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goneseriesanalysis · 4 years

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Subversion of Tropes

Spoiler warning for Fear, Lies and Plague down below

TW: mentions of s@xual @ssault and r@pe

In my recent post, Misogyny in Gone, I pointed out numerous instances in the series where misogynistic tropes are present, and how that affects the narrative of the story. The women often seem to be underdeveloped, sexualised and demonised for choices and characteristics that their male counterparts make and have with no consequence. Of course this is not true for every female character, and it is certainly not present all the time, but it still has a huge impact on the story. There is one scene in particular though, that seems to subvert these tropes and I wanted to talk about it as I think it is both a really important aspect of the story and introduces us to a fascinating power dynamic, that I really wish mg had developed further.

The interplay between sex and violence is a theme that is heavily prevalent in Plague and is present in both Lies and Fear. It shows up in many different forms throughout the series and presents itself in multiple ways such as: Caine and Diana’s relationship, Astrid and Orc’s Scene in Plague and Drake with pretty much every attractive woman he comes across. This is a theme that mg writes particularly well – Astrid and Orc’s scene in Plague (with a small cameo from Drake) is one of the best written examples of this trope I have ever read. However, for me personally, this scene is marginally outdone by another example of this trope that occurs in Fear – that being Caine’s cementing.

Not only does this scene have the cathartic tint of revenge to it, but it also subverts this trope in that it is the woman who is the perpetrator and the man (boy) who is the victim. When I first read Fear, nothing about this scene seemed even remotely sexual to me (because I was a child and unless it was outright stated I was never going to pick up on it.) But, when I re-read the scene a few days ago in preparation for my misogyny in gone post, I noticed how reminiscent Penny’s takedown of Caine is to the way women typically experience sexual violence (both in media and real life.)

So the scene starts out with Caine turning up to Penny’s house to discuss the situation with Cigar. Great. Fast forward a bit and we get to Penny outright telling Caine that she has a crush on him….and him outright rejecting her. Instead of accepting this, she pushes, telling him that she could be anyone in his imagination. He rejects her again. And she does not take that well. While she doesn’t show it on the outside, we as a reader get to see her internal monologue, where she has an extremely inappropriate reaction to his rejection. It is clear from this that she feels entitled to his affection, despite him never giving any indication that her feelings were reciprocated. Penny seems to believe that Caine has falsely led her on, but we as a reader know that he has rejected any and all advances that she has made and has not ever, in canon, used her crush to manipulate her. (Before I continue I want to make it clear that I am by no means saying that Caine is innocent. Penny has every right to be angry with him for a multitude of other reasons. But her reasoning here is misguided.) So the first question that this brings to mind is: Would Penny have continued with the cementing if Caine had welcomed her advances?? I think mg left this purposely ambiguous. But I like (and I use this word very loosely) the idea that she wouldn’t have. The trope of a woman having to cater to the desires of a man in order to avoid violence is one that is common in all types of media, and is one that we see throughout Gone as well. The best examples being Astrid with Sam and, of course, Diana with Caine. Both of these women are forced to conform to what Sam and Caine want them to be in order to be safe in the FAYZ, and so mg flipping the switch on this and having Caine’s inability to capitulate Penny’s desires being the final straw to his downfall (even if he was unaware of this fact) is an amazing touch.

This theme is then continued in the way that Penny takes Caine down…by drugging him and incapacitating him. Now, these are occurrences that are usually associated with date r@pe, which is something that is mostly experienced by women. Of course, this is not what actually happened in the book, but the association is there for a reason, I’m sure. Given Penny’s attraction to Caine, her take-down of him is inherently sexual in both its execution and come about. Her extreme reaction to his refusal is probably a result of her less-than-ideal childhood. We are told than Penny’s father used to take inappropriate pictures of her older, but still under-aged sister. When her sister became of age, Penny assumed that her father would move on to her, but instead he skipped her and began taking photos of her younger sister. Mg doesn’t really go into much detail on how this must have affected Penny’s psyche – only that she was so jealous that she took her father’s laptop into the school and showed the other students, resulting in his arrest. It is heavily implied that Penny’s parents were not affectionate – they neglected their children (at least emotionally) and so Penny sought out attention and affection, as any child would. Seeing how much time her father spent with her older sister, and seeing why – it isn’t hard to believe that Penny would equate sexualisation to affection, and even love. (lemme just have a cry real quick.) This makes sense when you take into account her reaction to Caine’s refusal (which was actually pretty mild) and even when you look at earlier events – such as him helping to bathe her. I can’t speak for everyone, but if someone broke MY legs and then came in to help bathe me, I would not be happy, and yet Penny seems to almost enjoy it. We then learn that Penny and her sisters were sent to live with their aunt after their mother became too depressed to care for them. And, once again, Penny found that her sisters were getting all the attention. So she reacted with violence – by putting bleach in her older sister’s cereal. She later found out that her father had committed suicide in prison, after being beaten by other inmates. And so Penny’s formative years have been tinted with sex and violence – two things that no child should be exposed to (although that’s kind of the whole premise of the series.) When you look at her past it becomes clear that her take-down of Caine was an attempt to gain control over one of the many people who have denied her affection in favour of giving it to someone else. As she associates sex with affection, and responds to a lack of affection with violence, it makes sense that she would attack him in a way that is associated with sexual violence.

My final point is in relation to the actions that she takes while Caine is unconscious. She does three things that really give us an insight into her mentality regarding the cementing:

- She cements him

- She makes a tin foil crown for him

- She cuts off his shirt

These actions again are reminiscent, at least subtextually, of the act of r@pe - a sexual crime done with the intent to both incapacitate and embarrass the victim – in essence, a power-play. And this is exactly what Penny does. She begins by entrapping him in the cement, taking his power from him. We know that Penny was not scared of Caine’s power, this was not an act of paranoia as the cementing of the Coates kids was. But rather, she knew how much his power meant to him, how much he relied on it – and she wanted to make him feel just as powerless as he had made her feel. This is further reinforced by her making the tin foil crown. Of course, she partly did this to cause him more pain (she literally stapled it to his head), but the main reason was to embarrass him. To turn his own narcissism against him. And then, to top it all off, she cuts of his shirt – which is just straight up sexual assault. This is the moment in the scene where the interplay between sex and violence really comes out. As she sees it, sexualisation is a form of affection. But as her whole life she has been denied any form of affection she has twisted this in her mind to where she sees violence as a viable outlet of emotions – or rather a replacement for affection. I think Caine’s cementing showed the breaking point for Penny – there are so many things she wants to communicate (her anger at Caine for all the horrible things he has done to her, her affection towards him, her desire for power and respect) and she just doesn’t have the emotional intelligence to do it, due to years of witnessing sexual assault and experiencing neglect. So instead everything gets distilled down into this twisted act of violence where she both expresses all of these things and gets none of them.

I really love this scene as I think it is a great example of mg’s writing ability. I know her attack of Caine was not only due unrequited affections, but I think this side of it is really excellently written, and makes me wish that we has seen more of Penny. I think it would have been a very interesting plot twist and a great use of character if Penny had managed to discard of Drake in Fear and take over his role in the story. Anyway this was only meant to be a short post and I really rambled on (as if anyone is surprised by now). Thank you for reading and please feel free to comment on/ criticise this!! :)

#the gone series #penny

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