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parabcllums · 5 years ago

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⌜ DIEGO LUNA, CIS MALE, HE / HIM | the war by syml, melancholic, the jester ⌟ ⏤ blink and you’ll miss CLINTON FRANCIS BARTON, the hero for hire that goes by HAWKEYE ! last i heard, they’d settled down and had children with BARBARA MORSE, though apparently they’ve SEPARATED. they’re a professor of ARCHERY & GYM at paragon academy in addition to being a SHIELD AGENT ASSIGNED TO CAMPUS, and i’ve always found them to be pretty INNOVATIVE & BENIGNANT, though i’ve heard that they can also be really UNDEPENDABLE & OBSTINATE. do you think they’ll give me an autograph? you can check out his stat page HERE and his pinterest board HERE.

CONGRATULATIONS, on the mess you’ve made of things.

SECTION ONE OF THREE : BULLET POINT HISTORY. trigger warnings for talk of child abuse and death.

clinton francis “clint” barton was born on june 18th, 1974, in waverly, iowa. his mother was edith, and his supposed father was harold - an abusive, alcoholic butcher shop owner who always kinda knew that clint wasn’t his kid, and let his feelings about that out with his fists. his older ( half ) brother was charles bernard - also known as “barney” - and over his early years, he would become the most important figure in clint’s life. as mentioned, harold was wildly abusive ; both to his wife, and to his sons. clint hated him, and he hated his mother - a weak willed woman who even now he harbors some degree of contempt for, left over from a childhood of her turning the other way and allowing harold do what he did.

he suffered through a lot, in a very short amount of time, and hospital visits were numerous for the youngest barton - coming to a head when one night, his father’s attack on him left him partially deaf in one ear. he didn’t want to invest in helping clint, so barney took it upon himself to not just teach clint some asl, but also to teach him how to protect himself. in his words, teaching clint to think of everything like a weapon - something to hit harold with, when he came knocking. the boys would hide out for hours at a time on the roof of their home or in the barn, and as both got older, tried to go toe to toe with harold on more than one occassion. things would have gotten worse for them, if it hadn’t been for the accident.

harold crashed the family car into a tree on his way home one night. edith was in the passenger seat. the two of them died instantly, and clint and barney were shuttled off fairly quick to a foster home. and then another. and then another. you get the picture. if they weren’t sent away because of being generally unruly, the boys found a way to run. eventually, that led to them running into a literal circus, which they proceeded to join, seeking out the family that they had never really have.

clint was obsessed with it all - the glitz and the glam isn’t exactly the right turn of phrase, but he lived for the adrenaline rush. he was a talented gymnast, and he eventually came under the wing of the original swordsman and trick shot, who built on barney’s earlier lessons of self defense, but honed his skill with weapons. he was good with a sword. he was better with a bow. and when barney tried to sway clint into caring about his future - into doing his GED, like him - they would argue. their relationship, deteriorating a little more each time.

eventually, clint discovered that the swordsman was embezzling money - and his moral compass, though dusty, kicked in. he would’ve turned him over to the police, had it not been for him proceeding to get the shit kicked out of him, and barney choosing to turn his back on him once and for all. barney joined the army and left - and after witnessing heroes on the news, clint decided that maybe he could use his talent ( at this point being a star attraction at the circus ) for good. he donned a costume, he went out making an attempt to fight crime - and the local authorities confused him with an actual thief, which only led to him deciding that if that was what people were going to view him as, he might as well be one. the black widow - natasha romanoff - enlisted him as a partner, and the two clashed with the betterknown costumed heroes on multiple occasions.

soon enough, clint got tired of that life, and he approached the avengers with a proposition. he would use his talents for them, instead, and... feel better about himself in the process? unclear. tony stark vouched for him, he joined a team with steve rogers & wanda and pietro maximoff, and though they were thought of as being lesser than the original avengers team... they all, clint included, proved themselves.

he fought with steve, resenting that he was leader and clint was not - but over time, learned to respect him. he operated as goliath, he left the avengers a couple times, he did a bunch of stuff and saved the world tons, and then on one such leave of absence where he became the security chief for cross technological enterprises, he was kidnapped ( alongside bobbi morse ) by crossfire as part of a master plan to kill the avengers ( first by killing him, and then by killing the rest when they showed up for his funeral ). the plan was to use hypnotic ultrasounds to force the two of them to kill one another, but clint stuffed a sonic arrow of his own creation into his mouth in a brief moment of lucidity and managed to disrupt the ultrasounds by deafening himself even more - allowing him to knock bobbi out and defeat crossfire, once and for all. this was a pivotal point in his life, not just because of being rendered 80% deaf and being forced to readjust his life to this. he also fell for bobbi, who felt responsible for what had happened to him and wanted to try and help. they met, they loved, they married within nine days - and their relationship, or lack thereof at times, has been continuous ever since.

he led the west coast avengers, he got stranded in ancient egypt, he fought his own brother who then died and cam back and died again ( and came back ), he and bobbi broke up, they got back together, it was revealed she was a skrull, the real bobbi apparently died, he took a break from being a hero to mourn, he rejoined the avengers, got killed by an exploding kree ship ( thanks wanda ), came back to life thanks to an altered universe, died again, came back again ( thanks wanda ), operated as ronin for a time after the apparent assination of captain america, found bobbi safe and well ( ok, after a whole big skrull thing ), learned that his beloved ( ex ) wife had wanted to divorce him before she had gotten replaced by a skrull, became leader of the new avengers, saved the world a bunch, made mistakes, joined a new team, started sharing the hawkeye monikor with kate bishop, almost went blind, joined the secret avengers, started to lead them, fought against the x-men due to the whole phoenix force / hope summers thing, sacrificed himself for scarlet witch so that phoenix powered emma frost wouldn't kill her, almost died, got healed, moved into an apartment in brooklyn with a brand new purpose in life and.. that's kind of, really, more where we sit. there was a bunch of other stuff ( like all the civil war business, etc ), but i like to kind of ... come at things from a point after matt fraction’s hawkeye, where clint took on russian thugs and ended up buying an apartment building. not in that exact order. also with more details thrown in.

SECTION TWO OF THREE : HEADCANONS. trigger warnings for talk of miscarriage, depression and ptsd.

currently, clint is still in his... rediscovering exactly what he wants to be stage of life, and working for shield as an agent assigned to campus works for him. he still considers himself an avenger, still works under his alias and is still, you know, doing what he’s gotta do - but he’s taking days as they come

he and bobbi have a nine year old son named lark sein morse, and he’s... pretty much clint’s whole reason to get up in the morning, though there is a feeling that he’s closer to his mother than he is, him. they ( clint and bobbi ) are not currently together, and haven’t really been so as long as lark has been alive - though they were on again, off again a lot over the years, and clint will always sort of class her as the love of his life... even if they aren’t married. bobbi suffered a miscarriage early on in the first version of their relationship to one another - lark is their rainbow baby.

he suffers from post traumatic stress disorder from his childhood, and from... a lot of the things that have happened to him, over the years. he’s also heavily depressed, and has only really recently begun to seek out the kind of help that he really needs ( the fact that shield offers free therapists to people working for them? a huge plus )

he has a dog named lucky who he absolutely ADORES, but who gets swiped semi regularly by kate.

he’s also... actually pretty well off, though you would NOT know that just from looking at him. clint owns his apartment building in brooklyn and has a lot of money saved up from over the years. he could live a high class life, if he so chose, but he prefers to live modestly.

SECTION THREE OF THREE : WANTED CONNECTIONS.

friends :(

also . believe it or not. clint has been... a huge ladies man for a very long time, so by all means - past flings, past serious relationships, the whole thing.

bobbi morse !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

also nat romanoff

his two kids. they’re between the ages of 17 - 26, and he doesn’t know about them, though it’s ENTIRELY possible that they know / have been told who he is / to them, and i am rly into the idea of getting to play it out.

#⌜ ･ﾟ ➤ ･ * you are a terribly real thing in a terribly false world ― biography. ⌟ / barton.

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noccalula-writes · 6 years ago

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Can you give us your detailed thoughts on Avengers: Endgame?

SPOILERY THOUGHTS ARE COMING.

The basis of most of my gripes are: if Age of Ultron hadn’t been so shittily written, a lot of this could have been avoided. Not all of it, but a lot of it. But I’ll go line item by line item outside of that thought.

First off, Steve. Y'all already know I’m a Stucky shipper, but even outside of the context of the ship - and I fully support people who feel their relationship is platonic but very intimate as long as they have been supportive of how emotional their story is, let’s do that more with male friendships please - you have to admit that there has been no greater, longer standing or fucking emotional relationship arc through the entire goddamn MCU than Steve and Bucky. Platonic, nonplatonic, whatever. We literally watch Steve tear down a branch of the goddamn government to get Bucky back, and since the first movie, Bucky has been his emotional touchstone. Steve’s singular dedication to rescuing and protecting Bucky has driven him to the heights of recklessness and has made him nearly sacrifice himself a dozen times.

But he ditches out on him, after he’s been dead for five years no less, to go back to the fucking fifties and derail Peggy’s entire well-lived life.

I don’t buy it. I think this was purposeful diversion to avoid appearing “too gay”, and it fucking infuriates me. There is an article on The Daily Dot that explores this better than I even thought to and you should definitely read it.

The idea of Steve getting to live a full life and be happy? Wonderful. But the way this was executed felt cold, clinical. We’ve spent more time developing emotional bonds with Steve than any other character in the MCU except maybe Tony, and yet we the audience were completely shut out of his feelings for the entire last half of the very last film. It felt like a door had been closed on us. There was none of the warmth of Steve, only the resolve of Captain America, and a very rash decision that felt so poorly planned after he said barely two things to the man who has been the axis of most of his decisions in this entire series.

Sam is absolutely the right choice for Captain America, though. That was what I was hoping for, and he deserves the mantel.

Tony Stark, love of my life, was set up to make the martyr play from the very first Avengers film. This is where it was always meant to go, and I have spent every movie since AoU waiting for it to happen. Honestly, I feel like Tony’s arc was the one arena where everything was done right (except, I’ll be honest, I don’t know how I feel about him having had a kid - I’m not mad at it, though). If you follow me you know I don’t think he and Pepper had real staying power no matter how much they love each other, but I also never anticipated that he’d be with anyone else, so this wasn’t a disappointment (I love Pepper, to be clear). I was proud of him. I was sorry he wouldn’t get to see Morgan grow up, but I was proud of my man saving the world.

I love him with all my heart. He’s made dumb decisions but when the metaphorical knife was against his throat, he came correct with absolute resolution.

Wanda might as well have been a cardboard cutout, which on one hand was fine because she had way more screen time in Infinity War than she’s had anywhere else since AoU (shudder), but she’s been reduced to this background character who got shipped off with Vision just so she’d have something to do (and yes, I know it’s comic canon, but it was so out of left field in the MCU that there was no way this wasn’t a factor in). Wanda is a wealth of possibility for a storyteller - think about the grief this character has endured (consider my consider, Wanda Maximoff diatribe from yesterday) and how she’s learned to use her power. Think about the evolution of going from a volunteer for a program to literally become a mutant to fight the Avengers and then becoming one and losing your fucking twin brother, the only constant in your life. Think about having to kill the only person you could try to put a life together with. Think about all of that and tell me she hasn’t been wasted in the background.

(Also - how in the fuck is Steve gonna tell his black best friend Sam that he preferred the fifties? Really? )

This brings me to what I think is easily the most egregious of all the fuck-ups in this movie - Clint and Natasha. This is where we can draw a direct line back to the problem in AoU, when Joss “Feminist Icon” Whedon decided that dropping a house, wife and 2.5 cardboard-ass kids we got zero development time on was a better answer than, oh, actually developing Clint as a character. Partially this was to promote Brucetasha, which as we all know went so fucking well through the rest of the movies, but subverting what he felt was the “obvious” ship for Nat (the irony of this being he said something along the lines of “well, Bruce and Nat made so much more sense to me” and pulled some lame ass Beauty and The Beast allegory out during an Entertainment Weekly interview about AoU and it’s ended up becoming one of the most hated creative decisions in the MCU as of yet.

Listen, if you want Clint and Natasha’s deep and intimate and formative relationship to be platonic-only, I’m cool with that. I ship ‘em but I also love male-female friendships that mean the entire world to the involved characters and are not romantic. But we were given a decision in AoU that was eliminated so many future possibilities and put us on the path we’re on now.

If you know Clint as a character, you know that he’s a loveable fuckup. THat’s kind of his schtick. I have no idea how they plan to make that work in the supposedly-happening Hawkeye series based on Matt Fraction’s run given that now we’ve got Clint married with kids and Natasha dead, but okay. Endgame takes Clint’s grief and weaponizes it, but naturally, we only ever see him killing people of color (they mention he killed a Mexican cartel, we see him going after Yakuza) ((if you couple this with the shaved haircut and the shitty Japanese-inspired sleeve, you start venturing dangerously close to white supremacist territory)).

Clint is dark and broken, and Natasha saves him - just like how Natasha was dark and broken, and Clint saved her. By not dying. So. I mean.

As I’ve said in another ask, here’s the thing: I would have been okay with Natasha making the sacrifice play if there had been no Bartons to bring back. I still would have been furious if they hadn’t loophole’d her ass back - What happens when Steve returns the soul stone? Do you get back what you paid for it? - but the idea that we had to trade the original female member of the team - the closest thing to diversity they had being a white woman is terrible but here we are - for one of the shittiest, most sloppily written things that Joss Whedon plunked down on a page? My blood boils.

It’s been like 4 days and I am still just beside myself angry about Natasha Romanoff. Furious. I love her and Clint and I don’t undersell the strength of their relationship but at the end of the day, she died so a man could go back to his family, because nuclear families are more important and Natasha has no one. I guess. I don’t know. I’m so fucking mad.

That pandering-ass “we’re doin’ us a feminism” scene of all the women fighting together, even though it made zero logistical battlefield sense and most of them didn’t even know each other, felt even more gross and cheesy and self-congratulatory considering what had just been done to one of the most important women in the series. But hey. We got a shot of a lot of women fighting. Hashtag feminism.

Thor’s ending was okay. Thor’s arc was pretty good. The fat jokes were shit but I loved the idea of Thor still being worthy even when he’s not who he used to be. I nearly came when Cap caught Mjolnir. Conceding New Asgard to Valkyrie was super smart, and I like that he’s going to go figure himself out with the Guardians.

Speaking of, Gamora’s whole story has made me feel gross. As the daughter of an abusive stepfather who also loved me a lot when he wasn’t being a monster, it def made me squirm. But the reality is I don’t give enough of a shit about any of the Guardians to care about what happens to them other than Thor, so. Chris Pratt can eat my entire ass.

The things it got right - pacing an insane amount of action in a way that never stalled, executing a beautifully woven and inlaid sacrifice arc for Tony, Paul Rudd in general - are so much smaller than the things that were just… gapingly terrible.

Did Bruce even get an ending? Did anyone remember what the hell he said he was gonna do? He got lost somewhere in the shuffle and I legit have no idea what his ending was.

Ugh. I need some ibuprofen and a nap. I’m gonna go back to writing my Natasha sex-shop au in which SHE WILL NEVER EVER EVER DIE FOR CLINT’S STORY DEVELOPMENT and wish I still drank.

#spoilers #endgame spoilers #i'm so goddamn mad #ask and ye shall receive

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valdomarx · 7 years ago

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hi! idk if you are into the comics or have read any marvel comics, but do you have any recommendations on where to start? i’ve always wanted to get into them and now that i have a job and make money i finally can buy my own and read them...but i have no idea which to read first or if there’s a certain order i should be going in? i really want to read stuff with the avengers (tony, steve, natasha, bruce, clint, thor) because they’re my favorites, especially tony nat and clint.

Sure thing my dude! I love the comics and i encourage everyone to get into them :D The first thing to know is not to worry too much about trying to read everything or to about trying to read it all in the right order. There’s way too much material for that, so just grab whatever catches your eye and start with that.

Here’s a few good places to start with individual characters:

Iron Man: Extremis - A modern classic Tony arc that’s designed to be a jumping off point for new readers

Matt Fraction’s run on Invincible Iron Man - Some people hate this because the characterisation is ehhhh but I really enjoyed it and it digs into a lot of Tony drama which is what I live for

Matt Fraction’s Hawkeye - Lots of people’s favourite Clint arc. Gorgeous art, deals with Clint’s deafness and depression, features the awesome other Hawkeye Kate

Captain America: Man Out Of Time - A retelling of Steve’s origin story that’s self contained and very cute. Tony is there too!

Black Widow: Deadly Origin - A short one-off series that explains Natasha’s backstory

And in terms of group books with the whole team, I’d recommend:

Kelly Sue Deconnick’s Avengers Assemble run - For cute fun silly team shenanigans. Where that famous panel of Tony and Bruce stripping came from, if you were wondering.

New Avengers vol.1 - Steve and Tony get the band back together. Probably the last time that the team were happy together :__:

Avengers vol.4 - If Infinity War has you curious about the infinity gauntlet then it’s covered in this comic. Including Tony wielding the gauntlet like the absolute hero that he is.

Marvel Adventures: Avengers - If you like fluff and cuteness then read this!! It’s a separate universe where everything is nice and no one is sad. Gave us the Hulk gently petting fluffy bunnies, among many other things.

A note on how to buy comics: you can buy collected issues of comics (called trade paperbacks or just trades) which are a lot cheaper than buying all of the single issues. You can pick these up from comic shops and also places like Amazon.

Or, if you like to read your comics digitally, there’s a service called Marvel Unlimited which is like Netflix for comics. They have a pretty complete catalogue of Marvel comics that are more than 6 months old and you can read as many as you like. The website freaking sucks but the service is pretty neat and it’s a great way to read a lot of issues.

I hope that helps! Do feel free to ask me if you have any questions, and have fun in the wonderful world of comics!

#csgowife #replies #comics recs #marvel

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davidmann95 · 7 years ago

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What's your Marvel Starter Pack?

My Marvel knowledge isn’t nearly as extensive as what I have for DC, so this’ll be scaled back to 12 books from the 15 I had there (nevermind Superman and Batman’s own personal lists). Additionally, since Marvel’s even more about Right Now than DC, nothing here is earlier than the turn of the century; a lot of my older recommended reading is by my dad’s suggestion since he had plenty of firsthand experience with the Silver and Bronze ages. Also worth noting that my Marvel tastes don’t exactly fall in line with the general sensibilities of Tumblr or fandom at large - I’m not a big X-Men guy, for instance - so your results may vary. But anyway, again, if you’re following me but new to actually collecting comics and wondering what to look into to gauge your interests, I’ve got plenty for you.

1. Daredevil by Mark Waid

What it’s about: Blinded as a child pushing an old man out of the path of an oncoming truck transporting radioactive waste, Matt Murdock grew up to become a lawyer, encouraged by his pugilist father Battlin’ Jack Murdock not to rely on his fists as he had throughout life. But when Jack was murdered for refusing to throw a fight, Matt was forced to rely on the talents he had developed in secret under his sensei Stick - the same isotopes that took away his sight boosted his remaining four to superhuman levels, as well as granting him a 360° awareness of his surroundings he termed his ‘radar sense’ - to find justice for his father and those like him, becoming the vigilante Daredevil. Now, after a crimefighting career marked by agony, loss, and an increasingly deteriorating psyche, his identity has been unofficially exposed by the tabloid press…but attempting to turn around both his life and his mental health, Matt’s chosen to try and re-embrace the good in both his daytime career and in the thrill of his adventures as the Man Without Fear.

Why you should read it: Aside from being in my opinion the most influential superhero comic of the decade, Mark Waid’s tenure on Daredevil is the complete package of superhero comics. Energizing, gorgeous, accessible, character-driven, innovative, and bold, it’s a platonic ideal of Good Superhero Comics, and most especially Good Marvel Superhero Comics, and as such there’s little better place to start.

Further recommendations if you liked it: Shockingly, few modern Marvel titles seem to operate on a similar frequency to this run, even among those that clearly wouldn’t have existed without it; of those I don’t mention in one capacity or another below, the only modern books that leap out to me as being of a similar breed are Roger Langridge and Chris Samnee’s (the latter ending up the primary artist on Waid’s Daredevil) tragically cut short Thor: The Mighty Avenger, Dan Slott and Mike Allred’s Silver Surfer, and Al Ewing’s Contest of Champions. Given the classic mood it evokes, you might also be interested in some of Marvel’s older stuff in general - as probably most conveniently packaged in the Essential volumes - as well as the more recent Marvel Adventures line of all-ages titles. For hornhead himself, most of his classic work tends to operate in a pitch-black noir mood that much of Waid’s run is meant to contrast; if you want to delve into it, go to Frank Miller’s run (primarily Born Again), then Brian Bendis’s followed by Ed Brubaker’s and, following Waid, Chip Zdarsky’s (the Charles Soule run in the middle seems largely forgettable).

2. Marvels

What: Following the career of photojournalist Phil Sheldon - beginning in World War II with the rise of the likes of the Human Torch, Namor, and Captain America, and forward into the reemergence of superheroes with the Fantastic Four - Marvels shows what the battles that define a world look like to the helpless spectators, from the controversy surrounding mysterious vigilantes such as Spider-Man, the fear of the “mutant menace” represented by the X-Men, and the terror when the planet is first truly threatened at the hands of Galactus.

Why: As well as being one of Marvel’s best and most defining works period - this is Kurt Busiek and Alex Ross’s coming out party as two of the most significant names in the genre, and it articulates Marvel’s avowed “it’s the world outside your window!” philosophy better than perhaps any other title - Marvel is ruled by history and continuity in a way DC isn’t. The latter may have reboots to contend with, but Marvel has a much more upfront and consistently significant timeline of what happened when and what’s important, and if you’re going to have to immerse yourself in that ridiculous lore, there’s no more fulfilling way of getting an injection of pure backstory than this.

Recommendations: There’s a follow-up by Busiek, Roger Stern and Jay Anacleto titled Marvels: Eye of the Camera; I haven’t read it yet myself, but given the pedigree involved I can’t imagine it’s anything less than entirely solid. For other Major Marvel Events, the defining one of the 21st century is Mark Millar and Steve McNiven’s Civil War, which set a tone that still reverberates through the line; also worth checking out the recent Marvel Legacy oneshot, which seems to be laying the groundwork for things to come. Speaking of setting a tone, while it’s not directly ‘relevant’ continuity-wise, Millar also worked with Bryan Hitch on Ultimates 1 & 2, which proved to be the aesthetic model for the current wave of Marvel movies and added plenty of ideas that have been extensively mined since. History of the Marvel Universe by Mark Waid and Javier Rodriguez fits its title and is absolutely worth a library checkout, but is mainly a rote checklist elevated by all-timer artwork.

3. Kieron Gillen and Jamie McKelvie’s Young Avengers

What: The heroes of the group once known as the ‘Young Avengers’ have gone their separate ways, each trying to figure things out on the cusp of adulthood. But when Wiccan’s attempt at helping his boyfriend goes horribly wrong - mixed in with a pint-sized god of mischief’s machinations, an interdimensional bruiser’s attempts at routing him, and non-Hawkguy Hawkeye’s extraterrestrial hookup - the gang’s forced back together again and on the run before old age literally swallows them whole.

Why: Here’s the bummer truth, daddy-o: I am not, in the common parlance, down with the hep cats, at least as far as gateway young-readers Marvel books go. I flipped through Runaways and wasn’t compelled to pick it up; I kept on with Ms. Marvel for a couple years but always on the edge of falling out of my monthly pile. Unless it’s truly next-level spectacular or heart-pouring-out sincere, gimme superfolks routing fiendish plots and going on trippy adventures any day over a bunch of sad kids in tights figuring out adolescence all over again: Spidey already did it first and better, and when emotionally-down-to-Earth superhero comics do get me fired up it’s usually set a little later on in life (even when I was the target audience for this sort of thing). But fire it through Gillen/McKelvie laser neon sexytime pop, and suddenly you’re in business. Slick, smart, raw, and wild, this was the best comic of 2013, and’ll certainly go down as one of the best superhero titles of this decade, Marvel as the Cool Kids of superherodom dialed up to 11.

Recommendations: Nothing else quite like this out there - the closest in feeling is Grant Morrison and J.G. Jones’ excellent original Marvel Boy miniseries, though that’s more about becoming a 20-something out in the world in the sense of wanting to burn it all down to the ground - but as I said, Runaways and Ms. Marvel do generally appeal to the same audience (and to be clear, I did like the latter just fine), as do the original Young Avengers run and Avengers Academy. Personally, I checked out and liked Avengers Arena, where all the fun teen heroes got forced into Hunger Gamsing each other on a murder island run by Arcade, followed up by them breaking bad in Avengers Undercover - please note that I’m like one of the three people on Earth who liked this book as opposed to ravenously despising it, which probably has in part do to with my lack of prior attachment to the characters involved. Also, important to note that this book is in the middle of a thematic Loki trilogy, preceded by Gillen’s Journey Into Mystery (which I haven’t read but don’t for a second doubt the quality of), and completed by Al Ewing and Lee Garbett’s truly magnificent Loki: Agent of Asgard; also worth noting that these books, and really modern Loki as a whole, are deeply rooted in Robert Rodi and Esad Ribic’s Thor & Loki: Blood Brothers. And for perfect entry books, I don’t think there’s much of anything better out there, especially for young readers, than Ryan North and Erica Henderson’s The Unbeatable Squirrel Girl, one of Marvel’s most consistently high-quality ongoings of the last several years.

4. Hawkeye: My Life As A Weapon

What: Clint Barton, aka Hawkeye, aka Hawkguy, is the Avenger who’s Just A Dude. No super-steroids and vita-rays, no magic hammer or Pym particles, a distinct lack of multi-billion dollar armor or immortality serum. Dude has a bow and arrow, and while he is very, very good with that bow and arrow, he still gets his ass kicked a frankly disproportionate amount relative to his teammates. Between meeting a dog, buying a car, and hanging out with friends - even if each incident goes significantly more wrong that they would for anyone other than Clint Barton, with non-Hawkguy Hawkeye Kate Bishop typically along for the ride - this is what he gets up to when he’s not helping save the world.

Why: Gonna show my heresy again: I’m not actually over the moon about Fraction/Aja’s Hawkeye past the first arc. But that first arc? Man oh man oh man, are they about as good as Marvel gets. This is absolute next-level storytelling on every front, with Aja and Pulido pulling out all the stops and Fraction - who by all accounts thinks more about the process of how comics work than anyone else in the field - just pouring heart and style all over the thing. It’s as tight and energetic as comics get, and the perfect introduction to Marvel’s street-level corner.

Recommendations: Aside from the rest of this run, there’s the recent Hawkeye (starring the non-Hawkguy Hawkeye Kate Bishop) by Kelly Thompson and Leonardo Romero, and there’s a generous helping of Hawkguy in Ales Kot and Michael Walsh’s Secret Avengers, a book as tight and out-of-the-box and oddly joyous in its own way as this. If you’re looking for other Marvel material that gets this explicitly experimental and afield of the house style, go for Jim Steranko’s much-loved work with Nick Fury. And for the other, considerably grimmer side of the street, aside from the Daredevil stuff I mentioned above, check out anything and everything you can get your hands on from Garth Ennis’s work with the Punisher, along with Greg Rucka’s and Jason Aaron’s.

5. Moon Knight: From The Dead

EDIT: This list was written prior to allegations made against Warren Ellis. It’s your money, but while I’d still recommend checking the book out of the library - the quality of the work isn’t going to change now that it’s out there in the universe - if you’re looking to pad your bookshelf I might recommend skipping to some of the books suggested below in its place.

What: Marc Spector was a mercenary until the day he died, betrayed in the desert before an Egyptian temple by his comrades…and then he kept going. No one knows for sure whether the truth is what his doctors have to say - that sharing his head with the likes of Steven Grant and Jake Lockley is a manifestation of DID, and he’s a profoundly sick man - or his own interpretation - that his fragile human personality buckled and shattered before the immensity when dying by its temple, he bowed his head at death’s door to the moon god Khonshu and let it seize his soul. Whatever the truth, he now knows his purpose: to defend travelers by night from whatever horrors would cross their path.

Why: There’s no story as such to be told here; Ellis and Shalvey simply show six adventures over six issues that establish Moon Knight and the scope of what he’s capable of when handled properly, ranging from straightforward detective work to psychedelic journeys through a rotting dream to a jaw-dropping issue-long fight scene. Marvel has a proud history of material skewing slightly to the left of the rest of their output, tonally and conceptually, and this is your ideal gateway to Weird Marvel.

Recommendations: For the further adventures of Moon Knight, by recommendation would be Max Bemis and Jacen Burrows’ current volume, which is following up on the seeds Ellis and Shalvey laid down quite satisfactorily, with a few twists of their own on top. Ellis himself used Moon Knight before this in his run on Secret Avengers with a number of different artists, which was very much a precursor to his work above in its high-concept done-in-one style; also check out his book Nextwave with Stuart Immonen, which is as out there as it gets for Marvel and also the best comic ever. Delving into Marvel’s spooky side, if this did anything at all for you absolutely get all of Al Ewing and Joe Bennett’s massively and rightfully acclaimed The Immortal Hulk (and if you’re looking for more something more traditional with the Green Goliath, Mark Waid’s The Indestructible Hulk is a hoot). If you really want to go to ground zero of Weird Marvel, you’re in the market for Steve Gerber’s work, primarily Defenders and his own creation Howard the Duck (who had another very entertaining via Chip Zdarsky and Joe Quinones recently worth checking out). Another notably out-there character worth checking out is She-Hulk, particularly in Dan Slott’s run and Charles Soule/Javier Pulido’s. Two more figures existing on Marvel’s weirder end are Doctor Strange - whose ‘classic’ work would as I understand it be Steve Englehart and Frank Brunner’s run, and who’s worth checking out more recently in Brian K. Vaughan and Marcos Martin’s miniseries The Oath, Jason Aaron and Chris Bachalo’s run, and Donny Cates and Gabriel Hernandez Walta’s - and the Inhumans - while contemporary attempts to push them have been a failure, there have been excellent individual successes in Ellis, Gerardo Zaffino, and Roland Boschi’s Karnak, Al Ewing and company’s Royals, and Saladin Ahmed and Christian Ward’s Black Bolt. And I’d be remiss in the extreme not to bring up Gabriel Walta and Tom King’s Vision, which I don’t want to give anything away of, but has a serious claim to being the best thing Marvel’s ever published.

6. Ultimate Spider-Man by Bendis & Bagley

What: When bitten by a genetically mutated spider Peter Parker thought he could use his newfound powers to make a quick buck, and come on, you already know this.

Why: This is the foundational modern Spider-Man. The first arc’s aged a little wonky in bits as Bendis was trying to make late-90s/early-00s Teen Slang work, but by and large, Brian Bendis and Mark Bagley’s original 111-issue tenure on Ultimate Spider-Man reimagining his early years was pound-for-pound one of Marvel’s all-time most engaging, exciting, dramatic, and authentic long-term runs. This is the template for every movie (especially Homecoming) and TV show he’s had in the last decade, a sizable part of what got me into comics in the first place, and one of the company’s most reliable perennials. You want to get onboard with maybe the most popular superhero in the world, you do it here.

Recommendations: With the remainder of the list I’m getting into more character/concept-specific reccs, and for other great Spider-Man, your best bet truly is the classic early material by Stan Lee, Steve Ditko, and John Romita as collected in the Essential volumes, which has aged unbelievably well compared to its contemporaries; Bendis’s post-Bagley material just doesn’t hold up, even with the introduction of fan-favorite Miles Morales. For other ‘classics’, your best bests are Spider-Man: Blue, and by my understanding the runs of Roger Stern and J.M. DeMatteis, particularly the latters’ Kraven’s Last Hunt. For the modern stuff, Chip Zdarksy’s current Peter Parker: The Spectacular Spider-Man is just getting better and better, I’ve heard very good things about Spider-Man Loves Mary Jane, I personally enjoyed Mark Millar and (at his peak) JMS’s runs, and while most agree Dan Slott’s soon-concluding decade-long tenure on the character has outstayed its welcome, he’s also turned in some stone-cold classics like No One Dies and Spider-Man/Human Torch, as well as other entertaining work such as the original Renew Your Vows and Superior Spider-Man. Most recently, Chip Zdarsky’s work with the character in The Spectacular Spider-Man and the high-concept out-of-continuity miniseries Spider-Man: Life Story are some of Mr. Parker’s all-time best, while Tom Taylor’s Friendly Neighborhood Spider-Man is a charming relatively small-scale superhero adventure book, and Saladin Ahmed and Javier Garron’s Miles Morales: Spider-Man is easily the best possible introduction to that guy.

7. Thor: God of Thunder Vol. 1

What: Though Thor, the god of thunder and mighty Avenger, has faced limitless threats to even divine life and limb over his many millennia, only one figure has ever truly frightened him. Now, as he discovers a serial killer of deities is loose in the cosmos, he must turn to his past and future alike in order to survive the coming of the God-Butcher.

Why: The pick on this list most directly relevant to those coming in from the movies right now, I’m afraid that while a bit of this was plucked for Ragnarok, this isn’t remotely on the same wavelength. This is black metal death opera screamed through the megaphone of wild space-spanning superheroics, and not only is it the best Thor comic, it’s the perfect introduction to Marvel’s cosmic side.

Recommendations: Along with the Loki books I namechecked above, the defining run on Thor (though the rest of his continuing work there is also very much worth checking out) is Walter Simonson, which laid down a lot of the fundamentals of the character as he exists today; along with that and the rest of Aaron’s run, my understanding is that Lee/Kirby’s original run holds up very well. For more satisfying fight comics, I’d also suggest World War Hulk, and I hear Marvel’s early Conan comics were standouts. On the cosmic end, I know the Guardians of the Galaxy are where it’s at these days; they sprang to life in their current incarnation in the much-loved Annihilation, and while I haven’t been reading their current Gerry Duggan/Aaron Kuder run, it’s well-liked and probably a good place to drop on, as would be the recent Chip Zdarsky/Kris Anka Starlord, and I’d personally recommend Al Ewing and Adam Gorhan’s Rocket. Beyond them, Jonathan Hickman’s comics are where it’s really at, from his Fantastic Four to S.H.I.E.L.D. to Ultimates to Avengers/New Avengers to the big finale to his overarching story in Secret Wars; it’s a complicated reading order to figure out, but oh-so-worth it.

8. Iron Man: Extremis

What: Faced with the horrors of his amoral past and the questions of a future coming quicker than he can manage, Tony Stark faces his most dangerous enemy yet when experimental post-human body modification tech is let loose into the world and lands in the hands of a white supremacist terrorist cell.

Why: More than anything other than Robert Downey Jr. smirking and quipping, this story is the definitive model for the modern Iron Man, taking a C-lister most notable for dealing with alcoholism decades earlier and hanging out on the B-list team in the Avengers (at least until 2012), and redefining his personality, aesthetic, and role in the 21st century as a man who might be smart enough to save the world if he can ever pull together enough to somehow save himself from his own compromises and weaknesses. The road to this guy becoming a household name is paved here.

Recommendations: Prior to this, his biggest stories were Demon in a Bottle, showing his first reckoning with his alcohol abuse, and Denny O’Neil’s 40-issue run introducing Obadiah Stane and showing Stark’s darkest hour as he sinks completely into his illness. Post-Ellis, the big run is Matt Fraction and Salvador Larroca, which seizes both on the ideas here and the momentum granted by his Hollywood debut to cement his status as an A-lister; after that check out Kieron Gillen’s, which is not only a fun big-idea series in its own right but paves the way for Al Ewing’s spinoff Fatal Frontier, easily one of Iron Man’s best and most overlooked titles. Finally, while it was derided in its own time (that it was a spinoff of an event that turned him evil but the comic never especially explained the circumstances didn’t help), Superior Iron Man is also worth a look as a horrifying contrast to the rest of these.

9. Captain America: Man Out Of Time

What: A sickly young man who volunteered to participate in an experimental super-soldier program to serve his country in World War II, Steve Rogers became Captain America and protected the world from the Nazis with unimaginable courage and distinction, until the day he died disarming a drone plane rigged to blow aimed at America’s shores. He was honored throughout history…until the day he was found alive by the Avengers, frozen in the Atlantic and ready to emerge into the lights of the 21st century when needed most. Most people know that story. This is the story of what happened next.

Why: The search for the definitive statement on Captain America is one that’s driven his character for decades: after all, handling him doesn’t just mean talking about one man’s character, but the character of a nation. Successes are typically qualified, but one of the more successful creators in the pool is Mark Waid, who’s up to his fourth time at bat with Steve right now on the main book. His own most notable effort however is here, showing Rogers’ earliest days post-iceberg as he adjusts to living in what is to him the far-flung future, seeing the ways the nation has both surpassed his wildest dreams and fallen short of his humblest expectations, leaving him in the end to make the choice of whether this is truly the world he wants to defend.

Recommendations: As I mentioned, Waid’s had a few times up at bat with Captain America, and while he initial 90s stints might not be ideal for new readers for a number of reasons, his current run with frequent partner Chris Samnee is a solid crowdpleaser and a perfect place to jump onboard. Prior to that, worth checking out are Jim Steranko’s bizarre and transformative 3-issue run, Steve Englehart’s legendary Secret Empire (not the recent contentious Marvel event comic, to be clear), Ed Brubaker’s turn of the character towards grounded espionage, and his co-creator Jack Kirby’s bombastic, passionate 1970s tenure on the Captain. Currently, Ta-Nehisi Coates’ run is quite solid. Regarding related characters, for the Winter Soldier I’d suggest Ales Kot and Marco Rudy’s unconventional cosmic thriller Bucky Barnes: Winter Soldier; Black Widow had her own recent and excellent Mark Waid/Chris Samnee run, and I’d also recommend the one-shot Avengers Assemble 14AU by Al Ewing and Butch Guice, and issue #20 from Warren Ellis’s previously mentioned time on Secret Avengers; for Black Panther, his definitive runs are under Don McGregor and Christopher Priest, and I’d also note Jason Aaron and Jefte Palo’s Secret Invasion arc as showing T’Challa at his best.

10. Fantastic Four By Waid & Wieringo

What: Bathed in cosmic radiation on an ill-fated journey to the stars, Reed Richards, Sue and Johnny Storm, and Ben Grimm were transformed, and became the Fantastic Four, first family of an age of heroes! Now, years into their careers and with Reed and Sue’s young children in tow, they continue to explore new frontiers, whether battling a sentient equation gone mad, contending with an extradimensional roach infestation, or perhaps most perilous of all, Johnny trying to deal with getting a real job.

Why: Plenty consider the Fantastic Four one of Marvel’s most difficult groups to get right, but Waid and Wieringo nail the formula here as well as anyone ever has, just the right mix of high adventure and family dynamics to draw just about anyone in; this is as crowdpleasing as comics get and the perfect introduction to the best superhero team out there.

Recommendations: The FF’s another group where it’s worth going back to their earliest days of Lee and Kirby; while much of the writing’s aged awkwardly at best, they’re the absolute foundational comics of the entire universe and lay down concepts that are still getting use today throughout that universe. Past that initial run, John Byrne and Walter Simonson’s are among the best by reputation, as well as Jonathan Hickman’s as I discussed before (Mark Millar and Bryan Hitch’s is worth tracking down as well, especially since concepts there end up feeding directly into Hickman). For more outside-the-box material, Joe Casey and Chris Weston’s First Family is worth a look, as is Grant Morrison and Jae Lee’s 1234. And for the all-time best showing of bashful Benjamin J. Grimm, the ever-lovin’ blue-eyed Thing, find Marvel Two-In-One Annual #7 to see him defend the entire planet in a boxing match at Madison Square Garden. And while the team’s sadly off the table at the moment, Thing and the Torch are returning in Chip Zdarsky and Jim Cheung’s new volume of Marvel Two-In-One as they set out to find their missing family.

11. Mighty Avengers by Al Ewing

What: When Thanos takes to the skies as Earth’s Mightiest Heroes are off-planet, it’s a day unlike any other, as those left standing are forced to band together as the Mighty Avengers. And as the danger passes, the team remains, looking to truly work alongside those they protect rather than above them to make things better, even as forces conspire in the background to enslave them all.

Why: This title is something of a limitus test, in that it’s one where you’ll have to deal with it being constantly, infuriatingly forced to deal with crossover nonsense. It’s one of the big prices to pay for engaging with a larger universe, but the trade-off is that this is where Al Ewing gets set loose on the Marvel universe, drawing on every weird corner to pull together a run of genuine moral intent, note-perfect character work, and all-out adventure. This may be the ‘secondary’ team, but it’s as perfect as the Avengers have ever gotten.

Recommendations: The title itself is relaunched as Captain America and the Mighty Avengers, and as that ends but Ewing continues his time at Marvel, the characters and concepts end up divided among a number of titles: Contest of Champions, where a number of heroes are plucked from the timestream to duel for the power and amusement of the Grandmaster, New Avengers (later turned U.S.Avengers), where former X-Man Sunspot assembles a new team to act as a James Bond-ified international strike force, and Ultimates (later turned Ultimates2), where some of Earth’s most powerful and brilliant heroes band together to proactively defend against unimaginable cosmic threats; also try his mini-event Ultron Forever with Alan Davis sometime. Based on your response to numerous aspects of those titles, there’s a good chance you might be in the market for David Walker’s Luke Cage titles, Matt Fraction’s Defenders, and Jim Starlin’s cosmic 70s books such as Captain Marvel and Warlock (and make sure to read Nextwave at some point, Ewing actually follows up on that gonzo delight in some surprising ways here). For the ‘main’ team, aside from Hickman’s previously mentioned run - which while spectacular is pretty far afield of the usual tone - some suggestions might be Kurt Busiek and George Perez’s much-loved run, Roger Stern’s Under Siege, I have to imagine given the pedigree of the creators Earth’s Mightiest Heroes by Joe Casey and Scott Kolins, Brian Bendis’s extended ownership of the Avengers books, and The Kree-Skrull War.

12. Wolverine & The X-Men by Jason Aaron

What: Dwindled down to a few in a world that hates and fears them as much as ever, mutantkind has been split in two, with by-the-books Cyclops taking a hardline approach against oppression and feeling that the youth in the X-Men’s charge must be made ready to fight, while Wolverine has grown tired of throwing children into battle and has left to find a new way. Founding the Jean Gray School For Higher Learning, Logan’s found himself in the most unexpected role of all as a professor, fighting just has hard to keep the unimaginable high-tech academy and the hormonal super-powered student body in check as to fend off the supervillains inevitably sent their way.

Why: The X-Men aren’t exactly my forte, with a wobbly batting average at best over the years as the books devote at least as much effort to trying to juggle the continuity and soap opera demands as the actual sci-fi premise. There have been successes though, and few so geared towards new reader engagement as Wolverine & The X-Men, where Aaron strips the franchise down to the base essentials of a team living in a school for super-kids. It’s poppy, it’s weird, it’s touching, and it’s accessible. It’s the X-Men at its best.

Recommendations: The most direct predecessor to this run (aside from its actual lead-in miniseries X-Men: Schism, which is actually worth checking out) is Grant Morrison’s New X-Men, which takes the sci-fi aspects of the concept to the very limit in what I’m inclined to consider the best X-Men run, though it’s proven controversial over the years among longtime fans. The base of the team as it exists today is in Chris Clarmemont’s work, which I’m not wild about myself but has a few hits such as God Loves, Man Kills; if you’re looking for a modern update on the formula developed there, Astonishing X-Men by Joss Whedon and John Cassaday is probably your ticket (and the follow-up run by Warren Ellis is a great weird paramilitary sci-fi book for a bit). Jonathan Hickman’s relaunch is a radicaly and brilliant departure paving a new way forward; it’s perhaps best experienced after a bit of ‘traditional’ X-Men to understand the scale of the contrast, but check that out as soon as possible. For classic material, I understand the Roy Thomas/Neal Adams run was an early success, and Jeff Parker’s X-Men: First Class is by all accounts a charming look at the team’s earliest days. Jason Aaron’s work elsewhere on the X-Men proper was limited to the first 6 issues of the short-lived Amazing X-Men, but he had a very extended and successful tenure on Wolverine which would be my go-to recommendation for him; past that, Death of Wolverine actually satisfies, and All-New Wolverine starring his successor Laura Kinney was the best X-Men book on the stands for some time (writer Tom Taylor is also had a short-lived ‘proper’ X-book in X-Men: Red). As for the group’s many spin-offs, I’d suggest Rick Remender’s X-Force, Peter Milligan and Mike Allred’s X-Factor/X-Statix, and Joe Kelly and Ed McGuiness’s Spider-Man/Deadpool, which should serve as a decent introduction to the latter dude’s own oddball territory in the franchise along with the truly mad and utterly delightful You Are Deadpool.

#Marvel #Opinion

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eddycurrents · 7 years ago

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For the week of 28 August 2017

Just one comic stood out as a favourite for me this week; Generations: The Archers - Hawkeye & Hawkeye by Kelly Thompson & Stefano Raffaele. Published by Marvel.

Like the previous Generations one-shots, this follows the formula of a modern day hero sent back in time (or wherever) to interact with their predecessor. Also like the previous one-shots, there’s no explanation as to why or how that’s happening, which is a detriment to the overall plot, but here it’s easy to look past.

The main plot of the issue hinges on a straight-forward enough contest of champions to see the “best marksman alive”, with other characters being drawn to a mysterious island...mysteriously. It’s simple, but it allows Kelly Thompson to do what’s best about this issue and that’s character development. It also helps that there’s a good amount of humour throughout the issue that keeps the dialogue zipping along.

One of the editorial points of the Generations exercise is for modern heroes to learn or be influenced by something from the past (or whenever) heroes and Thompson delivers that in spades with the conversations between Kate and Clint. The mentor/student dynamic is mirrored in the revelation of who’s behind the contest and there’s a nice moment of revelation for Kate.

It’s also really nice to see Stefano Raffaele around again. Especially on a Hawkeye story, since I have fond memories of his art on an earlier Hawkeye series he did with Fabian Nicieza. His work is brighter and cleaner here than then, but it’s no less impressive. There are some very nice panoramas and establishing shots amid strong character work throughout the book, aided by a brighter colour palette from Digikore.

Thompson and Leonardo Romero’s Hawkeye series starring Kate is easily one of my favourite books from Marvel right now, deftly mixing humour, character development, intriguing plotlines, and drop-dead gorgeous artwork and page layouts that remind me of some of the highlights from Matt Fraction and David Aja’s Hawkeye, while still having its own distinct voice and purpose. This Generations one-shot is a natural extension of that, essentially being Hawkeye #9.1, or maybe #12.1 since this story is supposed to continue (kind of) in #13. This one really feels essential if you’re reading the ongoing Hawkeye series.

Quick Bits:

Black Magick #7 largely keeps the numerous plates spinning, advancing the various bits in smaller degrees. All of it brought together by some truly gorgeous art by Nicola Scott & Chiara Arena.

| Published by Image

Faith & The Future Force #2 ups the stakes a few times as Timewalker, Ank, Faith, and friends continue to travel through time to try to stop an “evil robot”. It’s still not clear exactly when the present of the series takes place (I’m guessing before Harbinger Renegade #5, but definitely after the end of the Faith ongoing series), especially since other characters are plucked out of different time frames, and we’re still not given any exposition on exactly who this evil robot is and what he’s doing other than messing with time (erasing Adolf Hitler was apparently one of the first things, eliminating the Civil War another), but it’s still entertaining to see them continually throw larger and larger groups at it with reckless abandon. It’s a fun way to “kill the Valiant universe” without actually killing the Valiant universe.

| Published by Valiant

Jean Grey #6 is the first of two X-dips into magic and the supernatural this week, with young Jean turning to Doctor Strange for help in her trip of self-discovery and preparation for the oncoming Phoenix. We also get to see which “spirit” has been dogging Jean since the first issue. Maybe. I say “maybe” because since the first issue Dennis Hopeless has largely been setting up the possibility that things might not be 100% real. And maybe Jean is just crazy. That’s unlikely, but it’s still possible.

This issue also features some excellent guest art from Paul Davidson. His depictions of the astral plane and trips through the life and times of adult Jean Grey are worth the price of the book alone. It would be nice to see him get some regular work again.

| Published by Marvel

Lady Killer 2 #5 is wow. That’s all I can really say. This is one hell of an explosive end to the series. Joëlle Jones delivers another stunning issue. Do yourself a favour and buy both this series and the first volume. You won’t be disappointed.

| Published by Dark Horse

Optimus Prime #10 gets another of IDW’s Hasbroverse titles up to speed for the First Strike “crossover” that is already underway. That several of the other titles are also still out of sync is a similar problem that Revolution had. The stories are usually very good, but shipping late and out of order ruins momentum and important story beats. Read in a vacuum, though, the individual titles are still excellent and this issue of Optimus Prime is no different.

| Published by IDW

Saban’s Go Go Power Rangers #2, like the first issue, is fun. I was never a fan of the TV shows, but have been greatly enjoying what BOOM! has been doing with the license in comics. Ryan Parrott delivers on a mix of humour, character development, and action, all while Dan Mora continues to show that he should really be one of comics’ breakout talents.

| Published by BOOM! Studios

Spawn #277 continues what is shaping up to be one of the most inventive and compelling runs on the title. The team of Darragh Savage and Jason Shawn Alexander have brought an atmosphere of dread and horror to Spawn that I don’t think I’ve seen since the Hellspawn series. I’m really liking this.

| Published by Image

Spider-Gwen #23 is kind of an odd place for a Mary Janes interlude just as the Predators story-arc was hitting a critical point. It’s a decent story by guest creator, Hannah Blumenreich, but it makes me kind of hate MJ. The art is great, though.

| Published by Marvel

Star Wars: Jedi of the Republic - Mace Windu #1 reminds you that you need more Denys Cowan in your life. His art here is a little more restrained than I’m used to, but it still shines throughout this first issue. There’s also some nice humour peppered throughout the script by Matt Owens that lightens the mood for this otherwise action-packed debut.

| Published by Marvel

Uncanny Avengers #26, excluding the Generations one-shots, is one of the first post-Secret Empire stories without said branding to deal with the fallout. It also gives a first step to an idea as to where Jim Zub may be going with the book as he makes it his own, bringing Scarlet Witch back into the fold for the first time since I think Rick Remender’s run, a kind of redemptive arc, but I had thought that a lot of the animosity between her and Rogue had been stitched up. Apparently not. Like the ruins of Avengers Mansion their still camping out in, it gives a sense of rebuilding for the team.

It’s also nice to see Zub reunited with one of his Thunderbolts compatriots, Sean Izaakse. I liked his art there and thought it was a shame he only did a couple of issues.

| Published by Marvel

Vampirella #6 extends Paul Cornell’s run on the series by the first of a two-issue arc. It also sees Andy Belanger of Southern Cross take over art chores, which in itself should make the comic an instant purchase. It’s an interesting trip through Vampi’s psyche personified through dream with some really, really nice artwork.

| Published by Dynamite

X-Men Blue #10 is the second of the X-dips into magic and the supernatural this week, as Beast hooks up with the Goblin Queen again. It also brings yet another alternate X-Men team to the title, since the original five and dimension-displaced, mind-wiped mutants from the Ultimate universe aren’t enough. To his credit, though, Cullen Bunn is really making this work. I’m not as keen on another rehash of the Jean/Scott romance plot, with an added Wolverine stand-in for a love triangle, for what seems like the millionth time. Bunn is very good with the characterizations, but seriously I think this plot has been done to death.

| Published by Marvel

Other Highlights: Animosity #9, Bankshot #3, Black Panther #17, Black Panther & The Crew #6, BPRD: Devil You Know #2, Crosswind #3, Deadly Class #30, Deadpool #35, Doctor Strange & The Sorcerers Supreme #11, Dungeons & Dragons: Frost Giant’s Fury #5, Ghostbusters 101 #6, GI Joe #8, The Normals #4, Paklis #4, Planetoid: Praxis #6, Rapture #4, Ringside #11, Saga #46, Star Wars #35, Thanos #10, There’s Nothing There #4, TMNT: Dimension X #5, Victor LaValle’s Destroyer #4

Recommend Collections: Archie - Vol. 4, Bullseye: Colombian Connection, Copperhead - Vol.3, Jupiter’s Legacy - Vol. 2, Magdalena: Reformation, Old Guard - Vol. 1: Opening Fire, The Other Side - Special Edition, Providence - Act 3

d. emerson eddy is unsure what he made anyone do and might like to apologize for it, maybe, but he doesn’t know what it was. Was it the slightly charred red peppers?

#This Week in Comics #Generations: The Archers #Kelly Thompson #Stefano Raffaele

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quetzalcoatlus-northropi · 8 years ago

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i was tagged in one of them “choose this or that” memes by jamie and its under the cut so if youre on mobile im sorry you have to scroll through it all

1. Coke or Pepsi: i always pick coke but let me confess to you...... that i almost cant tell the difference and i also always pick the diet version of whatever the fuck is in the machine. like MAYBE the pepsi tastes slightly diluted for whatever reason compared to coke and that is the only difference i can detect. i also cant detect the difference between diet and regular

2. Disney or Dreamworks: uhhhhh neither except if you really count pixar movies as disney movies in which case i have to go with disney but like lion king? little mermaid? i dont have any nostalgia or anything for like The Disney Movies ALSO i just googled “dreamworks movies” and they made Saving Private Ryan what the fuck? (which ive never seen)

3. Coffee or tea: neither but if held at gunpoint then tea

4. Books or movies: i have like three books to read that i keep putting off but i also dont have the attention span/commitment necessary to watch movies on my own anymore. like i hate watching movies because you have to sit there so long. anyway books i didnt mean to imply anything negative about them

5. Windows or Mac: windows. i dont know shit. i dont know anything. the most confusing in the world is the row of icons at the bottom of a mac. i cant find anything and i dont know whats going on

6. DC or Marvel: my whole experience with superheroes has been the mcu but i also like matt fraction’s hawkeye (that i have never kept up with) so marvel

7. Xbox or PlayStation: playstation 1, playstation 3, and playstation 4. the game of life for the ps1 forever

8. Dragon Age or Mass Effect: luv em both but DA wrecks me more than ME and also aiming guns is really hard

9. Night owl or early riser: i can never stay up past 2:30 am without feeling nervous about cutting into my time thats supposed to be for the next day but i really love being awake in the dark. but i also like being awake before people become active. i only sleep like 7 hours so im able to rise early if i need to but also stay up late (or “late”) so i guess both but if i had to choose, night owl

10. Cards or chess: shit at both

11. Chocolate or vanilla: chocolate as a flavor needs to be enjoyed sparingly for me and vanilla is just ubiquitous so i appreciate vanilla all the time and at the same time VERY appreciate chocolate but only some of the time. balanced

12. Vans or Converse: ive been converted to vans. actually one of the most embarrassing things to ever happen to me was i was at YUL and the border agent that was working at the metal detector place was like “woah are those vans? awesome. no need to take off your shoes.” and the breakdown in the routine of youre-going-to-the-united-states-so-take-off-your-shoes disoriented me

13. Lavellan, Trevelyan, Cadash, or Adaar: you cant have any facial hair as an elf and i hate that so trevelyan

14. Fluff or angst: i havent seriously read fanfic in like a while but i guess angst

15. Beach or forest: luv going to the beach and being on the edge of the land

16. Dogs or Cats: im in a cat-person phase but not for all cats like i see a cat on my dash and im like yeah. thats good. but its not MY cat so only 3 stars. my cats are the absolute best and when i see em 10 out of 5 stars. but i also love dogs

17. Clear Skies or Rain: if im inside rain but if im outside i hate all precipitation

18. Cooking or eating out: i have no money but if i did id be buying prepared food all the time. cooking is ok but i dont have the patience to cook like big stuff like an entire meal of multiple food groups

19. Spicy food or mild food: my fave is when my eyes are watering and my nose is running also the kinds of spicy food ive tended to get in my life always include goat as an option and i love eating goats

20. Halloween/Samhain or Solstice/Yule/Christmas: winter because you get time off from school

21. Would you rather forever be a little too cold or a little too hot (and no the winter coats and ACs are not an option): this is the worst choice in the world

22. If you could have a superpower, what would it be: teleportation always

23. Animation or Live action: uhhhhhhhhhhhhhhhhh animation i guess

24. Paragon or renegade? i cant be mean to people in a game where you have party members and consequences. paragon always

25. If you could travel anywhere, where would you go? one condition: i get to take people with me. also how big can “anywhere” be like can i just answer “europe” but also i wanna go back to malaysia/indonesia and eat the food i missed out on because i was sick when we went back in like 2012

26. Which Mass Effect class do you play as? adept because i like to throw those scifi rasengans and i hate aiming guns 27. Roses or lilies? roses also rose syrup tastes good

28. Cold dessert or hot dessert? cold dessert always. whats an example of a warm dessert. just looked it up who the fuck would eat pudding hot and pies/crumbles are not that good. wouldnt eat a cake warm and brownies are alright

since theres a lot of bioware questions im tagging will @willryuji if u wanna do it

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parabcllums · 5 years ago

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⧼ diego luna, cis male, he & him / the war by syml + the beep of a coffee pot set to start at six am ( and the bitter taste of cold coffee poured hours later ). the feeling that blooms in your chest when you call your dogs name and hear the pitter patter of their four huge paws on hardwood floors, coming to greet you. bandaids and bandages and the fading greens of the deep bruises peeking past them, just now beginning to heal. ⧽ ━━ let me tell you a thing or two about CLINTON FRANCIS “CLINT” BARTON. the hero for hire that goes by HAWKEYE is a professor of ARCHERY & GYM at paragon academy, and has sometimes been referred to as THE JESTER. they’ve always seemed very INNOVATIVE & BENIGNANT, though i’ve heard they can be pretty UNDEPENDABLE & OBSTINATE, too. they’re probably here to keep an eye on the kid they had with BARBARA MORSE. do you think if i ask real nice, they’ll give me an autograph? you can check out his stat page HERE and his pinterest board HERE.

CONGRATULATIONS, on the mess you’ve made of things.

SECTION ONE OF THREE : BULLET POINT HISTORY. trigger warnings for talk of child abuse and death.

SECTION TWO OF THREE : HEADCANONS. trigger warnings for talk of miscarriage, depression and ptsd.

he has a dog named lucky who he absolutely ADORES, but who gets swiped semi regularly by kate.

SECTION THREE OF THREE : WANTED CONNECTIONS.

friends :(

also . believe it or not. clint has been... a huge ladies man for a very long time, so by all means - past flings, past serious relationships, the whole thing.

bobbi morse !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

also nat romanoff

#sidekick.intro #⌜ ･ﾟ ➤ ･ * you are a terribly real thing in a terribly false world ― biography. ⌟ / barton.#that's MY boy

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