#go to live there. and they die there. like why

[madaqueue]

18+ MDNI - f!reader (nasty freak boy who cums too early...i love him)

virgin!satoru who thinks he’s going to die. genuinely, he thinks his heart is about to explode out of his chest and his last memory will be the way you stare down at him with those lust-blown eyes and that awe-struck smile. why else would he be shaking like this, covered in a layer of sweat and lightheaded to the point his vision is swirling?

“are you ready, satoru?” is the only thing he can make out above the ringing in his ears - how can he tell you he only has a few moments to live when your legs are spread like this and he’s so hard it fucking hurts?

virgin!satoru who is the farthest fucking thing from ‘ready’ but he’d rather die than disappoint you, so he’s at least got to try.

with an unsteady hand he swipes the tip of his cock up and down your slit, watching the way the light sparkles with how wet you are, for him.

“you can put it in, baby,” and he fucking groans, he can barely look at you when you talk to him like that, all syrupy sweet and thick and dripping.

virgin!satoru who finally, finally, pushes himself past your entrance. his eyes are locked on the way you swallow his length, the way he’s so hot he can’t breathe, can’t get enough air in because it all smells like you.

virgin!satoru who cums before he even bottoms out. he’s trembling and whining and it only gets worse when your hands find his shoulders and pull him into you.

“i’m sorry, i’m sorry, fuck-”

“it’s okay,” you coo, and he’s so fucking warm, and he’s grateful he can’t see the smile on your face because he thinks it might actually make his heart stop.

virgin!satoru who straightens his back, slowly pulls his cock out of you and watches in awe as his cum leaks down your thighs, who can’t stop himself from smearing it through your folds with his thumb, who doesn’t miss the way your pussy clenches as he does.

virgin!satoru who’s already hard again, who no longer cares if he’s dying because this must be heaven, who stares back at you with wild, unfocused eyes as he says, “i think…i think i’m ready now.”

a/n: i think i blacked out from lust writing this

[osarina]

ᡣ𐭩 WERE WE BETTER UNKNOWN?

FEATURING: dazai osamu

SUMMARY: your story with dazai comes to a close... but is it really the end?

AUTHOR'S NOTES: guys. oh my god i have so much to say, i will put it all at the end. but i am so annoyed because the heart in the title looks wonky as hell—for some reason it looks fine on desktop but on mobile it’s fucked ip :’) comments & reblogs appreciated!

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. mentions of past suicide attempts (dazai). non-sexual nudity/intimacy. reader has 1 scar that dazai points out.

SEE: WASTELAND, BABY! SERIES MASTERLIST

Dazai dreams of a vast frozen lake.

Is he dreaming? He’s not sure. It’s cold, he shouldn’t be cold in dreams, right? 

He lets out a shaky breath, and he can see the cool air fan around him. He shivers, hands running up and down his arms to try to warm himself up, but it’s futile—the snow that flutters from the sky is sharp against his skin and the air is bitterly cold, but the wind is oddly still. Eerily still. His shoes crunch against the snowy bank as he draws a bit closer to the edge of the lake, trying to figure out where he is.

“... are we going to…”

Dazai startles at the vaguely familiar whispery voice, eyes wide and searching as he looks around trying to pinpoint who had spoken, but there’s no one in sight. He can hardly see

Hell, he thinks dizzily, is he in hell?

Dazai’s fascination with literature began with his fascination with death. It started as a child—morbid and odd as it might’ve been, he was bored with life. He supposes that it’s part of the reason why his siblings didn’t like him, besides his ability, of course. He always had questions that people couldn’t answer—what happens after someone dies? They go to heaven, honey, his mother would reply. How do you know that? We just do. But how? What if we don’t? What if we just die? Stop asking so many creepy questions, Osamu, his sister would snap at him, curling into his mother’s side. But what-

He would keep asking until his sister got visibly upset and his mother had to take her out of the room. He never really understood why—they were legitimate questions—but his mother’s evasion of the topic and his siblings’ aversion did not deter his curiosity. In fact, when the first of his cousins died at the hands of one of his others, it spiked his curiosity. He almost found himself jealous that they would have the answers to the questions that have been plaguing him for years.

His questions of self-worth and his place here on earth didn’t come until he was a bit older, but he supposes at some point they probably merged together. His own doubts about himself and his lack of normalcy compared to other people led to his general fascination with death slowly turning into fascination about his own death. He found it quite ironic, and maybe a bit disheartening—he can’t even die correctly—that of all of the many members of his family, the one obsessed with death was the one that survived the longest, in spite of actively striving for eternal rest.

His fascination with death was put to an abrupt halt by Odasaku’s arrival in his life. Or well, that’s not exactly right. His fascination with his own death was put to a halt—Odasaku humored all of his questions, even if some of his answers were absurd and nonsensical, but when Dazai tried to spin the conversation back to himself, Odasaku would put his foot down. 

Dazai only tried to kill himself once while he was living with him—it was around when Odasaku first took him in, and Dazai didn’t think the man would care all too much if he was gone. Ango was the one who found him in the bathroom, funny enough it was his first time meeting the other man, but when he woke up in the hospital, Dazai decided he never wanted to see that haunted expression on Odasaku’s face ever again. 

It was around then when Odasaku started telling him about his book, and he helped redirect Dazai’s unhealthy fascination with death to a different outlet: literature. The Divine Comedy, the Aeneid, the tale of Orpheus and Eurydice—it was Odasaku who introduced him to them all. He enjoyed reading other peoples’ interpretation of the afterlife; he and Odasaku would have full blown debates over which interpretation was nearest to truth. 

Dazai isn’t particularly convinced there is an afterlife at all, but he always thought that if there was one, it might look most like Dante Alighieri’s vision. 

Like this. 

“... can’t just stop, he’ll never let it be…”

This voice isn’t unfamiliar. Dazai’s head snaps up, eyes wide and searching as he tries to seek you out. Your voice sounds like it’s coming from all around him—the wind carries it, he can’t tell where you are and the icy air makes it hard for him to keep his eyes open to try to track you down. The wind is strange though; it stops blowing all around him, and instead begins billowing inward toward the center of the lake.

A foreboding feeling suddenly settles over Dazai.

Lake Cocytus—if this is what Dazai thinks it is, then it’s meant to represent the Ninth Circle. Treachery. A little ironic, maybe, considering loyalty is what got Dazai killed—your loyalty to the Port Mafia. 

Is he dead? He realizes suddenly that he very well might be, not quite as pleased with the idea as he might’ve been in the months before he met you. He feels… unfulfilled almost. He never finished Odasaku’s book. He didn’t even manage to get his degree. He felt what it was like to be loved for a few months, but it wasn’t enough. He’d wanted more. He wanted a life with you. 

He still wants a life with you, he thinks miserably. Even after everything that happened, he still wants it.

He must not be dead, he thinks absently, kicking at the snow on the banks of the lake before slowly treading out toward the center of it. If he was dead and really in the Ninth Circle of Hell, then he’d be stuck in the lake with the rest of the betrayers. Although, Dazai thinks if he really was going to hell, it wouldn’t be this circle—he doesn’t think he’s ever really betrayed anyone to this degree.

Or maybe he did, his thoughts take another dejected turn. Would his ‘betrayal’ to you count? It’s not like he actively tried to deceive you, so he thinks he should be given some leeway. But maybe it wouldn’t be too bad, if he’s here because he deceived you, then you would certainly be here for betraying him—he wouldn’t mind being stuck in hell if you were there with him. You both could be buried in the ice together, eternally frozen and suffering for betraying each other. 

It’s kind of romantic, if you really think about it.

Something bubbles in his chest—maybe a laugh, or maybe a sob, he can’t tell, he thinks maybe he’s a bit hysterical. 

It must just be a dream, he thinks again for some minimal solace. Or maybe a warning, maybe he’s somewhere caught in-between and God is striking down his hammer, warning him this is where he’s going to end up if he doesn’t change his ways like the message of the Divine Comedy itself.

The thought makes him laugh.

He sobers up quickly though as he starts his trek across the lake, thinking that maybe if he got to the other side, or the center, he’d wake up. He thinks you would find this funny—one of your first conversations with him had been about The Divine Comedy, and he spent many nights at dinner roping you into conversation about it, and convincing you to read some of the other books and poems that Odasaku had introduced him to. You-

“... one life or hundreds, that’s what he said…”

Dazai nearly slips on the ice when he hears your voice again, looking around as if you would just magically appear around him. You don’t, but it does leave Dazai a little disheartened hearing you repeat the words that Mori had said to convince you to kill him. He sighs as he keeps his gaze trained ahead, careful to not look down at the ice lest he find himself looking at something he would rather not.

The outskirts of the water were the traitors to kin—Dazai remembers that well. The first time he read the poem, he realized that this is where the majority of his cousins and older brothers would be. They spent almost two years killing each other for their grandfather’s inheritance; Dazai went from having seven siblings and almost two dozen cousins to three siblings and a handful of cousins by the time of the coup.

Traitors to country in the next section—Dazai thinks a bit gleefully that Mori would end up there. The Port Mafia isn’t exactly a city or country, but it’s still an entity, and Mori certainly betrayed it when he killed Dazai’s grandfather in his own bed, no matter what the reason for it might be.

Traitors to guests in the next section—this gives Dazai a bit of pause, he doesn’t know if he knows anyone that would fit in that section. Ui, maybe? Inviting him to work with his journalism house only to give him up to the Guild. Maybe Mori again, Dazai thinks, highly amused, because Dazai was a guest to you, and therefore, the Port Mafia, when everything happened. 

And the last section—traitors to benefactors. He can’t avoid looking at them; they’re the only ones above the surface of the lake, grotesque sculptures of ice that decorate the surface of the center of the lake. His steps slow as he walks through them all, a heavy feeling settling over him as his gaze focuses on the oddly familiar sculpture in the very center of the lake.

Is that-

“There’s only one way this ends.”

Dazai’s breath catches sharply. He slips on the ice as he rushes forward, eyes widening and hands flying forward to catch himself, but his stomach lurches painfully and before his hands can hit the ground-

Dazai sits up with a ragged gasp, eyes wild and nails digging into the fabric of the soft couch he’s laying on. His head is aching and he feels sluggish; he’s still reeling from what he’d just woken up from, but his heart rate is starting to calm down.

Just a dream, he confirms, but now he’s more preoccupied with trying to figure out where the hell he is and why he isn’t dead, because the last thing he remembers is you lifting a gun to his head and pulling the trigger. The room he’s in is small—there’s no windows, there’s a tiny kitchen on the left side of the room, and on the other side-

“Everyone out.”

Dazai’s gaze settles on you. You’re standing near the far wall—you haven’t changed from what you were wearing at the conference room with the other Port Mafia executives, and Dazai can see Ace’s blood still crusted around your finger nails and splattered on your shirt. Your gaze is focused on him, an unreadable expression on your face, and Dazai is so tunnel visioned on you that he hardly notices that there are a handful of other people in the room: your three subordinates, Nakahara Chuuya, Albatross and one other who had been at the fight against the Guild.

They don’t argue with you, most of them file out of the room without a word, only Albatross and Chuuya linger. The ginger gives you a long look before saying, “We’ll buy some more time. Just… figure out if this is really what you want to do, okay?”

You finally look away from him at Chuuya’s words, cringing and averting your gaze to the ground. You say quietly, “It doesn’t matter what I want. It has to be done.”

Chuuya sighs but nods, motioning for Albatross to leave with him—and then the two of you are left alone. You don’t approach him. Ironically, you look like the one akin to a cornered animal as if you hadn’t been the one to shoot him. If anyone should feel like a cornered animal right now, it should be him.

Instinctively, he lifts his hand to his forehead, frowning at the bandages wrapped around the top of his head. He looks back up at you curiously, but you grimaced and looked away as soon as he touched his forehead, so he can’t catch your eye.

He has a million questions he wants to ask. What happened? Why didn’t the bullet kill me? Why didn’t you kill me? Did you believe me? Do you believe me? Are we okay?

Dazai doesn’t know if he wants to know the answer to the last question, so he settles with: “Where are we?” 

Though you’d stiffened as soon as his lips parted to speak, you relax when you hear the question he asked.

“A safe house in Sakae,” you say quietly. Dazai starts to sit up but his vision swims so he has to stop and rest back down against the arm of the couch, blinking furiously. “You should take it easy… You’re probably going to feel a bit off for a couple of hours.”

Dazai is about to ask you what exactly happened, but the words die on his lips when you finally draw closer to him. You sit down on the couch next to where he’s laying, your body brushes his and Dazai feels warm. The remnants of the frigid cold of his dream vanishes as soon as the warmth of your body grazes his—he knows that there are many things that need to be addressed, but he would be content to avoid those topics and bask in your comfort for as long as he can. 

His eyes slide shut as you reach up to cup his cheek. He doesn’t even bother reopening them when he feels you lift your other hand to remove the bandages from around the top of his head—he thinks maybe he could almost doze back off. It’s only when you let out a soft sigh and fasten them back on does he finally bother to open his eyes again. 

“I don’t have enough bandages on me already?” he asks, his voice is light and the smile on his lips is teasing as he tries to lighten the mood a little, but it doesn’t work.

You don’t respond to his comment. You look down, and the small smile on your lips doesn’t meet your eyes, so his falls off his face as he stares up at you carefully and finally asks the much dreaded question that would lead to even more dreaded questions:

“Will you tell me what happened?”

--

“We need to go,” Chuuya says, hand wrapped around your wrist tightly. You don’t budge from where you’re standing, staring at where Dazai had fallen back over the edge. It was a short drop with mud softening the fall, he would be okay—if everything went according to plan, that is. Otherwise, the bullet you just shot at him killed him anyway, so the fall is inconsequential. “Come on. We can’t stay here. We have to go.”

“How do-”

“Not here,” Chuuya hisses. “Come on.”

“Chuuya-” you breathe out, voice wavering over his name. You can’t bring yourself to move even as Chuuya tries to drag you away. “Chuuya, I need to kn-”

Need to know if this worked. Need to know if he was able to stop the bullet. Need to know if you actually just killed the boy you’re in love with.

“Not here,” Chuuya replies, voice harsh, cutting you off before you can say anything more incriminating. 

This time, he doesn’t wait for you to follow him—he yanks you along with him, not even bothering to steady you when you stumble. You know you should snap yourself out of this, you know Mori has people trailing you to ensure you follow through with Dazai’s execution, but you’re haunted by the expression on his face when you pulled the trigger.

He accepted it.

You had the gun to his head. You asked him to forgive you. He said he did, and he accepted that he was about to die at your hands. A part of you is eager to convince yourself that maybe he saw through your plan, that he realized you weren’t going to kill him, but that look in his eyes…

He didn’t know, and he accepted it anyway.

Your stomach churns. The ragged breath you take in cuts off abruptly as you gag over it—you saw the blood, you don’t know if Chuuya was able to stop it. You don’t know if Dazai’s nullification ability prevented Chuuya from using his own ability to slow the bullet before it killed him. You don’t know if he fell backward because he was shot or because the high dosage sedative that you swiped from Mori’s office set in as quickly as it was supposed to. You don’t even know if Chuuya had been able to inject it in him with his ability. You don’t know anything.

“Don’t you dare throw up on me,” Chuuya mutters as he opens the car door and ushers you inside. 

Instead of sitting in the front with Albatross, he sits in the back with you, sharing a sharp look with Albatross before the other man finally pulls away from the ports. He still doesn’t say anything else—he knows better. This is one of the Port Mafia’s cars, tapped and actively being transmitted to one of Kouyou’s subordinates who will report to her and Mori anything that seems off, and you need to buy as much time as you possibly can before Mori realizes Dazai isn’t dead.

Because Dazai isn’t dead. He can’t be dead.

It worked. It all worked.

It had to have. 

Just as you expect, your phone rings as soon as the car starts moving. Mori has eyes on you—he was waiting for you to finish with the execution before calling. You’re certain that he’s going to send someone to check the body now; he doesn’t trust you to finish the job, not when something as fickle and unpredictable as love is involved. 

Klaus will have to be quick—you don’t even know if he was able to find a lookalike to kill so he could swap out the body. You only were able to give him a twenty, maybe thirty, minute heads up. Dazai is plain looking, yes, and the mud he dropped in should do some work at concealing his identity, but if Mori’s shadow sends him a picture to confirm the kill, the slim amount of time you hope to have bought with your fake out will be halved.

You stare down at the phone and let it ring once, twice, and finally on the third ring, you lift the phone to your ear and accept the call, waiting for Mori to speak.

“Has it been done?”

“Yes,” you reply, voice steady even if your fingers are trembling around the phone. “Do you need me back at headquarters?”

“No, I’m sure that wasn’t easy for you. You should get some rest. I have a meeting with Tolstoy in a bit anyway. I’ll meet with you tomorrow after I have tea with Elise-chan so you can debrief me on the meetings with the Guild,” Mori says easily, his tone is light and airy, and it makes you angry, because how dare he sound so flippant after what he just expected you to do. “... I’m sorry things had to end this way, dear. I’m proud of you. You did well.”

“I know,” you say tightly in response before hanging up and putting the phone back down in your lap. 

Chuuya watches you carefully, but he doesn’t say anything, and you stare ahead at the back of the driver’s seat. It’s a twenty-five minute drive from the ports in Naka to Sakae—for better or for worse, it’s going to be a quiet one. For better because you think you might start crying if you have to speak, and for worse because now all you’re plagued with is your own thoughts and the image of Dazai’s face before you shot him.

You didn’t shoot him. Not really.

But you did, you don’t know if Chuuya was able to stop it. You don’t even know if Chuuya knows if he was able to stop it. There was a splatter of blood. You saw that, and there shouldn’t have been blood if this worked, so the worst case scenario looms over you heavily. But you won’t know until you get to the safe house—until you hear from Klaus. Your breath hitches over a sob you’re forced to swallow; your chest burns and tightens uncomfortable.

You had to do it, this was the only option. Anything else and there was no shot he wouldn’t have been killed. Maybe not today or tomorrow, but he would be killed. You wouldn’t be able to protect him from Mori otherwise—he would’ve put a hit out on him, and Dazai would have all of the most dangerous assassins in the underworld out for him trying to get the bounty. You can’t protect him from that. You needed to buy time. You needed to buy time so you could-

You don’t finish the thought. 

You don’t think you’ve come to terms with what has to be done if you want to protect Dazai. A part of you doesn’t even know if you’ll be able to follow through with it, but you’ve already set yourself down the path of no return and you’ve dragged Chuuya down it along with you. Either you follow through, or the three of you are going to be on the run for the rest of your lives.

Shit.

Your gaze tracks back down to your phone. Still nothing from Klaus—nothing from Akutagawa either. The silence is too loud, each second that passes has you aching with a pain that feels like knives dragging against your bones. You just need to know, you need to know that he’s okay, that you didn’t-

You rest your forehead against the window when nausea builds back up in your stomach. It’s cool, and a welcome reprieve from the heaviness weighing down on you, but the moment your eyes slide shut, you’re faced with Dazai again and no amount of deep breathing and grounding techniques can stop the way your heart rate sky-rockets, breath becoming quick and shallow.

You see him. You see him, and he’s looking up at you, dark eyes wide and adoring as he looks at you like you’re the only thing in the world that matters to him, and his lips part to say something but before he can, you see something thick and red trickling down his face over his lips, and suddenly something is weighing cold and heavy in your hand but you can’t bring yourself to look down at it, but you can’t drag your eyes from his face. Can’t hide yourself from the way his warm eyes are suddenly wide and glassy, void of all of the emotions that you’d just-

Your arm hurts—sharp and painful and so sudden that you’re dragged from the images haunting you. Your gaze cuts over to Chuuya, who’s giving you a concerned look. You realize he must’ve shifted over a bit, brushed his arm against yours to use his ability to jolt you out of your spiraling thoughts. When he realizes that you’re back in the present, he gives you a pointed look and then directs his gaze outside.

You’re almost there. How much time had passed?

Why hasn’t Klaus or Akutagawa reached out to you?

What is going on?

Albatross doesn’t stop in front of the safe house—there are too many cameras in the street and all of the Port Mafia’s cars are tracked. Instead, he takes a left on the next street because it’s one of the few without a red light camera and a blind spot on the corner. His gaze flickers up to the rearview mirror and he pointedly raises the volume of his shitty music a few decibels louder to cover the noise of the car doors opening and closing as you and Chuuya slip out when he stops at the red light.

You leave your phone in the car and you’re careful to avoid the camera near the bakery on the corner as you follow Chuuya around to the alley that leads to the back entrance of the safe house. It’s not a Port Mafia safe house—it was Itou’s. This was where he stayed in the few months during the Dragon’s Head Conflict where he was on his own, after he left Strain but before you recruited him to the Port Mafia. It was well hidden and well protected, you hadn’t been able to track him down here until he brought you here—he made sure that it was a blind spot in the Port Mafia’s ever-watchful eye over Yokohama, and you made sure to keep it that way once he was gone. 

It’s only once the steel door is shut behind you that you can finally speak, gaze focusing on Chuuya desperately as you wait for him to tell you if he was able to do it or if Dazai’s ability…

“Did you hear from Klaus or Akutagawa?” he asks quietly, and that’s enough of an answer.

He doesn’t know. 

You feel sick—your stomach lurches and you don’t know if you start to stumble toward the bathroom or the couch or straight to the floor, but it doesn’t matter because Chuuya is darting forward to grab you and guide you over to the couch.

“Chuuya, if I-” you start to say, your words are raspy and you can’t even bring yourself to finish them. “If I-”

“Don’t,” he says, wrapping an arm around you. “Don’t bother going there yet. Wait for Klaus and Akutagawa.”

“But-”

“Stop,” he insists. “All you’re going to do is torture yourself.”

Isn’t that what you deserve? You want to say to him, nails digging into the palm of your hand so deep that it draws blood. Chuuya catches what you’re doing and immediately moves to unfurl your hands. Everything you’ve done. You killed Dazai’s family. His siblings. His cousins. You ruined his life, and then after everything, it wasn’t enough. You ruined his life and then you took-

“Hey, stop,” Chuuya interrupts your thoughts, clearly realizing what path they’re going down. You don’t realize your breath is ragged again until he grabs your chin and twists your head to force you to look at him. “I know what you’re thinking, but we can’t do this right now, we need to plan. We don’t have time, and when Klaus and Akutagawa get here with him, we need to know what we’re doing. You need to snap out of it.”

You don’t respond to him—your lashes flutter and you see Dazai again, you see blood, you see empty eyes, you see the gun in your hand, and you feel something warm and wet trickling over your cheeks. Chuuya spits out curses to himself and wipes away the tears streaming down your face. He’s gentle now, the rough grip on your chin disappears and is replaced with his hand cradling the back of your head as he pulls you closer to him. He presses your ear to his chest, hoping that the steady thrum of his heart is enough to ground you.

“Where the fuck are they?” he spits out more to himself than to you. His breath hitches and you can hear the stammering of his heart, and you know that he’s nervous, but he’s trying to hide it for your sake. “I need you here. What we just did-fuck-”

You try to snap out of it—you do, but every time you blink you see him. You see what you did. You knew this would happen from the very beginning, you knew it, and everyone warned you, but you’re selfish. You’ve always been so selfish.

You don’t know how much time passes. Ten minutes. Twenty. Thirty. It all blurs, it all feels like eternity, but eventually, the door to the safe house slams open, and only a handful of people know about it.

Your gaze snaps up, and you don’t realize you’re holding your breath until Klaus steps into the room with a familiar figure slung over his shoulder like a sack of flour. Both of them are covered in various substances that you think you would rather not know what they are, but you can see the steady rise and fall of Dazai’s back. You rise to your feet abruptly and Chuuya lets out a relieved breath, shoulders slumping.

Klaus immediately points an accusing finger at you. “I had to hunt down a civilian, kill him, crawl through shit and trash with a dead body to swap it out for your boy, I had to carry him across half of the city, and I couldn’t even channel Mephisto because he nullifies him. You better not complain about any messes I make for the next six months,” Klaus demands, and then points wildly back toward a very clean Akutagawa, who casts an unimpressed look his way. “And he didn’t even help me. He stood there and watched.”

“I was ensuring that no one saw what we were doing,” Akutagawa replies primly. “Even more important than your job, considering if someone saw it would all be for naught. You should be thanking me.”

Klaus’s face goes red with anger as he whips around to face him and roars, “More important? Thank you?!”

You laugh. It’s so startling that all of the anger washes away from Klaus’s face and the goading expression on Akutagawa’s disappears. Or you think you laugh—you think you might be crying again too. Both boys look aghast by the sight of it, looking at each other as if waiting for the other to do something to make you stop.

Eventually, Klaus steps forward and unsurely tries to pass Dazai’s unconscious body over to you as if to try to make you feel better by shoving him in your arms. Chuuya slaps him hard over the back of the head causing him to yelp.

“Put him on the couch, what the fuck is wrong with you? Why are you passing him over to her like he’s a fucking stuffed animal?” Chuuya snaps, giving him a plainly judgemental look before resting his hand on your shoulder. 

Klaus looks disgruntled, but he does as Chuuya asks, laying Dazai down on the couch where you and Chuuya had just been sitting. You drop to your knees next to him, and the room is oddly silent as you look down at him. You don’t feel their gazes on you, so you assume they’re giving you privacy as best they can.

He looks… peaceful. You could almost imagine that you were coming home to him napping on your couch after he spent the whole night playing some stupid video game in your living room. You try to imagine that’s what this is, but the bloody indent in his forehead prevents you.

It almost broke through his skull.

He almost died.

You almost killed him.

You feel a bit sick as your fingers trace up to the wound on his forehead. It’s still bleeding, but his forehead is clean compared to the grime that covers the rest of his body. Klaus and Akutagawa must’ve had the brain to stop and clean the wound before it could get infected—that’s probably what took them so long.

You feel someone come to your side, glancing up to see Akutagawa hovering next to you with bandages in hand. He passes them over to you silently before quickly walking away. You let out a soft breath as you unwind the bandages, gently lifting his head so you can wrap them around his forehead. Immediately, they’re staining red—you grimace and look away.

The silence hanging over the room only lasts so long.

“What’s next?” Klaus asks quietly. “This won’t work for long. What’s the plan?”

Your gaze lowers as you rest your hand against Dazai’s cheek, memorizing his face as best as you can. The heaviness in your chest returns, and along with it, the damning reminder of your reality.

“I have to kill Mori.”

--

Dazai suddenly understands his dream.

“It’s the only option,” you say quietly when Dazai’s expression immediately twists at your words. Your eyes look so heavy and your expression is so crestfallen that it makes Dazai ache. His fingers twitch to reach out for you but you shift away, shaking your head. “It’s the only option, Osamu. It has to be done.”

“But-”

“He tried to have me kill you,” you snap, and he almost rolls his eyes because he doesn’t need reminding of that. He’s abundantly aware of the fact that he almost died at your hands because of Mori. He refrains if only barely. “Why do you care about what happens to him?”

“He’s your father,” Dazai says, watching as you go stiff. He knows he might’ve just made a mistake saying that, but he doesn’t even know if you fully understand the gravity of all of this or if you’re just running off heightened emotions right now. “I don’t care about him, he can go fuck off and die for all I care. I care about you-“

“He’s not my father,” you spit out, voice tight, “and maybe you shouldn’t care about me.”

Oh, here it comes, Dazai thinks dreadfully. That was the opening you needed to bring up the subject Dazai desperately wanted to avoid. He has made a fatal mistake. He should’ve just nodded along and agreed to your plan.

“You’re right he’s not your father,” Dazai immediately agrees to appease you and try to avoid the imminent conversation. “I don’t know what I was thinking. Hey, do you have food here? I’m so hungry all of a sudden, wow, do you hear my stomach-” 

You sigh, looking away. Your eyes are suddenly very tired and Dazai’s words falter on his tongue as his gaze settles on you. His fingers twitch to reach out for your hand but you draw them back into your lap. Dazai’s gaze drops at the blatant rejection, but as soon as you notice, you reach back out to intertwine your fingers with his. He feels placated, but only a little, because he still has a tight feeling in his chest that he can’t push away. A looming fear that something is going to go terribly wrong.

“Can we please talk about this?” you finally ask quietly, and even though Dazai does want to say no, he simply cannot bring himself to. 

So, instead, he nods, and braces himself for what he knows is bound to be a terrible conversation. He waits for you to say something—you look like you want to, but he thinks that maybe you’re struggling just as much as him at opening the conversation. 

This isn’t going to go well, he realizes again, swallowing thickly. 

“Come on,” you finally say, rising to your feet. You hold out your hand to him and Dazai stares at it for a moment, confused. “Let’s get you cleaned up, you smell disgusting.”

“I wonder why,” Dazai mutters, and he means for it to come out as a joke, but when the small smile on your lips falters, he realizes it probably came out much too bitter so he quickly grabs your hand instead, letting you help him to his feet. He tries to get you to smile again by giving you a soft one of his own, but now the expression on your face is heavy and conflicted. “Are you gonna take a bath with me?”

“You should probably rinse off before we get into the bath,” you say dryly, thumb running along the back of his hand before you let go of it. “Otherwise we’ll just be sitting in shit water.”

Dazai almost gags. “Don’t remind me what I’m covered in right now,” he pleads. “Where is the shower?”

The light returns to your eyes, a smile flickers to your lips, and Dazai considers it a win even if he is covered in shit and god knows what else. He glances back down to where he’d been laying and winces when he sees the stains. His eyes flicker back up to you and he cringes when he sees the displeased expression on your face.

“I’ll make Atsushi and Akutagawa clean it,” you say more to yourself than to him, shaking your head and motioning for him to follow. “Bonding exercise.”

Dazai raises his eyebrows, unsure if the couch is even salvageable, and almost lets a comment slip about it considering you were so quick to throw out his couch to replace it, but he refrains when a sad expression crosses your face when you think he’s not looking. He frowns, looking around a bit more scrutinizing now.

This place looks nothing like your apartment.

Your apartment is… plain. Minimalistic. The most you have decorating it is a handful of paintings on the wall and a couple of antiques displayed on dressers. Other than that, you have your furniture, your television, and that’s just about it. Dazai had joked once about it feeling like a hotel room, and promptly stole your credit card to buy things to decorate with—gaudy Christmas lights even though it’s not Christmas, a couple of fake pumpkins to line against your wall and a plastic skeleton to pin up near the window. He even bought an inflatable snowman to put in the middle of the room, but it hasn’t come yet. You rolled your eyes every time you came back from work to see some new, seasonally inappropriate decoration in your apartment, but he could tell the more things he added to your apartment, the happier you seemed to be. 

This place was actually decorated. Pictures and trinkets set up on the dressers, all of the furniture matched and the walls were a warm burgundy instead of the off-putting, psych ward white of your apartment. You said this was a safe house, but it seems more like a home than your actual one. 

“What is this place?” he asks again, because it’s something more than a safe-house, he just doesn’t know what.

“I told you,” you frown. “A safe house.”

Dazai’s lips curl down in response but he doesn’t press, gaze flickering over to one of the side tables against the wall, trying to figure out who exactly is in the pictures on it, but as he strains his eyes to focus on it, pain ricochets through his head and he has to abandon the mission. Disappointed, he follows you into the back bedroom and realizes he’ll just have to figure it out later.

He almost stops in his tracks in the doorway when he sees that the bedroom is just as homely as the rest of the safe house. It’s weird—the same burgundy walls, dark mahogany furniture, there’s what looks to be a handmade quilt draped over the foot of the bed. It’s just so unlike you that it almost has Dazai reeling.

You give him an odd look when you see the twisted expression on his face, but motion toward another door. “The bathroom is in there—go rinse off and run the bath, I’ll be in there in a minute, I’m going to grab a change of clothes for you.”

“Mkay,” Dazai agrees, a jump in his step as he rushes over to the bathroom. 

He only pauses for a second to take in his surroundings when he gets in there—he’s not as surprised now by the style. Less modern, more rustic, just like the rest of the house; it’s more like something he’d expect to see in one of those American holiday movies. He leans over the tub to run the hot water before pulling off his clothes. He squints as he starts to unwind his bandages, looking into the shower and realizing that the only soap in there is an unopened bar soap, and a men’s shampoo and conditioner set. 

A bit suspicious now, he glances at the door leading to the bedroom before kneeling down in front of the cabinets beneath the sink. With one hand, he unwinds the bandages around his legs, and with the other, he reaches out to open the cabinet so he can snoop. Just as he expected: men’s deodorant, a spare baking soda and peroxide toothpaste that he knows you hate, and a handful of different colognes. There’s one bag off to the side and Dazai reaches for it, peeking in and finding your typical bath soaps and hair care.

Whose place is this? He wonders, pausing for half a second before taking out your soaps and bringing them into the shower with him. It’s not Chuuya’s—Dazai knows that because he hasn’t seen a single tacky hat yet, but then whose?

He’s quick to clean himself off, eager to be with you and still a bit anxious that you might disappear when he’s not looking. The water runs brown as it rinses over him, but it feels nice—Dazai realizes that this is his first shower since he got kidnapped by the Guild, and a part of him wants to bask in it. He wants to wash off all of the unfamiliar touches and the dirt and the blood, but more than that, he wants to surround himself with you instead. Which means he has to hurry out of here and drag you into the tub with him. 

He thinks maybe he should be biding his time. He has a lot to think about before he actually talks to you—he’s hardly even had a chance to process everything that happened—but still, he finds himself rushing to scrub himself. It couldn’t have been more than ten, fifteen minutes before he’s stumbling out of the shower and grabbing a towel to wrap around his waist. He almost expects you to be waiting in the bathroom for him, but you’re not, so he frowns and creaks the door back open to look for you.

Your name is on his lips as he steps back into the bedroom, but he falters when he sees you standing in the same place he left you: right outside a closet, except now the door is open and there’s a sweatshirt in your hands. The expression on your face is destroyed, and Dazai isn’t exactly sure what to say, luckily, he doesn’t need to because you hear the door open and turn toward him.

Whatever you’re about to say dies on your lips as your eyes trail over his body.

Another fatal mistake.

Dazai instantly realizes that he has never taken off his bandages in front of you before—that night at the beach house, he thought you were going to ask him to take them off, but you didn’t. He was glad for it, because he wasn’t sure if he was ready, and after that… Well, everything went downhill after that.

Dazai suddenly wants to flee. He becomes acutely aware of all of the scars on his body plainly in view. The warm, dim lighting becomes spotlights shining down on him, highlighting all of the flaws that he’s feared your reaction to. He waits for your face to twist—or, he knows you, you probably wouldn’t have such a visible reaction, so he focuses on your eyes instead.

But they only curve up along with your lips, a fondness in them that he doesn’t expect. You place the clothes down on the bed and approach him, his breath catches when your hands rest on his hips right above the towel. The skin-on-skin makes his chest ache—he’s missed you so much, he hadn’t even realized how hard it had been to breathe without you until he was back with you again.

“I’ve missed you so much,” he breathes out loud, lashes fluttering when your thumbs circle over his hip bones, right over a jagged scar that cuts across his lower abdomen—the product of an unfortunate encounter in Suribachi. 

“I missed you too,” you say softly. Your eyes trace over his face like you’re trying to memorize each little detail—usually he feels uncomfortable when under a scrutinizing gaze, he never wants someone to look too closely at him in fear of what they might find, but he feels warm beneath yours. “I’m sorry.”

He’s not sure exactly what you’re apologizing for; it could be anything from almost killing him to letting him into your life at all. He’s not yet ready for this conversation to start, he hasn’t even gathered his thoughts yet, so instead he glances pointedly back toward the bathroom. You let out a soft breath—he can’t tell if it’s irritation or you’re just tired, it might be both, but you do motion for him to go in and he can hear you following him.

The water is still steaming as he lets the towel drop to the ground and sinks into it. His muscles instantly relax, eyes sliding shut as he rests against the back of the tub, letting out a soft sigh. For a moment, he can almost forget everything that’s happened, his head falls to the side to focus on you as you undress, folding your clothes and placing them on the side table. He blinks when you pull off your dress shirt, gaze zeroing in on a scar marring your upper back. It’s small, circular—a bullet wound, maybe? It doesn’t go through to your chest though, he would’ve noticed that. 

“How did you get that?” he asks curiously, belatedly realizing he probably has no right to ask about scars considering his body is riddled with them and he’d probably evade most attempts at your prying if you asked. 

“Hm?” you ask quietly, looking over your shoulder at him as you finish undressing.

The words falter on Dazai’s lips as his gaze roves over your body. You’re beautiful, he thinks again, a bit more dreamily this time. You’re beautiful, and he’s missed you so much, and he just wants all of this to be over so he can go back to lounging in your apartment and spending your money all day. It’s only when you raise your eyebrows that he clears his throat and nods his chin to your back.

“The scar on your back,” he explains. “How did you get it?”

“Oh,” you realize, making your way over to the tub and tapping his shoulder, motioning for him to shift forward. You slip into the water behind him, circling your arms around his waist and Dazai’s chest feels warm and full as he rests back against you, eyes sliding shut. “An assassination attempt when I was eighteen. I was… reckless, saw it coming and… Well, luckily, the Flags had been in the area. Iceman figured out what was happening and they got there quick enough to stabilize me and get me to Mori.”

Dazai’s throat swells at the implication of what you’d said, trying to distract himself with the feeling of your fingers tracing across his abdomen. He notes softly, “You’re never reckless.”

Your fingers pause in the absent patterns you’re tracing on him, and Dazai wonders if it’s a sore topic, about to retract his words. Before he can, you let out a soft breath and drop your forehead down on his shoulder, arms tightening around him.

“This was Itou’s house. All of the stuff in here, it’s his family’s—stuff he was able to salvage after they were killed. He tried to keep the house like how his mother used to keep it as a way to memorialize her,” you say quietly. Dazai’s eyes widen as he recognizes the name of your old partner. “We were enemies when we first met, y’know? It was during the big conflict six years ago. He was part of one of the foreign organizations. I ended up recruiting him, but he spent a few months on his own here. He was careful to keep it a blind spot to the Port Mafia even after he joined up, I always thought he was paranoid about it, but he was quite insistent that there was no need for people to know about it.”

“Makes sense,” Dazai says dryly. “I wouldn’t want Mori knowing where I’m living either.”

It’s an off-handed quip, but you still stiffen and again, Dazai fumbles to say something else because he clearly upset you. He starts to add, “I-”

“I killed him,” you finally say, voice weak and airy. Your arms loosen around him, but his hands drop to cover yours, holding them in place. “I killed him, Osamu.”

“I thought you said he died on a mission,” Dazai murmurs, hand tightening around yours when he feels the way your fingers are trembling. 

“I… Itou was born into this life. Was born into a Yakuza-family based in Tokyo, trained since he was old enough to walk how to use his ability… how to kill. The Yakuza syndicate his family was the head of was wiped out by the Sun and Steel when he was eight… nine, maybe. His mother was able to get him and bring him back to Australia—that’s where she was from. It’s how he ended up with Strain,” you explain, and the water suddenly feels a bit cold—what happened to Itou’s family sounds a lot like what happened to Dazai’s. From the way you pause, you wonder if you realize the same thing. You quickly change the subject, “He tried getting me out of the Mafia.”

“What?” Dazai asks, surprised. He shifts to physically look at you, catching the wistful expression on your face. “You wanted to leave the Mafia.”

The wistful expression shifts into something much more conflicted. 

“I didn’t-” you start to say before cutting yourself off. “I don’t know. I think maybe a part of me might’ve wanted to. I was… curious. He was sneaky—he was always such a sneaky bastard. He tried to ease me into it, show me what a different life was like. Called them training exercises, wanted me to blend in with kids my age.”

He remembers you telling him this at the beach house, but he listens anyway because now you do sound wistful. His eyes slide shut as you hold him tightly, pressing your lips to his shoulder blade before resting your chin on top of it. 

“His gift to me for my eighteenth birthday was an acceptance letter to university. He pulled some strings. It was for YNU, actually, funny enough,” you say softly. Dazai’s eyes widen as he turns to look at you again; there’s a small, sad smile on your lips and when he turns, you take the chance to steal a kiss from him. “Imagine, we could’ve been first years together.”

Dazai doesn’t dare to respond. His hand tightens around yours—if it’s painful, you don’t let it show. Odasaku dragged him to orientation, and he imagines meeting you there. You’re good at socializing—charming—Dazai can be too when he wants, but he definitely did not want to during orientation. He mostly sulked away and waited for it to be over so he could go back home. He imagines that you’d be in the same group with him, and although he’d probably ignore you the first few times you tried to talk to him, he’d eventually give in. Dazai is weak to pretty women, especially when that pretty woman is you.

Or maybe, you’d meet during a shared class. You would probably be a poli-sci major, but he’s taken classes in the field for requirements. He hated them, thought they were boring, but he probably would’ve enjoyed it much more if he had you to admire all two hours of the class. And maybe-

“I was curious,” you repeat, voice tighter. There’s more of an edge to it now, and Dazai realizes that this story is about to take a turn. “I… I wanted to try it. I told Mori.”

Dazai’s eyes widen and he sits up straight. The water sloshes around him as he physically turns around to face you. He asks, but can’t finish, “Did he…”

“He said it was a great idea,” you say tightly. “He encouraged it. I accepted the spot, and a week before orientation, Itou died on a mission that we got bad intel for. My whole team, they died to make sure I got out alive. Mori denied having any involvement, said he wouldn’t risk an ability user as powerful as Itou, but I know. I know he had a hand in it. I’ve always known it. The government had been after Itou for years—they said he was a national security threat. A couple of weeks later, we suddenly have the skilled business permit that Mori’s been trying to get for months. It was a trade-off. I know it. Two birds, one stone. The skilled business permit and my full focus back on the Mafia for Itou’s life.”

Dazai’s lips part to say something—anything—but he can’t. Your eyes are misty, and the foreboding feeling that’s been haunting him since he woke up intensifies. You shake your head, blinking back tears. 

“I never should’ve brought you into this world, Osamu.”

Dazai needs to think now. He needs to figure out how exactly he’s going to go about this, whether he should be soft and demure, appealing to your heart, or if he should be more forceful, triggering your guilt. 

He goes with the latter.

“Well it’s too late for that,” Dazai says, keeping his voice steady until he knows how you’re going to react to it. When you instantly shake your head again, his voice hardens. “It’s too late, I’m already in it. You can’t just get rid of me. Take accountability.”

“You don’t think I have?” you question dryly, looking away from him. But he needs you to look at him for this to be effective, so he reaches out to grab your hand, dragging your attention back toward him. “I killed your family, Osamu.”

“She was a girl my age—the previous boss’s granddaughter—she was asleep, had a bear tucked in her arms and a nightlight on the right side of her bed. I slit her throat, then both of her older brothers. They were kids.”

Her name was Akane. Bunji and Touma were her brothers. 

They were Dazai’s brothers. Dazai’s sister. The stuffed bear was called Coco, and Akane would clutch it and cry whenever Dazai started talking about things like death. She was scared of dying; more than that, scared of the people she loved dying. She cried for weeks when their grandmother passed, and got angry at Dazai when he didn’t even cry at the funeral. Dazai used to share a bedroom with her and Touma, but he hated her nightlight—it was purple and it was always right in Dazai’s eyes when he laid down. He convinced his mother to force Bunji to swap rooms with him, so Dazai had his own room on the second floor of his grandfather’s estate.

“You were a kid too,” Dazai rasps out the same thing he said at the beach house, but it comes out a bit weaker this time knowing exactly who the people you killed were. “You were fourteen. You-”

“I played a role in tracking your mother down,” you continue. Dazai’s breath catches as his fingers loosen around yours. “It was my punishment for not making sure all of the grandchildren were… eliminated. I was the one that was tracking her down, and I was the one that was going to interrogate her for your whereabouts when I found her.”

“Stop,” Dazai says quietly, voice wavering.

“No,” you reply firmly. “No. You need to understand this-”

“I do,” Dazai insists, voice cracking. “I do understand-”

“You don’t, Dazai,” you raise your voice and Dazai cringes back. You sigh and soften your voice, but the damage has been done, Dazai’s fight or flight instincts have been triggered. This conversation is not going to end in his favor, so he needs to run before he gets hurt, but he can’t because you have him stuck in the bath with you. You reach out again to take his hands in yours, fingers absently running along the scars on his wrists. “You don’t, otherwise you wouldn’t have been so quick to join me in here. You haven’t even had time to process it.”

“Yes, I have,” Dazai whispers weakly. “I have.”

“I ruined your life, Osamu,” you say quietly. “Everything bad that’s ever happened to you started with me.”

“That’s not true,” Dazai argues, nails biting into your skin as he clings to you. “My life sucked before everything really went to shit. The first time I tried to kill myself, I was eleven. You saved my life. I was going to kill myself that night we met at the bar. You saved me.”

“Osamu-”

“You’re not listening to me,” Dazai interrupts, voice taking a more manic edge as he shakes his head. He can talk himself out of any situation—why is he failing now when it matters most? “You’re not listening. You saved me. I love you.”

“I love you too,” you breathe out, but the words don’t settle his nerves because they’re heavy and full of sorrow, and the tears that had been pooling in your eyes finally start to spill over.

“Then why does this still feel like a goodbye?” he begs, breath shallow as he searches your face for an answer.

You don’t respond, but you don’t need to. He finds his answer in your eyes. He always does. You look at him again with that desperate, longing expression, like you’re trying to memorize the details of his face even though you know it’s futile. 

This is a goodbye.

--

Dazai hasn’t spoken to you once since your conversation in the bath.

Chuuya, your subordinates, and the Flags are back now, and Dazai is sulking in the bedroom watching one of his dumb reality shows. You can hardly focus on the conversation at hand because of it, and you know the others are starting to get irritated by your distraction considering the stakes at play right now. If one thing goes wrong, all of your lives would be forfeit. They’re risking everything by helping you right now, and you can't even bother to give them your full attention.

“Out,” Piano Man suddenly says. Your gaze snaps toward him, as does all of the others’ in the room. When nobody immediately moves, he raises his eyebrows and continues dryly, “Are you all hard of hearing? I said get out.”

“Where are we supposed to go?” Albatross demands. “Her boy’s in the bedroom. This place is small-”

“Go crowd in the closet for all I care. Get out,” Piano Man says dismissively. Still, no one moves until his gaze sharpens and they realize he’s being entirely serious. You shift to leave with them until his eyes land on you. “Not you.”

You feel like a child about to be scolded, which is ridiculous because you’re a mafioso, and though Piano Man is technically the same rank as you, he’s not really. He can’t scold you, but you shift awkwardly on your feet and share a concerned look with Chuuya anyway as they all wander out of the safe house and into the small hallway outside.

Once the two of you are alone, you finally glance back at Piano Man, who’s watching you carefully. After a few moments he says, “I take it you told him the plan?”

“I did,” you reply quietly.

“He didn’t take it well?” Piano Man questions.

“You know the answer to that,” you say a bit more dryly before shaking your head. “Would you have taken it well?”

“Of course not, I’d be livid,” Piano Man says immediately, making you cringe. “Does this mean we’re changing the plan?” 

“No,” you tell him. “We can’t. This is the only option.”

“I know,” Piano Man says with a thin smile. “So stop sulking and get your head in the game so we don’t all die trying to perform a coup.”

You’re startled by the sudden sharpness in his voice, but you suppose you shouldn’t be. Piano Man has always been capricious, going from his whimsical moods to more cold and ruthless ones within a matter of seconds. You can hardly meet his eyes now, looking down at the ground to avoid them.

“Why are you helping me?” you ask after a few moments.

You don’t have to look at Piano Man to see the way he raises his eyebrows judgmentally. “Excuse me?” 

“I was going to kill you earlier. I held a gun to your head. Why are you helping me?” you press, the words weighing heavily on you as you remember the way he met your eyes when you lifted the muzzle of your gun to his temple.

Piano Man has the audacity to look amused. “When I first recruited Lippmann, I tried to drown him in the harbor because I got paranoid he sold me out to the feds after a mission went wrong. It happens—the next time it does, I’m going to be pulling my own gun out though. So, don’t let it happen again, yeah?”

“Yeah,” you agree quietly. “I’m sorry.”

You don’t apologize often, even when you know you’re entirely in the wrong. Mori has taught you only to apologize when it serves you, otherwise you should never make an admission of guilt or liability. So it’s not surprising when Piano Man’s eyebrows shoot upward, but his expression softens after a moment. He reaches out to pat your head.

“I know this isn’t easy,” he murmurs, “but we need you at the top of your game if this is going to work.”

“I know,” you reply. “... I know.”

“Good,” he says, patting the top of your head yet again before sighing. “Let me go get them and we’ll get back to planning, okay?”

“Mkay.”

You lean back against the wall as you look down at the table Lippmann set up for planning. The Flags, your subordinates, Kajii Motojiro—they’re non-factors in the planned coup. The Flags will support it, your subordinates will support you, and all Kajii cares about is his experiments. Paul Verlaine is not quite as secure, but Chuuya is confident that he’ll support whatever Chuuya goes along with.

The issue lies in Kouyou and the Black Lizards.

You already feel a headache come on just at the thought, lifting your hands to your head and rubbing your eyes as you knock the back of your head against the wall and let out a heavy sigh. Kouyou and Hirotsu won’t support the coup, you know it. They’re both loyal to Mori—both victims of the previous boss who found refuge in Mori when he took over. They’ll fight for him, and you know better than anyone that during a forceful transition of power, all dissidents must be removed, especially ones that hold significant power and influence.

But it’s Kouyou and Hirotsu. Kouyou, who was the one to teach you how to do your makeup properly, who bought you your first kimono to match her own. Hirotsu, who was always quick to execute anyone that openly disrespected you, who took you to a movie on your fifteenth birthday when Mori was busy dealing with the power transition so you didn’t spend it alone. The thought makes you sick—they were family, and maybe Hirotsu could be convinced. He’s loyal to Mori, yes, but more than that, he’s loyal to the Port Mafia. If you can manufacture a legitimate reason for the coup…

You sigh as you glance down the hall where Dazai is hiding in the bedroom, startled when your gaze catches his familiar brown. He’s seemingly just as surprised that you caught him spying, immediately slamming the bedroom door shut to retreat back into the safety of the room. Your lips curl up into a small smile, which is quickly washed away when your subordinates, the Flags and Chuuya all file back into the room.

“I’ll talk to Ane-san,” Chuuya finally says, reigniting the conversation. “I’ll make her see reason.”

“There’s no time for talking, Chuuya,” Piano Man tells him. “This all has to be done within hours. If we let word get out about what we’re doing… The coup is risky, and a civil war would be the end of this city.”

Frustration flashes across Chuuya’s face. “I’m not budging on this,” he says, voice tight with thinly restrained anger. “Either you give me the chance to talk to her, or I’ll withdraw my support.”

“Chuuya,” you sigh tiredly, wanting nothing more than to just sit down.

“No,” Chuuya interrupts you. “I won’t actively stand against you, but I won’t stand with you if you don’t give me the chance to talk to her.”

“Fine,” you finally say even though you know it’s a mistake. It’s asking for trouble. Piano Man gives you a sharp, disapproving look, but you shake your head. “It’s fine. She won’t be keeping her executive position.”

Chuuya’s face twists. “But-”

“No.” This time you interrupt him, holding up your hand. “I’m not budging on this. If you want the chance to talk to her and convince her this is the best route, I’ll give you it, but you need to meet me halfway. She’s not retaining her executive position.”

Chuuya looks unhappy, but after a few moments, he nods. “Fine.”

“I can’t risk it, Chuuya,” you tell him quietly. “I need people who I trust in the inner circle. I can’t trust her after what just happened.”

“I get it,” Chuuya says. “I just don’t like it.”

“That leaves three executive seats we need to fill.” Piano Man lets out a heavy sigh as he sits on the edge of the table, tilting his head back in exhaustion. “Your’s, Ace’s, and Kouyou-san’s. Do you even have three more people who you trust?”

Klaus and Akutagawa, you think to yourself, but neither of them are executive material. Your gaze drifts over to Albatross, Iceman, and Doc, each of them pointedly looks away, none of them want the open seats. Lippmann can’t take it, not with what you have planned for him. So, who else-

“Verlaine?” Chuuya offers. “He’s got a ton of experience with the European organizations—we’ll probably need it considering Dostoevsky’s involvement with the Guild, and this Book that’s apparently somewhere in the city. If it gets out to the public, we’ll have organizations swarming just like during the Dragon’s Head.”

You don’t like the idea of Verlaine being an executive, and you don’t think Piano Man does either considering his unfortunate first meeting with the man, but Chuuya raises good points. You have your own experience with the European underworld, but it’s nothing like what Verlaine has.

“Okay,” you agree, “and the other two?”

The Black Lizards are its own command unit that answers directly to the Boss. They don’t have a seat at the table because it’s not their field. Their field is war, not politics… but what other options are there? The people you trust are far and few in-between, you can probably count them on one hand.

“What about Tolstoy?” a familiar voice asks quietly from down the hallway. You look up immediately, gaze focusing on where Dazai is standing in the door of the bedroom, hands shoved in the pockets of his sweatshirt, shoulders hunched. He doesn’t like the attention of everyone on him, so he keeps his eyes trained fully on you. “Mishima?”

“They’re not part of the Port Mafia,” Chuuya dismisses, “they don’t get seats.”

“But what if they were?” Dazai presses, shuffling forward. He hardly spares Chuuya a glance before looking at you again. “The transition of power is going to be shaky, you need to strengthen your position in other ways, otherwise…”

“You think we should merge with the Three Deaths and the Sun and Steel,” Piano Man realizes, sitting up straighter as he considers Dazai’s proposition. “Doesn’t that risk destabilizing us even more though?”

He looks at you for an answer, but your gaze is focused on Dazai. He’s not even gone yet, but you already miss him desperately; all you want is to be with him, but it’s just not possible. You can’t have him and run the Port Mafia at the same time; he will die because of his affiliation with you, just like he almost did when the Guild captured him. It wouldn’t matter how safe you tried to keep him, one mistake and he would die. And that will lead to every decision you make being centered around him, not what’s best for the Port Mafia and that will lead to its inevitable ruin. 

“No, Osamu’s right,” you say, and Dazai preens at the praise, but then quickly deflates again. You want to reach out for him, but you refrain. “Not a merger. An acquisition. The Three Deaths and the Sun and Steel are already pretty much extensions of the Port Mafia, we would only be formalizing it. I trust Tolstoy and Mishima—I pretty much built the Three Deaths into what it is today myself. We’d give the Port Mafia an official foothold in Russia, more sway over everything that happens in Tokyo. It’s a good plan. Great one, even.”

“Will they even agree to it?” Chuuya asks doubtfully. “Go from being fully autonomous to answering to us.”

“They pretty much already do just answer to us,” Albatross mutters.

“They’ll agree to it,” you tell him quietly. “I’ll make sure of it.”

Tolstoy won’t be hard to convince. He, Chekhov and Gorky are all good friends of yours, you helped them build the Three Deaths, you helped them win territory battles against the Pale Flame and the Red Chamber. All it would take a few words of convincing for them to agree to it. Mishima might be more difficult, but all you have to do is convince his daughters, and they hang off your every word.

There might be some dissent from the Sun and Steel executives, but even then, you think it would be minimal at worst. It’s a good plan. Having Tolstoy and Mishima sitting at the executive table would lend you some much needed support during the transition, and with the Port Mafia subsuming the Three Deaths and the Sun and Steel, it would provide a major deterrence against any foreign movements from Cao Xueqin or Yi Sang.

“What about Hirotsu and the Black Lizards?” Akutagawa asks, shifting awkwardly when all eyes turn to him. He doesn’t meet anyone’s eyes, and you know it’s because he actually cares about what your answer might be. Akutagawa likes to pretend that he doesn’t care about anyone, but you know he has a soft spot for the unit that took Gin in so easily.

“We can’t afford to lose the Black Lizards,” Iceman notes as he lights another cigarette. “Especially if we’re bringing in other organizations. We don't want our own people to feel like they’re being lost in the mix, y’know?”

“I’ll handle Hirotsu,” you finally say. “It’ll be fine. I just need to figure out how to frame this. Needs to be framed in a way that makes him feel like this was the best, and only, course of action for the Mafia. He’s loyal to Mori only to the extent that he’s good for the Port Mafia. I’ll figure it out. Leave that to me.”

“Ace’s subordinates?” Albatross prompts. “They been handled? We can’t have them knowing about him. Can’t have anyone knowing about him.”

“Dead,” Akutagawa says. “I killed them.”

“Security cameras? CCTV? Any record of this kid being affiliated with us?” 

“Wiped,” Klaus answers flippantly. “We’ve gone through it every day since they met. Weren’t allowed to sleep ‘til made sure everything from the day was wiped. There’s no physical record of him ever being around us.”

“Okay, so we get this settled, and then we wait on Repin for the rest of us, right?” Albatross asks. Dazai cringes at the mention of Repin, and you look away from him, unable to watch the pain that crosses his face.

“Yeah,” you say quietly. “It all needs to happen within no more than a couple days otherwise we risk the wrong people finding out so…”

“So we should get started,” Chuuya sighs, pushing himself off the wall. He squeezes your wrist as he passes by you, walking in the direction of the door. “We’ll give you guys some time. I’ll let you know how things go with Ane-san.”

You nod, eyes following him as he leaves. The others follow, filing out of the room until it’s only you and Dazai left again. You turn to look at him, so many words on your lips but incapable of pushing a single one out. Instead, you reach out to cup his face between your hands, running your thumbs across his cheekbones. His lashes flutter shut as he leans into your touch.

“It doesn’t have to be like this,” he whispers, brown eyes heavy and glassy as he looks down at you. “We can figure something else out. I know we can. Just give me some time, I just need a little time, I’ll figure something out.”

“We don’t have time,” you say, voice cracking over the words. “I love you, Osamu.”

Dazai pulls away, shaking his head. He wipes quickly at his eyes before looking at you again. You expect what he says, but it doesn’t make it hurt any less.

“I won’t forgive you. Not for this. Not ever. I can’t.”

“I know.”

--

SIX WEEKS LATER

“I must say, I wasn’t expecting this invitation,” a familiar voice hums as the door to your box opens. You don’t turn to look at him, keeping your gaze trained down on the performance taking place below. “Not from you, and not after everything that’s happened.”

“No?” you ask absently. “It’s unlike you to not expect something, Dostoevsky. Less like you to admit it.”

“Fyodor,” he corrects as he comes to stand next to you. He’s close enough to you that you can feel his body brushing yours. You finally turn your head to look at him—his lips are curved up into a deceptively soft smile, violet eyes glittering with a type of mischief that you know is dangerous. “We are well enough acquainted to be on a first name basis, no?” 

“Dostoevsky,” you repeat pointedly, looking back down at the show as the first act reaches its climax. Of all of the shows you’ve seen, Tosca is still your favorite. This rendition here at the New National Theatre isn’t quite as good as the one at La Scala, but you’re enjoying it well enough.

Dostoevsky lets out a huff of laughter, you don’t turn to look at him when you feel him reach out to touch you. His fingers trace along the maroon scarf hanging loosely over your shoulders. You barely withhold a shiver when you feel his knuckles skim your neck—rumor has it, skin-on-skin contact alone with Dostoevsky is enough to kill. You don’t die, but it’s enough to beckon your attention back to him.

“Red is your color,” he murmurs, looking down at you through his lashes. “You look beautiful.”

“It isn’t yours,” you reply quickly, glancing down at the red tie tied neatly around his neck. “Neither is flattery.”

Dostoevsky does laugh this time—it’s soft and short, pretty like a bell. Unbefitting of him, just like the color red and false flattery. 

“It isn’t?” he asks, keeping his voice deceptively playful. “I wore it for you. Since you invited me, I thought it appropriate that we match. I heard of your success in Yokohama. I should congratulate you on your new promotion. Or perhaps extend my condolences for the death of your father? Are condolences still proper when you were the one to drive the knife into his back?”

It’s a dig, an attempt to get under your skin and throw you off before getting into the meat of the conversation. You can feel his eyes on you, the soft playfulness gone and replaced by a sharpness that has you on edge.

“You said it yourself. One life or thousands.”

“It was a bullet to the head,” you correct idly—the words taste like poison on your tongue, but you’re careful to not let it show on your face. “Condolences are unnecessary. He was not my father.”

“It’s okay, dear, this was how it was always meant to be.”

“Hm,” Dostoevsky hums, amused. “I was quite pleased when I found out about the coup. I wasn’t expecting it.”

He wants to add something else but he decides against it. He’s very calculating with his words, he always has been, but he is especially now. You know that each word he speaks is chosen for a specific purpose, and it’s hard, even for you, to break down each one as he speaks it to understand why he says it so you can choose your own words carefully in return. Fyodor Dostoevsky is the only man capable of consistently beating you in exchanges of words, and that is concerning. 

It’s why you invited him here—you need an idea of what he’s planning while you solidify your newfound position.

“It seems you struggle to expect many things I do,” you note. “I should add it to my resume. I doubt many people are capable of repeatedly surprising Fyodor Dostoevsky.”

“It is true,” he agrees with an airy laugh. “You are a… difficult opponent. I will admit it.”

 “Is that so?”

Dostoevsky makes a soft noise of agreement, lashes fluttering as he glances over at you once before he looks back down at the show taking place down on the stage. 

“You are not guided strictly by logic,” he muses. “It's there, of course, you are very intelligent but it’s laced with so many emotions. It is difficult for me to determine your course of action because I can never predict when you will lead with emotion, and when with logic. And even then, there are grades to it. I could account for dozens of plans of action and miss the one you take because you are just a bit less emotional than I anticipated… I did not predict that you would go for Zelda Fitzgerald, it was quite bold—there was a high risk for failure. You make things… much more interesting. I enjoy it.”

“You would find something like that enjoyable,” you say sarcastically, taking a sip of your champagne. “There is something seriously wrong with you, Dostoevsky.”

“Fyodor,” he corrects again with a light smile. 

“Dostoevsky.”

“Heh,” he laughs quietly. “I will… wait for things to settle before making another move here in Yokohama. I’m curious to see how all of the chips fall on their own. You’re in for quite the storm with that bill that just passed through the Diet, aren’t you?”

You don’t respond. You got the answer you needed, so there’s no reason for you to keep entertaining his snide comments; you’ll just watch the show in peace. You’ll have the bit of time you need to get things settled before Dostoevsky makes his next play. Though the man is a compulsive liar and you have no reason to trust him, Dostoevsky has never lied so blatantly to your face, so you’ll take him at his word until you have reason to believe otherwise. 

Dostoevsky takes your silence as an opportunity to continue talking, naturally.

“I did have a question for though,” he says, a bit too thrilled by the prospect of your answer. You don’t like the way his eyes are lit up, and you especially don’t like the smile on his lips. “Entertain me?”

You raise your eyebrows pointedly, waiting for him to ask it. 

“I heard rumors that the reason behind your sudden decision to overthrow your father was more… intimate than most believe,” Dostoevsky murmurs, leaning like he’s sharing in some schoolgirl gossip with an old friend. Your brows furrow as you process his words. “You must tell me what boy has managed to steal your heart. He must be something special. Not even I was capable of that, I’m almost jealous.”

You look at him now, gaze sharp but confused as your eyes trail over him before focusing back on his face. He seems surprised by your reaction, tilting his head to the side and studying you carefully.

“I have no idea what you’re talking about.”

--

to be continued in ... the land is inhospitable (but are we?) [est. release: early feb]

--

WOWWWWWW GUYS WE FUCKING FINISHED CIVZAI .... or well, ;) civzai1. some notes:

i promised a happy ending, i know ... but i promised it for civzai in general, and they DO have a happy ending ... just not yet. pls dont bully me ill cry i'm so proud of this. i didn't lie.

i always intended on there being two parts to this series because i feel like time apart is essential in the pmreader universe. when dazai defected in canon universe, and now with her taking over as boss and wiping her memories of him. the first part was always gonna be the guild arc, the second arc is gonna be my rendition of the hunting dogs and the decay of the angel

this is the ONLY universe where pmreader becomes port mafia boss ;) i actually had it noted that there was only one universe on the background page in wykyk once i started writing wasteland, baby but no one caught it ;) i was wondering if anyone would put two and two together

i actually went back and retconned chapter 1 to have them talking about the divine comedy instead of petrarch because of the first scene in this chapter. i thought it would be neat coming full circle with the themes of betrayal and death, + the hozier song this chapter is based on is about the 9th circle in the divine comedy. so everything just tied together too neatly for me to not add it.

;) just remember now with repin involved, reader's narration is now entirely unreliable. we don't know what's truth and manufactured by repin.

i was actually really tempted to base civzai2 off of a mother mother album just because hayloft II fits what's going to be the first half of it SO fucking well, but i had to go with mitski because the whole album literally captures the vibes of the second series perfectly

[throneofsapphics]

remember everything that we'd die for

cazriel x reader

summary: Hybern attacks Velaris, you're not where Cassian and Azriel expected you to be.

warnings: injury, death, angst

a/n: the acomaf blurb style rewrite temptation is strong

By all means, it was one of the most beautiful days of the year. Until you were called into work. Not that you minded your job, the bookstore was a peaceful place, but some days you just wanted to rest. Considering both of your mates were busy, it was probably a good thing this happened, saving you from a full day of worrying. 

Fate was tricky, you knew that. Despite all previous signs pointing towards a peaceful life in a city known for its safety, not everyone could escape the scythe of the afterlife hanging over them. Your scythe was looking an awful lot like the soldiers from Hybern Azriel and Cassian had described, blotting out the beautiful sky. 

“Get inside,” you pushed the door open, ushering the panicked people through. “If they break through, go out the back,” you’d firmly instructed your coworker earlier before retrieving the rusted blade you kept under the front desk. Your mates would throw a hissy fit over that. Two knives, gifted to you by them, were tucked into your clothing. 

A little girl pressed her hands against the window, her mother dragged her back. You hoped you conveyed your appreciation in the brief meeting of your eyes, all you saw in hers was gratitude that made you sick to your stomach. You were no savior. You were more likely to be their damnation. Perhaps fate or destiny took you to work that day, you just prayed the people inside the building made it. 

With a store full of people behind you, you tapped into your magic for the first time in years, perhaps decades, and let the wall rise as you stepped beyond it. A golden sheen now covered the building like a second skin. 

You wished you could’ve had one last day with them. Or even just an hour. 

-

As Hybern’s soldiers fell, Azriel took solace in the fact that you were in their home, safely warded. He knew, not far away from him, that Cassian was doing the same thing. Later, he’d question why his shadows had failed him, for the first time. 

-

The first grey scaled being landed in front of you, took one look at the blade in your hand, and laughed before calling out in a language you half understood. Only three others landed. 

Righteous, sweet, anger filled every nook and crevice of your body and mind. Breathing out, you let enough of it fade to keep a clear mind. 

“Losing your head is the fastest way to get killed,” Cassian’s voice echoed in your mind. They may have taught you a few things, but you were no trained warrior. Tears built in the corners of your eyes. Was this really how it would end for you? 

-

As his blade toppled the head of one soldier, his magic crushing another, Cassian counted his lucky stars it was your day off, but he wouldn’t find true peace until he managed to lay eyes on you and confirm you were safe. 

-

Like something out of a story book, you felt rather than saw your magic sneak up the blade, coating it in what must be a golden iridescence. You didn’t dare look, didn’t dare give away that one precious piece of knowledge that might give you some kind of edge. 

Despite the training you’d received from your mates, four versus one was not good odds. Tilting your eyes to the blotted sky in silent prayer to the mother, you waited for your opponents to give something away. Time, you needed to buy time for someone else to get here. 

It took three dead enemy bodies for you to realize help was not coming. Your arms shook as they held the blade, the magic on it already sputtering. 

The first knick hit your shoulder, blood pooling around the cloth of your off white top. 

Dying was absolutely unacceptable. You had too much to live for.

If you died, you doomed the people behind your shield, the ones counting on you to keep them safe. You had a store full of younglings, females, and males all counting on you. 

This couldn’t be your end, you thought as you reached for the knife tucked at your waist, dodging another blow. 

Your aim had always been good, it wouldn’t, couldn’t fail you now. 

The knife flew from your fist as a blow hit your head, hard enough darkness took you. Like a marionette doll, you crumbled to the pavement. As the sky turned a familiar and safe dark, the golden shield behind you faded, and you couldn’t tell if you were a failure. 

-

As Rhys’s magic cleared the city, a black shadow wisped around his ear, whispering one of his greatest fears. 

Hurt, she’s hurt. 

Azriel shot through the sky, a blur of black, aiming right for where Cassian scanned the horizon. He looked up as Azriel slowed just enough to approach, the panic in his eyes must’ve made the message clear. Few things could make him panic. 

“Where. Is. She?” Cassian said, jaw clenched. 

Work, another shadow curled around his ear, work. 

“The store.” 

He clasped Cassian’s forearm, shadows transporting them the short distance to the city proper.

They landed quietly, but their steps were near thunderous as they approached, the crowd clearing for them, words of thanks flying past their ears. 

A few children hid inside the bookstore, he could feel the remains of your magic, a sensation he hadn’t known in years, something you generally kept to yourself, brought to the light by these ancient horrors. 

Azriel kept his head clear enough by focusing on how his shadows said hurt not dead. Why the hell did you have to go to work today of all days? He’d kill whoever called you in. Gladly. Cassian might even help him. 

“Clear out,” a voice shouted, he looked out to see a healer he recognized hovering over your form, looking at him and Cassain. 

The crowd parted before he needed to shove their way through. 

Azriel’s knees hit the pavement on your other side, Cassian right next to him. 

The healer didn’t complain at the shadows now swarming over your body, reporting back to him on every little detail. 

A blow to the side of your head, one on the back of your head, likely from hitting the ground, a wound on your shoulder. Unconscious, no doubt you’d have a concussion, but right now you were still breathing. 

Cassian asked all of the questions to the healer, his restraint at her touch and magic a sign of your century old mating bond. A hundred years ago they would’ve been at her throat. 

Now, he was capable, although not happy about it, of letting her work. 

“She needs lots of rest,” the healer said. “Minimal activity for at least a week.” He’d tie you to the fucking bed if he had to. 

general taglist: @rowaelinsdaughter @bookishbroadwaybish @nestaismommy @erencvlt @book-obsessed124

@callsigns-haze @littlest-w01f

acotar taglist: @lilah-asteria @yeonalie @I-am-a-lost-girl16 

[am-i-interrupting]

Across the River | Viktor x Jinx’s Older Sibling

Chapter 4 | Sleepy Studies

Summary: After the explosion and disappearance of Vi, you take your little sister across the river to Piltover. You struggle to keep the two of you afloat but manage to get Jinx to the academy. This is where she procures an internship that changes your lives.

“What is your sister like?” Viktor asked during one late night.

“Why?”

“Simply curious. I was an only child.”

“Okay,” Jinx said slowly, looking Viktor up and down. “Well, they’re like. . . Geez, I don’t know. I mean, when I was little I spent waaay more time with them than with V— We’ve always been close. I don’t really know how to describe it.”

Viktor noticed her cut off and raised an eyebrow but otherwise didn’t question.

He tapped something Jinx wrote twice. She looked down and her lips curled up. She wiggled her pencil in her hand for a moment before she flipped it and erased what she’d written, replacing it with something else.

“Perhaps phrasing it differently will help? What is it like having siblings?” the question phrased plural on purpose.

Jinx shrugged. “I mean, you’ve got someone to look up to, I guess. Someone who’s your friend and your bully all wrapped up into one present and shoved in your hands but the wrapping paper is kind of wet which is weird because that’s not how presents are supposed to be, right? It’s kind of off putting because it’s kind of gross. Then you open it up and look at the box and the box is weird too. It’s like purple instead of brown. And then when you finally open the box, it’s like all your insecurities are there in the shadows and then you put it in the light and boom! Unconditional love that you definitely don’t deserve but it’s hidden because of insults and petty drama.”

A pause.

Viktor blinked once, twice.

Jinx looked him up and down.

“Does that make sense?”

“None at all.”

“Oh.”

She was quiet for a moment. She looked off into the space before her. Unmoving, slightly unnerving.

She sniffed. She shrugged. She bounced back, leaning into his personal space. “Welp! That’s the best I got.”

Viktor shook his head with a bemused slight quirk to his lips. “Alright, so,” he began, pointing at some of the runes.

The rest of the night passed by until it was closer to early morning. Viktor stretched his arms out behind his back. Jinx was standing, leaning her back against the table, bending backwards. She’d taken out her pins that held her bun in place and long braids pooled on the table, one even hanging off.

“Do you think that trees cry when they’re cut down?” Jinx asked. “That they know they’re going to die?”

“And I will take that as our sign to call it,” Viktor said.

Jinx gave an over exaggerated groan in reply but Viktor could tell by the way she was twirling the end of one of her braids and occasionally hitting her face with it, she was feeling the pull of sleep begin to tug.

She tilted her hips towards the table and moved her leg. In one fluid motion she was upright. Then she almost fell. Quickly she righted herself and shot Viktor a giant smile.

Viktor grabbed his crutch. He situated it beneath his arm and curled his fingers around the handle.

Jinx let her body weight all go to one foot as she kept the door open. The only thing which prevented her from falling was her hold on the doorknob.

When he walked through, she followed him.

“Ow! Shit!” she yelled.

Viktor’s head whipped back and her braid had gotten caught between the doors. She jerked the door open and yanked her braid out of the way. It hit his leg and the door closed.

“I see why you keep your hair up,” Viktor said.

Jinx scoffed and rolled her eyes. “I like my braids being down, even when they do get caught on things.”

“May I ask why that is?”

“Because, they keep me grounded. Without their weight I feel like my head is floating away from me,” she said.

“Then why don’t you wear them down?” he questioned.

“Stupid Upper City people,” she muttered under her breath. “They think it’s ‘unhygienic’ because they drag on the floor. Yeah, they do and guess what! I clean them every day. They don’t even drag on the floor unless I’m hunched over.”

“I didn’t think you the type to let others people’s opinions bother you,” Viktor told her.

“I don’t! Normally. It’s just doing all these things and following all these stupid fucking rules is how I got here,” she said with a pointed gesture at the academy floors. “I can’t lose that now. Sis worked too hard to get me here.”

Viktor could empathize with the struggle. Being not only from the Undercity but also disabled prevented an entire load of problems up here. He’d take them though, over the polluted air. At least here he could breathe.

Viktor held the door open for Jinx. He waited until she was a decent bit away before letting the door fall closed.

“Let me haul you a taxi,” Viktor said, worried for the girl in her tired state.

She shrugged but didn’t fight him.

They sat in the backseat of the taxi. Jinx’s braids pooled in the floor.

She scooted closer to him. She slowly pushed her hand between his arm and torso until he tentatively let her wrap their arms together. Her head immediately plopped down on his shoulder. He tensed.

“I don’t even get to do my building anymore up here,” she said as she nuzzled her face against his shoulder.

“Building?” he asked as he forced his body to relax.

“Yeah, before we came up here, I used to build all sorts of gadgets. I mean, I still do but I can’t do it as often. I can’t even find a place to test my bombs and since the Industrialist took over the Undercity, we don’t go down there much. Just on special occasions.”

“You build bombs?”

Jinx laughed a bit. “Yeah.” She closed her eyes and sank against him. “Smoke bombs—“ internally he sighed in relief— “real bombs, guns.”

“Huh,” was all he could say.

The rest of the ride was relatively silent. That is until Jinx started snoring and some drool seeped through his shirt. He didn’t make any attempt to move her though.

The automobile came to a halt. With a quick word to the driver and careful movement, he slipped out. He walked into the apartment building and knocked the door labeled 07.

A couple long moments passed. He raised his hand to knock again as it but it jerked open.

“The fuck do you want at one in the— Oh, it’s you. Hi,” you said as you processed who exactly stood in front of you.

Viktor felt his stomach do the smallest twist. Your hair was a mess. Your shorts were hanging off one hip and up too high on the other. A strap of the tank top you wore was twisted.

“Jinx is asleep in a taxi. I would bring her in myself but ah,” he gestured with his crutch.

“Oh, yeah,” you said as you walked out of the threshold of the apartment. “She sleeps like the dead.”

You yawned as you walked with him to the taxi.

Jinx’s head was lulled forward. Her chin touched her clavicle but still she snored on.

You crawled a bit into the automobile and put your hands beneath her legs and her back. You pulled her closer to you until you could heave her up in your arms. Her head bobbled and smacked you in the chin. She just groaned and used her hand to push your face away.

“Ow,” you said in a monotoned voice. “Anyway, thanks for getting her home.”

“Of course, it was my pleasure. Do you need me to open the door for you?”

“Yeah, that’d be great.”

Inside you put Jinx to bed. You slipped off her shoes, pulled her vest down her arms, undid her belt. You undid the buttons of her shirt and slid on an oversized one before slipping off her button up and pulling off her pants.

She pulled the blanket around her and face planted in her pillow.

“Thanks, sis,” she mumbled, half asleep.

“Yeah, yeah,” you said.

Still, you moved her face so she wouldn’t suffocate on her pillow and brushed her bangs out of her face. You placed a kiss right above her brow.

Then you grabbed your own covers to wrap yourself in and laid back on the couch where you’d been, wondering why you felt all warm inside by the man who kept caring for your sister with you.

[captindadhat]

Not trying to pick a fight but I always see the whole “we as humans inslaved animals and that’s wrong” take and like what are we supposed to do kill all of them let whole lines of animals die out because you don’t believe in farms, keeping bees, seeing eye dogs and pets? Like how is having a pet cat enslaving an animal ideally you care for them how you would a person the same way most small farmers/bee keepers (that I’ve met) care for their live stock. And for the whole “well you wouldn’t eat or wear a human after they died” for chunks of history and in certain cultures yes that did/does (smaller groups today) as a way of honoring the dead. If something is going to die (like all things do) why not use as much of it as possible all animals do and humans are just animals with thumbs? Like if an animal dies in the forest some living creature will take their share from it until it returns to the earth so why should humans?

[beabnormal24]

Your dog ~ carcar, angst

Piñon still bites him when he sees him. He's a distrustful dog, Oscar has learned.

He doesn't like it when Oscar sits on the left side of the couch, pushes his nose against his calf until he's shuffling to the right. He doesn't sit on that side either, though, and curls up under his feet.

He doesn't like it when Oscar looks at the coats hanging nearby the entrance, he doesn't like it when Oscar puts his hand in the biscuits jar, he doesn't like it when Oscar uses the body-wash in the shower and smells of musky pinecones.

He doesn't like a whole lot of things that Oscar does, truthfully, and even though he does try not to show it, sometimes it really hits close to home, where it already hurts the most.

And yet, he still gets up at eight sharp in the morning to take him out for a walk.

They stroll on the sidewalk for ten minutes, already with the easiness of a routine that doesn't feel like it belongs to him fully yet, and Oscar can almost say with certainty that it doesn't feel that gross to grab his poop from the ground.

Every morning they walk past a local bakery, just on the right side of the parallel road, and every single morning Piñon starts barking, perhaps out of familiarity, perhaps just out of curiosity, his vision zeroing on the bright yellow of the signs.

Oscar... he would rather not walk in, honestly. It's not even about avoiding falling into temptation, the smell of fresh baked goods always seeming to make his empty stomach grumble like a full engine.

It's more about the way the people around him seem to advert their gaze for a short second before actually meeting his eyes, it's about the way the woman behind the counter sharpens her grimace into a somewhat welcoming smile, as if all of a sudden she's not angry anymore at Oscar for only knowing how to utter a bunch of words in broken Spanish.

Even worse, though, it's the way they always sit on their calves and pat Piñon's head with a familiarity that Oscar is almost jealous of.

He may not understand a lot of the language, but still it's easy to make out the grand scheme of it all, how they sneak treats under the dog's mouth, how they whisper close to his ear.

"Has he been treating you good? How are you doing? How is him?"

Piñon never answers, and maybe that's exactly the reason why Oscar decided to take care of him.

When it came to deciding what should go to whom, he had almost fought tooth and nails to insist he would be the one getting the dog, in ways that he would probably be immensely embarrassed of if he thought about it now, lucid and the wound of it all less open and fresh.

But when Piñon tilts his head there's always the memory of something that tickles the back of Oscar's head, something that he's not exactly ready to let go of completely.

And when Oscar just needs to talk without the feeling of judgment and guilt clouding over him, Piñon just nudges his nose against his calf and sits at his feet and leaves him the benefit of self criticism that sometimes Oscar forgets he still has.

And other times, even, he looks up at Oscar with big brown eyes that hold a distant sentiment that Oscar can't face just yet.

He has read, somewhere in the middle of a late night binge search on how to get rid of it all as fast possible, that dogs are able to talk to spirits.

Oscar doesn't exactly believe it. Though it is true that Oscar doesn't believe in a lot of things that don't lie in the same Venn's diagram of a throttle and a brake.

He still doesn't know if he should believe in God or if it's God who should believe more in them, give them a bit more credit for all the things some people have to go through without even asking for them.

And Oscar also sincerely hopes Carlos has not gone and become a spirit, because that would imply that even the last shred of hope has to quietly die like a burnt candle.

Because that would mean Oscar would have to live the rest of his life looking for a metaphysical appearance that he knows will never come, that he would have to feel haunted, even.

And it's ridiculous to even think about believing in something like that, and yet at two in the morning on a Thursday night Oscar thinks that there can't be any damage to do if he just lets himself be ridiculous for a little while.

The corridor is bathed in moonlight when he walks through it, but Oscar still finds some difficulty in making his way through the rooms, leaning against the wall with a hand as he feels the quiet thrum of an empty house surrounding him.

He is careful with his steps as he reaches Piñon, sleeping soundly at the entrance where he had dragged his own bed a few days ago.

He thinks about it for a second, then two, watches little puff of air heaving Pinon's chest, his head resting on crossed paws, turned towards the door as if it could open from a second to another. Waiting.

He doesn't think about it more than three seconds, because Oscar has never had the privilege to make decisions in longer than that, so he kneels on the ground, passing a gentle hand through the longer fur on Piñon's back before ducking his head and pressing a kiss to the top of his head.

Piñon doesn't wake up, just scrunches his nose for a second before his breaths even out again, same rhythm as before, as if trying to fall back into a routine that doesn't quite fit right.

The sofa is soft under his legs when he sits on it, careful to not disrupt the untold equilibrium as he presses his feet to the left armrest and leans his chin over his bent knees. He is not going to sleep anytime soon, either way.

"I gave a kiss to your dog." Oscar chuckles, lets himself feel ridiculous for just a second before relaxing against the back of the couch. "I did it when he was asleep. He would've killed me if I had tried to do it when he was awake."

The only answer he gets is the eerily quiet and the muffled sounds of Piñon's breathing.

For the first time since he can remember, Oscar wishes there could be another voice coming from the right side of the couch.

"I think he doesn't like me a lot, you know? Sometimes it's like he wants to blame me and I- I get it, I want to blame myself, too." A knot rises in the middle of his throat, tight and uncomfortable. Oscar still talks past it. "But he is the closest thing to you that I could get, the closest thing that is alive and well. And when he glares at me he- he almost reminds me of you which is ridiculous because I can't even remember the last time you were actually angry at me but I think it's better for me to remember you that way than..."

He rubs a hand under his eyes, pretends like he can't feel the sudden wetness on the sleeves of his hoodie. He doesn't even think it's his own.

He doesn't even remember when the division line started to blur.

"I think that's what you would want me to do, if you could say it."

Lando hadn't been of the same opinion, looking at Oscar warily when he had suggested he would be the one taking Piñon for the first time. Now, he just looks at Oscar with his downturned eyes and tells him he wishes he could do more to help him.

Oscar doesn't think there's more to do, anyway.

"I read somewhere that dogs talk to spirits. I think it's the kind of shit you would yell at Lando for believing in it. You always d- do that." He caresses his own knees, seeking the comfort of a warm touch in his own coldness. "And trust me, I hope you are not a fucking spirit and that you won’t become one anytime soon. But if there is even a small- small possibility, I-" he closes his eyes for a second, lets the knot in his throat dissolve like salt in water, stinging on an open wound, where pulsing blood is still rushing to trail on his skin.

"If there is even a single possibility of it being true I- I gave him a kiss and I hope he can bring it to you. And then he can come back home if- I hope he thinks this is still home, even without-“

The light blue colour of the sleeves has tuned into a darker patch under his eyes, blurry from a lucidity that he can't make himself feel ashamed of.

As if on cue, the silence is broken by the ticking sound of Piñon's paws on the hardened wood floor. When Oscar manages to open his eyes again without wishing to disappear into the dark blue void outside the window, Piñon is looking up at him, curled under his feet with his head close to Oscar's shin.

The dog sighs, a shaky thing that sounds almost like a rumble and Oscar can only answer with a choked sob of his own that doesn't feel like it belongs to him at all, to his vocal cords that always found no use in crying.

Many things can change in the span of a few weeks: Oscar's beliefs and a dog's routine.

"But I- I think," he swallows around nothing, bending down to press a hand to the top of Piñon's head, caressing lightly. "We are not so different, me and Piñon."

The dog sighs again, almost sad. Oscar wonders if he is listening to what he is saying, if he can actually understand it all. Will he bring a kiss from him, then?

"We both miss you the most when the night comes."

—

This little story is heavily inspired by the song “your dog” by Pinguini Tattici Nucleari

[boysbeware2]

all the old tptm girl journal entries w the new (if anyone wants to see them again and compare them)

please proceed with caution as many of these could be upsetting to read

disposable girl (jordyn)

(old)

i cant fucking stand this. i try so goddamn hard to make friends, to be attractive to people, to be even somewhat appealing to them etc etc. it never works. i thought it would get better the older i get. thats what i was told. guess what! i was fucking lied to!!! im alwasy left out of EVERYTHING i never get invited to shit and my own friends ignore me all the time. everyone looks at me weird. i cant go in public anymore im so fucking terrified of everyone. nobody fuckinf wants me, man. im so close to doing something stupid i feel so gross and ugly and dumb i should actually just die id be doing everyone a favor LOL

(new)

man, i havent been on here in forever. the internet is kind of dumb. what is there to say? my friend group celebrated our outpatient graduation anniversary the other day, that was pretty nice. we’re all trying to figure out housing stuff, nora’s been helping with that. freyja + mayra + kairi found a place already (how are they so responsible??) and the rest of us are trying to find places near them so we can visit more often. i never expected to have such a big group of friends. if you told me 2 years ago that i’d be living like this, i wouldn’t believe you. it’s still surreal to me. i’m not sure what i did to deserve them. same goes for my girlfriends. i don’t wanna say who just yet, we’re still figuring things out, but i’m just so thankful for them. i feel so lucky to have a second chance at life. i really didn’t believe people when they said it would get better, and then it did. how funny…..

irreverent girl (kairi)

(old)

I do not want God to see me anymore. I do not want anymore eyes on me. This is near unbearable. I have no one to turn to. My mother is in the church. Many of my friends are in the church. They would tell me to find hope through Christ. They would tell me to pray to Him. They would tell me that He will save me. He must not remember He made me, and if He does, He simply does not care. I know this is unbecoming of me, and I don't mean to be dramatic. I am simply depressed, nervous, and I cannot tell what's real and what isn't anymore. I know I'm supposed to hear God speaking to me, but I do not, and I am tired of straining my ears. I just want to see a doctor. I want some kind of tangible solution. I do not want to pray anymore. Praying hurts. I only do it when I am afraid, but I am afraid much of the time. I don't want to be unheard anymore. I do not want to hold out hope for someone who does not act like they're there. I am hurting. I am hurting. I am hurting. Belief is hurting me. The idea of God is hurting me. I need an out. I am hurting.

(new)

When I have a job and money and I can move away from my shitty Mormon parents

splitter girl (tahira)

(old)

theres something so broken in me thats beyond saving. so i dont know why i keep trying to be saved. i meant to kill myself when i was 18. i didnt. all ive wanted to do lately is kill someone or something. i havent. im too much of a pussy to plan anything concrete, no matter how much i hate everyone around me. no matter how much i get off to videos of people dying or how much i love cutting myself i cant actually take action against other people. i am fucking purposeless. i was born from evil and i will always be evil and i cant even live up to that. i hate myself i hate myself i HATE myself and the universe hates me too. i dont know what to fucking do at this point. i talked to one of my friends about wantingto die and they said smthn about hospitalizing myself. maybe. i dunno. i dont know what else there is for me/. my eyes are fucking burning from lookign at my computer for so long adn not getting any goddamn sleep. i am not a good person. i dont think i can be helped but i just dont wanna fucking keep goign to school and being around people and pretending like everything is norma;l. i cant keep doing it. what the fuck is wrong with me whagt happened. why cant i be loved or feel love for other people when did something change in me that switched the aggression and affection parts of my brain. im hyperventilating ill be back. maybe

(new)

getting myself onigiri from this one good boba place 2nite bc im 8 months clean…… its the little things~ ^^

fainéant girl (freyja)

(old)

i know i dont hate being disabled... i just hate being disabled in a society that makes existing difficult... but sometimes i really just dont want to be disabled anymore. i dont want my family to lecture me about how i could be helping out more, or how i should get a job. i dont want teachers to keep asking me whats wrong or the fuckin uni counselor to try to get me hospitalized. i dont want to be in so much pain anymore, to feel so exhausted that i cant even do so much as prepare food for myself, let alone do anything meaningful or fulfilling. its not fair. i shouldnt have to stay inside and sit in the dark all day,. i should be able to have friends. to talk to people and to go out with them and to feel like i am alive. its lonely and traumatic to suffer through this and on top of that no one around me understands, and they never fully will. i am tired of trying to justify my existence to everyone, to explain the pain that i am in and why i shouldnt have to experience it. i know the problem isnt me. i know i live in a world that isnt built for me. but if the world cant change then sometimes i truly feel that i should just stop living in it. my lifespan is already shorter than everyone else's anyways. what difference does it make

(new)

my qpps didnt seem to appreciate me playing Alien Kids Alien Rap for them. Do they even love me

caliber girl (nora)

(old)

唉～It is 3 AM and I should go to sleep but I can’t. I have a work zoom meeting early in the morning and I gotta hit the gym also because I haven’t done leg day in like… weeks. Oh well, it doesn’t even matter. My value is depleting but I don’t think I care anymore. The turnaround date for my code is also in a couple of days and I haven’t made any progress. I keep getting the same error and I’m too tired to figure out what’s wrong. I might get fired at this rate LOL(笑). If that happens, I think I’ll just consider ending it all. Not that anybody will miss me. God I sound so weak and pathetic right now. When did it get like this. How did it get like this. I’m sure I’ll be fine. I’ve been through worse before and this is nothing. Ugh, why is it so hard to breathe? My chest hurts and I feel like something is wrong but I don’t know how to make it go away. Should I call someone about this? No. No one is awake or around to help. I’ll be fine. I’ll just sleep it off. Shake it off… shake it off…

(new)

My Tamagotchi beeped during a meeting fml

chocolate box girl (morgan)

(old)

i thought i was doing better but i cant stop thinking about them. their touch, their interests, their smile, everything. the worst part is that i miss them, after all of what they've done to me. i was 13. i dont even feel justified calling it rape since our relationship was so muddy... they never yelled at me or was angry at me, they just got so sad when i tried to speak my mind, and got all my friends to hate me when we finally broke up. i never said no so i feel like im insulting actual survivors by feeling violated. i wasnt even trying to get into a relationship with them, it just happened... i feel like everyone around me wants me in the same way they did, even though im an adult now and i dont even try to make myself appealing. i wish i could trust people not to take advantage of me, and i feel disgusting and selfish for feeling like everyone has ulterior motives of getting me to fall in love with them, or worse. that's so self centered of me. i dont know how long i can keep doing this

(new)

girl help i cant stop looking at anime figures on japan yahoo auctions !!!!!

taxidermy girl (mayra)

(old)

I don't remember ever not having a sex drive, is that normal ? I was born and then it was all downhill from there, something happened to me sexually i think, I don't know what happened, because I don't remember much, but something happened and I was beaten for it and yelled at and my mother hated me, and now I am an adult and I try to have sex, and I'm not there mentally, even if my body is participating, I feel like I am in the past again, being beaten and yelled at . I want to keep trying, I want to have fun, to feel safe in someone else's arms, to reach the heights of pleasure, but my mind scares me so much, I haven't been able to eat anything today because I feel so horrified by my body . If I was good I would have been born as a nonsexual being, no parts, no desires, no instincts, a blank slate, too empty to be enjoyed . Do you know what it feels like, to have your mother tell you people want to sexually abuse you when you are a child, and then to be made fun of by your peers for being so ugly, to have your middle school and high school classmates joke about how much they don't want to have sex with you ? I am illicit and undesirable at the same time, I am everyone's last option, I am nothing and still too much, rotting deer meat on the side of the road . I wish I had been born as something beautiful and pure, I wish I could start over, that whatever that initial sin was had never been committed .. I want to start over

(new)

Went to a kink event the other night and everyone was so nice … The low lights were fucking with my vision so one of the hosts helped me navigate the place . I ❤️ you random disabled ally with a pup mask on

chemical girl (joy)

(old)

LMAOOOOO im too angry and miserable to be around. i think i just need to give up at this point because theres clearly like. something broken inside me that cant be fixed. that has 2 be it because i try to talk and i just sound cold, i try to make a joke and it comes out overly edgy and unfunny, i try to be like everyone else but its too much. i cant even be a collection of the positive traits i see in others, i try to replicate it and it comes out warped and wrong. im either fucking enraged or in abject misery or way too happy and nobody can keep up with me. the thing is i dont even blame them. i wouldnt want to be around me either. do u know what thats like? being someone you wouldnt want to know? i keep hoping that one day ill wake up and suddenly be normal, the mood swings will be gone and everyone will like me and i wont do stupid shit that pisses them off. but i know that day isnt coming. theres no hope for me and i want to say sorry to everyone who has ever had the misfortune of knowing me but i know it wouldnt do anything. theres nothing i could ever do to make myself right

(new)

i need to convince my gf to take me to Round One again soon

refraction girl (nataana)

(old)

i don't want to do this anymore. i'm going somewhere better

(new)

talked with my psych and i’ll be starting TMS soon, it’s some thing where they put magnets to ur brain and it’s supposed to treat depression.. trying to temper my expectations bc i’ve tried so many treatments that just do nothing for me, but i’d be lying if i said my hopes weren’t riding on this. i want to confidently say i’m glad to be alive. i feel like i’m getting closer to that

nurse parallel/machine girl (xiomara)

(old)

I am so excited... Tomorrow my experimental outpatient treatment plan begins!!! I'm beyond delighted. I have complicated feelings about my DID being in remission, but it's nice to feel stable enough to be in charge of something this big, and to not have terrible gaps in my memory anymore. I still don't remember everything that happened to me, but maybe I don't need to. At this stage of my life, I feel content. I can confidently say everything was worth it. I want to help others feel that way, too. I think I can.

(new)

I’m meeting up with a new friend tomorrow… I feel nervous, but it’s a good nervousness, I think!

[inktopuck]

miss honey | jack hughes social media au

pt. 4

yournamelastname

Liked by elblue06, trevorzegras and others

yournamelastname god i love my job

l_hughes06 hey! you told me you made one of those name things ONLY for me

yournamelastname yours was the prototype moosey

_quinnhughes you literally made me one of these in like middle school

yournamelastname shhhhh

elblue06 the bull looks wayyyy less scary now!!

yournamelastname he's the sweetest 😩 he asked his mom to ask me for the picture

elblue06 you've always been a natural with kids, shortcake!

trevorzegras 💍? 👶🏼?

l_hughes06 delete before jack sees it

trevorzegras he's had is chance

jackhughes what the hell dude

_alexturcotte jack put us out of out misery dude

jackhughes are we still on for that thing?

yournamelastname yep

colecaufield 👁️

jackhughes

Liked by _quinnhughes, nicohischier and others

jackhughes when you try your best but you don't succeed

colecaufield delete immediately

l_hughes06 oh bud you're gonna die

_quinnhughes why would you do this to shortcake

jackhughes revenge is a dish better served cold

_quinnhughes you're done bro

trevorzegras miss honey you always look ravishing

yournamelastname OH MY GDO JACK

yournamelastname WHAT THE HELL

yournamelastname I AM GOING TO SHAVE YOUR HAIR WHILE YOU SLEEP

yournamelastname

Liked by trevorzegras, colecaufield and others

yournamelastname which jack hughes is your favorite? skincare princess or dramatic eyeliner queen?

_quinnhughes i know you've got a vendetta but WHY WOULD YOU NOT CUT ME OUT I LOOK LIKE A DORK

yournamelastname shut up you're the cutest

colecaufield he looks like he just walked off the set of the pirates of the caribbean

curtislazar95 👁️👄👁️ 📸

trevorzegras what the hell is that around his neck? an infinity scarf?

bradytkachuk the blue on his nails matches his eyes beautifully

yournamelastname he chose it himself!!

jackhughes i'm reporting you to the school district for bullying

yournamelastname call the po po ho! you're not a student!

jackhughes

Liked by elblue06, _quinnhughes and others

jackhughes happy holidays everyone!

yournamelastname get a job!

yournamelastname stay away from her!

yournamelastname get ur own dad! (i love you jimmy)

jackhughes you're just jealous mark loves me more

_quinnhughes you really have no sense of self preservation it's remarkable

yournamelastname your parents wanted a girl when they tried for you so go ahead and take mark... i'll get ellen

nicohischier new wall art?

l_hughes06 y/n's olive branch after they did the whole awful picture posting thing.

yournamelastname those are bear's paws!! 😊😊 hit me up if you want some paintings so it doesn't look like you live in a hospital (luke and jack)

nicohischier i'll call 😉

jackhughes absolutely not

[bixels]

Yes, these pages are genuinely so heartbreaking if you read it this way.

Ms. Pauling learns the truth –– that this woman she's been serving and desiring isn't a genius mastermind with a justifiable motive, but a toxic tar pit who will drag her down with her –– and realizes that in order to save her, she needs to let her go and let her die. That refusing to let her keep living is a mercy. Ms. Pauling looks like she's on the verge of tears when the Administrator turns away from her and just... stops caring about her the moment she doesn't have what she wants. She never really mattered.

All these slow-paced panels of the mercs giving Ms. Pauling space as she silently grieves in shock. The blank, sunken, numb stare. Faced with a total reset of her life. You can feel the weight and guilt and relief of a huge burden being lifted through the death of a loved one. She loved the Administrator, so she let her go; now she's finally free.

But here, Engie floats the idea that her love could endure as obsession and worship. As total servitude, even after death, to the Administrator's legacy and whatever lovely fantasy Ms. Pauling had of her. And she stares at this last piece of Australium with manic temptation. But Ms. Pauling rejects it and discards it all. It's done.

There's something to be said about Ms. Pauling being in an abusive relationship with the Administrator and allowing herself to be used like this for validation. Because lets be real, Ms. Pauling is treated horribly with zero recognition and she often just laughs it off or rationalizes as necessary to better serve the Administrator.

(it's honestly extremely obvious. ask yourself why ms. pauling believes getting manipulated, attacked, and shot by the administrator is worth it and not a big deal.)

I think when Engie tells her, "And you oughta know that [if you keep it] you won't never be free of it. And I mean maybe really never," he's talking about their relationship. That if she doesn't leave and drop this baggage and self-destructive love now, the Administrator will have her claws in her for the rest of her life. She will be dependent on her forever. It's a great way of showing how just "ending" a relationship like this is never the end; the shit will follow you until you purge everything.

In short, Ms. Pauling's arc is about surviving toxic boss-employee yuri and finding the strength and bravery to fully walk away from an abusive relationship and that's why she's the strongest TF2 character.

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.

[scary-grace]

(secret) santa, baby - part 7 of a shigaraki x f!reader fic

Shigaraki doesn't want to participate in the office's Secret Santa exchange, but when Toga promises to make it easy on him, he gives in. But making it easy for him makes it a lot harder for you -- you're the one who got his list. Office AU, no quirks. A fic in 12 parts. Divider by @ wcnderlnds

part i part ii part iii part iv part v part vi part vii part viii

part vii (staying in)

“I think everyone else is asleep,” you say, glancing around Toga’s living room. “We can probably turn this off.”

“Still awake,” Spinner says from the armchair, which he stole when Magne left after the end of the third movie. “I’m watching.”

“Yeah? What just happened?” Tomura asks.

“He’s giving everybody weird haircuts,” Spinner says. Close enough. “I have to pay attention. Aiba likes this guy’s movies. She says he’s –”

He yawns. “Nostalgic. I’m watching.”

“Okay, but nobody else is,” you say. “Shouldn’t we call it?”

Tomura glances around the room. Magne left after making everybody sit through Love Actually and Twice left midway through Die Hard because he gets scared of sleeping in other people’s houses, which leaves Toga, the girl she invited, Spinner, Dabi, Tomura, and you. Of everybody who’s left, only you and Tomura can be said to actually be awake. Spinner’s yawning on every other breath, Toga and the girl are cuddled up in the same beanbag, snoring, and Dabi drank too much eggnog and was out like a light before they’d even finished Krampus. You and Tomura are definitely outnumbered.

It’s not like Tomura isn’t tired. Tomura’s really tired. He feels the heaviness in his limbs and the yawns tightening his jaw, but his mind is wide awake, and he’s going to pay attention to every second of the movie you picked. Since he gave up forcing everybody to watch Gremlins in favor of your movie, he wants to make sure it was worth it, and he wants to know exactly what happened in case you want to talk about it afterwards. He’s hoping you do. He’s not ready for you to leave yet.

Tomura wasn’t sure about seeing you outside of work, but then he decided it would help him figure things out. Seeing you around the office is one thing. For him to know if he likes you, he has to know what you’re like outside of work, so he can decide if he’d want to hang out with you then, too. Tomura’s not good at this whole liking-people bullshit. If there was some kind of life skills class where everybody learned it, he probably missed it while he was being homeschooled or in juvie. By the time he got out, halfway through high school, everybody already knew what they were doing. Tomura just has to fumble through somehow.

You make it feel less like fumbling. It makes more sense to Tomura when you’re sitting next to him, roasting Love Actually just like he is, actually paying attention during the horror movie he picked instead of drinking straight through it. You pay attention to things, notice them, just like Tomura’s Secret Santa notices stuff about him. Tomura feels less weird about being noticed than he used to.

But he doesn’t want to just sit here noticing and getting noticed all night long. He wants to talk to you about something that’s not work or whatever dumb Christmas thing is happening, and he can only manage half. “Is this really the first movie you thought of when I said you could pick one?”

“I was trying to pick one you all would like,” you say. Something about that reminds Tomura of the way you wrote your wish list. “I do like this one, though. Some people think it’s stretching it to call it a Christmas movie, but it’s all leading up to Christmas, so I count it.”

Movies that can only be called Christmas movies if Tomura’s stretching it are his favorite kind of Christmas movies. “Why do you like it when it’s going to be sad?”

You glance sideways at him. “What makes you think it’s going to be sad?”

“The grandma telling the story is the main girl when she’s old, and she’s telling it past tense,” Tomura says. You nod. “Besides, he’s – like that. No way is that working out well for anybody.”

“But it could,” you counter. “You might be right about how the story goes, but there’s nothing in the story that says it has to be that way.”

Tomura thought you were awake, but maybe you’re sleepier than he thought. “You mean, other than the whole story so far?”

“I mean –” You trail off. “In some stories, there’s obstacles that can’t be overcome. Like somebody being dead, or something being too wrong to work. And in some stories the obstacles are a choice, kind of. Those are the ones I like.”

Tomura’s played games where choices matter. Somehow he always stumbles into the bad ending, and knowing that there’s a good ending out there that he was too stupid to get makes it even worse. If you like those stories, you’re probably better at making choices than he is. Still – “If the end’s the same, why does it matter?”

“Well –”

“Hey, can you save the philosophy until after the movie?” Spinner yawns. “I’m still trying to watch.”

Tomura gives it five minutes until Spinner passes out, and he’s only off by about thirty seconds or so. Now it’s just the two of you awake, watching the weird movie you picked. Tomura’s trying hard to watch the movie, but just like he keeps getting the song you sang stuck in his head, he keeps getting stuck looking at you.

The movie ends like Tomura thought it would – sadly, but not surprisingly – and he glances at you. “You’re going to say she could have chosen to stay with him,” Tomura says, and you nod. “Why would she do that? When he’s – like that –”

Tomura doesn’t get why he’s being squeamish about calling it like it is. The main character’s ugly. Scary. Nothing anybody wants to touch. “Maybe she likes him how he is,” you say. You’re not looking at the screen anymore. You’re looking at Tomura. “There’s nothing about the story that says she couldn’t have picked him. There’d have been consequences, but there are always consequences. And I guess that’s why it’s sad. Knowing it could have been the other way just as easily.”

You look away from Tomura, and even though he usually hates being looked at, he sort of misses it. “I guess it’s good that everybody fell asleep,” you say. “This doesn’t really seem like a sad-Christmas crowd.”

“Sad Christmas makes more sense than happy Christmas,” Tomura says before he can really think about it. “It never made sense to me, except –”

Making friends. Spending the holidays with them instead of wondering why everybody but him got to celebrate with people they mattered to. And he’ll never admit it to Toga, or anyone, but the Secret Santa thing is kind of fun. He likes leaving stuff for you and seeing how you react. Almost as much as he likes getting things from whoever his Secret Santa is.

“Yeah,” you say, like he’s explained it all out loud. Maybe he’s tired enough that he has and just didn’t realize. “I can see that.”

You’re doing that noticing thing again. Tomura keeps looking at you, trying to notice you back, but the longer the two of you look at each other, the weirder it starts to feel between you. Like there’s something more that needs to happen. Tomura steels himself, braced for whatever you do or to act as soon as he has an idea of what to do.

And then you look away. “It’s late. I should go.”

“You could stay,” Tomura says. “None of us except Toga live here, and we’re all sleeping over.”

You look like you’re thinking about it. Tomura can think of a lot of reasons why you should – it’s late, it’s cold, it’s probably a long way to your apartment, you’d basically have to wake up again by the time you got home – but before he can say any of them, you nod. “Okay. Where should we sleep?”

You end up with your heads at opposite ends of the couch, under the same blanket. Both of you rustle around, knees knocking together as you try to settle in. You fall asleep faster than Tomura does. There’s no way he can imagine you tangling your legs up with his if you were awake, and Tomura’s so focused on trying to live with being this close to someone that the question of whether he likes you is answered definitively offscreen. It’s something he wakes up with. Just like he wakes up still sharing the couch with you.

<- part vi part viii ->

[jadeaphire]

Alright I need to ask the question cause it’s killing me…

When did the dynamic between Sonic and Shadow change for the worse?

The more I look into their dynamic throughout the years, the more I notice how different it is now than it was. It used to be “you never cease to surprise me blue hedgehog” and “it’ll be a date to die for.” Even when they were enemies in SA2, there was a respect, and a side where both of them enjoyed the banter. That continued for a while, where both seemed to enjoy each other’s company and Shadow enjoyed the banter just as much as Sonic.

When exactly did it go from that to what it is now, where Sonic is this character who lives to annoy Shadow and Shadow pretends to barely tolerate him? Why did it change? I don’t get it, their dynamic beforehand was wonderful. And don’t get me wrong, there’s still that mutual respect at the end of the day to an extent. But now it’s literally like Shadow can’t stand him and Sonic is the one doing all the teasing and banter, almost as though he’s searching for what they used to have.

I’m genuinely curious when that change happened, because it bothers me beyond belief. Thank you for coming to my ted talk.

[brucewaynehater101]

Fae Tim AU (plus some non-human Bats):

[Fae lore isn't based on anything in particular. Kind of making it up]

Janet and Jack Drake are high nobles in the Winter Court. Janet, in particular, is a candidate for successor to the Winter Court's throne. The Drake couple spend copious amounts of time strengthening their hold in the Winter Court and thus do not spend as much time in the human realm (or whatever name you want to give it).

Tim is an Unseelie Winter fae as well. This means that plants tend to rot/wither under his care, he's not skilled at healing magic, and he has more control over darkness/winter/death based spells. Unseelie have a more negative/bloodthirsty outlook on humans, but Tim spends most of his time with humans. He was not raised to view them as such unless his parents were around (or the few trips he took to the fae realm).

Tim, as someone who likes humans and mostly knows humans, wishes he was more skilled at healing/life magic. His type does allow him to be more stealthy, though (hence why he's able to stalk Batman at a young age). He's also effortlessly able to maintain a more human-like appearance due to mainly living among humans from a very young age. He brushes off questions about his age since fae age slower.

As Robin, he allows some more of the eerie and non-human qualities to come forward. It's not enough to identify or tell, but it is enough to unsettle humans.

When he's "fourteen" his mom doesn't actually die. She becomes Queen of the Winter Court and unable to travel between realms due to her responsibilities. This happens due to the different courts going to war. Jack does end up in a magical coma stuck in the human realm due to the fighting. When he "dies", he ends up banished to the fae realm.

Tim does not know or is incapable of traveling between the realms. He searches out John Constantine at one point about this, to which he gets informed it would be a one-way trip. Maybe some day he'll be able to see his parents again, but probably not for a long time.

The Bats are aware that mythical creatures and such exist.

Jason actually comes back as a wraith that gets mutated by the Lazarus Pits.

Bruce is, much to Tim's surprise, completely human.

Damian is part angel (biblically accurate version, y'all).

Dick is mostly human but has a small percentage of siren in his blood.

Steph is a quarter vampire. She doesn't require blood, but she is sensitive to the sun. She lives a little longer, can consume blood for nutrients/a power boost, and has increased super human abilities.

Barbara has a percentage of dragon in her blood.

Cass is fully human but comes from a long line of seers.

Duke is a demigod via his dad. He doesn't know which god his dad is cause the guy keeps using an alias.

[vespaer77]

Aside from the fact that I think I might be the only person on the planet who could genuinely be interested in the Executors (I say "could" because my faith in good storytelling from BW is on shaky ground), I fully agree with this post.

And I say this as someone who wasn't sure that the Veil coming down was the right move. But whether someone thinks the Veil should come down or stay up is immaterial. The whole point is that no arguments for the validity of either claim were really ever truly examined. The only reasoning in the game that we get for the Veil remaining intact is that its collapse would "drown the world in demons." Which is... almost a fallacy on its own. Aside from naturally occurring malign spirits (that we learn about from the Mournwatch), demons exist as a direct result of the Veil simply existing.

Perhaps the danger is in not knowing what would happen to all of the mundane, unmagical folk when confronted with the full power of all the raw, unfiltered, chaotic magic of the Fade. But that's still thinking of magic within the confines of the Fade itself. We have no perspective, outside of Solas, on what magic really looks like when the Fade and the mundane world combine. Does it change? Is it still dangerous? Who does it endanger? Are we wrong? Are we right? Who knows? The whole point is that there's never an opportunity to ask those questions. And we have at least three characters fully immersed and available in the story who could provide concrete, first-person, lived and experienced answers.

But we never ask.

We have a spirit of Wisdom who loves answering questions.

And we never ask.

Hell, in addition, we have two dwarves that are connected, isatunolly, with the Titans, who were also there before the Veil.

And we don't get to really ask anything of great value. Even our characters are canonically frustrated with how little we get to ask.

I just think it's very interesting that this game was called Dreadwolf for so long, and then it wasn't. The game we got has very little to do with, and makes very little use of, the Dread Wolf at all. So the game is called The Veilguard. But at no point does the Veilguard really ever.... guard... the Veil. Or make any mention of guarding the Veil. Or have any discussion on why guarding the Veil is so super important or what it even means, especially considering that, in the first 20min of the game, the only real element threatening the Veil is neutralized until the last 10min.

The game, called The Veilguard, isn't about the Veil at all.

In my humble opinion? This game should have been given a title that had more to do with the Blight or the gods or something. Or, given how many times it gets said in game, it could've just been called, "Dragon Age: It's Just So Hard." Even on a meta level, that's a title I could've believed, lol.

All this without even mentioning that one mural memory. We all know the one. The one that falls somewhere between a shameful, textbook retcon and a blatant attempt at gaslighting.

Whoops. I mentioned it, didn't I? Maybe I'll make a longer post about that someday. That's the part of this game that really grinds my gears, the status of the Veil notwithstanding.

In short, I firmly believe that the vilification of Solas is purely based on a retcon (and one that makes no logical sense when properly examined) and it's a hill I'm prepared to die on.

Anyhoops, if someone told me that, even though this game had been in development for 10yrs, the final version of this game was produced from start to finish in 16mos or less, I'd honestly believe it. I also feel like they were 100% shooting for a game that would have DLC afterwards and were told late in their development cycle that there wouldn't be so they tried to gift wrap everything with the ribbons and bows that they had. Like... go to the Halls of Valor and tell me that this is a fully finished game that was intended to be complete from the very beginning.

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[crazylittlejester]

More about Time and Twi in your modern au pleaaaase 👀

ofc ofc!! i love to talk about these guys :3

- Twilight is Time’s sister’s kid, but she and her husband both passed so Twilight fell into Time’s care when he was 13 months old. Time and Malon are the only parents he’s ever known (he’s always known they’re technically his aunt and uncle, that was never hidden from him, but to him they’re mom and dad and he calls them that). Time and Malon couldn’t have had their own children and were going to be adopting anyway and though initially they’d planned on adopting more than one kid, Twi is an only child

- When he was little, Twi was really just Time’s little buddy. He’d follow him EVERYWHERE and get genuinely very upset if Time didn’t take him with him somewhere, though Malon talking quietly to him and just physically being there was always enough to calm him down again. Daycare did not go very well, the other kids stressed him out too much and he missed Time and Malon so badly he’d sit as close to the door as physically possible and he was just so distressed because he’d been ‘left somewhere’ that after like a month of trying, Time and Malon eventually just kept him on the ranch. Kindergarten also failed miserably, but because the ranch is so far away from things and other people they really really didn’t want to homeschool him because they wanted him to get to interact with other kids so they tried again for first grade and Twi DIDNT spend the entire first day crying so they counted it as a success (though he didn’t say a word to anyone all day, not even the teacher). EVENTUALLY he made a friend (Ilia), but it really did take him a few months before he spoke to anyone at school

- The first time he ever saw the goats Twilight just became OBSESSED with them, and he was too little to do a whole lot to ‘help’ take care of them, but Time would hold him and let him gently pet the goats and call it ‘helping’ so Twi could feel like he did something (ofc as he got older Twi started GENUINELY helping out on the ranch, but little baby Twi got to help by petting goats and it made him happy so Time wasn’t about to take that from him alksdkdk). Time also lifted up baby Twi to pet Epona and Twi just adored her so so much, Time will never be able to not smile at the memory of how big Twi’s eyes got with pure wonder and amazement when he put his little hand on Epona’s nose

- Time is the reason why at eleven years old Twilight was terrified of the muppets. They watched Muppets Most Wanted and Twi (bless his heart) was a little bit scared of it, and Time thought it’d be funny to put a bunch of pictures of evil Kermit all over the house as a joke and Twi ran into one in the dark and well, Time paid for his stupidity by staying up all night with his poor child (Twi’s not scared of the muppets anymore, but his heart WILL start beating faster and he does feel a little anxious if he runs into anything kermit related where he isn’t expecting to)

- Time would not call himself an anxious parent and Malon would very much like to disagree with him because he is SO overly worried about something happening to Twilight after Twilight at nine years old hopped off a horse a little carelessly because he was trying to be cool and ended up tripping, falling, and splitting his head open and poor Time just saw his kid go down and go limp and then there was blood just EVERYWHERE, and another time when Twi was 15 he almost died and Time was the one who was with him then too. Twi doesn’t feel like Time hovers over him by any means, he feels loved and like Time really cares about him, but Time’s genuine fear that Twilight is going to die or get seriously injured in some bizarre accident has led him to check his kid’s location at 3 in the morning (now that Twilight at 21 years old has been living in the apartment with Sky and War for 2 years) to make sure he made it home safely, and he’ll also pace and it drives Malon INSANE (she loves her husband and she understands his anxiety and she really wishes there was something she could do to help him calm down, but HE stresses HER out with the pacing and nervous muttering). Twi is well aware Time has his location, he also has Time and Malon’s and he doesn’t care that they can see where he is. He knows it makes Time feel better to be able to check in on him and also it’s very useful for when he texts and says he’s on his way to the ranch because its a decently long ass drive and then Time and Malon can see how far away he is (Twi also has War and Sky’s locations, and they have his)

- Time paid for Twi’s first tattoo after making him save up for it because he wanted to make sure that Twi was both serious and also going to be financially responsible enough to save for something he wanted while also being able to buy the things he needed, and he let Twi keep the money’d saved for something else. He’s paid for a few others too, and a couple piercings

- Twi really looked like a mini Time growing up. He has a much darker skin tone and brown hair and eyes, but his face shape and like his facial structure are identical to Time’s and the resemblance is so strong people have never doubted Time being his dad (even though he’s technically Twilight’s uncle)

- Twi and Time both have a habit of collecting strays, and they’ll bring them home to Malon and take care of them on the ranch until they can find the animal a nice home or release it back into the wild, though about four dogs now have been kept around because Twi and Time got too attached, as well as a couple cats and one person (War) /hj

[whoops-all-jennas]

Past Lives pt. 1

Wednesday x witch!reader

"I've got this strangest feeling."

"This isn't our first time around."

Summary: Wednesday transfers to Nevermore Academy and is your new roommate

a/n: I have decided that for a majority of the spells I'm just gonna take them from Harry Potter because I have a majority of those spells memorized lol (less work for me)

You're sat at your desk, studying a book about healing charms, while Enid is pacing back and forth through the center of the room.

Your dorm room was interesting. It is shaped like a short T, the entrance being where the lines cross. Each section has a big circular window that opens to a patio.

Your section, the section in the middle, is decorated with fake vines and string lights. Your night stand has a lantern on it next to your phone charger.

Enid's section matches her personality, bright and cheerful. She has tinted film over her window that illuminate her already colorful room.

The center of the room has a circular sunroof which Enid also managed to get the tint on.

"Enid, you're gonna burn a hole in the floor if you keep pacing like that." You say without lifting your eyes away from your book.

"You heard what they say about her!" She stops pacing, looking at you with worry written on her face. "I really don't want to die in this school."

You look up from your book, making eye contact with Enid. "I don't think Principal Weems would allow a murderer into the school."

You stand to go comfort Enid, interrupted by the sound of people talking behind your dorm room.

As if they were waiting for the perfect moment to enter the room, the door opens, revealing a gothic family and Principal Weems. A girl with black hair braided on both sides of her head down past her shoulders stands between what you assume are her parents.

That must be our new roommate.

Enid turns around with a smile plastered on her face while you stand there idly.

Enid approaches Wednesday with new found excitement over the fact of getting a new roommate.

"Howdy roomie!" Enid exclaims, Wednesday stunned by her energy.

"Wednesday, this is Enid Sinclair." Principal Weems gestures her hand towards Enid before moving it to you. "And this is y/n y/l/n."

You stand where you are awkwardly, raising a hand in a wave.

Wednesday's eyesight lingers on you a little too long before she's interrupted.

"Are you okay? you look a little, pale." Enid says, her face shifting from excitement to worry.

"Wednesday always looks half dead." The man you assume to be Wednesday's dad answers for her.

Enid let's out a noise of acknowledgement before continuing.

"Welcome to Ophelia Hall!" Enid announces before opening her arms to embrace Wednesday.

Wednesday takes a step back to avoid her touch.

"Not a hugger, got it."

"Wednesday is allergic to color." The tall woman with dark hair says, her voice is naturally seductive.

You watch on, fidgeting with your foot. You assume it's exaggeration.

"Oh gosh, what happens to you?"

"I break out into hives and then the flesh peels off my bones." She has a very monotone voice, it's suits her dark aesthetic.

"Luckily, we've special ordered you a uniform." Your eyes slightly widen, focusing on Weems. She was serious?

You feel Wednesday's eyes on you for a moment, did you do something?

"Enid, y/n, take Wednesday to the registers office to pick it up along with a copy of her schedule." Principal Weems says looking at each of you.

"And give her a tour along the way."

Wednesday turns around, scowling at her parents before leaving the room. Enid skipping, following Wednesday out of the room with you taking a quick couple of steps to catch up.

-

"Nevermore was founded in 1791 to educate people like us. Outcasts, freaks, monsters. Fill in your favorite marginalized group here."

You're following along while Enid carries the tour, descending down a staircase.

"You can save the sanitized sales pitch, I don't plan on staying here long."

Enid stops walking, causing Wednesday to stop and turn to her. "Why not?"

"This was my parents idea." Wednesday looks towards a trophy case as she stares at a picture with her mother on the fencing team.

"Oh look, there's my mother smirking at me. They've been looking for any excuse to send me here. Its all apart of their nefarious yet completely obvious plan."

"What plan?" Enid says with a smirk, trying to pry out any information she can out of her new roommate.

Wednesday's eyes break from the trophy case to meet Enid's. "To turn me into a version of themselves."

"How would that turn you into a version of them? everyone's high school experience is different." You instantly regret saying, meeting your eyes to Wednesday's intimidating stare.

Enid elbows you, coughing to interrupt the awkward lul in the conversation. Your face flushed with embarrassment.

"Perhaps you could clear something up." Enid says while she continues the tour. You're just happy the attention is off you again.

"Rumor's been swirling around that you killed a student at your old school, and your parents pulled strings to get you off." Enid looks at you for a moment before meeting Wednesdays gaze again.

Wednesday starts to walk past you both. "Actually it was two kids but who's counting?" You and Enid stop simultaneously, looking at each with wide eyes till you both catch up to Wednesday.

You all walk through some double doors to an open area. "Welcome to the Quad." Enid states putting her arms out to the side.

"It's a pentagon." Wednesday states flatly. You and Enid share a glance for a moment.

You and Xavier meet eye contact as he beckons you with his hand. You and Xavier have been friends for awhile, first bonding over silly conversation and his art after being assigned together for a group project.

"I'll be right back guys." You say before walking around on the cobblestone path, eventually meeting up to Xavier who is painting something on the wall.

"You looked like you were suffering, so I thought I'd drag you away for a second." Xavier smirks before continuing his painting.

"Wow you're such a life safer, my knight in shining armor." You say teasingly, putting the back of your hand on your forehead acting faint.

He makes eye contact with you with a slight smile at your performance before looking back to Wednesday.

"She's gorgeous." He says before meeting your eyes again.

"I know right!" You were about the push him, but you didn't want to mess up his painting.

Something you and Xavier bonded over was both of you finding woman attractive. Like you'd both agree, or argue, about celebrities and how pretty some of them are.

You see Ajax talking to Enid. "I should probably get back before Wednesday hates me and, I don't know, kills me in my sleep or something."

"Good luck." Xavier says, still distracted by his painting.

"Thanks, I hope I don't need it." You say before making your way back to Enid and Wednesday.

"I find social media to be a soul-sucking void of meaningless affirmation." Is the last thing you hear Wednesday say, making eye contact with you as you finally caught back up. She turns around and walks away.

"Was I gone for too long?" Enid makes eye contact with you before shaking her head and walking away.

-

The sun has set past the horizon, It's just you and Wednesday in the dorm. Wednesday just finished unpacking.

Enid is in Yoko's dorm, doing whatever they do.

Wednesday looks up from the center of the room, staring at the tinted sunroof.

You see Wednesday with her head angled upwards, contemplating her options to remove the tint.

"Do you want help?" You ask standing from your desk.

Wednesday lowers her eyes from the sun roof to you. "No, I can do just fine on my own."

You watch Wednesday skeem a few seconds longer until you pull out your wand.

You point your wand towards the sky roof, The sound of film being taking off glass filling the dorm as one of the tints slips of and falls gently towards your wand.

"You're a witch." Wednesday says bluntly.

You keep taking the tint off the different sections of the sun roof.

"Yeah, luckily. I've always really enjoyed magic so if you need something that can be solved with a spell just let me know." You give Wednesday a patient smile as she has a look on her face like she's considering what you said.

Enid opens the door, seeing the scene and proceeding to stomp into the room.

"What did you do to my room!"

You both turn your attention to Enid, annoyance in her eyes.

"Enid, she has an aller-"

You are cut off by Wednesday. "Making myself comfortable."

You see where this is going. deciding to not be in the crossfire, you decide to be in the safety of your section of the room.

You open your book back to where you left off studying with the sound of Wednesday and Enid bickering as your white noise.

Soon Enid starts blasting music.

"Turn it off." You hear Wednesday approaching the center of the room, and you can no longer focus on reading so you watch instead.

Enid shakes her head while dancing.

"This is your final warning." You grab your wand out of fear for your roommate, you keep it concealed unless needed.

"Rah!" Enid holds her hands up to Wednesday's face, claws extended from her fingernails.

"Don't mess with me! This kitty has claws and I'm not afraid to use them."

The door to the dorm suddenly opens, your carnivorous plants teacher and dorm mom, Marilyn Thornhill, on the other side carrying a black flower.

"Sorry for the interruption." Marilyn notices the tint all over the floor and the energy between Enid and Wednesday.

"Is this a bad time?" You go back to reading, every student has gone through this. You didn't need to live it again.

-

You're walking back from the bathroom to head back to class when you notice Wednesday walking by, there is a nick on her forehead.

"Hey Wednesday, heading to the nurses office?"

"Are you a mind reader as well?" Wednesday asks with what you assume is her version of sarcasm.

"Want me to heal it for you? your forehead I mean."

Wednesday stands there quietly, deciding her options.

"I'm not gonna make you owe me or anything I just, I don't know, I like helping." You look into Wednesday's eyes, she looks to the side before making her final decision.

"Okay, only if you don't demand anything in return." You smile towards Wednesday while pulling out your wand.

"Of course not."

You point your wand towards the cut on Wednesday's forehead.

"Episkey."

The wound on Wednesday's forehead closes itself, the blood leaving with it.

Wednesday is quiet for a moment.

"Thank you." Wednesday says in a slightly different tone than usual.

You hide the slight shock on your face. You never expected to hear her say words of gratitude, especially to you, her roommate.

"It's not a problem, honest. Do you want me to show you to where the nurses office is just in case I'm not there next time?" You smirk as Wednesday nods.

Wednesday tries to feel where the cut was on her forehead before you both hear a scrapping sound from above.

A gargoyle is falling off the roof above. It's spinning forwards, flipping over.

You take a step back, pointing your wand up.

"Reducto!"

There's a flash of light from your wand, the projectile hitting the falling gargoyle. The statue turning to dust before falling onto Wednesday.

When you look back down to see Wednesday you see Xavier behind her.

"Wednesday get down!" He shouts, tackling her to the ground. You take a big step back to avoid the tackle.

The remains of the gargoyle land softly on top of Wednesday and Xavier.

You look to make sure they're both okay.

Wednesday is unconscious.

Xavier looks up to you. "Cast a spell or something to heal her!"

"What? I just started learning healing charms there is no way I'm experienced enough to mess with head injuries."

You go to pick up Wednesday. "I'll take her to the nurses office."

You're about to start walking until Xavier takes her out of your hands.

"I'm the one that tackled her, I'll take her."

You're left standing there, grasping your wand in both of your hands, as Xavier leaves before you can fight back.

Part 2

Part 1 (Current)

a/n: I'm so happy part 1 is over. this was kinda annoying at times to write I'm just excited to get to the cooler parts B)

[tfmerc]

mdni — not proof read — longer one for my Sam Monroe readers‼️

my adaptation of the shower scene?? kinda????

cw: slight breath play? sam calls himself a good boy, f!reader, use of cunt/pussy, kinda fat!reader coded?

“Someone’s in here!” Your voice spilt through the dewy air, eyes widening in a panic as your hands hastily lifted to cover your naked body. What was once a relaxing shower quickly turning into an evasion of privacy as the door was pushed open.

Shuffling could be heard over the pattering of water, a shadow of someone’s body lingering outside the frosted glass sliding door - their hands shaking around their hips, neck cocking from side to side, “‘s only me…”

“Sam? You scared the fuck out of me.”

“Need you,” Sam’s voice left his lips in an airy plea, head rolling on his shoulders as he spoke - hesitantly reaching for the shower door, “Don’t you dare, Monroe.”

The boy pouts, knocking against the glass in an attempt for you to clear away some of the fog; desperate to catch a glimpse of your body, even if it’s a muted image of your curves and the trails of water droplets on your skin, “Just a peek? Baby, please.”

You watched as his jeans slipped down his thighs, how his tongue moved around his cheeks to gather saliva; spitting down into his palm with shaky breaths. God he’s fucking desperate.

“Jus’ the thought of me, huh?” Sam whined, nodding his head at your condescending tone; forehead pressing against the textured glass, “The sound of my voice…”

The poor boy felt like he was stirring crazy, hand moving shakily over his leaking cock; eyebrows pinched together as his breath fogged against the glass. He whimpered with each sensual move of your body, watching your hands run over your pixilated body.

“Please… sweetheart, i’ve been a good boy,” He knew this was his own doing, going out of his way to act all snarky and abrasive - but he couldn’t help it. It’d been hours days since youse had done anything.

“Oh, so you’re lying now?” The boy’s chest puffed slightly at your words, tears pricking at the corners of his eyes as he neared closer to a release; tongue smearing against the already fogged glass - eyes screwed shut.

You took a moment to pity Sam, eyeing the way he was falling apart with just being in a close proximity of your naked form. Your hand moved slowly, almost teasingly as you slowly gripped the handle - gently gliding it open as you watched Sam’s face move with the motion, spit smearing across the glass.

He landed against the ground with a soft thud, whimpering lowly as his rhythm was ruined; puppy like eyes fluttering as he glared up at you - ready to huff and puff at the interception of an orgasm, “Why would you- oh… fuck.”

Sam reached for your thighs, one could mistake him for a servant kneeling before their royalty - eager to have his dirty hands on your plush skin.

He didn’t care to remove his clothes, shuffling on the ground; blocking the drain with his sagged jeans - cock standing proud as it bounced off his lower abdomen, tip an aching red; practically throbbing.

“Go on then, you wanted to touch me - no?” The raven haired boy was quick, lips latching onto cunt; whines muffled against your slick opening. He couldn’t breathe, not that he needed to - no, not when he was being suffocated by such a sweet pussy.

Your hand intertwined in his hair, toes curling as your back pressed against the cool walls of the shower; a soft gasp relishing in the air at the feeling, “Yeah… just like that Sammy.”

He didn’t deserve heaven, especially not one like this; shoved between your legs, lapping at your mind melting arousal. Sam felt as though he could die young, content with the life he lived - serving your every need on his hand and knees.

The need for air grew, heavy palms pawing at your thighs; desperately trying to push himself away from your suffocating cunt. Yet, you stood firm; fingers tightening in his wet mop of curls - practically snarling as you pushed him further.

Sam’s head grew dizzying, peering up at you through fluttering lashes; hips rutting against nothing but the warm air. One last firm tug had with sobbing, pulling away as he gasped for air, cock twitching as ropes of his thick seed spilled across the tile floor, “Ah- ah…!”

“Keep going, i’m not done with you.”