Babygirl Polls Lineup: Week One
Hello everyone! Here we have the lineup for the first week of the Babygirl Polls! Thank you so much for all your submissions!
Klarion Bleak (Young Justice)
Dante Sparda (Devil May Cry)
Ace Ukiyo (Kamen Rider: Geats)
Bro Strider (Homestuck)
Michael Schmidt (Five Nights at Freddy's)
Cole Brew (Rhythm Doctor)
Peppino Spaghetti (Pizza Tower)
Negan (The Walking Dead)
Todd (Not Me: The Series)
Dan (Not Me: The Series)
Sound (My School President)
Nuengdiao (Never Let Me Go)
Adolin Kholin (The Stormlight Archive)
Xue Yang (The Untamed)
Aaron Warner (Shatter Me)
Jean Descole (Professor Layton)
Curt Mega (Spies are Forever)
Klavier Gavin (Ace Attorney)
Ghost (Call of Duty)
Emperor Belos/Phillip Wittebane (The Owl House)
Wen Kexing (Word of Honor)
Miles Edgeworth (Ace Attorney)
Taichi Hiraga-Keaton (Master Keaton)
Akk Pipitphattana (The Eclipse)
Dean Winchester (Supernatural)
Bruce Wayne/Batman (The Batman (2022))
Kenzo Tenma (Naoki Urasawa's Monster)
Jason Todd/Red Hood (DC)
Usami Tokishige (Golden Kamuy)
Char Aznable (Mobile Suit Gundam)
Harry Du Bois (Disco Elysium)
Vegas (Kinnporsche: The Series)
Barry the Chopper (Full Metal Alchemist)
Khatha (Midnight Museum)
Ronald Lynch (Home Movies)
Ballister Boldheart (Nimona)
Rex Dangervest (The Lego Movies)
Emmett Brickowski (The Lego Movies)
Knife (Inanimate Insanity)
Nickel (Inanimate Insanity)
Balloon (Inanimate Insanity)
Nona (Locked Tomb Series)
Laudna (Critical Role)
Ryu Suyeol (Bad and Crazy)
Paul Matthews (Hatchetfield)
Gregory House (House MD)
Ingo (Pokemon)
L (Death Note)
Elijah Volkov (Camp Here and There)
Kevin (Welcome to Night Vale)
Yuma Kokohead (Master Detective Archive: Raincode)
Alex Horne (Taskmaster)
Vash the Stampede (Trigun, Trigun Maximum, and Trigun Stampede)
Greg Davies (Taskmaster)
Byron (Pokemon Diamond/Pearl/Platinum)
Shang Tsung (Mortal Kombat 1)
Garry (IB)
Homelander (The Boys)
Cardan Greenbriar (The Folk of The Air Trilogy)
Omega (Mega Man Zero)
Clive Rosfield (Final Fantasy 16)
Cassian Andor (Star Wars)
Ted Spankoffski (Hatchetfield)
Tang (Lego Monkey Kid)
Tomura Sigaraki (My Hero Academia)
Liam de Lioncourt (Monster Prom)
Matthew Patel (Scott Pilgrim Takes Off)
Ethan Winters (Resident Evil)
Kim Dokja (Omniscient Reader's Viewpoint)
Waver Velvet/Lord El Melloi II (Fate Series)
Dave (Dave and Bambi)
Yoo Joonghyuk (Omniscient Reader's Viewpoint)
Envy (Fullmetal Alchemist: Brotherhood)
Akira Nishikiyama (Yakuza/Like A Dragon)
Eddie Diaz (9-1-1)
Simon Petrikov (Adventure Time and Adventure Time: Fionna and Cake)
Sanji (One Piece)
Adrien Agreste (Miraculous Ladybug
Romeo Montague (& Juliet)
Luz Noceda (The Owl House)
Lance Dubois (& Juliet)
Francois Dubois (& Juliet)
William Shakespeare (& Juliet)
Chesed (Lobotomy Corporation)
Cesare (Bigtop Burger)
Morris (Stardew Valley)
Kinger (The Amazing Digital Circus)
Estinien Varlineau (Final Fantasy XIV)
Frederick Chilton (Hannibal)
Leon S. Kennedy (Resident Evil)
Jaskier (The Witcher)
Geralt of Rivia (The Witcher)
Radovid (The Witcher)
Trafalgar Law (One Piece)
Zagreus (Hades)
Shadow The Hedgehog (Sonic)
Sepiroth (Final Fantasy)
Vegeta (Dragon Ball Z)
Charlie Kelly (It's Always Sunny in Philadelphia)
Reverend Rod Putty (Moral Orel)
52 notes
·
View notes
If Monster High was doing Romeo and Juliet...
There would be like, Drama in the drama. Like, seriously, have you ever seen an episode of Monster High where all is just peaceful or in harmony with the hallway ? Is Shakespeare a dignified tea party also ? What can POSSIBLY GO WRONG with Monster High and Shakespeare blended together ? Poor Mr. Where, he's like, the only responsible adult in this whole mess, and not for too long....
MAIN ROLES
Juliet Capulet - Draculaura. She was the first to apply for the project, so Mr. Where give her the role of Juliet ! She ALREADY played Juliet, of course, but she promised to Clawd that she will be the one to schedule they're next romantic date.... And you ask, ''but, he know right ?''.... ha ha.... No.
Romeo Montague - Clawd Wolf. You know, there is some darkest hours in you're relationship's status, a time when you need to partake into the strange fantaisies of you're loved one. Clawd love Draculaura, but he know that he is going to die very soon, truly a true Romeo move.
Juliet Capulet (Second Part) - Kieran Valentine. This was part of his therapy, okay ?
Romeo Montague (Second Part) - Spelldon Cauldronello. Mother Circe recently taught him Divination. And he know there will be, like, real Drama. He's here for that... And for Kieran Valentine's booty.
ROLES OF CHAOTIC ALIGNEMENT
Rosaline - Abbey Bominable. Mr. Where say that she will not speak, and she don't want to waste oxygen on such silly things or being the romantic playground of a ''Shakespeare'' somebody... Rosaline is her spirit animal.
The Nurse - Clawdeen Wolf. It's possible that she want some claws on the matter with Draculaura and her brother. It"s seems to be closely related to some weird family-teenage matters, or just a upcoming prediction of Clawd's difficult encounter with theater...
Capulet (Patriarch) - Bram Devein. A weird Belfry Prep thing about being the masters of something.... But there is a problem, he didn't read the end of the play.
Montague (Patriarch) - Romulus. A weird Crescent Moon High's habit about having a eye on Belfry Prep.... But there is a problem, he didn't read the end of the play.
Prince(ss) Escalus - Amanita Nightshade wanted the best role, because Amanita can't end or be loved by only one, she is too bootiful for that ! So she wanted to be THE PRINCESS. And she was merciful, she only changed the gender, not the name ! Now, Mr. Where is praying that she don't want anything MORE.
Count Paris - Catrine DeMew. She wanted to explore some ''orientation theories'' by playing a potential suitor and viewing the effect between ''role and gender''. Mr. Where didn't ask anything about this.
Mercutio - Purrsephone. Apparently there is some minor conflicts between her and her twin, so she is her for the catharsis.
Tybalt - Meowlody. Apparently there is some minor conflicts between her and her twin, so she is her for the catharsis.
Lady Capulet - Heaths Burns.... This was that or detention and a word for the parent. He choose the first because he didn't want to lose his new Gamegore yet. But Mr. Where is seriously asking himself if this is a good idea....
Lady Montague - Gigi Grant. She just want to experience Theater, so a little role is best. Hope she will have a first good impression...
Benvolio - Toralei Stripes. This time, no mischief.... She just want to see the dynamics between the twins.
Balthasar - Ghoulia Yelps. She want to experience a new hypothetical mechanic for zombie's language on stage ! Mr. Where didn't have his word about that, because Mr. Rotter is the one whose class is concerned about the project.
Peter - Manny Taur didn't read anything about Romeo and Juliet, but this is his last chance to prove to Iris that he is a sentimental Monster.... He just hope is character is one of those who die.
Friar Laurence - Jackson Jeckyll. Well... This everyone's hope at least.
Abram and Friar John - Quill Tarantyno. Because hey, Backgrounders need love, too !
Gregory and Sampson - Astranova and Djinni Whisp Grant. Astranova is there for the experience, Djinni is just there because she know there will be some deep gay vibes between Spelldon and Kieran, and she don't want to lose or miss is bet with Casta.
Other Roles - You know, these benevolent souls are actually part of the few one who actually care about Shakespeare. But, Alas, with all the chaos that will probably occur very soon, I doubt that they will be recognized for such passion and bravery.... And there is no enough budget for backgrounders.
OTHERS
Technician and special effects - Invisi Billy, who is probably the secret nephew or blood-relative of the teacher at this point.
Prompter (aka. the litteral ghoul that save you're ass when you don't know you're text) - Scarah Screams. She will be so valuable for all that is going to happens.... Or maybe Invisi Billy will be too much of a distraction.
Well.... This is all for me. Goodnight. I didn't put all the cast, sorry. If you have some ideas, you can propose you're own version of this mess. I'm going to sleep, personally.
To be or not be, here's the question that nobody ask to a skull to begin with.
13 notes
·
View notes
currently trying to cram a 10 minute slideshow presentation in two hours, i’m on slide 6 out of like 20 😭
romeo and juliet act 1, scene 1 under cut cause why not. Guys does this count as plagiarism? will i get sued? we’ll find out on the next episode of dbz
dududu doob meow! rawr woof, do doo do doooo d do he he he he he swee hee hee ven nom nom nom yeah all i need hee heee is your poison!!! like cherry bomb!
PROLOGUE
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whose misadventured piteous overthrows
Do with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
SCENE I. Verona. A public place.
Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers
SAMPSON
Gregory, o' my word, we'll not carry coals.
GREGORY
No, for then we should be colliers.
SAMPSON
I mean, an we be in choler, we'll draw.
GREGORY
Ay, while you live, draw your neck out o' the collar.
SAMPSON
I strike quickly, being moved.
GREGORY
But thou art not quickly moved to strike.
SAMPSON
A dog of the house of Montague moves me.
GREGORY
To move is to stir; and to be valiant is to stand:
therefore, if thou art moved, thou runn'st away.
SAMPSON
A dog of that house shall move me to stand: I will
take the wall of any man or maid of Montague's.
GREGORY
That shows thee a weak slave; for the weakest goes
to the wall.
SAMPSON
True; and therefore women, being the weaker vessels,
are ever thrust to the wall: therefore I will push
Montague's men from the wall, and thrust his maids
to the wall.
GREGORY
The quarrel is between our masters and us their men.
SAMPSON
'Tis all one, I will show myself a tyrant: when I
have fought with the men, I will be cruel with the
maids, and cut off their heads.
GREGORY
The heads of the maids?
SAMPSON
Ay, the heads of the maids, or their maidenheads;
take it in what sense thou wilt.
GREGORY
They must take it in sense that feel it.
SAMPSON
Me they shall feel while I am able to stand: and
'tis known I am a pretty piece of flesh.
GREGORY
'Tis well thou art not fish; if thou hadst, thou
hadst been poor John. Draw thy tool! here comes
two of the house of the Montagues.
SAMPSON
My naked weapon is out: quarrel, I will back thee.
GREGORY
How! turn thy back and run?
SAMPSON
Fear me not.
GREGORY
No, marry; I fear thee!
SAMPSON
Let us take the law of our sides; let them begin.
GREGORY
I will frown as I pass by, and let them take it as
they list.
SAMPSON
Nay, as they dare. I will bite my thumb at them;
which is a disgrace to them, if they bear it.
Enter ABRAHAM and BALTHASAR
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
I do bite my thumb, sir.
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
[Aside to GREGORY] Is the law of our side, if I say
ay?
GREGORY
No.
SAMPSON
No, sir, I do not bite my thumb at you, sir, but I
bite my thumb, sir.
GREGORY
Do you quarrel, sir?
ABRAHAM
Quarrel sir! no, sir.
SAMPSON
If you do, sir, I am for you: I serve as good a man as you.
ABRAHAM
No better.
SAMPSON
Well, sir.
GREGORY
Say 'better:' here comes one of my master's kinsmen.
SAMPSON
Yes, better, sir.
ABRAHAM
You lie.
SAMPSON
Draw, if you be men. Gregory, remember thy swashing blow.
They fight
Enter BENVOLIO
BENVOLIO
Part, fools!
Put up your swords; you know not what you do.
Beats down their swords
Enter TYBALT
TYBALT
What, art thou drawn among these heartless hinds?
Turn thee, Benvolio, look upon thy death.
BENVOLIO
I do but keep the peace: put up thy sword,
Or manage it to part these men with me.
TYBALT
What, drawn, and talk of peace! I hate the word,
As I hate hell, all Montagues, and thee:
Have at thee, coward!
They fight
Enter, several of both houses, who join the fray; then enter Citizens, with clubs
First Citizen
Clubs, bills, and partisans! strike! beat them down!
Down with the Capulets! down with the Montagues!
Enter CAPULET in his gown, and LADY CAPULET
CAPULET
What noise is this? Give me my long sword, ho!
LADY CAPULET
A crutch, a crutch! why call you for a sword?
CAPULET
My sword, I say! Old Montague is come,
And flourishes his blade in spite of me.
Enter MONTAGUE and LADY MONTAGUE
MONTAGUE
Thou villain Capulet,--Hold me not, let me go.
LADY MONTAGUE
Thou shalt not stir a foot to seek a foe.
Enter PRINCE, with Attendants
PRINCE
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,--
Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,
On pain of torture, from those bloody hands
Throw your mistemper'd weapons to the ground,
And hear the sentence of your moved prince.
Three civil brawls, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in hands as old,
Canker'd with peace, to part your canker'd hate:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:
You Capulet; shall go along with me:
And, Montague, come you this afternoon,
To know our further pleasure in this case,
To old Free-town, our common judgment-place.
Once more, on pain of death, all men depart.
Exeunt all but MONTAGUE, LADY MONTAGUE, and BENVOLIO
MONTAGUE
Who set this ancient quarrel new abroach?
Speak, nephew, were you by when it began?
BENVOLIO
Here were the servants of your adversary,
And yours, close fighting ere I did approach:
I drew to part them: in the instant came
The fiery Tybalt, with his sword prepared,
Which, as he breathed defiance to my ears,
He swung about his head and cut the winds,
Who nothing hurt withal hiss'd him in scorn:
While we were interchanging thrusts and blows,
Came more and more and fought on part and part,
Till the prince came, who parted either part.
LADY MONTAGUE
O, where is Romeo? saw you him to-day?
Right glad I am he was not at this fray.
BENVOLIO
Madam, an hour before the worshipp'd sun
Peer'd forth the golden window of the east,
A troubled mind drave me to walk abroad;
Where, underneath the grove of sycamore
That westward rooteth from the city's side,
So early walking did I see your son:
Towards him I made, but he was ware of me
And stole into the covert of the wood:
I, measuring his affections by my own,
That most are busied when they're most alone,
Pursued my humour not pursuing his,
And gladly shunn'd who gladly fled from me.
MONTAGUE
Many a morning hath he there been seen,
With tears augmenting the fresh morning dew.
Adding to clouds more clouds with his deep sighs;
But all so soon as the all-cheering sun
Should in the furthest east begin to draw
The shady curtains from Aurora's bed,
Away from the light steals home my heavy son,
And private in his chamber pens himself,
Shuts up his windows, locks far daylight out
And makes himself an artificial night:
Black and portentous must this humour prove,
Unless good counsel may the cause remove.
BENVOLIO
My noble uncle, do you know the cause?
MONTAGUE
I neither know it nor can learn of him.
BENVOLIO
Have you importuned him by any means?
MONTAGUE
Both by myself and many other friends:
But he, his own affections' counsellor,
Is to himself--I will not say how true--
But to himself so secret and so close,
So far from sounding and discovery,
As is the bud bit with an envious worm,
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun.
Could we but learn from whence his sorrows grow.
We would as willingly give cure as know.
Enter ROMEO
BENVOLIO
See, where he comes: so please you, step aside;
I'll know his grievance, or be much denied.
MONTAGUE
I would thou wert so happy by thy stay,
To hear true shrift. Come, madam, let's away.
Exeunt MONTAGUE and LADY MONTAGUE
BENVOLIO
Good-morrow, cousin.
ROMEO
Is the day so young?
BENVOLIO
But new struck nine.
ROMEO
Ay me! sad hours seem long.
Was that my father that went hence so fast?
BENVOLIO
It was. What sadness lengthens Romeo's hours?
ROMEO
Not having that, which, having, makes them short.
BENVOLIO
In love?
ROMEO
Out--
BENVOLIO
Of love?
ROMEO
Out of her favour, where I am in love.
BENVOLIO
Alas, that love, so gentle in his view,
Should be so tyrannous and rough in proof!
ROMEO
Alas, that love, whose view is muffled still,
Should, without eyes, see pathways to his will!
Where shall we dine? O me! What fray was here?
Yet tell me not, for I have heard it all.
Here's much to do with hate, but more with love.
Why, then, O brawling love! O loving hate!
O any thing, of nothing first create!
O heavy lightness! serious vanity!
Mis-shapen chaos of well-seeming forms!
Feather of lead, bright smoke, cold fire,
sick health!
Still-waking sleep, that is not what it is!
This love feel I, that feel no love in this.
Dost thou not laugh?
BENVOLIO
No, coz, I rather weep.
ROMEO
Good heart, at what?
BENVOLIO
At thy good heart's oppression.
ROMEO
Why, such is love's transgression.
Griefs of mine own lie heavy in my breast,
Which thou wilt propagate, to have it prest
With more of thine: this love that thou hast shown
Doth add more grief to too much of mine own.
Love is a smoke raised with the fume of sighs;
Being purged, a fire sparkling in lovers' eyes;
Being vex'd a sea nourish'd with lovers' tears:
What is it else? a madness most discreet,
A choking gall and a preserving sweet.
Farewell, my coz.
BENVOLIO
Soft! I will go along;
An if you leave me so, you do me wrong.
ROMEO
Tut, I have lost myself; I am not here;
This is not Romeo, he's some other where.
BENVOLIO
Tell me in sadness, who is that you love.
ROMEO
What, shall I groan and tell thee?
BENVOLIO
Groan! why, no.
But sadly tell me who.
ROMEO
Bid a sick man in sadness make his will:
Ah, word ill urged to one that is so ill!
In sadness, cousin, I do love a woman.
BENVOLIO
I aim'd so near, when I supposed you loved.
ROMEO
A right good mark-man! And she's fair I love.
BENVOLIO
A right fair mark, fair coz, is soonest hit.
ROMEO
Well, in that hit you miss: she'll not be hit
With Cupid's arrow; she hath Dian's wit;
And, in strong proof of chastity well arm'd,
From love's weak childish bow she lives unharm'd.
She will not stay the siege of loving terms,
Nor bide the encounter of assailing eyes,
Nor ope her lap to saint-seducing gold:
O, she is rich in beauty, only poor,
That when she dies with beauty dies her store.
BENVOLIO
Then she hath sworn that she will still live chaste?
ROMEO
She hath, and in that sparing makes huge waste,
For beauty starved with her severity
Cuts beauty off from all posterity.
She is too fair, too wise, wisely too fair,
To merit bliss by making me despair:
She hath forsworn to love, and in that vow
Do I live dead that live to tell it now.
BENVOLIO
Be ruled by me, forget to think of her.
ROMEO
O, teach me how I should forget to think.
BENVOLIO
By giving liberty unto thine eyes;
Examine other beauties.
ROMEO
'Tis the way
To call hers exquisite, in question more:
These happy masks that kiss fair ladies' brows
Being black put us in mind they hide the fair;
He that is strucken blind cannot forget
The precious treasure of his eyesight lost:
Show me a mistress that is passing fair,
What doth her beauty serve, but as a note
Where I may read who pass'd that passing fair?
Farewell: thou canst not teach me to forget.
BENVOLIO
I'll pay that doctrine, or else die in debt.
Exeunt
7 notes
·
View notes