#grey morrison

[masked-alien-lesbian]

Her eyes are so pretty! 💙💙💙💙💙💙💙

I actually chose this version of Grey at first

Because I like her hair but her head looked too big in the game

So I ended up restarting and choosing the Af Am version of Grey

She just looks better proportion? Idk, maybe it's just me lol

[beckywiththeshitassbangs]

My THoBM mc: … getting your ghost girlfriend to stay with you was a free choice… and you LET HER GO???

My TGOU mc: .. welllll

[korgbelmont]

Hi could you do a transparent of South Asian Female Grey Morrison in this body type and dress and in regular form and all emotions. Thank you so much.

Hiya. You can find her below

[thelonewolfstar]

[asexual-hugger]

Grey Morrison

[talesfromcordonia]

Grey Morrison

[thenotoriousscuttlecliff]

The older I get the more I realise there is just nothing to Jean and Logan as a couple, he's just the cool bad boy alternative to her straight laced boyfriend, and no writer has ever bothered to develop them beyond that. Logan really has more of a dynamic with Scott than he ever had with Jean. When written well, Scott and Jean feel like genuine partners with neither character overshadowing the other, but when she's paired with Logan, Jean seems to just become the love interest or worse a prize for Logan to win for being a good person, the relationship always reduces her.

[ominouspuff]

Just another wanderer

[rei-ismyname]

Cyclops, Masculinity, and the Hellfire Club

After Jean walks in on Emma's 'therapy session' with Scott, the two women have a long discussion in which he is not welcome. Scott deals with his feelings by getting drunk by himself at the Hellfire Club. People just will not leave him alone though, starting with this unnamed psychic dancer. She's presumably doing her job under the assumption that this is what men are here for. It's a normative and reasonable assumption, but Scott is pointedly uninterested in participating in this marker of masculinity.

The dancer's words remind us of Emma - telepathy, seduction, and a call to let loose - though there's markers of Jean there too, the wife he hasn't been able to communicate with. He rejects the whole thing as 'sexless and unarousing' instead of a 'no thanks, I'm not in the mood' or similar. Instead of rejecting Emma by proxy, my read is that he's rejecting the physicality of it, compared to the mind sex that's been going on. Also, Scott does a lot of 'calling the shots' - too much even. Exercising sexual, gendered power doesn't appeal to him.

This is nothing Scott hasn't been told before. I'm reminded of the butte sex incident specifically, where Phoenix urged him to 'get out of [his] head' so they could have sex. The dynamic and the power differential made the traditional gender roles hazy.

I think Scott agrees with the dancer here in some ways. He's been viewed as uptight his whole life and there's so many instances where Scott isn't the instigator of sex and intimacy. Here in the Hellfire Club with their regency cosplay the gender roles are super patriarchal. Scott rejects or tries to escape the expectations of traditional gender roles and the art reflects that - shifting from the male gaze to Scott's famous gaze. Interestingly we never see the dancer's face so we don't know who she's presenting as. It's Jean who has the significant association with black lingerie and red hair but it's Emma who's associated with BDSM.

Scott gives an awkward apology and explanation, doing his best to strip the illusions away. I can't help but feel like he's trying to convince himself that his complicated feelings for Emma aren't real but he's not doing a very good job. Why did he even come to the Hellfire Club? There's plenty of places to get drunk without running into people he knows or people that know him. He's wearing his X-Men jacket and his unique visor, not exactly incognito.

He completely avoids eye contact with the dancer and everything is tinted red, suggesting we're seeing everything through his POV. His gaze has a long association with angst and self doubt - I have to wonder how well he 'sees' the person he's making assumptions about. He's not exactly denying her personhood, but he's not especially interested in it either. It's ironic that he'd go to the one club that has a intimacy-free version of both his significant relationships with women at this point. One thing's for sure, he's not interested in performing masculinity, but he's in a space where he can't escape the expectation.

The faceless, nameless dancer eventually leaves. Scott's brief solitude is interrupted by a particular kind of toxic masculinity turned up to 11 - Sabertooth. He approaches from a dominant position in the ancient greek sense, from behind - while pointedly calling Scott 'boy.' He ignores this, and Sabertooth gets in really close to smell his drink, describing it as 'gay.' Deeply childish, but explicitly challenging Scott's masculinity. Creed accuses Scott of 'having issues' in a pretty egregious pot/kettle situation.

Scott responds, but simply by telling him to get out of his face. 'Seriously.' Creed switches to that other marker of masculinity - violence, or at least threats of it. Scott ignores that too, rejecting chest beating and puerile verbal sparring. Sebastian Shaw intervenes and orders Creed to leave Scott alone. Shaw has his own thoughts on exercising patriarchal power, but leaves when Scott isn't interested.

Scott is about to leave because 'his pride can't take it anymore.' He doesn't elaborate on this because he's accosted by probably the most prominent uber masculine person in his life - Logan. Logan accuses Scott of 'making the X-Men look like losers' and it's hard to read this as anything but a gendered challenge. He expands on Creed's judgment of Scott's choice of beverage by implying it's not 'real' (ly masculine) - slamming a bottle of Jack Daniels on the table. Scott's not interested in that either.

Logan doesn't really give Scott a choice, framing it in the context of a challenge. Denying that he's here to convince him to return to the X-Men, he tells Scott that Emma was murdered after he left. Leaving him to chew on that, Logan lays out the stakes of the challenge and departs for the urinal - that most bioessentialist of masculine spaces.

Making the subtext text, Creed follows him in for some insecure dick measuring. Rejecting any kind of serious discussion with an uncharacteristically cerebral Sabertooth, Logan issues violent threats and returns to Scott. It's got massive ex vibes in the best Creed/Logan homoerotic manchild way.

Scott finally opens up, discussing his relationship woes with Logan of all people. He shares how each of them makes him feel, explicitly tying the tension to the boy/man dichotomy. The 'pressure' and 'expectations' feel significant, something he should really talk to Jean about. Unfortunately he's got Logan instead, who's not especially interested in listening at all. He chimes in about Jean, of course, but he's here for tough love.

Scott ponders how anyone could think he'd shoot Emma. Above all he's not going back to the mansion and he's not drunk (or so he claims.) Logan, asshole that he is, suggests Scott should be grateful for what he has. 'You always get the best girls' which has got to be the worst possible thing to say (and super gross). Sure, he's having relationship troubles, but he's trying to figure out his emotions and his trauma. Logan frames this as 'all you do is whine' which is both not true and very rich coming from him.

I've never identified with Scott more than when he says 'I hate you.' Logan manages to make it all about himself, explicitly stating his jealousy. 'All I ever wanted was what you got' accusing him of throwing 'it all away to run wild with the White Queen.' He's right that Jean would like it if he came out of his shell, to a degree, but their problem is one of trauma and communication. Logan's possessive, reductive, and frankly ignorant diagnosis misses the forest for the trees. Scott's problems aren't his problems yet he gets the kind of advice one might expect from this hypermasculine space.

Further minimising Scott's issues, Logan shifts the conversation focus entirely to him. He outright says that Scott's problems are nothing compared to his and guilts him into helping assault The World to uncover Logan's past. He probably would have said yes if he just asked as a friend, but instead he kidnaps him when he passes out. Logan says he's 'trying hard' but doesn't finish the sentence before urging him to put aside his problems.

So instead of talking with his wife or getting to brood alone, Scott ends up hungover on a black ops mission. He got to verbalise some things he'd been keeping bottled up, but in a sense he was assaulted by masculinity and toxic expectations at every turn. Dude needs better friends. The narrative doesn't portray this as a positive thing - in fact it's pretty messed up. I wonder if he regrets going to the Hellfire Club.

Despite the superhero context, Grant Morrison does a swell job of portraying an AMAB person withdrawing from masculine-coded spaces and expectations, at least in my experience. Especially when you're friends with people like Logan, whose only mode is toxic hypermasculinity. I think if he was framed as being unequivocally right it'd be overpowering. Morrison's issues with writing women are on display, but overall this issue is powerful, especially for the time.

[vertigoartgore]

Phoenix & Wolverine (meeting again 150 years in the future) by artist Marc Silvestri, inkers Joe Weems, Matt Banning & Tim Townsend and colorists Steve Firchow & Frank D'Armata (words by writer Grant Morrison). Interior art from 2004's New X-Men Vol.1 #153.

[samasmith23]

Lol! Emma can be such a b*tch sometimes, but she’s just so self-aware & funny in her levels of b*tchiness that I just can’t help but love her!

As the White Queen herself once proudly stated to Jean Grey:

From Astonishing X-Men (2004) #5 by Joss Whedon (unfortunately...) & John Cassaday, and New X-Men (2001) #116 by Grant Morrison & Frank Quitely.

[masked-alien-lesbian]

Just finished The Ghost of Us! That was a sweet book!

Though I was really wanting Grey to become incorporeal long enough to freak out her murderer and make them go insane lol. Like what did Alexandra tell the cops? Yeah this psychic medium told me my new husband murdered my sister and I believed her so he tried to kill the both of us? The only physical proof was that drugged cup, they would have had to exhumed Grey's body to do another autopsy for that drug I guess, idk. Maybe I'm putting too much thought in it lol.

Also the whole living a half life so Grey could stay is a wild concept. Like MC is going to have to live so healthy or she's only going to have like 20-25 years left to live lol because technically 35 is middle age since the average life span is 70. I'm just hc that my mc and Grey lived until mc hit 97-103. The neat thing is that once mc dies, Grey will "die" along with her so they don't have to die alone 🥹.

Anyway I like the book! 👻❤️👻

[sitting-on-me-bum]

Grey seals play at the harbour in Brixham, Devon, UK.

Photograph: Robin Morrison/SWNS

[korgbelmont]

Thanks can you also do a smiling transparent of female black Grey with her pocket ⌚

Hi there. She's been added to the Transparents folder

[fionapplespiano]

Disturbing thought: What if Scott had the affair with Ororo instead of Emma? Like what Grant Morrison had originally intended.

[comiced]

New X-Men Vol. 1 #118 (2001)

Grant Morrison | Ethan Van Sciver