#god damn the intro sequence is such a banger

[drrandombear]

Oooooo this episode is called Riddled you know what that means :]

WHY DOES HE LOOK LIKE THAT WHY DOES HE LOOK LIKE THAT

Good to see he’s still an ASS and a showman. Okay fuck his voice acting is poggers as hell I love it

Ah shit it’s the Mystery machine

FUCK I CALLES THEY WOULD BE UNDER THE GCPD! (Called it to know one but myself but still I’m proud)

Fuck yeah trick cane!

Sorry the Yin & Riddler dynamic is mwah love it

Oh god it’s so like this bitch to play 20 questions to deduce Batman’s identity.

OH THIS MAN GOD FUCKED BY HIS OWN MACHINATIONS!

YIN! YIN! YIN! YIN! YIN!

Fuck yeah! Yin really did just say get fucked Riddles (I love her)

[kalied0skull]

guess what arcade's up to : spoiler alert , it's liveblogging

going to be editing this post for my waaaaatch for An American Werewolf in London (1981)

let's go !!! :D

special note: I'm hyper, so everything I'm saying is exaggerated reactions ^_^

banger intro music already

like I've mentioned before in previous posts I'm a "going in blind" watcher so this is new to me HAHA (i have no idea as to what I'm getting into)

aaahhhhhh ahhhhh ahhhhh blue blueee... /lyr

oh hey there's a car < my bad that's a full ass TRUCK actually

who the hell r these guys!!!

americans and an englishman

“bye girls!”

“you cold? good”

“those sheeps shit on my pack” i love these guys already

nothing mediocre about who...

boys being boys core i fear wtf is happening we saw these guys riding with sheep and now they're walking talking about a dead??? girl??? is she dead idk

say knock knock ... knock knock...

whimsical ass walking sequence

"it's my faul—""its your fault" BAHAHA

paused to take meds ok anyways

the alamo...

it's a pentagram :D (i believe pentacles are actually the ones with the circle around it... i forget)

what was funny about them being mexican i didn't get it

aaaawkwarddd....

you made meeee miss.

what the what is happening

beware the who what

WHAT'S MURDER

ad break apparently < aaaaaand we're back

lovely lovely rain ,, what the hell are they singing

AWWOOOOOOO x3

those little american boys are finna get eaten up /silly

these guys cannot be serious for the life of them i love it

BEWARE THE MOON that's what he said

"and stick to the road!" ... "oops!" PLSSSSS

traaalaalaaalaalaa definitely just a dog guys for sure (they're dumbasses they're fools they're idiots)

i thought they were holding AAAHHH

AAHHHHHH WHAT IS THAT

“JESUS FUCK OH GOD OH HELPPP!!!”

OH MY GOD

ew

what the... is he dead 😭

someone in headspace just went "we never got to see them kiss!!!" thinking david died

HE LIVED!!!

SHE DID A WHAT? TO SEE IF HE'S A WHAT NOW??? HELLO???

damn he's fucked up

oh wait i got their names mixed up HE DID DIE :(

awh shucks he did dieded ... this is tragic ☹️

"this is no time for heretics!" HIS FRIEND DIED LEAVE HIM ALONE 😭

three weeks goddamn...

"lunatic" hurrrrmmmm me suspects a funny word about here.

ad break part 2 < andddd we're back again

these names are so goofy

"just tell him I'm dead!" me at any minor social inconvenience

i think it's fucking hilarious how all the british actors are written so properly spoken compared to the american in the scene — my favorite type of british humorism

oh we're running now okay

WHO IS THAT NAKED MAN

HELLO??? WHERE ARE YOUR CLoh hey OH MY GOD

aweee look at the kid (i fucking hate children)

lovely comics! :D

what in the WORLD is that boy listening to ??? jazz??? 😭

the site I'm watching on crashed 💔 technical difficulties now switching streaming sites (10:32pm)

anyways back to oh she's feeding him now LMFAOO

THE POUT... THE FORCED EATING... dumbassery is upon david

are they flirting rn please say no i feel awkward watching this

oh hey we're running again

...HELLO?

i think this guy is flirting with every doctor / nurse , or maybe it's just his girly ass eyes giving googly looks at everyone

don't start "you're a very beautiful girl" i will lose it (I'm not a fan of romance side plots 💀)

it's an ambush!!! KERMIT THE FROG?!! ahhhhh it's an ambush!!!!

HELPPPP i hate when dreams like those happen

cheers to another ad break < aaaaand were back again :3

that breakfast looks like ASS ohmygod who is that

OH RIGHT IT'S JACK LMFAOOO oh god what the fuck — wow you can really tell this was made over 40 years ago

i love that jack is just so casual about this and david is losing his shit thinking he's gone batshit insane

“im not listening to this ☹️” no yeah i wouldn't either

last remaining wol— WHAT

WDYM IT'S DAVID

NURSE!!!! NURSEEE!!!

OH MY GOD PLS "kill yourself... before you kill others.” CRAZY PAUSE

Beware the moon...

LMFAOAAHAA WHAT IS HE DOINGGG

"idk I'll let you know the next full moon :')" PLEASEEE

he's actually losing it but with how this movie is going i do fully believe he's gonna wolf out

why is he hooking up with the nurse bro

“how do you live?��� “carefully.” i like that response

bus full of punks I'm obsessed with those hairstyles

house tourrrr!!!!

quit being a weirdo david

“and a little bit... sad.” LMFAOOOO yeah i can see that

WATCH TELE? oh bother... quit gettin AHHHHH AHHHHHH AHHHHHHH THEY'RE KSISING AHHHHHH

I'm covering my eyes very terrified like a child AHHHHHHH

i skipped that part , there was no reason for a full minute of sex sequence 💀 just saying

AH jesus why is he green now

is he still buttass naked whilst just sitting there with Jack 😭

the delivery everytime of "you gotta kill yourself, david" makes me laugh

"do i seem crazy to you?" yessir yes yew do 🙂‍↕️

ad break right after they kissed and I'm appalled over the fact he sounds crazier loving nurse alex rather than believing he's a werewolf < aaaaand we're back

oh hey it's the roads again WITH AN ACTUAL CAR how fun is that

sheepy sheep sheep

what is that building... OH RIGHT nvm

oh hey isn't that the doctor guy

i love this kooky little bar , where everyone feels like an outsider if they enter — reminds me of that one episode in OTGW with the silly little musical tavern

why's this guy so defensive ... hrrrmmm ...

alright we're leaving now guess we'll find out orrrr areee weeee...

HELLO? what a suspicious little stance

this entire outside scene looks voiced over but i can't tell — it just seems out of sync

okay anyways what mistake is my question OH we're back with david now

euh get off each other DOG

woof!!! woof woof!!!

LMAAOOO

"Snaarrl! Raaaurr! Ggrrrrr!!" He's so wolf guys he's convinced now (me when I'm pretending to be a vampire)

naughty nina ; odd flick but ok i guess 💀

I SEE THE BAD MOON RISING 🗣️ I SEE TROUBLE ON THE WAY 🗣️🗣️🗣️ what a banger i love this song

fi fi fo fum i smell the blood of an englishman...

this poor dog can't find nothing to eat and nothing to do tsk tsk tsk

y'know i think the funniest part is how dogcoded he is right now whilst mid (assumably) transformation and then placing these characteristics onto other characters i know like fucking will graham

i know a dogboy when i see one... /silly

benjamin the silly kid

oh jesus KEEP YOUR CLOTHES ON OH MY GOD what is happening

OH SHIIITTT IT'S HAPPENING

auhhhh it hurts to watch yeah that must be like actually painful

dick and balls out mind you

someone get this guy some ibuprofen good lawd

this couple is dying aren't they ... . i can already see it , jumpscared by david WHAT DID I JUST SAY BRO

ruh roh raggy

typical white man behavior to be entering the dangerous scene and then get caught next to a dead body

brring brring ... brring brring ... insert lemon demon reference here

oh goodness me they're all crazy

"mary mother of god—" gets ad break'd < aaaaaand we're back

who is THAT

oh david's just on a spree isn't he

okay well ... woof woof away i suppose

'ITS A NOM-STOP ORGY! See you next Wednesday!' is the silliest ad to be part of a focal point

HELPPP WHY IS THIS GUY FALLING SO HARD

it's the zoo !!! oh wtf 😭 WHAT IS HE DOING IN THERE

in a cage. with wolves. dick and balls still out LMFAOOO

THIS POOR MAN IS JUST RUNNING AROUND WITH EVERYTHING LOOSE I CAN'T

BAHAHAA THE RUN a naked american stole my balloons!

a lot of weather indeed... this poor man #someonegivedavidclothes

the love bites are so silly someone get this dog a leash WHAT IS HE DOING PLSSS WHY IS HE SO CLINGY

davids tail is WAGGING i just know it

six dead good god

jack was right! ^_^

I'M A FUCKING WEREWOLF FOR CHRIST'S SAKE!!!

WHAT IS HE DOING 😭 "queen elizabeth is a man!" HAHAHH

goodness me ; THEY'RE CRAZY??? david..... daaaaviidd....

oh he's talking to family now okay well

AUGHHHH wait that's actually so depressing and he's probably going through the worst mental episode rn 💀

last words ... if needed ... cross fingers they aren't

OH . OH MY oh okay yeah don't do AAAAAAAHHH JACK

ad break ... sigh < anddd we're bAAAAAAAAHHH WHAT IS HAPPENING WHY ARE WE WATCHING A SKIN FLICK GET IT OFF HELP

hi jack :)

HELLO??? WHAT JUST HAPPENED??? IN THE FLICK??? also wtf is happening to Jack jfc 😭 i know he's decaying but good lawrd

watching s,, ykw I'm not gonna make that joke just know I'm calling them both gay

they cANNAWT be having a heartfelt conversation with all this GROSS ASS AUDIO IN THE BACKGROUND

these actors must be locked the fuck in because I'd be losing my shit giggling my ass off

STOP TELLING HIM TO DIE PLS

the undead :3

"sleeping pills? :D"

this is the weirdest movie scene i think I've ever had to sit through and there's STILL AUDIO IN THE BACKGROUND

oh he's tweaking tweaking

AND THERE'S OTHER PEOPLE IN THERE WITH HIM LMFAOOO good gods

WHAT THE FUCK IS HAPPENINGGGGGG 😭😭

that's one freaky lookin dog :3c

oh jesus the whole blocks coming over for this okay well WEEE WOOO WEEE WOOO WEE WOO those cops hats are so silly looking

AHHHHH WOLF ON THE LOOSE

OH MY GOD? crash after crash is crazy

this is hysterical ; i fucking love this movie

oh we're back with the doctors again

mad dog is it 💀

AWWOOOOOOO

hooooo shit they've got the army

ALEX WHAT R U DOING GIRL PLEASE

i know the likely ending of this scene is either david dying or alex saving david but i think it'd be funny if david just jumped her ass

awhhhh love confessions AND HE STILL WENT FOR THE KILL

AND DIED

tragic i fear DICK AND BALLS OUT AGAIN christs sake

and that's IT??? NO AFTERCARE ??? HE'S JUST DEAD??

i think it would've been funny to see jack and david skip off into the afterlife together but ykw yeah sure whatever that works too 💀 no need for extras honestly

bluuueeeeeee mooooon!

[lovejustforaday]

2021 Year-end list - #1

Mercurial World - Magdalena Bay

Main genres: Synth Pop, Dance Pop

A decent sampling of: Indietronica, Chillwave, Synth Funk, House, Future Bass, Electro Pop, Nu-Disco

I’ll be honest: Magdalena Bay was a name I had never heard of until 2021 when they put out this debut record, but apparently these guys have been making singles and EPs for the past six years.

Matthew Lewin and Mica Tenenbaum were previously members of a prog rock band known as Tabula Rasa before they decided to switch gears and try their hand at pop music in 2016. Maybe it was fate, because this is easily the best damn pop record I’ve heard all year.

Mercurial World is a bold and eclectic amalgam of different pop tastes that all dissolve into one dazzling neon solution, melting every other part of the brain until all that remains is your serotonin and dopamine receptors. This record has just about everything in the category of electronic pop music - stylish synth funk, a e s t h e t i c  chillwave, poppy indietronica anthems, and blaring house beats. And what’s more, it does all of this stuff incredibly well.

Ten or eleven years into the revival of interest in 80s style synth pop that took over the independent music scene at the beginning of the 2010s, I can say that this is the best record the wave has produced. That is, if it still even counts, seeing as how this revival has been a thing for so many years now that it feels normal at this point and, barring “Dawning Of The Season” and “Hysterical Us”, this doesn’t actually sound that much like the 80s.

Also FUCK ME the transitions between songs on this album are god tier. Even on the few tracks I care less for, the flow between songs on this record is nothing short of impeccable. This is how you sequence an album.

After a tongue-in-cheek, mini-intro future bass track “The End”, the album really gets its start with “Mercurial World”. This truly is the perfect title track; a hyperactive microcosm of the record’s many pop colours displayed in a stunning supernova, like the big bang explosion that created the Mercurial World.

“You Lose!” is a killer pop song that perfectly encapsulates that feeling of when you’ve had such a shitty day, week, month (etc.) that you can’t help but laugh at your own stupid misery. This indietronica noise pop banger, with its gorgeous arcade machine sounds, stomping kick drum beat, and chorus that throws everything at you with full force, is the catchiest damn thing I’ve heard all year.

I really don’t listen to songs on repeat that often, but this is just short enough that on multiple occasions I’ve had to hit the replay button three or four times because it’s like pure crack cocaine. I want to listen to that last chorus so loud that my ears bleed while the rest of my body disintegrates. This track is absolutely up there competing with Brockhampton’s “BUZZCUT” and Spellling’s “Turning Wheel” for my song of the year.

A flashing drum machine beat leads into “Something for 2″, an oozy, emotional synth pop serenade about working to make a relationship work. Mica’s vocals are a perfect match for this ‘puppy dog eyes’ kind of a pop song. That pool of humming electro pop synths during the bridge is also just really satisfying.

A flickering synth line at the end of the previous track begins to oscillate faster as the hallucinatory house beats of “Chaeri” begin to kick in. This is 100% music for a rave in a cyberpunk city. But what really elevates this song to the next level is that frigging outro. The building wall of synthesized sound is bloody well done; it makes me think of neon holograms starting to fill up a darkened nightclub until the whole room is one blindingly white haze.

“Hysterical Us” is funky, bouncy dance pop with lovely retro sounding piano chords. The manic whimsy and confetti fanfare of the production really fits well with the playful lyrics about everyday anxieties and paranoia.

And finally, I have to talk about Mercurial World’s epilogue “The Beginning” (haha see what they did there with the opener and closer?). This lighthearted disco party track is one gigantic celebration, a wonderful parade of thousands of voices chanting in unison in the streets. Not many tricks on this one really, just one big musical ball of joy. Maybe it’s predictable, but I found it incredibly satisfying for an album full of so many chill tones to go out with one big hot summer jam.

Before I finish, I feel like I can’t talk about this record without mentioning that I’ve seen people make a LOT of comparisons to Grimes (Particularly Art Angels) for this record.

Yeah, I can definitely hear it, if mostly because they both make colourful synth pop, and because of the similarities between the giddy vocal styling of both Mica and Grimes. But even as a long time fan of Grimes (antics aside) since her Visions era, I find some of the reductive comparisons being made are simply absurd. Magdalena Bay are their own artists, a much funkier and poppier outfit to Grimes, who more often likes to get very freaky and ethereal.

Moreover, I could just as easily note the many parallels on this record to many of the other exciting electronic pop records to have come out in recent memory. “You Lose!” gives me some noisy Pixel Bath vibes, while “Something for 2″ has E•MO•TION era Carly written all over it, and “Dreamcatching” reminds me of that chilled out pajama pop sound on Kitty’s Rose Gold.

Whether any of these LPs are actual inspirations for this record is pure speculation, but Magdalena Bay has definitely done their homework. As former prog rockers just entering the world of pop, they’ve clearly already become well versed in a lot of the best sounds to have come out of pop in the past six or so years. But if anything, I feel like the band is paying homage to these sounds with creative infusions, brilliant executions, and sometimes even subversion.

Even while wearing their influences on their sleeves, this is still something really special. Mercurial World is a really impressive undertaking that manages to keep fresh and innovative with all of the pop sounds that it takes influence from.

Matthew and Mica have already left a bold mark on the world of electronic pop music, and yet somehow this is only their first full-length LP. Needless to say, I am beyond ecstatic to see what these two do next. A worthy album of the year for 2021.

9/10         (But don’t be surprised if I bump this to a 10 some day)

Highlights: “You Lose!”, “Chaeri”, “Something for 2″, “The Beginning”, “Dreamcatching”,  “Hysterical Us”, “Mercurial World”,  “Secrets (Your Fire)”, “The End”

[thesinglesjukebox]

ARIANA GRANDE - BREATHIN

[7.50]

In lieu of the real Jukebox entry for this song, we're just going to show you a picture of a pig.

Tobi Tella: When Sweetener was released, a lot of people were taken aback by how weird it was. Some people were mad, but I see it as artistic evolution beyond the fun pop music she's been making for years. "Breathin" sounds more like her old work then most of the album, but the subject matter is decidedly mature, talking about her struggle with anxiety. I love the repetition of a chorus and think it's a powerful sentiment: sometimes you just need to take a step back and breathe. Especially after all the things that have happened to her, "Breathin" feels triumphant. [8]

Edward Okulicz: For a pop star, Grande's borne a huge amount of the brunt of other people's pain, hatred and aggression, so I admire her so much for being able to both put it aside to deliver good pop singles over and over, and here, to work with her own tension to create a great single. There are women who would kill for this as a lead single and she just craps it out as single number three because she damn well can. "Breathin" is Sweetener's take on the "Into You" template, sure, but it mixes that track's confident, erotic pulse with thick layers of anxiety. Rather than sensuous fulfilment, "Breathin" flirts with danger, with suffocation, but both melodically and lyrically conquers both -- "keep breathing, breathing, breathing" is like a mantra, and it feels perfect right now in 2018. It's a strong song to begin with, but it's also the little moments in performance and production that help make it so good: the way the music drops out during the second chorus, the guitar solo that sounds like it's struggling for air, Grande's yelp of "no!" towards the end. These are all magnificent sounds deployed smartly. Grande's untouchable but somehow performs with empathy and believability. If being a great pop star is writing or grabbing the best material and crushing the heck out of it, Grande's got few equals at the moment. [9]

Alfred Soto: Form, say hello to content. The high, striated vocal suggests anxiety even if her lyrics were less explicit. Terrific marriage of Swedish pop and stadium electronica tropes -- check out that treated guitar solo. [7]

Katie Gill: After the absolute banger status of "No Tears Left To Cry" and the sultry power anthem of "God Is A Woman," it might surprise people that "Breathin" is...fairly conventional. It's pretty much a middle of the album song, a dance pop song that seems tailor made to hang out on the Hot 100 for fifteen or so weeks just because that's what halfway decent dance pop songs do these days. Still, it's a fairly conventional banger about dealing with anxiety attacks, which is a sentence that I never thought I'd write, so I've got to give the song minor props on that alone. [6]

Taylor Alatorre: To each their own, but being told to "just" keep breathing, over and over, doesn't make me feel particularly relaxed. I'm supportive of the notion that songs addressing mental health struggles don't have to be morbid and melancholy, but with lyrics like "all I need is to see your face," "Breathin" can't seem to decide if it wants to be an intro to CBT or an ode to the stabilizing force of a romantic partner. That the chorus defaults to the kind of all-consuming synthwave that defined previous stand-outs "Love Me Harder" and "Into You" points more toward the latter, which is where Ariana is more comfortable. Of special note is the bridge, featuring some submerged guitar wailing and nonsense murmurings that approximate what the agitated mind actually sounds like. [6]

Vikram Joseph: "Breathin" might well be the first pop song about an anxiety attack since Shura's "Nothing's Real," but the comparison doesn't greatly flatter Ariana Grande. Shura's song is an unusual, impressionistic depiction of a panic attack that landed her in the emergency department, instilled with a real sense of drama by its swooping, muscular art-disco throb. "Breathin," meanwhile, is a fizzy bop which sounds like a concerted effort to provide Sweetener with at least one straightforward, radio-ready single; it's perfectly enjoyable on its own terms, but sounds much too generic and assured to be an effective vehicle for what Grande really wants to talk about. [6]

Pedro João Santos: Sweetener isn't titled that for nothing: its cohesion draws from a holistic mood and its hedonistic, lush R&B settings, as bespoke mobiles for Ariana's personal restoration and gratification. But it was promoted through "No Tears Left to Cry" and "God Is a Woman," obvious outliers in a quirkier, more vaporous sequence -- although never sore thumbs. Their synth-inebriated declarations, and more rigid structures, carve out a different corner in that ambience, like a menacing nocturnal world, a dark alley in the city leading right up to the psyche. "Breathin" is an emphatic part of that -- the final piece in a tryptic of songs that are intrepid, urgent and combative in unique ways. While its predecessors block out sadness and sexism, this one exerts those forces more literally, drawing vivid outlines of anxiety and the need to attack it. It's a triumph in how honest it is and how it transfers its energy to the music: its pulse and velocity increasing as concerns become overwhelming, the frenzy teased in the bridge and unleashed at the end. These are new angles from which Ariana can shape a sound she's explored most similarly in "Love Me Harder" (though the tension there is purely sexual and less consistent), even if it's the least musically distinct of the trifecta of singles (not to mention the album). Unfortunately,vin a song as well-rounded as "Breathin," repeating the title consecutively doesn't quite cut it, even if you can't fight it lodging into your head. Considering the cerebral lyrics, that might be quid pro quo. [7]

Stephen Eisermann: This track is without question the strongest song on the album and so fitting with everything Ariana's been going through. She's handled everything thrown her way with such poise and to have her spill her heart out and bravely tell us how anxious she's been -- to a banger of a beat, no less! -- is so refreshing. There's vocals, slick production, an awesome vibe -- it all works and it works so, so well. [9]

Anna Suiter: It feels right that the singles for Sweetener have led to here, a song about coping with anxiety in the only way you know how to. There's honesty here, both in the need to keep going and the reluctance to maybe do what you're being told to do. The song itself knows how to breathe, how to reassure, how to release tension where it might be too overwhelming otherwise. It manages to do all of that without feeling like a meditation, too. [8]

Matias Taylor: "Breathin" is breathless at barely three minutes long yet perfectly paced and formulated, with the pre-chorus becoming louder and more frantic as she feels her "blood running," then the metaphorical and musical anxiety breaks in the release of the chorus. It's the kind of perfect marriage of sound and subject matter whose simplicity belies the underlying pop wizardry. Once Ariana loses herself in the bridge -- "my my air, my my air," words are barely necessary to describe such a feeling, and it starts to sound like a future signature song, one destined to be forever sung at karaoke bars, blasted on the car speakers, or jammed to alone in a bedroom on headphones as it provides a momentary reprieve from all the things that make it feel like the sky is falling. There's a pop song subject matter in even the simplest, everyday sensation that, amplified by a melody sent from heaven and soaring production that rises meet it, turns into universal, transcendent truth. [9]

[Read, comment and vote on The Singles Jukebox]

[selfshippinglover]

no school only GILFS fgjlgfhj

BUT AAA I ADORE BOTH THE MOVIES? LIKE I FEEL THAT THEY ARE BOTH REALLY GOOD AND THE SECOND ONE IS ONLY A FEW FOOTSTEPS BEHIND THE FIRST?? IT’S INCREDIBLE HOW THEY KEPT THE MOMENTUM GOING!! The first one will always just be my favorite by a liiittle bit more though <3333

GOD IDK HOW TO SAY ANYTHING THAT ISN’T OMG THTA WAS HILARIOUS OR HOLYSHIT DDID YOU SEE THAT FIGHTING SCENE?? OR LMAOOO SAME EGGGSYYY XD LIKE IT’S JUST SO GOOD FROM START TO FINISH!!

So I’ll jsut point outa  few of my absolute favorite stuff from each movie and then talk chaarcters dsgkjbgbj

OKAY CAN YOU WATCH THE MOVIE AND NOT MENTION THE CHURCH SCENE? I DON’T FUCKING THINK SO?? NOT ONLY IS THTA SOME OFG THE MOST INCREDIBLE VIOLENT BLOODLUST I’VE EVE WITNESSED BUT HOLY SHIT THE IMPACT THAT SCENE HAS ON EVERYONE? THE WAY EGGSY RECOILS AND MERLIN IS LOOKING AFRAID? AND THE PURE RUN OFF OF ADRENALINE AND BLOODLUST? GOOD LORD THAT SCENE AWAKENED SOMETHING IN ME LIKE FUCK

ALL OF EGGSY TRAINING WS SOS GRETA TO WATCH BUT ESPECIALLY ESCAPING THE FLOODING CELL AND HAVING TO SHIOOT THE DOG MOTHERFUCKER WE’RE ALL EGGSY IN THAT ONE!! YOU KILLED YOUR DOG??? LIKE OUGH THAT ENTIRE PART STAYED WITH ME THE WHOLE MOVIE

HAHA SHOUTOUT TO HARRY’S INTRO SEQUENCE? ANOTHER THING THAT MADE MY CHEST POUND AND KNEES WEK BECUASE DAMN THE SHOTS AND ANGLES AND HIS TONE AND POISE?? I AM SOOO FUCKING WEAK DUUUDE

SamuEL JACKSON WAS SO FUCKING FUNNY TBH xD MOTHERFUCKER IS A BILLIONAIRE EATING FUCKING MGNUGGETS KJDSKBGJ

AND HOU BET WHEN THEY AID HARRY DIED I BALLED AND FELL INTO DESPAIR AND DENIAL SO HARD LIKE NOOO NTO MY FAAAV DDD:

I REALLY CAN’T SAY ANYTHING BAD ABOUT THE FIRST MOVIE IT IS TOP TIEEERRRR

NUMBER TWO STARTS WITH HARRY BEING LIKE “I LIVED BITCH” AND OH MY GOD I CRIED HAPPY TEARS CAUSE I WAS RIGHT AND SOOO RELIEVED ABOUT IT ;W;,, (Eye patch suits him ngl)

AS ALWAYS THE FIGHTING SEQUENCES WERE FUCKING BANGERS BUT AN ESPECIALLY BIG SHOUT TO THE END CONFRONTATION STRAIGHT BANNGGER

EGGSY REDOING THE INTRO SEQUENCE TO BRING THE MOVIE FULL CIRCLE? INCREDIBLE! INSPIRED! LOVE IT!

OH FUCK ME I CRIED SO HARD WHEN MERLIN DIED AND THIKING ABOUT IT LITERALLY STILL MAKES ME TEARY-EYED LIKE OW MY HEART? MERLIN I LOVED YOU AND I WISHED WE GOT MORE OF YOU T-T

IDON’T LIKE JULIANNE AS MUCH AS SAMUEL’S CHARACTER BUT DAMN SHE WAS FUCKING GIRLBOSS, GASLIGHT, GATEKEEPING IT UPPP LIKE A QUUUUUEEEN  >:)))))

ELTON JOHN JUST BEING THERE WAS A WEIRD AT FIRST BUT ENDED UP BEING FUNNY SO IT GETS A PASS FROM ME KGAJGSD

SHOUT OUT TO EVERY KINGSMAN WEAPON EVER THEY ARE PERFECTION <3

UUUGH AND REALLY JUST CAN’T SING ITS PRAISES ENOUGH

I’m sure you can tell that Harry is my favorite but Merlin and Eggsy tie for second <3

They’re all so enjoyable i can’t possibly put any of three lower than that!!

Anyways, who’s ur fav? fav scenes? Are you working on an s/i? 👀

I'd love to hear your thoughts on the movies! Also, uh Harry has my entire heart<333

S A M E LIKE GODDAMN

hes so cool i am totally normal abt him /s

also I LOVE ALL THE MOVIES LIKE SECRET SERVICE GOT THE MOST COOL FIGHTS WITH HARRY BUT GOLDEN CIRCLE DOES HAVE THE GALAHADS WORKIN TOGETHER SO ITS JUST AS GOOD

id rewatch it but c l a s s e s akdnwkfjs

wbu tho? thoughts?