#graindelavoix

[turangalila]

George de La Hèle (1547 - 1586) Sanctus. Missa Praeter rerum seriem [(CLXXXIX) Octo missae quinque, sex et septem vocum. (Antwerp, Plantini, 1578)] (RISM A/I L 285)

Music For An Antwerp Church - International Polyphony In Antwerp Around 1600. Graindelavoix, Björn Schmelzer. (2016, Glossa Platinum – GCD P32111)

[thedaysofdisorder]

Graindelavoix performs Musae Jovis, epitaph for Josquin des Prez, by Nicolas Gombert Björn Schmelzer with Andrew Hallock, Albert Riera, Andrés Miravete, Marius Peterson, Adrian Sîrbu, Tomàs Maxé, Arnout Malfliet, Lukas Henning (lute) and Philippe Malfeyt (cittern)

[caviarsonoro]

Nymphes des bois, NJE 29.18

[lesondesmusicales]

Petite Camusette, Josquin des Prés, GRAINDELAVOIX 1929 animation film directed by Walt Disney

[ralphbutler]

In Josquinum a Prato "Musae Jovis"

[imagesdepensee]

[lesser-known-composers]

Graindelavoix performs Philippe de Monte - Crudel, aspro dolore - madrigal for eight voices

[permease23]

https://www.studiovocale.ee/en/event/graindelavoix-josquin-the-undead/

😁 @derangedrhythms 

[hardcorefornerds]

Missa Pro Defunctis: I: Requiem Aeternam - Orazzio Vecchi, Graindelavoix, Björn Schmelzer (2017)

For his latest Glossa CD with Graindelavoix, Björn Schmelzer takes his lead from the funeral rites for the Flemish Baroque painter Peter Paul Rubens in 1640 – which might well have encompassed the Requiem Mass by Orazio Vecchi as recorded here – to demonstrate the coexistence in Baroque Antwerp of two apparently contradictory, but interconnected facets.

One of these facets was the continuing presence of prima prattica polyphony; the city was a major centre for music printing and Vecchi’s Requiem was brought out there – as were works by other composers represented on this disc: George de La Hèle, Duarte Lobo and Pedro Ruimonte (the recording ends with three successive Agnus Deis!). The other facet is that of the image of Rubens’s art: full of energy, seductive, optimistic and scintillating. The Northern Baroque par excellence.

Orazio Vecchi Requiem - glossamusic.com

[turangalila]

George de La Hèle (1547 - 1586) Kyrie. Missa Praeter rerum seriem [(CLXXXIX) Octo missae quinque, sex et septem vocum. (Antwerp, Plantini, 1578)] (RISM A/I L 285)

Music For An Antwerp Church - International Polyphony In Antwerp Around 1600. Graindelavoix, Björn Schmelzer. (2016, Glossa Platinum – GCD P32111)

[toccata11]

Graindelavoix sings Absalon fili mi by Lodovico Agostini, live in Potsdam

[namurnsd]

Carlo Gesualdo, Plange Quasi Virgo (Tenebrae Responsoria), GRAINDELAVOIX

[mids-2022]

Een stadswandeling met een Playlist :-)

Rozane - Wim De Craene (prinsenhof)

De Besten - Karel Waeri, Walter De Buck (bij st jacobs) Koevoet es beter dan boelie - Walter De Buck

Cueur Langoreulx - Josquin Desprez, Graindelavoix (st baafsplein) Klokke Roeland

Kulderkes en Kiosk (korenmarkt)

Hänsel & Gretel - hoornmuziek (zijkant postgebouw)

Nocturne - Vina Bovy, Luis Mariano (opera) Duo - Vina Bovy, Raoul Jobin

De fanfare van honger en dorst - Jan De Wilde (kiosk kouter) De fanfare van honger en dorst - Lieven Tavernier

[amoebo-id]

I've been enjoying following along with this list (it makes me want to ask if you have a rateyourmusic.com account). I love starting with contemporary French church organ, BUT I do feel like if your goal is simply to blow peoples' tits clean off, and if, as the Mingus inclusion implies, you're not just thinking about 'a piece' in the abstract but talking actually about specific performances/recordings, then I might suggest Gagaku, rural north Chinese shawm bands, Mauritanian classical electric guitar, or any of a variety of western free-improv / noise / electroacoustic traditions before heading to, like, Borodin...

However if I interpret your project as one of showing people things OSTENSIBLY in categories they THINK they like and understand, but which are in fact too flavorful and challenging for their sensibilities, then my top picks might be something more like Graindelavoix's take on 'early music' or Wolfgang Rubsam's Bach. Links to follow

in the list I'm imagining i'm mostly trying to stick to pieces that deliberately pose an aesthetic challenge to the listener but: what do we think? Increasingly I think that works like the Chopin Barcarolle, or even the 1st movement of the Borodin quartet, really, if they were forced to really listen, would be too much musical flavor for your average whitebread tumblr user

[ralphbutler]

Was Binchois a mystic? Get the answer in Deventer on 9 & 10 February 202...