#gloria tapes

[dont-open-dead-inside-net]

this is so incredibly intriguing !

[artistlikestodoodle]

Been up since 3 am and can’t sleep, so here’s more H&H junk

And this too ig

It was a vision I had long ago

[whoistayylor]

why is the quality always so buns

[mika2004]

Just siblings in law, spending time together ❤️

[cherrychan-0110]

Harmony and Horror x Dark Deception doodles

[st4rsinthenight]

★a sad mother and a sad leaky creature.★

— |!!| trigger warning: unsettling imagery, creepy smile

[wonderrbeam]

Meowtin Greymouser Purria Greymouser Purrthur Greymouser Mewcy Greymouser Thomhiss Greymouser Mewva Greymouser

[emilithia]

had a weird dream today.

TL;DR: Gloria appears at toymanker's place while he got out to get a smoke. When he came back, emili "nuh-uh" and yoinked Gloria. They were still in his backrooms, having fun, so I guess he just cried himself out in the corner or something.

Tried to make a sketch of emili n Gloria havin' girl's night- failed. Tried to make a sketch of Gloria- also failed. So ig have just this stupid thing.

[dr3amxc0r3]

New Addams family members 🔥

😨

[pretendcottagelady]

Music of My Heart

"You were the song that always made me sing."

[whoistayylor]

uh hi im new to tumblr and nervous, ava and gloria greywhinder!! I tried to experiment a little with the 2nd one i didnt really know what I was doing skjdjsksk

[mika2004]

Ugh college is killing me, anyways here's gloria 💜

[cherrychan-0110]

The toymaker goes mimimimi

[taxi-davis]

Star Trek Adventure (Universal Studios Hollywood, 1989, VHS) Audience Participation Show Recording

[wonderrbeam]

Noooooo

[dustedmagazine]

El Jard​í​n de las Matem​á​ticas — S/T (Penultimate)

El Jard​í​n de las Matem​á​ticas (The Garden of Mathematics) is a first time cross-continental collaboration between four musicians who each occupy different corners of the global experimental music scene. The group comprises of Mark Harwood (head of the tape music label Penultimate Press) from Melbourne, Australia, Pablo Picco (known for his wide-spanning Bardo Todol project) from Salsipuedes, Argentina, and Alvaro Dauger and Tomás Salvatierra from the Chilean free-folk group Glorias Navales. Each artist brings their own perspective to this self-titled record, but there’s clearly a deep musical understanding being shared here. The result is a free-flowing, yet cohesive, statement of folkloric sonic abstraction.

The music reaches even further than the global experimental pedigree of the musicians involved would suggest, and the most immediate influence on this record seems to be the ethnographic recordings proliferated on labels such as Ocora and Lyrichord in the 1960s and 1970s. Though these recordings often captured extensive musical traditions, the unimpeded presentation of the recordings reflected a radical inclination that was in line with contemporaneous innovations in electronic and improvised music. El Jard​í​n de las Matem​á​ticas represents the nexus of ethnomusicology, improvised music, and (perhaps most unique to this record) the DIY tape music that informs much of Harwood’s work on Penultimate.

“Las palabras fueron Sonido / Words were sounds” opens the record with a steady drumbeat rhythm and soaring streams of flutes. The shakers and flutes call to mind traditional trance-inducing ritual music, counterpointed by clattering tape hiss. The record is filled with a dense atmosphere and tension, evoking the feeling of maintaining direct eye contact across a crowded forest. But perhaps the most gripping aspect of the record is how colorful and alive the entire process is. The most impressive track on the record is “El problema de Suslin / Suslin’s Problem,” which includes what sounds like a prepared acoustic guitar and a restless, ominous hum permeating throughout. The tension is augmented by tape recordings playing in reverse, but then about halfway through the acoustic guitar comes to the center, and it’s unabashedly pretty. As murky and mysterious as this record may be, at its core there is a deep sense of joyfulness. John Cage described music as simply an affirmation of life, and El Jard​í​n de las Matem​á​ticas fully realizes this understanding of music in its most elemental sense.

by Levi Dayan