#gotta give them a taste for it when they’re young?? like what is the reasoning | Explore Tumblr posts and blogs

nctsworld · 4 years ago

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spin me right ‘round

✩‌ johnny ‌x‌ ‌reader‌ ‌|‌ record store owner!johnny | fluff | smut | 4k‌ ‌

SUMMARY‌ ‌⇾‌ buying from the local records shop leads you to eventually bed the hot owner on the night of your first date. WARNINGS‌ ‌⇾‌ ‌smut (in the second half), oral s*x (f and m receiving), f*ngering, johnny has a big d*ck and f*cks you hard???, office s*x in the epilogue (kind of) RATING‌ ‌⇾‌ explicit TAGLIST ⇾‌ @infnteen @sehunniepot (thought you might be interested in this nikki 👀)

⇾ gif created by me, please don’t share or repost without credit!

Opening the store’s door, the ringing of the bell above you signals your entrance.

You moved into the neighbourhood recently and since someone gifted you a record player for your last birthday, you thought it’d be a quaint idea to drop by the local records shop that you always pass by on your way home.

Rows and rows of vinyl records, organized both alphabetically and by genre, welcome you with open arms, along with a faint musty smell, likely due to the faded, vintage records hanging between the posters on the cream walls.

The outside of the store is misleading to its size; there’s enough space here for at least thirty people easily. However, besides you, it looks like there’s only one other customer in the shop.

Although your surroundings captivate your senses, the striking blond man bent over the rock section in the middle of the shop is the true cynosure of your eyes.

His long fingers flutter seamlessly over the records, seeming to be on a dedicated search to find one in particular. He towers high over the low stacks and oozes coolness with a thumb stuffed in his front pocket and donning a stylish green beanie atop his medium cut locks.

Not to mention that his jeans tug perfectly over the curvature of his prominent ass, but you merely steal a glance or two at his backside as you stroll towards the pop section.

Okay, maybe three glances.

With your back facing the man, several minutes pass as you rummage through the sea of mainstream music, ranging from recent to old, but all the while pleasing to your tastes.

“See anything you like?”

Your eyes meet the figure standing nearby with a hand on the edge of one of the stack dividers. His smooth voice matches his strong aura and his gorgeous face, which you’re now blessed to be viewing up-close.

Your gaze pursues downward, soaking up his sturdy frame hidden behind his flattering clothes. Darting your eyes up his lengthy body back to his face, you lick your lips and swallow, in hopes to dampen the sudden dryness in your throat, and naturally raise the corners of your mouth.

“Yeah—” You, you think in the back of your head and execute a nod, “—there are a few things.”

He smiles endearingly towards the floor before glancing back up to you. You wonder if he can read your thoughts, or maybe it’s simply written all over your face.

Releasing his grip, he says, “Take all the time you need. If you need any assistance, let me know."

Your eyebrows perk up in realization. “Do you work here?”

“Yeah.” Bobbing his head, he runs a hand over his beanie. “I’m the owner of the store.”

“Oh, wow,” you exclaim, jaw hanging slightly. “You’re so young, I wouldn’t think someone in their 20s would have their own store, especially one like this."

A frown falls over his face, and in that moment, you knew you fucked up any chance you had with him.

“Yeah, 26 to be exact,” he shrugs, tight-lipped, prior to the folding of his arms. His eyes become slits of bitterness. “Thanks for the ageism."

Immediately shaking your head at the misunderstanding, you stammer, “I didn't mean it like that—"

The owner’s expression melts in an instant and a warmness emanates from him once more. The knot in your chest loosens at the sight and relief waves over.

“I'm just playing with you, don’t worry."

He opens his mouth, about to continue, but his attention is interrupted by the ringing at the door, and you turn to see another customer over your shoulder. The attractive individual begins to stroll over, but still faces your direction, beaming.

“Well, if you decide to get anything, you know where to find me, and I'll ring it up for you."

With puffed cheeks, you nod and watch him greet the incoming patron. Trying to leave the embarrassment behind you, you shift toward the records again and browse for a little longer.

Finally deciding on a few choices, you walk toward the front register and peer over at the beanied blond. In the classical section, he’s listening intently to the bumbling customer. Not wanting to disturb them, you lay the vinyls on the counter and thankfully find a pen and a stack of sticky notes upon it.

After sticking the following note on the top vinyl cover, you head out of the store:

“Put these on hold for me? I'll be back for them. Thanks! -Miss Ageist”

“Well, if it isn’t Miss Judgmental."

A couple of days later, you drop by the store again and find the spirited owner at the front counter. Today, he’s channeling his inner grunge style, adorning a half-up, half-down ponytail and a loose white t-shirt over a tight, long black sleeve shirt. Is it possible for him to look even cuter than he did last time?

“Sorry again for that,” you scrunch your nose at the memory. He grabs your records from beneath the counter and rings them through. “You just look so young to own a store.”

The blond airily laughs, “I'm gonna take that as a compliment."

He spots you twisting your mouth to one side and nodding shyly. “It is."

As you pay for the items, he gestures to your vinyls on the counter. “Good choices, by the way.”

“Are there bad ones?” From the pay pad, you glance up at him and he’s feigning a hurt look.

“Oh, most definitely.”

You banter with a tilt of your head, “Isn't music subjective though?”

“Not to me. I am the king of music taste."

Both parties exchange laughter while you wait for the transaction to process. Once it finishes, he rips the receipt and places it into the bag with the records.

“I mean, I do own a records store, so I think I should know."

Flashing you his pearly whites, he hands the filled bag over to you.

“Here you go, Miss Judgy Pants.”

“Actually, you can call me—” You properly introduce yourself.

He leans back a little, straightening himself and tucking his thumbs into his pockets.

“I'm John, but you can call me Johnny."

With a glimmer in your eye, you question, “Is Johnny exclusive to me, or does everyone else also call you Johnny?”

His eyebrows raise, impressed by your straightforwardness. “I only let the pretty girls call me Johnny, if that’s what you’re asking.”

The wink he gives is short-lived, but it’s enough to cause heat to blossom over your cheeks. You brush some hair behind your ear.

“So, Johnny,” you enunciate, indulging in his name. “When does the store close?”

You lift up your bag and cheekily add, “Gotta know when to break in to steal more vinyls."

Johnny chuckles, and your heart bursts knowing you’re the reason behind it. Looking aside, his hand rubs the counter casually and you can’t help but stare at his large palm dominating the surface, along with his elongated fingers. Eyes blinking rapidly, you attempt to break the fantasy assembling in your brain—his hands are the guest stars alongside (and within) your body in the leading role.

“I can close whenever I want to, but thanks for the heads up; I'll make sure to keep you away from the store,” he jokes.

Catching your gaze, one of the sides of his mouth lifts. “Why do you ask?”

Shrugging nonchalantly as you play with the handles of your dangling plastic bag, you reply, “Just wanted to know when the cute worker got off so I can potentially go on a date with him.”

You scan around as if someone else is there in the empty store besides the two of you and point your thumb to one side, whispering teasingly, “Not you, but the other guy.”

His tongue grazes against his bottom teeth, nodding understandingly with a deeper smirk. “The store closes at nine usually, but I can make an exception for him to get off earlier."

Satisfied with Johnny’s answer, you bounce your head and make your way backwards toward the door.

“Sounds good, I'll be here at eight for him tomorrow night. Maybe I'll see you around then, too.”

Granting him a wink of your own, you turn on your heels and leave. Intrigued, Johnny watches you disappear down the street through the store window.

At 7:58 the next evening, you show up to the store.

A customer is at the front counter finishing a purchase. As they pay for the products, the worker takes notice of you, smiling in recognition. You return the same, beaming back at him, and casually stride over to a random section to wait until they’re done. They make some small talk, so you delve in the opportunity to admire Johnny’s outfit for tonight—a tight black t-shirt that showcases his blatant pecs and a loose red plaid shirt overtop of it.

When the customer exits, you make your way over to him as he puts on a light jacket. You lean your elbows onto the counter.

“Surprised to see you here.”

“Likewise," he jests back, snaking out of the counter to be in front of you. You glance at him, consuming the tall drink of water.

Nodding to the door, you ask, “Ready to blow this popsicle stand?”

Johnny hums affirmatively and you follow behind him outside as he flips the open sign and locks up the store.

“So, where we heading off to?”

Informing him of what you had in mind, the two of you decide to take his car to the downtown pier. Once there, both of you grab take-out and eat together at a bench table under the clear sky and dazzling stars. Conversation comes easy, making the night fly by fast.

While talking with him, since his hair flows freely today, he sometimes shyly brushes some of it behind his ear. Although you’re listening intently, you also ponder how it’d be if you ran your fingers through his soft, silky locks.

Dinner eases into dessert, with the two of you having ice cream side by side on the pier railing, looking out towards the twinkling water. By the time you’re halfway finished with your cone, you hint at not wanting to end the night just yet. Agreeing with your sentiments, Johnny makes the suggestion of going back to the store.

After finishing the ice cream, you head together back to his car. The back of your hand brushes up against his. Taking a chance, you curl the tips of your fingers around his, half-holding his hand.

Pressing up against his arm, you whisper, “Thought you said you gotta keep me away from the store."

He peers down at the partial hand holding and the grin he gives you reaches his eyes. He gives your hand a small squeeze, ensuring the burgeoning attraction is mutual.

He whispers in reply, “At least this way I can keep an eye on you."

At the shop, Johnny locks the door from inside, in case of any wandering bodies, and blasts some upbeat, electronic music onto the store speakers. Intercepting your hand, he guides you to the back corner of the store and starts to dance with you.

At first, your bodies are separate vessels, grooving to the beat of the music, but as the songs play on, you gradually gravitate towards each other. Soon enough, one hand settles comfortably upon your waist, the other on your hip, while yours are hooked around the nape of his neck. Before you know it, you merge together as one with parted lips, finally satisfying the tension in the air and within your bodies.

The kissing is intense, electrically charged and sending currents to the tips of your fingers. Although you’re barely acquainted, you two kiss like you’ve been deprived of each other your whole life—every kiss and every touch quenching your thirst for one another.

Wanting to change it up, you step over to an empty counter and hop onto it. Johnny steps in the space between your legs and his lips meet yours again. You cup his face, clutching onto his strong features, and occasionally run a hand through his hair to caress his head.

You answer inwardly to your previous thoughts, confirming the silky texture of his hair, and your touch relishes in his golden locks.

Suddenly, his mouth channels hunger onto your neck and the electric currents divert directly to your rising arousal. At the sensation, you rashly grind your hips into Johnny’s body, and he groans heavily in the crook of your neck.

He mumbles into your skin, “Do you wanna take this further? My place is nearby."

Sighing further into his embrace, you half-jokingly reply, “You know, I was really looking forward to getting fucked in a records store."

He easily breathes, “We can do that next time, I promise."

You snicker. “Aren’t you a little presumptuous?”

Tugging his shirt by the neckline, you force him to leave your neck and to greet your mouth instead. Pressing the top of your forehead against his, you match his gaze.

“And what if I don't like you after tonight?”

Something in you already knows that won’t be true, but you mischievously ask regardless.

The simper Johnny flickers is enough to send another wave of bolts downward to your core.

He peels his head away to bring it beside your ear. His thumb on your thigh may be gently rubbing you, but his following assurance is hoarse, absolutely drenched in pure lust.

“Oh, you're definitely going to like me after all the things I do to you tonight."

You barely have an opportunity to scan around his bachelor pad because his lips capture yours upon arrival. In his entryway, Johnny entangles with you, pushing you up against the wall. Impatiently, he drags you to his bedroom for the long-awaited spectacle of the night.

After hurrying to turn on his bedside lamp, Johnny presses his weight against yours on his bed, embracing the full body contact. His lips continue to attack the terrain of your skin as he denudes you. You hum softly as he pursues south to your aching desire. Hoisting your backside and with his assistance, you’re finally completely bare.

Sitting up at the edge of the bed, Johnny pulls his top layers off, revealing a sculpted physique, the kind that artists muse and obsess over. You knew he was fit from how his clothes constantly hugged his body, but this was just insane.

“Holy fuck,” you murmur, staring blankly.

Chuckling, he does the same bashful gesture from dinner—tucking some of his hair behind his ear. The gentleness is a contrast that nicely compliments his Adonis qualities. His soft side is flipped onto its backside in a second as he begins to creep his way over between your legs, his eyes darkening.

Upon resting on his chest, you didn’t notice it before, but there’s a hair tie on his wrist, which he uses to effortlessly make himself a quick ponytail.

With anticipation, you sigh into the kisses he leaves on your inner thigh, making his way toward your pulsing sex. When his tongue issues the first swipe, you inhale sharply with fluttering eyes. Johnny isn’t in a rush, taking his sweet time to lazily lap up your slick and learning what incites you.

Once he has a better understanding of your desire, he dives in and devours you whole.

Realization sweeps over as to why he has to put his hair up.

In accompaniment to the painting of your folds, Johnny spreads them gently and ensures he dunks his tongue in your wetness. One of your hands drift away from the bed sheets to one of his snaked around your upper thigh, clutching onto his fingertips in reaction to the swift rotational swirls on your raw flesh.

He draws back, lips lustrous from your nectar, and hastily replaces his mouth with two fingers.

Your half-lidded eyes shoot wide open. His long, thick fingers fill you greatly, scissor you so far in your sex, so much that you fear what his cock is like if this is how his digits feel.

You’re overcome with bursts of pleasure. Further bursts ensue as Johnny tongues your clit alongside the fingering. Your throaty cries and the squelches of your pussy is melodious to his ears, better than playing his favourite vinyls on the best record player he owns. The lewdness of it all overwhelms his jean-bound arousal, so Johnny retaliates by grinding against the bed.

After Johnny retreats, he stands by the foot of the bed and starts unbuckling his belt and pants. You crawl your way over, still panting and reeling from the rush of your high. As you reach him, he drags his pants and boxer-briefs towards the floor in one-go, freeing his unsurprising lengthy girth.

On your knees, hunched over his cock, you chuckle in disbelief. “Now that’s unfair.”

He watches in amusement as you examine his desire with delight, before taking it into your hand, pumping it languidly. “What is?”

You peer up, cocking an eyebrow. “Seriously? You’re hot, own a record store, really funny, and you’re packing. God really has his favourites.”

Johnny’s about to respond, but his brain short-circuits momentarily at the pad of your thumb rubbing his precome over the tip of his blunt head. He cranes his neck back, exhaling a groan.

“Well, what can I say? Guess I’m just-fuck—”

You suck the words out of him. Literally.

Your warm embrace encompasses his entirety, possessing a strong hold over him. Since you can’t possibly take him fully into your mouth, your fist solves your problem by stroking him by the base. Aiming to please, especially after his oral act from earlier, you slurp and bob your head mercilessly, disregarding the saliva leaking down the sides of your mouth.

One of Johnny’s hands arranges your hair in a make-shift ponytail to get a clearer view of the obscene display. His hazy eyes skim over the gorgeous curves of your bent back and ass jutting high up in the air. His breathing turns heavier and he’s about to tug on your hair, motioning for you to slow down, but you thankfully come up for air just in time.

The stately figure attacks your lips with urgency. The kiss is wet and messy from going down on one another, but it merely adds to the intensity. While lip-locked, he lowers you into his pillow once more, then stretches an arm out to his bedside stand to fish out a condom.

He nimbly rolls on the cover, but is confused to find you back on your knees instead of laying on the bed. You grasp him by the wrist and press your fingers against his firm pecs, indicating to him to recline backward. In awe, he obediently obliges.

Hovering over him, you suck in a breath as you line your sex up with his, cognizant that you need to acclimatize to his size. You steadily sit onto his length and when it finally reaches the end, you release a piercing groan at the deep sensation.

For a bit, you don’t move too much to get used to his great desire. In the meantime, your fingers wander over the chiseled flesh in front of you—his defined, veiny arms; his solid chest; and the valleys of his abs.

Once you think it’s been enough, you transfer more weight onto your knees and slide on his cock with more vigor. You throw your head back in pleasure.

On the other end, Johnny’s gaze wavers between the main action, your bouncing breasts, and your supple neck. He can’t see your face clearly, but he knows you must be enjoying this as much as him by the breathy moans that follow each thrust.

When your legs start to tire, Johnny tries to hold you close and roll you over onto your backside. You both giggle at the unsuccessful attempt to keep himself still inside of you, but that’s an easy fix. Despite just having him within you, you gasp again at the penetration. Him being on top hits you at a different angle and you truly feel the length of his inches.

Johnny reaches down to meet your lips. You brush your fingers over his pulled back hair as he consumes your existence. In addition to each passing drive of his body into yours, you also grip harder onto his hair in ecstasy, which leads to the unraveling of his long locks upon your face. The gold ocean of silkiness drowns your senses, the strands stroking your skin like extra caresses.

Retreating back onto his knees and raking a hand through his tousled mane, his hands then attach to the flanks of your body and he pounds you breathless, leaving you heaving for air.

In your dazed state, you desperately grab on to whatever you can—the sheets, his upper frame, his ass, anything. Throughout it all, your core contracts even tighter over the way his clavicle, tendons, and muscles protrude and flex like they’re about to break through his skin.

At this point, you’re beyond delirious and definitely beyond gratified. You assume he’s about to finish when he decreases his pace and bends closer to you, but instead, he continues to still move inside of you.

“Jesus. Fucking. Christ,” you gasp and grunt between his rough, buried thrusts. “How are you not close?”

“I’m not ready to be done with you yet, beautiful,” Johnny rasps into your ear. You catch a glimpse of his cocked eyebrow and smirk. “Unless you can’t handle me?”

Denying his accusation, you haul his cheeks to yours and kiss him fiercely.

And with that, Johnny’s weight is on his knees again and he fucks you like there’s no tomorrow.

However, Johnny might’ve been right because it doesn’t take long for you to beg repeatedly for him to come.

“So, what’s the verdict? Still like me after that?”

Both individuals are still nude on the bed, but now covered by a blanket. Resting on his chest, you drum your fingers over his skin in thought (as if you need to even think about an answer besides the obvious).

Pouting up at Johnny, you say, “I’ll only like you if you keep your promise on fucking me in the store next time.”

“Of course.” He palms your cheek and inches forward, preparing to kiss you tenderly.

“A gentleman never breaks his promise.”

EPILOGUE

One month later, the record store’s business has been growing, so Johnny decides to hire one of his friends, Mark, to be a part-time worker.

Which means that Johnny has more spare time to do other things... like taking you from behind in the back office over his desk.

“Shit, fuck,” you grip harshly onto the edges of the worn-out wooden desk as he thrusts endlessly. Even after a month of dating, your pussy still isn’t fully accustomed to the size of his girth. You’re unsure if it ever will be.

No matter, it always feels amazing.

“Johnny, Johnny—”

“Johnny!” Mark’s voice suddenly cuts in and calls from outside of the office door. You immediately bite down on your lower lip to shut yourself up. “Someone’s asking me about a limited edition vinyl and I don’t know how to answer.”

“Uhhh,” Johnny drones absentmindedly, yet jabs into you with more rigor. You bite down harder, but you can’t control the rising volume of your stifled moans. “Give me five minutes.”

A silent beat passes.

“Dude, are you fucking in the office again?!” the part-timer exclaims. You can practically see him shaking his head in disgust. “Ugh, I’ll give them the store’s card. Hurry up, though.”

As he walks away, you hear him faintly say, “Sometimes I think this is why you hired me...”

Simultaneously, you both giggle heartily. Your lover pecks you lovingly on your shoulder prior to diving again into the wanton moment.

In the end, Johnny actually spends ten more minutes with you. But he can afford the extra minutes—he is the owner of the shop, after all.

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pillow-anime-talk · 4 years ago

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favorite types of kisses.

synopsis: Where do they love to be kissed? And where do you love to be kissed by them?

# tags: headcanons; current relationships; romance; fluff; kisses & PDA in general; sfw & suggestive

includes: gender neutral reader ft. ciel phantomhive, sebastian michaelis, grell sutcliff, undertaker, snake & lau {kuroshitsuji}

author’s note: huh, so i watched ‘kuroshitsuji’ and i’m a full-fledged simp now.

— CIEL

↘ Kisses on the CHEEKS; are Ciel’s favorites. They are kisses for literally any occasion – for good morning, for goodbye, for good luck at work. It’s a kiss that can be made while saying wishes, for a good night’s sleep or for a safe journey. When you peck Ciel on that part of his face, he feels appreciated and at peace. Your lips are extremely delicate and warm, perfectly harmonizing with the cool and porcelain skin of his whole body. Additionally, when you show him affection, he has the courage to smile slightly, not even worrying about Sebastian’s later jokes about his own, crimson blushes. Your kisses are soothing and the Young Lord can never get enough of them, so give them to him as often as possible.

↘ Kisses on the NOSE; it’s the kind of kiss Ciel gives you on many possible chances. They are cute and you’re cute to him too, so he usually kisses you on the nose when you’re happy or when something incredibly fantastic happened, for example, you won a game of chess with someone or you received something from your parents (or from your future husband) like tickets for spectacle you really wanted to go to. Pecks on the nose are short and precious, but incredibly memorable and heart-warming. Plus, they’re sometimes very playful, so you can experience that side of Ciel that no one else can see now or ever.

— SEBASTIAN

↘ Kisses on the HANDS; it’s the most intimate kiss for a demon, for a butler, who has no right to touch others, even with gloves on. That’s why when you hold them and kiss his wrists, knuckles, fingers, nails, he feels so sinless. He feels human and just plain good. However, the tall man still wonders, how can you voluntarily kiss his hands? After all, these are hands that have taken so many (often pure) lives. Which had seduced so many people before. Which are cold, rough and unhealthily pale. And yet you still do it, always with the same innocent smile on your charming face that makes Sebastian feel that he has some positive emotions inside him, in his black soul. You will definitely be his death one day.

↘ FOREHEAD kisses; it’s the most tender kiss you can get from another person, from a lover, from a partner, from a person who’s the whole life for one side of couple. Sebastian doesn’t kiss you often. He only does this on important occasions, such as when it’s your birthday or when it’s Christmas. However, when you get hurt or you are sick, I’m sure that you will feel his lips on your forehead more than once, not only so that the black-haired man can feel your body temperature, but most of all, to make you feel that he’s close to you and you can always rely on him, even if it’s some small, even stupid thing or request. After all, he’s not simply one hell of a butler, but also a simply one hell of a good and kind lover, if you want to.

— GRELL

↘ JAWLINE kisses; Grell is a hot lover. They love every kind of kiss, however, there is one particular that they would literally die for. Jawline kisses are one of the sexiest kisses lovers can give each other. When you kiss them on the jawbone, Grell feels like you’re standing on the verge of kissing their lips and biting them on the pretty neck. It’s exciting not knowing which way you’re going to go on. This pinch of uncertainty and surprise is something they adore. Kissing on the jawline is also quite sloppy, and that happens quite often in your relationship, because after all, you both get busy with your own activities, so you have to show your affection quickly to enjoy each other more afterwards. However, it’s definitely worth waiting for the next such kisses.

↘ Kisses on the BARE SHOULDER; with Grell you feel cherished and desirable. They appreciate you like nobody else, compliment you like nobody else, caress you like nobody else. Your figure is the best canvas you can imagine for Grell, and your arm is like the first touch of a paintbrush. You love being kissed on the shoulder for two reasons – they’re intimate and affectionate, and at the same time, they can lead to more. You have a strange soft point for the Grell’s smile, and their teeth are your greatest weakness. Do you know how beautiful your shoulder look when Grell kisses or bites you there? They’ll definitely take some photos and toss them between the pages of their notebook as little bookmarks.

— UNDERTAKER

↘ Kisses on the CHIN; he’s damn tall and likes to tease you so badly. He lives for fun, so watching you try to kiss him on the lips or on the face in general is his daily pleasure. You practically never reach where you want, so you end up kissing him on the chin, and at one point that kiss became a favorite for Undertaker. Why? Probably because it’s the kiss you ask for the most, the one you care about the most, the one you want to feel the most. You’re so adorable when you jump or stand on tiptoes to reach for a peck. And... don’t think that Undertaker will ever make things easier for you. You gotta try harder, shortie.

↘ Kisses on the LIPS; however, there are days when your boyfriend demands a kiss, when he wants intimacy that only you can give him. Therefore, he immediately kisses you on the mouth, without any prior warning. For example, when he’s sitting at his desk in his shop, he suddenly pulls you onto his thicc lap and gives you a few quick but warm kisses right on your lip-balm-tasting mouth. You love these moments because a kiss on the lips is the kiss closest to those in love, it’s a kiss reserved only for two people in a relationship. So, could there be anything better than showing affection in this way to a person who means so much to us? Definitely not.

— SNAKE

↘ Kisses on the NECK; he will never admit it, but he likes the closeness you give him. He appreciates the sense of safety you show him every day. When you kiss him on the neck, on the scales that once seemed to him to be a defect or on his Adam’s apple he additionally feels that you want him like a normal and simple person, that you feel love and desire for him. It’s lascivious to kiss someone’s neck, you know that? That’s why when you do that, Snake melts. Your kisses on the neck, light bites, skin sucking are something that he associates with what he likes the most (apart from you, naturally), and these are his beloved snakes. When you kiss him on the larynx, he knows he’s helpless and vulnerable to you, so keep doing it and show him a lot of affection, okay? The boy definitely deserves it.

↘ Kisses on the TEMPLE; Snake is a sweet guy. He’s a bit shy and usually communicates with you through his pets who always help him tell you about his own feelings. When Oscar, Emily or Wilde tell him to give you a kiss on the temple, who would he be if he hadn’t obeyed their silent commands? He kisses you on the temples because he reaches to them perfectly. He kisses you on the temple because he thinks it’s a kiss that suits you both perfectly. He kisses you there because it’s a kiss that means a wish to protect you. You are important to him, and he wants to be as close to you as possible. He want you to know that he’s right next to your figure and these kisses always informs you about his presence and intentions through. You loves it, really.

— LAU

↘ Kisses on the EYELIDS; his eyes are closed most of the time, which is why he likes to be cared with your kisses. I think his facial skin is really soft and smooth, so kissing his eyelids is pure pleasure for the two of you. Lau has a soft spot for your scent, so when you bend over to give him a peck on the eye, he smirks silly, inhaling your sweet perfume scent or your morning scent after a nice night in the soft sheets. Every time you kiss his eyelid, he may even be tempted to open his eyes to see you better. And he definitely don’t regret the moment when he does it, because your smile is the brightest thing within a radius of several kilometers.

↘ EAR kisses; sometimes he’s just an idiot. He knows this is one of your most sensitive places, very prone to tickling, to his nice breath, to his wet but hot tongue. He likes to tease you, but that doesn’t mean you don’t like being teased. Kisses on the ear are intimate and private, they are often surrounded with a few whispers or compliments, and you love to feel appreciated and praised by him. Lau is the perfect lover, sometimes funny, sometimes serious, but no matter what the situation, you can count on him to give you a long kiss on the earlobe in the next few minutes. Your reactions are his favorite, so don’t count that he would ever stop doing it.

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blouisparadise · 3 years ago

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Upon request, here is a rec list of bottom Louis fics where Louis and Harry share clothes! If you enjoy our rec lists, please be sure to like this post and reblog it to help spread the word. Happy reading!

1) What's Yours Is Mine (What's Mine Is Ours) | Explicit | 2982 words

Prompt: Something about Louis always waiting until the last minute to pack his bag for tour so one time Harry does it for him and then they’re thousands of miles away by the time Louis figures out Harry hasn’t actually packed anything useful. Whether it’s because Harry is just genuinely useless at packing for other people or because he wants Louis to be forced to wear his clothes is up in the air. Also Louis refusing to wear Harry’s clothes out of pure spite until Harry makes it up to him.

2) That Ugly Ass Yellow Shirt | Explicit | 7501 words

Note: This fic is the first part in a series.

"This," says Louis, holding up a shirt from the box, "is the ugliest fucking shirt I've ever seen."

3) It's The Way You Love (I Gotta Give It Back To You) | Explicit | 8153 words

Stretching, Louis finally pulled the duvet aside and let his feet fall onto the plush rug at his feet. Louis lived for soft, comfortable, plush things. From the fairy lights and fake plants to his plush robe and thick socks, everything in Louis’ little one bedroom apartment was carefully catered to his whimsical and soft aesthetic.

4) Make A Run, Cause Some Rebellion | Explicit | 8824 words

As a general rule, kitten hybrids are small and disinterested in what other people want them to do, slightly evil and at least a little manipulative. Louis prides himself on being all of those things to varying degrees, but especially on being uninterested in what other people tell him to do. He’s still human goddammit, despite his pointy ears and penchant for curling up in the sun and taking naps.

He’s going about his daily business, knocking things over where he sees fit and leaving a trail of mess in his wake. As exasperated as it makes Liam he’s used to it by now, having shared a flat with Louis for almost three years now, and if Louis whines enough he’ll even clean up after him. It’s a great life, really.

With the exception of Liam’s stupid, broad shouldered, entirely too big mate, the one who always comes over to watch sports with him. Louis hates that guy. His hair is always greasy and he brings weird hipster beer with him when he comes that tastes like shit. And he won’t even let Louis have any of it, either. The only reason Louis even knows what it tastes like is because one time he stole a bottle from the fridge and fled to his room before Harry could catch him.

5) Rather This Than Live Without You | Explicit | 10715 words

Harry decides to give it all up. Louis refuses to be left behind.

6) You’re All I See In My Mind (I Think I See A Lifetime) | Explicit | 16312 words

PROMPT 560 - Kitten hybrid Louis gets kicked out of his house. With nowhere to go and a very cold and stormy weather outside, he ends up wandering into Harry’s shed to hide from the thunder and rain (he gets terrified by it). Harry hears crying from the shed so he goes to investigate.

7) These Roads We Stumble Down | Explicit | 18233 words

Harry picks up a hitchhiker in Oxford, and it’s a long ride to Glasgow.

8) Absolutely Smitten | Explicit | 20120 words | Sequel

Louis is walking his dog. Harry is walking his cat. Leashes get tangled, and feelings too.

9) Smaller Than Me | Explicit | 22935 words

Note: This fic is locked and can only be read by AO3 users.

Harry's just finished his first year of uni on his way to becoming Dr. Harry Styles, Neurosurgeon. He's young, he has endless potential, three amazing best mates, a new love and the world at his fingertips. The fact that his new boyfriend may or may not be a sex-worker, of course, throws a wrench into the works. But it's not true. Really.

Probably.

It most definitely might not be entirely true. And that's all Harry needs to know.

10) Force of Nature | Mature | 25672 words

Louis is a shy, young musician who doesn't want to go to Harvard.

Harry is a confident, second year athlete who likes to have a good time.

When their paths cross while their families are vacationing at the same lake resort, what begins as a summer of fun becomes a defining journey that might just change everything.

11) You Fit In My Poems (Like A Perfect Rhyme) | Explicit | 27598 words

Louis had a feeling it would take him a long, long time to get over the way his hand seemed to fit perfectly into Harry’s in the few seconds they held them together, like they were missing puzzle pieces that only worked when you put them in the same place at the same time, much like the way they had met that night a few days ago.

He smiled to himself as he let Harry guide him, thinking, maybe this is one of those moments books have talked about before.

12) Building Me Up (But Buttercup, You Lied) | Explicit | 31007 words

Harry’s mouth felt dry just saying those words. What he had with Louis was so much more than a simple ‘fuck buddies’ situation. It was slow kisses in the morning between soft sheets and shy smiles, it was holding hands in the afternoon while walking and eating ice cream. It was breakfast for dinner, laughing and licking honey from each other’s lips as they shared goals and even some secrets, it was happiness, it was glow.

To Harry, what he had with Louis meant everything. Until Louis decided it meant nothing.

13) What This World Is About | Explicit | 34472 words

An eighties American high school AU; there are first times, football games, and feelings.

Alternatively titled: the beginning.

14) Let Me Feel Your Heartbeat | Explicit | 34572 words

Harry is 98% sure Louis hates him. So he feels like his bewilderment is justified when the omega offers to help him through his rut.

15) Bluebird | Explicit | 39046 words

The 2,789 miles between New York and Los Angeles is a long way to go alone.

16) Thinking About The T-Shirt You Sleep In | Explicit | 52489 words

Harry's alpha fraternity donates to a local thrift shop (because of Liam's latent crush on a cute beta in his lecture). Louis' financial situation (and confusing omega instincts) lead him to make some interesting fashion purchases. Lots of pizza, feelings, and not-really-lying.

17) Quite On The Contrary | Explicit | 63818 words

Neighbors x High School AU where it all started with Harry moving next door to the Tomlinsons, a balcony break in, mixed feelings, a poorly thought-out initiation, several missing sweaters and a lot of non-platonic activities.

18) Flash Back To Me | Explicit | 73066 words | Sequel

It’s almost as if he’s putting on a show, as if he knows that he’s got Harry’s heart in a blender and wants to pulverize it just that tiny bit more. Wants to stoke the flames inside his groin, rev his engine a little harder.

He’d be lying if he said it wasn’t working, his eyes dark with lust and something else that he can’t quite put a finger on. A tiny inkling of an idea that’s worked its way through his veins since he first set his sights on Louis a mere hour ago.

Check out our other fic rec lists by category here and by title here.

#bottom louis #top harry #larry #fic recs #blp fic recs #clothes sharing #blp

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keijislove · 4 years ago

Note

Hi babe! I was wondering if I could request a Tony Stark x daughter reader? With lots of angst and her being locked in her room because she’s being bullied for her darker skin

(I understand if you’re not comfortable with this)

Safe Place: Tony Stark X Daughter!Reader

I think this turned out a bit longer than I expected.

Sorry :(

I hope you like this, I don’t really have a lot of experience with this matter, so I hope I captured the emotions right!

I AM APOLOGISING IN ADVANCE, THE HURTFUL COMMENTS MENTIONED HERE ARE NOT ONES I WOULD EVER USE IN MY LIFETIME.

GIRL, YOU ARE BEAUTIFUL JUST THE WAY YOU ARE – YOU DON’T NEED DIMWITS LIKE RACISTS TO DEFINE BEAUTY. YOU WANT THE DEFINITION OF BEAUTY, GO LOOK IN THE MIRROR.

PUT A STOP TO RACISM.

WARNINGS: Slight EXTREMELY racial comments, mentions of death, toxic relationship, angst, Tony being a little... well, Tony.

Being Tony Stark’s daughter was nearly everyone’s dream. Well, everyone you’d come across at school, anyway. It seemed rational from their point of view – big house, big bedroom, expensive branded clothing, basically an overall exquisite lifestyle coupled with fame of being his daughter which was sure to earn popularity points anywhere and everywhere. A man rolling in that amount of money would make a great dad... right?

You thought differently. Which was one of the main reasons you did not tell anyone who your father really was and your teachers understood your predicament and played along to your story of being an ordinary girl with no scope for coolness whatsoever.

Your mother had met your father a long, long time ago – when Tony was still in university. Of course, he’d left her before he even knew she was pregnant, and they never saw each other again. You didn’t exactly love your life as his daughter. In fact, from what your mother had told you, he was (in your vision) a complete monster whom your mother had the sad misfortune to meet.

It was her untimely death that had forced you to go live with the man who was the reason you were born and the man who ruthlessly left your mother to fend for herself and a baby. You had tried for foster care, but the agents told you that your father was still alive and more than capable of taking care of you – being the famous Tony Stark and all.

So it would suffice to say that Tony was lowkey shocked when you turned up at his doorstep one day with a grudging expression and declarations of being his daughter. He actually didn’t believe you at first and asked you to piss off which confirmed your earlier assumptions about his character – asshole. After you’d snapped at him and showed him all the legal documentations stating that you two were blood-related as father-daughter after all, Tony was even more shocked than earlier.

Though he would rather die than admit it, he felt sad after seeing your fourteen-year-old self standing at his doorstep. He’d missed your birth, your first steps, your first words, he even missed helping you with homework in preschool – basically all precious moments you enjoy with a child. But you made it pretty clear that you didn’t want to be here – something that made Tony’s already overlarge pride swell like a bullfrog and stopped him from ever getting close to you. While you were busy thinking he didn’t want you, you overlooked a small detail – he took you in.

If anyone had the power to bribe an adoption agency to get rid of their kid, it was Anthony Stark, yet he never gave you away. The simple explanation (that he would never, in a million years, admit it to you) was that he didn’t want to lose you – around the only blood-related family he had left.

And so began your life as Y/N Stark. It functioned surprisingly well for your expectations. Pepper was really nice to you and those few occasions when the Avengers came over, you were able to talk to Natasha about ‘girl things’, her presence reminding you of the mother you had lost only too young. You sometimes even asked Bruce for help with homework, too proud yourself to go to Tony. Overall, you stayed out of his way while he stayed out of yours – an arrangement you were both satisfied with.

The worst part was that you never talked. Ever. You would wake up and walk to school, refusing Jarvis’ continued protests of letting you use the self-driving car, came home the same way where you did your homework and grabbed a snack before you ‘father’ came back upstairs from his little man cave in the basement and a small ‘good-evening’ passed between you two as you went your separate ways. This cycle repeated itself every day. Recently, your life at school hadn’t been going great.

You’d known that your skin tone was a notch darker than the others at your school – something you had gotten from your mother – and this was not something you really cared about. That’s when they started coming – the comments. What were originally small, snide retorts of ‘wash your face, ew!’ (A/N: I AM SO SORRY) had now escalated to them calling you obscene names you’d never heard before and asking you to leave ‘their’ school

Which was why, instead of being at school today, you were locked in your bedroom, sobbing into your pillow.

It had started out as a very unusual morning. After getting comments hurled at you left right and centre the previous day, you’d had enough. You’d woken up and declared to Jarvis that you were skipping school and he was to, under no circumstances, notify your father about this. After that you tried to eat some cereal, but the bubbling dread in your stomach made it taste like dry carpet, so you gave up and stomped into your room, locking the door before flinging yourself onto the bed and crying your heart out.

It was in times like these that you felt the need for something – a gaping hole in your chest. It seemed foolish to even admit it to yourself, but you really wanted someone like a parent. Someone who listened to your problems and comforted you accordingly, someone who actually cared about you. And since Tony Stark filled neither of these requirements, you gave up the foolish dream and sunk, once again, into your self-fashioned depths of misery.

-------

Tony casually sipped on his wine, putting one last screw into place to make the latest piece he was testing out. As he powered the device on, it vibrated for a moment before the words ‘model failed’ appeared on the screen Tony was examining.

He swore loudly and shoved it ungracefully aside before running his hands through his hair. There had been many an occasion where Tony seriously considered going to your room to just say something to you that wasn’t a monotonous ‘good evening’ or ‘the milk’s finished’ or something else like that. He wanted to talk to you. To you.

He wanted to get to know the real Y/N – what you were like when you weren’t too busy being bold and refusing to appear vulnerable. As if reading his thoughts, Jarvis’ voice filled the room suddenly.

“Sir, I do believe that Ms Stark is currently locked inside her bedroom. She refused to go to school just this morning.”

“What?” Tony exclaimed, “Why, did she tell you anything else?”

“Just this, Sir, along with a few obscene warnings of not informing you about this occurrence. If I recall correctly, Ms Stark told me she would rip out my sockets with her bare hands had I come to you.”

Ignoring the small smirk that was growing on his lips at the thought of you behaving exactly as he would, Tony wiped his tired hands on a nearby cloth before sprinting out the door and up the stairs to your bedroom.

He knocked on the door.

“Go away Pepper, not in the mood,” came your muffled voice. It was weak and raw – evidently, you had been crying.

Ignoring the poking feeling of dread bubbling in his stomach, Tony knocked again.

“Open up, kid, it’s me,” he shouted.

“Definitely not in the mood, thanks.”

Tony sighed. This was exactly what he had tried so hard to avoid –turning out like his own father. Not knowing how to deal with a daughter properly, he just let you go about your business as you wanted, hoping that it would yield better results than what his childhood had been like. Now, looking back at how much he’d neglected you, he suddenly realised that he had done the exact thing he was afraid of – hurt you.

“Y/N Y/M/N Stark, open the door. Please.”

Perhaps it was the please at the end or the way he acknowledged you as his living, breathing daughter for the first time that made you stagger limply over to the door and push it open.

Your eyes were puffy, red and swollen from bawling nonstop and your brows were knitted into a disapproving frown. It broke Tony’s heart to see you like this.

“Listening,” you sniffed, crossing your arms.

“Okay, why don’t you sit down,” Tony frowned slightly.

You gave another hearty sniff and led him to your bed where you flopped down and watched as he took a seat beside you.

You both sat in a very painful, deafening silence for the next few minutes.

“You didn’t go to school today,” Tony casually remarked as you played with your pillow, refusing to meet his eyes.

“I did,” you said simply.

“Wanna tell me what’s going on?” Tony offered.

“I really don’t,” you admitted as he burst out laughing and you gave a grudging giggle despite yourself.

“Seriously, kid,” Tony said in an undertone, “You’ve gotta open up a bit more. I mean, it’s been like what, two years since you moved here and you never bother telling me what’s going on. And look where that got you – come on, tell me what’s going on. Is it school?”

“Partially,” you quietly said to which he cocked an eyebrow.

“Completely,” you amended, sighing, “Kids, you know, they’re just being – well, mean.”

“Okay,” Tony nodded slightly, “You want to talk about it?”

“They... they make fun of me,” you admitted, “About – about my skin colour and stuff. And I know I’m being stupid, getting upset over this –”

“It’s not stupid,” Tony broke in, “It’s not stupid at all. Nothing gives anyone a right to talk to you that way.”

“Try telling that to them!” you burst out, final letting go of the pent-up emotions you’d been holding for days, “What did I ever do to them – it’s not my fault I look like this, maybe if I could choose what to look like, I’d choose something they want! Just about everyone seems to have a problem – what the hell do they expect me to do? It’s unjust, unfair, unsettling and unkind, but of course they don’t care, do they?!”

Tony didn’t even flinch throughout your entire outburst until you broke down and tears began rapidly pouring out of your eyes once more.

“Hey, hey, stop, listen to me,” Tony sternly said, seizing your shoulders and turning you to face him.

“You’re a Stark,” he said, gazing you dead in the eyes, “You are beautiful, you’re smart and you’re kind. Don’t let anyone tell you otherwise.”

This was too much for you to handle and you started sobbing again – sobs of partial happiness and partial guilt that didn’t look like they would stop anytime soon.

“Come here, kid,” was all Tony could say as he pulled you into a hug, allowing you to sob into his shirt while he stroked your hair, trying to calm you down.

“I’m sorry if I’ve ever been mean to you,” you whispered finally.

“It’s okay, kid,” Tony murmured, pressing a kiss to your forehead, “I’m sorry I haven’t been a great father all this time.”

You two sat in a now comfortable silence, occasionally clearing your throats or sniffling a bit before Tony finally spoke.

“If anyone says that to you again, I will have them cut up and fed to the fish in my house in Malibu.”

“Thanks, dad.”

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cjsinkythoughts · 4 years ago

Text

Flaws

Written for @honeysucklesteve’s 4k writing challenge! If you haven’t, go check her out because she’s amazing!

Pairing: Mickey Henry x fem!Reader

Summary: You hate his music taste. He hates yours. You have a bad habit of stealing his gigs. He has a bad habit of fucking you until you can’t walk straight. Everyone has flaws. What are you to do about it?

Word Count: 3822

Warnings: Cursing, hate sex, semi-public sex, unprotected sex, hair pulling, slight edging, there’s a mirror involved, drugs, alcohol, clubbing, smoking, one mention of lung cancer, mentions of Monday’s plot, so slight spoilers; (I hope I’m not forgetting anything. These kinds of warnings are new to me. If I am, feel free to tell me.)

18+ PLEASE!!! MINORS DNI!!!

A/N: I know I haven’t posted in a while, but here you go! I’m so nervous about posting this. Honestly. I feel like I kinda rushed it a little? I dunno if it’s good. Uhm, I will say that Mickey is not soft in this. You know how he’s all cute and flirty in the movie? Yeah. Not here. I have plans to write for him later on where he’s more on character and adorable and all that, but it’s enemies to lovers and he hates reader and reader hates him. So. Yeah. Have fun with that.

This is a few firsts for me; first published smut, first Mickey Henry fic, and first enemies-to-lovers ever! I’m attached to friends-to-lovers (my parents’ fault), so going in the opposite direction is exciting and I hope it works out! (We’ll see what it can become after it’s been written.)

Also! Yes, I’m adding the link to the inspiration of the remix here. You’ll see what I’m talking about. I imagine more bass, but that’s basically it.

As always, all mistakes are mine and please excuse them as it’s not beta’d! Be kind to yourselves and others! Stay tuned and enjoy!

Part Two - Addictions

My Masterlist

*****

Between the tumultuous, voice losing cheers and the pounding, headache inducing bass, it’s a miracle the occupants of the building can hear anything at all. The large room is doused in bright pinks, purples and blues, glitter getting into every pore and crack, the smell of cigarette smoke and booze lingering in the air.

Bodies pressed together uncomfortably tight, breath and sweat mixing in a way that can’t be enjoyable, but no one notices because they’re all too high and drunk. There’s a couple swallowing each other in every dark corner of the room. A group of guys looking to get some are laughing rather obnoxiously at the bar, having consumed far too much alcohol to be safe.

Bouncers are escorting people out left and right; a streaker who decided to get on a table and dance, a couple who took it a bit too far over the bar counter, a group of girls who were no doubt too young to be in such an environment. Boisterous, chaotic, borderline dangerous.

There’s no place he’d rather be on a Friday night.

Up on the center stage, playing around with his tracks, messing with the turntables, pulse connecting to the music, head bobbing with the beat. He’s in control.

Every party. Every Friday, Saturday, Sunday night. Every weekend.

He’s in control.

It’s what he liked so much about doing what he does. Once he’s booked, he’s booked. It’s his night. He controls the sounds people hear. He controls what they dance to. How they dance. The pace of the night. The feeling of the night. And no one can take it away from him.

No one, that is, except you.

He hears you before he sees you, which is nearly impossible considering how loud the music is, but you somehow manage to take control of the room the moment you walk in it. You always get what you want with a bat of your eyelashes. And if you aren’t given it, you take what you want without regard for other people.

It really really pisses him off.

You’re laughing with a group of your friends, guys and girls’ heads swiveling to stare at you, captivating every heart in the room as per usual. You always show up with the same group, but he doesn’t even know any of their names even though you run in the same circles. It’s not like you end up hanging out with them for long, and you never leave with them. No, no. You always leave with him.

And that pissed him off too.

He can’t help it. He has absolutely no control over himself when it comes to you. And he hates you for it. He hates that he lets you take over with only a few snarky comments in his defense. He hates that you always get into his head. And he hates that you’re the best fuck he’d ever had and he can never get enough of you.

But most of all…he hates your music.

“Hey, hey! There he is!” You send him that infuriating smile of yours, a drink in your hand. It’s a flaw of yours. One of many, but probably the biggest. Alcohol. Like him and his cigarettes. He watches you with narrowed eyes as you effortlessly move through the crowd, your girls and guys seeming to vanish into the mob with every step you take.

You end up in front of the stage, leaning on it and giving him a smirk as you sip on your beverage choice of the night. It’s always something different. The only common factor is the alcohol you crave, letting it wash over your tongue, burn down your throat and slip into your veins.

“Heya, Mouse!”

“Don’t call me that!” He shouts with a growl over the music, pulling his headphones down around his neck. “What the fuck are you doing here?!”

“I got called this morning! Said there was a gig tonight!”

He shakes his head, gesturing to the set up. “You’re a bit too late there, sunshine! Gig’s booked!”

You shake your head back at him. “I’m taking over from here, Mouse!”

“Says who?!”

“Argyris!”

His jaw clenches, his forehead creasing, a skeptical scoff leaving his lips. “Fuck you! No he didn’t! He said this one’s mine!”

You just give a shrug, no cares in the world, downing the rest of your drink. “You can fuck me later! For now, if you wanna whine about it, Daddy’s over there!”

Another growl leaves his chest as he scowls at you, eyes darting to where you’re pointing. Argyris is by the bar, of course, swaying on the seat. Barking out a laugh, he looks at you with a shake of his head. “He’s so drunk he probably shit himself again! You can’t take his word for it!”

“I can when he called me this morning, sober as he can get!” You shoot back, hopping up to stand besides him. “Besides! Someone’s gotta make sure these people have an actual good time!”

“Don’t touch anything until I get back!” He snaps, pointing warningly at you as he starts to walk towards Argyris.

You smile innocently, even though he knows you’re anything but. “Yes, sir!”

He marches over to his asshole friend and grabs him by the shirt, turning him around. “Mickey! Havin’ a good time?!”

Mickey glares, feeling his blood boil and his ears heat up, not from the proximity of strangers around him. “What the fuck?! You told sunshine over there that she could have my gig?!”

“I thought you’d wanna break! Dance and relax for a little bit! It’s only a two hour slot I gave her!”

“You should’ve fucking asked, Argyris! I don’t want her anywhere near my-” His sentence is cut off by a change in the music and he whips over to the stage where you’re grinning and jumping with the crowd. You catch his eye and throw him a wink, holding one of the headphone cups over your ear. “ Oh for the love of - she’s messing with my stuff!”

“I thought you liked her!”

Spluttering, Mickey gapes at the other man in disbelief. “Like her? I can’t stand her! She’s so fucking annoying!”

“What’s so annoying about her?!”

Mickey snatches the drink Argyris was about to gulp down and slams it on the counter. “She’s a spoiled fucking brat! Everyone lets her do whatever she wants! She steals half my fucking gigs! And her music is shit! Listen to this!”

Argyris looks around the room and shrugs. “Everyone else seems to like it! Sure it’s different than your disco-”

“It’s not disco!”

“But it’s a crowd pleaser! Just relax! Have a drink and go dance!”

“Argyris!” Wanting to scream in frustration, he watches the man stumble off to get another drink down the bar. “Dammit! This is fucking shit.” Grumbling to himself, Mickey storms back over to the stage, easily pulling himself up.

You bite your lip and raise an eyebrow at him. “So?! How’d your date with Argyris go?!”

“I hate you so fucking much! Use your own fucking headphones!” He snatches the pair from your neck, pulling the cord out. “Why do you always have to steal my gigs?!”

You shrug, leaning forwards to brush your lips against his ear. “Yours are so much fun.”

His tongue darts out to wet his lips, eyebrows furrowing. This always happens. Every time. The moment he feels in control, you do something and he feels every ounce of himself slipping away. It’s the reason he fucks you. To take back that control he so easily gives to you. To make sure you understand that on the weekends, he’s in charge.

But not tonight. No, no. Not tonight. He refuses to get caught up in that game tonight. You wouldn’t end up in an alley or some bathroom with him. He wouldn’t end up on your couch or in his kitchen with you. He refuses to let it happen. Again.

Instead, he lets out a chuckle and nods. “Yeah. Okay. Whatever sunshine.” He takes a step back, giving you a smirk as your eyebrows shoot up in surprise. “You have fun playing your shitty music!”

“Have fun moping!” You call back, turning to the table and ignoring him completely as he groans and jumps off the stage.

Good God. You’re infuriating.

But so is he.

You hate Mickey Henry. You just do. You hate that he has zero responsibilities and gets away with it. You hate that he can charm his way out of any situation. You hate how immature he is and how no one ever forces him to grow up. And you hate how easily you let him take charge when he’s with you. After a life full of people making choices for you, you crave control, but with him? The moment he tells you to get on your knees, you fall, no matter where you are or what you’re doing.

But most of all…you hate his music.

You take his gigs to save people from listening to it, but also so he knows he can’t talk every situation into his favor. That Argyris can’t always take care of his job for him. He never checks up on gigs once Argyris tells him he has them. So it’s really his fault for not taking some responsibility.

Watching from the stage as your music flows through you, vibrating your bones and sinking into your skin, you’re not surprised to see him get out a cigarette as he heads to a mutual acquaintance of yours. He has many flaws, but that’s a major one. Like you and your alcohol. Him and his cigarettes. You wouldn’t be surprised if you learn a couple months from now that he has lung cancer.

Mickey is talking low to the guy and you already know what’s going on. That was a flaw you both shared. Drugs. He is much more intense than you though. While you’d be fine with some pot, he almost always hits hard with cocaine. Not that you’re innocent from that type yourself - you’d done it multiple times with the man himself if you ended up at each other’s place. Never in the bedroom. You never made it that far, and you don’t really care to. But after those times bent over the table, being pounded into the couch, hanging against the wall, you’d get high with him before one of you takes off.

You’re not exactly sure what happened earlier. You were a bit shocked when he stepped away. Not that you usually left so early, but he didn’t even stay to bicker some more.

Not that you care. You’re just…curious. Maybe he’s finally growing tired of the game you’ve been playing. You’ve been playing it for a few years now. With that weird little pause last year.

You actually thought he had changed.

Having run into him at a party, you prepared yourself for the arguing that no doubt would end in sex. But it didn’t. It didn’t even start. He was with someone. Like, steady with someone. As in dating someone. Living with her. To the point where his baby mama actually agreed to let him keep his boy in their apartment as long as they were together.

It was a weird six months. You two actually had real conversations. You knew how soft and goofy he could get; you had loads of mutual friends and often went to the same parties so you’d seen that side of him. It was just…odd because it never came out with you. But it did then. And you…liked it. You didn’t see him as often, especially once his kid was cleared to live with them. He stopped going out on weekends, started just attending the small shindigs your friends hosted, worked from home instead of DJing.

But then his girl - what was her name? Claire? Caitie? You can’t remember - left for a job in the States just a few months ago and he was back to square one. His baby mama took back the custody privileges, he went back to partying every weekend, and you fell right back into your petty bickering and rough fucking.

You feel bad. Really, you do. You heard that he’d actually loved that chick. And you know he wanted to see his kid more. You knew about the room at his place. But that almost made you hate him more. That he went right back to his old self. He didn’t even try. He got a taste of being a responsible adult, and then let it go.

Because no matter how hard people try, flaws are flaws. And no one can change that much.

As the night goes on, more booze enters your system, while more cocaine enters his. There’s the occasional glare or immature finger raising between you two. Mickey even sticks his tongue out at you while dancing with some broad, a smirk lifting up the corners of his mouth as yours twist down and your eyes roll.

Your features quickly morph into smug amusement as an idea pops into your head and his eyes narrow. What are you up to? He quickly finds out as you stop the music and bring a microphone to your lips.

“Hey, hey, party people! Everyone’s night going fantastic?!” Cheers are your response. Mickey scowls, not liking where this is going, and starts heading your way. You wink at him. “I’m gonna change it up for just this one song! It’s a dedication song to a good friend of mine! It’s a bit different than the usual stuff, but it’s a bop, I promise! Here’s to the Mouse!”

He immediately freezes as the song starts. “Meeska! Mooska! Mickey Mouse!” He feels his face heat up, his fists balling up at his sides, glaring at you and your shit eating grin as you roll your body to the beat, his feet taking him to the stage.

Effortlessly lifting himself onto it once more, he grabs both your wrists in one of his larger ones to stop the music without you interfering, his rings digging into your skin. “Aww! But, Mouse! We didn’t even get to the roll call!”

“Shut. Up.” He grits out through clenched teeth, putting something else on absentmindedly. He didn’t want Argyris on his ass later for leaving the crowd without music. “God. Stop being a fucking pain in my fucking ass for one fucking minute.”

You roll your eyes, but he’s pulling you away before you can reply. Next thing you know he’s shoving you into the bathroom, growling at the girls that were smoking up the place to get out.

“You think you’re so cute, don’t you, princess?” He hisses in your ear, slamming you against the door once the girls left. He’s so tired of giving in to you, but he can’t help it, crashing his lips against yours messily. Teeth and tongue, the taste of smoke and the fruity drink you had chosen for the night mixing, only making him press closer. Your hands get pinned above your head and he’s pulling your skirt up, bunching it at your waist. It’s rough and careless and fueled by loathing, but when is it not? “Think you’re so funny? Huh?”

“Yeah.” You breath, smirking as he slots a thigh between your legs, squeezing your hips and pressing you down against him, flexing the muscle and making you squirm.

His teeth are biting at your bottom lip and tugging, his hands dragging your clothed core along his thigh. “Let’s see how funny you think you are when I’m fucking you so hard you forget how to breathe.”

Your breath hitches and your hands previously above your head clutch onto his shirt at the friction against your clit. It’s not enough and he knows, but you don’t tell him. “All this over a silly song?” You jest.

He sneers back at you, ignoring your tease. “Did you get jealous, sunshine? Is that what happened? Is that why you decided to be a little shit?”

“Jealous?” You scoff as he attacks your neck, your hands quickly undoing his belt before he shoves his pants down, his briefs following along with your panties. “Jealous of you, maybe. That girl was hot. Way outta your lea - oh shit.”

You always forget how deep he reaches inside you, how much the stretch is. He’s not soft about it, entering you in one swift thrust, your hips connecting. His hands are dimpling your bare thighs, hefting you up so your legs wrap around his waist, rings on his fingers no doubt making imprints. The door against your back starts rattling with every movement, but the music outside was too loud for anyone to hear it.

“Not so mouthy now, are we?” He snaps in time with his hips. He can feel you tightening around him, your fingers dragging down his chest, trying desperately to pull his shirt off.

“C’mon, Mouse. That's all you got?” You pant out, a little whine leaving your lips when he leaves you suddenly, dropping you to your feet. “Mickey! What-”

He cuts you off by pushing you against the counter, a shout leaving your lip when he takes you from behind, making you surge forwards, your head almost hitting the mirror, pelvis hitting your ass with every piston of his hips. His hand is tangled in your hair and he tugs, making your head snap up. “Look at you. So fucked out. I did that. I’m the best fuck you’ve ever had and we both know it.” He isn’t wrong. Your makeup’s a mess, your hair is wrapped around his fingers.

“You’re the one who keeps fucking me.” You argue back, your spine arching as he hits that perfect spot inside you. Over and over and over.

He growls, leaning forwards to fold over you, his lips by your ear. “And who keep being a fucking brat? Huh? Who keeps coming to my gigs, fucking up my weekend? Practically begging me to fuck you.”

You scowl at him in the mirror. “I don’t beg.”

The chuckle that leaves his lips makes you shiver and you whimper when he tugs your hair harder, the sting of your scalp mixing with the pleasure his cock was giving you.

“You will. You may get everything you want from everyone else, princess, but I’m in charge here. Don’t. You. Forget.” His words are punctuated with a hard thrust, making you lurch forwards, your thighs pressing harshly against the counter.

“Oh God…Mickey,” that familiar tightness in your stomach appears, your eye clenching shut as your toes curl. “I’m so close…”

“Open your goddamn eyes. Look who’s doing this to you. Who fucking owns this pussy? Huh?”

Your eyes snap open and meet his again, his breaths fanning across your face, rapidly becoming less steady. “You.”

“That’s right. You wanna cum, sunshine?” You nod vigorously. He takes your lobe between his teeth and tugs as he stills his hips, keeping himself inside you. “Then beg.”

And, just like the many times before, you do. You do because you don’t actually care about begging. You care about him ruining you. That’s what you want. And you always get what you want. Fuck your dignity.

He starts up slowly again as you plead, stopping a couple more times when you feel yourself getting close. “Mickey! Please, for the love of God!” He’s never edged you this much. Not this intensely. And not in the bathroom at a club. Usually it’s just a quickie before you take him home or vice versa.

But you pissed him off tonight. More so than usual. It was a good night and then you came along. Took his job. Played that dumb song. So he needs to remind you. Put you in your place. “You may be spoiled by everyone else, princess, but I’m the only one who can give you what you really want.”

“God, you’re so annoying.” You grind out through your clenched teeth.

He just smirks. “That wasn’t a denial. Let go, Y/N. Make a mess of my cock. Watch yourself fall apart for me.”

You do as he says, watching your jaw go slack in a silent scream, your body tensing, your legs shaking, as he finally lets you have what you want. Body going slack against the counter, he keeps rutting into you until he groans, a string of profanities leaving his lips as he spills inside you.

The both of you stay there, with him folded on top of you, his forehead resting against the nape of your neck, his grip on your hair loosening.

“That was fun. A little different.” You hum as he gets up. He’s glaring at you as you straighten and fix yourself. “Good orgasm though, so thanks for that. But I gotta get back to work now.”

“You’re such a pain in my ass.” He mutters, tucking himself away and pulling his pants up.

“Kinky. Maybe next time.” You wink at him through the mirror and his jaw ticks. He’s so fucking tired of it. Of you. How you let him have that one bit of control and then your right back to controlling the room once you get what you want. There’s so many nights where he wonders if he should just stop giving it to you. But then he’s inside you and he can’t help himself.

He watches you touch yourself up, although you still look thoroughly fucked, but you don’t seem to mind. This is new. You going back to the gig you stole after sex. He wonders if that was the last time for tonight, or if you’d be leaving together later too.

“I fucking hate you.” He spits out as you open the door, wanting to get the last word in.

You just smirk the same way he did to you earlier. “Yeah…but you love fucking me. Later, Mouse.”

Just like always, you’re the last comment as you walk out nonchalantly, even though he could see the slight wobble in your steps, the door shutting behind you, leaving him alone.

You hate Mickey Henry. You loathe him. You wish you never met him. But you can’t get enough. No matter how many times you convince yourself you have him where you want him, you know you don’t. You’d let him do anything to you. But you can’t stop. Like him and his cigarettes. He’s your flaw. And no matter how bad he is for you, you’re addicted.

Mickey Henry hates you. He loathes you. He wishes he never met you. But he can’t get enough. No matter how many times he convinces himself he’s in control, he knows he’s not. He always gives you what you want at the end of the day. But he can’t stop. Like you and your alcohol. You’re his flaw. And no matter how bad it is for him, he’s addicted.

*****

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@happygoreading @bibliophilewednesday @breadqueen95 @marvelettesassemble @w-wolfhxrd @the-larry-romance @abitofeverythinggg

#mickey henry x reader #mickey henry x reader smut #mickey x reader #monday the movie #monday the movie mickey #honeybunswritingchallenge #cjswriting #💙🇬🇷🥵

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tobesolonely · 4 years ago

Text

it’s not christmas ‘til you come home

a/n: hello!! please enjoy this piece from my dad!harry universe! (u dont have to read any of them for it to make sense, but it would be cool if u did! loosely based on it’s not christmas ‘til you come home by norah jones <3 hope you enjoy! thank u to @harryysstyless for beta reading for me!! happy holidays everyone :)

warnings: SMUT, a bit of angst <3 word count: ~5.1k

my ko-fi! thank you :)

December 23rd, 2:00 PM

For as long as you and Harry have been in a relationship, you’ve never not spent a Christmas together.

Before expanding your family, you and he used to hop from party to party every Christmas Eve. Both of you would be absolutely trashed by the time Harry’s driver would drop you off at his house in the early hours of the morning. You’d sleep in until approximately noon, willing your hangovers to go away before finally making it down the stairs and into the kitchen to prepare two steaming cups of coffee. The two of you would then make your way into the living room and exchange gifts (where Harry always went way over the budget you’d set).

Once you had your first child, Allison, your yearly tradition of party hopping and getting so drunk you could hardly put one foot in front of the other was no more. Instead, you and Harry opted for calm nights in, watching Christmas movies and drinking hot cocoa until she eventually grew tired and got carried up to bed. You would wait an hour or so before springing into action, playing Santa and setting out all of the gifts she asked for and then some. Harry never forgot to take a big bite out of the cookie and carrot left out for Santa and his reindeer.

This tradition stayed the same once your second baby, Oliver, was born. Even though he was too young to know what was going on, Harry was still excited to spoil him rotten this year as it was his first Christmas. However, given the current state of the world, you were afraid Harry would not be here for the first time ever.

“Mumma, when’s daddy coming home?” your six-year-old, Ally, asked for what had to be the seventh time that afternoon. “I made him a drawing for his gift ‘nd I can’t wait for him to see it!”

“Let me see what you drew for Daddy, love bug,” you say cheerily, purposefully glossing over her question. Ally proudly holds her drawing up next to her face. She looks up at you with wide eyes, awaiting a compliment from you.

“That’s gorgeous, bug! Daddy’s gonna love it,” you inform her. “Maybe you can stick a lil’ bow on it and set it under the tree for him, hmm?”

“Good idea, Mumma!” Ally runs to the box where you kept all the supplies for gift wrapping, digging around for a pink bow to stick on the corner of her drawing.

While she’s preoccupied with finding the perfect bow to place on her drawing for Harry, you take a quick glance at your phone. He still hadn’t gotten back to you since last night’s quick conversation when he very briefly mentioned he didn’t know if he’d be able to make it home.

He was filming in Los Angeles. You shared your uncertainties about him going before he departed but in the end, this was an opportunity you didn’t want him to miss out on. You read the Los Angeles Times free articles on your phone daily, keeping track of the state of the pandemic in Southern California. You knew it was much worse there than it was at home in London. You feared what you were afraid of was sadly bound to happen— Harry may get stuck in LA.

You didn’t want to say anything to your curious daughter because communication with him had been so sparse. You didn’t know anything for certain yet. But what were you supposed to think? You knew flying nationally wasn’t a good idea at the moment, never mind internationally.

“Hey bug, d’ya think you can watch your brother for a moment? Mumma’s gotta go make a phone call.”

You hear your daughter let out a slightly irritated sigh. “I suppose I can, Mumma.” Ally responds with a voice laced with exasperation. You chuckle slightly under your breath at your overly dramatic (much like her dad) six-year-old and head into the kitchen, quickly dialing your husband’s familiar number.

“Hello?”

You let out a sigh of relief upon hearing Harry’s low, hoarse voice.

“Hi, honey. Just checkin’ in to see how things are going…” you hear shuffling on his end. “It’s December 23rd, you know.”

“I know, love.”

“Did I wake you?”

“Six in tha’ mornin’ here.”

“I’m sorry, H. S’just Allison keeps on askin’ when you’ll be home and ‘m just so worried you won’t make it home on time and you’ll miss Oliver’s first Christmas—“

“Darling,” Harry interrupts your anxiety-fueled ramble. “‘M gonna make it home. Have I ever not been there when I said I would?”

“No,” you say quietly. “I’m just worried, Harry. I hear traveling is going to get very strict because they’re trying to prevent people from going anywhere for Christmas…”

“Fine, then I’ll get my own plane with jus’ me and a pilot. Wear a mask the entire time and whatnot. Yanno I can make that happen if it’s necessary, pet.”

Harry’s calm demeanor about the whole situation brings you a bit of peace. Perhaps you were catastrophizing something that wasn’t as big of a deal as you thought it was a mere two minutes ago. If he wasn’t worried about not making it home, you didn’t see any reason to stress about it— not for one second longer.

“Okay then,” you reply, still a bit wary of his travel plans. “What shall I tell your daughter? She’s drivin’ me up the walls asking where you are every twenty minutes.”

Your husband lets out a breathy laugh, causing you to giggle along with him. “Tell her not to eat up all the Christmas cookies before I get a taste of one.”

December 24th, 8:45 AM

Part of you was hoping you’d wake up on Christmas Eve and Harry would be tucked into bed next to you, plump lips parted, the sound of his snores the only noise in the room. However, you were a rational woman, if nothing else. You knew he wouldn’t be by your side when you woke up.

You make your way down the hall and peek inside your son’s room. He was fast asleep, plump thumb in his mouth. You smile at your sleeping baby and gently close the door behind you, deciding to let him sleep in a bit longer before waking him up to feed him.

Next, you walk to your daughter's room, gently pushing open the door in case she was still sleeping. Instead, you find her sat at her desk, deeply focused on what appeared to be another drawing.

“Good morning, lovebug,” you greet your daughter in a sing-songy voice. “You’re up early. What are you working on?”

“Makin’ a letter for Santa,” she replies, not bothering to look up from what she was doing.

“A letter for Santa?” You start racking your brain for anything you and Harry could’ve possibly forgotten to get for Ally, but you finished your Christmas shopping for your children way back in November.

“Yes,” she answers matter-of-factly. “‘M askin’ him to make sure my Daddy is home by tonight so we can eat cookies together and watch Toy Story, Mumma.”

“I’m sure Santa will make that happen for you,” you reassure her. “You’ve been a very good girl this year, been so helpful with Olly and doin’ so well in school. The least Santa can do is get you whatever you want.” You see her smile as she digs around in her crayon box.

“Can we wait ‘til Daddy gets home to make Santa’s cookies, Mumma?”

“Sure we can, bug,” Ally claps her hands together excitedly, bouncing around in her tiny chair. “Gonna go make some pancakes, does that sound yummy?”

“Can we have chocolate chip pancakes please?”

“Are you askin’ me that because your dad isn’t here to throw a fit about it?” You give her a knowing smile, causing her to giggle.

“Maaaaybe…” Your daughter turns to face you, swinging her legs back and forth.

“If I make your chocolate chip pancakes, you can’t tell your dad. Deal?” You hold up your pinky. Ally gets up and runs to you and you bend down slightly so she can link her finger with yours.

“I pinky promise, Mumma!”

“Our little secret, yeah?” she nods. “Keep an ear out for your brother for me, bug. I’ll be downstairs.”

December 24th, 3:00 PM

“Love? ‘M afraid I got some bad news...”

As soon as Harry’s voice comes through on the other line, you can tell whatever news he’s about to share with you won’t be what you’re wanting to hear.

“What is it?”

It’s silent for what feels like entirely too long. You get up from your position on the couch next to Ally, telling her you’ll be right back. After breakfast, she convinced you to watch Toy Story with her, which quickly turned into a whole Disney movie marathon.

“Not so sure I’ll be able to make it home.”

You’re not sure if it’s his calm tone that bothers you, the fact that you didn’t want him to go to Los Angeles in the first place, or simply the fact that you and your children missed him terribly and haven’t seen him in nearly a month–– but your mood changes from relaxed to undeniably outraged in three seconds flat.

“You’re kidding.” Your tone is sharp, venomous. Harry once again takes a moment before responding, knowing that the current tone of your voice means he’d best proceed with caution.

“‘M not, love. I woke up early and everything to try and get this sorted out, it’s 7 AM so I was gonna try and catch an early flight––”

“I told you I didn’t want you going to LA,” you cut him off, voice rising slightly. “You knew how bad the pandemic was getting there. I told you this would happen.”

“What do you suppose I do then, Y/N?” His tone is becoming equally as sharp. “Y’want me to tell ‘em, “Sorry, I don’t give a fuck about the travel restrictions. My wife wants me home so let's make it happen!” ‘S that what you want me to do?”

“Don’t be a smartass, Harry,” you spit. “I’ll give the phone to your daughter and you can tell her you won’t be home in time for Christmas, then.”

“Y/N…” his tone is calm again. Fearful. “Don’t make me do that.”

“She woke up early to write a letter to Santa to tell him she wants you home by tonight, Harry,” your tone softens as well. “Even Olly has been asking for you. Swear his new favorite word is ‘dada’.” He laughs at this as do you, and the shared tension that was present just minutes ago dissipates.

“Just… lemme try a few more things before I tell her, yeah?”

“Harry, it’s already three here,” you gently remind him. “Even if you do make it home today, she’ll be asleep by the time you’re home. I think you just need to tell her.”

Your husband sighs, knowing you were undeniably correct. “Alright. Give Allison the phone, please.”

December 24th, 8 PM

“Almost time for you to head to bed soon, yeah Allybug?” Your daughter lets out a loud sigh in response, not shifting her gaze from the television to you. Ever since Harry told her he wouldn’t be home in time to eat cookies with her, she’s hardly said a word. She’s never experienced a Christmas Eve without her father so understandably, she was missing him tonight.

You shift Olly, who was falling asleep nursing on your lap, into a different position so you could face your daughter directly. From your new position, you can see just how tired she looks.

“‘M not sleepy, Mumma. Gonna stay up and wait for Daddy,” she informs you of her new plans. “When Daddy is home that’s when it’s time for bed.”

“Ally, remember what Daddy told you on the phone earlier? Santa won’t come unless you go to sleep.”

“I don’t wanna sleep,” she’s quickly starting to grow upset. “Not until Daddy tucks me in!”

You purse your lips, not wanting to argue with your headstrong daughter when your son was so close to drifting off into his nightly milk coma. Turning your attention back to the movie that was quietly playing on the television, you decide to drop it for now and try again later.

December 24th, 9:05 PM

Not more than an hour later, Olly is upstairs in his crib fast asleep whilst Ally is still laying on the floor in front of the Christmas tree, fighting sleep. She was determined to stay up until her father walked through the front door, and you knew getting her to agree to go to bed was going to be a battle and a half.

“You’re not ready to go to bed yet, Ally?” Her eyes fly open once she hears you addressing her.

“Not yet, Mumma. ‘M not sleepy yet.” Her words are a little slurred due to the exhausted state she was in. You hum in response.

“Could’ve sworn your eyes just shut for a minute there,” you pause for a second to see if she’ll look your way. “Must’ve just been my old lady eyes playin’ tricks on me, y’think?”

“I wasn’t sleeping!” She immediately defends herself, frown lines indenting her forehead. “Can we drink more hot chocolate?”

You knew if you wanted your daughter to fall asleep within the hour, another sugar rush wasn’t the best idea. You instead offer her a hot cup of sleepytime tea and she excitedly agrees once you tell her it’s her father’s favorite type of tea to drink at bedtime. You place her down on the kitchen counter while you fill the kettle and wait for it to whistle.

“What are you looking forward to the most from Santa, bug?”

Her eyes light up at your question. “Well, I really want a new bike! ‘Member Mumma? How I asked him for a pink bike? And I also want a cool swing set! Since we haven’t been able to go to the park in so long,” her smile falters and she looks down at her dangling feet. “I want Daddy to come home the mostest, though.”

Your heart feels like it’s going to break in two upon hearing your daughter admit that Harry being home would be the greatest gift of all. “So do I, lovebug. He’ll be here in the mornin’ to watch you and your brother open all the gifts Santa got you though, don’t you worry.”

For everyone’s sake, you hoped that was true.

December 24th, 11:50 PM

Sleep wasn’t coming easy.

You finally got your daughter to bed at around ten o’clock and waited thirty minutes before laying out your children’s gifts. It took much longer than it usually did considering you had to do it all on your own. Harry was usually the one to quickly assemble the larger toys while you laid everything out around the living room.

Despite it taking longer than desired, you were proud that you got it all done without waking your children up. Consequently, that meant you were now left all alone with your thoughts considering you had no more tasks to occupy yourself with.

You kept contemplating calling Harry, but you weren’t sure if he was busy on set or not. Surely he was immersing himself in work to distract himself from the fact he would not be spending Christmas with his family.

Deciding you may need a cup of the sleepytime tea you offered Allison earlier, you quietly get out of bed and open your door, sock-clad feet padding softly against the wooden floors. It’s unnervingly silent in your home–– the tea kettle coming to a boil being the only source of noise. You keep unlocking and re-locking your phone, finally deciding to call your husband to see how he’s spending his day. It goes to automatic voicemail.

You assume the reason for this must be that he’s busy filming on set and set your phone down with a sigh, standing on your tiptoes to retrieve a mug from the cabinet. You mutter a slew of curse words under your breath intended for Harry who always puts the mugs up far too high even though you tell him not to.

Right as you begin pouring the now boiling water into your teacup, the faint jingling of your front door causes you to startle so badly that you nearly drop the kettle on the ground. You try to think back to everything Harry ever told you to do in the event of an intruder but your mind goes blank from fright. Deciding to use the scalding water as your weapon, you slowly creep towards the door, your only plan being to fling the water on whoever it was as soon as they got the door open. As soon as you hear the lock click, you flick the lid open that covers the spout and draw your arm back.

“Shit––”

“Harry?”

Your husband jumps slightly, his eyes blinking rapidly in an effort to adjust to the dark living room. You reach beside him and quickly turn on the light, shakily letting out a breath you didn’t realize you were holding. He looks exhausted, his hair is an absolute mess, and his eyes are red from sleep deprivation–– but he’s home. You set the tea kettle down on the coffee table and fling yourself into his arms, breathing in the scent of the man you haven’t seen in a month. He drops his bags at his feet so he can properly embrace you, pulling you into him.

“Merry Christmas, darling,” he presses a kiss to the top of your head and stays like that for a moment saying nothing, just breathing you in. “Missed ya so fuckin’ much.

“How? I thought…” you trail off. “You said that they said…”

Harry laughs quietly. “Remember what I told ya? I said to ‘em, ‘Don’t give a fuck about your travel restrictions! M’wife wants me home.’” You laugh at him, knowing he was far too kind to talk to anyone that way.

“Yeah, okay,” you reply sarcastically. You pull him in for another hug, placing wet kisses along his jawline. “I’m so happy you’re home. The kids are gonna be over the moon, especially Allison.” Harry hums, surveying the room.

“Looks like you did a good job in here, Mrs. Claus. See ya even assembled some toys all by yourself,” he quirks an eyebrow. “Were you jus’ pretendin’ not to know how to do it all these years so I’d be stuck with all the hard labor?”

“Maybe.”

He pulls you back into him, tickling your sides. “My sneaky girl,” he bends down so his lips are level with your neck and sucks gently, causing you to let out a quiet moan. You see his eyes land on the tea kettle that was sitting forgotten on the coffee table. “Making a cuppa? Can I have one? ‘M freezin’.”

“I can think of something else we can do to get you warmed up,” you reach for his hands, interlocking his fingers with yours. “If you know what I’m gettin’ at.”

“Hmm…” Harry releases one of his hands from your grip and taps at his chin, pretending to be deep in thought. “Not too sure I can say I know what you’re sayin’. Maybe you should just tell me?”

You frown. “You’re really gonna make me say it, huh?”

“Y’know I’d give you the entire world if you asked me for it. All you gotta do is tell me what you want from me and it’s yours–– ‘m sure you’ve known that since the first day we met, though.” Harry takes a step back, crossing his arms across his chest. Even in his thick winter coat, you can see the way his biceps flex, and it makes you even more feral for him.

“Fine,” you say quietly, feeling yourself start to grow shy under his intense gaze. “I’m kinda... in the mood.” You say it so softly that it would most likely be inaudible to Harry if he wasn’t standing mere inches away from you. Harry throws his head back in laughter and you quickly shush him, not wanting any of your children to wake up.

“In the mood? C’mon, pet,” he uncrosses his arms and reaches for one of your hands. “Tha’s not tellin’ me what you want from me. Tell me exactly what you want, lovie.”

“You know what I want, H,” you tell him with a hint of annoyance in your voice. “It’s been a month. Yanno I want you to fuck me, why are you makin’ me say it?”

Harry gives you a shit-eating grin. “You jus’ said it. I didn’t make you say anything.”

You roll your eyes at his immaturity, already in the process of lifting your nightshirt (one of his old t-shirts that’s become just a little too tight on him) over your head. “Are we gonna get to it or not? Because if not, I’ll just go back to makin’ myself some tea and call it a night––”

Harry takes half a step towards you and reaches up to cup your face, colliding his lips with yours. His lips are a little chapped and taste of his favorite rose lip balm. You feel your body relaxing into the kiss, knees going weak as he walks you back onto the couch.

“You’ve been eatin’ up all the sugar cookies, haven’t you? Can taste it on ya. Thought those were for Santa,” he’s pulled away from you to examine your face. “A bit naughty of you, wouldn’t ya say?”

“Please stop referring to yourself as Santa when we’re about to have sex, Harry.”

“You’re not bein’ very kind to the person that’s about to go down on you, are you?” He sucks harshly on the valley between your breasts, wanting to be sure a deep-colored bruise will appear on your skin later. “That’s okay. It is Christmas, after all. ‘M in a giving mood.”

“Stop talking and get to it then.”

Harry slides off the couch and onto his knees in between your legs, gently kissing your thighs. “Cute pair of undies–– s’like you knew I was comin’ home tonight.” Before you can respond Harry’s fingers are tugging at the waistband of your underwear, eager to get them off of you. He presses light kisses to your core, mumbling about how much he missed the smell of you and how sweet you tasted.

One hand is resting across your stomach while the other one is in between your folds, spreading you open. You try squeezing your thighs around his head, overwhelmed by the feeling of your husband’s lips around your clit after being away from him for so long, but he removes his hand from your stomach and pushes your thighs back apart.

“Feels so good,” you’re breathless, tangling your fingers in Harry’s hair as his hollowed cheeks begin to suck more roughly on your clit. “Missed you so much. Missed this–– us.”

Harry pauses momentarily to look up at you. “I know, angel. God, do I know.” He attaches his lips back on you, swirling his tongue around your clit as you choke back your moans. The hand that is holding you open moves down to toy at your slit as he wordlessly checks to see if you’re okay with his fingers being in you.

“Please,” you say softly, encouraging his next move. He spits on his index and pointer finger before slowly sliding both of them in you, immediately curling them up. “Oh, Harry. Fuckin’ love when you do tha’...”

“Know you do,” His response is curt, simple. He’s focused on the task at hand–– getting you off. He uses the hand that’s lying across your stomach to rub tight circles on your clit, sensing you’re nearing your orgasm from the way you’re starting to clench around him. “Such a good girl fo’ me, darlin’. Gonna make a mess on my fingers in a second, aren’t you?”

You nod as you try to control your breathing and the loudness of your moans. The last thing you wanted was for your daughter to come down to inspect the source of the noise. “Fuck, Harry.”

“Come on, darlin’,” he gently pinches your clit, causing your body to jolt at the sensation. “Gimme a good one. A lil’ welcome back gift for me, hmm?”

Your hips are bucking up to the rhythm of his fingers slipping in and out of you as your orgasm quickly approaches. “Har, I’m close…” it comes out sounding more like a warning than a statement. He moves the two fingers he has inside of you in a back and forth motion, coaxing your first orgasm out of you.

“Tha’s my girl,” he whispers, not stopping his movements even as your back arches as your first orgasm rolls over you like a giant wave. “Givin’ me a good one jus’ like I knew you would. Jus’ like you always do. M’ sweet girl.” As you’re starting to still, Harry pulls his fingers out of you and holds them up to your mouth, instructing you to suck them clean.

You prop yourself up on your elbows so you can properly lean in to steal a kiss from him and notice a rather sizable tent has formed in his pants. Harry gives you a sheepish grin as he palms himself, hissing from the feel of his palm against his cock.

“Want me to do somethin’ about that?” You scoot over on the couch and pat the spot next to you, signaling for your husband to sit beside you. He lifts himself from his seated position, stretching his legs out a bit before plopping down beside you.

“Are you offerin’ me a blowie?”

“I mean, yeah?”

“Can we skip that an’ you can jus’ ride me instead? Think I’d quite like that.”

“Oh you would, would ya?”

Harry nods and unzips his pants, taking himself out. He licks his hand and gives himself a few pumps. “Still on birth control, I’m assuming?”

You roll your eyes as you move to straddle him. “Only been gone for a month, Harry. Of course ‘m still on it, you goof.”

“Can never be too careful. I don’t think now’s a good time for another lil’ one, do you? Think we should at least celebrate Oliver’s first birthday before we try for another one.” His hands are on his hips as he lines you up over his cock, helping you slowly sink down. You missed the burn of him which was even more intense than it usually was considering it’s been a while since he’s taken you.

“I think you’re right,” you reply. You rest your head on his shoulder while you adjust to the size of him, needing to take a moment to yourself before attempting to move. After a short adjustment period you begin rolling your hips, grinding against him in a way that was also bringing pleasure to your clit, still swollen and sensitive from your last orgasm.

Harry’s eyes are fixated on the way your breasts bounce in front of him, the way your stomach slightly jiggles each time you crash back down onto him. His lips are caught in between his teeth; you’re hoping he doesn’t break any skin so you don’t have to hear him whine about how badly the bruise hurts him later.

“Ridin’ me like your life depends on it,” Harry mutters. “Fuckin’ love takin’ you like this, angel. So fuckin’ deep.”

You simply hum in agreement, brain far too foggy to form a coherent sentence. Harry notices your movements starting to become smaller, lazier, so he puts his hands on your hips and decides to take over. He’s thrusting up into you like you’ll up and run away from him if he doesn’t give it his all. He cups your face with one hand and gently guides you towards him, pressing open-mouthed kisses against your lips.

“Fuck, H,” your eyes are squeezed shut and your wrap your arms around his neck, feeling your second orgasm quickly approaching. “Rub my clit please, almost there.”

Harry’s fingers immediately come down to rub at your slick nub, not faltering his relentless pace in the slightest. “Clench around me again, lovie,” his voice is higher than usual, whiny, and you know your husband is just as close as you are. “Love when you do tha’, jus’ need you to do it one more time.”

You do as he wishes once more, knowing once he cums you’ll be directly behind him. Harry lets out a string of expletives as he releases inside of you, pulling you tightly against his chest as he rides out his orgasm. You continue riding him, not slowly down as you chase your own release next.

“Harry,” you’re in a trance-like state, chanting his name over and over as you bring yourself over the edge. “Harry, fuck!”

“That’s my good girl,” he says quietly, rubbing your back as you rest your head on his shoulder while you catch your breath. You feel him beginning to soften inside of you so you lift yourself off and lay back on the couch, legs still shaking. It’s quiet for a couple of minutes as the two of you reveal in the afterglow of your orgasms, Harry gently running his fingers along your leg.

“Round two in the shower?”

December 25th, 6:42 AM

“Mumma! Santa came and he left lots of toys–– Daddy?”

Harry lets out a dramatic “oof!” as Ally jumps onto him, pulling the covers back. Her eyes are wide and she giggles are Harry pulls her into one of his infamous bear hugs, placing kisses all over his face.

“Mornin’, love bug! What’re you doin’ up so early?”

“It’s Christmas, Daddy! Santa came!” she sits back on her feet, a confused look on her face. “Did Santa bring you on his sleigh last night after me ‘n Olly went to bed?”

“Y’know what? He told me to keep it a secret, but he did,” Allison gasps in response to his news as she processes it, placing a little hand over her mouth. Harry sits up and gets out of bed, scooping her up in the process. “How ‘bout we go make Mum a cuppa before we see what Santa got for you and Olly? Tha’ sound good? Let’s let them sleep for a while longer, hmm?”

As you hear them exit the room you take a second to reflect on how lucky you are to spend another Christmas with you beautiful family before drifting back off into a deep, albeit short, sleep.

#harry styles smut #harry styles fluff #harry styles #harry styles x reader #harry styles x y/n #harry styles imagine #harry styles one shot #harry styles blurb #harry styles fanfiction #its not christmas til you come home #thanks for reading!

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wannabe-fic-writer · 3 years ago

Text

Moment In Time

Pairing: Natasha Romanoff x Reader

Summary: Just when you've gotten out, you’re given a reason to come back.

Warnings: Mild Language

Chapter 8

* * * * * * *

There’s a small, skin toned bump under her eye. Another small, almost unnoticeable mark just above her lip.

Her eyes crinkle in the corners when she laughs and her cheeks pull up into perfect plum shapes.

Though the skin on her hands is soft and smooth, her palms are calloused a little. It leaves you wondering if it’s from all the times she’s held the cold metal of a gun in her hand, or wielded a knife that’s handle was too rough against her skin.

Still you notice, despite the initial roughness you pick up on when you see the scars on her skin or feel the callouses on her hands, that she’s utterly breathtaking.

Your favorite sight of her being when she smiles.

“Are you even paying attention to me?”

Refocusing on the words she’s saying instead of her looks, you raise your eyebrows.“ I’m sorry, I just-” you shake your head, glancing down at your cup of tea.“ I can’t get over how gorgeous you are.” You look back up, raising the cup to your lips and sipping.

Her mouth opens, ready for a reply, but closes immediately as she realizes she doesn’t have one. Unusually, she isn’t sure what to say.

Unlike every other person who’d complimented her, yours was truly genuine. You meant it when you said it and expected nothing from her in return.

She reaches across the table and takes your hand, squeezing it gently as a blush rises on here cheeks.“ Thank you.”

You smile sweetly at her, then lean forward a little, elbows and forearms pressing against the table.“ Okay I’m listening again, what’s up?”

“I don’t want the team to know.” She quickly says, eyes dropping from yours, a worried look on her face.“ About, whatever we are. I’m not embarrassed or-”

The way her smile drops instantly makes you frown. She rambles on and on, trying to explain her words to you.

Shaking your head, you reach forward and lift her head to meet her eyes.“ Nat, I appreciate it but I don’t need an explanation. Really, I want you to be completely comfortable with whatever this is.” She smiles at your words, her shoulders visibly sagging afterwards. Only for her body to tense as you utter a low ‘but’.

Brows furrowing, the redhead leans forward, her hand gripping yours.“ But what?”

“Does keeping things under wraps mean I can’t take you out on a date?” This time you smile brightly at her.

Natasha rolls her eyes, shoulders once again dropping as the corner of her lips tug up. Slowly, those green eyes look up into yours, a growingly familiar look in her eyes.“ That has nothing to do with keeping things secret and everything to do with where and when.”

Chuckling softly, you run your thumb along the back of her hand, keeping your gaze on her eyes.“ I’d like to take you to dinner Romanoff. It’s nothing fancy but retired SHIELD agents don’t get paid all that well.”

“Dinner sounds lovely.” She says, her smile maintained. Her lips part as she goes to say something else but her phone cuts her off. Glancing down at it for a moment then back up at you.“ A lot lovelier than training Pietro with Sam and Steve.”

“Oh Bird Boy got promoted to training people huh?” You joke, eliciting a laugh from her like you hoped it would.“ Well, I want to check in with Wanda anyway so I can take you to the compound.”

She playfully smirks, standing up as you do,“ got a sweet ride you’re gonna let me in?”

Rolling your eyes, you drop the money for your drinks and muffins on the table along with a tip. You then walk with her out of the cafe.

The two of you walk over to your car and you open the door for Natasha. She lowers herself into the passenger seat of the classic mustang you’d come here in, and you shut the door after her. Going around, you get into the driver's seat after the cars pass.

You can’t help but find it adorable how Natasha waits for you to put your seatbelt on and pull off before she reaches across the console to grab your hand.

She raises your hand and presses a soft kiss on the back of it, squeezing gently as she relaxes in her seat and looks out the window. A look of contentment washes over her face and you can’t help but be a little proud that you seem to be the cause of it, or have been for the last few days.

Your first kiss had taken place around a week or two ago. Over that course of time you’d shared more kisses than you were able to keep track of.

It seems as though that moment opened the floodgates to all the physical touch you and Natasha had been starving for. Along with every kiss came a number of touches. Nothing had gone beyond PG-13 and you were more than okay with that.

You were completely happy with the way Natasha would drape herself over your lap like it was nothing in the comfort of your apartment. The light ghosting of her fingers against your neck before they curl into the hairs at your nape. Or the shiver that runs down your body when her fingers brush across your leg. And of course, how her fingers would lace with yours when she nonchalantly grabs your hand.

Her affection warms your heart in the purest and most perfect way possible. Especially having known how she felt, and partly still feels, about that.

While she hadn’t gone into great detail about her past she told you enough plus what you already knew about the Black Widow and Red Room organization. You knew of the horrible things that happened to the young girls in the Red Room and had had more than one encounter with the women who trained there.

Knowing that and what she told you, shined an even brighter light on Natasha in your eyes. She’s strong, there’s no way you could ever say otherwise, but you severely underestimated how strong. Everything she’s been through that you’re aware of required the utmost of endurance and strength.

“Stop looking at me like that Y/ln. Your eyes need to stay on the road.” She says, voice slightly teasing.

Yeah, you’d subconsciously been looking over at the woman but you can’t really blame yourself. She’s beautiful in every conceivable way.

“Oh forgive me. My eyes are just attracted to a particularly beautiful redhead.” You say, a small smile thrown her way afterwards.

Her eyes roll, an action you notice she does a lot when receiving genuine compliments, and a snort falls from her lips as she chuckles. You aren’t sure how others would react to that but you kind of love it. Especially since it’s always followed by a blush.

The drive upstate continues with you being slightly less distracted by Natasha and her clicking through the radio stations. Which you find amusing since her musical tastes vary greatly.

Funnily enough, she can’t seem to find a station before you get to the compound. Right when she does though, you’re pulling up to the door.

An adorable pout forms on her face and her sad eyes look from the compound, to the radio, then to you. The radio host gets quieter and the song gets louder, the intro playing through. You know what she wants.

Sighing softly, you shake your head and shift gears. A look over at Natasha reveals her pleased face, as well as the image of Steve at the compound windows. His brows furrow as you pull off.

Quickly looking away from him, your eyes focus on the road. You don’t stay gone long, the song only lasts four minutes, enough time for you to head a little ways down the road from the compound security gate before it goes off.

The next song that plays isn’t Nat’s cup of tea so you turn around and head back. The agent at the gate gives you a slightly annoyed and curious look when you come back for the second time but you can’t say you care, not when your little drive put that smile on Nat’s face.

“You two here to stay this time?” Steve asks, arms crossing over his chest as blue eyes shift from you to Natasha.

Locking your doors, you pocket your keys and smile at him.“ Not sure Stevie, might steal her away in the middle of your training session and go for another drive.” You tease, cocking your eyebrow at him.

“Y/ln-” His voice is a warning that makes you want to laugh.

“Can’t say I’d be opposed to that.” Natasha says with a small smile, walking past Steve no doubt in route to one of the training rooms, she glances back at you with a small wink before she disappears around the corner.

It takes a bit of effort to fight a smile, but you manage. Then averting your eyes to Steve’s blue ones.“ Don’t worry, I won’t steal your partner. I hear Speedy is a handful.”

“Thank you.” His shoulders drop as he sighs softly. You can’t stop yourself from laughing at his response.

You both turn to head down the hallway.“ He can’t be that bad.” You say, almost as if challenging his reaction.

Steve gives you a look.“ He’s a good kid but a pain in the ass. And stubborn.” Shaking his head, he looks over again to see Pietro’s blue blur shoot by and disappear through the doors.“ Doesn’t listen for the most part.”

“I believe that.” You have to admit,“ Wanda was pretty stubborn when we started. Still is sometimes.” You shake your head and stop at the end of the hall.“ Her powers are incredible so she doesn’t believe she needs hand to hand combat.”

He nods along, sucking his teeth and sighing.“ They’re kids. We keep teaching them and eventually they’ll get it.”

“Yeah. They’ll get it. Gotta have patience.” With that said, you leave a final pat on Steve’s shoulder before you turn away and go in search of Wanda.

Surprisingly it’s pretty quiet. You assume Tony is out or down in the lab tinkering. With everyone else in the training room, you head to Wanda’s room, knowing it’s likely that’s where she is.

Once you’re there you raise your hand and knock, calling out,“ room service.” When her door swings open, you smile at her, matching the one on her face.“ Good afternoon little witch. How are you?”

“Hi,” she greets back, leaving the door open as she goes to pull a sweater on.“ I’m good, how're you?”

“Just dandy,” she laughs a little and steps out.“ Figured I’d stop by and see how you're settling in. If my guidance is working or if you’re just keeping an old gal like me entertained.”

“Oh please. You act younger than me sometimes.”

Your jaw drops, eyebrows pinching together.“ I do not. I’m a mature adult.”

The two of you make it to the common room, detouring to the kitchen. Wanda quirks an eyebrow at you as you sit at the island, the younger woman moving around to fix a cup of tea.

“Sure you are.” She drags the first word out sarcastically and you roll your eyes.“ You’ve got your childish moments Y/n.”

A disagreement is on the tip of your tongue, until you realize she’s right. Natasha tells you quite often how childish you can be, usually after you’d just thrown a pillow at her or shot the wrapper of a straw at her from across the island.

“Okay I’m a little childish sometimes.” You admit in defeat.

Wanda chuckles and nods.

The two of you chat as she finishes making her tea and once she’s done you move to the common room. Falling onto the couch, you flick through tv stations and continue to talk.

You’re more than happy to hear that she was no longer on the “I hate Tony Stark” train. She admits that there’s still strong dislike, but both she and Pietro had been learning more about Tony, seeing him for the man he truly is and not what the media portray.

With the young woman becoming a closer friend the more time goes on you feel better knowing she doesn’t hate the man who is family to you.

“Ooo I love this show.” She stops her statement to say, stopping on a sitcom about a family.

You quirk a brow,“ Malcolm in the Middle?” You ask and she nods.

That provokes the woman to explain why she loves the show.

Starting off, you listened to every word, adding words of agreement and a show that you’re attentive. Until Natasha comes in.

Attention instantly divided.

Eyes drawn to the way her eyes land on you the second she steps in, then down to the purposeful swish of her hips. She smirks, cocky that she so easily grabbed your attention, then turns into the kitchen with Steve and Sam.

Your heart, that started beating a little faster when she smirked, doesn’t calm down. Even after she’s no longer in sight. Instead it picks up a little more at the thought that pops up in your head, lingering front and center.

“Well if you love her so much you should tell her.”

Eyes wide, your head snaps over to Wanda. She gives you a nonchalant expression in return, only to quickly realize that you didn’t say that out loud.

“Oh. Oh! I’m sorry. I didn’t mean to,” the young woman sits up, eyes suddenly pleading.“ I wasn’t trying to but it was so loud I- I thought you actually said it.”

With a shake of your head, you chuckle. It’s a light, almost unbelieving sound.“ It’s fine Wan. Truly.” You gently pat her knee. A moment of silence passes.“ Was it really that loud?” You ask.

“Very.” Wanda says, laughing a little.“ Did you mean it in the way it sounded?” Her voice holds curiosity, making you look over at her.

“I-” Words cut short by a loud melodic laugh. Your gaze once again finds Natasha as you follow the sound. She leaves the kitchen, smiling at something Sam said.“ Yeah. I meant it. In that way.”

Yes, you love Natasha.

Admitting it makes it feel like it was obvious as hell. Everything you’d been feeling points to it. From the way her smile sent butterflies rumbling in your stomach to the way her touch seemed to light you on fire.

You won’t lie and say you aren’t scared by that. The two of you have just started exploring this aspect of your relationship and you’ve already started falling for her. And you already love her.

The surprise isn’t that you love her, with how strongly you’d felt about her already and the progression of things, you knew you were bound to fall for her. The surprise is that it happened so fast.

Part of you is worried, fearing that this revelation so soon could mess things up for you. However the other part of you, the bigger part, is telling you to just relax. Whatever is supposed to happen will happen. Natasha likes you and that’s more than enough.

* * * * * * *

Taglist: @owloftheshadows @natasha-danvers @blackxwidowsxwife @yumusak-yastik @b-5by5 @fayhar @lostandsearching @iliketozoneout @ecruzsalaz

#natasha romanoff #natasha romanoff x reader #black widow #black widow x reader #marvel #marvel x reader #mcu #mcu x reader #reader insert #moment in time

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cringesideblog · 4 years ago

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here’s my dnf playlist and a complete song by song track-list and why I put them on it.

heatwaves- on here for very obvious reasons. i don’t think I need to explain. but here are some lyrics anyway. “Sometimes all I think about is you, late nights in the middle of June.”

Jenny- again this is kinda obvious. “I wanna ruin our friendship, we should be lovers instead, I don’t know how to say this, cuz you’re really my dearest friend.”

TALK ME DOWN- this one just has the best friends pining for eachother vibe. “I wanna sleep next to you, and that’s all I wanna do right now.”

Dark paradise- kinda has dream smp vibes. but also you could argue heatwaves vibes. “Everytime I close my eyes, it’s like a dark paradise.” “There’s no relief, I see you in my sleep.” “There’s no release, I feel you in my dreams.”

Sweater weather- yeah you know why. you absolutely know why. “All I am is a man, I want the world in my hands. I hate the beach but I stand, in California with my toes in the sand.”

Drop the Guillotine- idk man just vibey. give it a listen you’ll get it. it’ll click. “You sure know how to drop that guillotine on me, though you would never wanna see me bleed.”

Can I call you tonight?- thats on their only for of communication being through the phone huh. (major heatwaves vibe) “powers out and I can’t turn the fan on, so can I call you tonight? trying make up my mind, just how I feel.”-“I hear your voice on the phone, now I’m no longer alone.”

Lemon boy- oh my god this song. geogre do be seeing dream as his lemon boy. “I helped him plant his seeds and we’d mow the lawn in bad weather.”

Yellow- DREAM IS LITERALLY GEORGES YELLOW SHUT UP RIGHT NOW. “Look at the stars, look how they shine for you.” “For you I’d bleed myself dry.”

Like you do- first of all I love this song, second, this has dream being a little too attached vibes. The whole song is just them. “Lost in the blue, they don’t love me like you do, those chills that I knew they were nothing without you, and everyone else they don’t matter now. You’re the one I can’t lose, no one loves me like you do.” “Since I met you, all the gloomy days just seem to shine a little more brightly.”

I saw you in a dream- mega heatwaves vibe. “When I’m awake I can’t switch off,” “I saw you in a dream, you came to me. You were the sweetest apparition, such a pretty vision.”

Maybe you’re the reason- did someone say pining best friend who doesn’t know that they’re in love ? this song. this song right here. “I keep looking for something, even though I know that it’s not there. Maybe you’re the reason. And anytime I try to figure it out, you’re the only thing I can think about.”

The king- DREAM SMP VIBE. “You like me, well obviously, so why you tryna leave when you know that I’m the king?” “Other lovers give you no luck, cuz I’m the only one who’s made you fall in love.” “Playing with your heart cuz you gave me the throne.”

Sweet- an adorable song truly that actually fits them so well. “Watching the, video that you sent me- you know that I’m obsessed with your body, but it’s the way you smile that does it for me.” “It’s so sweet, knowing that you love me.”

Apocalypse- um okay here me out, apocalypse au?? yeah i know it’s cute as shit you’re welcome. “Your lips my lips, apocalypse.” “When you’re all alone, I will reach for you, when you’re feeling low, I will be there too.”

Fear of the Water- don’t come for me this ones kinda sad, beautiful song though. “If this was meant for me why does it hurt so much, and if you’re not made for me why did we fall in love?”

Dreaming of you- two words, heat. waves. but also yeah good song for them in general. “Want you all the time, and now I’m dreaming, dreaming, dreaming, dreaming of you.”

Wires- uhhhhh dream smp vibe, dream villain arc n all . “If he said help me kill the president, id say he needs medicine.” “He said that I should take it in, listen to every word he’s speaking.”

Midnight love- it’s girl in love so, you already know how it issss. “I know I don’t want to, be the one that you run to, when you’ve got nowhere else to go, when you need some love.” “I always give in to give you it all.” “I can’t be your midnight love, when your silver is my gold.”

The beach- SUCH A HEATWAVES SONG JUST LISTEN. “I feel it burning me, I feel it burning you.” “I think I can see the beach, I know what’s underneath. I need you here with me,”

Cherry flavored- the neighborhood just.. they have a dnf vibe. “Cherry flavored conversations with you got me hanging on. Down to earth from all the waiting. Take me somewhere beyond.”

Pretty boy- geogre is a pretty boy. point blank period. “Even if my heart stops beating, you’re the only thing I need with me.” “Pretty boy, you did this with me boy.” “As long as I got you, I’m gonna be alright.”

Bad idea- girl in reddd... but like imagine them casually hooking up and not knowing their in love tho. also I feel like they would definitely think that their relationship is a “bad idea” bc they’re stupid. “It was a bad idea, to think I could stop, was such a bad idea, I can’t get enough.” “Darling your so pretty it hurts.”

Line without a hook- ICONIC!! dream definitely does not think that he deserves george. “You can hold my hand if no ones home.” “All my emotions feel like explosions when you are around” “Oh baby I am a wreck without you.” “She’s a, she’s a lady, and I am just a boy. She’s a, she’s a lady, and I am just a line without a hook.”

Say you hate me- mega dream smp vibes as of recently. with the whole removing geogre as king. “I guess that your friends where right, from the start when they thought that I was a bad guy.” “Can you just say that you hate me? Or that you will never love me?” “Never meant to make you leave, never meant to make you cry.”

Cherry bomb- reminds me of how dream cheated on fundy with geogre. “I’m too close to crushing, and I’m too close for comfort I’m rushing.” “I ask how shes so mellow, she tells me her shades are in yellow.”

This side of paradise- I mean, like, kinda heatwaves vibes, but also just them. “Ask me why my hearts inside my throat. I’ve never been in love I’ve been alone.” “If you’re lonley come be lonley with me.”

Linger- geogre literally has that boy wrapped around his finger and I can’t not see it in this song. But when you look into it HELLA dream smp vibes, lyrics can be switched for either perspective here. “You know I’m such a fool for you, you got me wrapped around your finger.” “I thought the world of you, I thought nothing could go wrong, but I was wrong,”

august- i don’t know what is but this song is for them. it just is. “To live for the hope of it all. Cancel plans just in case you'd call” “So much for summer love, and saying “Us” Cause you weren't mine to lose”

I was an island- i just love the idea of them being hardasses and not thinking they need anyone until the other comes into their life and rocks their world. kinda dream smp vibes “I was a fighter, and I was so brave, but I lowered my sword when you held me and swore you’d stay.” “I was a wolf, dear, apart from the pac But you answered my cries in the dead of the night and told me that you had my back,”

Golden- k this one feeds into the “you’re literally the sun in my sky I’m not worthy” feel “I know you were way too bright for me I'm hopeless, broken” “I know that you're scared Because hearts get broken” “I can feel you take control Of who I am and all I've ever known Loving you's the antidote”

Strong- ummm okay but the “we’re better together” dynamic is them “I’m sorry if I say I need ya, but I don’t care I’m not scared of love.” “when I’m not with you I’m weaker is that so wrong? Is it so wrong, that you make me strong.”

Fly out west- the whole, I need to see you, you’re all I think about, stuff gets me. also heatwaves vibe. “Well tell me do you know? You’re all I dream about. Take it from me I’m too dumb to recognize your doubt.”

Cruel summer- them and summer, you dig? “I don’t wanna keep secrets just to keep you.” “I love you and that the worst thing you ever heard?”

Nothings gonna hurt you baby- I put this one on here because of how protective dream is over geogre “Nothing’s gonna hurt you baby, as long as your with me you’ll be just fine. Nothings gonna hurt you baby, nothings gonna take you from my side.”

Cardigan- young love, the kind of lover that makes you feel like you are the most important thing in the world to them “when you are young they assume you know nothing, but I knew you-“ “and when I felt like I was an old cardigan under someone’s bed, you put me on and said I was your favorite.”

Cry baby- them being in that weird stage where they recognize that it might be more than just senseless flirting and they might have feelings but also being paranoid that they’re the only one with feelings uh- “I can taste it my hearts breaking, please don’t say it. That you know, when you know.” “I know I’ll fall in love with you baby, but that’s not what I wanna do baby.”

Speak now- literally the fundy dream wedding. i rest my case. “I hear the preacher say speak no or forever hold your peace.” “Dont say yes runaway now.”

I love you so- this song is cute on the surface but kinda sad once you look into it. it’s kinda about a codependent love that isn’t going well. “I gotta get away and let you go I gotta get over, but I love you so.” “You were cool and I’m a fool so please let me go.”

In conclusion I’d really appreciate if you could check it out :) <3

#haha playlist go brr #Please I beg of you go send it some love it genuinely think that all the songs fit them so well #also this might get updated as I listen to more music and discover new songs that fit them #but please #pleaseeee #go like it :)#that would be nice of u <333 #dreamnotfound #georgenotfound #dreamwastaken #dnf #Spotify #heatwaves

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thanksjro · 4 years ago

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Bayverse: Treating These Movies with More Dignity than They Deserve or Contain, Because I’m a Goddamned Professional - Part One

TRANSFORMERS (2007) - UNCOMFORTABLE SEXUAL TENSION BETWEEN TEENAGERS THAT I DIDN’T NEED TO SEE

So.

This is a little different than what I usually do.

Clearly.

God, how did we even get here?

Oh, I remember.

The date was September 17th, 2020, and I was in a stream with nine or ten other people watching the first Bayverse Transformers movie. Why we were watching it doesn’t particularly matter- sometimes you just gotta watch garbage so you can refresh your palate for the good stuff, I suppose. Also, a couple of folks wanted to make goo-goo eyes at Blackout’s rotors.

...It’s not my thing, but I’m glad they’ve got something to make the journey worth taking.

I made some sort of comment about only using my brain for this blog’s content, and someone (you know who you are :)) suggested that I take a proper look at the film. Being who I am, I immediately latched onto this idea, despite it being technically outside of what I write about.

And then I quintuple-downed, because winners don’t quit.

Good to know that my BA in Film Production wasn’t a complete waste of time.

Fun fact, I broke my television trying to watch Transformers for this. I think the universe was trying to stop me, by making me perform surgery on electronics, and also aggravating my carpal tunnel.

This movie came out when I was 13, and it was the first Transformers thing I saw after Cybertron. Yes, the anime one. No, not the one that’s objectively terrible.

Anyway.

How did I feel about Transformers when I saw it the first time? Well… it was okay. I liked the robots. I thought Mikaela was pretty, not that I knew what that meant back then. I watched it a few times, if only because my oldest younger brother kept renting it at Blockbuster. It was fun.

Now I’m older, and wiser, and know feminist theory, so my opinion is less “this exists” and more “blind, murderous rage”.

Our film opens up with some claptrap about the Cube™, a MacGuffin of ultimate power that allows the Transformers to create worlds in their image and populate them. Which means this is how they reproduce.

It always comes back to baby-making, doesn’t it?

The narration goes on about how the Cube™ is very powerful, and some folks wanted it for good, and others for evil. The criteria for being “good” and “evil” isn’t established, and I’m not exactly sure how one would define such a thing, when all the Cube™ does is create life, but, well, we’ve only just begun. Maybe we’ll get some answers later on.

Haha, I doubt it.

So, the Cube™ is the catalyst for our 4 million year war this continuity, and that sucker was lost in the shuffle a while back. This is a problem, because, again, the Cube™ is how the Transformers reproduce. Now everyone’s in a mad scramble to find the thing so their species doesn’t die out.

Three guesses as to where it ended up, and the first two don’t count.

Smashcut to the shit nobody cares about- the humans. We see an Osprey fly over the Qatar desert, carrying a buttload of American soldiers. We get a taste of some good old-fashioned xenophobia, as several soldiers mock a guy for not speaking English and loving his mother’s cooking, going full “funny haha gibberish language” on him. We’re two and a half minutes into the film, and I already want to stab something.

Ed Sheeran breaks into the conversation, I guess because he was feeling left out, revealing that he is the New Yorker stereotype of the film, for some reason. The fellas ask their captain, Lennox, what he’s looking forward to most about getting home from their tour, and he reveals himself to be a family man. While he’s been away, his wife had a baby, who he hasn’t so much as held yet. His men respond by mocking him.

For loving his child.

We’re three minutes into the film, and the toxic masculinity might actually make me have an aneurysm.

The Ospreys land, the lads disembark, and we get a snapshot of what downtime during deployment looks like to Bay. There are a lot of kiddie swimming pools involved. Two men play basketball. We watch multiple men take outdoor showers. A young Qatari boy brings Lennox a camelback water pack with a smile on his face. This lets me know that he’s a prop and not a character in this film. I can’t wait to see how many horrors he’ll be put through to simulate pathos.

We get a shot of a helicopter flying over the desert, one that the US military doesn’t recognize as their own. They send a couple of planes to check it out, and said planes get their shop wrecked. The helicopter is revealed to be the same ‘copter that was shot down several months prior. That’s… not good. Ghost helicopter?

No. Not at all, actually.

Lennox gets on a video chat with his wife and daughter, who is wearing one of the most ridiculous baby outfits I’ve seen in a hot minute. And I used to work in childcare, so I’ve seen a good amount of those. The writing implies that normal bodily functions are unladylike and therefore undesirable… in an infant… and that’s when all hell breaks loose, thankfully saving me from more of Bay trying to make me give a shit about these characters.

The helicopter lands, we get a shot of the mustachioed pilot, who glitches (gasp), and the line “have your crew step out or we will kill you” is uttered. Not even trying to hide the nationalism, are you?

This film hit theaters in 2007, when the xenophobia from 9/11 was still heavy in the air of the general populace, so things like this were more tolerated, and in fact approved of. Of course, it’s not like America has really improved on that subject, or ever really had a point where we weren’t terrible about it, since we live in a world where the military-entertainment complex exists.

See, the Department of Defense and a good chunk of American entertainment industries have a little deal going, and have for the last few decades, and it goes like this: The DoD will allow the use of their vehicles, personnel, and bases, or the likenesses of such, for free, in exchange for their operations being shown in a positive/morally justified light. This is why you never see the armed forces portrayed in a way that makes them out as anything less than heroes- nobody would be able to afford the sets/likenesses without the DoD’s aid. This is also why you see straight-up advertisements for the military branches on televison, in cinemas, and online, and why both the Army and Navy have flirted with having Twitch channels.

It’s all a ploy to get you to join the military, kids. It’s propaganda.

But enough about that, it’s time for our first transformation sequence!

We get a lot of moving parts with this, since it’s realistic CGI in a live-action movie, and it still holds up. It’s hard to tell what’s actually happening, but it, if nothing else, feels alien, surreal, and horrific to behold. They even included the original sound effect in the cacophony, which is nice.

Our ghost helicopter reveals itself to be a Transformer, not that we get that terminology at any point in this film. This specifically is Blackout, a Decepticon. The soldiers start firing on him the moment he starts transforming, then are surprised when the thing they started shooting with several guns retaliates. This is the point where everything ever in this military base explodes, brilliantly and repeatedly, because it wouldn’t be a Bay film without it. There’s a lot of shouting and bright lights, and I’m positively certain that a great deal of people died during this fight.

It’s just a shame that I don’t care.

Blackout rips the top off of a building like it’s a tin of anchovies, and then snags all the hard drives he can, downloading everything. This is a problem, but it seems like nobody was prepared for a giant alien robot hack-attack, because in order to shut down the power to the servers, you need to be able to unlock the breaker box, and no one seems to have the key. They solve the problem with a fire ax.

Lennox is leading the Qatari boy through the base towards safety. I should mention that it’s night now, and several hours seem to have passed since the Ospreys landed, so I don’t know why this kid is still here. He’s got, like, a house and family to go home to.

We get some more tank-throwing action, Sergeant Epps almost gets flattened under Blackout’s foot, then the movie decides it’s going to try to make things more interesting by having each shot cut flash, for whatever reason.

Someone shoots Blackout with a rocket launcher, I think, and this is the point where he throws his tiny little man off his back to go do his job. Yes, Blackout’s got a baby, and that baby is Scorponok, his symbiotic pal who likes to dig into the ground and be a sneaky little bastard.

Blackout blows up a ton more military equipment and personnel, and then it’s time for another smashcut.

Now we’re in high school, just like all those dreams I’ve had where I’ve forgotten my homework. This is where we meet Sam Witwicky, our main character, and also the stand-in for our target demographic. He’s insufferable, and I don’t like him. Mikaela Banes, our love interest, is also present in this scene, but we don’t get to know about her character for, like, another 20 minutes, because who gives a shit about women, right? They’re just props, right?

Right???

RIGHT??????????

RIGH-

Sam is presenting on his great-great-grandfather, Archibald Witwicky, for his family genealogy report, in front of a class containing maybe three actors who are age appropriate.

I know child labor laws are a good thing, and that hiring adults to play teenagers is just the lay of the land, but I swear some of these students look like they’re old enough to be on their second mortgage and third kid.

Anyway.

Archibald Witwicky was an explorer, one of the first to traverse the Arctic circle, and apparently his crew was made up of folks from 2007, because I swear the clothing for a few of these dudes isn’t period-appropriate. We get a seamen joke, because of course we do, and a sextant joke, because of course we do. Sam is also hawking all this crap he’s brought in for the presentation, because he is a little bastard who has no idea what his peers would want to buy, or really how to relate to them at all. He’s selling these “priceless” artifacts so he can get a car. Mikaela finds this charming, for some fucking reason. Also, her boyfriend is weirdly stroking her shoulder blade with his knuckles the whole time this is happening, and I hate it.

Archibald Witwicky went mad after his expedition, talking about an “ice man” so often that his family ended up locking him in a mental asylum, likely to be forgotten about. Which is sad. But we won’t be getting into the medical mistreatment of the mentally ill in Bayverse, now will we? That’s just Too Deep™.

Sam’s teacher didn’t very much appreciate having his class be turned into an episode of Antiques Roadshow, but still gives Sam an “A” on the project, despite it being a very poor report that lasted all of two minutes. I suspect the teacher has tenure, and therefore no longer gives a shit about academic integrity. This “A” means that Sam’s father will buy him a car.

Which is nice, I suppose, if I gave a damn.

Sam’s father, Ron, picks up his son in a car he probably bought at the crux of his midlife crisis, in a green that reminds me of a school gymnasium floor, then plays a prank on his child by pretending to pull into the Porsche dealership. Sam isn’t getting a Porsche, which is good, because he doesn’t deserve one. As Sam gripes to his father, a yellow Camaro drives by oh so conspicuously. Wonder what’s up with that.

Instead of the Porshe dealership, they head over to the used car lot, which is being run by Bobby Bolivia, who spends his time yelling at his employees and wanting to murder his mother. Sam is incredibly ungrateful about the fact that his dad is helping him get a car, even though it’s his FIRST car, and nobody gets a nice one the first go around. Or, at least, they shouldn’t, given the statistics about accidents with young drivers.

“No sacrifice, no victory” is uttered by Ron, which is the family motto, or so he claims. Archibald Witwicky said the same thing when he had multiple people dying trying to get to the Arctic Circle, so there’s precedence for the phrase, but we’ll see how it holds up throughout the film.

Bobby Bolivia shows Sam and Ron the cars he has for sale, and Sam is immediately drawn to the yellow Camaro in the lot, though there’s a small problem- it’s too expensive for what he and his father agreed to. Also, nobody knows where the hell it came from, so paperwork might be an issue. When Bobby tries to show Sam the yellow Beetle they have right down the line, everything explodes, because this is a Bay film, and fuck the original material this movie was based on. Bobby lets them have the Camaro for a lower price, suddenly fearful of whatever strange powers have just visited his place of business. “The car picks the driver” is suddenly more than a bullshit line to spout off in order to sell cars, and I’m certain that’s shaken the poor man.

Over in Washington, D.C., the Secretary of Defense prepares to address just what the hell happened in Qatar, lamenting on how young the audience he’s going to be speaking to is. In particular, he’s referring to the two dweebs and the hot chick sitting in one of the rows. All the women in this movie who aren’t someone’s mom are made up to be very pretty. And not even in a realistic way. But we’ll get to that in a bit.

So, the military network was hacked. That’s bad. Nobody knows who did it. That’s also bad. The only lead the US has is a soundbite, which is the signal that hacked the network.

Everyone here at the briefing is going to be helping to figure this mess out. This is great, if you like looking at Rachael Taylor for a few seconds at a time, and can compartmentalize hard enough to make that worth the effort of watching this godforsaken film.

Back at the Witwicky household, we meet Mojo, a chihuahua with a cast that doesn’t seem like it’s actually doing anything. I wish he was the main character instead of Sam.

Sam arrives home from the dealership, and says “alright, Mojo, I’ve got the car. Now I need the girl.”

As if ownership of a person is something to aspire to.

As if women are property to be owned.

As if women aren’t people, but rather commodities.

We’re 17.5 minutes into this film.

We’re introduced to Judy, Sam’s mother. She’s shrill, and annoying. This is by design, because none of the women in this film are actually people, but rather archetypes to bounce off of the male characters.

Sam and his father have a moment of what some might consider banter, then Sam gets huffy with his mom over gender roles for the dog. I, for one, think Mojo looks positively dashing in his bedazzled collar, and to hell with whatever Sam says to the contrary.

Sam drives off to go be a misogynist, with the promise to be back by 11PM.

Over in Qatar, the soldiers and that little boy are running from the attack on their base, as Lennox’s wife watches a public announcement on the matter back at home. The Secretary of Defense lets us know that we’re at DEFCON Delta at this point. Lennox Jr. cries, and all I can think about is how they probably pinched that baby to make that happen. They pinched a baby for Transformers (2007).

The soldiers in Qatar talk about shit they have no idea about, Sergeant Epps going on about somehow having been able to see a forcefield around Blackout through his super special binoculars. I don’t know how, or why, he knows this. I don’t know anything anymore.

Ed Sheeran has his doubts about this whole thing, and Lennox is also present in the scene, because I guess he’s important. Through a bit of dramatic irony, Fig- the guy everyone was making fun of for being bilingual at the start of the film- says that this probably isn’t over, as the shape of Scorponok shifts through the sand just beyond them.

Epps is having a minor crisis over the fact that Blackout saw him, but we don’t have time for that, because we’ve got to get to cover. The lads decide to head to the little Qatari boy’s house. Again, I wonder why he was at the base at all, considering that it seems like they’ve been traveling for a good portion of the day.

Back with Sam, he’s picked up his friend Miles, and together they’re going to a lake party. Are they invited to this party? Yes, but also no. It’s public property though, so it should be fine. As they park, Sam notices that Mikaela is here, which is great for him.

Mikaela’s boyfriend, Trent- whose name I had to look up- is a massive tool, and starts pestering the two boys for daring to exist in his airspace. Miles climbs a tree. I’m glad he’s having fun, at least. Sam makes a joke at the expense of people with brain injuries, and this for some reason? Warrants a shot of Mikaela making the blank “pretty girl” face? In response?

Mikaela saves Sam from becoming a wet stain on the grass, which is very kind of her, and more than Sam really deserves. Trent, his boys, and Mikaela start to head off for another party, to get away from Sam and his tree-loving friend. Mikaela offers to drive, and Trent says that she can’t handle his truck, because she’s a ~girl~. This causes Mikaela to ditch him, and start walking home.

The script knows enough about misogyny to know that this would be a nice “take that”. Michael Bay, however, likely fails to see why everything he did with said script involving this character is a goddamned problem.

Because Mikaela, bless her heart, has a lot of problems.

Let’s start with the outfit: a croptop, a jean skirt that BARELY covers her ass, and a pair of wedge heels that are at least four inches tall. On a character that is, at oldest, freshly 18.

Look, I’m all about self-expression and the freedom to choose how you dress for yourself and yourself alone, but this clearly isn’t that. This is a character, not a person, whose wardrobe was designed for the straight male gaze. She’s wearing fucking STRAP HEELS to the lake. This is about oogling. This is about reducing a whole-ass person to the same status as a piece of meat. In fact, who was on wardrobe for this? I’d like to have a few words with-

A woman? Okay, well, what else has she worked on?

You can’t be fucking serious.

ANYWAY.

Miles just called Mikaela an “evil jock concubine.” I don’t like Miles anymore.

As Mikaela walks down the road, strutting hard enough that I’ve got sympathy pains in my hips, the radio in the Camaro turns on, playing “Drive” by the Cars, and giving Sam a hell of an idea; he’s gonna drive Mikaela home, so she doesn’t have to walk the 10 miles to her house. Why he knows how far she lives from the lake isn’t addressed.

Sam kicks Miles out of the car and goes to give Mikaela a ride, which she accepts after a bit of self-deliberation, and also him making an ass of himself. The shot here is framed with Sam like he’s a normal-ass person, and Mikaela from her breasts to the top of her waist. Because of COURSE it is.

She hops in the car and then goes off about her taste in hot guys. Which is weird, and out of left field. Sam is about as confused as I am, then continues to make a fool of himself. This is his nature as a person. Mikaela has no idea who Sam is, even though they’ve gone to the same school for the last 10 years and have multiple classes together. And the fact that she was staring him down all through his genealogy presentation. And at the lake.

This movie isn’t very well thought out, I feel.

It’s at this point the the Camaro turns the key on itself and starts to sputter out and die, as “Sexual Healing” by Marvin Gaye pops on the radio.

I don’t like how this car is trying to get Sam laid.

I don’t like how this car is trying to get Sam laid with a girl who didn’t even know his name five minutes ago.

I don’t like how this car knows what sex is.

The Camaro breaks down on a cliff, and Mikaela hops out to work on the engine, and also to get the hell away from Sam’s sputtering.

As Mikaela admires the sweet engine in this Camaro, showing off her knowledge of cars, we get several shots of her from her breasts to her thighs, while Sam is treated like an actual person. Don’t bother trying to play it off as an artistic choice, Bay, this is blatant horndogging. This adds to NOTHING, other than my ire.

Sam says more stupid shit, and Mikaela, who must be the nicest fucking person in the world, just tells him to fire up the engine so she can try to sort out the problem. Then he asks why she goes for jackasses like Trent, and she decides that she’s hit her limit for today, opting to walk the rest of the way home. Good on you, Mikaela. Don’t take Sam’s bullshit.

Sam, realizing that he’s put his foot in his mouth for the 80th time today, pleads with his Camaro to do him a solid and work, and this actually works out for him. Great. Sam, victorious, once again offers Mikaela a ride, which she, once again, takes.

He drops her off without further incident, and she thanks him for listening. Even though they didn’t really talk that much. I dunno, maybe they had a super deep conversation offscreen. Mikaela asks Sam if he thinks she’s shallow, because clearly all women need approval from the men around them, and Sam says that there’s more to her than meets the eye.

Which made me groan aloud.

Anyway, she gets inside without a problem, and Sam professes his love for his new Camaro for allowing him to talk to a girl. Or at least talk at her.

Back in Washington, D.C., at the Pentagon National Military Command Center, we’re making weirdly racist calls on who hacked the military.

Up with Air Force One, a conspicuous boombox transforms into a robot, and then runs off to hack shit. The President of the United States requests some snack cakes. A flight attendant goes down to storage to retrieve said snack cakes, and finds that boombox in the elevator with her. Considering this is Air Force One, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse, and we don’t think here.

The flight attendant brings the boombox down with her and places it on the counter as she goes to get the presidential snack cakes. The boombox immediately disappears. Now, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse-

The flight attendant opens up the snack cake package, for some reason, and drops the cake on the floor. She then proceeds to eat it, and then act shocked when it tastes like floor. There’s a robot in her fucking line of sight, and you’d perhaps expect her to immediately be suspicious of such a thing-

She leaves to go feed the President floor cakes, and our little robot friend gets to work stealing government secrets. He, if nothing else, looks pretty cool doing it. He’s a very pointy lad.

Back at the Pentagon, Maddie- Rachael Taylor’s character- can hear the hacking. This sends everyone into a panic, because, well, that shouldn’t be happening. The hacking noise is a direct match to the one from Qatar, so that’s obviously a problem.

Back on Air Force One, our little robot friend is looking for “Project Iceman”, which he very quickly finds, and downloads everything they’ve got on it, and also plants a virus. The process seems to be… doing things to him. It’s weird. This movie is weird.

The Pentagon cuts all the system hardlines, stopping the process, but it’s too late- he got what he wanted, just about. Two security personnel come into the room, and the robot kills them both with some spinning blade disc nonsense. Air Force One is forced to land for the safety of everyone on-board. More security detail comes in to deal with the little bastard, but he transforms into a boombox and sits on a shelf to avoid suspicion. Now, you’d perhaps expect-

With the plane grounded, our robot is able to walk his little ass over to a cop car. And when I say walk, I do mean walk; this fucker is in multiple folks’ line of sight and nobody notices a thing. When he enters the car, he’s greeted by the mustachioed driver- the same driver who was operating the helicopter at the beginning of the film. This mustache man is a holographic avatar, one that’s being used by all the Decepticons.

We get our first real taste of Cybertronian language, as our robot- it’s Frenzy, his name is Frenzy- lets everyone know that he’s found a clue to the location of the AllSpark, and, through the power of the internet, knows where to find the guy who’s gonna give them what they need.

Three guesses to who it is, and the first two don’t count.

Back at the Witwicky household, Sam’s car does a runner in the middle of the night. Sam, horrified that his property is being stolen, pursues on a bike, screaming at his dad to call the cops. Sam also calls the cops, as he tears through the neighborhood.

The Camaro breaks into an abandoned building, Sam follows, and we finally get a shot of our audience appeal character. Sam watches in disbelief as a giant yellow space robot shines a beacon into the sky, then makes a video on his flip phone recording the experience. He apologizes to his parents for owning pornographic magazines, and goes to face his probable demise.

However, death does not come from above, instead manifesting itself as two of the strongest junkyard dogs in the known universe, who break their brick-inlaid chains to get at this little dip of a man. Sam is chased through the yard, climbing on top of a couple precarious oil drums, even though there’s a ladder, like, right there. The Camaro rolls in, scaring off the dogs, and Sam bolts, throwing the keys to his ride at his ride. When he gets outside, the cops have arrived, and immediately arrest him.

Back with the US government, the Secretary of State is having a conversation about all the bullshit that just went down with Air Force One. He and his fellow cishet old white men discuss their options, until Maddie comes in to set them straight on some of the facts. They act all indignant about it, because women can’t be smart, right?

Right???

RIGHT??????????

RIGH-

Anyway, we get a weird little deflection of Maddie’s role in everything, because a woman is nothing without the men around her, then she brings up the point that the bullshit that happened on Air Force One went down in just a few seconds, which isn’t something that anyone can actually do. She brings up quantum mechanics, which everyone blows off as nonsense- not that I wouldn’t as well- and theorizes on a DNA-based computer, which is technically a thing, if not trapped in the realm of speculation. It’s at this point that the Secretary of Defense tells her to come back when she can back these wild claims up, and isn’t just clearly spitballing.

And then he snaps his fingers at her, and any point he might have had leaves my brain so I have more room for being enraged.

Back with Sam, we’re at the police station talking to the cops. His dad is here, and Sam is trying to explain that his car is a dude. Even though he took at a video (one that was likely crap, given how quickly he spun his phone around to show off what he was seeing) the cops, understandably, don’t believe him. Then one of them, not so understandably, starts… threatening Sam? With his sidearm? And daring him to try something? This isn’t any sort of statement on the corruption of American law enforcement, it’s just bizarre.

Back in Qatar, our soldier buddies have found a telephone line, and are going to try to use it to get in contact with the rest of the world. It’s just too bad that Scorponok’s decided to make an entrance, and knock said telephone line the hell down. Ed Sheeran has next to no reaction to this, despite it happening maybe ten feet behind him. Fig speaks Spanish, and Ed Sheeran makes a point to be an asshole about it.

Scorponok is about to stab Lennox with his very pointy tail, when Epps notices- finally, someone with peripheral vision- and starts shooting. Then everyone starts shooting, kicking up enough sand to blind themselves, as Scorponok scuttles away, buries himself, then reappears behind Ed Sheeran.

Ed Sheeran does not survive this experience.

The others bolt, not wanting the same to happen to them, and for the fourth time I wonder just why the hell this young boy was at the base in the first place.

Off in the distance, the community of a nearby town wonders just what the shit is going on out in the desert. Our soldiers run into the town, and everyone gets their guns and start firing on Scorponok, who retaliates, because why the hell wouldn’t he?

Lennox demands that the young boy take him to his father, and proceeds to borrow his phone. As shit goes down outside, we have a sort-of gag where Lennox is trying to contact the Pentagon, while a telemarketer tries to get him to buy a phone package. In order for this call to go through, he’s going to need a credit card. This is where the well-known “pocket” scene comes from, as Lennox searches Epps’ pants for his wallet as he fires on Scorponok. It’s probably the best-written thing in this whole film.

With the credit card acquired, Lennox finally gets through to the Pentagon, and tosses Epps the phone so he can talk. Maybe he’s got anxiety about speaking on the phone, I dunno.

Scorponok shows off his disregard for historical architecture, blowing up several buildings, and the US government just watches this all go down. One of the actors in this scene looks like my dad, and it trips me up every time he’s on screen. Anyway, now the Pentagon knows about the giant space robots running around in Qatar. They send over some air support about it. All this manages to do is piss Scorponok off.

So they try it again.

This time it works, sort of.

At the very least, he’s left now.

Tail fell off, though.

Also, Fig’s been grievously wounded. The others, for once, don’t make fun of his native language while they help him hold his blood inside his body.

Back at the Pentagon, Maddie’s looking to prove that the bullshit that’s been going on is of the sci-fi variety, and in order to do that, she’s going to need a little outside help. She takes the information from the Pentagon, slaps it into an SD card, hides that shit in her blush compact, and then runs out the door to Glenn Whitmann’s house. Or, rather, his grandma’s house.

Glenn is a hacker, and shouldn’t be seeing anything that Maddie’s brought him, but everyone knows that confidentiality is for nerds, so whatever.

Back at the Pentagon, Maddie’s immediately been caught. It’s almost like slapping the military network onto an SD card maybe wasn’t such a hot idea. But what do I know?

Glenn takes a look at the soundbite and figures out that there’s a code embedded in the thing in about two seconds. Good to know our tax dollars are being well-spent on the US military, that some dude in his jammies can figure this shit out faster than a whole team of analysts. They figure out that “Project Iceman” is involved with this somehow, and also the existence of Sector Seven. It’s at this point that the FBI busts in. Good. I kind of want Maddie to go to jail for this, because she was about as stupid as she could be handling the situation.

Glenn’s cousin goes through a closed glass door- don’t worry, it’s tempered- and there’s a weird cut before that exact same shot continues, and he’s tackled into the pool. There was no reason for that to have happened, but here we are.

Back with Sam, we’re treated to him in his boxers, shooting basketballs in his room. He goes into the kitchen, where Mojo is standing on a stool. It’s a very tall stool, the sort you sit on, and he’s just… there. I don’t know how he got there. There’s no one else in the room besides Sam, and I know he didn’t put him there.

Clearly this must mean Mojo is God, and being on that stool is his divine will. I will be approaching the rest of the franchise with this in mind, because it’s clearly the only answer.

Our merciful Lord Mojo jumps up on the kitchen counter and begins growling at something through the window. Sam looks out… the opposite window… to find that his Camaro has returned to him, and is less than thrilled about it, to put it lightly. He drops a jug of milk- luckily it was mostly empty, given the sound it makes when it hits the floor- and gives his buddy Miles a call. You remember Miles, don’t you? If you don’t, it’s fine, because he reestablishes his quirkiness with a single shot, as he sits in a swimsuit and bathes his huge-ass dog in a kiddie pool, and answers the phone with a headset he just happened to be wearing. He must get a lot of calls during Dog Washing Hours. 

After giving us one of the most intense voice cracks I’ve ever heard, Sam books it out of his house, hopping on a bike to escape his murderous Camaro. He’s not seen the thing commit any murders, mind you, but he seems pretty convinced that it would do the job, given half a chance. Also, this isn’t the bike he rode the night before; that one is likely being chewed on by those strong-ass junkyard dogs. No, for some reason, the Witwickys have a pastel pink girl’s bike, with the fun little handle tassels and the basket and everything. As far as I can tell, Sam is an only child, and if you think Bay’s going to allow for a teenage boy to have the vulnerability to own a pink bike, you’ve not been paying attention for the last 48.5 minutes.

The Camaro gives chase, rolling after Sam on his bike at a brisk 7 MPH down the friggin’ sidewalk, one of the only scenes in this travesty of a film to actually get me to crack a smile. Sam races through town until city planning puts a stop to him, through the magic of using chunks of cement to decorate the mulch around their trees. He crashes his bike, faceplants into the concrete in front of Mikaela, and promptly dies, thus ending the film.

No, he doesn’t die. I just told a fib. I’m sorry.

Instead, he does a flip and lands on his back, likely receiving a concussion, in front of Mikaela and her friends. Her friends laugh, because everyone hates Sam, as they should, and Mikaela says that what he just did was “really awesome.” Don’t try to be nice, Mikaela, this is Sam we’re talking about; you could stick the dude in the freezer overnight and he still wouldn’t be even remotely cool.

Sam gets back to the whole “running away from a car” deal, and Mikaela decides that this is the sort of thing she’d like to do with her day, so she ditches her friends in the middle of their scheduled Burger King™ time to go see what the hell Sam’s on about.

As Sam is chased by the Camaro who is being chased by Mikaela on her motorized scooter, a cop becomes involved, tearing through the streets to join this ridiculous game of tag. Now, we’ve seen two different flavor of cop so far- the mustachioed avatar cop car that picked up Frenzy from the airport, and the dude who threatened a teenage boy with a gun after accusing him of being under the influence of drugs. Either way, I don’t think this is going to turn out well for Sam.

Sam’s cornered himself under one of those really wide bridges where people can park their cars, which wasn’t terribly smart, but it’s Sam, so this is about par for the course. The Camaro manages to miss him, but the cop car does not. Sam is actually pretty cool with the cops being here, as if they could do anything about “Satan’s Camaro.” I guess he didn’t see the decal on the side of this car that says “to punish and enslave…”

Sam attempts to approach the car for help, and gets clotheslined by a car door for his troubles. He hits his head on the pavement, certainly exasperating the brain injury he received not ten minutes ago. Still, he continues to try to talk to the holographic avatar through the windshield, revealing that the bike he’s been riding is his mother’s. Mystery solved, I suppose.

The cop car doesn’t much appreciate being slapped on the hood, and begins to rev violently at Sam, threatening to run him over several times. Then it explodes into being a robot. Sam, who’s seen a lot of really weird shit in the last 24 hours, nopes out of the situation. It’s at this point that I realize he’s wearing a shirt for the band the Strokes. I don’t know why that stuck out to me, but it did. Guess my brain needed something to latch onto during all this.

Sam is running as fast as his little legs allow, as our newest robot friend takes up a leisurely jog to keep pace. Then he kicks Sam. He kicks Sam’s body like the football. This, of course, instantly turns Sam into a bag of jelly and kills him, thus ending the film.

No, he doesn’t die. I just told another fib. I’m sorry.

Sam somehow survives being punted by a giant metal leg and lands in the windshield of a car that doesn’t turn into a robot. Then he gets yelled at by the cop car. This is Barricade, a member of the Decepticons, and Sam’s got something he wants. Or, should I say “LadiesMan217” has something he wants.

LadiesMan217 is Sam’s Ebay username. This is both stupid because no teenage boy existing beyond the year 1985 would have ever called himself that, and also because it’s just stupid.

Barricade wants the glasses Sam presented for his genealogy report, and he wants them NOW. Seeing as the thing he wants is for sale, and nobody had been bidding on it, one would wonder why Barricade and his associates didn’t just try to purchase them like upstanding citizens. Perhaps Decepticons don’t understand the concept of money, or perhaps they don’t have a stable address to have the glasses shipped to. Or perhaps nobody considered that angle when the script was being put together. Who can say?

Sam gets back to running away from Barricade, we see where Mikaela got to, and the two of them collide. Sam rips Mikaela off of her scooter, and they both fall to the ground. Mikaela, who did not buckle the clasp on her helmet, asks Sam what his fucking problem is. Then his problem shows up, and they take a very long time to get up so they can run. So long, in fact, that the Camaro has to swing in to save them. After much pleading from Sam, Mikaela gets inside Satan’s Camaro, and the two of them are whisked away to safety. Barricade pursues, and then the butt rock starts.

There’s a lot of screaming and yelling, the Camaro busts through a window and several shelves in an abandoned building, there’s some drifting, and then suddenly it’s nighttime. Barricade somehow got in front of the Camaro, and is circling like a shark. The Camaro locks the two teenagers inside itself, though I suppose they could climb out through the still-open windows if they really wanted to. The Camaro cuts the engine off, then cuts it back on and bolts for the exit, and this somehow tricks Barricade long enough for them to get past.

The Camaro dumps Mikaela and Sam out one of the doors and then transforms into that yellow space robot we saw a bit ago. It’s Bumblebee! Nearly an hour in, and we finally get a proper look at the little bastard. I guess that’s what happens when you spend the first 20-something minutes on being xenophobic and appealing to the focus groups that think it’s fine sexualize high schoolers.

Bumblebee- no, he’s not introduced himself yet, but I just can’t keep calling him “the Camaro” anymore- comes out of his transformation ready to square the fuck up. Barricade throws himself at Bumblebee, they roll around on the ground for a bit, then things start sparking and exploding, because this is a Michael Bay film. Frenzy jumps out and starts chasing down Mikaela and Sam, while Bumblebee and Barricade murder death punch each other. Frenzy manages to grab Sam by the ankles, drag him to the ground, and rip his pants off. Not sure how that happened, considering he’s still got his shoes on.

While Sam’s busy being chased by a sentient pile of safety pins, Mikaela’s taken it upon herself to be proactive about her survival, and is raiding a nearby building for power tools. She sprints out holding an electric jig saw and saves Sam by decapitating Frenzy. If you know anything about Transformers, then you know this doesn’t actually kill Frenzy, but good on her for being a badass. Why couldn’t Mikaela be our main character again? Oh, right, because she’s a ~girl~.

Sam punts Frenzy’s head, like, 50 yards, which seems like something he shouldn’t be able to do, given that he’s a massive weenie, but there you are. With that out of the way, Sam takes Mikaela’s hand and they run off to go watch the giant robot fight. The bottom of Frenzy’s head turns into a spider and he crawls his way over to Mikaela’s purse. He’s gonna steal her gum, the fiend!

Mikaela and Sam have, unfortunately, missed the giant robot fight, which means that we, as the audience, have also missed the giant robot fight. Which is unbelievably stupid, seeing as everyone who has ever watched this movie came for the GIANT GODDAMN ROBOTS.

Mikaela asks just who the hell the yellow robot is, I guess because she’s finally had a second to process what the hell’s going on. Sam claims that he’s a super-advanced robot, “probably from Japan.” Whether or not this is a reference to the Japanese origins of the original toy line isn’t clear, though somehow I think it’s more xenophobia. Sam also makes the claim that if Bumblebee had intended to hurt them, he would have done it by now. This is quite the jump from a few hours ago, when he was calling the poor guy “Satan’s Camaro.”

Sam finally, finally asks Bumblebee what his deal is, and we get our first taste of the Bayverse Bumblebee Gimmick. The Gimmick here is that, due to an injury to his vocal processing, Bumblebee cannot communicate through traditional means, i.e. speech. Because of this, he instead strings together sentences by flicking through the radio frequencies and choosing key words. This can lead to some interesting audio design, like describing his fellow Autobots to “rain down like visitors form heaven, Hallelujah!” because a radio sermon fit what he was trying to say best.

This gimmick is one that has been used in other pieces of Transformers media, at least in part. Bumblebee is unable to speak traditionally in Transformers: Prime, and instead communicates in beeps and clicks that his teammates can understand, but not so much the humans, save for Raf. In Bumblebee (2018), the idea was used whole-cloth, with the injury resulting in his inability to speak happening on-camera within the first 10 minutes of the movie, and the idea of “expressing oneself through music” being introduced by his human companion Charlie Watson.

All in all, I rather like the idea going on here; it’s an interesting part of his character that opens up for a lot of interesting and creative moments.

It’s just too bad it was introduced in fucking Bayverse.

But yeah, anyway, the other Autobots are coming to Earth. Shit’s gonna be lit.

Bumblebee turns back into a Camaro, and Sam uses the power of FOMO to get Mikaela to go in the car with him. We get a shot of Barricade fucking dying on the side of the road. Frenzy murders Mikaela’s phone, and then steals its identity, including the little bejeweled heart stickers. Good thing Mikaela remembered to go get her purse, otherwise he probably would have felt very silly doing that.

Mikaela refuses to sit in the driver’s seat, seeing as she now knows Sam’s car is sentient, and sort of feels weird about this whole thing. Sam suggests that she sit in his lap instead, as the camera angles to give us a peek at the cup of Mikaela’s bra. When asked why the hell she should do such a thing, Sam says it’s a concern about her safety, given that the middle console of the car does not have a seatbelt. Sam either fails to recognize that seatbelts going over two layered bodies won’t save either of them in the event of a crash, or he’s just trying to make an excuse to have a pretty girl in his lap.

Given what movie this is, I’m going to guess it’s the latter.

Mikaela has a similar line of thought, but scoots over anyway, saying that the seatbelt line was a “smooth move”. It wasn’t, but if I picked apart every single bad line Sam had in this film, I’d be here all day.

Mikaela questions Bumblebee’s taste in alt-mode, which offends him to the point of dumping both her and Sam out in the street and driving away. He returns, moments later, as a sleek new Camaro, that I’m sure some car aficionados would call “sexy.”

Bumblebee’s alt-mode is a 2009 Chevrolet Camaro, of which there were none during the time of filming. It was put together for this movie in roughly five weeks. Sam is blown away by the fact that he now owns a car that does not currently exist in his universe. Mikaela is impressed, or at least she would be, if women were allowed to show that emotion in a non-horny way in a Bay film.

Judy doesn’t count.

As Bumblebee breaks into yet another restricted area, we get a shot of the Earth from orbit, as several objects rocket towards the planet. Sam and Mikaela watch the Autobots burn up in the atmosphere, and Mikaela tries to hold Sam’s hand as they do, and it’s at this point that I have to address how much I hate these two’s dynamic.

I don’t give a single solitary shit about this romance, because A) it’s poorly written, B) Mikaela could do infinitely better than Sam, C) I dislike Sam so very much, D) Mikaela, who is a way more interesting character, got placed on friggin’ love interest duty because ~girl~, and E) it’s useless padding to try and make me care about what’s happening here, and I just DON’T. I do NOT care about whether these two get together or not.

We see the Autobots crash-land, three out of four of them causing massive amounts of property damage and possibly killing at least one person. Their stasis pods crack open, and they each climb out, completely naked and in desperate need of clothing to hide their shame. With a quick scan of nearby vehicles, they’re once again decent to be seen in public.

Bumblebee drives the kids out to what I can only assume is the warehouse district he sent that beacon out in, as our collection of good guys finally come together at long last. A massive Peterbilt semi-truck stops directly in front of Mikaela and Sam.

We’re over an hour into this film, and we’re just now getting to the quintessential Transformer, Optimus Prime himself.

In the original cartoon, Optimus’s alt-mode was what’s known as a cabover truck, one where the cab- where the driver sits- is seated directly over the engine. These were popular during the days when maximum truck-lengths were much shorter than they are currently. This is why when you look at height charts for Optimus over various continuities, his G1 cartoon counterpart much shorter than his other iterations.

Modern trucks are longer, and don’t need the cab to sit on top of the engine to save on space. The designers chose to use a Peterbilt to make sure that Optimus would have an imposing stature when compared to his fellow Autobots.

Because heaven forbid we not have heightism come into play in this film.

Our Autobots transform, and say what you will about these bastards being visually incomprehensible, the transformations themselves are cool as hell. My personal favorite is Jazz’s, where he does a cool windmill into his root mode.

Optimus crouches like he’s looking at a cool bug on the sidewalk and addresses Sam by name. He doesn’t even acknowledge Mikaela, which I find to be a bit rude, but whatever. He then introduces himself as the leader of the Autobots.

Peter Cullen is back as the voice for Optimus Prime, sounding wonderful as always. He almost wasn’t brought on for this project, because Michael Bay didn’t want him. If the fans hadn’t thrown a hissyfit, who knows who we would have gotten to be our space dad for the next hour and a half?

This is actually an issue that’s recurred several times in the last few years, and not just with Cullen; Frank Welker, the voice of Megatron, as well as many other Transformers, has been refused roles within Transformers properties. In general, this is because both Cullen and Welker are union actors, and Hasbro would prefer to hire sound-alikes than pay more money for the originals. This isn’t to shame the non-union actors, goodness no, just to merely point out less-than-fantastic business practices.

I realize there have been a lot of tangents, but you have to understand that I am suffering as I do this.

Optimus then introduces his team- there’s Jazz, whose first line is “What’s crackin’ little bitches?”, Ironhide, who incorrectly quotes Dirty Harry, and Ratchet, who calls out just how obnoxiously horny Sam’s character is. We also finally get Bumblebee’s name.

Mikaela asks the very good question of why the fuck the Autobots are here on Earth. Optimus explains that the AllSpark is here, and they’ve got to get to it before Megatron does. He then goes on to explain who Megatron is, stating that he “betrayed” the Cybertronian empire.

No, how exactly he did that isn’t addressed. We’ll just have to take Optimus’s word, I suppose.

If you’ve sussed out by this point the the AllSpark and the Cube™ are the same thing, congrats! You win. Megatron followed the AllSpark to Earth, where he promptly was neutralized by the cold of the Arctic circle. This was 110 years prior to the events of this film, and where Archibald Witwicky came in to the story.

When the expedition was happening, Archibald fell through the ice during a collapse, and ended up finding Megatron’s frozen body in an ice cave. He went poking around on this strange metal giant, and ended up activating Megatron’s navigation systems, which imprinted the coordinates of the AllSpark onto Archibald’s glasses.

Don’t ask how that works, it just does.

So, the Autobots need the glasses, so they can find the AllSpark before the Decepticons do, so those guys don’t use it to build an army out of Earth’s machines, which will destroy humanity.

Sounds simple enough, let’s go get that vision correction device!

Back with the military dudes, everyone’s taking a gander at the tail that Scorponok left behind. They theorize that the metal that makes up these giant murder-robots reacts to extreme heat, but elaboration on that point will have to wait, because the tail has begun to flail. They quickly strap it down, then call the military to let them know to strap anti-tank guns onto anything that’s going to be approaching any giant robots.

Meanwhile, in an interrogation room, Maddie and Glen have been left to sweat a bit. Glen takes to stress-eating, while framing it as a psychological tactic to subconsciously prove his innocence to the FBI.

This is a fat joke, with the added nasty layer of Glen being a black man about to be interrogated by one of the most intimidating white cops I’ve seen in a hot minute.

Glen immediately folds, pinning all the blame on Maddie, and claiming that he’s been a perfect angel his whole life. We get some weird purity culture out of him, before Maddie lets the FBI know that she needs to talk to the Secretary of Defense, NOW.

Over at the Witwicky household, Sam’s parents are watching the news, trying to find out what all those loud crashes were about. Optimus Prime drives down their residential street, the rest of the gang in tow, then they all park to wait for Sam to go get the glasses.

For about 20 seconds.

Sam has to physically hold the door shut to prevent his father from coming out and seeing several very tall robots from outer space tip-toeing around his freshly-landscaped yard, I guess because they got antsy. Optimus plods around on the grass and breaks a fountain, and our benevolent god Mojo comes out of the house, assuredly to smite the leader of the Autobots.

Mikaela runs onto the scene, and Sam chastises her for not controlling the robots who didn’t even acknowledge her existence, outside of pointing out Sam was sexually attracted to her.

Mojo pees on Ironhide’s foot, which prompts Ironhide to threaten to shoot the creature. This is why Ironhide isn’t getting into heaven. Sam, one of Mojo’s chosen few, claims that the mortal shell of his god is seen as a beloved pet by many humans. Sam runs into the house, before Mojo can incur his divine wrath on the Autobots.

While Sam goes to get the glasses, the Autobots decide to do a little peeping on the house, watching his parents watch TV. Sam tears his room apart trying to find the glasses, and Optimus thinks that it would be helpful if he brought Mikaela up to help look. It’s at this point that I realize that Sam has an utterly bizarre fish tank.

I mean, legitimately, what the fuck is this? No filter, no plants, might not even have any rocks on the bottom. Is this a comically oversized bong Sam threw a couple fish into? What the fuck.

Mikaela starts looking for the glasses, running into what is likely a box of porn mags, then they both look out the window to find that the Autobots have decided to hide in plain sight by transforming... in the middle of Sam’s backyard. Amazing work, gentlemen.

Sam finally convinces the Autobots to go sit in the alley and wait, only for Ratchet to run into a power line and trip into a greenhouse. The resulting impact is interpreted as an earthquake. Judy does not have the reaction one might expect from someone who’s lived in California for at least ten years.

Ratchet’s fine, by the way.

The power cuts out, and Ron goes up to check on his son, because he’s at least a halfway-decent father. Ratchet’s shining a light to aid in the search for the glasses. Sam’s parents notice this bright light, and bang on Sam’s door to see what’s up.

Sam quickly hides Mikaela and then attempts to salvage the situation, answering the door and trying to control the narrative. Unfortunately, Ron is far too inquisitive for Sam to do this, and then Judy asks if Sam was masturbating.

Judy, is privacy just not a thing to you? Because if not, it really ought to be.

She keeps going with it too, trying to come up with code words, until another one of the Autobots trips and causes Ron to panic again, climbing into Sam’s ancient claw-foot bathtub to protect himself. He looks out the window to check on his beloved yard, lamenting that the earthquake tore it up.

Ironhide is strongly considering killing Sam’s parents. Optimus tells him that they don’t harm humans, and also begins to wonder if he made a mistake bringing this guy along.

Back in Sam’s room, it’s becoming increasingly obvious that Sam is an absolutely terrible liar, and Mikaela reveals herself, if only to prevent Judy from trying to talk about self-pleasure again. Of course, now she gets to be subjected to both of Sam’s parents objectifying her, so this might be a lose-lose situation.

Sam is reminded that his backpack is in the kitchen, just in time for the government to show up at his house. Mikaela makes a comment about Judy being nice. I suppose on a surface level, yes, being told that you’re gorgeous by someone’s mom is nice. I do have to question the context that compliment took place in, however.

Sam’s about to hand the glasses over to the Autobots, when someone rings the doorbell. It’s Sector Seven, and they’re here to talk to Sam about his stolen car being part of an issue involving national security. Ron and Judy are more concerned about their yard being torn up, Judy yelling that they “need to get their hands off [her] bush.”

We still have another hour of this movie.

The agent leading this mission asks Sam to come with him for questioning, which his parents are very much against. Mojo also voices his displeasure, but it would seem that Agent Simmons is not a follower of the Tenets of Mojo. Sam gets geigered, and his readings are high enough for Sector Seven to take him and everyone in this house into custody.

As Sam and Mikaela are riding in the back of the car, Simmons brings up Sam’s Ebay account, and also the phone video he took of Bumblebee earlier in the week. Mikaela is rather unimpressed with Sam at the moment, probably because he’s gotten her arrested. She still tries to help him out though, because she really is just the nicest fucking person on the planet.

Alas, the combined efforts of these two teenagers isn’t enough to fool the long arm of the law, especially when it’s a branch of said law that deals with extraterrestrial activity. Simmons threatens to lock up these literal children for life if they don’t start talking. Mikaela isn’t taking the bait, so he goes after her father’s parole hearing instead.

Yep! As it turns out, Mikaela and her father stole cars to get by, and she’s got the record to back that claim up. Simmons calls her a criminal, then says that criminals are hot. Mikaela looks like she’s about to cry, and I don’t blame her in the slightest.

Optimus, I suppose because his dad senses were tingling, takes the opportunity to place his leg in the road for the car to run into, then grabs said car like an unruly cat and lifts it until the roof rips off due to stress. The agents in the other cars pile out and point their guns at the giant space robot. The rest of the Autobots quickly relieve them of their weapons.

Optimus notes that Simmons doesn’t seem surprised that a bunch of giant robots just took all his guys’ guns, and demands that he exit the vehicle, posthaste. Simmons obliges, after a bit more prodding. Mikaela undoes Sam’s handcuffs, and he gets fucking pissy about it, as if this girl he’s had a grand total of three (awkward) conversations with should have told him something as personal as “hey, so my dad’s in jail and I’ve been to juvenile detention.”

Luckily, she doesn’t let him get away with it, calling him out as the spoiled, self-centered, privileged little shithead that he is.

Of course, we don’t get any sort of real acknowledgement from Sam, having to move on with the plot. Perhaps, if we hadn’t spent the last hour and 20 minutes faffing about on drivel, we could have had Sam get an actual moment of self-reflection, and potentially even character growth. However, this is Bayverse, and everyone knows that personal accountability is for fucking sissies.

Mikaela and Sam ask several questions, but get no answers from Agent Simmons. And then Bumblebee pees on him.

I hate that I had to write that. I hate it very much.

Anyway, I don’t know why that had to happen, but it did, and I’m nothing if not thorough.

Optimus tells Bumblebee to cut it out, and with that the Sector Seven agents are cuffs and left on the side of the road. Mikaela orders Simmons to strip, as punishment for threatening her father, then cuffs him to a street lamp.

...Yes, that does sound like a bizarre sexual fantasy, doesn’t it?

Unfortunately for our teen heroes, they forgot to confiscate everyone’s phones, and Sector Seven knows what’s up, thanks to the power of speakerphone. More cars and a couple of helicopters show up basically immediately, and the Autobots decide it’s time to dip.

But not before Ironhide fires off a pulsewave into the ground that causes a five-car pileup.

Optimus, I suppose because he knows he chose a ridiculously flashy alt-mode that is in no way practical, just picks the kids up in and places them on his shoulder like a couple of parakeets, then takes up a leisurely jog to get away from the eyes in the sky. He runs through the city, racking up what is likely millions in property damage, as the helicopters pursue. He passes by a “Legalize LA” billboard, which feels odd to see, given what movie this is.

The ‘copters somehow manage to lose Optimus, despite him being relatively slow, and having a notable radiation level that they’ve been using to track him. He hides inside the scaffolding of a bridge, only for Mikaela and Sam to slip off of his polished body to their deaths, thus ending the film.

No, they don’t die. I just told another fib. I’m sorry.

Bumblebee snatches them up just before they hit the ground, the impact of his metal body catching them at 75 mph, killing them instantly and ending the film.

Nope, that doesn’t happen either.

Mikaela and Sam are fine, some-fucking-how, but Sam’s dropped the MacGuffin glasses. The helicopters swing back around, having noticed the sound of a car crashing into the ground and the screams of two whole adolescents. They break out a fucking harpoon gun and fire on our kid appeal character.

Repeatedly.

They wrap up Bumblebee in a series of cables, as he screams like a moose. Mikaela and Sam are held at gunpoint by what is honestly far too many dudes, and are then arrested for the second time in ten minutes. Bumblebee is smoked... because he’s a bee? Sam, not liking this one bit, finds the strength in his weenie body to push a cop off of himself, run at one of the dudes with the smoke guns, throw him to the ground, and then start smoking him. He’s immediately tackled, but points for trying.

Sam and Mikaela are placed back into custody, and the rest of the Autobots regroup with Optimus to see what the plan is. Optimus says that they can’t save Bumblebee without hurting humans, so I guess Bumblebee is just a POW now. Well, at least they got the glasses. That’s cool.

Back at the Pentagon, things are getting dicey, as the other world powers are starting to suspect that something’s up. The Secretary of Defense is approached by a man with a mustache and a briefcase. He’s from Sector Seven, but the Secretary gives not a fuck about mysterious organizations. All the computers in the room suddenly go down, the virus from earlier working its magic- only this time, the blackout is global.

Mr. Mustache opens his briefcase, while explaining that Sector Seven is something known as a “special access” sector of the government, which is why nobody’s ever heard of it; it’s beyond top secret. Commissioned by President Herbert Hoover 80 years prior, it deals with alien life.

When the Beagle 2 spacecraft was lost on the way to Mars in 2003, the mission was declared a failure. This was a lie. The Beagle 2 recorded several seconds of Mars before being crushed to death by a Transformer. This tidbit is pretty funny, given that the Beagle 2 was rediscovered on Mars in 2014, seven years after this film released. Not a terribly mysterious death anymore, is it?

Comparing the footage from Mars to the footage from Qatar has Sector Seven thinking that these are the same species. Which they are. God, it’d be so fucked up if there were two species of giant robots in this film.

Mr. Mustache theorizes that because the Transformers now know that they can be harmed by human weaponry, they’re being proactive about their safety and shutting down all forms of communication technology with that virus that keeps popping up. It’s only a matter of time before the shit hits the fan for humanity.

Mr. Secretary tells his guys to try going analog with comms, breaking out the short-wave radios, to tell their ships to return home.

Over at an Air Force base, Lennox and the gang have landed, only to be scooped up by a bunch of dudes in suits.

Back with Maddie and Glen, the two of them have fallen asleep in the interrogation room, Maddie still wearing her friggin’ four inch pumps as her legs are propped up on the table, crossed in a way that seems rather uncomfortable. Glen gets to sleep like a normal human being, with his head resting on his forearms. Why this place doesn’t have a holding cell for these situations is beyond me.

Mr. Secretary comes in to bring Maddie on as his advisor. Glen can come too, I guess, considering he’s the one who actually figured out the sound file virus.

We get a little military glorification, and then it’s revealed that Mikaela and Sam, as well as Maddie and Glen, are aboard this helicopter. Their paths cross at last. Our heroes are transported to the Hoover Dam, where Bumblebee is also. They are still smoking him.

Meanwhile, the Autobots are figuring out where to go, with the power of Archibald’s glasses. Ratchet, who I guess is omnipotent, senses that the Decepticons have also figured out the location, and that this is going to be a race against the clock. And I mean, he’s right, but the phrasing is a bit odd.

Jazz wants to know when they’re going to save Bumblebee. Optimus says that they aren’t, and that Bumblebee’s sacrifice is noble, and that he would want the Autobots to leave him and complete the mission. As this is said, we get another shot of Bumblebee getting smoked and trapped in a lab. Yep, this is totally what he would want. He absolutely signed up for this, giving himself up to the government and not at all fighting like mad to not be captured.

I don’t think Bayverse Optimus actually knows what martyrdom is, which is bizarre, given that it’s a major trait in a lot of other iterations of the character.

Ironhide isn’t even sure why they’re bothering to save humanity, given that humans are violent and awful, his point being hammered home as Bumblebee is tortured for scientific reasons. Ironhide seems to have forgotten that Cybertron has been at war for literally millions of years. Optimus has faith in humanity, however, stating that we’re “young”.

And then he says that he’s going to end his own race, by destroying the Cube™, which is how they reproduce, because that’s the only way to end the war.

Which is arguably one of the most hardcore fictional applications of eugenics ever conceived.

Being advocated for by Optimus Goddamn Prime.

We still have another 50 minutes of this movie.

Optimus then proves that he does, in fact, know what self-sacrifice is, stating that, if all else fails, he’ll shove the AllSpark into his spark, which will destroy them both. He’s pretty chill about it, too.

Up on top of the Hoover Dam, Frenzy has fallen out of Mikaela’s bag.

Mr. Secretary is also at the Hoover Dam now, as is Lennox’s team. Oh, and Agent Simmons, who is thankfully wearing pants. He offers to buy Sam a coffee, as repartitions for threatening his family, arresting him, and being a complete creep to a teenage girl. Sam gives not a fuck about caramel macchiatos with extra foam and chocolate drizzle, however. He only cares about his car.

Mr. Mustache, who is also here, needs Sam to spill the beans on all these friggin’ giant robots that are running around. This is where Sam realizes he has the upper hand for once, and he starts making demands. One such demand is having Mikaela’s record scrubbed clean, which is an actually very nice thing for him to have done for her. We’ll see if his intent comes to fruition. For now, it’s time to talk about Bumblebee.

We get a shot of all these folks heading into the secret base hidden inside the Hoover Dam, and it’s at this point that I notice that Maddie’s shirt is basically see-through.

Inside the Dam, we see that Sector Seven′s been keeping Megatron this entire time, keeping him neutralized with cryo-stasis since 1935. Cryopreservation was invented in the 50′s. This isn’t a nitpick, I just thought it was a neat little fact.

Megatron being on Earth has resulted in most modern technology. This sort of plot point always bothers me, because it takes away agency from the entire human race. We didn’t use our own ingenuity and work ethic to advance society, we plagiarized from a more advanced species. I dunno, it just rubs me the wrong way.

We get the part of the movie where info is hashed out, so that everyone is on the same page, Sam spouting off Autobot propaganda. We can forgive him for this,considering he’s 16, and no one is immune to propaganda, especially when they have zero way of doing their own research to form their own opinion with.

Sector Seven also has the AllSpark, kept in the room next to Megatron’s, like the chumps they will soon find themselves to be. It’s about ten stories tall and the reason the Hoover Dam exists. With so much concrete suppressing its alien energies, surely no one will ever find it!

Except for Frenzy, who came in through a mouse hole. Whoopsie-doodle!

The AllSpark zaps the nasty little man, restoring his body with its weird MacGuffin powers. Frenzy tells all his coworkers that he found what they were looking for, and everyone starts heading over.

Maddie asks Mr. Mustache what exactly he means by “energies”, perhaps worried that this whole thing has been some elaborate ploy to get her to invest in magic healing stones. Mr. Mustache brings everyone into a testing chamber, since the best way to explain how the AllSpark works is through a demonstration.

There’s a big fish tank in the middle of this testing chamber, in which Agent Simmons places a donated device from the crowd- Glen’s Nokia phone, specifically. Simmons makes a geologically-confused comment. When this is pointed out by Maddie, Mr. Secretary hushes her, simply saying that Simmons is a strange man. The tank is locked down, and then the show starts.

Cube™ energies are shot into the tank, and the phone explodes into life, transforming into a gorilla-shaped gremlin creature. Happy birthday, little dude!

Little dude starts shooting at the tank walls, cracking the glass until Simmons pulls the trigger and ends it. Happy deathday, little dude!

The Decepticons are making tracks towards the Hoover Dam, but Starscream- yeah, he’s in this now, don’t worry about it- arrives first, because he is a very fast jet. He transforms, showing off his ridiculous Dorito body, and fires on the base’s generators. The resulting explosions can be heard all the way down in the testing chamber, and Mr. Mustache calls upstairs to see what’s up. Looks like Megatron may be getting warmed up, seeing as his ice bath has been cut off. Lennox asks if there’s an arms room in Sector Seven, which sort of feels like asking a bakery if they have any flour.

Frenzy has entered the room that houses the controls for the cryo-stasis and set that whole system to “no, thank you”.

Mr. Mustache runs through the base, screaming for everyone to get to the Megatron chamber. Off in the distance, the Autobots approach. Could probably used some fliers on your team, huh Optimus?

Back with Frenzy, he’s decided to just straight-up raise Megatron’s core temperature directly. Hope he doesn’t do it too fast; rewarming hypothermia victims recklessly can do some serious damage.

Outside of the base, Lennox and the boys are loading up with weaponry, along with what’s the entirety of Sector Seven′s cannon-fodder department. Oh, and all the main cast. Yep, just got a couple of teenagers chillin’ in the munitions room.

Sam wants Simmons to take him to his car- he hasn’t used Bumblebee’s name in a hot minute, not sure what’s up with that- even though Simmons is currently busy loading a very large gun. Simmons doesn’t want to do that, because he’s got no idea if what Sam mentioned earlier is even true, and he doesn’t want to pin the fate of humanity on a single Camaro. Lennox takes this opportunity to tackle Simmons, despite likely not knowing that Bumblebee is one of the “good guys”. A Sector Seven guy very much doesn’t like that, and points a gun at Lennox, which prompts all of his guys to also start threatening folks with guns.

Mr. Mustache walks in on the scene, but doesn’t do anything, since he isn’t armed and knows better than to tangle with someone who’s packing. Simmons tries to intimidate Lennox, because he must have missed the day of boot camp where they tell you that guns kill people. Lennox is fully committed to shooting this dude in the lungs before Mr. Secretary suggests he give the people what they want, before things get ugly.

Simmons takes everyone to the robot torture department of Sector Seven, where they are still smoking Bumblebee. Geez, you’d think they’d have something in place for if they ever came across another giant robot after Megatron, but I guess not. The gang gets everyone to stop smoking Bumblebee, which allows him to stop moose-screaming and strongly consider murdering everyone involved with his forced captivity. Unfortunately, revenge with have to wait, as we’ve still got to deal with the AllSpark, and the fact that the Decepticons are here.

They take Bumblebee to the AllSpark, where he makes direct contact the thing, causing the AllSpark to transform, compacting itself down into a far more reasonable size that Bumblebee can carry in one hand. It doesn’t seem to weigh more than a grown adult, if his body language is saying anything. I’d make a joke about the conservation of mass being ignored, but since this is Transformers, I can’t really say much. Conservation of mass doesn’t exist for this franchise.

Bumblebee would really like to get this show on the road, and Lennox agrees, quickly formulating a plan to get away from Megatron and taking the AllSpark to Mission City, which is relatively close to their current location, so that they can hide it there.

Lennox, I know this plan is a first draft, and we don’t have a ton of time for revisions, but the whole point of building a whole-ass dam around the Cube™ was because it was very difficult to hide, given its magical MacGuffin powers. Regardless of this flaw, Mr. Secretary agrees. Lennox also asks that the Air Force be involved in this, I guess because the U.S. military wanted more screentime.

Of course, that whole “global blackout” thing is still going on, so we’re going to have to get creative with how we’re going to contact the Air Force. Mr. Secretary and Simmons make a break for the WWII-era radio Sector Seven has, while Lennox and the boys head out to shoot things, and Mikaela and Sam hop into Bumblebee with the Cube™.

This is about the point that Megatron wakes up. The first thing he does is introduce himself, which I thought was very polite of him. Then he breaks out his flail and starts bashing shit around. Not so polite, that.

Over with Bumblebee, we’re shown that the AllSpark, all-powerful object that can create life and is the whole reason this conflict is even happening, is just chillin’ in the back seat by itself. It’s not even buckled up.

Megatron escapes the base, and it’s actually super easy. He just transforms, goes through the tunnel, and he’s free. I feel like we could have at least attempted some security measures for in case the cryo-stasis failed, given that we’ve had this dude in containment for the last 70-something years, but okay.

Starscream comes over to say hi to his boss, not that Megatron gives a shit. He just wants to know where that fucking Cube™ is. When Starscream tells him that the humans have it, Megatron makes a comment about how Starscream has failed him yet again. This is their first interaction in this movie, and Starscream’s been in the story for a grand total of five minutes at this point. I know that this is a reference to their dynamic in just about every installment of the franchise up to this point, but it doesn’t feel earned in the slightest. Even if it’s going to be expanded upon in future sequels, this is a shit-tier way to set their (awful) relationship up.

Not that anyone should ever bank on getting a sequel anyway, but that’s a discussion for another time.

Megatron tells Starscream to retrieve the AllSpark, and then we cut over to the radio plotline. The radio, which is so cobweb-covered I feel like Sector Seven needs to have a serious discussion with their custodial staff, has its nobs and buttons fiddled with by Simmons until it crackles to life. But where are the microphones? Everyone starts looking for the mics, as Simmons pushes Glen into the seat, I guess because hacking modern computers and using Depression-era radio tech are similar enough.

Maddie asks Glen if he can hotwire a 90′s-era computer to transmit a tone through the radio, so that they can send a Morse code message to the Air Force. Which sounds ridiculous to me, but I don’t know enough about radios or computers to know if that sort of thing would be possible. Maybe it’s fine. Or maybe it’s Hollywood bullshit. Who knows?

Back over with Bumblebee, we get a bunch of car commercial shots, of both him and the other Autobots. Aww, the gang’s back together again! Nobody tell Bumblebee that Optimus was completely cool with leaving him to his fate.

Optimus and the gang whip around to join the convoy, and everyone makes their way towards Mission City.

Back at the radio subplot, someone’s bangin’ on the door, trying to get in. The others try to block the intruder, while Glen does his hacking stuff. Mr. Secretary breaks a case and pulls out a gun that’s about as old as he is.

Glen gets the computer working, and Mr. Secretary gives him the Super Secret Military Codewords™ to use to talk to the Air Force. While he does that, Simmons finds a flamethrower and starts burning Frenzy as he attempts to enter the room. The Air Force receives the message for an air strike. Oh, goody.

Over with the convoy, it appears that the Autobots and Lennox’s boys are being pursued by the Decepticons. It’s difficult to tell, seeing as the cameras have gone full Bay-mode, but I’m guessing that’s what’s up. One of the Decepticons flips over a minivan, likely killing a family of five. another causes a multi-car pileup.

Bonecrusher transforms, then Optimus transforms. Bonecrusher iceskates across the highway, slamming into a bus so hard it just straight-up explodes. He is on fire. He tackles Optimus, and they proceed to fall off the side of the raised highway they’re on. Then they beat the shit out of each other, until Optimus decapitates Bonecrusher with his arm-sword.

Yeah, space dad is a little intense in the Bayverse.

Back at Sector Seven, Frenzy’s decided to leave the door alone, and instead is crawling through the ventilation shaft. Mr. Secretary and Simmons fire off shots into the duct above them, as if bullets would do anything against this nasty little pile of needles.

Frenzy bursts through the bottom of the duct and crash-lands into a glass case, taking cover behind a pillar and fires on the humans on the other side of the room. While this shootout is happening, Glen receives a response from the Air Force, just in time for Frenzy to accidentally decapitate himself with one of his own spinning blades of death. This time, he does not survive losing his head.

The Air Force will be sending fighter planes to Mission City, and to establish this, we get several shots of what some might call “military porn.”

Over in the city, the convoy has arrived. Lennox hands several short-wave radios over to Epps, telling him to use them to direct the Air Force when they arrive, so they can take the AllSpark... somewhere, I guess. Above, an F-22 zooms across the sky. It is not one of the Air Force’s F-22s.

Ironhide recognizes Starscream, and gets ready to throw down. Bumblebee grabs a nearby Furby truck and hoists it up to use as a shield. This marginally works, as the missile that hits the truck doesn’t immediately kill him, though it probably did all those Furbies inside.

The resulting explosion throws all the humans around, Mikaela getting weird heaven lighting as she lies unconscious on the pavement. Sam gets it too, though, so I suppose I can’t complain too much about this particular shot. They touch hands. I really wish that I could take this moment of vulnerability as being anything other than an attempt to set up a romance between these two teens who have known each other for maybe half a week. This movie has so starved me of genuine human interaction I'm jumping at the smallest of scraps.

Bumblebee actually didn’t get out of that missile-strike unscathed, his legs having been blown off. All those Furbies died for nothing. Tragic. Sam asks Bumblebee if he’s alright, and immediately tells him to get up. Sam then remembers that Bumblebee’s legs are off, so he yells for Ratchet.

Over with Lennox and Epps, they’ve realized that the plane they saw wasn’t one of theirs. Which, you know, has already been established, but points for getting caught up, fellas. Sam is crying and still telling Bumblebee to get up. Bumblebee is dragging himself across the pavement and whimpering. It’s awful. Where the fuck is Ratchet? This is basically the only reason he’s in this film, and he’s nowhere to be found.

The actual Air Force calls on the radio, asking for their location. Brawl, who is a tank, starts firing on Lennox’s gang. Jazz and Ratchet race through the city streets. How they were separated from the rest of the team is anyone’s guess.

Sam takes a little sit on the pavement to be with Bumblebee, while Mikaela decides to problem-solve and heads for a nearby tow truck. Bumblebee hands Sam the Cube™ because, as the designated protagonist, it’s his job to handle it in the climax of the film.

Ironhide is shot at several times by Brawl, narrowly avoiding being hit each time. This, of course, means that the people he drives by in this shot are almost assuredly dead, since they’re right next to the explosions. He transforms and does a flip, as the film goes slow-mo on a shot of a woman in a low-cut dress watching him flip. She screams. Ironhide screams. I scream, though probably for a different reason.

Jazz jumps on Brawl, managing to kick off a couple pieces of kibble before Brawl grabs him and throws him into the side of a building. Ironhide, Optimus, and Ratchet descend on Brawl, and so does Lennox’s team, Brawl losing a hand and getting thrown into his own building as a result.

Mikaela breaks into the tow truck and starts to hotwire that shit. Wow, a relevant back story that culminates in her being able to save the day, thus completing her arc and staying on-theme for her character. Why isn’t Mikaela the protagonist again?

Oh, right, because ~girl~.

Megatron lands in a nearby alleyway, and Ratchet, knowing this dude is bad news, tells everyone to head for the hills. Jazz isn’t fast enough, however, and gets shot for his troubles.

Mikaela drives the truck over to Sam, who is still sitting there with the Cube™, and tells him to get his ass in gear.

Jazz gets taken to the top of a nearby building and is ripped in two by Megatron, who acts like a bird of prey the whole sequence. Down on the ground, Brawl is starting to get back up from his smackdown. Blackout appears on a nearby skyscraper. Things are looking grim for humanity.

Mikaela and Sam hook Bumblebee up to the tow line as Lennox approaches them. Sam has left the AllSpark out of his line of sight, like a fool. Despite seeing this, Lennox still gives him the flare to let the military know where to pick up the AllSpark. Doesn’t even acknowledge Mikaela. He tells Sam to head for the white building with statues on top of it and set the flare on top of the roof. Lennox can’t leave his men, because he’s the head of his operation. Why he can’t send literally anyone else who isn’t a 16 year-old boy isn’t made clear.

Sam really doesn’t want to do this, probably because he’s a child, but Lennox has recruited him to the military against his will, so he must. Lennox then attempts to make Mikaela leave for her own good, but she tells him to fuck off, because she’s gonna save Bumblebee. Clearly, this is a win for feminism.

Epps radios the choppers coming from the Air Force to let them know they’ll be picking up a package from a teenager, thus locking Sam into the job. Ironhide and Ratchet vow to protect Sam from the Decepticons on his way to the pickup point. Not one single person has pointed out how fucked up this is.

Sam starts to run off, when Mikaela stops him to let him know that she’s glad she got in the car with him roughly an hour ago. They don’t kiss goodbye, which, honestly? Good. This fucking movie hasn’t earned that. Sam for sure hasn’t earned that, even if he did clear her juvie record. No word on that having actually been done, by the way. Sam never got confirmation, and I feel like he’s not really the type to follow up on things.

Brawl fires off some shots and makes things explode. Ratchet and Ironhide provide cover fire as Sam sprints down the road. Yep, they’re making this idiot WALK to the pickup point. Sure hope the elevators are working today, otherwise this is going to take forever.

Sam carries the AllSpark like a football, and in a better movie, this would have been foreshadowed by Sam having actually been a football player prior to the events of the film, perhaps removed from the team for some character flaw he’s since grown from/accepted. However, this is Bayverse, and well, men don’t have to justify their existence in the story with things like themes and having even an ounce of thought put into their character.

Back with Mikaela, Lennox has refused to learn her name, calling her “girl” as he screams at her to get Bumblebee hooked up to the tow truck. Which she was already doing when he got here. Lennox, dude, you’ve got a daughter now, you’re super extra not allowed to treat women like this.

Optimus Prime pulls through an alleyway and crashes into a pile of garbage. I can forgive him being late, seeing as he is a big rig, and probably had to take the long way into town so he didn’t get stuck in too-low tunnels. Don’t worry about how we briefly saw him during the Brawl take-down. This is his for real entrance into the climax.

He whips around and transforms, ready to throw the fuck down. Megatron spots him from his perch and descends.

Y’know.

Like a vast, predatory bird.

Megatron shoots at Optimus in his alt-mode, and Optimus catches him like a frisbee. Unfortunately for Optimus, it would appear that the horsepower on a Cybertronian flightcraft is hella intense, and he’s carried away. The two of them crash through an office building, then roll around in the streets punching each other in the face, debating the worth of humanity as they do so. Wish I actually gave a shit about either of these people, but alas! The film spent most of its runtime objectifying women and insulting minorities. I know nothing about Optimus, and even less about Megatron.

Megatron transforms his arms into a laser gun, and Optimus does the same. They shoot at each other. Optimus gets thrown into a building, then lands on the sidewalk below, definitely crushing a dude underneath him, but I guess we didn’t check that the shot was clear for where the CGI was gonna go, so he’s fine.

Sam’s still running through the streets, while Blackout murders, like, so many people behind him. Starscream lands in front of Sam, running into roughly 30 cars as he skids to a halt. Ratchet and Ironhide fire on him, as Sam takes a breather behind a car. Starscream transforms and blasts off. He was here for about 15 seconds. Sam begins running again.

Megatron is now following Sam, because he wants that Cube™. Sam is hit by a car- not an evil one, just a regular car- and trips. The impact makes the AllSpark activate, which grants several machines in the vicinity the gift of life, including the car full of bitchy women that just hit Sam, who are upset that hitting a human being might have scratched the paint.

I get it, you hate women, can we PLEASE stop beating this dead horse?

Sam finally gets to the pickup building, which turns out to be abandoned and fenced off. Good thing the gate was open, otherwise things could get really complicated. He heads inside, Megatron crashing through a floor-to-ceiling window shortly behind him. Megatron makes the claim that he can smell where Sam is. I’m going to choose to believe that he isn’t lying here, since Ratchet did something similar earlier.

Sam finds the stairs, and Megatron calls him a slur.

He doesn’t, really, but the voice modulation certainly makes it sound that way.

While this is happening, Mikaela is driving the tow truck down an alley, dragging Bumblebee behind her with the tow cable. She stops for a moment to have a short breakdown, seeing as she is a teenager in what is currently a warzone.

Sam is still running up the stairs. Outside, the military shoots at one of the Decepticons. It is, of course, doing absolutely nothing to the giant metal space robot. Mikaela concludes her moment, looking back at Bumblebee, who gives her the okay to keep going with dragging his ass across the pavement. She whips the truck around and tells Bumblebee “I’ll drive, you shoot.”

Mikaela then proceeds to speed down a main road of this sizable city backwards, running into cars and more or less shoving Bumblebee along to his destination.

The military has finally realized that their efforts have been pointless, but it’s okay because Bumblebee is here with his superior firepower. Bumblebee proceeds to shoot Brawl in the chest, which kills him. After this, he tries to act cute, lifting up his battle mask in a very “did I do that?” way, as if he’s not the same guy who ripped Barricade apart earlier.

Sam, meanwhile, has finally reached the top of this dilapidated building. Helicopters are approaching his location, but will they make it to him before Megatron does? Honestly, I’d be more worried about Starscream on the building just due East.

Sam is just about to hand the AllSpark over, when Starscream fires at the ‘copter, causing it to crash and nearly chop Sam to pieces. Optimus Prime runs towards the scene, on a roof that I refuse to believe could actually support him. Megatron punches thought the roof from the bottom and asks Sam some philosophical questions. Sam can’t answer, given that he’s hiding on the edge of this building, his flimsy grip on one of the angel statues being the only thing keeping him from falling.

Megatron tells him to give him the AllSpark, and in exchange he might not kill him immediately. Sam tells him to fuck off, and Megatron flails the chunk of building he was hanging on to, causing Sam to fall to his death, thus ending the film.

I’m lying to you. Michael Bay is making me into a liar.

No, Sam is, instead, caught by Optimus, very likely breaking several ribs on impact. This is the point where I realize that they’ve given Optimus fingernails. Sam clings to him like a baby koala, as Optimus parkours down the sides of two buildings, Megatron in pursuit. Megatron actually lands on Optimus 2/3rds of the way down, causing the both of them to fall onto the pavement below. How Sam survives this is a mystery.

Megatron recovers from the fall first, flicking a human away from him for having the audacity to exist in his space. The flicked person hits a car, and is almost assuredly dead. At least, I sure hope so, given that this is the director cameo by the Bayman himself.

Feminist icon Megatron?

Feminist icon Megatron.

Optimus comments on the fact that Sam almost fucking died to get the AllSpark out of dodge, and we get the return of “No Sacrifice, No Victory”. Which, I mean, I guess he’s allowed to say that, since he’s actually had to do something that warranted it. His dad doesn’t get to, though.

Optimus then tells this teenage boy, who has already had a hell of a day, to kill him by shoving the AllSpark into his robot-soul-heart, should he be unable to defeat Megatron.

I dunno, I just feel like it’s a bit of an ask.

Sam climbs off of Optimus so the Prime and Megatron can rumble. He runs through the ruined infrastructure of the city, so he’s less likely to be crushed. Optimus tells Megatron to square the fuck up, stating that “one shall stand, one shall fall.”

Then he gets ragdolled around a bunch, so maybe he should have saved the talk for later in the game.

The military is running around some more, stopping in an alley to see Blackout transform to root mode. Yes, the goo-goo eyes were indeed made by several members of the watch party that started this whole thing. People went wild for Rotor-Cape Johnson.

The fighter jets from the US military are arriving in a minute. Epps warns them to aim for the robots that aren’t evil. Lennox and the gang spread out, reminding each other to aim for the underboob, since Transformers’ armor is weak there. Epps marks Blackout with a little green light, which Blackout almost immediately notices. Blackout fires on the military.

Lennox has stolen a motorcycle and is driving through the streets to circle back around and jump off of the bike, sliding on his back to shoot Blackout directly in his underboob. Wonder what his uniform is rated for for road rash.

Sam is watching as Optimus gets his ass handed to him. Up in the sky, Starscream commits identity theft, and then attacks the Air Force. The Air Force can multitask however, and light Megatron the fuck up. Sam has, for some reason, come out of hiding, and Megatron uses this to his advantage, trying to take the AllSpark from him.

Optimus tells Sam to put the AllSpark in his chest, but Sam has a better idea. He shoves it into Megatron’s chest, which has been basically shot open at this point. Megatron makes a Space Invader noise, convulses a bit, then falls over dead.

Congrats on your first murder, Sam.

Optimus tells Megatron’s corpse that he got what was coming to him, then implies that they’re brothers. What flavor of brother isn’t established, but neither was basically anything between the two main faces of the franchise in this film, so it’s fine.

Ironhide walks up holding the two halves of Jazz. Optimus informs Sam that he now has a life-debt to this child. Whether or not Sam is absorbing any information at this point is up in the air. Mikaela shows up, with Bumblebee in tow.

In tow.

In tow-

Sam stares at her blankly. Mikaela stares back, making the pretty girl face. Man, what a great dynamic these two have.

Jazz is dead. That sucks. Optimus is handed his corpse to hold, while he thanks his new friends for helping out.

Then Bumblebee talks and he’s fucKING BRITISH.

Sam is obviously shocked by the fact that Bumblebee is British able to talk now, since not talking has been his whole thing up to this point. Optimus doesn’t let it phase him. Neither does Ratchet, despite having been working on Bumblebee’s throat injury for centuries at this point.

Bumblebee wants to stay on Earth with Sam. Optimus is just like whatever. Sam agrees to have a sweet Camaro from outer space.

Optimus pulls what is left of the AllSpark out of Megatron’s chest. I’m sure that’s not a setup for potential conflicts, not in the slightest.

Over in Washington, D.C., the US President has ordered Sector Seven be terminated, and all the Transformer corpses be disposed of. And by “disposed of” they mean “thrown into the ocean.” Dang, sure hope Earth signed some sort of agreement with the Transformers so that they never come to Earth again. You know, just be proactive about our galactic safety.

The Linkin Park kicks on, as Optimus gives us our bookend narration, telling us what the Autobots plan to do now that their race is at a genological dead end. As he does, we see Lennox reunite with his wife and child, who I had genuinely forgotten were in this movie.

Optimus is pretty chill with Cybertron dying out, because now they know about Earth. We get a shot of Sam and Mikaela making out, a shot that becomes more and more horrifying the further they zoom out, because they’re making out on top of Bumblebee. Who they KNOW is a sentient creature at this point.

And then it gets even worse, because the shot changes, and oh hey! Turns out that the rest of the Autobots were just chillin’ off to the side while this went down. Optimus continues his monologue, just walking around in his root mode as he tells all of Makeout Point how they’re “robots in disguise” now.

The monologue is actually a transmission he’s sending out into space, inviting any of his leftover pals to come kick it on Earth with them, because Earth is pretty cool.

And that’s where they leave us.

IT TOOK THREE PEOPLE TO WRITE THIS SCHLOCK.

So. Bayverse 1. A film showcasing xenophobia, misogyny, and toxic nationalism. It’s rough. Is it the worst film I’ve ever seen? Not even close, but it’s bad, and it was a huge deal at the time of release. Everyone was seeing it, everyone knew the actors and robots, everyone had a scene that they liked. Everyone was exposed to Bayverse, and as a result, a lot of people entered the Transformers franchise thinking that it was all like this.

And really, how far off would they have been in 2007?

When a franchise refuses to introduce female characters until years after being established, when all those female characters have the exact same body type, when a franchise hires misogynists to write stories, when it allows shit like “Prime’s Rib!” to be published- no wonder Michael Bay was approached to direct.

What a mess.

--------------------------

COMING SOON:

TRANSFORMERS: REVENGE OF THE FALLEN (2009) - MEGAN FOX I AM SO FUCKING SORRY

TRANSFORMERS: DARK OF THE MOON (2011) - WILL YOU JUST STAY DEAD

TRANSFORMERS: AGE OF EXTINCTION (2014) - SHUT UP ABOUT THE LAW SHUT UP ABOUT THE LAW

TRANSFORMERS: THE LAST KNIGHT (2017) - ACTUALLY, FUCK CONTINUITY

#transformers #bayverse #part one #maccadam #Hannzreads #Hannzwatches #text post #long post #film analysis #off topic

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