#gothrus

[ladeeferal]

I know you want to see what's under the egg plants!

[bunnihearted]

most ppl really shouldnt be allowed to have children lmao

[lesbovalentine]

ok first gothru reaction to opla ep 1. was smiling the entire time

[gyahyahyahayhahayahyahyahyahyaha]

i had a dream my mom an di figured out that this bank was distributing fake bills and then one of the... heads behind this plot actually approached us and walked down this street in this "historic" lookin town and started like telling us "what happened and why". she looked like a cartoonish corporate white buisiness woman evil villian with one of those high fashion buisiness suits... agh fuck i can tremember the exact name of the designer who designed somthing similar looking but it was liek one of those suits with large almost pauldrons with how pointy and out there the shoulders were. it was beige n black iirc

as she was telling us that they were distributing the bills to cover up a mistake the bank made for the sake of retaining trust and explaining the exact processes and logistics of thje whole plan, she was leading us to this restauruant and as soon as we reached the door she suddenlyh started acting all hush-hush about it like as if she was actually concerned about keepign things hidden. she started talki8gn about going tsomewhere more "private" where we could continue this "discussion". and for some reason we just followed her into the restaurant. it was like one of htose somewhat fancy places with mostly low lighting and the entire place looked kinda ... red cuz of it. all these ppl tightly packed and barely any space to navigate inbetween them. the floors were redish brownish, the walls were redish brownish too and like the only thing that like wasnt were the writhing masses of ppl that seemed to mostly be wearing black(?). everything was so closely packet together it kinda felt like writhing masses anyways.

i think my mother was handed this large plate of ground beef as we were walking along. we kept following the bank lady until she walked past a door and we stopped for a second. i wondered if we should gothru the crowds of tables to work our way around back to ther or just.... leave. i decided to investigate why we were handed a large plate of ground beef before we were seated and it was kinda impossible to get aroudn so i located the nearest table and set the plate on there and started diggign around in it. i remember arguing wiht my mom about whether we should bother trying to find the bank lady again and as i was, i began to seriuosly question why we even let her lead us here. why did she bring us HERE? why were we handed this large plate of fucking MEAT. why was she even spillilng her guts out about her plan for us and possibly anyone who we passed by on the street? what was in this plate. it was like a fucking mountain of meat. after investigating the plate for a bit and fucking around with it dont remember what i found but i told my mom that we HAVE to leave. RIGHT now. then i think the dream ended.

[dragonsrcool4real]

i really hate it when people are like “you’re strong” “you’re brave” when i GoThru Things i don’t even fully know why it’s just like. girl i didn’t have a fucking choice

[abandonedsdjfhcvndfbv]

Ifeel like im like way more dissociative recenlry And i cant eat eitehr thats really not helping andhte pangs of pain this dormant hunger sometimes forces me to gothru and my tiredness and this feeling like my body is a sticky and sore shell i am forced to be in it doesnt feel like mineeeeeee Let me ascend

[reynaruina]

Bless us with top zim.

My blessings have a recharge time of about 12 hours, give or take a few days/months. Gotta get me some manaaaa

[reds1981]

.

[jmoreen]

"Regardless Of The Drama Going On In This Crazy World... I Still Have A Work To Do..." I Will Rise! Sorry For My Absence Fam... Hold Me Accountable. It's Time To Make It Happen The #GetaddictedWay #NoMatterWhat #iWillRise #MakeItHappen #Motivation #BlockOutNegativeEnergy #PushPass #GoThru #GetAddicted #GetAddictedMovement #RiseUp https://www.instagram.com/p/B8RQ-_GAGm1/?igshid=ysxhyatlbhc

[nsr-scrapped-records]

Oh gosh I'm trying to write an essay and now all I can think of is possible future NSR where 1010 have to overcome grief as Neon J refuses to get rid of the last remaining part that keeps him human (his heart) so he ends up passing. Yinu, who by this time has lost her mom as well, helps 1010 cope and find ways to help them accept that Neon J is now gone. (Also, on a slightly less sad note, I feel like whatever DJ is would have very long lifespan compared to a normal human, so maybe they also help 1010 cope)

-《¤》

THRYD GOTHRUE GHTTY THEY GON MOSS THEIR DAD BUT YJNU IS THERE TO HELP AND THEY WERE PROBABKY THETE TO HELP HER AND DJ IS GON NE A GOOD FRIEND AND HELP TOO

[noisegf]

Hey does anyone know the like process I need to gothru to get my legal name/gender shit changed in PA? I’ve googled it and I think? I understand the process but I’m not like 100% sure?

[kapiche]

i usually never gothru my new followers but if anyone wants me to follow them just ask n i will!!

[vrheadsets]

IVRPA 2017: Seeking A Path Forward For Creators

The International Virtual Reality Photography Association (IVRPA) 2017 conference brought together over two hundred 360˚ and virtual reality (VR) content creators from across the globe for four days of keynotes, workshops and social events. Set in the city of Vienna it was also an opportunity for attendees to create some fabulous 360 content.

Content and Product were the main themes of the event. The ecosystem suffers from a multitude of friction points which means that both content and great creative needs to flourish to drive habitual and sharable usage. There is also a need for Product, such as editor tools & hardware to improve to enable both brands and consumer easier access into the marketplace.

Three recurring themes became clear throughout the event:

The need for audience, monetisation and distribution solutions for creators.

The vital importance of improvements to post production software and hardware to the creation process.

The generous nature and importance of information sharing and education within the community.

During the four day conference set in Vienna creators of all kinds demonstrated the meticulous nature of their craft and illustrated the planning, precision and patience needed to create 360˚ content. Yet passion and dedication do not pay the bills or fund further creative projects – this fact, the need for clear paths to revenue for the creator, was touched on  on several occasions.

On Saturday I took part in a panel discussing the challenges and opportunities for monetisation. The need to educate clients on how to integrate 360˚ content into campaigns was recognised as key together with the need to avoid over-investment in a one off immersive campaign that doesn’t deliver on KPIs. Furthermore, creators need to appreciate that ‘great content’ may not satisfy all use-cases for a brand campaign & they need to remain flexible.

Another friction point for clients is the issue of scale. The current volume of headset sales does not provide the reach that brands require or expect for their campaigns. As an industry we need to provide brands with easy to implement solutions that deliver integrated 360˚ immersive experiences at scale. At Blend Media we’re working on a technology solution that can easily be used by brands, their agencies and publishers to create 360˚environments that can be published across social channels via WebVR technology. Headset adoption will increase overtime but more immersive experiences on handheld devices enabled by WebVR provide a more immediate path to revenue for creators. Solve the issue of friction and sale for brands and demand for content will increase, this in turn, will provide creators with more opportunities to monetise their content and fuel their passions.

Many of the members of the IVRPA have been creating 360˚ content for well over 20 years and could be considered as some of the founders of this now nascent industry. These founders were innovators, building their own solutions or iterating on and improving existing. With up to 75% of a creator’s time being spent in post-production, technology improvements and software tools are a vital component of the creator’s toolkit. Stitching software solution PTGUI announced some key product updates in PTGUI 11 including UX changes to increase working space and streamlining of management of source images. A key tool for creators many of these improvements were met with cheers of appreciation from the audience. Other product updates were presented by Kolor/GoPro with Autopano Video Pro 3, GoThru and hardware solutions from Theta, iZurgar and Indicam .

Finally what was clear was the importance of sharing information and learning throughout the community. In such a positive and supportive community people were not afraid to stand up and share stories about when things didn’t go to plan, lessons learnt and to acknowledge that they were still working things out. That’s what makes this industry and specifically the IVRPA community so exciting. Innovative creators are at the forefront of driving the industry forward. Key to enabling the creative process to be driven forward will be collective community learning, technology developments to improve production quality and efficiency and finally clear paths to revenue to fund the craft and drive the creative process forward.

from VRFocus http://ift.tt/2sLyj46

[ultimatebellarke]

They Say No Lies

by ultimatebellarke

Only those in a bond of marriage are allowed safe passage. It’s a just negotiation deal for Clarke—but Octavia knows her brother thinks otherwise. // read on ao3

The Grounders all have their arrows cocked, ready to fire at a single command from their Head—who, much to Octavia’s astonishment, is an elderly woman. She is carried on a chair by several warriors, and is voiced by her much larger, stronger Second. She tries not to stare at the elder, she really tries—but the sight is so rare. She can’t remember the last time she saw someone so old.

Clarke’s voice pulls her away from her gawking. “We mean you no harm,” Clarke is saying, “Osir laik skaikru en osir gaf gothru klir.” We are skaikru and we seek safe passage.

The Second hisses, “We do not welcome strangers.”

“We have protection from—”

“We are part of no alliance. Turn around at once, or be killed.”

Octavia scowls, a hand reaching instinctively to her dagger. Clarke continues, desperation tinting her voice. “If you don’t let us pass, we are all going to be dead.”

The Second, eyes flaring, opens her mouth, but is stopped by a single lift of a hand from the elder. Her voice is quiet, barely decipherable. But Octavia hears the words: “Teik em.” Let them.

The Second’s mouth falls. She hisses, “Ogeda em?” All of them?

The elderly shakes her head. “Hedon." Law.

The Second’s eyes scour over each of them. “Our Land is sacred ground,” she says. “Only the truest of bonds may pass.”

“What bond?” Octavia asks.

The fire of the Second’s eyes now targets Octavia. “Hodnes.” Love. “We require a bond of marriage.”

Octavia glances at the mission crew. Clarke, Bellamy, Monty, Miller, Abby, and Kane. Absolutely no one is married.

Kane says, “Please, have faith that bonds of the truest love exist—”

“Marriage,” the Second snap, “is the only true bond.”

“We are married.”

Octavia knows Clarke has spoken only from the stiffening of her brother. Clarke looks unfazed. She, gesturing to Bellamy, says, "He is my husband." Her eyes remain determined, but Bellamy has gone still.

The Second’s gaze roams over Clarke, then turns to scrutinize Bellamy. “You lie,” she says.

“No,” Clarke says. “We are married. We are allowed to pass.”

“Where are your tattoos of marriage?”

Clarke doesn’t even blink. “Skaikru marriages do not require tattoos.”

The second scoffs. “No tattoos, no entry.”

“Then we will get tattoos," Clarke says.

Octavia’s eyes are on her brother’s fingers, which relax fractionally as Clarke’s hand finds them. “We wish to get them at this moment," Clarke says, unblinking. "Our passage is urgent.”

The Second spends a long time looking at the two, their entwined hands. Honestly, Octavia does the same, because how, how is Clarke even thinking of doing this? The tattoos of marriage are a vital bond of life—they are unreplaceable and fundamental and Clarke is out of her damn mind.

Shit, the Second’s eyes are now on her. She coaches her face into neutrality, trying not to imagine these life-altering tattoos being etched into her brother’s skin for a negotiation term.

It proves harder than expected.

“Gona,” the Second says. Warrior. “Do you verify their bond?”

Octavia swallows, keeping her eyes from drifting back to Bellamy. Lifting her chin, she says, “Yes.”

The Second bores her eyes into Octavia a moment longer. Then, she turns her eyes to the rest of the mission crew. “Do you all verify?”

They do not hesitate in nodding.

The Second clearly is not convinced. Yet when she whirls around to the Head, the elder only nods. The Second, nostrils flared, approaches Bellamy and Clarke. “We will then commence the tattooing ceremony immediately. Wait here as we gather the supplies.”

With that she turns, hoisting herself on a horse. Her and the warriors, along with the elder, ride off, leaving the mission crew stunned and still.

Before Clarke can turn to Bellamy, Octavia is already there, yanking her brother away from the crew, all but pushing him into a tree. “What the hell do you think you’re doing?”

Bellamy tries to appear partial, but she sees his clenched jaw, his white knuckles. Sometimes she thinks she knows him better than he knows himself. He says, “I’m getting us safe passage.”

“Stop.” Octavia does not bother disguise the anger embittering her voice. “Stop pretending. Stop lying. Do you even know what those tattoos represent?” Bellamy opens his mouth but she barrels on. “Those tattoos mean you value each other’s lives over all else. It means you stand by each other’s sides and keep each other safe until the day you both die. With the tattoos, you become each other’s ally in conflict, sanctuary in adversity—your navigator, consoler, your partner for a lifetime.” She is slightly out of breath when she finishes. When did she memorize the words? A man with dark eyes and the brightest smile flashes in her head. Of course. It was when her own partner was still here to walk beside her.

Her grievance she replaces with anger, directed at full at her brother. “Those tattoos are a big fucking deal, Bellamy. What they represent is unbreakable.”

Her anger dims, just for a minute, as she registers Bellamy’s eyes. He looks about a thousand years old, as if he hasn’t slept since the day they landed on Earth. Both of which, she supposes, are true.

Bellamy swallows, lifting his head. “My tattoos,” he says, “won’t be representing a lie.”

When he walks past her, she lets him go. Octavia clenches her hands tightly to keep from punching the damn tree. Her brother is in love, she knows. And it is breaking him.

[yoosnug]

update: saeyoung choi is the king of my heart and icant even believe how much of happiness he is to me i hope hes well rested and accepting himself rightnow !!!:]