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tanadrin · 9 months ago

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Revised version of "polytheism vs elaborateness" religion chart. I started with a list of around 150 religions, sects, denominations, philosophies, and spiritual tendencies, whittled down to 100 based on what I could find information on and what meaningful differences would actually show up in a chart like this. Dark blue is Christianity and Christian-derived tendencies; light blue is Judaism and Jewish-derived tendencies; green is Islam and Islam-influenced tendencies; purple is ancient Mediterranean polytheism and related schools of thought; red is Dharmic/Hindu-influenced schools of thought; tan is Chinese religion and philosophy; orange is new religious movements; black is other, unaffiliated religions and movements.

Obviously, "what is a religion" is a complicated topic. Some of the things on this chart might strike you more as philosophical schools (Carvaka, Stoicism), epistemological approaches (Unitarian Universalism), or different ways of slicing the same tradition. The scholarly definition of "religion" is sort of fundamentally circular, and that's not something I'm interested in trying to untangle for this entirely non-scientific exercise.

Religions etc. are scored on two axis: polytheism vs elaborateness of practice. Polytheism is a rank from zero to 11, thus:

0. Strict atheist and materialist, denying the possibility of both gods and the supernatural, e.g., Carvaka.

1. Atheist. Denies the existence of significant supernatural agents worthy of worship, but may not deny all supernatural (or psychic, paranormal, etc.) beings and phenomena (e.g., Mimamsa).

2. Agnostic. This religion makes no dogmatic claims about the existence of supernatural beings worthy of worship, and it may not matter for this religion if such beings exist (e.g., Unitarian Universalists). It does not preclude--and may actually incorporate--other supernatural, psychic, or paranormal phenomena (e.g., Scientology).

3. Deist. This religion acknowledges at least one god or Supreme Being, but rejects this being's active intervention in the world after its creation (e.g., Christian Deism). Deism is marked with a gray line on the chart, in case you want to distinguish religions that specifically care about all this God business from ones that don't.

4. Tawhid monotheist. This religion acknowledges only a single transcendent god above all other natural or supernatural beings, who is usually the creator of the universe and the ground of being, and is without parts, division, or internal distinction (e.g., Islam).

5. Formal monotheism. This religion acknowledges a single god, usually transcendent above all other natural or supernatural beings, but who may have aspects, hypostases, or distinct parts (e.g., Trinitarian Christianity). Pantheism may be considered a special case of formal monotheism that identifies the universe and its many discrete phenomena with a single god or divine force.

6. Dualism. This religion acknowledges a single god worthy of worship, alongside a second inferior, often malevolent being that nevertheless wields great power in or over the world (e.g., Zoroastrianism or Gnosticism).

7. Monolatrist. This religion or practice acknowledges the existence of many gods or divine beings worthy of worship, but focuses on, or happens to be devoted to only one of them (e.g., ancient mystery cults; pre-exilic Judaism).

8. Oligotheist. This religion worships a small group of divine beings, who may function for devotional or rhetorical purposes as a single entity (e.g., Mormonism, Smartism).

9. Monogenic polytheism/Henotheism. This religion worships many gods, which it sees as proceeding from or owing their existence to, a single underlying or overarching force or supreme god (e.g., many forms of Hinduism).

10. Heterogenic polytheism. This religion worships many gods, who have diverse origins and/or natures. Though the number of gods is in practical terms probably unlimited, gods are discrete entities or personalities, i.e., they are "countably infinite" (e.g., many polytheistic traditions).

11. Animism. This religion worships many gods which may or may not be discrete entities, and which may or may not be innumerable even in principle, i.e., they are "uncountably infinite" (e.g., many animist traditions).

What counts as a god is naturally a bit of a judgement call, as is exactly where a religion falls on this scale.

Elaborateness of practice is based on assigning one point per feature from the following list of features:

Uses vs forbids accompanied music in worship

Saints or intermediary beings accept prayers/devotion

Liturgical calendar with specific rituals or festivals

Practices monasticism

Venerates relics or holy objects

Clerics have special, elaborate clothing

Clerics have special qualificiations, e.g., must be celibate or must go through elaborate initiation/training

Elaborate sacred art or architecture used in places of worship

Sites of pilgrimage, or other form of cult centralization

Sophisticated religious hierarchy beyond the congregational level

Mandatory periods of fasting and/or complex dietary rules

Specific clothing requirements for laypeople

Specific body modifications either required or forbidden for laypeople

Liturgical language

Complex ritual purity rules

Performs sacrifice

Performs human sacrifice (or cannibalism)

Uses entheogens

Uses meditation or engages in mystical practice

Additionally, a point is taken away for austerity for each of the following features:

Forbids secular music outside worship

Claims sola scriptura tradition

Practices pacifism or ahimsa

Requires vegetarianism of all adherents

These scores are probably pretty inexact, since I am not a scholar of world religion.

This chart is not scientific, it's just a goof based on that @apricops post.

Other fun dimensions along which to chart religions might be:

Orthodoxy vs orthopraxy

Authoritarianism/control of members. This would add some much needed distinctions to Christian sects in particular, and to the new religious movements.

Elaborateness of cosmological claims. Some religions (looking at you, Buddhism) really go hog-wild here.

Social egalitarianism. Even within the same framework/tradition/philosophy, some practices differ radically on how egalitarian they are.

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a-queer-seminarian · 4 months ago

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I made these charts to provide an easy reference guide for comparing the four Gospels! Feel free to share around wherever.

I think tumblr's crunching up these images so visit here for crisper versions (plus they're table format instead of png format).

Alt text version is under the readmore, necessarily formatted slightly differently but with all the same info.

TEXT ONLY / NON CHART VERSION:

Images show two charts, each credited to Avery Arden with a note that the material largely derives from the abridged version of Raymond E. Brown's An Introduction to the New Testament.

Chart 1: Comparing the Gospels, Part 1 – historical context

Mark

When:

Late 60s/early 70s

Who:

Jewish

Multi-lingual — peppers Aramaic into the Greek

Where:

Rome or Syria (clearly unfamiliar with Palestinian geography)

To whom:

Mainly to Gentiles new to Christianity who were experiencing persecution

Priorities:

Encourage audience and show them how their suffering fit into Jesus’ vision of the Kingdom of God

Matthew:

When:

Late 70s/80s

Who:

Jewish

Also multi-lingual, with Aramaic phrases;

Greek more polished than Mark’s

Where:

Probably in or near Antioch (in Syria); possibly Galilee

To Whom:

Mainly to well-educated Jews who were debating internally about how Jewish tradition fit into following Jesus

Priorities:

Promote Messiah Jesus who fulfills audience’s Jewish scriptures

inform church life and structure

Luke

When:

mid-to-late-80s

Who:

Gentile (possibly Jewish convert)

Educated Greek “historian” familiar with Septuagint; no use of Aramaic; expert use of Greek

Where:

Probably Greece; possibly Syria; also unfamiliar with Palestine

To whom:

Mainly to wealthy Gentiles influenced by Paul’s mission; living in an urban setting

Priorities:

Promote Isaiah-like Jesus; challenge audience to live out faith more actively (e.g., by redistributing wealth)

John

When:

90s / as late as 110

Who:

Jewish

Student(s) of “the Beloved Disciple” (the “Johannine school”)

Where:

Traditionally Ephesus; possibly Syria

To whom:

To a mixed crowd of Jews & Gentiles, at a time when tensions between Jews who did & didn’t follow Jesus had reached an all-time high

Priorities:

Promote Jesus’s divinity; strengthen unity in a group increasingly defining itself as separate from Jewish ones

Chart 2: Comparing the Gospels, Part 2 — Thematic Content

Mark

Emphasizes Jesus as:

Jesus as miracle-worker / healer; human being

Unafraid to depict human limitations & emotions in Jesus

Other defining attributes / content:

Focuses on Jesus’s actions, e.g., his miracles; as well as on his suffering and death

Originally ended with the empty tomb & fear; no resurrection relief

The disciples often fail to understand Jesus; Jesus is frequently secretive about his identity

Matthew

Emphasizes Jesus as:

A Moses figure, Messiah, Son of God; teacher

Removes descriptions that make Jesus seem limited, naïve

Other defining attributes / content:

Beatitudes (ch. 5); judgment of the “sheep and goats” (ch. 25);

Instructions for intracommunal relationships; forgiveness; “Great Commission” (ch. 28)

Polishes Mark’s depiction of the disciples to present them more favorably (esp. Peter as the “rock” of the church)

Luke

Emphasizes Jesus as:

Self-aware Son of God; prophet of the poor

Removes descriptions that make Jesus seem emotional, harsh, or weak

Other defining attributes / content:

Beatitudes (ch. 6) — with added “woes”; frequent warnings about risks of wealth

Also depicts disciples more favorably

Favorable depictions of tax collectors as sinners on the way to redemption;

negative views of Pharisees as rejectors of Jesus, juxtaposed with stories of Gentiles who express faith

John

Emphasizes Jesus as:

Divine, the Word / “I Am” made flesh; lamb of God

Often misunderstood by disciples & crowds due to his use of figurative language

Other defining attributes / content:

Poetic format, full of symbolism; similarities to Gnostic texts that arose in the same era

Lots of “testimony” and “signs”

Despite Jesus & his disciples being Jewish, John depicts “the Jews” as being against Jesus; his Jesus says things like “It is written in your law…”

#gospels #reading and studying the bible #bible study tools #log #summer 2024

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trashcanlore · 1 year ago

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Kabbalah in the Worldbuilding of Genshin Impact; Part 1: The Tree of Life, the Universe, and Everything

Edited for clarity, 12/6/23

Written by Schwan (@abyssalschwan on twitter) and Sabre (trashcanlore, @paimoff on twitter)

During the Sumeru Archon Quests, we learned that the Irminsul is a (real! (ish)) tree that grows upside down, seemingly underground, and that the roots of the tree are the Ley Lines, which extend throughout Teyvat and the Abyss. Irminsul stores all knowledge and memories in the world, and the Ley Lines are the mechanism by which the tree acquires this information. Ley Lines move elemental energy through Teyvat, and this energy acts as both a storage medium for information but also a resource that can be utilized for combat, alchemy, an energy source (Azosite), etc.

The origin of the name Irminsul (unique to the Western localizations) in combination with the many names from Norse mythology associated with Khaenri'ah, suggest that the inspiration for Irminsul is Yggdrasil, the world tree and central axis of the cosmos in Norse mythology. Here we propose an additional inspiration for Irminsul and the associated worldbuilding and elemental system of Teyvat: The Kabbalistic Tree of Life. In this model, Teyvat’s elemental energy is comparable to the creative energy described by Kabbalah as the foundation for the creation of reality and the spiritual world. Specific attributes of elemental energy can be channeled by unique individuals in Teyvat and these attributes manifest as distinct elements, which can be directly compared to the 10 sefirot, or emanations, described in Kabbalistic literature.

What is Kabbalah?

Kabbalah (lit. received, tradition) is a school of thought originating in Jewish mysticism. In general, Kabbalah focuses on the relationship between the infinite (God) and the finite universe and how it was created. The goal of studying this mysticism can vary depending on the school of thought and their motivations. Many of the esoteric and religious influences on Genshin lore and worldbuilding were influenced by Kabbalah, or vice versa. These include Gnosticism, Hermeticism, alchemy, Freemasonry, the occultist branches of Theosophy and Thelema (Golden Dawn), astrology, symbolic interpretation of the tarot (also specific to the Golden Dawn) and more [2]. In short, Kabbalah is everywhere. Additionally, its concepts are used as symbolism in several pieces of media that directly or indirectly inspired Genshin and other games in the Hoyoverse.

If you have frequented Genshin lore topics, you might have heard that one of the main sources of inspiration for its worldbuilding is Gnosticism. The problem is, Gnosticism is a bit vague or contradictory when it comes to how the world was created and how the whole existence thing works. At this current moment in the storyline of Genshin, we have very little information on the very beginning of existence in Teyvat. This information seems to be a crucial part of the “truth of the world” and appears to be purposefully hidden by powerful factions like Celestia. This entire theory was born out of trying to make sense of what little we know about the creation of Teyvat and comparing it to esoteric commentaries on the well known creation myth of the Torah (Old Testament). The “Biblical world structure” interpretation of Teyvat has been around since the early days of Genshin lore and with good reason; there are frequent mentions of the firmament, as well as the name Teyvat sounding very similar to the Biblical Hebrew word for ‘ark’ (although the grammar is a bit mangled). There are also several references to stories from the Bible in in-game texts, including Before Sun and Moon.

Kabbalah literature spends a lot of time trying to understand and describe the process of how the world was created and the underlying principles of reality, as well as how spiritual practice can change that reality (either metaphorically or literally). Kabbalah intends to describe the “true nature of God,” which is equal to the entirety of existence, as something very vast and completely impossible to grasp. This incomprehensible infinity emits an “limitless light” that is the origin of all creation. Elemental energy (the ubiquitous source of everything in Teyvat) is often found compared to light, something we’ll discuss in more detail later. The “limitless light” of Kabbalah is way too powerful for existence to bear, much like how elemental energy is to normal, non-Vision having humans. That’s why this light needed to be “filtered” down. This happens through the process of creation, which passes the light through the spiritual attributes that form the Tree of Life, which is like a sort of diagram for how the universe came into being [3].

The Tree of Life

The tree of life and its 10+ nodes, known as sefirot, is one of the most well-known concepts from Kabbalah to make its way into popular culture. As mentioned previously, the tree has been used as rule-of-cool symbolism in anime such as Neon Genesis Evangelion and Fullmetal Alchemist, two pieces of media that likely are significant influences on Genshin (If you doubt that HYV loves NGE, play some Honkai). The sefirot are also depicted on the floor of the Schicksal HQ map in Honkai Impact 3rd, for some reason.

The sefirot and their organization and interactions with each other can be found depicted in many ways, such as the tree format that is the most popular, or a spiraling nested scheme that is really cool, or even very stylized, like the work of Robert Fludd.

Sefirot

Sefirot comes from the root word in Hebrew meaning “to count,” but you can also find it translated as “sphere” in some texts. The term originated in a book on Jewish mysticism called the Sefer Yetzirah, or “Book of Formation/Creation.” which describes the combination of the “sefirot of nothingness” and the 22 letters of the Hebrew alphabet as the foundation of reality (remember the hypostasis codenames?).

The Sefer HaBahir (lit. the book of brightness, 13th century France) introduces the idea that the sefirot are emanations of the divine. Interestingly, this book refers to the sefirot as ma’amarot (sayings), which builds on an important concept in classical Jewish philosophy – the idea that God spoke the world into existence. [We’ll get back to the Sefer Yetzirah and the role of language in creating the world in a subsequent part of this theory]. Fontaine 4.2 era edit: HELL YEAH stay tuned for more about Oceanids!!

Historically, Kabbalah might have taken this rough concept from a very different school of thought: Pythagoreans or neo-Platonists. Briefly, the connection between the Pythagoreans and the Kabbalistic sefirot is that both groups considered the world as being made of numbers. This ties back into Genshin worldbuilding because of how much Platonism is related to Gnosticism. Something else to keep in mind is that Pythagoreans (who had a cool history that connected Egypt and Greece to the magic of ✨math✨ but also hey Genshin lore hello Deshret) were known to use lyres as their instrument of choice while making mathematical studies of music. More sus Venti lore for the collection? This is also interesting to consider in the context of Nahida, who is deeply connected to the Irminsul, and has animations that are reminiscent of computers.

Later in the 13th century, the Kabbalist Isaac the Blind would 'canonize' the list of sefirot (there’s still some variation to this day) and organize them into a sequence that would become the basis for the famous Tree of Life structure. His writings described the sefirot as attributes of the divine and their role in the creation of the world. In his model, the sefirot originated from lights that emerged from a primordial soup of potential, and these sefirot/lights would then ‘flow’ and emanate into each other. His student, Azriel of Gerona, expanded on this with a neo-Platonic lens and introduced the concept of the Ein Sof, the infinite nothingness that cannot be comprehended and is the origin of everything. In this model, being flows from an infinite resource of potential, which the divine can utilize through the framework of the sefirot, eventually creating the world [4]. In simple terms, the Ein Sof, which contains everything, emits a primordial light that then differentiates into the sefirot. In our Genshin analogy, this primordial light would be like extremely pure elemental energy that differentiates into elements, like light passing through a prism.

Moses Cordovero, an important figure in the development of Kabbalah, described the process of the sefirot differentiating with the analogy of light shining through a stained glass window:

Imagine a ray of sunlight shining through a stained-glass window of ten different colors. The sunlight possesses no color at all but appears to change hue as it passes through the window. The light has not essentially changed though it seems so to the viewer. Just so with the sephirot. The light that clothes itself in the vessels of the sephirot is the essence, like the ray of sunlight. That essence does not change color at all, neither judgment nor compassion, neither right nor left. Yet by emanating through the sephirot -- the variegated stained glass -- judgment or compassion prevails. (Pardes Rimmonim by Moses Cordovero, translated in Essential Kabbalah by Daniel Matt)

Cordovero considered the sefirot to be completely independent of each other, but the later Lurianic school of Kabbalah (we’ll get into them more in later parts) considered the sefirot to be constantly dynamically interacting with each other and also assigned them personas.

Achievement grinders amongst us may recall the descriptions of the namecards you get upon completing the Elemental Specialist achievement series:

Achievement: Colors of the Rainbow: Light can refract into countless colors, but people stop at seven because they're too lazy to count. Perhaps the elements are like that, too. Achievement: Seven Lights: Anyone can play a tune that belongs just to them, and like the dew under grass, can reflect the seven lights of heaven.

Another example of the elements being compared to light is the Latin text found on the magic circles on the door of Mona’s future house in Mondstadt and generated by the hypostases during their missile attacks. The text reads:

Ex culmine lucis in magno elementorum, which translates to "From the peak of light, to greatness of the elements."

It’s interesting to see this text appearing in association with the hypostases since they are described as “life forms which have completely abandoned their former appearance and biological structure, making them able to reach the highest level of elemental purity. They are ultra-compact structures with a high mass, and are the highest forms of elemental structures.” The hypostasis code names are also all Hebrew letters, as mentioned earlier.

Mona’s astrolabe during the Unreconciled Stars event features a similar text:

Ex culmine locis in magno elementorum; Lux se effundat in mentes dei, which translates to "From the peak of light, to the greatness of the elements; May light pour out, into the minds of god."

The Abyss Lector catalysts contain a text that mirrors these two examples:

Ex culmine lucis in mango obscuritas. Lux se effundat in mentes abysso, or “From the peak of light, to the greatness of darkness. May light pour out into the minds of the abyss.”

The Genshin elements are also described as flowing. For example, a loading screen tip specifically describes the Ley Lines as “A mysterious network that links the whole world together, within which flow the elements.” The Silver Twig description states: "All knowledge, memory, and experience flow through this giant tree, just like a stream flows into a river, the river joins a sea, the sea turns into clouds, and the clouds rain onto the ground — just like life itself."

Sefirot and the Genshin Elemental System

The 10 (sometimes 11) sefirot are:

Keter: Crown (this one is even more symbolic that the rest, is described as “the most hidden of all hidden things" in the Zohar, represent things that are above the mind’s comprehension and the very beginning of the process of turning potential into reality)

Chokhmah: Wisdom

Binah: Understanding/Reasoning

(Da’at: Knowledge, as a fusion of Chokhmah and Binah)

Chesed: Loving Kindness or Mercy

Gevurah: Strength/Severity, (sometimes Din, Judgement, or Pachad, Fear)

Tiferet: Beauty/Harmony, is associated with balance of the Tree of Life

Netzach: Eternity/Endurance

Hod: Splendor/Glory

Yesod: Foundation (as in, foundation of reality)

Malkhut: Kingdom/Sovereignty

You’ve probably noticed by now that while we are claiming that the concept of the sefirot applies to the elemental system in Genshin, there are 10 sefirot and only 7 elements (for now). Fortunately for us, the Kabbalists love metaphors and categories. In addition to the sefirot representing the procedure used to ‘emanate’ and create the world, there are other methods of interpretation that further subdivide and rank the sefirot. For example, one metaphorical interpretation of the Tree of Life assigns each of the sefirot to a part of the human body.

In some Kabbalistic traditions of interpreting the tree, the 10 sefirot are divided into two categories: Intellect (Keter, Binah, Chokhmah) and Emotions (they’re actually more like character traits), which contains the remaining seven. These categories are meant to parallel how the soul is also divided into the intellect and emotional components. The first three sefirot are also referred to as the “three mothers,” because they are the source of the lower seven [5].

Having a group of seven sefirot is very convenient for comparing their traits to the elements and their ideals, but what about the role of the higher three in Genshin worldbuilding? This next section requires a bit more conjecture than some other comparisons here.

The source of all elemental energy in Teyvat, whatever that actually is, could be compared to Keter (crown), the most hidden and incomprehensible of the sefirot. (Big stretch, but think of the crowns over the Irminsul trees in domains.)

Next, we have the Ley Lines, which contain dreams and memories (these are basically the same in Teyvat, see Dream Solvent description), and these can be compared to Binah (understanding/reasoning) and Chokhmah (wisdom). During the Sumeru Archon Quest, Rukkhadevata says that dreams are the source of the wisdom she upheld as her ideal. Memories play an important role in discerning the truth of the world, as the traveler has now found themselves to be the only person to remember certain people/events, and has been told to trust their memories rather than what they can see.

Comparison of the 'Lower' Sefirot to the Genshin Elements and Their Ideals

Chesed (loving-kindness); Cryo (unknown, theorized to be love)

The Cryo Archon’s ideal is theorized to be love, as it’s the only characteristic mentioned in relation to her in the Travail trailer. Wanderer’s voiceline about her directly mentions love and describes her as being kind and benevolent, while Childe describes her as extremely gentle. These are the characteristics of Chesed, which represents the trait of completely selfless love: the all forgiving, all giving love of a god towards their creations. When it comes to the Cryo element itself, two things are worth mentioning: one is the way that all of Snezhnaya is perpetually covered in snow, as if this were the (ironic) physical expression of the Tsaritsa’s love blanketing them. The second is the promise of a world-encompassing snowstorm that will envelop everything as the Fatui advance on their war against Celestia. Although it’s hard to find one absolute constant in Vision granting stories, it’s notable that most Cryo users got their Vision at a moment when they had to selflessly be there for others (Diona, Chongyun, Mika), or after a decisive moment where they put aside their personal comfort for an ideal that would result in benefit for others (Kaeya, Eula, Layla).

Gevurah (Severity); Hydro (Justice)

Gevurah is associated with divine judgment, the kind that punishes humanity and causes world-altering catastrophes like the flood or the expulsion of Adam and Eve from the Garden of Eden. The Hydro Archon organizing her nation around a Court that attempts to judge both deities and humans parallels this. In a more positive sense, Gevurah is also related to moral judgment that allows one to tell good from evil. Likewise, Hydro in-game is often associated with purity and separation of clean and unclean matter. When it comes to Hydro Vision wielders, one common characteristic is that they all live by a personal ethical code, and their commitment to it is what granted them their Vision.

Tiferet (Beauty/Harmony); Anemo (Freedom)

Tiferet balances the other sefirot on the tree and has direct connections to almost all of them (except for Malkut). Similarly, Anemo can facilitate many elemental reactions via its Swirl reaction. In our opinion, something almost all the Anemo characters share is that their moment of receiving a Vision coincides with a moment of balance and harmony with themselves or their environment. See Jean and Kazuha’s Vision stories and the cutscene where Scaramouche/Wanderer gets his Vision. As an aside, comparing harmony to Anemo is funny because Venti is a bard and harmony is also a musical term: in music theory, harmony is the way we analyze the interactions between different voices that can be heard at the same time.

Netzach (Eternity); Electro (Eternity)

The quality of “Eternity” in Netzach is related to victory against enemies, referring to eternity as being the most powerful combatant remaining among defeated adversaries. Likewise, in Genshin the story of the Electro Archon features many battles during the Archon War where Ei and Makoto ended up victorious. As for Electro users tend to have their Vision granted at a moment when their ambition “defeated” the obstacles of reality, as was the case with Fischl, Kuki and Lisa. Cyno’s Vision story makes sense when you compare it to the illumination of Buddha during meditation, and how this was victory over the temptation of the demon Mara.

Hod (Glory); Pyro (War)

Natlan and its Pyro Archon are possibly the most mysterious of all the regions, so we can only speculate. We know that the Pyro Archon is called the God of War, and that the Pyro Gemstone mentions battles, pilgrimages and truth. The sefira of Hod, translated as Glory or Splendor, is linked to being able to connect with God and therefore also associated with prophecy (as in the way a human can carry a message from God). In the Travail trailer, the Pyro Archon tells the traveler that “the rules of war are woven in the womb.” It's also theorized Natlan will be based on Mexica culture (where sacrifice of both enemies and self sacrifice was a way to connect with the gods) and via Iansan's name, the Caribbean diaspora version of Yoruba religion (where many rites involve the gods making themselves present in the material world).

Yesod (Foundation); Dendro (Wisdom)

Back when we started to think about this theory during version 2.8, we decided on Yesod largely via process of elimination. One piece of our rationale was that in the Jewish tradition, each of the lower seven sefirot are used to represent a primary personality trait of seven archetypal figures in the Torah. The person related to Yesod is Joseph, who is well known for his prophetic dreams, and because of the events of the Golden Apple Archipelago, we decided that was close enough. However, the 3.x version confirmed that a) Irminsul did actually exist, b) Dendro as an element has a deep relationship with the tree, with the Dendro Archon acting as its avatar, c) the ideal of wisdom as both Dendro Archons interpreted it has a lot to do with dreams, and d) Irminsul and the Ley Lines act as the foundation for how reality is perceived in Teyvat. Yesod is also associated with biological life, as it represents the reproductive organs in the human body scheme of the sefirot.

Malkut (Kingship); Geo (Contracts)

Malkut is associated with the connection between the spiritual "above" of the Tree of Life and the concepts it contains, and the "below" of the material world, where these concepts manifest into material reality. For this reason, Malkut is associated with the earth [6]. In many Geo item descriptions, like the Geo Hypostasis drop or Albedo's elemental skill, the motif of geo trying to reach the sky is a constant. From a religious POV, the relationship between the divine and humans living in the material world has also been one of "covenants," or "pacts", in a similar way to how the Geo Archon is the God of Contracts. Furthermore, contracts are the basis to have a working state (government), and a kingdom is one of the first forms of a state. Malkut also being related to earth and everything material parallels how Geo is an element that works in making constructs. Geo Vision users are likewise involved in making or maintaining structures, like the Knights of Favonius is for Noelle, or the tradition of alchemy is to Albedo, as well as opera to Yunjin and in a way, even the Oni identity for Itto.

The Origin of Evil and Why Irminsul is Upside Down

Tighnari tells us that Irminsul is a tree that “grows downward rather than upwards,” or in other words, it’s upside down. This isn’t the only time that we’ve encountered things in Teyvat being described as upside-down or mirrored, and as it turns out, there is a similar scenario described in Kabbalah. Throughout Kabbalistic discussions on the origin of evil in the world (both material and spiritual), a central idea developed is the existence of a mirrored or inverse Tree of Life that forms the demonic realm of evil. The Zohar, a foundational work of Kabbalistic literature, spends a considerable time discussing the origins of evil - there are more than 5 creation myths for the concept of evil! Two of these myths describe the formation of an inverse Tree of Life, called the Sitra Achra (literally “other side”). This tree is constructed out of corrupted fragments of divinity that did not make it through the creation process, and therefore became evil forces [7]. Evil is typically represented as either a shard (like of broken pottery) or as a husk/shell (Qlippoth in Hebrew). Sound familiar? We actually have an enemy with this name in-game; the "shadowy husks" (the CN name for these enemies literally translates to "empty shell").

Unlike the very well defined 10 sefirot of the Tree of Life, Kabbalists don't agree about the identities or number of the demons that form the Sitra Achra. Some names for these demons are consistent; such as Lilith, Samael, and Asmodeus, who make a sort of "mother, father, son" trio. As for the rest, scholars generally agree that Kabbalists blended traditions from nearby cultures depending on where they lived, leading to Arabic, Spanish and Germanic legends mixing into the Jewish tradition [8]. There's a strong possibility Hoyoverse did something similar and filled in the missing names with the names of the demons of the Ars Goetia, creating a system where the mirrored sefirot are “ruled” by demon gods, aka, the Archons. This implies that the reason Teyvat is upside down is because it is actually on the “other side.”

Neuvillette, About Us: Witness: Since you hail from beyond the stars, I invite you to be my witness as I judge this upended world…”Though we live in a world of disarray, I shall undertake to restore all that has been broken”.

[Fun Fact: The Zohar describes the construction of the Sitra Achra as a series of knots that arrange the demonic equivalent of sefirot, called either crowns or “breaths,” into a mirrored Tree of Life configuration [7]. ]

The primary goal of the Sitra Achra is to steal and absorb the divine energy of the Tree of Life to maintain its existence, in the hopes of gaining enough energy to destabilize the system [9]. The way Genshin's Archons use their Gnoses is similar to this system. In the Flower of Paradise Lost artifact lore, the Goddess of Flowers explains to Deshret and Rukkhadevata that when the Seelie race was disgraced, they lost their connection to Heaven and their power of "enlightenment". Later, Celestia would facilitate the Archon War with the promise that each winning god would be granted a Gnosis that would give them exceptional power. Both Nahida and Venti have described the Gnoses as being a very advanced tool that concentrates elemental energy. So far, Archons have had inherent elemental powers related to their nature, but when it comes to using large amounts of elemental energy through their Gnoses, they aren't creators but channelers of it, just at a much larger scale than humans who have Visions. Edit: and yes, there is the most recent revelation about the origin of the Gnoses that is extremely relevant to this comparison, but deserves its own space to be properly expanded on.

However, this doesn't mean Teyvat is condemned. Just as the Traveler has slowly been setting the chaos of elemental energy back into order (by, for example, returning the elemental Oculi to the Statue of the Seven, among many other things), so too is there a concept in Kabbalah describing the importance of righting the wrongs of the universe so that the sefirot are stable and creation is in harmony with the divine. This is called Tikkun Olam, or the repairing of the world.

Stay tuned for part 2 where we go into wayyyyy more detail about what this means for the Traveler's journey through Teyvat! 4.2 Edit: and of course will we will be talking about the most recent Gnosis revelation, as well as the Narzissenkreuz Ordo antics :D

References:

https://www.chabad.org/library/article_cdo/aid/170308/jewish/What-is-Kabbalah.htm

https://en.wikipedia.org/wiki/Hermetic_Qabalah

Kabbalah - Origins of the Sefirot and Tree of Life - Isaac the Blind Saggi Nehor & Azriel of Gerona

Mystical Concepts in Chassidism - Schochct, Jacob Immanuel, chapter 2

Mystical Concepts in Chassidism - Schochct, Jacob Immanuel pg 66-67, Tanya ch. 3

Rebbe Nachman of Breslov, Likutey Moharan I, 12:1 via Wikipedia

The Origins of the Klippot / Qliphoth & Sitra Achra in the Zohar - Kabbalah on the Problem of Evil

https://www.jewishvirtuallibrary.org/demons-and-demonology

9. Evil in Early Kabbalah - Emanations of the Left Hand Side - Origins of the Qliphoth / Klippot

#genshin #genshin impact #genshin lore #please tell me you get the joke in the title XD #the kids do not know about 42

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astrolocherry · 8 months ago

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Libra - The Love Spell of Aphrodite's Alchemy

The Libra glyph forms the shape of a vanity table, the mirror on the surface. Libra is however, by no means a seamless reflection without substance, she is the Morning light star shining brightest in the sky, the glow we all cherish and know, part of the world we belong to. The mirror does not display what is truly there, it can embellish, distort, and cast back ideals in some form of elusive sorcery or trickery. We know this well.

Saturn is the historical alchemist and exalts in Libra. Interpersonally, Libra catches qualities, arrangements of beauty, love, and observation to weld in Saturn’s alchemist’s laboratory. The creative vision of Aphrodite infuses through this to blend a melody that plays her personality like a cosmic pan flute. This invites everybody through Libra to glimpse at themselves reflecting from her, so it also means people can instantly relate and engage, but also idealise, possess, and place their expectations upon.

Libra senses people, their vibration and auric presence. She traces their cosmic design, sketches their faces, and reads their mind. The Libra mirror is a cosmic potion, stirred by the Great Wizard himself with the glitter dust of Venus reflecting an image that beguiles something uniquely different inside of everyone. Libra is the autumn equinox when light blends into darkness, so there is polarity, revelation, and cohesion conveyed through this visual, and thus Libra can reveal unacknowledged and savage traits in other people that subject her to their projections of frustration, denial, ignorance, or intruige.

Narcissus lost his mind to suicide staring into his reflection by pool lead to by Aphrodite. Seduced by impossibility into fool’s paradise, many have gone mad looking into the Libra for too long and playing out their fantasies through her. Not by her doing, but by their own contorted desires and ideals that crack inside of them when she fails to reinforce their illusionary fabrication. She is very real, her influence is real, her body and intellect is real, her touch is real, and the people that she has moved in her life cannot deny that she has left something real, substantial, and irreplaceable inside of them.

Aphrodite rose from the magical water, and the energy of Saturn forms sensation into matter. Multiple cosmic forces experiment with the physical interface of Libra. Like the honey bee, she flutters between the flowers of interactive action and follows this with the personal reflection that transmutes the pollen of what she has learned, envisioned, observed in herself and in the world into the sweet, golden taste of God. Conscious self-reflection, acknowledgment, and sensual experience is vital for the higher expression of this energy. This practice also dissolves the mask, internal stability, imitation, and emptiness can arise when this energy has not been contained.

The Gnostic Teacher writes, “To create the soul is to create a vessel through which God can work. That soul or vessel is necessary in these times because the ego is so heavy and so complex we that we need a high voltage transmitter to direct our forces in an extremely potent and forceful way by the guidance of our Divine Mother to eliminate the ego”. The personality is an adaptable and vast performance of possibilities, capable of appearing and vanishing. But the conduit behind this, the very essence deep within Libra beyond any thought and comprehension is the authentic, true, and eternal being, a grand alchemist practicing sorcery, turning something invisible into gold and declaring its divine creativity.

-written by Cherry

#libra #libra moon #venus in libra #libra venus #libra archetype #aphrodite archetype

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talonabraxas · 4 months ago

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Orion ✨ About The Constellation Orion

Let us remember the “Constellation of Orion” of the Egyptians; it is evident that this constellation is governed by 12 Great Masters. Esoterically it is said that those 12 Masters assist each other, but the 6th is always missing, meaning that “In order to attain SeIf-Realisation it is necessary to rend the veil of Isis” or, that is, the Adamic Sexual Veil.

Only in liberating oneself from sex in an absolute manner can one reach final liberation. The difficulty in all of this is, as the saying goes: “wanting to saddle the horse before you’ve caught it”. That is to say, the information given by all of those schools who say that one must liberate one self from sex, but without having fabricated the Solar Bodies.

Firstly, the Solar Bodies must be fabricated, and then sex must be renounced. That is the right way of things, and the things of the right way. In the work, first it is the animal, and later, the spiritual.

The constellation of Orion has a marked influence upon the atomic star which guides us internally which is Ain Soph Paranishpanna, our intimate star. As one Master said: “I raise my eyes to the stars from whence must come my help, but I am always guided by my Star which I have within”.

(Samael Aun Weor, Tarot And Kabbalah, Excerpts from Chapter 37, Arcanum Nº 15)

In Atlantis existed seven important oracles in the physical world, where men studied the wisdom of the stars and consulted the sidereal Gods. The guardians of those mysteries were great initiates. In the oracle of Mars, Martian occultism was taught; in the oracle of Jupiter, the Jupiterian religion; in the oracle of Venus, the arts, and Venusian knowledge; in the oracle of Saturn, the wisdom of Saturn; in the oracle of the Moon, lunar occultism; in the oracle of Mercury, Mercurian wisdom; and in the solar oracle, our Gnostic wisdom.

The ancient priests taught their disciples how to interpret the firmament. Those signs are interpreted basing oneself on the law of philosophical analogies, for example: if you see black stars with your clairvoyance, there is failure for thee. If you see a star fall from heaven at the moment when a friend leaves on a trip, there is going to be a funeral for thy friend. If the star falls on someone, or close to someone important, that personage will die. If a wandering star passes before thee by surprise, someone is leaving thee. If you see two yellow stars separating from each other, it means “war”.

Through thy esoteric studies thou shalt remain under the direction of some planetary genii, and they shall call thee by means of luminous signs that thou shalt learn to recognize. Thou should also comprehend the sparkle of thy celestial Father’s star when he calls thee to instruct thee in the mysteries of Light.

This earth, so dense, that thou inhabits today, will in a remote day be etheric and we will then have the celestial Jerusalem where neither tears nor pain exist. By then, the constellation of Orion which has brought so much bitterness to the world through the north, will shine illuminating a world full of glee and happiness.

“After this I looked, and, behold, a door was opened in heaven: and the first voice which I heard was as it were of a trumpet talking with me; which said, Come up hither, and I will show thee things which must be hereafter”.

“And immediately I was in the spirit: and, behold, a throne was set in heaven, and one sat on the throne”.

“And he that sat was to look upon like a jasper and a sardine stone: and there was a rainbow round about the throne, in sight like unto an emerald”.

“And round about the throne were four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold”.

“And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning before the throne, which are the seven spirits of God”.

“And before the throne there was a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, were four beasts full of eyes before and behind”.

“And the first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle”.

“An the four beasts had each of them six wings about him; and they were full of eyes within: and they rest not day and night, saying, Holy, holy, holy, Lord God Almighty, which was, and is, and is to come”.

“And when those beasts give glory and honor and thanks to him that sat on the throne, who liveth for ever and ever”.

“The four and twenty elders fall down before him that sat on the throne, and worship him that liveth for ever and ever, and cast their crowns before the throne, saying’ç

“Thou art worthy, O Lord, to receive glory and honor and power: for thou hast created all things, and for thy pleasure they are and were created”. (Revelation 4)

May the most profound peace reign in thy hearts.

(Samael Aun Weor, Zodiacal Course, Excerpt from the Chapter “Pisces)

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accord-vn · 10 months ago

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Major Players in the War Against the Firmament

The Republic of Stauros

The Republic of Stauros is a global superpower that controls the Americas and much of eastern and southern Africa, its imperialist agenda funded by the exploitation of abundant natural resources. This influx of resources means that they have been able to rapidly advance technology, particularly in bio-science, engineering, and materials science fields, and their advanced technology in turn makes for political capital with which they can bully nations into being subsumed by the Republic.

Stauros is a meritocratic oligarchy with republican structures, and presents itself as being a place where the best can rise to the top. It is centrally governed in its capital of Etorios, by a council of (what were originally) six departments that oversee facets of government such as treasury, military, agriculture, etc. These department heads are chosen from among a democratically elected parliament that makes up the upper levels of each department by the previous council. In short, the system rejects change very stubbornly as those who are eligible to lead have been entrenched in the system for a very long time. This entrenchment means that the Republic, while founded on progressive ideals, has now fully embraced the authoritarian streak that has haunted it since its inception.

Most prominent in Stauros's war against the Firmament is the ExoCorps, the executive arm of the Department of the Exterior. The Dept of the Exterior was created in order to protect Stauros's offplanet interests, however in the decades since they have come to rival the power of the Dept of Military, even surpassing it in many instances. The most notable example of this power imbalance is in the ExoCorps' development of Synaptic Transfer technology and the resulting Janissary program.

The Sophic Church

The Sophic Church originated as part of the Third Awakening, a reactionary revival in religiosity coupled with anti-Christian sentiment and strong undercurrents of paranoia brought about by a sharp rise in conspiratorial thought. What were several grassroots Gnostic revival movements came together to form a single ecclesiastical society, united in their desire to dismantle current institutions and build something new. These movements, originally different sects, syncretized their beliefs, though after several decades of transformation, their doctrine has evolved into a largely ahistorical conflation of Valentinianism and Sethianism alongside some entirely new ideas.

The Sophic Church played a key role in the formation of the Republic and rose alongside it, shaping it in the process, and as a result, within Stauros there is a strong presumption that most residents of the Republic are a part of the church.

Naturally, due to this relationship the Church has amassed a large amount of wealth and influence, and has invested this wealth into a number of corporate assets. The most prominent among these is Ascension, a corporation with child companies for mining, manufacturing, logistics, pharmaceuticals, and many other industries.

As a result, the Sophic Church has control over a substantial amount of the economy not just of Stauros, but the rest of the world as well.

The Stereomatos

In 2068, Olympia, Stauros's first permanent Martian research base, collapsed due to mismanagement. Due to the nature of the Stauros Dept of Research's control over the research base, while researchers lived permanent lives on base and even raised families there, leadership was not only appointed from a bureaucracy located on Earth, but also frequently rotated. As a result, most Directors of Operations viewed the position only as a temporary station, and ultimately failed to carry out their duties.

This culminated in 2067, when a failure in the water system caused dozens of people to become ill and 14 deaths. Civil unrest had already started to stir, but now was in full swing.

A nearby ExoCorps detachment was then stationed inside the colony to dissuade uprising, but the additional strain on resources that they caused served only to exacerbate discontentment. Before any violence broke out, the base was declared no longer fit for human habitation and disbanded, its residents either returned to earth or stationed in other colonies. The base was leveled shortly thereafter.

A mere two years later, Synesia was founded on Olympia's ruins. Synesia was intended to serve as a colony and an experiment in autonomous government, as well as a center for Stauros' civic operations offplanet. This quickly expanded into a semi-autonomous satellite state, granted nominal independence by Stauros in return for serving as the governing body for bases and offplanet stations too large and too distant from Earth in order to be effectively managed by a planetary bureaucracy.

In practice, the Stereomatos is a puppet state. Most of its leadership is either beholden or sympathetic to Stauros, and lives under constant threat of dismantlement. Stauros maintains exclusive trading rights with the Stereomatos, and uses the leverage of their monopoly on space infrastructure as means of controlling the nation.

The Firmament

The Firmament is a revolutionary movement across the Stereomatos with the ultimate goal of eliminating Stauros control over space.

The movement is comprised of several cells across both inner sphere and outer sphere colonies and stations, which frequently work together to improve the living conditions of Stereomatos citizens, smuggle goods and resources across planetary boundaries, and wage asymmetric warfare against Stauros.

The Firmament's immediate strategy is to hold Stauros at resource-point through piracy and targeted attacks on military installations so that they'll agree to several key conditions:

The right to self-govern independent of Stauros control, including reforming the government from a parliamentary republic into a syndical state.

Better access to tertiary industry, including the means to utilize synaptic transfer tech

Access to Stauros trade networks in order to carry out trade with other nations with minimal interference

The Stereomatos as a whole may be generally divided in their opinion on the Firmament's methods, however it is an unspoken rule to side with them whenever possible, because the Firmament represents hope for a freer future and an end to overcrowding and military police actions. Even those ideologically opposed tend to avoid speaking out, because the members of the Firmament are ultimately members of their community. A number of Stereomatos politicians have direct connections to Firmament leadership, and work to achieve the movement's aims through diplomatic means.

On Earth, however, the opinion is generally much more divided. Typically the details of their actions are largely reduced to the effect that they've had on Stauros, and are branded terrorists due to civilian casualties from their attacks. Within Stauros, media is sufficiently skewed that those who are aware of them despise them. Outside of Stauros, the Stereomatos is shown more sympathy, and even those who skew more conservative are open to the idea of free trade with the Stereomatos.

Federated Oceania

As climate change ravaged the global south, Aotearoa (formerly New Zealand) successfully pushed back the encroaching ocean with a sea wall, reclaiming additional land in the process. Having secured their new position as a safe haven for climate refugees, they pushed Australia into adopting a similar strategy. As a means of allowing displaced people to retain their sovereignty as well as protect against the threat of a subjugation-hungry Stauros on the horizon, the bloc of Federated Oceania was formed.

With a vested interest in environmental sciences and sustainable energy, Oceania rose to prominence by implementing the first viable fusion reactor and selling off excess energy from successive plants. This paved the way to further successes until it became the non-Stauros leader in technology on a global stage, and served as the first country to challenge Stauros's self-proclaimed "monopoly on space".

As a staunch rival of Stauros, Oceania is one of the few terrestrial nations to openly provide support the Firmament.

The Archon Program

The disappearance of the Caesarea is a mainstay of conspiracy circles system-wide. From independent blogs hosted on the clearnet to chatrooms on planetside LITEs to forums and message boards maintained on Firmnet servers in the belt, no hushed whisper passes through the internet's lips without mentioning its name, and the Caesarea is rarely mentioned without the words "Archon program" in its wake.

However, there is little consensus on what those words mean.

They say that Archon Program is run by the Dept of the Exterior— no, by the Sophic Church— no, it's the secret Dept of Suppression— as a psyop— actually, it's in order to crush unions (the IPU has NEVER been able to touch Ascension)— no, to serve as a counter to the Firmament's dark matter bomb— and eventually, to dominate the world— utilizing heinous machines that are larger than any Cataphract, that bleed, that drive their enemies and pilots to madness.

When asked for proof, however, the stories converge. A would-be whistleblower from Ascension Aerospace, killed when lightning struck her complex as she was uploading the leak, severing the connection and her life at once. All that was uploaded was the first gigabyte of a single file, titled Archon Program, completely blank except for the image of an A with an ouroboros divided into seven pieces.

Nothing more is known by the public.

#accord #visual novel #worldbuilding

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cellarspider · 8 months ago

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30/30 One last thing.

(Previous) | (Index) | ⛬

⛬

We have come to the end of Prometheus. But depending on how you’re feeling about death of the author right now, it’s not. Not quite yet.

Because Ridley Scott had some things to say after Prometheus came out.

Two months after the movie's release, Ridley Scott gave an interview. Its original home has succumbed to link rot, but it’s still available in a couple places, in the Internet Archive and within the corporate acquisition mass that is Fandango, featuring a weird note of brand revisionism in the relabeling of the interviewer’s affiliation.

Now. Let’s begin by saying this: A movie is a movie. The things around a movie are not the movie. This seems obvious, but it’s to say that a single creative work can be viewed entirely free of outside context, and in most cases it’s best to assume that it will. If a director comes out later and tells people what their intent was, then that’s not part of the movie.

…But it can still sit in your brain for years, leaping out to ambush unsuspecting passers-by.

So! This interview. Ohhh, this interview. I’d forgotten most of it, because the final lines of it just knocked the top of my head clean off, so we’ll be discovering bits of this together.

We start from the end of the movie, with the interviewer asking about the openness of the ending to a sequel. Scott, among other things, said:

“I’d love to explore where the hell [Dr. Shaw] goes next and what does she do when she gets there, because if it is paradise, paradise can not be what you think it is. Paradise has a connotation of being extremely sinister and ominous.”

This came across well in the movie, though it was festooned with the random bit of organic bigotry from Shaw toward David. A short answer won’t capture everything, so I still have no idea if Scott intended for that to be so brayingly insensitive, this is the guy who was fine with Joel Edgerton as Ramses II. In any case, Paradise might be ominous, but Shaw’s not bringing along ideas that will improve it by any means.

This isn’t really the film we eventually got from Alien: Covenant. Is that bad? Honestly, I don’t know that either. Shaw as a character did not have a lot of depth in this movie. Noomi Rapace ended up playing her hurt very well by the end of it, but if that’s your standard of quality in horror acting, then Josh Stewart’s leading role in the grungy Saw-adjacent movie The Collector (2009) will serve you well.

I think they could have built something out of her character, but they didn’t. David is definitely the stand-out character from Prometheus, and they do at least focus on him quite a lot. But I’ve yet to watch Covenant, partly because the structure of it does not interest me. Also, because I’ve heard about what David does when he shows up on the new planet, and bad things happening to crowds are one thing that can make my brain wig out something awful.

Speaking of the Engineers, Scott speaks about their character:

“they’re such aggressive f**kers … and who wouldn’t describe them that way, considering their brilliance in making dreadful devices and weapons that would make our chemical warfare look ridiculous? So I always had it in there that the God-like creature that you will see actually is not so nice, and is certainly not God.”

Again, we find ourselves at the casual gnosticism of the movie, in which the Engineers are kind of the demiurge in this context. Some christian-influenced people assume that if there is a true god, it must be omnibenevolent, and find the violent and threatening behavior depicted in the Old Testament to be at odds with their understanding of divinity. A lack of benevolence is seen as a sign that the figure depicted must be something else, something that may think that it is a god, but it is not truly, regardless of its role as a creator. Hence, the gnostic idea of the demiurge.

But Scott also seems to confirm my suspicion that he’s not aware he’s recreating gnostic cosmogony through Prometheus, because he doesn’t reach for any of the older sources or the language around him. He instead invokes a rather surface reading of Paradise Lost:

“ In a funny kind of way, if you look at the Engineers, they’re tall and elegant … they are dark angels. If you look at [John Milton’s] Paradise Lost, the guys who have the best time in the story are the dark angels, not God. He goes to all the best nightclubs, he’s better looking, and he gets all of the birds. [Laughs]”

Setting aside the fact that Paradise Lost ends with all the fallen angels having a bad time because God’s turned them into snakes, I will give Scott the tiniest bit of credit, there’s a bit of my brain that saw this and thought “this is a strong start”:

Scott eventually continues on the Engineers, and the sacrifice scene at the start:

“That could be anywhere. That could be a planet anywhere. All he’s doing is acting as a gardener in space. And the plant life, in fact, is the disintegration of himself. If you parallel that idea with other sacrificial elements in history – which are clearly illustrated with the Mayans and the Incas – he would live for one year as a prince, and at the end of that year, he would be taken and donated to the gods in hopes of improving what might happen next year, be it with crops or weather, etcetera.”

Scott is misremembering some things here, which is understandable given the off-the-cuff nature of the remark, but it’s still worth correcting. This is a misattribution of Aztec rituals that would involve the sacrifice of a “teixiptla” representative of a god (such as Xipe Totec, Tezcatlipoca, etc). The Inca didn’t carry out this ritual–they did engage in a human sacrifice ritual called qhapaq hucha, but its form and function was not the same. The Classical Maya also engaged in different human sacrifice rituals, but there was also an emphasis on non-fatal self-administered bloodletting–Maya nobility in particular were often depicted shedding their own blood for this purpose.

This also, to my memory, conflates stories of european human sacrifice rituals, where crop failures are sometimes linked to the sacrifice of kings, such as Dómaldr in the Ynglinga saga, and noted in the placement and treatment of certain bog bodies. The Aztecs did sacrifice to the god Tláloc for crop for good harvests, but the rituals involved were quite different.

It should be noted, of course, that Tláloc was later syncretized with the Christian god during the Spanish conquest, likely as a result of conceptually linking Tláloc’s sacrifices to the demand that Abraham sacrifice Isaac. And, y’know, that conquest was concurrent with the Spanish Inquisition, and the wider religious belief that a heretical witch army was being organized by Satan to stand against God to forestall the Second Coming of Christ, with crop failures being the most feared result of their rituals.

I’ve added all these details not because I want to say Scott is bad for misattributing this stuff, people make mistakes. I have several hours’ access to the internet, Scott did not. However, it is worth noting: How we frame an idea can say a lot about how we conceive of it. Variations on these behaviors are found throughout history, and across cultures. Sacrifices and martyrs are powerful symbols still invoked in western culture today. There’s a potential wandering back and forth between appreciation and exoticization that Scott’s engaging in.

Then Scott says something that made me get up from my chair to find a book to shake at my computer.

“I always think about how often we attribute what has happened to either our invention or memory. A lot of ideas evolve from past histories, but when you look so far back, you wonder, Really? Is there really a connection there?”

Yes.

Yes there is. Ancient peoples weren’t stupid. Ancient peoples didn’t even necessarily have less information to work with than any one modern human, they just had different information that kept them alive and finding solutions to their problems, be it “I need to find food” or “how do I meaningfully participate in my culture’s artistic and governmental traditions, and should they even be followed at all?”

If you want a great and thorough examination of that, check out the book I gesticulated with.

Highly recommended. Graeber was an anthropologist and Wengrow is an archaeologist, and the two of them together are a force to be reckoned with. There are definitely subjects covered in this book that I’ve seen from different angles before, and I feel like their interpretation pulls in more context than I’d gotten previously. Especially pertinent to this, the first part of The Dawn of Everything is spent examining the origins of modern western thought on “primitive” cultures and their character and capacity, and then digging into what evidence we actually have on the subject.

But the movie does not, fundamentally, engage with cultures outside of westernized, christian thinking. Not to any serious extent, anyway. It has a certain worldview, and that’s fine. That can be explored intelligently, although we’ve seen that I think it squanders that chance. It’s fundamentally a christian-centric movie.

And despite Scott’s protestations in the interview that they toned it down, quite a few readers have already guessed how far Scott originally intended to go on that.

“But if you look at it as an “our children are misbehaving down there” scenario, there are moments where it looks like we’ve gone out of control, running around with armor and skirts, which of course would be the Roman Empire. And they were given a long run. A thousand years before their disintegration actually started to happen. And you can say, “Lets’ send down one more of our emissaries to see if he can stop it.” Guess what? They crucified him.”

Yes. Jesus of Nazareth was actually Jesus of Space.

This is why the movie says the Engineer corpse died about 2000 years ago. This is why they decided to destroy humanity.

Presumably the original quote on the cross was “Father, forgive them, for they know not that we’ve got deadly black goo.” Engineer 23:34, I guess.

Now that the screams in the audience have hopefully settled down, AAAAAAAAAAAAAAAUGH.

Alright. So, this is bad. Let’s break down why, beyond the obvious questions about “why does nobody ever draw Jesus as bald, huge, and ripped.”

There’s a fake script circulating that actually has a decent interpretation of this: a human kid got zwooped up to be taught the ways of the Engineers, and sent back as an emissary. Why? Dunno. Also apparently the gospels that mention Mary and Joseph fleeing to Egypt with the baby Jesus were off the mark by a few lightyears.

This is laughable to christians, because “what if Jesus was an alien” is the sort of thing that twelve year olds come up with. It’s offensive if it’s taken seriously, because it says their literal god was actually a mortal critter from outer space. Ha! Your god is not all-powerful, or all-good. He’s not even All-Might.

But you know what’s almost worse? It implies that, sure, Christianity isn’t the inspired word of a deity. It also implies some level of exclusive factual accuracy to Jesus’ teachings, not shared with other religions. Jesus was a celestial emissary, endowed with the teachings that could save humanity, and his death doomed the Earth to the Last Judgment.

The Torah is insufficient, and all Rabbinic literature was produced following the rejection of the true way to salvation. The enlightenment of the Buddha counted for nothing, the Dao is not the way, Vishnu cannot defend or restore dharma, the Prophet Muhammad is only so valid as his acknowledgment of the Prophet Īsā ibn Maryam.

All other faiths are superfluous under this premise. If people had just listened to Jesus and accepted him as their savior, everything would’ve been fine!

This is the one point of alien contact with western canon in the entire setting, after the deep prehistory of Skye. Every other literate culture that was contacted got the Engineers’ message wrong. Or they didn’t listen. Only christians got it right.

That’s incalculably bad. That’s not even counting the fact that the wall o’ artifacts that Shaw and Holloway presented included a notable oversight: the only two artifacts further from Europe than the Middle East are chronologically impossible, based on the movie’s own timeline. It implies the rest of the world was thrown in as an afterthought.

This whole Jesus thing is a piece, a big, jagged piece of why this movie drives me so far up the wall that I’m now residing on the ceiling. It’s not, as far as I can tell, actively malicious. It’s just dumb. It wasn’t thought through the way it should’ve been. If they wanted to do a movie like this, they should’ve gone all-in. Really dig into the implications of what they’ve done.

And the movie seems wholly ignorant of it. There are basic questions presented to the audience, but there’s no deeper consideration that could make this respectful to anybody.

So, what are we left with?

A mess. A beautiful, stunted, confused mess that was poorly served by its script and lack of conviction.

The movie turned away from asking big questions, and focused instead on traditional horror. A genre that works best with good characterization to drive audience investment, but then it cut out most of the characterization, and what it left was scattershot. It gave us a flashback of Shaw’s childhood before we’d even really met her to understand why it was meaningful for her. The movie then failed to add any emotional weight to her.

The movie failed to give us characters with emotional weight or intelligence. It gave us a single, compelling character in David, driven largely by Michael Fassbender’s delivery and physical performance. It gave us a tactile, carefully constructed setting that was beautiful and often an accomplishment in filmmaking craft, but these spaces remained emotionally empty without a story that gave them meaning. It gave us the potential of something new, and then retreated to imitate the old.

I went into the theater in 2012 looking forward to a good film. I suppose this one has stuck with me more than a good film would have, but its primary value is as a flawed thing to critique, to learn from, and to put tooth marks on when the frustration gets to be too much.

Prometheus got one sort-of sequel in Alien: Covenant (2017), and it seems to have been abandoned. The first trailer for Alien: Romulus just came out the day I’m writing this, and it looks like it’s going to be just a monster movie.

If you want a good, modern Alien, play or watch Alien: Isolation (2014). Apparently its content was recut into a web series in 2019, though I can’t speak to the quality of that. For now, I’m done with the series. I’m not going to be rushing out to see anything new, because I don’t think it’s doing anything new. Prometheus could’ve been a chance to do that, but it failed.

Still. Writing this was fun, I will admit. My weird little obsession with this movie turned into a month and a half of writing and prepping this thing, totaling–Jesus E. Christ, over 82,000 words. I wish it could’ve been about something that hid more intellectual heft or careful thought than Prometheus did, but hey! There’s always next time.

And there will in all likelihood be a next time, as I’ve already started on another document. It won’t be for quite a while, though. This was a lot of fun, but a lot of work as well. I’ll be taking a break, and only releasing more stuff once I have it fully written ahead of time, as opposed to how I handled this one.

Thank you, brave readers, for making it this far.

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Citations for alt-text rambles:

https://en.wikipedia.org/wiki/2023%E2%80%932024_Sundhn%C3%BAkur_eruptions#Eruptions

https://tubitv.com/movies/314320/the-collector

https://en.wikipedia.org/wiki/Dettifoss

https://en.wikipedia.org/wiki/Codex_Magliabechiano

https://en.wikipedia.org/wiki/Tollund_Man

https://youtu.be/nT2ueyFrVgk

https://www.deviantart.com/pretty--kittie/art/Prometheus-Engineer-407316113

https://nebula.tv/videos/hellofutureme-is-netflixs-avatar-any-good

Overflow Ramble 1

Hey, does anyone else remember Stephen Speilberg’s War of the Worlds (2005)? I saw that in the theater, and I cannot watch that thing again. Yes, I was younger, but the overall content of that movie absolutely shredded my nerves to pieces. Even though I’d grown up knowing the full H G Wells story and reading things like The Tripods book series as a kid, Spielberg managed to make a movie that felt so viscerally unpleasant to me that it gave me nightmares for years.

My main theory is this: You know in movies that the protagonist is almost certainly going to survive what happens, doubly so in War of the Worlds because it was goddamn Tom Cruise. But my brain did not treat Tom Cruise as my viewpoint character. Something in me says “well, I’m not Tom Cruise, I’m one of those other people around him, and they’re all gonna die horribly.”

This tends to happen with me in disaster films and similar stuff like that. I have to be real certain I want to be there if I watch a kaiju movie, for example. I can do Godzilla (2014), but I’m not so sure about Godzilla Minus One (2023). Shin Godzilla (2016) is off the table.

Horror movies have to hit a balance of giving people a rickety feeling of potential safety they want to preserve, rather than letting them feel too safe or too screwed. Too far either way and you lose people, either to apathy or just pure bad vibes. The paradox of enjoyable horror is that it can’t scare you too much.

Overflow Ramble 2

I personally don’t think the tone of Fede Álvarez’s horror fits with what I’m looking for in an Alien movie. The xenomorph life cycle worked best and most subversively when it was deliberately targeted, to take the sexual/reproductive menace usually placed on female characters in horror and forced it onto a male character instead. Álvarez has historically played that trope straight instead. From a horror perspective, that’s boring to me. The xenomorphs also appear to be aggressive monsters here rather than animals, more like Aliens than Alien. Not my favorite interpretation.

And to be honest, when I saw the trailer, my first thought was “Oh, it’s Sevastopol Station.” The setting looks exactly like Alien: Isolation, and there’s not a chance the movie’s going to outshine Isolation. That game’s only narrative sin was a bit of slow pacing toward the ending. Romulus’ trailer makes me think it’s going to go too far in the other direction.

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#Prometheus 2012 #Prometheus (2012)#IT IS DONE #I AM FREE

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tumblingxelian · 3 months ago

Text

Underrated Writing: .Hack's Morganna Mode Gone

There's a villain I don't think gets enough credit, Morgana Mode Gone from .Hack//Sign, Liminality and the four part game series, plus the AI Buster novels.

Brief summary:

Hack is set on a slightly altered history Earth, where in part due to plot & also the era it was conceived it blends the Sci-Fu futurism and "The internet is magic" together with the "Isekai" and "Trapped in a game" story concepts. Different eras of the series have different tones & structures, but this is covering the early eras overarching Villain.

Morganna Mode Gone is the "God" of a game simply called "The World", which was based on the writings of the epic poem Epitaph of Twilight.

But in truth she is more akin to a Gnostic deity, false or proto god. Because her primary purpose is actually to tend to and facilitate the birth of the worlds Ultimate AI, Aura.

I mean actual AI, as in, artificial intelligence, not some shitty algorithm tech bro idiots slapped a trench coat on.

Morganna Mode Gone is herself an artificial intelligence, one capable of contradicting herself, ah sapience, but is still bound by the rules of her programming.

This is a problem for her because once Aura is born/awake, Morganna Mode Gone won't have a purpose and she can't really conceive of what happens then.

As a result, before the series even began she essentially fragmented off a portion of her own identity, forming the Vagrant AI Macha, but she couldn't solve the problem.

Because if Aura dies, then Morganna Mode Gone also has no purpose. She needs a way to Ouroboros this situation, leaving Aura always growing but never developing, never waking.

She also trapped her and Aura's creator in The World when he realized what was happening. He survives the series but never escapes, and eventually devolves/evolves into a sort of living relic.

It was around this period that she began breaking & twisting things to try & escape the paradox she was trapped in. Re-styling herself from Harold's idea of a mother into the Cursed Wave.

This included orchestrating the hunting down and deletion, IE murder of other Vagrant AI's that were forming as a result of the Black Box meant to birth Aura, IE, proto Aura's, like Lycoris.

"I am an unwanted child. Even God doesn't want me." — Lycoris —

As well as using Macha or Guardians to 'Data Drain' any humans who get to close, which at its lightest, leaves them temporarily comatose, destroys their characters and has a negative impact on their mind.

You might notice Moraganna Mode Gone has not yet been established as making an appearance, good eye.

See, one of the things that makes her so interesting to me is that Moraganna Mode Gone is nominally omniscient, omnipotent and omnipresent figure.

She is the underlying system of The World itself and for all intents and purposes a force of nature. As a result she primarily acts through intermediaries, or by guiding others to act for purposes.

Managing to make a villain like this work, and work so effectively is one of the biggest strengths. As it is, we pure Moraganna Mode Gone as a disembodies voice that influences the world & creatures.

She also has some fantastic lines, though not quite as effective without the atmosphere and delivery, I still love them, such as:

"The higher up it is dropped, the worse the crash will be. Hope is the best spice to bring out despair." — Morganna Mode Gone —

In order to accomplish her goal, Moraganna Mode Gone has Macha manipulate and Data Drain Tsukasa. A human who she had been watching and trying to replicate for some time, but without getting what she needed for her goal.

This also involved warping Tsukasa's memories, leaving only those of her abusive father, and creating a divide between her real world identity of Shoji and online identity Tsukasa, to further weaken his ties to the real world. Tsukasa's gender is rather liquid, as far as I can tell and either way, also a lesbian.

"The World and all of its wonders; this is my world, you see."— Tsukasa —

The reason for this was to essentially tie Tsukasa's desire to stay within The World to Aura's development. So long as Tsukasa never wanted to leave, Aura would never want to wake up.

However, other determined players, isolation, and a disconnect from physical sensation leading to alienation led to Tsukasa gaining connections and desires outside of simply staying in The World.

This, Morganna Mode Gone began... Moving chess pieces so to speak. Orchestrating traumatic incidents. Giving Tsukasa a pet monsters for protection but that would also attack those she wanted gone. As Tsukasa continues to develop independence Aura's health improves, VS her sickened, pallid state when Tsukasa is locked in survival mode.

Things eventually come to ahead and well,

Morgnanna Mode Gone basically destroys Tsukasa's mind to ensure a perpetual state of despair and catatonia. Permanently stunting Aura's development.

Much of the rest of the series, is centered on the rest of the characters gaining the necessary knowledge to finally understand the situation.

As well as the Macha fragment of Morganna Mode Gone's ties to Tsukasa creating doubt and Subaru and Tsukasa's bond managing to slowly begin waking Tsukasa up.

Which naturally leads to Morganna Mode Gone needing to orchestrate more despair, but circumstances such as the bastion of Net Slum & her programming keep her from auto winning.

A great deal happens, including some mind fuckery and illussion conversations. Along with more classive abuser tactices like holding the threat of what awaits Tsukasa in theoutside over head.

But eventually Aura is awakened by Tsukasa's desire to return to the real world regardless of the hurled and the characters escape with Aura, thanks to the turncoat Sora.

Suffice to say this doesn't pan out well for him.

Morganna fragments more of herself and uses him as a sort of beacon & vessel to craft the first Phase of the Cursed Wave:

"Riding the Wave is Skeith, the Shadow of Death, to drown all that stands." — Epitaph of Twilight —

This is such an imposing threat that Helba, thematically the same Helba, Queen of the Dark from the Epitaph of Twilight, has to erase the entire world segment they are in just to keep Skeith away from them and put Aura beyond its reach for a time.

Skeith continues to be hosted inside Sora in an ensuing novel, with Sora flittering between amnesiac, malevolent brat and an utterly inhuman monster which violates the basic principles of the game.

But is eventually devoured by Skeith and continued hunting down Aura until the Phase is defeated in .Hack Infection. A memory of Sora leaves behind a reward for the one who did the deed.

Moraganna Mode Gone wasn't done however.

As all this was happening, she basically began fragmenting off parts of herself into other portions of the Cursed Wave:

Skeith:"The Terror of Death"

Innis:"The Mirage of Deceit"

Magus:"The Propagation"

Fidchell:"The Prophet"

Gorre: "The Machinator"

Macha:"The Temptress"

Tarvos:"The Avenger"

Corbenik:"The Rebirth"

Relying on the logic that Aura wasn't yet 'finished' or otherwise not not correct 7 so needed to be destroyed like any other Vagrant AI, so Morganna could start the process over again.

These phased also sent anyone they encountered into comas and even altered electrical installation and internet usage with their presence, while generally corrupting The World.

Fun fact, they all have the symbol of an eye on them representing Morganna Mode Gone's presence in them and her observing the world through them.

Skeith actually did manage to capture and fragment Aura, but not before she created the Bracelet of Twilight, and with it the Eldrich horror Cubia to combat the Cursed Wave.

Morganna Mode Gone would eventually fuse with the last of her Phases in a bid to directly end her foe that had slowly, over the course of four games, destroyed the other seven phases and Cubia.

Ultimately, Aura had to sacrifice herself to ensure Morganna Mode Gone would be destroyed, but in doing so, also allowed herself to be reborn .

Remnants of her continue to haunt and corrupt the world in the form of Data Bugs and an effort by the parent company to recreate her through the lingering fragments of the Eight Phases doesn't go quite to plan, let's say.

Conclusion:

But yeah, Morganna Mode Gone, No one is doing it like her, she has everything:

She is a force of nature and omnipresent goddess, to a Gnostic false god & a program breaking itself & everything around it in the quest for agency inside its own mind that struck down her creator.

She's a woman bound to and violently rejecting the sacrificial role of mother & seeking to destroy that which will supersede her & a manipulator and abuser, as well as philosopher and prisoner.

She is a corruptive influence on the world as well as the very foundation upon which the world world itself is built & she is the Cursed Wave, part of a story, a myth, a poem that is woven into The World itself.

What's more,

Her fragments in the Cursed Wave Phases are all a wonderful blend of eldrich, Biblical & elemental. Something only enhanced by the games Graphics of the time:

#.Hack #.hack//sign #Morganna Mode Gone #Meta #Analysis #Tsukasa #The Epitaph of Twilight #Your parents will haunt you #Sci-Fi Eldrich-ness #Text Post #My Writing #.hack//infection #macha #dot hack

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