#gloss over entire scenes with a sentence

[foxghost]

I'm writing and I'm writing and it never seems to end? And then it occurred to me that I should maybe go check the word count on that outline and

the outline has 8000 words in it

[belleshub]

prompt 4

yanking them by their..

satoru g. — ear.

it may sound weird at first. satoru never lets anyone touch him. the strongest. he can’t be touched by his usual means of infinity.

so why did he let you do so? it’s a conundrum to him as well. why does he touch you, put on his flawed personality for display and be so vulnerable? because as much as he’d want to deny, he loves you.

he loves you so much, to the point where he in fact invited you to go shopping with him! sure, he probably would’ve done it with himself or someone else if you were to decline, but you didn’t.

that’s what matters.

youre glossing through the crowded mall, turning a head at anything that catches your eye - and that’s when you see it.

the perfect outfit, clad on the stores front mannequin. you’re just hoping and..

“that kid there has a digimon card—“

“you are such a nerd.” you throw your head back with a exasperated groan, fingers pitching the lobe of warm hearing vessels.

“cmonn, you’re not even buying anything.”

he whined. he knew very well that he was giving you an inch.

and you knew too.

immature, much?

“I was literally just looking at somethin’, what are you on about?” you bark back.

“okay, but like, I didn’t..”

“do you even know what you’re trying to argue about?” you furrow a brow.

“can’t you mentally bookmark it?”

“…” you two shortly find your way over to a gamestop. an embarrassing scene.

suguru g. — hair

more often than not, suguru doesn’t like when other people touch his hair. he meticulously grooms it, and takes care of it to the fullest. and if someone were to touch it - they’d have to be on the list of people he can tolerate. like his parents, or maybe shoko and gojo.. and without a doubt, you.

how could he not? suguru any touch of yours to be a grounding anchor to the reality he sometimes can’t even process himself. you’re his safe space. and he means it in every definition his brain could fathom.

and with you, it’s the same. you two were simply hanging out after school, and with how sassy he was - you two were prone to indulge in some banter.

sitting on some bench next to some convenience store, you chow down on some chips - him, observe the general public. it was one of those moments where, there isn’t exactly a set plan for the day - but rather more of a reprieve from your usual treacherous schedule.

so in short, you were just.. chilling.

while you were relaxing, you rant to him about your latest fixation, and then.. he gets a text message! from.. who?

“are you listening?” you lean forward, squinting as you tried to look at his screen.

“no, yeah..” he replies monotonously. you didn’t like that.

“I dare you to recount what I just said within three sentences—“

“I think satoru set me up, that snarky bastard.” his eye twitched as he tightened his grip on the flip phone. was he gonna break it?

“dude, relax, maybe he’s like.. I dunno..”

then you pause when you read the message.

“who the hell is misaki sato? and why does she have your number?”

“I told you, satoru set me up, I don’t know that girl!” he frowned, and you gently grab a tuff of hair, tugging just enough so you don’t place tension on his oh so tender scalp.

“oh shit! I think I know her!” your eyes widen, an accomplished smile gracing your features.

“was pulling my hair necessary?”

“shut up.”

yuji i. — arm.

you two were relaxing after just exiting from the movie theater. yuji just convinced you to watch a boring, dramatic and theatrical slasher. given that you genuinely had no other pastime, you took him up on his offer.

rookie mistake on his end, because for you, your knack for unconventional garbs was going to be the death of him.

“oh my god, oh my— yuji!” you exclaim. “it’s a flash sale, you know how much I love this stores stuff.”

“are you gonna even use half of the things in there?” he said sheepishly - until he saw merchandise. merchandise of his favorite movie!

“oh..it’s..its!”

you give him a side glance.

“oh, human centipede…”

“that’s like an entirely different thing!” he complains, and you simply push his back and your hand lands on his arm. circling around it, you pull him forth.

“my bad, that weird murder shit you like..” you correct yourself. awkwardly.

“it’s not weird!”

megumi f. — collar.

to be frank, megumi wasn’t to chatty type. he was more for the tiny things, the things that made it matter.

acts of service. that his niche. so.. why was he here.. crafting all these.. origami gifts.. why? because he wanted to surprise you. particularly because you just passed exams. he’s been routing for you, studying.. buying your energizers..

yuji brought up the idea, and megumi decided to entertain it. for once.

he presses the youtube video back, navy eyes narrowing further as he scrutinized the screen just one more time.

pink hair blurs his vision, and immediately, he’s over it again.

“maybe we should ask nobara. she’s a girl, she probably knows a lot about—“ yuji fell short of his exclaimation as megumi pressed him off to the side. he may or may not subtly have elbowed him in his side as well.

“I think I know my girlfriend, yuji..” he rolled his eyes, maybe at this point, he should give up. but if it’s one of your favorite..

clink.

the noise of a door unlocking throughout the dorm room sounds, and megumi feels like his soul has been snatched. hastily, he slams it close.

yuji, on the other hand, turned to the side, front obscuring the accumulated supplies in the front of them.

“ohh, heyy! we didn’t know you were..coming so soon?”

with your arrival, you don’t exhaust haste to trot your way over to megumi.

“the air in here doesn’t feel right.” you say.

“what the hell is that even supposed to mean?” yuji barked, hurriedly pushing the papers under the bed.

“I meant what I said! you guys are doing somethin’, and it’s suspicious! why else would yuji be in here?”

“I mean, he’s not always an unwanted presence..” megumi looks off to the side, a snicker escaping his lips.

“are you insinuating there has been times where I was a unwanted presence?” his friend yells, jaw hung low in appall.

you tsk, and pull his collar, trying to see what was behind him.

he didn’t seem.. particularly bothered by your proximity.

“now, what exactly are you guys try’na do?”

[tomomiisasleep]

notes on Harryanthe which I am crazy about, in HtN

this dumb little interaction just stuck with me. I mean they're almost always high-strung in the detailed plot, like in almost every one of the Ianthe-centered scenes one of them is in some kind of pain

but I know they have chill moments. mundane moments. petty arguments, like the one in the post scrips of the letter. And I so badly want to read those!!

anyways. I'm gonna start collecting scraps here.

you might have given Ianthe Tridentarius the pleasure of opening the note labelled Upon the death of Harrowhark Nonagesimus. Your only hope for that note was that it contained a single sentence along the lines of, Get what joy you can from my corpse, you devious bitch, but it was written by a previous self and you could not risk a guess.

Harrow: what if I didnt hate her and that makes me wanna have a lobotomy yeah that makes sense

Once, vilely, from Ianthe; she had ensconced you in fat and rolled you down the hallway out of danger, and still laughed whenever she thought about it.

ok this is just Ianthe being a little pest, but it also means that she talks about this and laughs in Harrow's face, which makes her a little bitch, but also like it means they often chat and Ianthe would be like: Yeah today I tried the theorem on apples again, but I tweaked it by directing the flow of thalergy from- hey Harry do u remember the time I saved your life hahahahahaha

The mockery you endured for needing her proximity was exquisitely painful, but humiliation was steadily becoming your existence whole and entire.

I want to know what exactly this mockery entails

It had been very nicely matched to the original until she had ceased using it altogether, and the difference was more pronounced each day. Unconscious of your critical eye, she scratched fretfully at the line until red hives appeared.

Ianthe squirming under Harrow's gaze for once

She was in a filthy mood, if she was wearing that thing, with her arm exposed.

Harrow has been keeping tabs on the state of her arm problem ever since she first woke up on the Erobos. Same as how Ianthe has been keeping tabs on the results of her lobotomy.

she said, blue eyed, those oily little freckles glittering almost pinkly above the dress. They reflected the red rims of her eyelids. You thought that she had been crying.

yeah stare at her eyelids Harrow, and sniff her discreetly all the time, sweat musk vetiver am I right (also have I expressed how crazy it drives me that she wears masculine perfume??????????? no well IT'S SO *faints*

You got better autopsies of her encounters with Beasts than you did from your own, as Augustine was wont to explain significantly more to her than either he or Mercy did to you.

Ugh why why why in this whole book I have not seen them talk shop with each other even once??? Except Harrow showing off after making the arm. Harrow has discussions with Pal all the time in GtN. clearly she trades notes on necromancy with Ianthe frequently. but no, gloss over Ianthe's intellect and just write her freak(fond) moments

You had once been fool enough to recommend that Ianthe take them down, at which point she had rustled up another from the bathroom and hung it in pride of place above an overpainted dresser.

love her

“Oh, heaps,” said Ianthe, who appeared not to have taken offence at your rejection. It was so impossible to tell, with Ianthe. “I made it. It’s vile.”

Maybe she really doesn't care about the rejection or even likes it, but "so impossible to tell" kinda hints that, well she might be hurt,maybe, there just isn't any proof

It was not a connection formed of any mutual admiration; if anything, the more you saw of Ianthe the less likely you were to mistake her for likeable. She made herself like an overdecorated cake: covered so thickly in icing and fondants and gums that it would take serious excavation to find any bread. As a necromancer she was a genius, though you thought she relied too much on shortcuts and circumventions. She had an exceptionally fine mind. She was not afraid of rigour.

If Harrow doesn't have the hots for her at least I do.

Honestly on my first read I took stuff like "not likeable" and "“Tell me to stop breathing,” she said. (“I have, on multiple occasions,” you said.)" at face value and actually thought Harrow genuinely hates her and is forced to interact with her because there's no one else. Which is true. But she's also very attracted to her and I kinda overlooked it at because I thought those feelings were mutually exclusive. And they're not. which I'm obsessed with.

Or she won't think Ianthe's beautiful and note details about how she dresses all the time.

Seriously Harrow's special fixation on "how Ianthe's clothes make her look" is hard to ignore.

for example:

The mother-of-pearl made Ianthe’s hair a lurid yellow and threw up all the mustard tints of her skin; her face was blotchy, and her eyes were sleepless pits. She looked like shit.

The skirts and waists were all beautifully cut for someone of a different height and body type than Ianthe possessed. They were tight where they should have been loose and loose where they should have been tight. They looked like her burial clothes, and she looked as though she had emerged fifty years after that burial.

she answered after a long, scuffling minute, with sleep in her eyes and her hair in dilute whey tangles over her neck and shoulders, wearing a bewildering short garment of violet chiffon.

The back was open, and you could see the fine dents of her spine—her bleached skin bluer and sweeter against the pallid gossamer—and the twin blades of her shoulder blades looked strangely nude and vulnerable to you.

Ianthe was training in her nightgown—a grisly floor-length concoction of pale golden lace that made her long, limber body look like a green-veined mummy

a lone wax figure in pale purple chiffon, tall and colourless—except in the greasy metal of her bone arm, which the lights rendered all the colours of the rainbow.

Ianthe rose soundlessly to her feet, and the long skirts of her nightgown—a brilliant ruffled canary-yellow silk that made her look like a formal lemon—rustled restively around her calves.

Note that Harrow focuses on Ianthe's clothes for how they shape Ianthe's appearance. in contrast:

she ignored your sister, whose pallid eyebrows had shot up so fast and so far that they were in danger of breaking the atmosphere. Mercymorn wore a long slip of peach-coloured silk, and her white Canaanite robe was tucked over her forearms and had slipped entirely off her slender, aggrieved shoulders. She had scraped her hair into a merciless and shining coil at the back of her head, and she had no eyes for either of you.

Obviously Mercy is SUPER HOT here, if Ianthe's reaction means anything. But Harrow only describes her clothing and not how she looks. Same with Augustine's party outfit.

With Ianthe, it's always: she's wearing ..., which makes her look gross. And I did not understand at first but now I know and feel stongly that Harrow is totally into her gross-hotness. well at least I am. the grosser she's described the hotter she is.

[reelvibes91]

Thoughts after watching Mr. McMahon

This one won't be a traditional review of sorts that people have come to expect from me. Recently, Netflix released Mr. McMahon a look into the mind of the most recognized face in the wrestling business.

Netflix decided throughout the documentary that they wanted to reiterate that almost all of this documentary was made before the major allegations against Vince in 2022. That felt a little bit like a cop out at times. For me instantly, that is the story. It is how Vince will be remembered now, and there is no way around it. It basically made the serious accusations levied against Vince feel like just another throwaway moment in the life of an eccentric billionaire.

They immediately can say well we addressed it with the little blurb saying that the events within the 6 episodes are now skewed. Yet they awkwardly chose to edit one of the very first sentences of the documentary to essentially be Vince saying "I wish we could talk about things but I have to be silent."

The issue that arises from that is at what point in the process did Vince say that? Was it a harmless throwaway when asked about locker room talk? Was it in a means to try and get him to elaborate on the known affairs that he himself made public.

While personally I won't go as far as to say Bruce Prichard is right when saying this doesn't paint the portrayal of Vince, it certainly allowed too much of Vince to keep speaking while their was damning evidence mounted against him over the last two years. They should have switched the focus of the documentary when that information came out. They should have made it life with vs life without Vince. Of course, we still don't know exactly what long-term life without him looks like, but we should have had more superstars interviewed about how they felt. These were people who clearly prior to the allegations coming out that were still trying to blur the lines between reality and fiction. Including Vince himself. It casts shadows on most of the people who worked so closely with Vince over the years. It made the Mr. McMahon character the center piece of a story that is about real-life debauchery and trying to get away with it.

It felt like the real story here, which was the deaths of Owen Hart, Chris Benoit, and Ashley Massaro, were simply glossed over because while making the documentary, they still wanted to paint Vince as this creative mastermind. As said both are true. He did this. He brought this to life but there should be no celebrating the man that brought his real life depravity to the screen.

After Janel Grant filed her lawsuit, the entire focus of this documentary should have changed. There was truly never a Mr. McMahon character and if seeing the way he treated Ashley in one scene they used didn't leave you feeling sad and lost then this documentary failed to highlight the true nature of how evil and vile this man could be. It should have been about why one person controlling so much of one entity is never a good thing. Vince McMahon is the ultimate definition of power, corrupting the mind and having your way in life because you feel untouchable. If nothing else, please let this documentary serve as a means to let young women and men know that money never gives a person the right to dominate you.

[simptasia]

Tell me all about LOST all I know is from Dane Cook

that is. such a funny sentence

aw shucks, its tempting, but i don't wanna give ya spoilers. and there are truly things in lost that must be experienced by your own flesh

...yes im aware of what my blog is like

so i guess i'll give a vague spoiler free overview

so. a group of plane crash survivors find themselves on a mysterious island and have to deal with the strange happenings + their weight of their individual traumas

the show is serialized and one ep more or less flows into another, so literally no ep can be skipped (no matter what anybody says) or else you'll miss something

its a large ensemble cast, ranging from the 13 to 20s range, all in all i think theres like 35 main characters

the show follows a flashback structure, each episode dedicated itself to a main plot on the island intercut with flashbacks to one character. we call these centric episodes. eg. this is a jack centric episode. sometimes an ep will have multiple characters have flashbacks in one ep. while this show didn't originate the concept of a large cast or flashback storytelling, it did popularize it in the early 2000s. so a lot of post 2004 shows wanted to be lost so bad and it shows

at first lost was a survival show but they gloss over this very quickly and its more about the weird shit going on. as time goes on, plots and mysteries stack up. this is to create intrigue, as the shows main focus is an endless parade of character studies. with the added bonus of some cool and twisty shit going on too

but because lost had so much plot, over time it got accused of being confusing and convoluted and Not Answering Questions and well. your mileage may vary. but i think its confusing if you watch it too slowly. like, it aired over a 6 year period, no wonder people got confused. its better to watch nowadays, way easier to handle

the genre of lost is: drama mystery action paranormal sci fi romance with a dash of comedy. lost is full of the saddest fucks you'll ever meet but the show contains enough levity and great colouring to make it not a huge misery fest

pretty decent racial diversity. next to no LGBT rep. more women than the average tv show. then and now

the score FUCKS

not a single bad actor in this entire show, the performances on display are fucking outstanding. and every emotion is like up to 11, which is great for my autistic brain

for those of you who find sex scenes to be tedious, i have a bit of trivia for ya: all sex in LOST happens off screen. not a single sex scene to be found. pre sex, yes, post sex, yes. making out, yes. but sex itself? footage not found. i'm neutral on the concept, i just thought that was something to point out

i highly recommend lost to, like, anybody. ever. its a masterpiece of television. even the low points are better than most shows. sometimes i take lost for granted and then i watch any other drama series and im like "oh right, lost is incredibly good"

its my third favourite show. and thats only cuz star trek and doctor who exist, and nobody is beating those fuckers

anyways do you like to see beautiful people cry and scream but it isn't cringe?* well, i've got a show for you! *okay there is some cringe. as a treat. the leading man of this show has the social grace of a cold pancake (affectionate)

thank you for your time

[bumblebeerror]

It’s so wild to me that school boards are actually trying to ban John Green’s books because of their “sexual content”.

Every last scene where sex takes place in a John Green book it is awkward at best and laughably unsexy at worst.

Hazel and Gus’s sec scene is awkward, they’re teenagers and virgins, Gus is missing a leg and Hazel has a nasal cannula, there’s more time spent on Hazel figuring out how to take it off than there is on the actual sex. Anything explicit is glossed over. Hazel describes the act in vague flowery language and waxes philosophical on the beauty, but there’s no sexual content here besides Hazel letting us know that they did in fact fuck.

Lara and Pudge’s sex scene is downright painful. They fucking fail to do a blowie and have to ask someone else how to do it. It’s meant to underline just how disconnected Pudge is from Lara and it is excruciating. The language is clinical, and the entire act is written in like 3 sentences. At one point there is dick in mouth and they both just sit there and stare at each other. It’s comical just how unsexy this scene is.

Like if these scenes turn you on, I don’t understand how.

[cvsmixnaya]

i love you

pairings: eren yeager x reader

pronouns: she/her

cw: angst. literally lots of it. queen charlotte au

a/n: i had this idea for a while but never got myself to write it but here i am and i hope y’all like this cause it’s the best scene in the show

“Do you love me?” Y/n asked Eren.

“I’m trying to protect you.” He answered right away.

“Do you love me?” She asked him again with a bit of aggression in her voice.

“I…I cannot. We cannot… This conversation is- I cannot do this-” Eren said but got cut off by Y/n

“Do you love me?”

“I never wanted to marry-”

“Do you love me?” She asked him again and again.

“Y/n please stop!”

He begged her to let it go but she couldn’t it. She just could not.

“Is it because you do not believe that I could love you? I do.”

Of course she did. How could she not? She’s always loved him and will never stop loving him.

“I love you Eren.” All he could do was look at her. What Y/n didn’t know was the fact that he loved her too.

He will always continue to love her.

“I love you so much that I will do as you wish. If you do not love me, all you have to say is you do not love me and I will go. I will go back to Buckingham house and we can live our separate lives, and I will have this baby alone and I will make do and fill my days and survive. I will do that. But first, you have to say that you do not love me.”

Y/n said and Eren didn’t say anything yet. He couldn’t stop looking at her and how beautiful she looked in the dim lighting.

Even in the dark he would find her beautiful.

She tried to push him to respond by saying, “You have to tell me that I am utterly alone in this world.”

“I am a madman. I am a danger. In my mind there are different worlds creeping in. The heavens and the earth collide. I don’t know where I am.”

He says but didn’t answer the question that was asked and it was killing Y/n from the inside. She just wanted a simple answer.

“Do you love me?” She asked him again just waiting for him to answer the damn question.

“You do not wish a life with me. No wishes that.”

“Eren!”

Y/n called out to him.

“I will stand with you between the heavens and the earths. I will tell you where you are. Do you love me?”

“I love you!” Eren yells out. His eyes are glossing up showing that he is going to cry.

“From the mo-” She very clearly heard his voice crack at that sentence he was trying to say.

“From the moment i saw you trying to go over the wall… I have loved you desperately. I cannot breathe when you are not near. I love you Y/n. My heart calls your name.”

As soon as Eren finished his confession, he immediately pressed his lips on Y/n’s. The kiss was slow, passionate and full of love.

She finally got her answer. Eren loved her. He loved her so much.

They broke the kiss and he started to break down. Tears falling out of his beautiful green eyes.

She said nothing and just held him. Allowing him to let it all out.

Their foreheads were against each other with comfort. Her hands were resting gently on his neck while his hands were on her waist going up and down.

He seeked comfort. So badly.

“I wanted to tell you. I wanted you to know. This… madness has been my secret my entire life. This darkness is… is my burden. You bring the light.”

He said while pulling away from her tears cascading down his cheek.

“Eren. It is you and me. We can do this. Together.” She told him in an reassuring tone.

All Eren could do was kiss her again but it lasted shortly and the couple just hugged each other in comfort.

They were so glad to be in each other’s arms and didn’t plan on letting go anytime soon.

[meganechan05]

"Rita of Gokkan"

TTFC's original webcomic from Rita's POV.

First 10 Chapters are available on TTFC to read. First 3 Chapters free on BookLive and Piccomo.

(Spoilers ahead)

I'm surprised they managed to create a webcomic in Rita's POV as well as having a weekly release to show more of what was going on in their head.

The chapters are rather short to fit the format of a weekly series (especially a full-colored one), but shows enough of what is going on in Rita's POV. The first Chapter is 43 pages compared to the 14 of other chapters simply bc it goes over the entire opening monologue of the pilot.

(Please note that I am not fluent, the lack of furigana makes it hard for me to read kanji, but I know enough to use context clues to get a general yet vague grasp of what is happening).

The first chapter takes place during the events of episode 4 given it's before arresting Gira but about a week after episode 1. It starts with Morfonia running and Rita then fights off Sanegims outside the castle reminiscent of Episode 5's first fight scene. Even down to Rita's speech as they enter the castle as well as sentencing someone to a -10° cell during a trial.

The rest of the chapter would show a little more insight on Rita and Morf's relationship as Morf does seem to show concern over Rita's behavior after the first Bugnarok attack. The chapter ends with Rita entering their office and cuts to the events of Chapter 1 as Rita recalls it after picking up Gira's Wanted flier (cut to Chapters 2-9)

This is where we actually get more of Rita's inner thoughts and perspectives of the other Kings in the first episode. Specifically Racles and Yanma as those two were the ones causing the most problems for the Chief Justice. Not so much Kaguragi, but there is a moment during the fight where Rita and Himeno kinda butt heads because Himeno jumped into the line of fire after Rita takes a shot at a Sanegim.

I won't say much else as a good chunk of the comic is retelling what happened in the first episode, but it does confirm my headcanon of Rita being way too suspicious of Racles in the early episodes prior to watching "Racles's Secret" which led to them being more than happy to get a DNA sample by smacking the absolute shit out of him. It also shows how Rita is sick and tired of each King's selfishness when all they want is for the Alliance to work for the sake of the people but learn none of the Kings can work together. Something that explains why Rita was so close to throwing hands with Yanma and Himeno in Episode 5 while going "i don't give a fck if you're a royal" to their faces 😂

Chapter 10 is more of Rita going over their past and shedding details on how they grew up after becoming King at 10 years old. It also features a chat with Moffun that is a 180 in style which is very fitting for Rita's mental state (i love it so much~). The chapter ends with Morf calling Rita before Rita heads to Toufu for the arrest.

Honestly, the webcomic is pretty good at being very close to how the episodes played out while also bringing in another perspective of the whole situation. Some details were added in that weren't in the show simply because it makes more sense to know now rather than putting random tiny details together and have a huge theory board throughout the show.

I mean I do have one, but y'know. KingOh lore is insane.

What I do appreciate about this webcomic is how it touches on Rita and Morfonia's relationship in more detail. Even down to Rita's thinking whenever Morf's laid back personality and disrespecting authority makes them hold back a scream mid-meeting 😂

I do wonder how much input Kamihori and TakaMina have and how much discussions made with the artist to bring this side project to life. Or at least how much was planned or if TakaMina was just begging for his little autistic blorbo to have some shining moments that were glossed over in the show in favor of getting the plot moving.

[retromotherfuckers]

just finished Mockingjay and here are my thoughts.

i’m late to the game, i know. i’ve already seen the movies but when they came out i wasn’t into reading. as i am now, i decided to read the thg series and in hopes of finding someone with the same opinions, i’m posting this here because i don’t know anyone who’s read the series.

first of all, one of my biggest pet peeves is when authors tell and don’t show. just because peeta planted the primroses to take to prim’s grave does not tell me they reconciled. it tells me peeta’s not determined to kill katniss and forsake everything about her. it’s. not. enough. “we found our way back to each other,” NOT. ENOUGH. i need a reconciliation scene, i fucking need more for them. i’m not asking for a happy ending, i’m asking for closure. show me how they found their way back, show me how she finally realized he was back and ready to be there for her. show me how he realized she wasn’t there to kill him. SHOW ME. DON’T TELL ME. it really felt like peeta went from wanting to kill her to them having kids together. like huh? i have no closure.

katniss’ depression? absolutely heartbreaking and very realistic. like when she runs from peeta after she sees him planting the flowers because she can’t handle it. the scene where the cat comes back and she looses it? had me in tears. the fact that she hasn’t bathed in weeks, the being too exhausted to even walk back to her home from town.

FINNICK’S DEATH BEING COMPLETELY GLOSSED OVER WAS A CRIME. HE DESERVED BETTER THAN THAT. i get it, they were in the middle of trying to get out alive but i needed it to circle back and it just didn’t. this man just got married, he was one of the only people katniss trusted and he’s killed off in three sentences and we almost never hear of it again.

the ambiguity of it being gale’s bomb that killed prim and katniss knowing it could’ve been was enough for her to absolutely destroy gale. i was waiting for her to beat the shit out of him and she barely reacted??? just seems ooc for her. her entire life was devoted to protecting her sister, prim dies, and the person possibly responsible goes unscathed? unacceptable. if it was anyone but gale they’d be dead on the spot and coin was. i understand katniss not killing him, that’s her childhood best friend. but where’s the anger? hell should’ve been raised. the argument could be made that she was depressed and couldn’t even begin to try to be angry at him with the numbness that she had going on, and while that’s valid, it just seems ooc

i don’t want those negatives taken as me hating the books. because i actually really enjoyed them. i’m really just not happy with that ending. what does it take to put a few extra scenes in there? i love peeta, i love katniss and i love finnick. i’m happy 2/3 of them ended up happy, but i wanted more for all of them.

[brielarsonist]

Why do you dislike the marvels?

ok so I talked about this already kinda in this ask and this ask and I know I'm going to repeat some of what I've said in those in my response to this. but also there are actually many many things I dislike about this movie, and I don't think it's even possible for me to sum it all up in any one ask, and there will definitely be things I'm forgetting, but I will do my best...

but first!! I know a lot of fans enjoyed the movie and had fun with it, and I'm glad they liked it! I didn't want to talk about how I disliked it at first, because I just didn't want to put my negative thoughts out there about a movie that was going to receive so much criticism even if it had been perfect. but I personally just feel like I did not experience the same movie as everyone who enjoyed it so much, and I really wish I felt the same way as them, but I don't think I will ever fully enjoy this movie.

so continuing on to the rest of my thoughts under the cut...

like I talked about in that first ask I linked, this just did not feel like an actual sequel to the first captain marvel movie. to me it felt more like a movie that should have come after at least two captain marvel solo movies, so that more of what was set up in the first movie had time to be addressed. and, personally, I just don't think there was ever any way that this movie could possibly have time to balance all three leads in a way that was fulfilling for any of their storylines.

but focusing on it just as a sequel to the first captain marvel, I personally think it failed. tonally, it completely shifted. like the anon pointed out in the first ask I linked, it became much more family friendly, taking away from the seriousness of everything carol went through in the first movie. when they did address any of carol's trauma or past experiences, it was incredibly brief. and everything that had been set up in the first movie was merely glossed over, or just ignored completely. carol's story has decades of blank space in the mcu, and this movie refused to do anything but scratch the surface of what she's been up to. the conflict of the movie revolved around solving an issue that should have been its own movie entirely, not something summed up in a few sentences before moving on.

it was also disappointing that instead of getting to see carol finally at the height of her powers for more than a few minutes, this movie chose to once again hinder her. the swapping was, in my opinion, very annoying. it served as a tool to make sure carol, monica, and kamala all had to interact, but it felt more like uninspired writing to me. and there were inconsistencies in how the swapping worked (sometimes it swapped just the two women using their powers, sometimes one would use their powers and swap with both of them, sometimes they swapped in their own clothes but then conveniently kamala swapped into a space suit) which just made some of the sequences painful to watch, in my opinion. I think there could have been more compelling ways to get the three of them to work together, rather than a contrived swap that didn't really make any sense or even have much pay off in the fight scenes.

and forcing the idea that carol was "finally working with a team" just did not land with me, since we have only seen her working with other people in her mcu appearances so far. if they wanted this idea to make any sense, they could have done so by actually taking the time to show her working alone in a proper sequel.

and I also personally just did not like any of the scenes on the space station with nick fury's crew and the flerkittens. I think they did nothing for the story. the flerkittens were very gimmicky and seemed like a ploy to sell merch, except there was hardly any merch of them available. so it was a waste of screen time in a movie that was already lacking on adequate screen time for its characters.

basically I generally just thought the movie was poorly edited, poorly written, incredibly choppy and way too fast-paced (I felt like I had whiplash from how fast some of the scenes transitioned), and tried to take on too many things in the runtime it had. I think the actors all did great, but in general I think it's one of the mcu's worst movies and another victim of their decline in storytelling quality.

and also I didn't like how it this movie was generally handled by the studio??

when it was announced that this movie would be a team up, I thought it was sus of the mcu/disney to not make the captain marvel sequel a solo film before doing a team up, because how often have they done that in the sequels for their male superheroes (not including avengers team up movies)? I think the only other one was ant-man and the wasp, but most of the main male avengers had plenty of their own sequels. so why does the first sequel to a female-led movie have three leads in the shortest mcu movie so far?

I think this particularly goes along with how the mcu has been introducing as many heroes as possible in as little time as possible, and this movie felt like another way for them to do as much as possible without taking the necessary time to prioritize character or plot. the mcu is certainly consistent in choosing quantity over quality whenever it can. but with the marvels in particular, it seemed like marvel/disney wanted to impress people with the cover of a girl power team up, when they're just cramming as many female leads into one film to more or less avoid having to make actual sequels for each of the characters, essentially killing two (in this case, three) birds with one stone.

and speaking of killing!! the fact that they did actually film a death scene for carol danvers I think could say a lot about what they might have wanted to achieve with this film. from the way carol has been handled in the mcu so far, it feels like the executive powers that be either wanted to get rid of brie larson as carol danvers by killing her character off, or by having the movie flop, essentially doing their dirty work for them. this may be me being a crazy conspiracy theorist fan, but I'm not convinced the studio actually wanted this movie to succeed.

first of all, the marketing felt lacking. remember when the marvels happy meal toys were at mcdonald's? it was over the summer, when the movie wasn't coming out until november. what good was that as a marketing tactic when you can't even go see the movie that's being advertised right in front of you? if you have to wait literal months to go see the movie being advertised to you, chances are that most people are simply not going to remember. I know the movie was originally slated to come out in july, but I don't entirely believe disney doesn't have the ability to push the release of something like happy meal toys if they really wanted to properly promote the movie.

and also in general, there was so little merchandise for this movie. the first captain marvel movie had so many toys for little kids and cool merch for adults to collect. but this movie had basically zero presence in toy aisles or in more high-end collectibles, like hot toys sixth scale figures and such. there's so much merchandise for marvel/disney movies, but not for this movie? why make this movie much more family oriented than the first one and not make any toys? no dolls for carol or monica or kamala? no flerkitten plushies? for a franchise that pushes so much merch, I don't get why there was so little for this movie.

and also they decided to release the movie in the middle of a strike that would not allow the actors to promote the movie. movies like dune: part two, which had been originally set to release around the same time as the marvels, had its release pushed back due to the strike, and the movie then got to be properly promoted by the cast in the last few months, which helped create buzz. but disney, despite having already pushed the release of the marvels multiple times, chose not to follow suite in the wake of the strike. so there was mandatory radio silence from the actors during the crucial time of promoting the movie.

anyway, with the lack of proper merchandising and promo, it didn't seem like the studio cared about letting this movie actually succeed. and that, coupled with the fact that carol's story was basically sidelined in this movie and that they literally filmed her death scene, I think just sums up what they really wanted this movie to achieve: no more captain marvel movies.

and now that the movie flopped, there are rumors that another captain marvel movie will not be pursued. after the lack of adequate promotion and plans to kill off captain marvel, it doesn't shock me that the studios would smother any potential captain marvel sequels and blame it on a box office flop, despite her first movie making a billion US dollars.

to me, it felt like the studios are giving in to all the meaningless, sexist hate that brie larson and captain marvel get from the incel "fans" that constantly hate her for no reason other than their own bigotry. in reality, carol danvers as a character truly resonated with so many people, but the studios seem content with sidelining and/or killing her off. it seems like too much of a coincidence that she gets so much unwarranted hate online and now the studios are treating her character this way. disney thinks they can formulate a movie that will please everyone, but who are they actually trying to please by minimizing captain marvel in the mcu?

hopefully I'm wrong about how the studio feels about captain marvel's future in the mcu, but I just do not feel optimistic at all about it after this movie.

so after all of my complaints, I realize I might be asking too much from a fucking marvel superhero movie, since they're not generally known for their excellent treatment of plot and characters. if you pay too much attention to a marvel movie, you will most certainly not be rewarded in its sequels, as they seem to like to punish the fans who care about consistency. but all the same, I still love carol danvers as a character, and despite everything, I hope she gets better treatment in the future.

[eyra]

1 My favorite fic of yours

Ahhh okay this is such a hard question but I think it's beneath a big blue sky?! I honestly think I haven’t read a single fic of yours that I didn’t love, they’ve all been so, so good, but beneath a big blue sky was probably my favorite, I just love everything about this wonderful world you've created for them, and the Remus and Sirius of that fic are so important to me! <3

7. What made me the most emotional after reading

Okay so I read a dark and silent overture when I was at a very low point and that fic felt so cathartic and real and good, and it made me so emotional but in a good way, idk how to describe it but oof!! That fic!!! I loved it a lot and it was the perfect fic for me to read at that point!!

8. What I like the most about your writing

I just love everything about the way you describe people and settings and scenes, your lyrical, beautiful language and the way you can create such an amazing, distinct atmosphere with just a few sentences or paragraphs of descriptions is so fucking good!!! It really makes me as the reader feel like I am there with the characters and I can see and feel everything that’s happening to them. I also love the way you can write super wholesome, fluffy fics as well as maybe a bit more toxic relationship dynamics and both are so, so good (like in seventeen hours which I reread recently and LOVED as much as the first time I read it).

I don’t know how I missed this in my inbox! sorry mate - this is all SO KIND. thank you for the seventeen hours love (a fortnight ago I would’ve been glossing over that mention entirely, look how much I’ve grown)

and I’m glad a dark & silent overture came along for you at the right time! it was a very cathartic project for me too 🩶 x

[anosrepasi]

Book Review: The Museum of Human History by Rebekah Bergman

The Museum of Human History is Bergman's debut novel, having been released only a month ago as of Sept 2023 and is a relatively quick read at 241 pages. Summarized in a few words: it's strikingly similar to being unintentionally hit on the mouth, no harm intended but the impact is there nonetheless. I'd give it 4.5/5.

in a few more words:

This is a novel where you don't love the characters, but you'll still cry for them. There's no purely favored characters here and they are all ugly in their own ways, but its the flaws of the characters and the personal tragedies they experience that really drive deep the impact of their story. This is a book about grief. It's a book about remembering and knowing your loss, rather than forgetting the loss.

At it's core, its a very simple book. The cast of characters extends to roughly 15-20 at most, they cycle in and out of book from start to finish. The breadth of individuals scenes and moments in the book is also strikingly limited. Bergman builds up her story through palimpsest, revisiting the scenes from earlier chapters in later chapters from another characters view point. She builds up the emotion of the story through the precise use of poetic prose, packing more punch with some of her two sentence lines than many of her paragraphs.

This is not a book you will "like" or feel good about having finished, it ends leaving many characters feeling unresolved, but much like the central theme of grief- that's kind of the point and should not be seen as a flaw to the narrative.

For a debut novel it's impressive, clunky, definitely clunky in some spots that don't hold the same attention as other chapters, but over all it's a great example of writing a harrowing story that can cause tears with a very very simple toolbox of scenes and characters.

It is also, in my opinion, one of those novels that demands a reread at a later point in time once you've seen the complete story. Spoilers following, but there's two specific narrative threads that make a reread make the cohesive story all the more impactful.

The first is that Bergman has enough clues for the reader to know exactly what the algae is and what it'll do from chapter 4. The clues are all their and in my first reading I completely glossed over them all until later in the book when Bergman starts making the connections far more explicit. But when you do connect them, it completely changes the scope of the book. Naomi spends one paragraph wondering about "how much destruction she helped bring in, unwittingly," and at the time of that sentence it's played out as being overblown, an overzealous statement of an environmentally minded person before she realizes the truth. Then you read the whole novel and realize that she actually did exactly what she feared- but if she lived to see it might not have cared? Because the impacts were mostly human centered rather than the literal destruction of the environment she cared about. Which is awful, but is a pretty consistent theme in the entire novel. The characters care and they love, but that love constantly seems to be overshadowed by their apathy or their pain, and how in being unable to accept what they love with pain they lose it completely instead.

The second narrative thread of interest is Evangeline and Mauve and their shift from mirror images/defined set of twins to being considered an individual and the individual's ghost. Especially considering that the title of ghost seems to get passed back and forth between the characters. I got caught in this thread with one of the side character's Dr.Dean mentioning running into Naomi on the beach and "She was with her daughter." Both girls were present in that scene, but in memory they've already been reduced to one. I'm sure there's multiple occasions where this happens in the book and I find the tension between one very living child who is a shadow to her comatose static sister and vise versa over and over to be incredibly captivating.

Overall, if you enjoy poetic prose, lots of grief, and a healthy dash of environmental and medical science fiction? Chances are you'll enjoy this book, even if enjoy feels like the wrong word here.

[systematicallycapricious]

Just musing about a couple small oddities I noticed while going through the Japanese version of Ultimax. Disclaimer: I still don’t know a super-ton about the Japanese language, so these observations might not actually mean anything of importance. >_>

(And if anyone with better Japanese knowledge than I comes across this post and wants to help elucidate things, I’m always down to learn more.)

                                                            [1]

In Labrys’s arcade mode, Minazuki introduces himself as purely “ミナヅキ”, while in every other instance I can find in both story mode and arcade mode, he always introduces himself fully as “ミナヅキショウ” (like shown below with Chie).

The closest thing I can find to the contrary of his usual pattern is how he introduces himself to Adachi in “Episode Adachi” (pictured below), but even then he still gives his full name after a moment.

Meanwhile, in the English translation of Labrys’ arcade mode story, this discrepancy is entirely glossed over as Minazuki just introduces himself in his English-typical “Minazuki. Sho Minazuki”.

I haven’t checked through the manga to see if this pattern holds there too, ‘cause I’m not as familiar with its sequence of events as I am with the game and so would have to comb through it more meticulously. So there might be something there that affirms or breaks this pattern?

So yeah. I don’t really have enough sociocultural knowledge to know if him doing that is indicative of a closer relational position, of him being more disrespectful, or of it being some purely grammatical variation with little characterization meaning, though I do find it interesting from a “well, it’s an oddity of behavioral pattern if nothing else” perspective.

(Oh- and for additional context, in that scene in Labrys’ arcade story, Minazuki makes mention of how he and Labrys are the same, something that’s reiterated in one of his “spectating Labrys’ dance” voice lines in P3:DiM. Thus why it seems plausible to me that he might consider himself relationally closer to her. Though on the other hand, he might still see her as an inanimate tool as well, so not treating her with the same formality as he would a person could give credence to it being a more disrespectful form of regard instead? There’s not really enough context to tell, as even his Labrys-specific battle lines and DiM lines could be read either or both ways. :P)

                                                            [2]

In EpP4, when Minazuki stabs General Kagutsuchi and demands to know what he’s planning to do with Sho, he seemingly goes to refer to Sho as “this child(この子を)”, then pauses for a moment before changing his address to “Minazuki(皆月を)”, with “を” being a grammatical marker for the “direct object” of a conversation or sentence I think..? If there are more nuances to it than that, I haven’t learned them yet, haha. Anyways, after changing the direct object that he’s referring to, he then goes on to say the rest of the sentence.

Meanwhile, in the English translation, this is just simplified into “this boy” with no further distinction between the two apparent forms of address that the Japanese version has.

As for the manga, he just outright uses “皆月を” from the start, though, aside from dropping Kagutsuchi’s name from the dialogue boundaries, says the line exactly the same (どうするつもりだ). The English fan-scanlation on Mangadex follows in the footsteps of the English game translation in writing the line as “Just what do you intend to do with this boy?”. (Edit Aug 2024: the Udon official manga translation translates it as “What were you going to do with [Sho]?”)

Also, just for context, I think usually any other time that any character uses “皆月”, it’s translated as “Sho” rather than “that boy”? (With the exception of the manga ‘pronunciation subtitles inform you that the spoken word is entirely different than the written word’ thing where sometimes “皆月” is written but “この子” is spoken, I think.)

So yeah. I’m not sure if this is supposed to be an important characterization detail on Minazuki’s part, since this happens right after Yu gets him to realize that he's a person supporting Sho rather than Sho being totally alone, or if it’s just a negligible grammatical thing. Though, since I don’t think Minazuki ever calls Sho “皆月” outright outside of explaining Sho’s past to other characters, in which even then I think he uses “皆月翔” specifically, it kind of makes me think that him using a more direct form of address for Sho rather than an indirect one might hold some significance?

Although, as a counterpoint to that, we also don’t ever really see him directly conversing or interacting with Sho outside of a couple scenes in the manga and a couple lines in P3:DiM, so maybe he does call Sho by name more regularly and we just don’t get to see it. For example, in the P4U2 DNA Comics anthology, there’s quite a few times where Minazuki directly addresses Sho by his family name, but the anthology is non-canon as far as I know, so I can’t really count it. :T

Also, I haven’t extensively combed through every last instance for this point, so you may want to take it with a grain of salt, as some things may have fallen through the cracks. ^^;

                                Addendum: P4U2 Stageplay

I’m putting the stageplay in a separate section here mostly because 1) I don’t know how “canon” it’s considered and 2) my phonetic Japanese comprehension still needs a lot of work and I don’t have subtitles like I do with the game. Also I kind of wrote-up everything above before remembering that it existed. <_<;

Anyways, going through it with my limited comprehension, I can say that Minazuki sticks with his “ミナヅキショウ” full introduction and sticks to referring to Sho as “彼(him)” and “この子(this child)” throughout his appearances... with a single exception. In a flashback to when Minazuki confronts Ikutsuki with Tsukiyomi, Minazuki at one point says “翔(Shou)” specifically. However, as I don’t know the rest of the words preceding it, I don’t really know if he’s referring to Sho, of whom he kind of yeeted out of the body a bit beforehand, or if he’s referring to himself since he shares a name with Sho.

And as for what he says to Kagutsuchi just before he gets possessed, he actually seems to say just “どうするつもりだ、カグツチ？”, bringing the three variations full-circle by keeping Kagu’s name but nixing any direct reference to Sho.

[ghoulodont]

im trying to power thru this boring scene because i think its probably the least interesting thing i have pending in this wip right now and so once its done it will be easier. as i was initially writing this i glossed over it with like a 2 sentence description of the entire series of scenes but then i felt that if i did that it the relative densities between all the scenes inthe whole fic would be too much of a range. i cant summarize that hard. and it makes me think of all the times ive read a fic and thought i wish there was more of any particular scene. i dont want to do that to people. my thing since the beginning has been writing too much description

[emeraldlupin]

How to Fix Naruto: Blood Prison

Part 5

So, to summarize, this movie:

Screwed up the timeline of events in many places.

Screwed up geography big time by placing a country on the coast when it has no coast.

Seems just a tad confused on the myth and legend it established.

Made the supporting cast look like total JERKS who threw Naruto in prison as bait with no support on their end, and expect to fix that with ramen.

Took the time and energy to copy an Italian sculpture and throw that in for a very weak theme despite it not making any sense.

Also spent the animation budget on making Tsunade's breasts bounce in a lame final attempt at "humor" that doesn't work.

Totally missed the no guns rule when that could have easily been avoided.

Makes the prison look incredibly incompetent thanks to Naruto's shuriken and Ryuzetsu's whole charade.

Has a prison with a premise that makes no sense.

Breaks the magic system entirely for random psychic powers or super strength.

Confuses kekkei genkai with hiden techniques.

Has serious mood whiplash with the post credit scenes.

Has Western style clothes and other elements that seem completely out of place for no apparent reason.

Might have ended up trying to gloss over Mui's bad behavior by not staying focused.

Blood Prison is a messed up movie. People can argue about the continuity errors and how it could be it's own unique continuity, and fine, that's possible.

But when I look at the number of weird mistakes, the odd elements that don't make sense, the rifles, screwing up on basic magic system rules, all I see is a creative team that probably didn't care. I see a team that didn't want to do the research or make this movie better.

I write fanfiction, and I'm used to taking terrible ideas and reworking them into something better. And since I've taken the movie apart, it only seems fair that I make suggestions on how it could have been better.

New Geography and Premise

First of all, Hozuki Castle should be located in the landlocked country of the Hidden Grass, and the design of it should be adjusted accordingly. It's the best solution. Second, while the prison could be very harsh, it should service that country and that country alone.

As for how to get Naruto in there, try this on for size.

What if someone who looked like Naruto tried to assassinate the daimiyo of the Hidden Grass's country? The daimiyo survives, but he and people within the Hidden Grass demand the culprit be sent to them for trial and punishment. Because, naturally, if someone has committed a crime in another country, that country could demand he be sent for trial.

The Hidden Leaf protests, even bringing up the transformation jutsu, but the authorities will not listen. Perhaps the local daimyo puts pressure on the Fire Daimyo. The Hidden Leaf is then strong-armed into handing over Naruto, who is found guilty and thrown in Hozuki Castle on a life sentence.

Following Naruto's imprisonment, the Hidden Leaf could send someone after him to act as support, knowing that something stinks about this whole situation. I would have liked it to be Sakura so the two of them could act as a team, but if Sakura were in there, she would be in the women's section of the prison.

Or maybe she could be outside the prison and use slug summons to communicate? That could work, too, as long as Naruto isn't alone.

Do you see what this accomplishes? Naruto can be framed and sent to prison without making all of his friends look like royal jerks. And while I am not an animator or script writer, it seems to me like it would be easy to pull off in a short amount of time, especially if you cut out the Leaf/Cloud mission thing, as it would be pointless this way.

You could still have Naruto know Killer Bee if you wanted Bee to appear. It is a continuity error, but at this point, the re-writes are making this thing a lot more solid, so it might not be that bad.

Improved Design Elements

In the prison, you take away the rifles from the guards. Replace them with crossbows at the least. I know it's a minor detail but it shows you're paying attention. You also take away the jumbo copy of The Ecstasy of Saint Teresa because it doesn't belong there. Instead, create a mural or something to support the lore you're working with. You take away the Western style uniforms because those, too, don't fit well.

Fixing the Legend of Satori

Work on the legend of the box. Instead of a pro-war/pro-peace faction, make the ones who want to open the box a cult. Make the box Satori's prison, make the lock require enormous chakra to open, and make Satori a creature that feeds on fear.

In the movie, fear is all he feels anymore. Fear is a major theme. Use that to make the story different. In fact, give the whole film an atmosphere of terror. Prisoners screaming, disappearing, maybe turning up as mummies, that sort of thing.

Satori could have been locked in that box long ago, but those who followed him, thinking he would give them power, created a lie about the box granting wishes and containing a great and powerful god whose name is lost. Other people in the Hidden Grass tells legends of a monster named Satori, but the knowledge that the monster and the box god are one and the same was lost.

By doing that, we slip away from the burned out war/peace thing for a new theme. We make this place not peaceful, but terrifying, and use that atmosphere to build up the monster's appearance, and also test our hero.

Why did the Hidden Grass send in an operative to the prison? Maybe somebody there was suspicious about Naruto's arrest, and the high number of deaths that happen at the prison. Maybe they were even suspicious about past arrests.

That's another thing. If this is a local prison, then you can actually add in plot points about other prisoners falsely arrested. This can be used to challenge Mui even further, because taken like that, Mui hasn't really changed much from the man that sacrificed his son. Not that I really think he had in the first place, but you see my point.

And that is how I would have rewritten Blood Prison.

[michipan]

Ashlee. Oh my god. Story so good im currently on my computer with two tabs open just to make sure i dont miss a single point.. never thought i’d be using a read more option for a review but. look at me now.

Let me just say. This story was just… art. It’s beautiful and emotional and intricate and paced so well i think this might just be my new favotite work from you ever; it made me choke up and tear up a few times because the way you write is just so heartfelt and sincere, i seriously can’t get enough of the way you describe art— it made me take a moment to really appreciate everything, from my own work to yours to all of the other amazing pieces i’ve read in my life— just… the way you talk about it, idk 😭😭😭 im an emotional person and you only made it worse by writing all these sentimental paragraphs about everything and uggggh i love art i love life i love everything i love you for writing this idk it’s 3am and i think im gonna go crazy (partly because im freezing bc of my dorm but yk. I gotta get this written down before i curl up in my sheets.)

Ok so. Your opening scene is straight up masterful. It sets the mood perfectly and fleshes out the mc perfectly, from her struggle to her relationship with her art that is just so painfully relatable because sometimes there’s just this horrible feeling where you just can’t create and it makes you feel so useless bc, isn’t that what you’re supposed to live for?

“finish us, their fragmentary faces scream. they beg for you to provide them with souls, to be their maker, their creator — but not quite their god.” this sentence was just so… oh my god. The story as a whole was so poetic and beautiful and i seriously couldn’t get enough of the way you turned even the most mundane descriptions into something so amazing…!! From the way you describe mc’s room to the city itself to how she used to think artist block wasn’t a real thing bc she just never experienced it— only to crash and burn (not even that, but just a slow descent that again, you described perfectly) and just not know what to do, it’s just the perfect scene to open with and it left me with such a heavy feeling bc goddd, i’ve been there.

“you live and breathe art, and your entire apartment reflects that, but the oxygen is getting thinner and thinner.”

Oh my god, do you hear that? It’s the sound of my wails and incomprehensible rambles, i feel so seen and hurt by your words i can’t even keep composure rn!!!

Then the sudden impulse to leave, the way you write her mind just urging and practically yelling at her to do something; “let go, enjoy life.” i love love looove the way you wrote this paragraph and repeated this quote, like a small encouragement that pushed her to do this in the first place, that reassured her that it was okay to try something new— idk can u tell i like ur opening scene? It’s ok i guess.

Day one is so cute and silly and a bit painful, but only bc it felt like i was looking straight into a mirror 😔 the mc’s doubt and anxiety is far more relatable than i’d like to admit, but i think the choice of adding chaewon and sakura to the mix was just perfect. They are so cute and the perfect break from all the tension that will come later on between the mc and yeonjun, and it’s nice to be able to see the mc branch out in ways that don’t just pertain to her career or love life— but with her social life as well,, and watching the way the she goes from not wanting to accept their request to join them bc she’s afraid that she’s not worth befriending to being able to confide in them and wanting to continue the friendship long after the trip is over 😭😭 i love them i loved this sm and im super happy their development was also seen and not just glossed over hehe

Besides the fact that mc was a tad bit embarrassing for running away during the scene where she was caught staring at yeonjun,,, i actually really adored the way you described the way she finally drew in her sketchbook <///3 from observing his stunning features to getting lost in them, wanting to replicate them and getting so lost in the process you don’t even realize what’s happening…. Agh the way you started this scene with her being frustrated that she couldn’t even draw a single flower to just getting swept up by yeonjun is so ??? he didnt have to do anything and he impacted her just like that,,, oh im gonna cry adkfgadfkh

(also fuck anish kapoor!! Ur so real for that, yes !!!!)

Idk why but i when i was reading i kept getting stuck on the way you described things? Like from the scenery to the mood and the people, i reallyyy adored your world-building and the fact that it was so heavily centered on the mc just taking a step back and observing the world around her, it just made your story so much more,,, real? Like if i closed my eyes i could be standing in the spot she’s in, could be the one at the bar suddenly remembering oh, i should text my friend back. Idk, i just really enjoyed the little details you added in, it just shows how much effort you put in to this story, and makes me love it that much more :(((

But ahhhhgskdjg the development between yeonjun and the mc ??? it’s just so well paced and im so in love with the way you describe the way they slowly get to know each other and become more comfortable with one another, especially bc you use space as an indicator; awkwardly going out for coffee and standing a good distance from each other, leaving more than enough space between each other when sitting in the observation cart, all so tense and unsure because there’s just this undeniable, unspoken spark, but there’s also an uncertainty to it all bc it’s just twelve days, and would something like this really last after these twelve days? I love this ongoing internal conflict that the mc has because of this, and it’s so well done i could srsly kiss u for it

And just. The way that you write the two when the topic of their art comes in, from the way yeonjun is unashamed of what he does and isn’t afraid of the imperfections to the way the mc freezes up just being asked about it, it’s such a good contrast that changes over time, and the small reassurance that yeonjun gave her when she first confessed about her art block was such a good way to start this change— nothing too big, just enough to let her know that it’s okay, it doesn’t make you lesser, it’ll pass— and that is enough to change her perspective even just a tad, to let her go crazy and paint a messy and imperfect painting of a blurry figure among flowers; and if you couldn’t guess already, i really loved the way you wrote that— especially because she just comes into terms and is okay that it’s not perfect or a masterpiece… and wtf im literally just gonna quote it bc why not.

“it’s messy and you kind of hate it, but it’s something. something is on the canvas, it’s dynamic, it has character. // “okay,” you mumble, staring at the brushstrokes, going over them again and again. “Okay.”

And agaiiiiin, the mc has to face the fact that her drawings won’t always be perfect when she’s trying to draw yeonjun, scolded once she starts overthinking and criticizing herself and just straight up being condescending…. Omg im such a crybaby but i literally teared up during that scene. Idk how but you literally described how i feel as a writer/artist and the constant need to make everything so perfect, to make everything the next big masterpiece that will top my previous work even if thats literally impossible bc each work is unique on its own and not something to be rated,,,

“everything you create is a reflection of you, and that’s the beautiful thing about art. it bares your soul, it strips you down to the rawest parts of yourself that you may despise right now — but it’s still you. and don’t you think you deserve to give yourself some grace?” /// you do deserve some grace, don’t you?”

I hate you so much. I hate you so much because i’m literally crying just by rereading this and pasting it onto my review how dare you. I could tell you why it hits so hard but then id just be repeating myself im afraid.

(also, your metaphors about icarus and burning are so evil and well done and beautiful. I hate you, seriously.)

“but you want to touch him, you want to burn. /// you want to feel alive again.”

Im gonna go a bit rapid fire here just bc this is literally the longest review ive ever done ever, but i love your points about the intimacy of sharing food. Something so tender and intimate about sharing food, cooking for someone, showing them hidden places and your faviorite meals, just going look! I love this and i want to share it with you, something that can be so mundane and repetitive but isn’t because of this taste, this memory, and i want you to be a part of it! And the fact that we got to see yj take the mc to the korean restuarant and the chowder place, aaandd the mc took yeonjun to the thai place, my heart shatters rn.

“he’s staring at you like you hung the stars in the sky, chin supported by his palm” I KNOW I SAID ID GO RAPID FIRE BUT. the way that something as simple as the mc laughing genuinely made him react like this. I cant rn i could cry again if i rlly tried.

Back to rapid fire— the drunk incident, the way that small incident causes them to get just a tad bit closer, to get just a little more comfortable with the idea of closing the space between them more, mwuah, youre a genius and i love the way that every. single. scene. is a constant cause-and-effect and every small action causes a domino effect that causes even the most subtle changes.

Ashlee. ash. The whole thing with beomgyu was absolutely cruel, from the way you described it to the way it left her to the way they met again??? And the fact that he was so shameless in wanting to reconnect, just $^)&*(^!!! The little details of how he’s changed, leaving the mc speechless bc of the way he just asks to catch up later— oh. Thats so evil. Ur so evil. How dare you. Not only is the mc hurt by his sudden reappearance but yeonjun is too bc what?? This sudden appearance of her ex and what do you mean you’re not sure if you’re gonna meet up? The tension thats left is just so heartbreaking and it’s even worse because you managed to write the way something like that feels so perfectly in one sentence— “how can he show his face to you after all he’s done?” his cocky and nonchalant behavior was seriously my last straw, i wanted to jump through the screen and beat him up!!! How dare you!!!

And the fact that this small encounter catapults into the mc realizing that she’s so reluctant to chase after yeonjun because of beomgyu, but still realizing that she can’t leave things as they are and confiding in him during day eleven— only for it to still be a bit tense because we have yet to let loose of all those unspoken feelings, still uncertain if something like this could succeed past the safety net of this trip; but still being able to confide in each other because they just can’t help it, especially when the mc chooses to show yeonjun personal paintings instead of the ones on social media, allowing him to ask as many questions as he wants and still answering them even if it means talking about something that’s, like you said, soul-baring.

The fact that they discussed fate and yj confessed that he’s only ever given people the name “daniel” except to her— “i wanted you to use my actual name — the one my parents call me. the one my closest friends call me.” alkjgsldg. Im malfunctioning. This is seriously something to meaninful and i don’t know how else to express how much i loved this other than to say ugh. I hate you. (ashlee: ∞, me: 0.)

The smut was so <////3 i feel bad for glossing over this sdfklgh but it was rlly cute and just augh!!! The overstimulation was to die for and i love that you let their first kiss be natural, neither of them taking the lead, just indulging in the feeling of each other. The smut was so cute and i malfunctioned with all that praise you are so mean for giving me this whiplash of emotions.

The way the mc tries to communicate what she’s thinking after and just can’t seem to find the words, and yeonjun just goes “i know.” i don’t think you understand what that did to me. Especially when you decided to end it off with the hint that the mc is getting over her block, that yeonjun really is what’s helped ignite that dying flame within her.

And don’t think i wasn’t gonna talk about the playlist. Not only was it banger after banger, but the lyrics, mood, message, everything??? It’s so perfectly crafted i can seriously tell that you took your time with this story and put a lot of love into it, from the banner to everything, seriously, i don’t think i could praise this story enough. I could keep going if i really wanted to.

BUT. for the sake of both you and me (it’s 4 am and im gonna reread this just to make sure i kiiinda make sense.) im gonna leave it here, but id literally be able to keep talking about this story if you asked me to. Just sayin. This was such a beautiful representation of what it can feel like to hit a wall with your art and just feel like you’ve become utterly useless because you cant create, i felt so seen by this <///3 thank you so, so so soooo much for writing such a beautiful and creative piece, i seriously loooved this concept!!! U are so cool and im so proud to call u my mutual heehee <3

ticket to nowhere (but your heart) (m) — cyj

pairing: choi yeonjun x fem!reader

genre: strangers to lovers au, photographer!yeonjun, artist!reader, fluff, angst, smսt

wc: 22.3k

synopsis: twelve days. twelve days is all you have on this godforsaken train to find the spark that will save your dying art career — but you never thought that you would find it in the enigmatic stranger that you can’t seem to stop running into.

warnings: mdni!! ageless + blank blogs dni!!!, mc is bad with feelings, is alluded to have anxiety, and is written as shorter than jjun (i'm sorry to my taller friends, i love you) + the same age as him (24), this takes place in various places across the u.s. (sorry in advance), mentions of food + alcohol, vvvvv brief depiction of potential self-injury when describing a painting, beomgyu + le sserafim's sakura, chaewon, and yunjin (called jennifer here just bc i felt like it) are featured, dom!jjun, sub!mc, soft sex, oral (f receiving), fingering (f receiving), light begging, multiple orgasms, protected sex (hooray!), missionary, praise

note: part of @majestyjun's yeonjun bday event!! REPOSTED bc tumblr decided to not let this show up in the tags (edit: it's now showing up!!) </3 also my longest fic to date, so that's something

*:･playlist･:*

(cross-posted to ao3 here!)

masterlist

everything in your life is bland. gray.

the food that you eat, the people that you become acquainted with, the skyscrapers above you that grasp for the sky and fail to reach it — they have all become so monotone and somber and utterly lifeless. something within you gnaws at itself, aching with pain — though the sharpness of the feeling has been blunted by the passing of time — because you used to adore the city that you call home. you used to find unrivaled beauty in the skyscrapers that spread across manhattan, in the lush green parks scattered amongst the urban landscape that would turn warm and golden as summer metamorphosed into autumn, in the people that would walk by you with their unapologetic, unique fashion and confidence. the very things you used to love have dulled in hue, washes of the vibrancy you once appreciated and took significant inspiration from. 

throughout your apartment lay half-baked paintings and charcoal drawings and pieces with odd compositions from that one month where you went through a mixed media phase, staring at you with their paint-streaked eyes, mocking you. finish us, their fragmentary faces scream. they beg for you to provide them with souls, to be their maker, their creator — but not quite their god. you are not pretentious enough to go that far, to paint yourself as that self-important, that narcissistic. you are far from a god. if you were, you would be in a larger apartment, a penthouse worth millions of dollars in soho or maybe the upper east side. if you were a god, you would purchase the finest art supplies in the world, have your pieces be displayed in major galleries to be auctioned off for hundreds of thousands — no, millions of dollars by pretentious art collectors to be hung up in their gaudy mansions, their own slices of heaven. however, in reality, you fall exceptionally short of a higher being; in truth, you are a rather simple woman who had transplanted herself from her suffocating hometown to brooklyn as soon as you completed your undergraduate degree. a tiny little apartment in brooklyn, new york city, new york — an adumbration of purgatory, floating somewhere between heaven and hell. trapped, trapped, trapped. nowhere to go. 

sitting on your bed, the balls of your feet pressed against the cool wooden floor, you ponder if these thoughts, this density of emotions burrowing into your stomach, are a symptom of burnout. maybe even artist’s block, though in the past you’ve often remarked that the concept doesn’t exist. you had never experienced it, so in your sorely narrow-minded view, it simply couldn’t be possible, and other artists were simply blaming their laziness on this elusive concept. what a fool you were for ever thinking that. shame hangs like a heavy weight within your chest; who are you to criticize the experiences of other artists when you know how difficult a creative’s life can be? how could you be so insolent? 

a raging hypocrite, really, is what you think you must be. a blank, blurry stare scans over your space, the coolness of the floor spreading up into your toes. an easel in the corner, near one of the small windows that allows for a view of mostly red brick, a sliver of blue-brown water where the hudson and east rivers meet, and a few lower manhattan skyscrapers that tower high in the air across the watery expanse. it’s not that far from your bed, which sits on the wall opposite below a second window, the slightest bit larger than the other one. most of your apartment is taken up by supplies rather than actual decor, a jar of paintbrushes on your small, round dining table in the corner near your kitchen instead of a vase of flowers, works-in-progress on the walls rather than posters, pictures. 

you live and breathe art, and your entire apartment reflects that, but the oxygen is getting thinner and thinner.

even then, you’re not quite sure how long you have felt this way — it’s not as if you woke up one day and noticed the change. it wasn’t sudden like a car accident, slamming into you one second and leaving you to cope with the aftermath the next. quite the opposite, really, more akin to the tide slowly coming to shore, washing over more of your body with each incoming wave. soothing, flowing along with each ebb and flow, pulling you further and further away from the beach until you have nowhere else to go but down. 

weak fingers dig into the white comforter below you, curling into the fabric with a surging desperation — for what, you are unsure. comfort? someone to hold you? you haven’t felt the embrace of another, the warm sensation of lips pressed against your own, in an embarrassingly long time. the dating world had slipped from your hands long ago, shattering on the floor like a snow globe, your wants and hopes and desires to love and be loved soaking your lacerated feet and stinging as it enters your wounds. your mind trails to beomgyu, a fellow artist who you had met when you could afford a private studio in a warehouse one burrow over. he was fun, a sappy romantic, and he made you laugh to no end — but he ruined you. he moved across the country without warning and you’d never heard from him again, leaving you heartbroken and with questions you’d never get answers to. you wonder how he’s doing now, if san francisco is treating him well. his number is still in your phone. you should delete it. you need to delete it. you need to make dinner. you need to finish that commission. you need to do a lot of things.

you need to get out of here. 

fuck, you do. the desperation surging within your veins takes the new form of a beast, clawing its way up your throat. you need to leave the city and experience new places and see new things and—

finally, you wrench yourself off of your bed after hours of sitting there. snatching your laptop from the floor, you search. you search and search and search for something that will get you out of this city, albeit temporarily. several different trips to italy — too expensive, and too far away from here. an airbnb in florida — you’ve never been a fan of humidity, and you don’t think only seeing one city will be enough to sate you. come on, come on, there has to be something. 

and then you find it: twelve days on a train, across the country. stops in chicago, denver, san francisco, seattle, and even a national park for half a day before looping back through chicago and back to new york. this sounds…perfect. your eyes grow as wide as saucers at the price as you scroll down. for you, it’s expensive, so fucking expensive, but…

“you need to let go and enjoy life for once,” one of your friends told you at a party a few months ago, when you were experiencing a less incapacitating version of the burnout you currently face, when you had thought it was a mere blip in your unending motivation. of course, you hadn’t listened to jennifer and her sound (and moscato-induced) advice, opting to throw yourself further into your art and ultimately fail at creating anything worthwhile. you regret it now, because you feel stuck. terribly, utterly stuck — but this is your chance to change that. 

you need this; you can make the sacrifice to your already thinning bank account, you think. let go, enjoy life. let go, enjoy life — you repeat those four words over and over again as you type in your card information, as you click the button to book the trip, as you read over the confirmation email that outlines the steps you need to take before you leave. let go, enjoy life, and you will. you will, and you will relight that dimming, nearly extinguished fire within you while you’re at it. you’ll make damn sure of it. 

day one. 

your heart is pounding. the rapid ba-bump ba-bump ba-bump roars in your ears like thunder as people upon people walk past, shoving against both of your shoulders as you stand in front of a board full of green and yellow and red. the sounds of voices and rolling luggage echo across the high, transparent ceilings of the station which allow for a view of the sky above. early mornings and you do not agree with each other, and today is no exception; poorly-veiled dark circles sit beneath your eyes, illuminated by the soft, warm light streaming in from above. looking down at your phone and back up at the screen again, you find that your train is thankfully on time, the bright green letters helping loosen the tightness gathered in your shoulders as you roll them back once, twice. your teeth skirt your bottom lip while you nod to yourself, then scan the spacious building for the escalator that will take you down to the correct platform. 

you hate that you’re nervous. the feeling twists your stomach into knots and flushes your face, cheeks hot as you stand there and wait out the remaining minutes before you can board. it doesn’t even make sense — you should be happy to get out of town, to go places you’ve never been to before, but all you can focus on is the unease creeping up your throat and blooming sour on your tongue. perhaps this is actually excitement that you are feeling. maybe you’re reading it all wrong — jennifer was more than ecstatic when you told her of your impromptu trip, saying “this is what you need! this might be your breakthrough!” 

ever since you met the her, she was always a degree more optimistic than you. looking on the bright side of things, no matter what dire circumstances lay splayed out across the dealer’s table. what’s stopping you from being the same way? several things, but at the same time, jennifer is right: you need this. your hands jitter with an odd combination of excitement and fear — maybe it’s simply the thought of solo travel that is so intimidating. yeah, it has to be. it will pass soon enough — hopefully. you roughly shove your set of headphones onto your head, slipping them over your ears. music will have to do for now, if only to prevent thoughts from racing through your head. 

once you board, you learn that your quarters are…small, though that was expected. it reminds you of your studio apartment, almost; cramped, but lacking the scattered paint tubes and canvases and miscellaneous mediums that you have not laid a single finger upon in months now. the small, travel-size tubes of paint sitting in your backpack weigh your shoulders down, begging to be taken out and spread across the small, flat canvases that are tucked snugly beside them. you muffle their pleas by turning up the music streaming through your headphones. closing the door behind you, you softly hum to the current song in your ears, shoving your suitcase in the corner of the room before. 

once the attendant checks your ticket, you decide to take a nap — who cares if it’s early? you barely got enough sleep last night in the first place, too nervous to allow your eyes to shut. collapsing onto your bed, you pull the curtains next to it shut and allow yourself to drift off into a quiet, dreamless sleep.

*:･

you awake around noon with a growling stomach. with a sigh, you rub your tired eyes and sit up, smoothing out your rumpled shirt. with a quick look on your camera to make sure none of your mascara has transferred below your eyes, you make your way to the dining car that’s not too far from your own.

it’s nice, quaint; simply decorated like the rest, with large, square windows divided by thin pieces of wood lining each side. smaller tables line the wall to your right, two seats at each, while larger, four-person tables sit to your left. you opt for a two-seater towards the middle, tunnel vision blocking out the rest of the people present. you stare out at the greenery that blurs outside the window, listening to the low rumble of the train, mindlessly thumbing the laminated menu laying on the table. while you wait for the waitress to get to your table, a light, feminine voice knocks you from your own little world.

“excuse me?” the voice asks. you flinch in response, blinking hard as you look to your left and find two women sitting at the four-seater next to you. they’re both pretty, brown-eyed with full lips curved into twin smiles. they don’t look like sisters, though — more so friends. 

“yes?” you politely say, wondering what they could want with you. the shorter-haired one’s smile grows wider once you speak. she has a rounder face than the other girl, her black bangs ending above her eyes that are currently crinkled at the corners. 

“are you waiting for anyone?” the other girl asks, the one with a long wolfcut and wide, hypnotizing eyes. definitely not sisters, you think, they look nothing alike. 

shaking your head, you softly murmur, “i’m not.”

“would you like to join us, then?” the wide-eyed one asks, a hopeful glint shining in her eyes. 

“i...i wouldn’t want to intrude,” you reply. your mouth curls into something apologetic, as if you’re the one burdening them despite them being the ones to ask you. this interaction feels weird, awkward, and a very large part of you wishes you could melt through the floor and disappear forever. 

“you wouldn’t!” straight black bob chimes in, hands clasped together on top of the table as she leans towards you. cheery, excitable. “we wouldn’t mind at all, really.”

you nod with a tiny, somewhat nervous grin as you take the seat closest to you, right next to wide-eyed wolfcut. you offer them your name, unsure what else to give them. your age? your profession? your deep-seated trauma? okay, definitely not that last one. 

“it’s nice to meet you,” straight black bob says, while the other chimes in with a soft hum of affirmation. “i’m chaewon.”

“and i’m sakura,” wolfcut adds with a dip of her chin.

hands placed snugly in your lap, you pick at your thumb nail. your back is stiff in the chair, and you hope they won’t notice. “it’s nice to meet you guys too. are you traveling together?” 

both of them giggle, glancing at each other for a moment before swiveling their eyes back to you. for a moment, you’re confused. why was that so funny? they look to be decent friends, at least from your limited interactions with them thus far.

“we actually just met a few minutes ago,” wolfcut — no, sakura claims. oh, so they’re not friends, then. “we ran into each other— like, quite literally ran into each other.”

“it was…kinda bad,” chaewon laughs before she takes a sip of water. “my ass is still sore.”

you huff a laugh at that, all air and no sound, and the conversation continues with a light-hearted air to it. as the minutes tick by, you learn that chaewon is a graduate student taking a gap semester, while sakura owns her own makeup line, a small business that is beginning to pick up speed thanks to social media. one lives in brooklyn—

“no way,” you gasp at chaewon. “where at?” 

sakura, meanwhile, resides in upper manhattan. even more information about them bombards your brain as all of you begin to eat, but you doubt you’ll remember most of it by tomorrow, even later today — it’s alright, though. the three of you have exchanged numbers (to create a group chat) and have basically promised to be travel buddies for the coming days. your cheeks hurt from smiling so hard, grateful to find kind, welcoming people on this train — you’d think that jennifer would like them. the way they interact with each other is somewhat reminiscent of your and jennifer’s friendship. friends…yeah, you can see the three of you becoming good friends. 

“can we see some of your art?” chaewon asks, bob shifting like a wave around her head as she shakes it. oh, yeah. you had briefly mentioned your profession, though shame barred you from sharing your reasons that led you to this train in the first place. 

you cringe. “oh, well—”

“i’m sure it’s great!” she continues. “c’mon, pleaseee?”

with sparkling doe eyes and hands clasped tightly together, it’s difficult to say no — and you don’t, shaking your head a little as you pull up your instagram account. while you’re proud of the pieces you’ve posted on there, they aren’t your most emotional. those ones are saved in your camera roll, and that is where they will stay, only for your eyes (and a very few select others) to see. they coo and aw as they swipe through, your phone placed on the table between them. heat rushes to your cheeks as you begin to pick at the remnants of your lunch sitting on your plate. deep down, their kind comments cause an unusual sense of guilt to invade your heart. why couldn’t you produce shit like that now? what the hell is wrong with you?

with a polite smile, you thank them and move to excuse yourself before your pathetic sense of self-pity can consume you. they seem a bit surprised by your abrupt exit, but they also take it in stride, offering to text you later for dinner. slipping from your seat, you send them a wave before setting off towards the door from which you initially came. 

*:･

you don’t know what spurred you to make a stop at your room and snatch your sketchbook from your backpack before heading to the observation car, but after a whole lot of sitting and not one speck of sketching, you kind of, sort of have started to hate yourself for that decision. 

the open page in your lap is abysmally blank. no marks, no little trees or lush fields or flowers or anything that you see speeding by outside the window. your pencil has been poised against the page for the longest time, dark gray dots scattered across the page where you would press the point of the pencil to start making a mark and subsequently give up. another hour with no progress ticks by, but you still can’t make it move. move, why won’t your hand just move? 

flipping it shut, you lean back in your seat with a deep sigh. you can’t force these things, you know that much, but that won’t stop you from trying — and failing — to produce something. you’d rather not dwell on that for too long, though. those thoughts are what got you here in the first place. instead, you allow your tense muscles to relax, your eyes to lose focus and blur, blobs of green and blue passing by your vision. soft murmurs from other passengers meld together into a wall of droning noise, soft and soothing. 

that is, until the sound of someone settling into a seat a couple away from your own pops your little bubble like a sharp, pointed pin pressing into the skin of a balloon. blinking your vision back into focus, you take a quick glance to your right and—

holy shit, he’s beautiful. a sloping nose and pink, plush lips, you wouldn’t be surprised if he was a model of some sort with a face like that. his dark, slightly outgrown hair frames his side profile perfectly, sweeping back towards the back of his head where it begins to curl down the back of his neck. there’s this sort of dreamy, ethereal quality to his looks, like the universe took it’s sweet time creating him, lovingly placed tiny little stars in his sable, fox-like eyes and kissed his skin with the sun’s gentle rays, a light pink dusted across his cheeks — or, at least, the one cheek that you can see. bulky headphones sit snugly over his ears as he simply watches the landscapes pass by, one long leg crossed over the other. before you register the movement of your hands, your sketchbook is flipped back open to that very same blank page you’d given up on mere moments ago, fingers gripping your pencil once more. fluid like water is how your hand moves across the page, capturing the unique shape of his eyes, his soft yet defined jawline, the slope of his neck…

for the first time in months, you lose yourself in your work, yet you don’t even register this small breakthrough. peeking back up at the beautiful stranger every once in a while, you slowly carve out his likeness on the page in front of you, begin to add his surroundings and even a background, shading with light, circular strokes as you go, building up the deposit of graphite where it is needed most, defining the shape of his pouty lips and the strong cupid’s bow that connects his top lip to his nose, mapping out the flow and shape of locks of hair with dark, daring strokes, graphite pressing hard into the page. you even add some flyways for good measure. in your frenzied bout of drawing, you have hunched over in your chair, an old habit that is rearing its ugly head now that you don’t have a standing easel to work with. straightening your aching spine, you sit back and observe your sketch, wondering if you have missed any defining details—

and when you move to look up and take in his features again, he is staring right back at you. 

oh.

oh, fuck. 

frozen in your seat, you can’t tear your gaze away from his own, a hint of concern swirling in his irises. his eyebrows raise, eyes slightly wide as he tilts his head. the corners of his pretty lips raise, parting as if about to speak — and he does.

“are you okay?”

his deep voice snaps you out of your stupor, flinching before you quickly flip your notebook shut and sent him a tight smile paired with a nod, eyes darting around to look everywhere but him. your heart just might leap out of your chest at this rate, tear open your sternum and collide with the floor. you almost wish it would. 

he’s frowning now, a wrinkle between his eyebrows. “uh, are you sure—”

without another glance at him, you stand, clutch your notebook and pencil tight enough that it presses marks into your skin, and book it straight out of there with swift and featherlight steps. you don’t look back, far too embarrassed to even consider it, not stopping until you reach your room. the door is slammed shut behind you, but the nerves-induced ache in your chest won’t fade. pressing the cool backs of your hands against your fiery cheeks, you resist the urge to slap yourself. what the fuck is wrong with you? you should’ve just answered him and apologized for staring. he probably thinks you’re some creep now, with your weird little notebook and lack of verbal response — and the way you left. god, if a hole opened up and swallowed you whole, that wouldn’t be the worst thing in the world.

“you are so fucking embarrassing,” you hiss, venemous words aimed straight at yourself, your head buried in your hands as you curl up on the bed. day one, day fucking one, and you’ve already made a fool of yourself in front of someone.

maybe you should stay in here for the rest of your trip.

day two.

“...why is it so big?”

chaewon is referring to cloud gate — or, rather, what is more populalry known as the bean — a terribly ugly, silver, oversized, bean-shaped art installation that sits in chicago’s millennium park. an art installation that you, quite frankly, despise mostly due to the artist behind the work. given that anish kapoor is an elitist prick who has shit on the art world with his wealth and hates when people call his piece the bean, you take great, overwhelming satisfaction in calling it that. 

her question — paired with her furrowed eyebrows — causes you and sakura to snicker to yourselves. you’re grateful that they texted you this morning, had forced you out of your room because you actually were going to go through with your staying-in-your-room-forever plan (for today, at least). this park is your first stop of many, but you really want to get this part over with so that you don’t have to see this gargantuan, chrome bean ever again. despite its ugliness, you can admit that the slightly warped, mirrored reflection of the city that it provides is kind of interesting to look at, and it makes for some cool pictures. 

(still, fuck anish kapoor. you refuse to give that man any credit.)

you end up taking a photo of you flipping it off from afar, sending it to jennifer with a smirk before helping the other two girls with some of their own photos. here, there’s no pressure to create, only to enjoy and experience what surrounds you, no matter how tourist-y it may be. 

sakura slings an arm over your shoulder and pulls you closer to her, arm extended out to take a selfie. your hand raises in a peace sign at the camera, smile bright and wide like the sun above. there’s not an inkling of worry in your expression — until you see him. 

the guy from yesterday, standing maybe ten feet away. he dons an unbuttoned striped shirt layered over a tank top which is tucked into baggy, dark wash jeans. a thin, black belt wraps around his waist, a small camera hanging from his neck, and his hair looks as perfect as yesterday, shiny and smooth under the unobstructed sunlight. thankfully, he hasn’t noticed you, but that doesn’t stop your smile from fading, your heart from hammering within your chest as your brain cruelly replays the events of yesterday afternoon in slow motion. you can’t face him right now. what if he comes up to you? what if confronts you for your odd behavior in front of this crowd? these are worst case scenarios, sure, but they are potential outcomes nonetheless. as he begins to turn in your direction, you whip around, slipping from under sakura’s arm as you face the two girls. 

“you guys ready to go?” you ask, masking your worry with a tight grin. don’t ask why, don’t ask why, please don’t ask why.

“yeah, sure,” chaewon nods. “i think i’ve had enough of the bean.”

“same,” sakura laughs.

“we could grab lunch, then go to the aquarium and planetarium?” you suggest, one foot beginning to tap against the concrete as you look back and forth between them. are there eyes burning into the back of your head right now? you can’t tell, but the prickling on the back of your neck is not a promising sign. they look at each other, then back to you — a phenomenon that has rapidly become a habit for them — and agree. surging forward, your hands loop around their wrists closest to you, and begin to speed walk away. far away.

“uh, girl? this is the wrong way, we’re going deeper into the park,” sakura notes, heels digging into the concrete to slow you down. she’s right, you know she’s right, but you’re not particularly keen on turning around. 

with a sheepish grin, you say, “maybe we could take a walk through the park first?”

as if on cue, chaewon’s stomach emits an audible growl. 

“nevermind, then.”

turning around, you find the stranger facing your way, and for some reason, he’s already looking at you. his eyebrows raise in recognition the moment you make eye contact, and all of a sudden, you wish that you could shrivel up and die. despite this, you rip your gaze from his and push forward, turning to speak to sakura so that you aren’t forced to glance in his direction. mission: avoid the stranger who now haunts your life — success!

goodbye, the bean and the guy who you embarrassed yourself in front of. hello, chicago-style pizza. 

*:･

you’re tired.

you’re tired and slightly more broke and your legs and feet ache to hell after the copious amount of walking you’ve done, but your day still isn’t over. no, despite the setting sun and rising moon, you still have one more activity on your itinerary — clubbing, by request of your newfound friends, though even they claim that they don’t often partake in the activity. similar to them, you’re more inclined to small get-togethers with wine, food from that thai place down the street from your apartment, and a good movie, but hey, this trip is all about experiencing new things. hell, maybe you’ll even enjoy it, who knows? at least, you’re going to try to, but the pain radiating in the soles of your feet and calves has worsened due to your high heels. the dress wrapped around your body is tight and flattering in all the right places, yet the hem rides up every few minutes as you walk. 

“the pessimism isn’t cute. quit it,” you hear jennifer’s voice echo inside your head, yet another phrase she’s uttered to you in the past. fine — on the bright side, you haven’t seen that good-looking stranger since the park. bam, positivity, go you.

sakura’s arm loops around yours as you reach the club that you collectively decided on earlier. her excited squeals at the prospect of alcohol (or, rather, more alcohol, since she pregramed a bit prior to leaving the station) and dancing are enough to bring on a weak headache that spreads across your temples. ibuprofen. you desperately need ibuprofen, but vodka will do just fine too — it’s the first thing you order at the bar, a straight shot with no chaser because at this point, you don’t care. let go, enjoy life, you internalize as you toss the sharp liquor down your throat, fatigue melting away as the alcohol enters your veins. 

cheers, jennifer. you still need to text her back.

one more downed shot later, and chaewon is dragging you to the dance floor. the bass pounds in your ears and vibrates the floor as the three of you sway to the upbeat songs. droplets of sweat begin to bead along your hairline, bodies packed so close together that it’s virtually impossible not to be jostled by a stray elbow or shoulder as you dance. if you were completely sober, it would be uncomfortable, but your hazy senses allow for you to overlook the sardine can that is called a club. it’s easy to lose yourself in the warm, heady air, in the way your hips bump between chaewon’s and sakura’s. inhibitions melt away — you’re free; no expectations weighing you down, nowhere to be, no one to be. only music, flashing lights, and the new, fruity drink in your hand, courtesy of sakura. 

“gonna take a breather!” you yell into chaewon’s ear, the alcohol finally catching up to you. she nods, yells words you can’t make out into sakura’s ear, and both of them begin to follow you out of the crowd. you sip at your drink as you push your way through, ducking under swinging arms and avoiding splashing drinks. the crowd thins as you grow closer to the edge of the dance floor until only scattered groups of friends remain.

“you didn’t have to come with me, y’know,” you say as soon as you reach a slightly quieter part of the club, taking a seat in an empty booth. “i can handle myself.”

“it’s better to stick together. less dangerous,” sakura refutes. some of the glitter that sat above her eyes had drafted down to her cheeks, glinting as a beam of bright light travels over the lower half of her face. “you never know what could happen in a club.”

chewing at the neon pink straw in your drink, you nod, “that’s true.” 

as chaewon and sakura fall into conversation, their words not quite reaching your ears, you silently scan the club. the darkness is cut by wild lasers and spotlights that whirl around and catch on the faces of countless strangers, their pearly, grinning teeth glinting and disappearing back into obscurity in a flash. you nibble at your straw, vision hazy around the edges and an airy sensation in your limbs, as if you could float up to the ceiling. you up at the multicolored lights, flashes of red and green and blue bombarding your vision, then back down towards the crowd.

and yet again, you find him in your sights. 

suddenly, your vision has a crystal clear clarity to it. button-down shirt wide open to reveal his toned torso, he smoothly moves to the beat with an intoxicated smirk painted on his lips, a small glass of amber liquor in his left hand. dark, outgrown hair, plush lips, those dark, dreamy eyes — that’s him. shit, that’s definitely him. 

“you’ve gotta be fucking kidding me,” you murmur, head collapsing into your arms on top of the cool wooden table. sakura jumps in her seat next to you, before scrambling to place a hand on your shoulder.

“are you okay?” she squeals near your ear, tacking on a worried call of your name when you don’t respond right away. honestly? you’re kind of not okay. you’re tired of encountering him at every turn and being reminded of your humiliating escape from him yesterday. you’re tired of him spotting you and sending you odd looks as if you’re the oddest person he’s ever crossed paths with. you’re tired, you’re tired, you’re just so tired. 

you decided to go on this trip to get away from the mundanity of your day-to-day routine, to get over your spell of artist’s block and see new things, but maybe you bit off more than you can chew if you were going to allow one random person to ruin that goal for you. a random stranger shouldn’t have this much power over you. 

raising your head, you send them a half-hearted nod. “i’m fine. sorry.”

chaewon frowns, “are you about to throw up? ‘cause you look like you are.”

“you look like you’ve just seen a ghost,” sakura chimes in.

sighing, you shake your head. “i think— i think i need to use the bathroom.”

as you move to get up, they do as well — though you decide not to protest this time. there’s no point, really. your legs wobble a bit as you walk, face dropping once you notice that he is near the men’s restroom now, waiting outside right across from where you aim to go. head down, you scurry past him, ignoring how his eyes widen and his knuckles pale as he grips his drink tighter. chaewon and sakura are hot on your heels as you slip into the quiet bathroom. with the music from outside now muffled, you realize your ears are ringing. reaching a sink, you turn on the faucet and splash some water onto your face. hunched over the sink, your fingers grip the edge of the counter. deep breaths, now. deep breaths. this is likely the quickest you have ever sobered up, and the sensation is rendering you dizzy.

behind you, your friends exchange concerned looks through the mirror. sakura jumps into action first, coming up behind you and placing her hands onto your shoulders. with a gentle squeeze, she murmurs, “let’s get you back to the station.”

day three.

today, the observation car is devoid of life — and so is your body after yesterday. can you overdose by taking too much ibuprofen? you’re pretty sure that you can. 

last night is but a blur in your memory with few spots of clarity, but you do vividly remember panicking in the dimly lit bathroom as the girls fretted over whether you were going to vomit all over the floor or not. you hadn’t slept much once you returned to your room after exchanging drunken hugs with your friends, ensuring them that you were, indeed, not going to throw up. after a few hours of restless sleep, you’d completely given up proper rest — you have never slept all that well with alcohol in your system, so you’re not sure why you thought this time would be any different. 

you take a seat far away from the one you took last time. clad in your pajama bottoms and an oversized t-shirt, you’re grateful that no one else is here to see you at your worst: slightly hungover with dark circles the size of dinner plates. your legs fold up onto the chair so that your knees sit near your chest, your arms looping around your shins, fingers laced together. a deep sigh. a long blink. though the rest of the sky remains an inky black, the horizon morphs into a deep purple, the color of eggplant, almost. perhaps a smidge lighter. 

a door opens, its hinges faintly squeaking, before subsequently clicking shut. figuring it must be someone older, you do not bother with checking who entered; most people your age aren’t up this early, especially not willingly. instead, you keep your eyes trained on the ever-changing sky, chin resting upon your knees.

footsteps near you, and you assume that they will pass, but then they don’t. rather, they stand right in front of you.

“may i sit here?”

you have heard this voice before, just two days ago. unsurprisingly, he stands a mere few feet away, clad in a black tank top and gray sweatpants, a long finger pointed towards a seat. similar to you, small dark circles sit beneath his eyes, but he somehow makes them work. once you nod, one corner of his lips twitches upward before he sits down, a singular seat separating your bodies. his gaze burns the side of your face; your arms wrap around your legs tighter, your unwavering stare pointed out the window. silence envelopes the train car, tense and suffocating. your lungs tighten, prickly thorns sprouting within the thin membranes. your bottom lip may begin to bleed if you keep chewing at it so carelessly.

he breaks it first, shatters it like glass colliding with the floor, with five words:

“i’m really hungover right now.”

your brows furrow. why is he trying to strike up a conversation with you? why do you want to answer him? 

he continues before you can formulate a response, “i saw you at that club last night — you looked a little sick. are you okay?”

“peachy,” you curtly mumble, lips pursing. of course he remembers you; you did pass by him, after all, basically sprinted into the bathroom with the grace of a bull in a china shop. he hasn’t mentioned the park, but you know damn well he remembers that too.

you can sense the frown from his tone, confusion lacing the edges like delicate lace. his question is careful, slowly intonated as if he’s scared of pissing you off. “uh, did i do something wrong?”

you shake your head, not a single glance spared in his direction thus far. he hasn’t. your attitude is a direct result of your own actions, your own rampant anxieties. a pang of guilt punches you in the gut — he does not deserve your bitchiness when he, quite frankly, has done nothing but exist in relative proximity to you. 

“you haven’t,” you reply, voice meek. your eyes trace over the short fibers of the plain carpet below your seat. “i’m just— i’m sorry.”

the low rumble of the train fills the air again, no further words spoken between the two of you. there’s no clear way to explain yourself further, but your apology is sincere; with a brief peek, you find him staring out the window.

“can i ask why you keep running away whenever you see me?” the query lacks an accusatory edge. rather, curiosity and interest cushion his voice. maybe…maybe he doesn’t find you that strange, after all.

and finally, after two days of avoiding his gaze, you swivel your head to face him. you find a tilted head, a single humorous, raised eyebrow. despite yourself, you begin to smile. “honestly?”

“i’d prefer honesty, yes,” he grins.

“i—” you hesitate for a moment, then continue, i was embarrassed.” a grimace paints your face, dragging your brows down and twisting your lips. “after, y’know…”

“running away the first time?” he supplies.

your mouth flattens into a thin line, a hand moving up to scratch your cheek. “yeah, that.”

laughter reaches your ears, partially nasally. rolling your eyes, your mouth splits into a grin. 

“i get it. i feel like i definitely startled you, so no hard feelings.” he pauses, starry eyes widening in what you believe is realization, “i never got your name.”

easily, you supply it, cheeks flushing with heat when he offhandedly comments that it’s pretty. if he notices your sudden flustered state, he doesn’t comment on it, and despite the warmth now slithering down your neck, you feel yourself relax back into your seat, legs leaving their curled up position to cross at the ankle in front of you. then, he offers his own. yeonjun — at long last, you have put a name to his handsome face. 

out of nowhere, he asks, “have you had breakfast?” 

shaking your head, you gesture to your pajama bottoms. “not yet, i was going to grab some after i changed.”

“i don’t know, i think the plaid pants are pretty fashionable,” he chuckles. you join him. “c’mon, i saw an old guy wearing boxers and a shirt in there yesterday. i’m pretty sure it’ll be fine.”

you giggle, “that’s kinda gross, but alright. let’s go.”

peering out the window again, you find that the sun has just peeked above the horizon, a wash of orange fading into blue, melting together like watercolor. smiling to yourself, you stand and begin to follow yeonjun towards the dining car.

*:･

you and yeonjun had gone your separate ways hours ago, but not without exchanging contact information. since then, he hasn’t stopped texting you, his talent at keeping any conversation going shining in direct contrast to your, well, lack of said talent. however, you do find yourself replying to him with ease — he makes it so easy to do so, mostly due to the fairly unorthodox topics he likes to bring up. currently, you’re talking about the animals that scare you the most. why? because that’s the nature of yeonjun’s conversation skills, you suppose.

another voice message pops up in your chat, about ten seconds long — one of his more obvious quirks. most of his messages are sent in this form, not that you mind. his voice is as pretty as the rest of him. heart-fluttering. okay, stop. you just met this guy. 

(jennifer always does say that you fall too easily. maybe she’s right.)

pressing play, his voice enters your left ear via your single earbud. “no because hear me out: dolphins have fooled you into thinking they’re nice. manipulated you. they literally torture their prey— and they use puffer fishes to get high! i can’t make this shit up. my fear is justified, i swear.”

under your breath, you chuckle, an elbow leaned against the dining table. after a long nap, you had texted the girls to see if they’d like to get dinner with you. of course, they said yes, but you decided to get here a bit early to grab an open table. the car is already packed as it is.

“what’re you laughing at?” unexpectedly, sakura’s head appears over your shoulder, trying to catch a glimpse of your phone. out of habit, you lock it, your reflections staring back at you through the black screen. as she sits next to you, chaewon, takes the seat across from you, elbows placed on the table and her hands supporting her chin. she sends you a knowing smile.

“is that your boyfriend?” she prods. the question causes your mouth to fall open for a moment before you snap it shut. 

“no!” you exclaim. “it’s just a friend.”

“sounds like a boyfriend,” sakura surmises, exchanging a conspiratory nod with the other girl. you release a groan, hands shielding your fiery hot face before you drag them up over your hair. 

“he’s not my boyfriend,” you shoot back. “we just met today.” two days ago, actually. if you can count that.

their mouths open in tandem, shock coloring their features. is this a big deal, or something? you aren’t even dating the guy. 

“you met a guy and didn’t tell us?” sakura grasps your arm with both hands, shaking the limb with a strength that shouldn’t be possible to come from her thin body. “you should’ve told us! we can be your wingwomen!”

“wingwomen?” you echo dumbly as you stare at her. wingwomen, as in, like, jennifer-style wingwomen? as in trying too hard to set you up with someone and ultimately embarrassing you in the end wingwomen? your love for jennifer knows no bounds, but she’s ruined the term for you long ago with her terrible luck. a shudder runs down your spine, and you grin nervously. “i don’t think that’s necessary.”

“of course it is! i’ve always wanted to do that for one of my friends, but they’re all taken already,” chaewon pouts, irresistible puppy dog eyes appearing. “c’mon, please?

“i doubt he’d want to date me, though? we’ve literally only talked once, so really, it’s okay.”

“once is enough,” sakura declares, suddenly tilting her body closer to yours. “tell us, is he cute? what’s his name?”

they’re obviously not going to let this go, and you have no power to really stop them. 

sighing, you officially give up, “yeonjun, and yes, i do.” unfortunately. 

chaewon claps her hands together, an audible smack! echoing from her palms. her smile is blinding, a supernova of pearly white teeth and pink, upturned lips. “perfect! we can work with that.” 

“i already have an idea: ask him to hang out tomorrow,” sakura says, and you send her an incredulous look, glancing at chaewon for a moment to find that she’s excitedly nodding along to the idea like an excitable puppy. her round eyes sure make her resemble one.

you shake your head. “i can’t do that, it’s too forward.”

rolling her eyes, sakura tosses her hands up in the air. “too forward my ass! how do you expect to bag him?”

“i don’t!”

chaewon chimes in, an open hand reaching towards you, “alright, give us your phone. we’ll text him for you.”

“absolutely not!”

ding!

it’s comical, how all three of you pivot your wide-eyed gazes to the phone clenched in your fingers. the flash of yeonjun’s name across the screen is enough to send your table into chaos. 

“open it!”

“what did he say—”

“calm down, oh my god!” you shriek, sending a apologetic look to the couple next to you when they look over. fingers fly over your keyboard until you’ve reached his contact. words, this time, no voice message. butterflies burst into your chest.

yeonjun: do you have anything planned for tmrw? 

after scanning over the message herself, sakura pokes at your shoulder. “tell him you don’t.” 

with a deep, heavy sigh, you do as she says.

[6:37 p.m.]: not yet, why?

“that’s too dry,” chaewon comments.

“shut up, i’m trying,” you hiss. it takes him a few minutes to respond, minutes in which you internally panic. was your text really too dry? in the meantime, you place your dinner order with a kind waiter that stops by, a hearty dish that you can drown your sorrows in the not-so-off chance that this goes terribly, terribly wrong. another ping sounds from your phone’s speakers, and time stops once you read what he sent. clocks stop ticking, you stop breathing, everything around you freezes.

yeonjun: do you wanna grab coffee in the morning then? :)

sakura sends you a sharp look. “i doubt he’d want to date me — are you seeing this right now? or do you need me to spell it out for you? this is a date, babe.”

“it’s not,” you counter weakly. you only (officially) met him today, so, “it’s really not.”

day four.

contrary to what sakura claimed, this is very much not a date — but you’re happy about it. 

he keeps a respectful distance between your bodies as you walk, you pay for your own coffee, and you pull your own chair out when you go to sit down. it’s simple, it’s friendly, it’s a bit awkward, but there’s some things you have to sacrifice when making new friends. the croissant you’ve decided on is on the drier side, a little too flaky. you nibble on it anyway in a poor attempt to ignore the silence that has fallen between you once again. this is why you try to meet people through other friends; at least in those situations, you have a buffer, someone who knows you and the other person well enough that they can find connections between you without having to dig. you hate digging — you’re the worst at it, hence the stifling quiet that permeates the air now.

the café is quaint, if a bit moody thanks to the lighting. outside the window, the denver street teems with people, and you decide to survey the passing strangers rather than look at the man sitting across from you. wisps of fluffy white clouds float high above, sometimes passing over the sun. you wish you had your supplies with you — this would make for a wonderful painting. 

click!

turning your head, you find yeonjun holding a camera, the lens pointed at…you? you hadn’t noticed it prior, so you are unsure where he got it from. it looks like the same one he had at the park. a bashful smile appears as soon as he places it on the table. “sorry, the lighting was perfect. can’t ever pass up a nice shot.” you study the camera for a moment, and he takes your lack of response as a sign to continue, “once i edit it, i can definitely send you a copy. do you wanna see it?”

a photographer. yeonjun is a photographer. you’re not sure why it’s taken you this long to realize. maybe because you’ve been avoiding him up until now? you think. shaking the thought away, you smile. “i’d love to see it.”

he presses a few buttons, a focused twist to his plush lips, before he’s sliding it over to your side of the table. he’s right: it was a nice shot, and while you don’t often enjoy how you look in photographs, he’s found an angle that highlights your best features as you gaze outside, a slight part to your lips and your eyes wide open, shining. the sheer amount of contrast between the dark café and your warm-lit face scratches an itch in your brain. you can see it now — the golden pigment wetting your brush before being placed on the canvas, being blended into an umber, almost black, but not quite. a splash of umber here, a hint of red there…

“is this your job?” you decide to ask. 

the sheepish expression returns in full force, but there’s a hint of pride in his eyes. he’s proud of his work. “yeah. i’m not, like, famous or anything, but i enjoy it. my mom said that when i was a baby, they put a stethoscope, a gavel, a camera, a microphone, and a test tube in front of me, and i chose the camera, so it was basically meant to be,” he chuckles, but, realzing that you’re staring at him, he pauses for moment. crimson paints the tips of his ears; it’s a color that you’re pretty sure sits in your travel set. “sorry, was that too much?”

“not at all,” you reply softly. “that’s a lovely story, yeonjun.” 

“thanks.” shyly, he bites down on his bottom lip, sucking it between his teeth before releasing it. a beat of quiet passes, then he’s asking, “how about you? what do you do for work?”

for some reason, the question looms over your head like a storm cloud. it’s unavoidable and dark and heavy. a bitter taste fills your mouth, different from the aftertaste of your coffee, but you try not to let your sudden drop in mood show. 

“i’m an artist, though i don’t think many people would consider me one nowadays,” you snicker, but the self-deprecating edge to your words is not lost on yeonjun. 

wrinkles form in the space between his brows. “what do you mean?” 

“i…” you trail off. you should tell him. you should rip the bandaid off and quit avoiding facing it for what it is. “i haven’t finished a piece in months. i feel stuck, almost? like nothing is resonating with me, if that makes sense. it’s the whole reason i went on this trip. it’s humiliating, not being able to draw a single thing without hating it— sorry, that’s definitely too much.” 

“no, no, you’re fine,” and he’s sincere in his reassurances. he doesn’t look at you like you’re some sort of failure for how you feel. he doesn’t spew out a hollow apology to absolve him of the weight you’ve transferred to his shoulders, nor does he seem to mind that he’s helping you burden it. his hand reaches over the table, hesitant for a moment, before his fingers curl over yours, his warm skin against yours. you stare at his hand, but you don’t move away from his touch, allowing him to give your hand a delicate squeeze. looking back up, you sit frozen under his gaze. it warms your insides, melts the icy shards solidifying in your lungs that make it hard to breathe. “none of that makes you less of an artist. it’s something every artist goes through — hell, i’ve gone through it, and it’s okay to feel that way. it’s real and it sucks to feel like you can’t accomplish anything, but there’s nothing wrong with it. eventually, it will pass on its own, but until then, it’s not a sin to lean on others for support.”

tears almost, almost prick your eyes. however, you push them down; there’s no way you’re going to cry in public, in front of him. absolutely not. he squeezes your hand one more time, his thumb brushing over yours, before pulling away. “and if no one else will listen, i will.”

“thank you,” you croak out, blinking rapidly, taking a long sip of coffee in order to buy yourself a few precious seconds to cloak your emotions. a calm veil falls over your face soon enough, and while you hate to be the one to change the subject, you feel like you should. “do you want to go on a walk? it’s too nice out to stay in here all day.”

he doesn’t question the sudden change, humming in confirmation as he scoots his chair back. “it really is nice out. do you have any other plans?”

“not really,” you say, pushing the door open. the warm breeze caresses your face. “i’m trying to be spontaneous—”

“y/n!”

sakura and chaewon appear to your left, each carrying a couple bags that look to be stuffed with clothes. you vaguely remember them mentioning going thrifting, but you didn’t know that they’d be in the same part of the city as you. chaewon comes in for a hug, whispering into your ear, “he’s cute.”

glancing up at yeonjun, sakura feigns ignorance, “who’s this?” 

thus, your friends meet the one man you’d rather keep them away from, if only to prevent their wingwomen shenanigans. you have zero clue what they have planned, but you’re sure none of it can be good. 

“we were just on our way to the botanical gardens,” chaewon sings. “if you’d like to join usss.”

wordlessly, you and yeonjun communicate, only raised eyebrows and tilted chins. somehow, you ujnderstand exactly what he’s trying to convey. do you want to? do you? i don’t mind if you don’t. alright, let’s do it.

when you do arrive at the gardens, yeonjun’s fingers find your wrist, holding you back for a moment. his free hand gestures to the camera hanging around his neck. “mind being my model for the day?”

you blink. you, his model? “oh, um. i think chae and kkura are a bit more qualified—”

“no way,” he laughs. “i’m the professional here, and i want you. no one else will do.”

i want you — god, those three, simple words send a visceral shiver down your spine. a want, a need, an overwhelming desire for…you’re not even sure, but something all-consuming blooms behind your sternum like a moonflower in the night. with a coy dip of your head, you smile to yourself, allowing the feeling to surge through your veins, consume every fiber of your being.

“alright, mr. professional. lead the way.”

*:･

it’s early in the evening when you return to the station in a giddy haze, arm looped around yeonjun’s. the photo session had been a success; by the end, you were drunk on the compliments he aimed your way, on the way he treated you like glass as he directed you into a specific pose, the fleeting sensation of his fingertips pressing into your skin burned into your memory. 

closing the door to your room, your press your back into it, squeal into your palms like you did when you were sixteen and harboring a silly little crush. because that’s all it right now, really: a foolish crush on a man that you probably won’t see again after this trip. you can fantasize all you want, but in the end, that’s what it is. those invading negative thoughts get drowned out by the movie playing behind your eyelids — a replay of the day. you swear you can feel every touch of his skin against yours, every ray of sunshine that kissed your skin and gifted you its warmth. scurrying over to your bag, you locate your supplies. 

and you begin to paint. 

a flurry of lilacs, a blurry figure among them all, defined only by a flowing white button up and brown, wide leg trousers, black streaks of hair and nothing more. yellow daffodils and vibrant emerald sweetgrass take shape, a cerulean sky, fluffy clouds. it’s messy and you kind of hate it, but it’s something. something is on the canvas, it’s dynamic, it has character.

“okay,” you mumble, staring at the brushstrokes, going over them again and again. “okay.”

day five.

“can i draw you?” 

a spur of the moment question, borne from the golden sunset gracing his cheeks, highlighting strands of his hair. the day has passed quietly today, mostly spent in your room sketching to your heart’s content. though mostly inconsequential doodles paired with terribly cheesy words of prose that even your most romantic friends would scrunch their noses at, these exercises in creating without a specific goal in mind seem to be helping. a part of that gray fog over your world has been wafted away by an invisible hand, and everything is a bit more vibrant, closer to its true hue; while nothing about your creations are particularly special or groundbreaking, going on this trip is now beginning to prove its worth. 

yeonjun’s head tilts, and you shrug. “what? i need practice.”

“okay, as long as you promise to show me afterward,” he challenges, and you immediately shake your head. 

“i’m only going to show it to you if it turns out well,” you decide. you think back to the painting sitting in your room, still a bit wet, the paint overworked to hell. that one is staying a secret. it’s not good enough to be known by anyone else — and certainly not by him.

“then no deal.” when you give him a pleading look, he raises his hands. “i show you my pictures, you show me what’s going on in that sketchbook, it’s only fair.”

“fine,” you hiss, fishing your sketchbook from your bag. “get comfortable, and don’t even think about moving.”

“harsh.”

with a suppressed grin, you take in the planes of his face. he’s shifted to face you, intent eyes trained on you, which makes your job harder. gulping, you raise an arm, mapping out his proportions with a thumb. the process of pressing intentional marks into the page is a slow one, exacerbated by his unwavering stare. you have to look out at the mountains every once in a while to allow oxygen back into your lungs, and even then, the action proves difficult. graphite scratching paper is backed by the low murmur of other passengers in the observation car as you work, capturing the fading light that casts shadows across his face. however, your creative juices quickly run out, likely sapped by your painting escapade that extended far into the night. the shape of his eyes isn’t quite right, and no matter how much you erase and try again, there’s always a slight detail off about it. too narrow, too round, too—

the tip of the pencil snaps, the point rolling across the page and falling onto the floor. you curse under your breath. 

“is it done?” yeonjun asks, leaning forward. his hands gently take your sketchbook from your lap before you can protest, and you watch as his expression shifts from neutral to slack-jawed. 

“that’s…you’re…wow,” he starts, then never finishes. he still hasn’t torn his wide eyes away from the page, flitting around as he drinks in every miniscule detail, while you pinpoint every single thing wrong with the drawing.

“it’s bad,” you deadpan. “give it back, i need to fix it.”

he frowns. you seem to make him do that a lot. “there’s nothing to fix.”

“there’s everything to fix.”

“it’s literally a carbon copy of me,” he counters. “you’re crazy.”

“says the one who can’t see the shape of his eyes right now. the lash line isn’t straight enough at the top, the nose isn’t quite right, the hair lacks form. it’s terrible.”

for the first time since you met him, yeonjun is annoyed. eyes narrowed and dark, he locks his gaze into yours, throws away the key. you can’t move while he tosses the worn sketchbook back into your lap, a hand running through his hair, locks raising with his fingers and flopping back down into his face.

“i know what it’s like to be your own worst critic,” he says, voice soft like a lullaby, standing in direct contrast to his firm expression. “but it’s one thing to be critical of your art, and another to resent it. you’re a wonderful artist, y/n. talented isn’t enough to describe you, but negativity is going to get you nowhere. it holds you back.”

he’s right — you loathe that he is, and you more so hate how he sounds just like jennifer. your nails skirts the fraying edge of the leather cover in your laps, picking at it like you would with skin, peeling cracked flakes off to reveal soft underbelly of lighter-colored suede. wine red versus warm tan. you feel like you’re being admonished, a child who’s misbehaved. you feel small, but at the same time, you need to hear it. you’ve been coddled enough. 

“i used to hate my stuff too, y’know. never thought it was ever that special, but that’s what made me underestimate myself. that’s what made me settle for less, that’s what made me lock my camera away in my closet for the longest time until i felt i was ‘ready’ to use it — but who was i to say i was ready? how do you know when you are? honestly, you don’t. you won’t ever know. all you can do is create and create and hope that you eventually make something that you’re proud of. until then, you keep trying, you figure out what’s working, what isn’t, and go from there. in the end, everything you create is a reflection of you, and that’s the beautiful thing about art. it bares your soul, it strips you down to the rawest parts of yourself that you may despise right now — but it’s still you. and don’t you think you deserve to give yourself some grace?”

his words strike a place deep within you, an ache beginning in the center of your chest and snaking out like the roots of a tree into your stomach and throat. you do deserve some grace, don’t you? you don’t spew venomous words towards your friends or strangers every day, yet you do it to yourself without a second thought. why? you bring yourself and your skills down any chance that you get. why? your art is merely an extension of yourself — is this how you forever want to feel whenever your drawing? whenever you’re sculpting a piece? no, not at all. your head raises. 

“have you ever thought about becoming a public speaker?”

he lets out an incredulous scoff, but there’s still an inkling of teasing in his tone, “is that all you got from my mini speech? i thought it was amazing. life-changing, even.”

“no,” you deny with a tight-chested laugh. “but there’s not much more to add. you’ve said it all for me.”

the passing mountains are purple now, the greenery a muted magenta. in this moment, you decide the yeonjun is an enigma; untouchable, unreachable — standing too close to his bright, technicolor world would burn your muted one to the ground. if you are icarus, then he is the sun sending you plummeting down into oblivion.

but you want to touch him, you want to burn.

you want to feel alive again.

“let me draw you again,” and maybe it won’t be your best. maybe the slope of his chin will be crooked, maybe the intrinsic sparkle in his eyes won’t be quite right, but there’s a conviction present in your tone that causes him to smile.

day six.

“are you really trying to have a dick measuring contest with the seals right now?”

san francisco’s iconic pier 39 is abustle with tourists, but you and yeonjun are currently at the very back of the pier, where seals soak in the sun on little wooden docks constructed just for them. at the moment, yeonjun is trying to out-seal the seals with loud barks and hoots, mimicking their distinctive sounds. yeonjun is still making noises, people are starting to stare, and you are beginning to want to climb over the wooden fence and jump straight into the ocean. 

“yeonjun, please stop,” you plead, hands gripping the sleeve of his t-shirt, yet he doesn’t stop, honking back at the seals once they respond. you tug a bit harder. “c’mon, people are staring. the seals don’t care how loud you are, you’re not proving anything.”

“i’m proving a lot of things right now, actually,” he quips before he’s going back to making noises that are unbecoming of a human being. this feels like a cruel form of exposure therapy.

you try pulling at his sleeve again. “c’mon, yeonjun.” and again. “yeonjun!”

“okay, okay, i’ll stop,” he cackles, turning to face you. he’s close — too close to be considered platonic. his hands could come up and hold your waist right now, pull you closer into his chest. it causes you to take a step back, and it’s as if he can sense the heat radiating from your cheeks, leaning down towards you with a smirk. “you embarrassed?”

“of course i’m embarrassed,” you hiss. “how are you not?”

shaking his head, his grin grows impossibly wider. “if i buy you lunch, will you forgive me?” 

pretending to think, you look off to the side, then back to him. of course you will. “maybe.”

“i’ll take that as a yes,” he laughs as he falls into step next to you. the air is much cooler here than at your other stops, a gray blanket of fog rolling in on the horizon that cuts into the clear blue sky. he sends you a hopeful look as he asks, “y’feeling clam chowder?”

with a tiny shrug, you confess that you’ve never had it before. with a dramatic hand placed against his chest, he gasps, “you live in the northeast, and you’ve never tried it? that has to be some sort of crime.”

chowder hut is his restaurant of choice, a circular, well, hut that sits by its lonesome across from the infamous pier. it’s a place he used to go when he lived in san jose and took day trips here with his cousins, he claims. the restaurant holds a lot of fond memories for him, this whole city does. you wonder what those memories entail.

“i got you a small one in case you don’t like it,” yeonjun says as soon as he returns with your food. a tray is placed in front of you: a round sourdough loaf carved into to create a bowl, filled with cream-colored, steaming-hot chowder thick with chunks of potatoes, pieces of bacon, and, of course, clams. digging a spoon in, you take your first bite — clean, briny, slightly sweet, bursting across your taste buds like tiny little firecrackers. your eyes widen at the taste, buzzing in delight against the spoon poised to your lips. he grins. “it’s good, right?” 

you hum in agreement, swallowing another spoonful. you’re crazy for never having tried this before. twenty-four years of living, and you had no idea what you were missing out on. you’ve missed out on a long of things, it seems, but you’re beginning to catch up on them with the help of yeonjun — as well as sakura and chaewon, of course. you could never forget about them.

“you’re forever going to be connected to clam chowder in my mind now, i hope you know that,” you say, tearing into the walls of the bread bowl. the remnants of the salty chowder have soaked into the bowl, mixing perfectly with the tanginess of the bread. yeah, you wouldn’t forget this in a million years; it’s too delicious to forget. 

“you do that too?” he asks. you send him a questioning glance. “like, connect people to food.”

“yeah, i guess i do,” you ponder. “my mom reminds me of this one dish she always made me as a kid. my best friend reminds me of wine, since that’s what we drank when we first met. it’s also her favorite. and now you…remind me of clam chowder.”

he chuckles, “great, i’ll always be the clam chowder guy to you.”

you giggle back. “it’s not a bad title to hold. you could be, i don’t know, the terrible clam chowder guy.”

“fair enough. i’ll take it,” he declares before he shoves the last piece of his bread bowl into his mouth. his cheeks puff out, similar to a chipmunk, and you reisst the urge to chuckle at the image in your head. “now that i think about it, i don’t do it with just people — a lot of my fondest memories are connected to food, too. something human about it, y’know? food is its own form of love. or, at least, i think it is.”

“no, i completely agree. there’s something special about sharing food with others — it’s kinda intimate, i guess? especially if you’re cooking for someone, those are some of the most vivid memories for me.” 

nodding along with you, he’s leaning forward, elbows resting against the table. the corners of his lips quirk up. “you get it. the intimacy of it, i mean. my mom has always said that food is the best way to a person’s heart — food brings people together. it’s amazing.”

“yeah,” you beam. “it really is.”

for a moment, conversation ceases, the two of you smiling at each other, leaning forward over the table. your mouth opens to speak, but a loud caw draws your attention away from his hypnotizing eyes. you watch a seagull swoop in to harass a man that sits two tables over, his glasses skewed on his face as he tries to keep the bird from stealing his food. arms wave everywhere while the seagull screeches at him, flapping its wings on top of the man’s head. after a brief second of shock, the sight has you nearly doubling over with laughter, unflattering shrieks sounding from your throat. it takes a minute for your giggles to subside. while you wipe a tear from your lash line, you look back at him — and freeze.

he’s staring at you like you hung the stars in the sky, chin supported by his palm. his mouth curves into something serene and fond, hooded eyes scanning your face as you stare back. you’re no longer smiling, mouth parted as you wait for him to say something, anything. he doesn’t, so you move to break the intense air brewing between you.

“is…is something wrong?” with a flinch, his eyes blink rapidly for a second, coming back into focus. he sits up straighter, leaning into the back of his chair.

“i just— nevermind. sorry, spaced out there for a second,” his chin dips towards his chest before rising again, the tips of his ears flushing cherry. he looks nervous, almost. “um, if you’re up for it later, we could grab dinner at this korean restaurant i used to go to? it reminds me a lot of my parents. i think you’d like it.” 

while you’d rather ask where his head is at right now, what he was going to say before he stopped himself so abruptly, you say, “i’d love that.”

*:･

he was right, you do like it. 

the restaurant is cozy, a little hole-in-the-wall in the heart of the city where less tourists roam. the food is delicious, flavorful meats and fluffy rice and various veggie side dishes that you can’t stop eating. as he snaps some photos of the place, he tells you the decor reminds him of restaurants in seoul, of the mom-and-pop shops he’d frequent there. that at some point or other, some of the owners would start recognizing him when he came in and gave him extra food free of charge. 

“so you lived there for a while? in korea?” you ask as you watch him some meat for the two of you to share. the action is second nature to him, each piece staying on the grill for the same amount of time, flipped only once. you bring a piece to your mouth — it’s perfectly cooked.

“i was born there, in a town near seoul,” he says through a mouthful of rice. “moved around a bit, but i lived in seoul for most of it ‘til i was eighteen. then i moved to new york for college, but dropped out after two semesters to pursue photography. it’s been six years since i moved to the states.”

“you said you lived in san jose for a while earlier.” you tilt your head at him. “when was that?”

“ah,” he starts. “i studied abroad when i was in elementary school and stayed with some family there— do you want some more meat? i can order more.”

your meat supply has dwindled down to two pieces. there’s still room in your stomach, so you nod. “sure.”

he calls over the sole server on shift, speaking to him rapidly in his native tongue. the server glances over at you for a brief second before focusing back on yeonjun. out of their entire conversation, you recognize one word: friend. it’s a term that jennifer taught you a while ago, one that has stuck with you because she now likes to jokingly call you that every now and then. an inside joke between the two of you.

when the server leaves, yeonjun is left a flustered mess. your eyebrows raise. “why’s your face so red? what’d he say?”

“nothing! it’s just from the kimchi! it’s really spicy here,” he quickly claims before he’s gulping down half a glass of water. you, quite frankly, don’t buy it for a second, but choose not to pry. 

day seven.

of course, at least one thing has to go wrong on a trip like this. mechanical problems with the train has rendered everyone stuck in the golden city until tomorrow morning, at which another train will take over the rest of the trip. the station is across the bay, so amtrak has given every passenger a voucher to pay for a night’s stay at various hotels across the city — customer’s choice, no less. to be safe, you choose the one closest to the bar chaewon and sakura want to check out tonight. once you told yeonjun where you decided to stay, he used his voucher there as well. he wants to stay near you, he says, to make it easy to find each other.

today, the girls join you and yeonjun at pier 39. they partake in bread bowls, they watch yeonjun embarrass himself at the seal docks, they send you knowing looks when he pays for your food. when yeonjun finds a street performer with a dance mat and wastes no time in starting a battle against the guy, they tell you that he’s trying to impress you.

“he’s not,” you whisper to them. “that’s just how he is. i promise.”

night begins to fall, and they suggest going to a bar for dinner, more for the drinks and not the food. you accept, and in turn, so does yeonjun — though you immediately regret not thinking the decision through more. the bar is dangerous. not in an external hazard sense, but in more of a you’re scared of getting drunk and vomiting your blossoming feelings onto his shoes type of sense. you keep your drinking to a minimum, still on your first drink an hour in. next to you, however, yeonjun is starting to collapse in on himself, hunched over the counter of the bar as his third drink kicks in. a giggle bubbles up from your throat. you never pegged him to be a lightweight. 

“let’s get you some water,” you gently suggest, a comforting hand on his shoulder. waving the bartender over, you ask for a glass, helping him sit up and take a sip. his chin falls onto your shoulder this time, eyes hazy as he looks up at you with a dopey smile. 

“you’re really pretty, did y‘know that?” he slurs, leaning further into you as an arm wraps around your waist. his barstool screeches across the floor, shifting closer to yours. you freeze as shock fills your veins, nerve endings beneath his touch on fire. he pokes your warm cheek. “s’pretty.”

you blink. hard. “yeonjun, you’re drunk—”

“no ‘m not. ’m perfectly— ‘m perfectly fine,” the words stumble out of his pouty lips drenched in fatigue, his tone whiny and petulant, as he turns in his seat to wrap his other arm around your waist, forehead now sagging against your shoulder. your body stiffens up, tense muscles frozen in place as he continues his delirious ramblings. 

“i need to go to the bathroom!” you all of sudden exclaim, attempting to pry his arms off of you. he only squeezes you tighter, whining how you can’t leave here alone. you sigh, patting his hair, “you could wait outside?”

he accepts the offer, but doesn’t remove his arm from your waist as both of you stand. despite his almost six foot tall frame, you are forced to support him as he stumbles along towards the bathrooms and pray that you don’t twist an ankle in the process. when you reach the women’s bathroom, he still doesn’t let go. 

“nooo, don’t leave meeee,” he whines, pulling you back into his chest while your hand grips the door handle. calling his name, you slip your hands beneath his and grab them to pull them off of you.

“i’ll be right back, i promise,” you say once you situate him against the wall, his shoulder hunched and his head hanging down towards his chest. you give him a worrying pat before disappearing into the bathroom. in reality, you do not have to go. instead, you stand in front of the mirror, taking in your blown out eyes, feeling a scorching heat encase your face and spread down towards your chest. he’s drunk, you remind yourself. he doesn’t know what he’s saying. 

you wash your hands once. twice. three times, allowing the cool water to run over your heated skin. you splash some on the back of your neck. calm down. calm the fuck down. 

you are, indeed, not able to calm the fuck down before a flurry of knocks reverbates against the door. yeonjun’s voice follows soon after, asking if he can come in, if you’re okay. “why have you been gone for so longggg? i miss you!”

“no! don’t come in!” you yell, glad that all of the stalls are vacant. making your way back over to the exit, you wrench open the door and find him standing there, fist raised in the air as if he was going to knock again. 

he blinks once. then, an impossibly wide grin splits his face. “you’re back!”

stepping forward, you allow the door to swing shut behind you. arms wrap around you once again, but this time, you stumble backwards into the wall. when you look up, his face is just above yours. 

oh.

oh, fuck. 

this feels like a repeat of day one all over again, you trapped under his gaze, but this lacks the distance of that day. the unfamiliarity with each other. his hands haven’t left your waist, fingers pressing into your flesh over your thin dress, while the wall presses into your back. you have nowhere to go, but maybe you’re more drunk than you initially thought, because his lips look very inviting right now. you watch his eyes trail down to your parted lips, then back to your eyes, tongue darting out to swipe over his bottom lip. hid eyelids hood his dark, hazy pupils. the muscles in his neck contract, his adam’s apple bobbing as he leans closer, an electric attraction between your lips. you tilt your head, eye fluttering shut, moving closer, closer…

“y/n! there you are!” 

yeonjun jumps away from you as chaewon rushes up to you. her hands find your shoulders as she cries, “kkura twisted her ankle really bad! can you help me?”

you turn your head towards yeonjun, then back to chaewon, whose wide, rounded eyes plead you to come with her. “okay,” you say softly. “let’s go.”

yeonjun follows close behind, and all you can think of is what would have happened if chaewon didn’t show up. sakura’s ankle ends up being fine, and getting her back to her hotel room isn’t too difficult given the close proximity of the hotel. 

*:･

four days. four days you have known yeonjun, but it feels like it’s been years since you met each other. that fact strikes fear into your heart, remembering that the last time that this fast burn of feelings in your heart occurred, you ended up a brokenhearted mess for months. if yeonjun is the sun, his overwhelming heat melting you down into a puddle, then beomgyu was a black hole, all-consuming and ripping pieces of you away when he abruptly up and left. you’re unsure if you can go through that again, but at the same time, yeonjun doesn’t give off the impression of a drifter who wouldn’t tell you he’s leaving until after the fact. he’s a constant, a steady fortress. reliable, enduring. 

“good night,” yeonjun murmurs, both of you standing in front of your door. 

“good night,” you parrot back, rocking back on your heels, but you don’t really want him to go. knowing that isn’t realistic, you settle for opening your arms up towards him. for the first time, he hugs you good night, his lithe arms wrapping around your waist while he presses a drunken kiss into the crown of your head, and a feeling of being home washes over you. 

day eight.

he sits closer to you now. no longer is there a gap that separates your bodies, a full chair between the two of you. now, he sits right next to you, thigh brushing against your own. his hand sometimes finds your knee, never too high on your leg, never uncomfortable. just…there, his thumb rubbing soothing circles into the skin. neither of you mention what transpired between you last night, his affectionate words, the mere centimeters that separated your lips before chaewon interrupted. nevertheless, an unspoken barrier between you has broken, its bricks torn down by the hands of intoxication — due to alcohol, but also because of each other.

the almost-kiss replays in your mind in a constant loop; the woody citrus of his cologne is still strong in your nose, the warmth radiating from his flushed cheeks a phantom against your skin. you want to talk about it. you want to rip open the memory like a pomegranate for the two of you to share, but you don’t. you don’t know what you would do if you ruined…whatever this is that you and him have going on. he’s become a sort of constant in your life that you don’t think you can live without. you like him; you can admit it now. what you feel is not just a mere attraction anymore, an artistic appreciation for his unique features. he brings out a brighter part of you, a part that has been buried deep into your soul over the years, beneath layers of grime and dirt and negative experiences that you won’t let go of. the gray film over your eyes has been wiped clean by him, him and his beautiful heart he so easily bares to others. his heart that is so full of love — love for being alive, love for others — you wonder if any of that love could ever be for you one day.

he watches you sketch, you let him snap photos of you doing so. you share a small bag of chips, greasy fingers brushing against each other during those times in which you both reach in tandem. for hours, you sit together in a silence that is no longer awkward, but soft and tender. shoulder against shoulder, skin against skin. words aren’t required, your actions speaking for themselves. you bask in it all.

day nine.

the space needle isn’t that impressive.

you’re sure it’s a much better experience when you’re at the top, but yeonjun shares a fear of heights with you, so there’s no way in hell either of you are going up there. instead, you stand beneath it, amongst an ever-moving sea of seattleites and tourists, and wait for chaewon and sakura to come back down from the tall building. 

at the beginning of this trip, you’d allow for a few feet of space between your bodies, but slowly, it’s diminished to a scant few inches. you don’t really register this gradual change, as natural as it was. every once in a while, his pinky brushes against yours. neither you nor yeonjun move to do anything about it, either by pulling away or linking them together — a state of limbo that is befitting for a pair of strangers falling for each other. to make the dive into the unknown or to stay on the surface where it’s safe, that is the question.

“how much longer do you think they’ll be?” you ask, staring up at the pointed top of the tower. the sky is gray today, a bit chilly, but it’s an expected sight in washington during this time of year. “i’m getting hungry.”

yeonjun huffs a laugh, lightly elbowing your bicep. “maybe we could grab something real quick. i saw this taco truck nearby—”

“y/n? is that you?”

you’d recognize that deep timbre anywhere. the man that dropped your heart on the floor and vanished from the earth before he could watch the aftermath, the man that you never wished to see ever again.

turning around, you find beomgyu.

your phone slips from your hand, clattering against the concrete — but you can’t bring yourself to check if the screen has shattered. instead, yeonjun grabs it for you, rising with it as he anxiously asks if you’re okay. you don’t answer, too busy staring at the man now standing before you. he’s changed; his shorter hair has grown out past his ears, dyed a warm brown, though his black roots are apparent; soft pastel pullovers and light jeans have been swapped out for black slacks and a dark brown leather jacket, clothing choices more mature than when you last saw him. why is he here? you thought he lived in san francisco — you would’ve been less shocked to run into him there, but in seattle? 

“i moved here a few months ago.” shit, did you say that out loud? “i could ask you the same thing.”

“i’m on a trip,” you quickly answer, no further explanation leaving your mouth. 

he nods nonchalantly. you think you see his eyes flit to yeonjun for a second. “cool, cool.” 

“yeah.” why won’t he walk away already? your feet are glued to the cement, jaw tense as you try not to cry. the memory of him texting you that he had left the city and things between you won’t work out come rushing back. why now? how can he show his face to you after all he’s done?

he nods again. “are you here for long?”

“just— just for today.”

“well, i’d love to catch up with you before you leave. i’ve missed you a lot. maybe we could grab dinner tonight?” his smile is soft, hopeful — manipulative, in a way.

“i’m actually pretty busy today,” you begin, but of course, you have no idea how to tell him no. “but maybe if i’m free later.”

“great!” he exclaims, hands now in his trouser pockets. he looks over at yeonjun again, the upward curve of his lips flattening. “i need to get going, but i’ll text you later. you still have my number, right?”

“i think so.”

“cool.” his smile grows excited. “see you later, then.” beomgyu turns to walk away with a confidence in his strut that he didn't have when he lived in new york. when he was dating you. how shameless can he be? soon enough, he disappears into the crowd. blinking, you wonder if that really just happened, turning back toward yeonjun. his jaw is set, eyes still staring at the point where beomgyu vanished. the gray clouds feel suffocating now. the cool air constricts your lungs. you want the cement to open up and swallow you when his hardened eyes turn to you.

“who was that?” yeonjun asks, tone casual, but there’s a…jealous? edge to his question. you’re looking into things too much — there’s no way he’s jealous right now. 

“...my ex,” and it hurts you to admit it. his eyes darken, as he utters a soft “oh.” you sigh, “yeah.”

he won’t look at you anymore. why won’t he? you didn’t do anything wrong. you had no control over beomgyu showing up. he purses his lips. “are you gonna meet up with him?”

your head shakes on its own, words escaping before you can think about them. “i don’t know, yeonjun.” 

“okay.” biting his lip, he turns so that he faces the space needle again, stepping away from you. you feel like strangers again, an ocean of distance between you bodies. “yeah, okay.”

*:･

you don’t meet up with beomgyu.

meanwhile, yeonjun is nowhere to be found. after the beomgyu incident, the two of you waited in tense silence for your other friends to return. he then made up some lame excuse to leave, and didn’t turn back when you called his name. you haven’t seen him for the rest of the day, even when you return to the train. he won’t respond to your texts. eventually, you stop sending them; he obviously needs space for whatever reason, so you will give him it. 

the terrible, painful thought of ruining everything you had with him sits in the forefront of your mind, taunting you. the girls try to distract you, showing you silly tiktoks and youtube videos and the like, but you simply offer them a half-hearted huff each time. once you explain what transpired while they were gone, however, their tune changes a bit. 

“y/n, i’m going to be very honest, and i need you not to take it personally,” sakura replies. though your head lays on top of your folded arms, you signal that you are listening with a bob of your head. she continues, “your response wasn’t the best. it probably confused him, and now he doesn’t know if you’re still hung up on this guy or not. if one of his exes came up to him while with you, and he told you he didn’t know if he was going to meet up with them later or not, how would you feel?”

“shitty,” you mumble into your forearm. 

“exactly. so give him space for now, and when he reaches out, explain and apologize. you owe him that much.” sakura sounds just like jennifer — they’d definitely get along. 

“i know. i will.”

the waiter comes around with water, and you order a strong cocktail to go along with your dinner.

day ten.

“has he texted you back yet?” sakura asks for the thousandth time today.

when you shoot her a defeated glare, she gets her answer. no, of course he hasn’t. he hasn’t responded to you since he left. “you said to give him space.”

“yeah, but i didn’t know he’d fall off the face of the earth,” she shoots back. sighing, you tip your head back against the wall next to her bed. a lake passes outside, surrounded by tall grass and trees. small hills rise behind the blue expanse, but you don’t feel the same urge to grab your sketchbook and translate the view onto the page anymore. it’s funny, how easily one person can affect your mood, turn everything upside down with the mere lack of his presence in your life. 

“he just needs time.” chaewon opens a can of soda with a pop! and takes a sip. “maybe it affected him more than we realize.”

“‘cause that makes me feel sooo much better.” sarcasm drips from your voice. “i’m such a fucking idiot.”

there’s a half-day stop in glacier national park tomorrow. will you see him, or is he going to avoid you for the rest of this trip? will you ever see him again? the emotions that swirl within you are reminiscent of what how you felt before you met him. that grayness. that sinking sensation festering in your chest that claws it’s way down into your stomach and shreds it apart. you said that you wanted to burn, you wanted it to hurt, but this feels all too fast. too much.

sakura makes a noise in disagreement. “no, it shows that he cares about you. you just have to make sure you clear things up with him, and tell him that you like—”

“if you’re going to tell me that i need to confess my feelings to him, i really don’t think i can do that.”

“why?” chaewon prods. “what’s stopping you? he obviously likes you too.”

beomgyu. beomgyu is the fucking reason why. you can’t bare your heart to someone again, lest you get hurt all over again. after all that has happened, if yeonjun doesn’t reciprocate, it will confirm your worst fears — that you aren’t built to receive love, no matter how hard you try to mold yourself into a person that is deserving. dread churns in your stomach, rises into your throat like bile, acidic and fervid, as thoughts of worst case scenarios where you pour your heart only to hear “sorry, i don’t feel the same way.” you can’t do it. you can’t allow yourself to spiral again. however, you don’t divulge your reasons for holding back, remaining silent as you trace the patterns on the ceiling. 

after a deep, shuddering sigh, you give them a three word explanation: “i don’t know.”

day eleven.

stepping off of the train into fresh air sharpens your dulled senses. the national park is beautiful, for lack of better words; thickets of trees spreading out in all directions as far as the see. the sun is rising over the mountains that stretch high above your head — you’re starting to enjoy this view more than the lifeless skyscrapers that await you back home. the train station looks more like a little lodge than an actual station, but you appreciate its quaint character. reddish-brown wood makes up the majority of the small-scale building. it looks like a place where people would spend the night in, with a warm, cozy fireplace in the wintertime, and wide open windows in the summer to allow the refreshing breeze to waft in.

meandering down the path behind the station into a field of tall grass littered with bunches of tiny, white flowers, you begin to reflect on everything that has happened on this trip. originally, you went on this stupid trip with the goal to find inspiration, and last night you had a very important realization: yeonjun is that something — you started drawing again because of him, you started looking on the bright side of things because of him, and most important of all, you fell for him. you didn’t just fall for him in the way an artist falls for their muse, no. you fell for him as a person. getting to know him has been one of the best parts of your trip, but now all of that has gone down the drain because yeonjun hasn’t responded to you in over twenty-four hours and you have not a clue what to do to try to make things right. if he doesn’t wish to speak to you, then that’s that. it’s over. whatever momentum this fleeting relationship had has been effectively pummeled into the dust that would blow away with even the gentlest of breezes. 

you wish you could appreciate this view more. your paints sit in your backpack back in your room, out of sight so that you don’t have to think about them, nor hear their pleas to be used. although you now know why you lack the drive to paint and draw and generally create once again, no clear-cut solution to your problem comes to mind. instead, you wander through the grass towards a large, squatty boulder, climb on top of it, and plop down. your knees curl up towards your chest while your arms wrap around them, fingers tracing random patterns against your shins. fatigue solidifies in your bones, but the tranquility of the early morning the quiet tucks a blanket of peace over your body, swaddling the edges around you, cocooning you in.

you sit there, taking in the sounds and sights of nature, for hours. the chirping of birds sings a melody over the whisper of trees in the breeze. a deer leaps across the open field, disappearing into the trees, her fawn following close behind. bighorn sheep graze in the distance, their circular horns reminding you of cornucopias. 

the rustle of trees and grass obscure the sound of approaching footsteps from your ears. it’s not until yeonjun begins to climb onto the boulder that you notice him, and you hug your legs tighter to your body as he sits next to you but not too close. an invisible wall separates you. he does not look remotely near your direction, his focus far out in the trees. staring at him, you wonder what to say. i’m sorry? i have feelings for you?

“i never met up with him.”

he still doesn’t spare you a glance. assuming he wants you to continue, you do. “i don’t know why i said what i said, but it was shitty of me to put you in that position, and i wanted to say that i’m sorry. i was just shocked, i guess. to see him. he ruined my perception of a lot of things, jjun.” jjun. that’s a new one. you are quite unsure where it came from, it slipped out before you could think. no matter, he’s looking at you now, and it’s your turn to look out towards the horizon. “trust, commitment, love…”

his gaze burns into your temple. you take a deep breath, fingers clenching the fabric of your jeans. “they’ve all been ruined for me. it’s hard for me to trust anyone after what he did. i’m terrified that the people i grow close to will wake up one day and leave me without a word. i’m scared that i’ll never get the closure i deserve when they do. worst of all, i’ve stopped believing that love is in the cards for me, like there has to be something wrong with me for him to have left me like that—”

“don’t. don’t you dare say that about yourself.” whipping your head around, you finally meet eyes for the first time in nearly two days. they aren't soft like they usually are when they look at you, but hardened, guarded. “there’s nothing wrong with you. you have every right to be hurt, and he’s honestly a piece of shit for doing that to you, but it’s unfair to assume that everyone that comes after him will be just like him.”

“i know, and i’m sorry. i know you’re not like him.” he doesn’t respond, and you begin to chew at the inside of your cheek. you watch an ant crawl its way across the rock beneath you. the small insect disappears over the edge. 

silence. you begin to count the seconds. one, two, three, four—

“i’m sorry for not texting you back. i just needed time to think about things. a lot of things,” he starts. “i felt weird, for some reason. didn’t know how to talk to you about it.”

you offer him a tight-lipped smile. “no, i understand. i forgive you.”

important words remain unspoken, but both of you refuse to address them. instead, his hand finds yours, he links your fingers with his, and both of you peacefully watch the sheep graze across the field.

day twelve.

not everything is fixed yet. 

despite being on speaking terms again, strain pulls your relationship taut. the unspoken words from yesterday hang heavy in the air, but you can’t bring yourself to give them a voice. you want to. your voice won’t work every time you try.

sitting next to yeonjun on his bed, you scroll through various forms of social media, bookmarking work that you find particularly interesting in between catching up on your friends’ posts. jennifer has been thoroughly caught up on what’s been going on after a long overdue apology for not responding to her texts. she understood, of course she did. she’s known you long enough to know how you can shut down whenever you’re feeling overwhelmed. 

“i’m proud of you for telling him. i know it’s hard for you to share, honey,” she cooed to you over the phone last night. “but you need to tell him how you feel before it’s too late.”

you know that. you know damn well that once you get off this train, it may all fall apart, a budding romance distinguished by reality. there’s no security, no safety net for you to fall into if you take the leap, and while he showed you an inkling of how he felt yesterday, who’s to say he’ll feel that way tomorrow? the next day? are you willing to tear your heart open for him to consume if there’s still a chance of him throwing it away when all is said and done? 

you don’t know the answer to that question. honestly, you don’t know the answer to a lot of those questions, stuck in this state of self-imposed purgatory. to rise or fall, what is the best choice? you don’t fucking know.

“is that yours?” he asks from over your shoulder, at a ceramic piece in your feed made by one of jennifer’s acquaintances. his breath snakes warmly over the expanse of your neck due to his proximity, his head so close you could turn and just kiss him— 

stop it. 

“oh, no. um.” you shift away from him slightly. distance. some distance feels more comfortable right now. “i don’t sculpt. i just paint, and draw.”

he makes an ahhh of understanding, leaning back onto his palms, the mattress sinking down with his weight. he’s staring at you like he expects something from you. what shall you give him? when you don’t say anything further, he does. 

“can i see some of yours, then?” it’s an innocent enough request. rather than simply press on your account, your fingers move on their own until you reach your gallery. why? are you really about to bare your soul to him? you guess so, because he’s gently taking your phone from your fingers after gaining quiet permission from you. 

he asks you questions as he pulls up certain pieces. the thought process behind each one, what made you do this, place that color there, how you came up with the composition, what the meaning of it all is. you try your best to explain each one. sometimes, your choices were the product of spontaneity. you thought yellow would look nice at that spot, so you put some there. her nose is crooked because it gives the piece more character. the color of the drapes in the background are blue for no particular reason other than the fact that your reference photo had blue drapes. you continue in a cycle of question, answer, question, answer, and some of your answers are more emotional than others. you remember where you were, both physically and mentally, when making all of these. you remember the ones you made when you were having a bad day, the ones where you felt like you were on the top of the world. 

then, he pulls up one that you wish he didn’t. it was buried so deep into your gallery that you have no idea how he found it — your most dreaded hyperrealism piece: a woman lays on her back, hair fading into the foreboding, void-like background. her face is twisted up into an abject sadness, a deep-seated pain that even now, you have no idea how you captured so vividly. her veiny left hand is splayed next to her head, thin crimson threads tied to each finger so tight that she has begun to bleed. the strings fall limp beside her, severed from their counterparts that meander off of the canvas. more red threads loop their way around her neck, pulled taut as if to choke her — and to her throat, she holds a pair of sharp-pointed scissors, hand gripping the metal tight enough to pale her knuckles. 

it’s dark. it’s terribly dark and you wish he never saw it. why did he have to see it? why did he have to choose that one? the world tilts on its axis as he stares down at the picture of your most soul-baring work, though you think it would be worse if he saw the actual painting in person.

“what’s the story behind this one?” he asks quietly. your lungs expel all air, and you’re left gaping for more. breathe, come on, you have to breathe. your inhale is shaky, shuddered. breathe. say something.

“that one…” your voice trails off into something quiet. scared. “i made it when i was in a really— really dark place mentally, um. i made it mostly because—”

he’s looking at you now, concern shining in his irises, but you push on. 

“because i stopped believing in fate.”

while you could say more, you stop yourself there. you hate digging — digging into your deepest fears and emotions that you keep locked behind a wall so that you never have to feel them. a pandora’s box sits in the center of your heart, wrapped with chains to keep them imprisoned. somehow, though, you think yeonjun knows what you really want to say: you meeting each other wasn’t fate to you, but a gross series of coincidences, and when he asks if you think so, you simply nod.

“but out of everyone on this train, i met you. i got to know you — shouldn’t that mean something? can’t that be considered fate?” he presses. something akin to desperation laces his words, an urgency you’ve never heard from him. 

it sure feels like fate, doesn’t it? after all of those times that you ran into him, how he found you in the observation car when it was just you in there, how your feelings have unfolded like taking apart a paper crane in the short nine days you have known each other — it feels like it should be fate, you want to admit that all of it does seem like the universe’s divine intervention. maybe you running away was really just you trying to deny your fate to meet yeonjun while on this train. maybe him finding you was fate, an apology from whatever is above for what they put you through a year and a half ago.

“i think—” you hesitate. “i think so. it’s hard for it not to when i feel like i’ve known you my entire life.”

and you sit there and he’s smiling at you like you just created the earth with your bare hands. chicago passes outside the window. the sun shines high in the sky over the high rises, glints across glass panes and into his room. all you have is one more day on this train, and most of it will be spent sleeping tonight. he’ll wait for you tomorrow, right? would he wait for you forever?

“you know, i tell most people that my name is daniel.”

tilting your head, you echo, “daniel?” 

he hums as he scoots a bit closer, planting his feet on the floor next to yours and leaning forward. his knees support his elbows as he stares down at the floor. “it’s my english name. i used when i was in college, i use it for my work, but for some reason, when i met you, my actual name, my given name, came out instead. call me silly, but i think my heart knew you’d become someone special to me. i wanted you to use my actual name — the one my parents call me. the one my closest friends call me.”

“oh.” why does your chest feel so tight right now? 

he sucks his lips behind his teeth for a moment. “yeah.”

sitting there, you wonder how you should respond to that. words expelled like an exhale of air, colliding with each other in front of your eyes, unable to be unscrambled by your mind. this time, it’s you who reaches over, closing the distance between you with a hand over his. his palm flips open to meet your own, your fingers linking together like matching puzzle pieces. you take a deep breath, and squeeze. 

“thank you,” you whisper. thank you for being here. thank you for helping me find myself again.

day twelve (point five). 

“i’m gonna miss you guys so much!” 

chaewon is basically on the verge of tears at this point, constantly blubbering how she is going to miss hanging out with you every day as she pulls you and sakura in for a hug over and over again. sakura laughs as she pulls away for the thousandth time this afternoon. “girl, it’s gonna be okay. we’re gonna meet up for coffee soon, right?”

she looks towards you, and you give an enthusiastic nod. “right. i’ll invite my friend too. she said she’d love to meet you guys.” 

chaewon’s pout doesn’t vanish, but she looks a little less emotional after all of your reassurances. blinking back the remnants of her tears, she nods with a watery “okay.”

you bring her in for one more hug while sakura asks, “have you seen him yet?” 

“no, i haven’t heard from him since last night.” your teeth worry your bottom lip, peeling a piece of raised skin off. the sensation stings. 

her lips purse sympathetically, a hand being placed on your shoulder. “i doubt he’d leave without saying something to you, don’t worry. he has to be around here somewhere.”

“yeah, you’re probably right.” as chaewon pulls away, you check your phone again. no texts or calls yet. doubt ricochets around in your brain, but you know yeonjun; he wouldn’t do that to you. 

“i’d love to wait with you, but my manufacturer is pissed i didn’t call them back yesterday, so i should get going,” sakura admits with an apologetic smile. her fingers squeeze your shoulder one time before her arm drops back to her side. 

“i should go too,” chaewon sadly adds, kicked puppy eyes in full effect. “my cat is waiting for me. my friend said she was a little demon the whole time i was gone.”

“it’s okay,” you laugh, shooing them away jokingly. “you guys can go. i’ll be fine.” 

with a last group hug, they grab their suitcases and head towards the hallway that connects the train station to the subway lines. sakura twirls around, walking backwards as she calls, “keep us updated! we need to know everything,”

“of course!” you yell back, grin widening. chaewon turns back too to wave, and you wave back. eventually, the crowd swallows them up, and you are left alone to wait. a few minutes pass, and you realize that this sea of people will likely make it impossible for either of you to find each other. his contact is pulled up on your phone, your thumb hovering the call button. you look around one more time—

and he’s standing right there, mere feet in front of you, in all of his glory, long hair still flopping into his face, eyes still dreamy and all-consuming. you stand there for a moment, simply staring at each other with stupid, goofy grins overtaking your faces. long legs carry him over to you, and before you know it, you’re wrapped up in his arms and pulled into his strong chest. you bury your head into the side of his neck, inhaling the scent of his cologne.

“thank god,” he murmurs into the crown of your head. “i thought you might have left already.”

pulling back, you fix him with an incredulous stare. “what in the world made you think that? i was waiting for you.”

his ears tint an opaque red, the raised apples of his cheeks flushed a similar hue. he’s bewitching, and despite knowing that since the very first day — the day that you drew him for the first time — there’s so much more to him than looks to you now. he’s beautiful in both body and soul, in heart and head. one hand removes itself from your middle to cup your jaw, steadying your gaze with yours. your heart pounds, knees weak like a newborn doe’s as he stares deep into your eyes. blinding are the emotions swirling in his dark irises, but it doesn’t burn anymore. it’s more like the caress of the sun in the springtime, bright yet gentle in its own right. 

“this feels long overdue for me to say,” he begins, eyes closing as if to steel himself. when he opens them again, resolve has been added to the mix. “but i have feelings for you. i’ve never fallen for someone so quickly. i’ve never met someone like you, and i just— i knew, from the very day that i saw you, that we’d have something to do with each other. and then we kept running into each other, and i just thought wow, this has to be—”

“yeonjun,” you call, interrupting his ramblings. he pauses, eyes wide and anticipatory, as your hand moves up to cover his on your jaw. you can’t help the tremble in your lips as you speak. “i feel the same way.”

his lips purse, hiding a smile, before he surges forward and embraces you for a second time. the pure, unadulterated joy that the action brings you is like nothing you’ve ever felt before, and you’re almost…sad, when he pulls away.

“can i take you out on a date?”

the question throws you off kilter, and you have to catch yourself before you fall face first into his chest. “like, right now? with our suitcases and everything?”

“i’ve done much worse,” he chuckles, ruffling his hair, only for the locks to fall back down into his eyes. “but i meant later today, maybe? around six? i have to go take care of some things i neglected before i left.” 

“that sounds wonderful,” you gush. despite your best efforts in keeping your excitement to a minimum, you bounce up onto your toes for second, heels sinking back onto the floor. you swear he mumbles a quiet “cute” under his breath before he’s slipping his hand into yours.

“perfect,” he beams, before he playfully continues. “shall we be off to the subway then, my lady?”

giggling, you fall into step next to him, your arm swinging with his between you. “we shall.”

*:･

he’s right on time to pick you up, dressed casually but not too casually. a cool beige, short-sleeved button-up is tucked into a pair of straight-legged black jeans that stop at his waist. the chunky converse on his feet cause him to be a bit taller than usual. evidently, he is distracted by his phone, head ducked down as he waits for you to show up.

“yeonjun!” you call out, causing his head to snap up. once he does, you find that he’s somewhat styled his hair back — most of it has been swooped back towards his ears. a few strands fall into his face, but his forehead is fully exposed, and he looks…amazing. sometimes, you wish you were a poet instead, because then you’d have the words describe what you were feeling, what you were seeing. his jaw drops at the sight of you, dolled up in a jean skirt and frilly tank top over a thin long sleeve, your makeup soft and flattering to your features. 

“hi,” he breathes, and you repeat the greeting back to him. “you look…wow.”

“thanks,” you, biting your glossy lip. as his focus flits down to where your teeth dig into the soft flesh, you shyly smile, releasing it. a shock runs through you, new and carnal and it warms your stomach when he bites down on his own lip for a split second. “um, i know we didn’t really talk about where we were going to go, but there’s a thai place down the street from here, if you wanna go there? it’s my favorite.”

“of course,” he accepts, offering his arm to you. you loop your own through, standing close to him with your fingers pressing into the crook of his elbow. “lead the way.”

now that neither of you feel the need to skirt around your feelings, silence no longer lingers between pauses in conversation — both of you are able to pick it back up with ease. you meant it when you said that you feel like you’ve known him your whole life, and it reflects in the way you banter with him without worry or care. it’s…nice, freeing, not having to think too hard about what you’re about to say. natural. everything with him feels so natural. 

when both of you are sated, in both terms of food and conversation, he offers to walk you back to your apartment. the sun is beginning to set, and the sky has faded into a wash of rosy pink. the hue reflects the giddy feeling churning in your chest, rendering you light-headed and dizzy and fuck you just want to kiss him—

and he does. standing in front of your apartment building, he swoops down and captures your lips with his. slow, unhurried, his lips taste sweet like thai tea and are as soft as clouds. no one leads the other, no one moves to deepen the kiss. no, instead, you and yeonjun savor the taste of each other, the syrupy, vertiginous feeling of your first kiss together. when he pulls away, hips lips have a slightly swollen quality to them, though you’re sure own look the same. you don’t want him to leave yet. you want more, you want something carnal and irrepressible that, by the he’s looking at you, he wants too. playing with the locks hair at the nape of his neck, you pant against his lips. “come inside with me, please?”

soft eyes darken, and he takes your breath away once more with another kiss, hands squeezing your waist. once he separates your lips from his, he rests his forehead against yours. nerves flutter in your stomach. “okay.” 

you find it terribly difficult to keep your hands off of him as you unlock your door, as it shuts behind you. for a minute, you stand there, waiting for something, anything to happen — then he’s crowding you in against your door and his lips are on your again. although there remains an air of softness, urgency fills the gaps where your lips don’t quite meet as they meld together, his tongue slipping into your mouth to curl with your own. your shoulder blades press into the cool wood of your door, the warmth of his body against your front a dizzying contrast to your scattered mind — but you want more. you want him.

when he slip a knee between your legs and knocks them apart, you let him. when he presses that knee into your core, encourages you to grind against it, you let him, you listen. whining into his mouth, you tug at his shirt, at his belt loops, his hair — anything you can get your hands on, you’re pulling at it, grinding down harder as his jeans rub your soaked panties against your aching pearl. a cry rips itself from your throat, mouth leaving as your head is thrown back against the door. “y-yeonjun—”

“patience, love. i’m gonna make you feel good,” he mumbles as he ravages your neck, nipping and sucking at the soft skin. his hands have snuck beneath your shirt and smooth over your stomach up to the cups of your bra, squeezing the flesh over the fabric. as you raise you arms, he helps you pull your top off, the article thrown onto the floor without ceremony or care. his hands loop behind your back, fiddling with your bra clasp. “can i?”

“please,” you keen, and he wastes no time in doing so, expert fingers sliding the straps down your arms until your bra, too, lays on the floor. lips find your right nipple, enveloping the pebbled flesh in a warmth wetness that causes your back to arch into him. one hand pulls you into him, while the other tweaks your other tit. his teeth graze it, and the stinging edge of painful pleasure causes you to shiver. he hums, vibrations causing you to moan his name louder, plead for him to do more. leaving your breast, his mouth kisses and laps at the skin of your stomach. down, down, down, until he drops to his knees in front of you, swiftly unzipping your skirt and pulling it off of you. lips find your thighs, biting down lightly, and you squeak, hand finding his hair and pulling. he looks up at your through his lashes, absolutely depraved and almost drooling for more. you gulp, legs almost giving out under you as you smooth your hand over his hair, pushing the strands that have fallen into his face back. “can we— can we move to the bed?”

immediately, he stands, pulling you behind him before he’s placing you onto the edge of your bed with great care. before he can fall to his knees again, you curl your shaking fingers into his shirt. “take this off? i wanna see you.”

with a huff of a chuckle, he does as you ask, revealing a toned stomach, broad shoulders, muscled arms. your tongue darts across your lips as you drink him in, causing him to smirk. “like what you see, pretty?”

“y-yes,” you stutter out, quiet and wanting and full of lecherous need. your thighs attempt to squeeze together in order to provide some relief to your pulsating core, but his legs stop them from fully closing. his fingers find your jaw, squeezing the flesh. your cheeks heat up. 

“so fucking cute.” the praise sends a white hot streak through your stomach and into your center. your face is on absolute fire now, vision growing hazy around the edges as you watch him sink down between your thighs, your panties quickly discarded to reveal your center to his eyes. two fingers trace your folds before dipping beneath them to find your entrance. his eyes widen at what he finds, fingers coming back up coated in your wetness, glinting against his fingertips and knuckles in the light streaming in through your windows. “you’re so wet, baby. this all for me? a little kissing got you this needy?”

“mhm— oh,” you gasp when he brings the fingers to his mouth, sucking on them lewdly as he refuses to tear his gaze from yours. he moans at your taste, hot tongue swiping up the remnants that accidentally smeared onto the corner of his lips once he removes his fingers. his smirk returns, hands sliding under your ass to pull you closer to the edge of the bed, closer to his mouth. you sit up on your elbows to watch him kiss his way up your inner thigh, hands holding you open for him. there’s nowhere for you to hide, as he traces your folds with his tongue, dipping into your entrance and swiping up to your clit. crying out, your fingers find his hair in an ironclad grip. he groans against your pearl, your hips bucking up into his face before his arms snake around each thigh and hold you still. he alternates between circling the bud with his tongue and sucking it between his plush lips, spit pooling at the corners of his mouth as he loses himself in your taste. meanwhile, you’re already so close to the edge, you can feel your walls begin to clench around nothing, your hips jumping up as far as he allows. as he dips down to your entrance, his nose bumps against your clit, but his tongue is back in no time to continue its assault on your poor little clit. “jjun, ‘m gonna, please, ‘m gonna—”

“cum,” he mumbles against you. “cum f’me, pretty girl.”

with his permission, your head falls onto your sheets, eyes rolling into the back of your head as your vision spots white. cries pour from your lips like honey for him to drink, but you never quite come down fully. rather, he keeps circling his tongue against your clit through your high, and as your orgasm subsides, another one already begins to build. tears prick your eyes as you plead, “jjun, no, can’t, i can’t, nonono— i can’t!”

“yes, you can,” he murmurs, removing his arm from your right thigh. his lips don’t leave your clit as you feel two fingers slip into your soaked entrance, smoothly thrusting in and out and curling up into your upper wall until he finds that soft spot inside you that has your voice shattering into shards of moans and staccato wails. he groans against you as he feels your walls clench, the pace of his fingers unforgiving as he coaxes another mind-shattering orgasm from your body. your fingers flutter around his walls, watery hiccups torn from your throat. this time, he slows down, helps you ride out your high, before he removes his fingers, licking his lips of your essence as he does. climbing onto the bed, he hovers over you, taking in your spit-slick lips and tear-lined eyes. he wipes the tears away with gentle motions, cooing when you whine. he sits there until you come back to him, lucidity shining in your eyes as you blink them open. smiling, you pull him in for a languid kiss, tasting yourself on his tongue before he pulls away. 

when he caresses your cheek with his thumb, asking you if you’re okay, you lean into his touch, “mhm, want you to fuck me.”

“i can do that,” he laughs, causing you to reciprocate. standing, he slips his jeans and boxers down his thighs until he’s left in nothing, hardened cock veiny and flushed an angry red. you think it’s an average length, on the thicker side, the girth causing your mouth to water. as he runs his hands up your thighs, he asks, “d’you have any condoms, love?”

while you’d rather him fuck you raw, you know it’s safer this way. you point towards your nightstand. “there.”

as he fetches one, you scoot into the middle of the bed, watching him roll it on before he returns between your thigh, pumping his cock once, twice, lining it up with your entrance. his free hand grips your waist, watching as you move your hips to try to slide him into you. smirking, he presses his hips forward, cockhead dipping past your entrance. both of you moan at the sensation. slowly, he works his cock into you, little rolls of his hips until he’s seated fully within you, hips flush against your pelvis. 

“move,” you whine. “please move.” and that’s all it takes for him to swiftly pull out and slide back in again. as he thrusts into you again and again, his movements grow rougher, the tip of his cock brushing against your g-spot each time. moaning, you reach up towards him, forcing him to lean over you so you can kiss him again, swallowing each other’s sounds. he’s just as loud as you, praises falling naturally between his breathy moans. 

“feel s’good, baby. so fuckin’ tight and wet f’me. so unreal. d’you feel good, too?” he coos against the shell of your ear, warm breath curling against your necks. your walls clench around him at his desperate sounds.

“s-so good, jjunie,” you hum, feeling your third high of the night approaching. the knot in your stomach grows tighter as his thrusts grow sloppy, chasing his high as much as you are. a thumb moves down to rub your sensitive clit, quick little circles against the bud until your limbs are locking up, quaking as you finally cum around him. a few seconds later, his high hits him as well, his hips quivering as he spills into the rubber with a loud groan. 

slowly, he pulls out, ridding himself of the condom and soon returning to the bed to plop down next to you. arms pull you in close as you both pant and grin tiredly at each other, basking in the quiet that permeates the air, and he stares at you, dulcet eyes boring into yours. 

“what’re you thinking about?” you decide to ask, poking the center his sweat-beaded forehead. taking a moment to respond, he pulls you even closer so that your noses almost touch. 

“it’s just— there’s this concept in korean — inyeon,” the timbre of his voice raises slightly as he switches to his native tongue, and lowers again when he switches back to english. “that, um, it means…”

his cheeks are growing the slightest bit pink, a shade that reflects the cotton candy clouds that float past your windows. squeezing his hand, you silently urge him to continue, soft gaze finding his own. a gentle kiss pressed to his cheek, his jaw, naked skin pressed against naked skin. together, whole, one.

he starts again, “there’s no direct translation, but it basically is fate. strings of fate. i truly believe the universe has connected us in some way, whether it be through some invisible red string or another force. and i know, i know what you said about fate, but i can’t stop thinking about how we found each other. there’s something beautiful about starting off as strangers and getting here. i don’t know, i’m just rambling at this point,” he chuckles, burying his nose into the pillow under his head. “i’ve just never felt this way about someone before. i’m sorry.”

with a gentle hand, you cup the side of his face, forcing him to look back at you. “don’t be sorry, that’s beautiful, and i think—” you sigh, blinking back tears that threaten to fall. “i think you’ve changed my mind about fate. i’ve also never felt this way about someone before. i feel like you know me on some level that no one else does. you just. you just get it, and i—” 

you don’t think this is quite love yet, but you believe what you’re feeling within your chest, tingling all over your body, is as close as you’ve ever gotten to it. he smiles, whispers a small, soft, “i know,” and lips find lips once more. hands find hands, and you feel alive. you feel like everything that you see is now in vivid technicolor, no longer masked by a veil of gray.

and when you wake up tomorrow, you think that you’re going to start a new painting.

© to agustdiv1ne. do not copy, repost, steal, and/or translate.