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#goodbye 2010s
angelic37 · 11 months
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TENTOO DAY GIFT EXCHANGE ► milestones for @demdifferentstories-29 (Happy birthday Lily!)
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hannahssimblr · 4 months
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In the hallway after school on Tuesday, as I head to my locker to retrieve my gear bag, I spot Miss O’Reilly. She is locking up the art room, and gives me a big smile as I approach her. She’s always doing that, smiling at me, I mean, and it throws me off. It's usually not the expression teachers have when they see me coming.
I smile awkwardly in return and she turns her body towards me, takes a step, prompting me to halt beside her instead of barrelling past her like I would have, not enthused about facing the wrath of Doherty if I hit the rugby pitch even one minute late. 
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“Jude! I've been meaning to congratulate you.”
“Um, for what?”
She laughs as though I’m being dense deliberately, “I spoke to Eileen, the guidance counsellor last Friday and she told me about your offers.”
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“Oh, for college.”
“Yes! How wonderful. I’m just so pleased for you that everything worked out the way that you hoped it would, after all of the hard work you put in this last year it’s just fantastic to hear it. And tell me, did you get accepted to every college you applied for?”
“Yeah.”
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“Wow,” she takes a big pause, taking it in, “wow. You must be delighted. How does it feel?”
“I dunno, miss.”
“Hard to get your head around, I’m sure. Your parents must be proud too.”
“Mm.”
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She’s determined to ignore our mismatched attitudes towards this news, taking a big, jubilant breath before launching into more affirmations, “well, what a confirmation of your talent and skill. I had a really good feeling about your work when you came to my class last year, and I’m just so pleased that you got the results you wanted. Have you decided which college to choose yet?”
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I shift my weight from one foot to the other, “yeah I’m choosing NCAD.”
“Oh!” I can tell she’s trying to maintain her upbeat attitude, but eyebrows slowly draw together in confusion, “I hadn’t realised you changed your plan. When we last spoke about it in March you told me you were looking forward to attending universities abroad.”
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I shrug, “Yeah, I, um, I changed my mind in the end. I’m going to stay in Dublin.”
“Hm, okay, I just… Jude, do you mind if I ask you why?”
“Yeah, you can ask,” I say, and am instantly horrified by the tremor in my voice. I fight it back with a hard swallow, “It’s just, like… um,” Oh God. What is happening to me? I’m conscious of the crowds of students milling through the hallway right behind me, and of the fact that I categorically cannot do this here. “Sorry…”
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“Oh, come in,” she says in a low voice, jangling the keys in the art room door with an urgency that feels entirely necessary, and when she lets me into the room ahead of her I stand dumbly in the middle of it as she fumbles with the blind over the glass doors, tingling jolts of anxiety running down my arms and through the tips of my fingers. 
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“What is it, sweetheart?” She says, and simply that, the word she uses and the way she uses it makes me want to crumple onto the linoleum floor in front of her. 
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“You’re alright, you’re just…” she purses her lips, searching for the word, “overwhelmed, I’d say. College and all of that kind of thing, it can get on top of you at this time of year. I know it’s a lot to think about.”
I manage a grunt of vague agreement. 
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Miss O’Reilly drags a folding chair from the side of the room, “C’mere, sit down there and we’ll have a quick chat about it.”
“Um, Mr. Doherty…” I say, and she understands, “Don’t mind him. I’ll talk to him tomorrow.”
“Okay.”
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She settles into a seat across from me, and gives me an encouraging smile. As I search for the words I want to say I’m cognizant of how comforting this woman is, how unfazed she is by me and whatever it is that is happening to me in this room. She has a daughter, I know that, a daughter who goes to our school and for a moment I’m jealous of her, that fourteen year old girl who gets to have a mother like this one, that is soft and comforting in all the places where mine is sharp and disinterested in me and every feeling I have ever experienced. 
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I’m not convinced that I even know how to talk about things like this, afraid that I will try to and come across like the weirdest, most unhinged person on the planet. My thoughts and feelings will be so nonsensical that they will make everyone around me cringe with discomfort. “I’m trying to do the right things,” I attempt, “but somehow the right things feel very wrong to me.”
“When you say ‘the right things’, Jude, do you mean you want to choose the right college?”
I nod. 
“And why does NCAD seem like the right choice?”
“Because of my girlfriend.”
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“Michelle?”
“Yeah. I didn’t know you knew that to be honest.” I never thought that teachers noticed or cared about things that weren’t arbitrary uniform rules and homework assignments, but evidently I was wrong.
She smiles kindly, “So Michelle is going to NCAD?”
“Yeah if she gets the points in her leaving. She applied for all the same colleges as me but got none and now I feel sort of... like I have to stay for her.”
“Is that the right decision for you?”
“I dunno, miss.”
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She hums contemplatively, “I’m sure you’re tired of hearing this kind of thing, but it’s not always the best choice to base big life choices on your girlfriend when you’re only eighteen years old. Especially one as important as your university.”
“Yeah.”
“It’s never an easy choice to make. I really empathise with you here, because when you’re in love with a person, you-”
“I don’t even know if I love her.”
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There’s a pause, she looks surprised, and so am I. I'm stunned that I told her that, this thought that I've never dared to utter before.
And then everything comes spilling out of me. “Look, it’s just that I feel very trapped,” I say, “Sometimes I think there’s something abnormal about my brain, because I make decisions that even I don’t understand, like with Michelle... when I think about us being together and our relationship I can hardly remember anything good that’s happened between us for a long time, the last fun thing we did or the last time I felt happy. I can’t even remember what I was thinking when we got together. I feel like I’m on autopilot, or like things are just happening to me without me having a hand in it.
“Somehow I’ve just, like, ended up here and I’m making plans with her and promising her things that I haven’t even decided if I want yet. I thought that I wanted to move away, but maybe I don’t anymore. Maybe it’s wrong of me to do that, because what if I go away and then I realise that what I actually wanted was to be with Michelle?” 
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I breathe in, knowing that I have probably been talking too much, but now I am unwilling to stop, “My parents, they’re fighting a lot at home. Something happened a few months ago and it's just been a battlefield ever since. I know that if I go away I’ll leave my sister alone to deal with all of it. She’s only nine, and the constant tension upsets her so much, she goes into a spin about it and starts fantasising about all of these awful scenarios, and see, my parents don’t know how to deal with her, they don’t really like it when kids act like kids. Or at least they’re not that interested in them– in her. I keep imagining this future where I’m gone, I’ve left home and I’m hundreds of miles away and she’s all on her own with them, and there’s nobody to really look after her because I can’t get home so easily, and when I think like that, even the thought of going away, even wanting it a little bit makes me feel like the most selfish boy on earth…”
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Miss O’Reilly produces a tissue and holds it out to me. I stare at it for several seconds before I realise she is offering it because I have started to cry. My face is somehow wet with tears. “Oh,” I say, hoarsely and take it. 
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“Jude, you’re still a teenager.” She says gently, “You can’t possibly be responsible for the emotions of every other person around you. It’s too much.”
“Yeah.”
“When you’re young you have to make selfish decisions, ones meant for yourself and yourself only. Nobody else is going to make them for you. You have to really ask yourself what the right choice is for you, whether you’ll be able to be truly happy in your current circumstance where nothing may change or will you be better off on your own, doing something you love and experiencing real freedom in spite of how others may feel about it.” 
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I wipe my eyes and nod, staring down at my lap, still in a state of shame and disbelief that I have allowed myself to sob like this in front of my teacher, though if she is bothered she doesn’t show it. 
“When you imagine your ideal life,” she urges, “where none of these things are a factor, not the things you promised to Michelle, not what's going on at home, what does it look like?”
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“God,” I breathe, almost chuckling because the answer is so easy, “I’m gone. I’m not here. I’m just miles away and I’m making art and hanging out and doing what I like.” It sounds so simple when I say it out loud, yet for the longest time now I’ve felt like a criminal for wanting these things. 
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“And where do you see yourself?”
“Berlin,” I say, surprising myself. It’s not like I’ve put real time into thinking about this, visualised myself walking those streets, in fact I don’t even know what Berlin looks like, but it feels right to say it, as though there is some cosmic reason for me to go there. Perhaps only because it’s the furthest from home. 
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Miss O’Reilly nods, “NCAD is a fine college, Jude, but your talent is wasted in a place where you don’t want to be. You could do anything you want. You have incredible potential and I’d be very sad to see it wasted. Life passes you by very quickly, you know, and these kinds of opportunities don’t present themselves as often as you think. It may seem obvious, but you only have one life to live.”
“Yeah.”
“I can’t tell you what to do. I can’t make a decision for you, but all I want you to do is really think about this. Put a good amount of thought into what you really want when you remove everyone else from the equation, then, once you know, you can decide what's worth sacrificing. Do you think you can do that?”
“Yes, miss.”
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“Good, then that's your homework,” She smiles and reaches to squeeze my hand, which I am embarrassed about because my skin is clammy, but just like everything else about this moment that is humiliating to me, it doesn't appear to faze her.
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“Thank you,” I say, and she nods. “I hope you’re not in a hurry to get to your rugby practice.”
“No,” I sniff, and let out a thick laugh, “No miss, I think I’ll skip it today.”
“Good,” she says, “That’s a good start, see? Here you are, doing exactly as you wish.”
She smiles at me, once again, that bright, warm smile, and I give her one in return because maybe it's just me, my weird brain and the things it invents, but the feeling of hope that rises in me in that moment feels very real.
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tygerland · 2 months
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Jean-Luc Godard Goodbye to Language. 2014
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missing whatever was happening with them on any podium, or any situation tbh
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amitasumann · 2 years
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Martin Scorcese’s GONCHAROV (1973), dir. Mateo JWHJ 0715
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sukibenders · 5 months
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Looking back at Girl Meets World, it will forever irritate me especially for how they handled/treated Angela. Oh this show really hated black women because how do you not only 1.) describe her, one of (correct me if I'm wrong) only few black and MAIN characters of the og show, as a "concept" 2.) have characters show obvious disgust at the small mention of her name 3.) depict her as a homewrecker for a new relationship that, really, shouldn't have ever happened 4.) have her old friends treat her like dirt and her old lover like she is the root of his problems, when there was nothing but positive love there 5.) reuse all the concepts from said previous love story just to elevate the new ship with a yte woman and 6.) compare her to Hurricane Katrina, one of the deadliest hurricanes that caused significant numbers of death, harm, misplacement, and trauma to people, largely of whom were black? Mind you, all these points I mentioned were toward the only main black character of the OG show before the spinoff, and the only, from what I can remember, black female character of the spinoff who didn't even stay long. Not even getting into the racist drama with some of the members on set, but you cannot look me in the eye and tell me that the way the show handled Angela, her story, and her relationship with the other characters + Shawn wasn't fucking disrespectful, you can't because I won't believe you.
#boy meets world#girl meets world#like this show had so many issues (from its depiction of autism to religious intolerance to supporting grooming)#but this was a whole other level#it was especially hurtful as a young black girl to see growing bc i really tried to like this show with its lacking diversity#but coming from watching bmw to this a show from the 90s that depicted a black character better than a 2010s show- u get my point#and its so wrong bc it depicts angela as being the one to end the relationship when all she said in bmw how she#didn't want to see her leaving as a goodbye and there was ambiguous hope for the future#also shoving shawn to be with maya's mom was really unnecessary#not only bc of how it depicted being raised in a single parent household so negatively#but that the only way to solve maya's problems was for her...to have a dad? like that really isn't how it works#i blissfully live in the delulu where angela and shawn came back together once she left europe and he eventually married her#after they graduated college and have a beautiful family together#shawn x angela#don't even get me started on how whenever there was a guest cameo it was met audience applause and happy reactions#but when it was for angela: crickets 😬#back to maya- i feel like it would have been better for her story if shawn didn't marry her mother (and was with angela) and u would see her#hope and wish for the opposite to where it nearly consumes her only to finally be sat down and informed that#even if shawn isn't with your mom he'll still be in your life as a father figure no matter what#i personally feel like that would've been better#but this is largely just s rant so forgive the structure of it al
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celluloidrainbow · 14 hours
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THƯA MẸ CON ĐI | GOODBYE MOTHER (2019) dir. Trinh Dinh Le Minh Văn comes back to Saigon from the US with his boyfriend Ian to visit his mother. Being the male heir of the family, everyone expects him to take a wife soon. And to top it all, his grandmother, who has Alzheimer, mistakes Ian for her grandson. (link in title)
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nine-frames · 1 year
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Tschick (Goodbye Berlin), 2016.
Dir. Fatih Akin | Writ. Wolfgang Herndorf (novel), Lars Hubrich, Fatih Akin & Hark Bohm | DOP Rainer Klausmann
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cigarettetracks · 3 months
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twelvessa · 26 days
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muhammadgiovanni · 9 months
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bloodcoveredgf · 1 year
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why have i not seen every 80s horror flick in the entire world. there are actually so many i havent seen i have to die but also i can never be killed because then i wont be able to watch all of the 80s horror movies i have access to forever... oh god
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saw2004directorscut · 2 years
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The Cabin in the Woods [2011] Promotional posters
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picturebookshelf · 1 year
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Wave Me Goodbye (2017)
Story: Jacqueline Wilson -- Art: Nick Sharratt
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dearmrsawyer · 1 year
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i have had the most wonderful time with the flash these 9 years, its been one of my most sacred spaces, full of fun and joy and heart. flash has been about friendship and inviting others into your family and winning with kindness! and i've honestly loved every second! i remember when we first met barry in arrow, and i KNEW before they'd even showed his face that he was about to be someone important by the little musical cue that played over him getting out of that cab with the newspaper held over his head. i just knew we were meeting someone special i wanted to go on a journey with and it was the MOST fun journey. i am going to miss flash a lot a lot a lot, but we'll always have it :')
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dailyav7 · 2 years
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Day 12
Some The Black Star Tour pics (2011)
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