Store, Oklahoma, (still) March 1991

There’s a black and white Gibson Les Paul hanging on the wall. It caught Eddie’s eye as soon as you arrived, and while you have no use for it (and your Fender bass's gonna jinx you if you touch an instrument that isn't her, you just know it), you kinda wanna feel it for yourself.

“See the headstock? The line wrapped around the bottom?” Eddie says under his breath.

There's a storehand standing behind the small counter not too far from your position near the entrance.

You nod carefully. “Yeah?”

“Relacquered. And conveniently not mentioned on the price tag. It might be a new one, sometimes they crack backward from the pressure of the strings.”

You glance between Eddie, his pale face and a new crop of sun-wrought freckles, and the ‘like new’ label on the guitar. An ‘87 standard has no need for lies, it’s not as if the price difference between it and the new ‘91 is overlarge.

“Are you looking for something new?” you ask.

If Eddie functions anything like you do, he’ll have his own hardware but won’t hesitate to borrow from a well-packed bank of state-of-the-art instruments that follows the tour. He might even change instrument mid set. He won't need something new, but need and want are estranged.

“Nah,” he says, nudging you gently away from the guitar display. His hand ghosts your elbow, like he might steer you around. “I have a Rich Warlock, you seen those? I got a new one last year ‘n’ the output level for the bridge pickup is giving me grief, but I’m not an asshole. I could sit down and fix it myself, but…”

You brush aside a beaded curtain and take a short step down into the store, where a wealth of CD’s, cassettes and vinyls are packed in rows on tables. There’s an older man flicking through records, but beside that the room is empty. A big yellow sticker faded from the sun warns of CCTV.

“You’re too busy,” you finish.

“I'm way too busy.”

There's a calmness to being with him here you hadn't expected. It's like lying on the stairs with him all over again, but he's missing that awful far off look to his eyes, he's tip top shape: Eddie Munson is sober. He said it like it's no big deal, and maybe it isn't, but you squeezed his hand anyways because you figure you'd want someone to feel proud of you if you stopped. You don't have a problem, just every dalliance with recreational substances is a chance at something worse. He should feel good about what he's doing.

Especially when you understand the feeling that drives you there in the first place. The insane stress of wanting to prove that you're worth something, and the feeling like lukewarm water dripping down your spine when you're standing in the middle of a room, in the middle of a crowd, and you realise you could disappear and nobody would know until the next show. That confrontation of how small your life has become, through your own mediation and everything else.

You'd give anything to escape that feeling. Some nights, you do.

You told yourself you'd play it cool. What happened between you and Eddie, what's happening, it's muddled. You remember the profound hurt feeling of his final blow, and you hold it up against how you're feeling now as his fingertips coast down your arm, a thoughtless touch as he stands beside you to give his opinions on the box of records in front. He's nice. He's more nice than not. You wanted to squeeze his hand and you had, cool girl facade on the back burner.

Maybe you're the one who was cruel. You think back to how it all went down. The details grow fuzzier in the distance, but you know you hurt him like he hurt you. And unlike him, you can't remember having said sorry.

You turn your head and find his face remarkably close to your own. He doesn't flinch nor move, only smiles at the weight of your gaze and flicks to the next vinyl.

"I'm sorry," you say, awkward but earnest. You don't give yourself the time to chicken out.

You can't stand thinking you might have hurt him now. Even if he hurt you worse. The guilt of hurting anybody at all feels heavy, worse because it's you.

"For what?" he asks.

"For what I said. At the theatre. And for walking away at Monsters of Rock."

"I walked away," he says, confused. "I pretty much ran. Not my finest moment."

"No, at the store."

Recognition crosses his features. He smiles rather weirdly, inclining his head close enough to kiss you.

"You didn't have to listen to me. I respect that. You know that, right? You don't have to listen just 'cos someone has something to say." His brows crease inward. "I hate what I said to you at the theatre. And I felt guilty about it. You make me so mad, and I'm childish and I can't deal with that. But it's not your fault. You don't deserve a lashing every time I have one to give."

Eddie tilts his head to the left. "Sorry," he adds. "Don't try to make me feel better– don't, I can see it on your face. It's not why I said it."

He kisses the corner of your mouth, and then pulls back to see if it's worked. You're smiling. He takes it for a win.

"I'm a big girl," you say after a short second of staring at him, the ridge of his nose and the curls silhouetting his slight hint of cheekbone. "I don't need you to take all of the blame."

"Ah, but I'm selfish. I want it all." He shrugs. "Better luck next time."

"Nerd."

"Loser."

He goes back to the records with a smile. You look at it a little longer, allowed and aggrieved at once. He shouldn't be that pretty.

You watch his hands, hoping he'll give himself away and falter. A gift deserves a gift. CD's aren't cheap. You could buy him a vinyl. He must have a player of some sort, considering his Loggins and Messina habit.

"Think they'll have your new LP?" he asks.

"They'll have yours."

Eddie shakes his head. "I'm not asking about mine."

"They won't have it here, this place is tiny. City stores are the only place I've seen any of our stuff," you say.

"Well, you guys are plastered. I saw the cover on the side of a bus in Pasadena."

You gawp at him. "You did not."

"I did! Think I don't know that ugly font by now? Godless in huge black and white letters. It's a bad name, by the way," he ribs.

"What am I supposed to do about it? I wasn't there when they chose it."

Eddie shrugs, the toned muscle of his arms shifting beneath the fabric of his shirt. It might've been black once upon a time, but the merchandise he sports now is a washed out grey. You put your hand over the curve of his bicep because you want to, and pleasure simmers when he doesn't move away.

"If it were me," he says, in a tone of voice that spells irksome teasing a mile off, "and the name were that bad, I'd go on strike. Refuse to play. That'll make them fix it, while you still have time."

"I'm sure you could get away with that," you say.

"You don't think you would?"

"I'm not really tenured."

"Ah, but who could say no to such a pretty face," he praises, pushing the box of records away from himself. "Shit, guess we better go ask for a test run on that Les Paul. This is all… questionable."

"You're gonna serenade me?" you ask, returning his teasing.

"You're gonna serenade me. I know you know your way around a rhythm guitar. You're holding out on me," he says, knocking your elbows together.

You love this. All these familiar touches. Like a moth to a flame, you follow him back up into the main storefront and sit beside him on top of a crate, cradling the Les Paul like a baby you're terrified of dropping. Even with tour money you couldn't pay for it now. At the end, sure. But you doubt the manager would take an IOU.

"What do I play?" you ask.

"Anything."

"That's not helpful."

"Something fun," he says.

Your fingers slide up the fretboard to an E flat. You bite your lip. "I'm in bass mode." It's automatic. You'd immediately set yourself up for a baseline.

Baseline to riff for rhythm guitar is easy enough. E flat becomes E flat major. G becomes G minor.

"Pentatonics," Eddie whispers when you hesitate.

"You really aren't helpful," you laugh. "This is hard."

"I'm telling people you said that."

You mess around until you have the basis of a simple riff down, hoping you'll impress him. He shouldn't be impressed, you've seen him play things a thousand times more complicated in person, but he beams as you work your way through a verse and then an impromptu chorus.

"Is that fucking Blondie?" he asks.

"No."

"It so is! Hanging On the Telephone, everyone knows that song."

"And everyone knows it's a cover. I'm doing The Nerves version, obviously."

You smile at each other until he cracks. "Obviously," he concedes. "Do the rest."

"Like I'm your dog," you say, a joke that brushes too close to home.

You fumble over the strings, gaze resolute on the body of the guitar rather than his face.

You don't care that he said it —you care that he knows he said it. It doesn't make sense in so little words, but the feeling is contrite. It doesn't allow for sensical explanation.

The humiliation of being seen is worse than a spurned insult thrown haphazard at your feet. His insult isn't as bad as your reaction to it. The fact that he knows it upset you. That's the worst part.

It's embarrassing because he was right. Of course it is. And it doesn't get better, because you're still the same. Still running back after every kick. No matter the leg.

You play him the rest of the song. Or rather, your best approximation. It's incredibly difficult to play by ear and you haven't heard the song in a while. When the guitar sounds more like a transparent translation of the lyrics than the actual meat of the instrumentals you give up, picking at the strings and listening to the individual tuning of each once. Eddie doesn't speak. Each second of his silence grows worse, your throat dry as the Sahara and horrifyingly thick. Why isn't he talking?

His hand covers your shoulder. Fingers in a row across the slight dip of it, thumb rubbing reassuringly into your shoulder blade. "You're so fucking talented," he says quietly, his voice just above your ear. "I hope you know that."

"I got lucky," you say, shaking your head.

"No, you worked hard. There's a difference."

His hand slides over the hill of your upper arm. Eddie gives you a gentle shake. You let your head flop into the crook of his neck. His hair tickles your forehead, but he smells so good you stay longer than you should.

"Play me something," you say, trying to sound less morose than you feel.

Whether he hears your emotion or not, he pats your arm and sits up. You hand over the guitar, and Eddie props the body over his thigh and runs his fingers up the fretboard, feeling the craftsmanship appreciatively despite his earlier disapproval.

"What do you wanna hear?" he asks.

"What do you know?"

"God, I know everything. You should know that."

"Well, you can't play anything too impressive, you'll draw attention."

He nods very seriously at your sarcasm. He's immediately more at home than you'd been with it, and his hands look like they have a mind of their own. He plays a tight riff you recognise from one of their songs that is, to your horror, a warm up. He turns the amp down, and before you know it he's elbow deep in a complication of chords that might genuinely have you sweating if it were you rather than him. He does it like it's nothing. A walk in the park, and one he so clearly takes pleasure in. His eyes light up, the kind of look he's had before when he's made you laugh, or something a little milder than the electricity of his rough stageside kiss.

You're in awe.

He fucks up somewhere and laughs. A sweet giggle.

"S'what I get for trying to show off."

He plucks a string sharply. Hair's falling in his eyes, nearly hiding the sheepish curve of his lips. You see it, and adore it, and don't know what you're supposed to do about that.

"I'll get him to put this away before I break it and we can get something to eat," he says, looking up from the guitar.

"It's weird to be with you. Without anything in the way," you say before you can stop yourself.

You're glad you've said it when he raises his eyebrows. "Super weird. No more excuses. Wanna get freaky in the employee bathroom?" He laughs at his own joke. "It feels right, though," he adds warmly, before sincerity gets too much and he looks away.

He gives the store employee back the Les Paul for its case and swings his backpack over one arm. He holds the other one out, wriggling his fingers so you know it isn't optional. You'd have tried it if he didn't offer.

You hold hands out of the store and onto the street, busy but not crowded, and try to think of what you're supposed to say. You're in the soul of Tulsa, rather than the heart —you and Eddie decided to meet somewhere far enough from the city centre as to miss anyone who'd know who you are (or, more accurately, know who he is). You're not the kind of musicians who get papped often, or ever. Morgan's snow exposé was opportunistic, and Eddie was on the news for his epic destruction of property, but beside that it's purposeful photoshoots or moot. But this, this thing, whatever it is, it isn't for anybody else. You don't want anyone knowing quite yet. If Morgan found out you'd probably chuck up from the anxiety of what she'd do, some 'well-meaning' sabotage. Contrary to what she'd said in the past, how you should pick up the phone if Eddie calls, you know how she functions. Jealousy, or maybe some unjust belief that she deserves every ounce of lust or affection or attention, would absolutely wreck her. She doesn't like you enough to let you have this. You know it.

"Are you okay?" Eddie asks.

The sunlight makes him paler than usual. Pasty skin, dark dark hair, he'd be a vampire if his hand weren't warm in yours. You tighten your grip.

"I think I'm not half as cool as I want to be."

He licks his lips. "You're cool."

You lift your chin to look at the sky, the wind moving over your hair gently. You trust Eddie enough to let him pull you out of harm's way. At least, you think you do.

"I'm worried about people finding out about us."

"Us?" Eddie asks. Horror surges. It's smothered as quickly as it comes by your hand swung in his, and his pleased little smile as he says, "There's an us."

It's useless to pretend otherwise. And if it makes him that happy, you're thrilled. Genuinely.

"Would it be so terrible?" Less sun and more apprehension, Eddie fails at bravado. "If people knew about your smoking hot plaything?"

"You're not my plaything, you're– not my plaything," you stammer.

"Bummer for me. I think I'd be into it."

He guides you around a fire hydrant and across a short gap in the sidewalk. You have no idea where he's leading you. It's sunny enough that you don't complain.

"I don't want people to know about us because– because I barely know about us, and, um– I'm sorry, this is the opposite of attractive."

"How many compliments do you want?" he asks seriously, "'Cause I have a couple locked and loaded."

"Let's go back to when you didn't like me."

"Who cares how attractive you are? Not that you're not. But I don't want you to not tell me things because it's not hot. What kind of relationship would that turn into? Superficial, who wants that?" He stops swinging your hand abruptly, and to your pleasure, his cheeks are pink. "Do you want that?"

"No," you mumble.

"Oh. Good."

"What kind of relationship do you want?" you ask.

"A nice one." He does his fucking ridiculous giggle again and you could kiss him right here in the street. "You're ruining my reputation. I used to be respectable. Now I'm a bigger loser than before, and people are gonna clock on."

"They've clocked on."

"Cruel!" he says, delighted.

"I…" You look anywhere but his face. His hand is so, so heavy. "You really don't care if I'm honest?"

"I want you to be honest. We're not seventeen. I know girls do all the same gross stuff that boys do, babe."

"What do you think I'm about to say?" You laugh.

"Something really disgusting from the way you're freezing up."

The breeze kisses at your cheeks. A stray leaf falls from the tree to your left and twists through the air, dancing in circles until it stops at your feet. You step over it gingerly.

"Eddie, I just want you to know what you're getting into–"

"What am I getting into?"

"I'm not– I'm–" You struggle for words. There's no dictionary for how you feel. There's so much stuff wrong with you and he can't know any of it. You're stupid and lazy and bad at the things you're good at. You're tired, and sick, and you can't seem to get things right. You love sincerely and it's hardly ever enough. "I don't really know why you want this."

He speaks with lips barely parted, mumbling but somehow unafraid. "I don't really know why I wouldn't want this."

Eddie turns the corner and pulls you with him. An empty sidewalk beckons, white and stretching long down the boulevard. He pulls your joined hands up into the air and guides you into a slow twirl.

"I think you're beautiful. You impress me, and you make me wanna write bad songs," he says, rubbing his thumb over your fingers. "What am I saying? I can't write a bad song. It's impossible. Especially if they're about you."

"But I don't get that, we don't get along."

"What do you call this?" he asks.

You come to a stop. There's a coffee shop to your right with huge open windows. Warm yellow light pours out into the slowly darkening sky.

"I do want this," you say, worried you're giving him the wrong idea. He visibly relaxes at your statement, his grip on your hand strengthening once again. "I do," you continue, "whatever this is, I meant what I said, you know. You… make everything quiet for me. And I think you're–" Beautiful, you should say. "You're Lastick's heartthrob, everybody wants you. I like you."

"I'd hope so," he says, pulling you toward him, his second hand vying for yours. He tugs you right up against him, face lit with cocky happiness.

You hold your breath. His lashes are super long at the corners, emphasising the deep dark brown that lines his pupils and the gentler bark that surrounds it. He lays a hand against your cheek, encouraging your head up to his. He isn't soft with you like he'd been at the bar, but he isn't mean. You like how sure he is as he pulls you in, as he presses his lips to yours. Your eyes shutter closed with the pressure.

"I don't care if everybody wants me," he says, and kisses you again, your noses smushed together. "That's not true, anyway," —he laughs quietly into your open mouth, his breath warm as it fans over your lips and tongue— "and if it were," —he kisses you a third time, his head tilted to the side, his lips parted a fraction like he can't wait long enough to line up with you— "it wouldn't change what I want."

You have to take a breather if only to let your brain catch up with what he's saying.

"Okay," you breathe.

He pulls your still joined hands to his heart. "Yeah? I'm not trying to freak you out 'n' go too heavy. I know I'm on thin ice."

"You're not on thin ice."

"I should be."

Maybe. "You're not." You glance down the sidewalk to make sure your public display (you're becoming those people, apparently) isn't in someone's way. Thankfully, there's nobody around. "Sorry. This has been a really nice day, and I'm ruining it."

"Date," he corrects. "It's a date, and it's great, and you haven't ruined a thing. We're gonna get dinner and talk about music and Gareth's disgusting bunk and you can feel however you want to feel, long as it's within arms reach. Yeah?"

"Yeah, okay," you say. You manage a firm nod.

A date. Maybe you're a fool who doesn't deserve him for an almost-boyfriend. If you keep getting in your own way, you'll definitely be one.

"What's for dinner?" you ask.

Eddie smiles.

—

Colo Do Amante Hotel, April 1991

"Do you think you'll ever move away from glam metal?"

Eddie looks up from the notebook in his lap. He licks his lip to give himself more time to answer, searching for the right thing to say to you. The more time you spend together, the more he wants to say the right thing, and the more sure he feels that there isn't a wrong thing.

You are, quite simply, a wonder. A love.

He shouldn't be here. Eddie's playing a show tomorrow night halfway across the country. If even one thing goes wrong with his red-eye, he's fucked. Someone from Rollerboy will murder him, and he'll deserve it. But he's here, because he wanted to see you and miraculously you wanted to see him. A late night phone call from one hotel room to another, his quiet confession.

"I miss you," he'd said.

You'd hesitated for half a second, if that. "Come and see me, then."

So he ditched the bus, got a cab, flew out with his rockstar money and crawled into your bed. You haven't slept together, only laid with one another talking about how much being a musician sucks and how awful you both are for complaining. You'll relax around him now, and he thinks more about seeing you again than he does your muddled past, and he knows that counts for something.

"Do I think I'll move away from glam metal?" he repeats, thoughts not strictly yours.

He's trying to write about how you look now before you move, before he can forget it. Your figure curled up yet limp beside him, your hand on his stomach and your shirt climbing up the hill of your hip, the pudge of your stomach peaking out. You're wearing something much more showy than the last time he saw you, having done press a couple hours before his arrival and with no will to change. Your tights are dark and floral lace, stretched over sweet thighs vaguely hidden by your black skirt. For all the leg on show he can't see a hint of your top half before your neck. You're layered in fabrics. He loves it, you look awesome, and you'd been amazingly flustered when he told you.

Careful not to smudge your glittery make up, he'd tried to kiss you in the lobby. You'd nearly squeaked, grabbing him by the arm to pull him to the elevator bank.

"Can't blame a guy for trying. Have you seen yourself today? Actually? You're fucking killer."

You'd shushed him and clicked the wrong floor button. He pretended not to notice when you corrected yourself.

Most of the makeup is gone now, kissed off and the rest washed away, but your lashes are still lengthened and they look it as you prop yourself up by his hip and ask, "Well?"

"No," he says honestly. There's always room to grow, and music changes with time and with an evolving scene, but Corroded Coffin are famous for how they sound now. "I love how we sound… Do you think you'll ever move into glam metal?"

"Is there any room?"

"No, but when has that ever stopped anyone?"

He folds his pen between the leaves of his notebook and chucks it toward his bag in the corner of your room. You shift yourself, not quite sitting up as you pull off your sheer long sleeve and the regular long sleeve beneath it, exposing your arms and your chest to his view. He hadn't been expecting a tank top beneath.

He whistles. Can't help himself.

You dive to hide your face in the sheets, one arm tucked uncomfortably under your weight and across your chest, the other sliding away from his navel. "Shut up," you murmur.

"Sorry. You're just pretty."

"Didn't say that before I got my tits out, I notice."

He laughs at your grumbling and leans down to talk softly. "Ah, but I did, didn't I? Told you you were 'fucking pretty' but maybe you didn't hear me, you were kissing me so hard–"

You reach blindly for his face and push him away from you, not half as roughly as you could.

He's messing with you. It's his prerogative.

Being your almost boyfriend comes with privileges, like being privy to how you're feeling. Once unbeknownst to Eddie and probably everyone in your life, you're not a very happy person. He could guess why, he's not blind, but thinking it and knowing it are two different ponds. You don't say much about it, embarrassed by or maybe unable to verbalise how you're feeling beyond, "I'm tired of everything today," and, "Sorry, I'm just worried."

About what? he'd asked.

You'd nibbled your lip. Everything. Nothing worth saying out loud.

He'd make jokes anyhow, but he makes more of them when he thinks you're feeling down. Teasing you is a surefire trick to distract you from all the stuff you can't handle.

It's piling on, he knows. Morgan on the news again, shirtless in a public club, your startled face in the background. You'd been poked fun at by TV hosts and journalists alike. Nothing cruel, but making you the butt of a joke nonetheless. Then there was Ananya's continued selective mutism, disagreements over stage blocking, your ever-present employment anxiety, your very first hate letter disguised as a love note, and, to Eddie's surprise, radio silence from your friend Dornie.

He didn't like Dornie to begin with. Now he hates him.

"Don't push me away," he whines.

"Don't make fun of me."

"But you look lovely when you're mad." He grins at you where you're glaring, only your eyes and brows visible in your position. "Exactly like that."

"Lovely," you say. He can hear in your voice how the mock fight you'd started has sputtered out. You sound genuine again, a little raspy with oncoming fatigue.

"You don't like that word?"

You lay flat on your back. Head on the pillows, hands to your collar and fingers picking at one another, you look down at them and away from him and Eddie can't stand losing your attention. He ushers away his notebook on the sheets and climbs toward you on knees. He checks your face as he positions himself between your legs. You smile. He smiles back. He thinks maybe this is what you secretly wanted him to do.

"You like Status Quo?" you ask.

He smiles and lets his weight press down on you, not paying much attention to what goes where, only the feeling of being on top of you, this close, and being allowed. "Yeah?"

"Showaddywaddy?"

"Beg your pardon?" he jokes.

"Let's go for a little walk," you sing under your breath.

"Yeah. I liked that song." He sings, "I wanna tell you, that I love ya." You nod happily.

"Queen?" you ask, quieter still.

"Don't ask stupid questions."

"It's weird that we managed to find each other," you say. "Though everything. You had to like all that music, we had to want this bad, we had to be born at the same time, in the same scenes, and we had to go to the same stupid party."

He hangs his head. "I was in a mood."

"You were. I figured you were an asshole, you know?"

Eddie takes a deep, deep breath. "I remember."

"I was… pathetic," you say softly, letting your hands drop flat to your chest. You change your mind, tuck a curl behind his ear. "I was desperate, your friend Jamison… it doesn't matter. I don't know what I'm trying to say."

"There's a difference between pathetic and lonely. You tried to make friends, and I was being a dick because–" He sucks the inside of his cheek.

"'Cos you tried to talk to me and I made fun of your court case?" you ask, self-deprecating.

"Because you didn't know me."

You poke his cheek gently. "That mattered that much to you?"

"Sweetheart, we met before."

Eddie watches you hear him, and spots the resistance to what he's suggesting. He needles his arms under your waist to feel the breadth of your back in his palms, close enough to kiss you, but wanting to hear what you have to say about it more.

"We did," he says.

"What do you mean?"

"I think about a year before we met at the party, we met at the airport. You weren't in Godless, you weren't even a tech yet, you were on your way to meet the tour in New York. We met, and we talked about music, and I told you to come and meet me if you ever found yourself in the same place."

You'll put me on a list? you'd asked, charmed by his wanting to see you, as impossible as it may have seemed then.

I'll put you on the list.

"When I saw you," he says, eyes on the curve of your bottom lip, "I was hoping you'd come to see me, but you didn't remember me, I could tell straight away, and I– I'd gotten so used to people saying yes to me that I got more pissed than I should've. I feel like a loser, telling you now, but–" But it meant something, meeting you before. It meant something.

"We did meet," you say, voice like a line of spider web weighed down, and abruptly plinking back up. "You gave me a sticker. I dropped it down a storm drain straight off the plane."

He nods encouragingly, "I gave you a Corroded Coffin sticker–"

"With a rose in the background," you interrupt.

"Yeah. You remember? You had those huge can headphones and your guitar was falling apart, and I told you about Sweetheart 'cos she was still pretty impressive at the time. You didn't have time to try her before boarding, so…"

"So you said I could give her a try the next time we saw each other."

Eddie bites his lip. "Yeah."

Your breath is noticeably quickened, your gaze snapping onto his face. Recollection lights your eyes, and then, like he'd so desperately wanted to see months ago when he wandered into you of all people at a sticky, snow-loaded party, you smile at him. Like you missed him. Like you can't believe your luck.

"Well, hey, stranger," you whisper, your thumb rubbing along his bottom lip, fingers tucked neatly behind his ear. "I remember you."

"You took your time," he says.

"You could've said something," you say, chin dipping to your chest. "How did you remember me after that long?"

He's trying not to get broken up with before he's officially your boyfriend; he wants to say, You're hard to forget, but he refrains.

He leans in for a silky, soft kiss. "Immaculate memory," he says in the slice of time your lips aren't touching, a second gap as he turns his head to better kiss your top lip.

"Is there anything you can't do?" you indulge.

"Can't get this one really beautiful thing to let me take her photo," he says.

You giggle and push him away. "'Cos I know what kind of picture you want, Eddie!"

"I already told you that's not true, dirty photos are an epidemic I've yet to feed into." He's a man, not a Saint —he'd fucking love a dirty photo, but he really does just want a Polaroid for his wallet. "How about we both have a Polaroid of each other? So you don't forget me?"

Guilt lines your smile. "I'm sorry," you say, dragging him down for a kiss. "Sorry, sorry. I won't forget you again, Munson…" You rub his cheek with your thumb. "If I let you take a photo, will you forgive me?"

You're already forgiven. "Three photos."

"Deal."

"Should've asked for five."

"You could've asked for the full cartridge and a dirty one and I might've said yes. I can't believe we met before.."

Eddie rests his nose on your cheek, eyes closed, already trying to remember how many photos there are left on his camera. "I don't want a picture of your tits because you feel guilty, babe." He laughs as he talks, then, the joke feels that good to say, "I want one because you have the most amazing, killer, gorgeous pair of–"

You screech to cover his bold compliments and whack his chest playfully. "Get off of me, you freak! Get off, get off, get off."

Eddie flips onto his back, chuckling.

"How would you even know?" you ask, slipping off of the bed with a little thump and down by your suitcase. You chuck your shitty Polaroid Spectra onto the sheets by his arm and rifle around for a foil sealed cartridge. "You've barely seen them."

Like past Eddie, this Eddie still wants to fuck you stupid, but he also really isn't interested in intiating anything before you're ready. He's hoping you'll make the first move, and maybe soon, but watching the tip of your tongue breach your lips as you climb on your knees to fiddle with the Spectra, he's not really thinking about sex.

"I've seen them," he disagrees.

"You have not."

"Have too."

"Have not."

"I'm seeing them right now."

You look down at your chest. The tank top you're wearing isn't especially scandalous, Eddie just loves your shape.

"Okay," you say, shyness creeping into your voice and stature, your shoulders bunching up toward your neck a touch, "if I say something and it's too weird, you can tell me no. Please tell me no."

He shakes his head gently when you don't add anything else. "What?" he asks.

"Do you really want a dirty photo? You could take one. I wouldn't mind," you say.

Your voice drops to a murmur with the last two words. Eddie hikes up on his elbows, smile curling and appling his cheeks. "You don't still feel bad about forgetting lil ole me?"

"Of course I do, but it's not why I'm offering. I really like you, Eddie. I want to do things other couples do."

Earnestness has you sounding your best: your voice has always been one of his very favourite things about you. Your voice, your smile, your passion (maybe that one most of all). When you talk as you are now, without anything in the way, he thinks he might be at his most infatuated.

"I really like you," he says, reaching out to steal your hand from the camera. "What I want most is one with your smile, get me? One I can flash at the boys while I'm away, brag about you."

"I thought we weren't telling anyone," you say gently.

"Not for now. I'll need it eventually, right?"

You beam at him. "Right."

You pick up your camera and aim it at his face. He knows how he must look, his hair frizzy from hours on a small plane, lips sore from kissing you, ridiculously happy. Now you know everything about him he'd been purposefully hiding. All the bad in all of the good, and all the good in all of the bad. He can't wait to tell you the rest.

The flash blinds him for a split second, and your camera chugs as it ejects the photo. You drop it on the sheets and you and Eddie crane your heads together, foreheads kissing while the image appears.

"That's a good one, right?" he asks. Upside down, he's not sure.

"It's really perfect," you say.

Eddie lifts your chin for another silken kiss.

"Listen," he says as he breaks away, his lips tingling, heart in his throat. "Can I be your boyfriend?"

He hadn't meant to ask like that.

You nod slowly, then quickly, trying uselessly to tamp an ecstatic smile as you paw at his arms. Eddie pulls you back up onto the bed and you make camp in his lamp, hands in his hair and lips like an undulating wave against his. He kisses you until he can't think.

—

The photographer standing outside of the Colo De Amante is cold, fingertips frostbitten and nose like ice, but it's worth it for the photo he gets. Eddie Munson peeling out of the hotel in the late night when he's supposed to be in a different state, hair banded out of his face, giving the photographer a great view of his pleased features.

The camera clicks.

𓆩❤︎𓆪

thank you so much for reading, I hope you enjoyed! please reblog if you have the time!! i love them being all loveydovey but im excited for the drama to start again

#eddie munson x reader #eddie munson x you #eddie munson x y/n #eddie munson imagine #eddie munson #stranger things fic #eddie munson x fem!reader #eddie munson fanfic #stranger things fanfiction #rockstar!eddie #rockstar!eddie munson #rockstar!eddie munson x reader #rockstar!eddie x reader #eddie munson fic

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