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itsclydebitches · 3 years ago

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I kinda wonder, what could bakugou do (hori write bakugou to do) to make him less popular with the "anti" crowd. Like He was a horrid child no doubt and people who try to put blame on Deku or lessen the terrible shit bakugou did aren't great. But as we don't rly see it, we have to assume bakugous behaviour wasn't stopped, we only ever saw his mum "punishing" him when he was being rude after getting kiddnapped. Nothing will excuse what bakugou did, but he has stopped? He's overall a harsh person but he's not harrassing and bullying people anymore, specifically not deku, he's trying to attone for what he did to deku and has now apologised for it. His behaviour was never viewed as justified or good in the series, he's a scary figure in middle school, we're not meant to like his behaviour, so the series itself hasn't justified his actions.

As someone who relate to both bakugou and deku more than I'd like to admit (never told someone to jump tho, that's fucked lol) so I can 100% understand not liking or even hating bakugou but as someone who's not 15 anymore, looking back I also made a lot of really shitty decisions and like bakugou have tried to make up for it, and like deku I was 'friends' with people who hurt me.

Is there anything he can do for the "antis" to just dislike him rather that be "anti"?

(I'm very sorry if you've talked about this somewhere, you can just tell me to look for it if you have, I'll continue to look for your posts on the subject)

Hey there, anon! I think I’ve spoken about this only tangentially and/or in my main Bakugo meta, which is too big for anyone sane to read. So yeah, let’s chat here!

For me personally—and that’s all I can ever do: speak personally. I think it’s important to keep in mind that there is no single solution to please the “anti” crowd. Each fan will be looking for something slightly different in Bakugo’s character, much of which might contradict what a “stan” is currently enjoying. Given how charged a character he is, I'm not sure it's possible to get the entire fandom to like him—what I’m looking for hinges on having a different reading of the story than you seem to. Meaning, I think the series does justify his behavior. Not in any overt, super obvious way like having all the characters go, “Wow, Bakugo! I sure do love how you threaten people all the time. That’s super cool and heroic!” Things are rarely that straightforward. Rather, it’s in a more subtle, but consistent manner that paints a rather conclusive picture across hundreds of chapters.

Simply put, Bakugo is continually rewarded for his actions. Or, if not outright rewarded, his actions are ignored in a way that implies silent acceptance. Characters may not always like what he does... but they're willing to let it slide because Bakugo's heroism was always treated as a given, not something he had to earn and prove.

With the ever necessary disclaimer that I’m not fully caught up yet, here’s a list of some of the things that stood out to me in the first half of the series:

Bakugo’s bullying made him the most popular kid in school.

Bakugo’s bullying was ignored by/outright supported by the teachers.

Bakugo’s bullying did not hinder him from getting into U.A., one of the most prestigious hero schools around.

Despite acting horribly throughout his time at U.A. too, this behavior was continually ignored by the teachers and other authority figures around him.

Bakugo’s struggle to realize that other people aren’t “trash” doesn’t hurt his achievements in any way. He still gets top scores, still wins the tournament, etc.

Bakugo’s behavior gets him special attention from All Might, the greatest hero and Bakugo’s personal idol.

His behavior doesn’t make others dislike him in any manner that’s taken seriously. Everybody is still willing to not just put up with Bakugo, but—in time—start treating his behavior as a quirk (no pun intended lol) that they’re secretly fond of, rather than something he should legitimately be striving to change. Kirishima is the most overt example of this.

This is compounded by his behavior constantly being framed as humorous. Much like with Mineta’s perverted actions, characters might superficially go, “No, that’s bad!” but the story never demands any significant development because then we’d lose the “joke” of Bakugo screaming in rage at the slightest inconvenience, threatening to murder someone over nothing, constantly belittling everyone around him in a “funny” manner, etc. When fans talk about development of a manga character as archetypal and extreme as Bakugo, most don’t really want to see significant change to his base personality. Because then that would result in someone who doesn’t look like the “real” Bakugo: someone nicer, more even-tempered, more mature, etc. But for those of us who were never drawn to that personality in the first place, the continued acceptance of his rude, egotistical, and violent behavior is discomforting. The easiest comparison I can draw is between this and Bakugo’s mother slapping him. That slap is meant to be another “joke”—we see it constantly in shonen anime, something "humorous" you shouldn’t take too seriously because haha, it's just an overprotective mother—but many fans do take it seriously, using it as the basis for a whole “Bakugo was abused and this explains his behavior” reading. Well, I take the “joke” of Bakugo’s threats and insults seriously, especially in a story that starts with something like telling Izuku to jump off the roof. In the same way that many fans want others to treat Bakugo’s mother as a serious topic that has had a negative influence on his development, I want the series to take Bakugo’s everyday actions seriously as a negative influence on… well, everyone around him. But it doesn’t. His base personality is grudgingly adored.

The above two points are seen most overtly in Izuku, who never wavers in his respect for Bakugo despite how Bakugo treats him. Not just prior to U.A., but during their training too. Izuku, as the protagonist, is the emotional heart of this tale, so when he talks about how inspiring Bakugo is, it encourages the reader to see his behavior as inspiring too. Rather than, as said, something that needs to change. Izuku's continued friendship with Bakugo, his adoration of him, and his acceptance of the way he's treated has severely warped how the entire story sees Bakugo's actions. After all, if #pure Izuku can see the good in Bakugo, why can't everyone else? He must not be that bad after all.

I could get into detailed analyses of all the above—like how Bakugo was the one comforted after attacking Izuku outside the dorms at night and how the messed up relationship he has with Izuku is upheld as something to nurture; how the remedial courses he had to take were made to be rather silly, thereby undermining their supposed importance to his development; how Bakugo’s kidnapping had nothing to do with his flaws, but much of the fandom uses it as a way to dismiss any appropriate consequences because, “Hasn’t he suffered enough?” etc.—but in the interest of keeping this within a readable length, I’ll leave it at that. The point is that Bakugo has always been privileged when it comes to his behavior, resulting in others either outright praising it, ignoring it, or demanding that he change a miniscule bit, which always keeps him far below the standards of both his peers and the expectations of a hero. Everyone in 1-A must learn to be even better than the good people they already are... Bakugo needs to learn that other people aren't dirt at the bottom of his shoes. It's never been a particularly impressive development when pit against the rest of the class. All of which can make something like an apology feel pretty hollow. Yes, he’s apologized and I say with all seriousness that that’s great! But how does that apology stack up against 300+ chapters of content? As Bakugo’s words highlight, he's been a really awful person up "until now": he was consumed by Izuku being “miles ahead of [him],” he “looked down on [him]” because he didn’t have a quirk, he “didn’t want to recognize that,” he “hated that,” “grew distant,” “tried to beat you down,” “opposed you and tried to show my superiority over you,” and ends it all with, “it probably doesn’t mean anything telling you all this” before finally getting to the “I’m sorry.” This is basically a laundry list of how horrible a person Bakugo has been for the entire series, with an acknowledgement that this apology is coming really, really late. This is the moment where I could START to like Bakugo, depending on how he acts form here on out, but that pivotal moment arrived after six years of content and in the final arc of the story. It’s too late. Bakugo needed this kind of self-reflection and positive action 250+ chapters ago so he could (hopefully) grow into a better person across the story, not at the story's end. What we got instead is 322 chapters of him being a really horrible person, but the story going out of its way to excuse or even praise that behavior the majority of the time.

As a quick comparison to end on, I think what Bakugo needed was what Soo Jin got in True Beauty. You don’t need to have seen the drama to follow along. The tl;dr is that she has a lot of the core qualities of Bakugo: an all-consuming drive to win that was created due to abusive parents with high expectations, resulting in her bullying a peer to a pretty horrific extent. The difference between them is how the story frames their actions. When Soo Jin becomes the bully she loses everything. Rather than succeeding academically, her grades plummet, making it clear that this anxiety and self-doubt (things the fandom keeps insisting Bakugo is struggling with, but that rarely ever show up in the text) is actually impacting her day-to-day life. Her best friend drops her because she’s not going to support her choices. The boy she likes rejects her. She’s eventually forced to start over somewhere new - which importantly separates her from the girl she was bullying - and get some distance from her parents, resulting in the growth needed to become a healthier, happier, good person again. So when Soo Jin apologizes to the girl she hurt, it feels earned. The story continually recognized how horrific her actions were and put her into a place where she either had to change, or continue losing at everything else that was important to her. Bakugo? Bakugo doesn’t lose. Oh, he claims he does because he’s comparing himself to Izuku constantly, but that’s just him thinking in extremes. He still wins academically. Still wins many battles. Still wins at having friends. Still wins by maintaining the prestige of being a U.A. student. Still wins by getting All Might’s attention. Still wins by receiving Izuku’s respect and an agreement to maintain this rivalry that Bakugo is so obsessed with. Bakugo comes out well 99% of the time, he just thinks he's "lost" because he can't stand not being the absolute best.

For me, the story needed to have Bakugo face consequences for his behavior, not receive rewards and/or have others ignore it, and that revelation/apology needed to come way, way sooner. For me the issue is not a specific action that Horikoshi can have Bakugo do in the next chapter and them bam, I like him now. The problem is Bakugo’s entire concept, how he’s received by the entire cast, and his run across this entire series. "Entire" is the key word there. Which is why the “But he’s apologized. What more do you antis want?” reactions don’t sit well. What we wanted is a better written redemption arc across those 300+ chapters, not a single scene that’s meant to have us forget all the other problems inherent in the story. At this point it’s a far more complicated situation than, “Bakugo just needs to do X, Y, and Z and then we’re golden.” At the end of the day, Horikoshi failed to make me like him as a person and I’m pretty sure he isn’t going to change Bakugo enough to make him likable to me. Bakugo was never the sort of character I’d be inclined towards without a serious, nuanced redemption arc, but sadly, a core, crucial part of that redemption arc took six years to arrive. At this point there’s no way to change the problems in Bakugo’s writing for that huge chunk of the series and not enough time left in the series, it seems, to do the work we should have seen across the entire run. Honestly, idk if the Bakugo we'll get going forward is someone I can just dislike as opposed to being really uncomfortable with, but my money is on there being too little story left and too much investment in upholding Bakugo's base personality for that to happen. I could absolutely be proven wrong! But I think the problems are structural and needed to be better dealt with from page one, not hastily patched over in the final hour.

#BNHA #My Hero Academia #anti bakugo

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atopfourthwall · 3 years ago

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Ive only recently gotten into classic Star Trek so I don't think I can properly answer but what is it specifically about Discovery and recent Star Trek that classic Trek fans hate?

Putting this behind a cut because... it's a lot.

Well, first of all a big rejection of it is just on an aesthetic level. Up until the 2009 movie (which was considered a reboot, even with time travel elements), Star Trek tried to treat the original series and how it was portrayed as pretty sacrosanct. Sure, they might occasionally make jokes about goofier aspects of it and discard some of the stupider stuff (like how in the final episode, penned by Gene Roddenberry himself, that women weren't allowed to Captain starships), but how TOS looked? That's how the 23rd century looked. Buttons and multi-colored outfits and boxy computers and smooth, undetailed ships WAS what was appropriate for the time. When Scotty came back in TNG, they had him on the holodeck and it was the TOS bridge. When DS9 traveled back in time to that era for an episode? They went onto the Enterprise and visited it. When in an Enterprise 2-parter we had a TOS-era ship? It looked like a TOS ship. They even did a 2-parter on Enterprise to explain why Klingons had smooth foreheads when later (and earlier) they didn't. Star Trek up until then cared about maintaining that continuity of appearance. But Discovery is set in the TOS era... but nothing looks like TOS. Even when we got the Enterprise and those uniforms and we saw inside the ship, it was an upgraded form. The only logic I've seen people try to argue about WHY it doesn't look like it actually did was "Well, audiences won't accept something as cheap as TOS being futuristic." Well, then you've got a few responses there: -Don't set in TOS era, then. -That's horseshit, because audiences from the 90s through the 2000s accepted it just fine. Even a piece of dialogue from DS9 explained it perfectly: "I LOVE 23rd century design." It LOOKS cheap, but it was just the aesthetics of the period. And the Enterprise 2-parter it still looked good in HD. Hell, arguably it looked BETTER in HD because they knew how to light it and create mood and its own unique flavor. -It's even more horseshit because people are STILL going back and watching it even today, as indicated by you saying you've started watching it, so clearly it's not that much of a barrier. But what's even more egregious is the TECHNOLOGY. You might be able to accept updated aesthetics if at least matches what was present during the period... and it doesn't. Holographic displays and communication (holodeck technology AT ALL, frankly - it's possible it was there, but TNG seemed pretty adamant that the holodecks were fairly new, very impressive technology), weapons not looking or acting like they traditionally did, Enterprise and Discovery having R2D2-style repair droids that certainly did not exist in TOS, the wrong sound effects being frequently employed, replicator technology for good-looking food instead of food dispensers that gave out marshmallows and cubes, and honestly the tech level shown in Discovery looks just as advanced - if not MORE advanced than seen on TNG 100 years later. And this is a minor thing, but despite the attempt to make the future LOOK futuristic, from a cultural perspective, the future looks... way too damn similar to now. The excessive swearing (it was said in particular in Star Trek 4 that while they certainly did cuss, it was less common and they sure as hell weren't dropping F-bombs), a party on Discovery that looked like a rave (when previously it seemed like the most popular music and culture of the 23rd/24th century was considered fairly high-brow entertainment [classical music, Shakespeare, great works of literature and plays, etc.] - and while you could certainly argue that that snootiness and love of that stuff is a problem with Star Trek and a sign of how sterile and homogenized it is, THAT is the future they presented and a character in Voyager loving some of the goofier parts of 20th century culture like jukeboxes and old sci-fi serials was considered unusual), and just the general way people talk betrays the idea that the writers aren't thinking about how society changes in the future. It's just the modern day, but with cooler technology. But hey, let's set aside the general aesthetics - some people aren't going to mind that and find

ways to handwave away a lot of stuff (even Discovery season 2 TRIED to handwave away stuff like the holographic communications, but did a piss-poor job of it). This brings us to the problem of the WRITING. And the problem with the writing is a big Michael Burnham-shaped indentation. To be clear, I don't mind Michael as a character or her actress - there are interesting aspects to her, centering a Star Trek show around the science officer is a neat idea (though that means you should probably NAME IT AFTER HER and not around the ship, because it suggests this is a standard ensemble group and not JUST her)... but the actual execution is that it feels like the entire universe bends over backwards for HER. She has a unique relationship with a beloved longtime character that is retconned in. She has unique relationships with several important characters to the point where the fate of billions of people hinges on her and the decisions she makes. She is presented as almost always correct about everything, and those that oppose her are often wrong, naïve, or active enemies. Now, this is less of an issue in the third season - but that has its own unique problems - but in the first season, the resolution of two major storylines (mirror universe and the Klingon war) revolves around her and her relationship to the Terran Emperor and Lorca. In season 2, her mother trying to help or save her is the basis of the ENTIRE friggin' plot with time travel and the like, with special knowledge and history having to do with her and everyone ready to abandon their lives for her so she won't be alone when she has to go to the future when arguably they barely know her (the timeline of the show is debatable). Season 3 has a few different problems with her - the first is that she keeps being involved in things that don't concern her (why is she going down to Trill?) and she keeps violating orders. Now, her violating orders is a problem throughout the entirety of Discovery - in fact, it's kind of the instigating factor OF the series. And arguably, other Star Trek characters are guilty of that and they face no consequences, just as she faces none... and yet it's the brazenness with which it happens, and in those other series it's arguable because the series tries to avoid excessive continuity changes for its episodic nature, so the status quo MUST return to normal... but Discovery is pivoted as one of MAJOR continuity, so her lack of consequences (and indeed eventual PROMOTION) is baffling to the point of frustration. Now again, let me be clear here - she is not a bad character in and of herself. Honestly what it shows is that being the science officer on a starship is not where her talents lie. She should be in a position where she has a lot more freedom to act and not in a major command structure... but being in that command structure, what we see in season 3 is that she lacks the discipline, emotional maturity, responsibility, leadership qualities, and general other traits necessary to be a Captain. Only once during season 3 did she display such a quality - putting the safety of the Federation above a friend and colleague... but other times she will happily disobey orders and put herself and others in harm's way, creating potential new problems. Now, again, Star Trek is rife with characters doing that... but usually not the Captains. And, in fact, when this happened once on DS9 with one officer disobeying orders and putting their own personal feelings above the greater responsibility, it was made VERY clear that the incident would mean that they would never be able to command a starship because of the unofficial reprimand. What's even more frustrating about her is that the character is ALWAYS shoved to the forefront so much to the point where we just get sick of her. SHE is the one giving log entries (usually pretty piss-poor ones, at that - very flowery and nonsensical and kind of dumb) and not the Captain. SHE is the one given so much focus and how the plot of the episode affects her. Barely anyone else gets any focus episodes - I STILL can't

remember the names of some of the secondary characters because they're so rarely said, and a PTSD-related plotline in season 3 for one of the secondary characters basically gets resolved OFF-SCREEN. Michael would be fine if we actually had a chance to miss her... but we never do. Arguably one of the best episodes of the show is in season 2, when it focuses on Saru and his people because Michael DOES take a back seat. It's his story and his development and problems relating to him and his people. And even if, again, we forgave the idea of so much focus on her even in plots that aren't about her... she never seems to really change that much. She'll TALK about how she's changed, but I see no real difference in the way she acts (MAYBE season 1 to 2, where in season 1 she was stiffer and more Vulcan-like, but that's it). But hey, let's assume that's not a problem for you - you really, REALLY like Michael and are fine with so much focus on her. Simply put, the writing of the rest of the show... is just kind of dumb. The ship is powered by magic mushrooms that let it teleport everywhere because the universe has super fungus capillaries throughout it that nobody can see and also it's magic and can resurrect the dead. The time travel plot of season 2 doesn't make any sense when you sit down and diagram it. Well-established Trek lore is just kind of sprinkled in, but now in ways that doesn't match what it was before or at least in ways that completely recolor how it's supposed to work, because it needs to serve THIS plot. Everyone remembering a murdererous monster fondly after she leaves because "Hey, she was coooool." The explanation for the big mystery in season 3 is just fricking stupid and one of the two big reasons why I've finally given up on Discovery, because it's just so absurd, doesn't match how anything works, and just feels like the writers giving the middle finger to the audience because they care more about "YOU MUST FEEEEEEL THINGS!" instead of it making sense. And indeed, there is certainly a balance to be made of plot vs. emotion-driven storytelling - some stories are dumb, but are forgivable because the character writing and emotion are so strong that they override how goofy the plot is... but sometimes a plot is just so dumb it overrides anything I'm SUPPOSED to feel. And it would help if I already liked the show, already gave it some benefit of the doubt... but I don't and it hasn't done enough to impress me. A little thing that's a problem with ALL of current modern Trek shows is that whole sprinkling lore thing - I don't think a single episode goes by in ANY current modern Trek series that doesn't have a random reference to classic Trek lore. A name, a line of dialogue, etc. It comes across like the creators don't trust you to enjoy it on its own merits, but want you to like it because "Hey, remember thing? We know about thing! Like us because we mentioned thing!" But hey, I recognize that these are things that other people may not have any problem with or just disagree in general. But for me and my family, these are the big ones that keep us from enjoying it. Hell, my brother and dad still watch it for hatewatching purposes, but I was done after season 3. I gave it plenty of chances to impress me, and while each season MARGINALLY got better as it went along, I'm tired of waiting to actually like it and to stop feeling like it thinks I'm a fucking idiot. If other people still like it, great - it clearly appeals to them in a way that it doesn't appeal to me and they are free to enjoy it. Other people probably have their own issues, but this long, rambly bit is the major stuff for me.

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demonslayedher · 4 years ago

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Love Breathing Not Fully Bloomed: A Kanroji Mitsuri Meta

Some thoughts that have been brewing since we got a deeper look at the birth of the Breath of Love in the Rengoku Gaiden, boiling down to that Mitsuri had not yet reached her full potential.

SPOILERS AHEAD~!

While we don't have any reliable timeline for this series, we know that Mitsuri has been practicing swordsmanship for only about two years, likely less. The "two years ago" stated in her flashback to her failed engagement was back when she was 17, so let's be generous and say that was 2.5 years ago. But, we must also keep in mind that she's been a Pillar for at least several months by the time Swordsmith Village arc takes place. The Pillar meeting Tanjiro met her at was possibly her first of the twice-a-year meetings, but I wouldn't put it anywhere beyond her second. After the failed marriage discussion she would have spent some unknown period of time dying her hair and starving herself, before deciding to join the Demon Slayers. She accomplished her Flame Breathing training under Rengoku in six months, roughly half the time most Breath users train under their cultivators. Tokito is noted for becoming a Pillar in two months after taking up the sword, but Mitsuri probably stumbled her way into Pillarhood within months of passing the Final Selection; making the Kamaboko squad's quick ascension up the ranks look like nothing as she blows away the usual five years it takes someone to become a Pillar (or if they are especially skilled, more like two years, as stated by Gotouge in Taisho Secrets). While the way of swordsmanship and battle became Mitsuri’s everyday way of life, thereby leading to huge improvements, that's a really short time to develop actual battlefield experience. Among the Pillars, she is the least seasoned or naturally inclined for battle, it really is by accident of her bizarre strength that she’s gotten so far. That's hardly surprising, given her background and motives. For context, her interests are very domestic what with all the pet-keeping (four cats, a rabbit, and a whole hive of bees, by my count) and sweets and recipes, and her stated hometown would have been in the heart of developing city culture, with shopping and restaurants and movie theaters. There would have been no exposure to swords and the culture that goes with them, making her justifiably embarrassed of how monstrously her strength makes her stick out. Her inability to fit into a normal family life makes her feel worthless, even if she does have a base of love and support. (*Put a pin in these things, I'll be drawing a comparison to another character later.*) However it was that she was introduced to the Corp, it must have taken a huge leap of hope and/or desperation to leave the otherwise comfortable lifestyle for a life of battle. While Rengoku's home is not terribly far from hers, it still would have been a total break from the life she knew before, so she must had been betting everything on both her ultimate wishes; living in accordance with who she is, and finding a husband. Let's refer to these respectively as Wish A and Wish B. Note that "becoming a strong swordsman" and "elimating demons" are not among these goals; they are merely means to her goals. Now if we try to to follow her path as a swordsman chronologically, six months since taking up the sword under Rengoku, she's passed the Final Selection. On a mission with Rengoku, who now treats her as a peer, she's nonetheless filled with shame that she hasn't really picked up much skill and just waves her sword around with brute strength.

I love this bit of characterization because that is so, so easy a trap to fall into with martial arts. Even if you understand things in theory and do your best on proper form when taking things slowly, all of that very easily goes out the window when you're using them in the heat of the moment. The less experience you have, the far more likely one is to do this. Falling back on just throwing a punch as hard as you can instead of throwing a good punch makes Mitsuri so, so, so relatable. She is a normal girl with abnormal strength, not a battle genius. Like us normal people, and even like Tanjiro, she can only improve her battle sense with experience. This puts her in a very different situation than the other Pillars, who she meets either when they are very experienced, or when they are outright geniuses. This gives her a different sense of shame, which we'll come back to. While feeling ashamed that she can't live up to Rengoku's teaching, her fighting suffers with this lack of self-confidence (which, again, makes her very relatable because this is applicable to just about all of us normal people), and she only realizes the Breath technique when applying it through her own unique emotion-driven fighting style. While she goes on to name this Breath after Wish B (given that this is a romantic version of "Love"), it's powered more by a philanthropic love, realized only when she is protecting other people. This becomes a newly discovered third wish, as well as a source of confidence.

In the side story novels, Mitsuri later on suffers another blow to her confidence which compromises her fighting and makes her fall back into wanting to hide herself, for she is ashamed of how her motives compare to Shinobu's. Besides Shinobu's encouragement and giving Mitsuri a venue in which to openly express her love and appreciation for other people, another child whom Mitsuri has rescued looks up to her and says a few things to restore her confidence. Getting that feedback and being able to express herself openly (Wish A) is the cycle that powers Mitsuri's confidence and keeps her ultimate weakness, shame, at bay. This, combined with words of encouragement from Ubuyashiki and Rengoku, is what really empowers her to embrace her unusual constitution and develop the Breath of Love. While it's said that this is an offshoot of the Flame Breathing she's formally trained in, it's more of a stretch than the relationship between something like Snake Breathing stemming from Water Breathing, and more like she's hit at the basis of Breathing itself to create a technique suited to her, like Inosuke did with his entirely self-taught Beast Breathing. (*Put a pin in this self-created Breath style thing, we're going to come back to this too.*) So, Mitsuri went on to become the Love Pillar. With the rate at which Pillars cycle in and out (based on how many the Upper Moons claim to have killed), I have to wonder how fast the Lower Moons getting cycled in and out too. Even though these are her peers and we never see any other Pillars looking down on her, she sees herself in a lower position than the rest of them. Case in point, one thing I love that the anime did is that when Tokito chips the rock at Tanjiro and tells him off, Mitsuri is silently fangirling, and then when Tokito orders the Kakushi to draw back/leave, Mitsuri silently and automatically obeys and shrinks back. That wasn’t directed at you, silly!

Though her Breath requires confidence, she still has a ways to go. When we see her again later, she's in a position of being a protector to everyone around her; the swordsmiths and her juniors, and she's treated with the awe and respect and acceptance of a Pillar; in this kind of setting she is fully in accord with Wish A (reinforced by her less formal third wish) and, thanks to Shinobu's encouragement, not ashamed of Wish B, thereby eliminating a big part of her shame-based weakness. She's added all this power and just as importantly, experience to her preexisting raw strength and flexibility.

The experience is key here; she's gained a lot of battle sense since her first mission. She's not as taken off guard by demon abilities, and with her risen confidence, she's also gained more flexible thinking and can make quick adjustments in battle as needed.

Not entirely, though. At her core, she still relies on that brute strength.

Ultimately, though toward the end she thinks she might be overpowered after all, it's that boost of confidence and cycle of philanthropic love from her juniors and desire to protect them than she recovers and makes use of her mark. (I'm glad no one's told her that this means she's doomed to a short marriage, should she ever even get one.)

Following this historic feat; acting in a way that is natural to her and to her Breath to unlock a mark she didn't even know existed, she still feels a little shamed among the other Pillars for being so shamefully inarticulate about battle technique; despite this being what she's dedicated her life to. Again, it was never her natural desire to be a fighter, so it’s unsurprising that this part doesn’t come as naturally to her as it does to all those geniuses in the room.

Moving on to the battle with Nakime, this is mostly played for laughs because Mitsuri's lack of battle sense compared to other characters is put on full display. She's emotional from the get-go and easily overwhelmed and this affects her concentration drastically, leading to stupid mistakes and ultimately having to fall back on her brute strength to break through pieces of the fortress instead of survive and fight through observation. Getting called out on this is meant to help her, and she absolutely does her best to summon back her battle sense, but it's all downhill for Mitsuri and her Love Breathing technique from here.

As the battle with Muzan starts, that third wish is thrown back in her face as so many of her juniors die protecting her. Since he's powered by philanthropic love and confidence, she cannot recover any battle sense, and quickly falters so much that she must be removed from the battle rather than weigh everyone down. The difference between her and the other Pillars here is stark; her inexperience and lack of natural fighting inclination is, again, painfully obvious and relatable to a lot of readers. She has natural strength, but not natural talent. When she does return to battle, she only has that core strength to rely on again--no room for peace of mind, only brute emotional strength resulting in a panel that made me throw my fist in the air and cheer out loud because damn, that is hardcore, girl.

But, in the end, Mitsuri succumbs to her injuries, and only right before death does she get closer to Wish B. Even with Iguro's promise, it's too late.

This is super frustrating for a number of reasons, but if we're focused solely on the actualization of Love Breathing, it's because Iguro could have said something much, much, much sooner if he wasn't so ashamed of his own blood tainting her in this lifetime (not that she would have cared). Words from other people have such a huge influence on Mitsuri that if she had actualized Wish B, for which her Breath is named, she could have made humongous gains in confidence before being romantically loved, and having someone to openly shower in love. Imagine what she could have unlocked, if that shame she still carried for being too monstrous to be married could have been eliminated. But that's not all. What if the timeline had been different? What if she had not two, but five years’ experience? Or even more than that? What if, for a long duration of her experience as a swordsman, she was also experiencing a happy marriage? I invite you to consider the implications of a Mrs. Iguro Mitsuri who has the comfort and confidence of being herself with a husband, in addition to being in a leadership role in the Corp? A Mrs. Iguro who, with a little honesty from her husband who feels bothered that she’s embarrassed, stands up to Maeda-san and says that as a married woman she needs a more modest uniform?* A Mrs. Iguro who gained a level-headed battle sense that can only be refined through experience, not based in brute strength alone? She'd be such a happy badass. *(Not looking for a modern-era Western culture based debate on this; this is defined based on Mitsuri's desire for a proper Taisho Era marriage.) Now, remember those pins I put in place? Consider someone else who realized a natural Breath technique all on their own, who attained a mark without any intention to, who felt like a monster due to super human abilities that made them shamefully unable to fit into the ideal family life, despite only wanting a peaceful, happy wedded life? Someone who valued bonds with other people, a kind person who lived to protect others? Now, I'm not saying that Love Breathing is as powerful as the Breath of the Sun, or that Mitsuri is as innately powerful as Yoriichi (their natural skills were of different types entirely). But, as all Breath techniques stem from the same natural Sun Breathing source, Love Breathing might have found its way back a little closer to that source, in some way or another. Which is all to say, never look down on Love Breathing or on Mitsuri just because she didn't play as big of a role as the others in the final showdown. After all, that Breath was not yet all it could have been, and as a swordsman, she was not yet in full bloom.

#KnY fandom theories and meta #Kanroji Mitsuri #Kimetsu no Yaiba #Demon Slayer

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shihalyfie · 3 years ago

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A guide to the 02 kids’ personalities and overall demeanors

I’ve already covered the deeper details of each 02 kid’s character arc and development throughout the series, but I figured I might dedicate a more specific post about the complexities of their outer personalities, and their behavior patterns on a day-to-day basis. 02 is the kind of series that doesn’t really spell out what the characters tend to do or don’t tend to do, or what boundaries they will and won’t cross, which means it can be a bit of a challenging task to track their behavior over fifty episodes and figure out the patterns. Fortunately, these characters are written remarkably consistently over said episodes, so we have a lot to work with!

Disclaimer before we continue: In general, all of my 02-based meta is specifically written for the Japanese version in mind, but this especially applies to this one, because the majority of the nuances of the demeanor and personality traits described below were not retained in the American English dub at all (please see this post for more detail). As a result, please understand that if you’re working from the perspective of having only seen that dub, and the contents of the below post sound completely different, that would be why.

Daisuke and V-mon

Believe it or not, I would say that Daisuke is actually the most difficult to nail the nuances of out of this entire cast. This is probably a really weird thing to hear when the usual fandom mantra is that he’s “flat” or “lacking in development”, but I think the deceptive part is that while he’s simple-minded and himself doesn’t think in complex terms, analyzing his behavior as a whole and how he approaches things actually involves a lot of very delicate balances, and getting that exactly right can be very easy to mess up. Daisuke’s not a rude jerk who looks down on anyone, not in the slightest -- but he’s also not a saint who can do no wrong, either!

I think the easiest analogy (which I’ve brought up several times on this blog already) is that Daisuke is like a puppy, but not just any puppy -- a tiny puppy that barks very loudly at anything it perceives as threatening (regardless of whether it’s actually threatening), makes its feelings very clear with obvious likes and dislikes, and can do some phenomenally stupid things in a bid to please others, but in the end means no malice and only wants you to be happy.

This is to the point where I’m just going to have to bullet-point this, because there’s so much going on at once:

Excessively emotional: One of Daisuke’s earliest profiles refers to him as having “an excessively large range of human emotions”, and really, a lot of the humor surrounding him has to do with the fact he has incredibly dramatic, overblown reactions to nearly everything around him. So if he gets a little annoyed or suspicious of people making fun of him, he tends to get really dramatic about being upset, and when he experiences only a minor setback, he acts like it’s the end of the world, and when he’s emotionally hurt, he sometimes even gets set on the verge of crying (you can especially hear this in Kiuchi Reiko’s delivery). Even Daisuke himself doesn’t tend to get caught up in it for too long and gets over things surprisingly quickly, so you can take it as him just constantly being too wrapped up in the mood -- but when it really is a serious situation, he gets truly emotionally invested in it, too.

Too easy to read: Because Daisuke wears his heart on his sleeve and is dramatic about everything, he’s awful at hiding anything. Any attempt at trickery or trying to disguise his intentions quickly blows up in his face because he’s too simple-minded and too transparent.

Not malicious: Daisuke only ever lashes out or gets angry at others when he thinks others are doing something he disapproves of, or when he thinks he’s being attacked; he’s very warm and kind to everyone otherwise (even in the earliest parts of the series, when he’s at his roughest, you might notice he’s very soft around Chibimon, as if understanding that his partner is now in a very small and delicate form and needs to be treated accordingly). In other words, Daisuke is very quick to get defensive, but he has no malice or reason to be condescending towards anyone otherwise, and he’s perfectly friendly with people even when they’d provoked him earlier (because he doesn’t really hold grudges). He doesn’t attack people without reason; even when he voices dissent against what someone is doing, he very rarely, if ever, insults a person or their character directly. Even when he’s trying to state his opinions (such as when he bids for the others to accept Ken), he never forces them down others’ throats and accepts that they disagree with him, even if he’s clearly not happy with their disagreement.

Easily critical and suspicious: Daisuke is a very bluntly straightforward and honest person, and he seems to get most set off by people who act suspicious; note how his early-series outbursts towards Takeru tend to be when Takeru’s acting evasive, and in Hurricane Touchdown, he catches onto Wallace’s shady behavior even before he starts flirting with Miyako (Daisuke’s own method of trying to seem attractive to others involves just “doing something cool and hoping it’ll impress others”, so he seems to dislike the concept of flirting as a whole). Because of that, he catches easily onto “things looking off”, so he tends to call it out (even if sometimes he’s overdoing it and there isn’t actually anything significant to be upset about).

Supportive and adoring of others: Other than the moments when he gets set off, fundamentally speaking, Daisuke likes other people, is perfectly willing to acknowledge them or heap praise on them when they do something awesome, and generally cares for their well-being. He’s easily defers to others when he understands they’re better than him at something, and he even has a decently realistic scope of his limits (see how he’s perfectly aware he’s likely to lose the soccer game in 02 episode 8, and figures he might as well enjoy the experience). This is even taken to its logical conclusion in the Kizuna drama CD when he “credits” his friends for giving him amazing and insightful advice when all of it was actually pretty ordinary stuff they’d done offhandedly. It also means that, given his penchant for getting emotionally invested in everything, he has a huge emotional stake in making sure his friends are doing okay, and supports them accordingly.

Deferential to seniors/elders: Tying into the above, you may notice that Daisuke takes a properly respectful and soft tone towards his elders and seniors in nearly all occasions, even to the point of occasionally using proper polite-form language around them. All things considered, Daisuke is a pretty well-behaved kid.

Constantly getting strung around: As much as Daisuke looks like he’s aggressive, in actuality, it’s very easy to get him to back down if you argue against him strongly enough, and since he has such a “the heck is that?!” attitude all of the time, you can see him constantly getting strung around and at the mercy of things happening around him. That doesn’t mean he doesn’t have enough will to put his foot down when it becomes a really important subject (especially in the second half of the series), but it’s very often when he’ll be talked down by others around him and shrink with an “oh...okay...” In fact, this is why a lot of his actions aren’t nearly as reckless as they might be otherwise; as much as he’s a bit hot-headed and likes to lead the attack, he also has a sense of self-preservation and intimidation when things look a bit too dangerous, and will only push forward in such a case when there’s something he really believes in at the other side of it.

Lacking in self-awareness and insecure as a result: While Daisuke doesn’t have any signs of persistent self-hatred (on the contrary, there are times he arguably comes off as overconfident), it also seems that he has practically zero awareness of how he himself is doing -- which means that he ends up rolling over like an idiot trying to get others’ approval and trying to impress them, even when it’d be clear to anyone else that he already has that approval. This also likely ties into the fact that he’s perfectly capable of acknowledging others’ accomplishments and skills (see above), so you might even think that the problem isn’t so much that he thinks he’s bad as much as he keeps comparing himself to people he perceives as being that much more awesome. (Perhaps symbolic of this, he apparently has a complex over being shorter than Takeru and Ken, despite the fact that he seems to be of perfectly average height for a kid his age.) It seems that his only bar for how he’s doing is dependent on everyone’s reactions around him, hence why his ridiculous antics are significantly less pronounced when he has proper emotional support and friends to keep him in check. It’s also important to consider that this applies to his apparent crush on Hikari as well; his crush mainly manifests in wanting her approval very badly, and it’s mostly visible in terms of him losing a ton of brain cells in her presence and bending over backwards to please her or impress her. He never actually says in words that he’s interested in her, nor does he ever show signs of intending to seriously ask her out, so it’s something that’s only apparent because of this behavior, and it’s very likely he hasn’t even seriously thought through what would happen if she actually accepted him in return. You can basically see this as an extreme version of the way Daisuke tries to get approval from everyone else, and this trait of his noticeably dies down whenever there’s more important things at hand, or when he seems to be in the midst of getting proper validation from those around him.

Simple-minded and pragmatic: What’s usually referred to as Daisuke being an “idiot” comes from the fact he doesn’t play well with complex thinking, tends to settle for very simple explanations or answers, and more thoughtful types like Ken or Iori will often have to fill that part in for him. However, because Daisuke is so simple-minded, he’s sometimes the most pragmatic person in the group, because he doesn’t overthink things or get principles of theory caught up into everything. So if Ken is clearly not showing any indication of doing bad things anymore and is actively working to help, Daisuke believes he should be allowed to help regardless of what he’d done in the past, and if they’re dealing with the situation of potentially having to kill a living enemy, Daisuke points out that hesitation would have resulted in even more casualties. In essence, in a situation where everyone’s running mental loop-de-loops, Daisuke will usually be the first one to snap them all out of it and go “uh? Guys?” Moreover, this trait of his makes him very good at spotting glaring threads or asking questions about the elephant in the room, because since he works best with things that are right in front of him, he can’t not notice it.

Enjoys the little things: Because Daisuke is so simple-minded, it’s very easy to please him (this is why his chosen career path is something as simple as ramen making). Daisuke likes his friends, and appreciates even simple things around him, so he’s happy with even simple pieces of happiness -- hence, why he’s fine with potentially losing the soccer game in 02 episode 8, because he’s ready to simply just savor the experience of getting to play against a respectable and formidable opponent.

Note that the main reason Daisuke never seems to bring up any of these issues with himself within the series proper is simply that he doesn’t seem to be aware of them -- he’s too simple-minded to understand what’s going on with his own behavior in depth, and hence, this is how he can say he’s not worried about too much by the time of 02′s finale, especially since by that point he has a proper support group that’s already helping him deal with most of his issues anyway.

Daisuke also has the roughest speech pattern out of any of the 02 group (similar to Taichi and Yamato in Adventure); he has a tendency to shorten words a lot and use “rough” variants of words (for example “-nee” instead of “-nai”).

Mischievous, friendly, and playful, V-mon is pointed out even by official sources to be much like his partner (far more so than usual), and it’s likely a byproduct of the fact that Daisuke himself is very honest and straightforward about his emotions and thoughts, and so since he has nothing to hide, V-mon is pretty much exactly like him -- with the major difference being that he’s a little more outwardly friendly and less likely to lash out angrily. So he’s effectively Daisuke without that very thin abrasive exterior, and because both of them are so like-minded and friendly, they get along extremely well (albeit with quite a bit of comfortable bantering on the way there).

Ken and Wormmon

Ken is the more intellectual type that Daisuke isn’t, and even after his stint as the Kaiser, it’s clear that he’s still quite studious and naturally interested in studying things. Looking closely at his style of dress and way of carrying himself (note how he lays down his chopsticks in 02 episode 36) indicates he’s also a rather tidy person in general. Being someone who’s capable of thinking things thoroughly, this makes him able to have a lot of deep insight into both intellectual and emotional issues, but because he takes things too seriously sometimes, he can sometimes come off as a bit overly stickler or insistent (note Daisuke and Ken’s Shopping Carol, where he subjects Daisuke to a long-winded lecture about the history of Christmas, because, really, he’s a nerd), or lead himself down the wrong direction when he’s having a hard time being straightforward (such as when he comes up with some very flimsy theories about why Jogress might be dangerous in 02 episode 28).

In fact, Ken’s disposition could be considered to be the opposite of Daisuke’s in many ways; while Ken is much softer and more conciliatory on the surface, he’s actually much more assertive and strong-willed by default, and it’s made clear that, even after his reformation from the Kaiser persona, he could still be vicious if he wanted to, he just doesn’t enjoy it because he doesn’t like it and it goes against his belief system (note that he even offered to "dirty his own hands" in lieu of the other kids if push came to shove and Archnemon had to be killed in 02 episode 29, even though he clearly wasn't enthusiastic about the idea). In fact, he has a very strong sense of responsibility and believes heavily in making up for what he’s done -- recall that 02 episodes 26 and 49 involved snapping him out of it by reminding him that there were things that needed to be done, and that he himself still had many things he wanted to do that wouldn’t be addressed if he’d stayed fixated on his past. Thus, Ken doesn’t deny nor avoid anything he’d done, and he isn’t even all that prone to self-pity -- it’s just that his tendency to put too much responsibility on himself means that he also takes a while to accept everyone’s support, too, because he doesn’t like the idea of putting burdens on others.

Because Ken is actually one of the more straightforward people in this group and a fairly honest person (at least, as long as he’s not lying to himself), he might hold himself back a little bit in order to not be rude, but he doesn’t do it nearly to the same degree Takeru or Hikari would and is much more willing to speak his mind when he has an opinion he wants to voice or needs to sort out his thoughts on something. Conversely, he’s not nearly as cold as Iori can get when criticizing things (he’ll certainly be firm, but not as incisive). Most post-02 materials also indicate that he’s not above being a tease or even a little mischievous (see Armor Evolution to the Unknown, Diablomon Strikes Back, Daisuke and Ken’s Shopping Carol).

Ken uses a speech pattern that’s slightly more casual than Takeru’s, but not nearly as rough as Daisuke’s. While anime will often have speech patterns substantially change between different personas of a character, other than Park Romi’s delivery of a more condescending tone for the Kaiser and a significantly softer one for Ken, nothing about his speech pattern is substantially different between the two personas (not even the first-person pronoun), indicating that, in the end, they’re really the same person after all, just manifesting the same personality traits in different ways.

Wormmon is affectionate and clingy, unfailingly loyal to Ken, and his biggest advocate during a time when Ken is trying to relearn how to love and accept himself -- meaning that he ends up very important to providing Ken the initial support he needed before Ken allowed other friends into his life. Wormmon isn’t all nothing but clinginess, though -- he has some insight about the weight of his experiences when prompted (02 episode 46), and in fact is more than capable of calling out Ken’s behavior when he’s being unreasonable or throwing himself into denial (see 02 episodes 27, 30, and 49).

Miyako and Hawkmon

Miyako approaches everything she likes with an attitude that makes her come off as constantly having bubbles and hearts around her. When she likes something, she says so. When she doesn’t like something, she says so (and she will go off when she’s on a roll; see 02 episode 14). In fact, part of the reason she so infamously voices her opinion on people being cute is, quite simply, that it’s her honest opinion. (Note that she never actually tries to ask them out or anything -- she just wants to make it very clear that they’re attractive.)

For the most part, she adores the people around her, and, like the others in the 02 group, she’s perfectly respectful towards elders. She also loves poking her nose in others’ business and trying to be as helpful as possible, which is good in that she ends up being a huge help to others, but also not good in that sometimes she overdoes it a bit (when Hikari calls her out for being a “handful” in 02 episode 31, the word she uses is one that literally means "a little too overly involved in others' business").

Miyako is the one who gets everyone up in high spirits by being cheerful, and whose cheer rubs off on everyone else around her (see her cheerfully leading the charge into the Digital World with her “Digital Gate, open! Chosen Children, let’s roll!” catchphrase). This is something the rest of the group catches onto very quickly, asking her to supply the “usual cheer”, and the later episodes of the series especially drive home the fact that her presence and antics bring happiness to those around her.

Miyako has a similar “chaotic, sloppy, and straightforward” demeanor to Daisuke, but there are some key differences. Unlike Daisuke, who’s bluntly honest about his opinions mainly because he doesn’t really hide things in general, Miyako’s opinions will be out of her mouth before she can control it. In other words, she has a nasty case of foot-in-mouth syndrome. In addition, while Daisuke tends to have a very thin skin and lashes out defensively out of instinct, Miyako takes things much more at face value and doesn’t blow a fuse nearly as easily, but because she’s significantly more assertive and aggressive, she’s much more prone to doing what she wants on her own whims instead of backing down to anyone. In fact, Miyako is significantly more emotionally sensitive in the long run, so while Daisuke tends to blow a fuse more easily, he’s also able to shrug it off and move on more quickly, whereas Miyako has a thicker skin, but when she does take emotional pain, she takes it much more deeply and harshly. She also tends to get overwhelmed easily by stress and panic, which makes her one of the more prone to running around in circles and doing frantic things in the midst of it.

One thing you might notice about Miyako is that she’s actually more critical of herself than anyone else in the group is; most of the time they act with mild exasperation at her antics but don’t tend to criticize her directly, whereas Miyako is very aware of her own shortcomings and is constantly either criticizing herself or comparing herself negatively to others (see: 02 episodes 10, 14, 18, and 31 especially). If she slips up and does something that stepped on someone else’s toes, it doesn’t take her long to realize that she’s messed up and want to do better. So while she generally tends to act the most in-your-face and aggressive, she also doesn’t necessarily want to be this way, and suffers from self-confidence issues and a poor opinion of herself.

Miyako uses a feminine speech pattern that’s a bit more casual than Hikari’s (she noticeably is willing to use the word anta for “you”, which has a bit of a connotation of being abrupt and in-your-face, especially with Daisuke). She’s also the most likely to physically manhandle things, both in the affectionate (hugging people) and aggressive (grabbing things and jumping on them in order to attack) senses.

Hawkmon is repeatedly referred to as being like Miyako’s “knight”, since he has absolute loyalty to her (in spite of her ridiculous antics often meaning he gets strung around by her) and is effectively in charge of minding her so she doesn’t get too out of control. While his overly polite and gentlemanly demeanor initially seems like a sharp contrast to Miyako’s aggressive and messy personality, you might also notice that, at their cores, the two aren’t all that different -- both are unfailingly loyal to others, and both also have a penchant for dramatic theatrics and being a bit overly proud of themselves.

Iori and Armadimon

The key thing to know about Iori is that he’s not stoic because he’s not feeling fervent emotions, but rather because he’s constantly holding them back (this is especially apparent if you look carefully at his facial expressions and Urawa Megumi’s delivery, where you can tell his facade is often “slipping” even when his words would indicate otherwise). Since Iori is trying to live by the ideal of being a model citizen, especially under the very formal environment he was raised in, he comes off as mature for his age, but it’s very important to not forget that, underneath all that, he’s still an impressionable nine-year-old child with the wide range of emotions and immaturity of one, and when he does emotionally fall apart, everything tends to burst out (see 02 episodes 16, 44, 47, 50). In addition, Iori is never condescending about the fact he usually acts more mature than the others; the impression is that he’s much more strict with himself than he is with others, and in fact still does look up to his elders in the 02 group even when they’re obviously a lot messier than he is.

The “need to be a model citizen” is something looming over Iori’s head at almost every moment, and it’s the easiest way to understand the way he acts in a nutshell. Iori is focused on the idea of “becoming a proper adult”, which means that he’s adhering to all of these principles because he feels they’re necessary to live a proper and honest life as per the formal manners that his family background trained him into. But like a young child who insists “you have to do this because those are the rules!” all of the time, Iori is over-applying all of this, and even his own grandfather advises him that he really needs to chill (02 episodes 5, 24). In short, he struggles with thinking flexibly and understanding that life isn’t all that clear-cut, because he’s a young child. Since he also tends to bring out these things in relation to “what my father would do/say”, it’s implied that he’s basing all of this off of having only hearsay to work off of in regards to what his father was actually like, to the point of aspiring to an impossible, saintlike version of him he’d created in his head.

Note that Iori’s “rules” have less to do with institutional rules (that would be more of a Jou thing) and more to do with self-imposed personal rules; for instance, he doesn’t mind sneaking into school during a holiday when it’s obviously not hurting anyone (02 episode 6), but he struggles with things like wasting food (02 episode 3) or not formally introducing himself to an elder (02 episode 5). So in other words, his adherence to principles has heavily to do with “the right and proper way to live” more than anything, and what he believes is the right thing to do in a given situation.

Iori’s journey in 02 is largely fueled by the fact that, as an inheritor of sorts of the Crest of Knowledge, he has a sense of “I want to know and understand more” whenever he sees something that makes him curious, but unlike Koushirou’s desire to learn more about the world around him in terms of its technical workings, Iori mainly wants to know more about people. The reason he begins to let go of his inflexible mindset is that he has the humility to understand that he still has a lot more to learn and understand, and when he sees behavior from others that doesn’t make sense, he does his best to learn more about it -- hence how his aggressive probing into learning more about Takeru allows them to reach an understanding and eventual Jogress, and how he’s able to eventually reassess his own view of human morality and emotions.

Iori sticks out in that he almost always uses the formal variant of Japanese in most situations (nobody else in the 02 group does this). However, formal in this situation doesn’t necessarily mean polite; Iori doesn’t believe in flattery and will bluntly state his opinion in said formal tone, and will be very cold towards something he sufficiently disapproves of or doesn’t have any respect for, which can make him even come off as passive-aggressive at times. (Noticeably, while he still asserts his own opinion, he does refrain from criticizing the others in the 02 group too much, presumably because he respects and looks up to them a lot as his elders, regardless of how chaotic they can sometimes get.) In addition, because a lot of his demeanor comes from him restraining himself, when his emotions are sufficiently pushed over the edge, he loses grip on the polite form and starts “lapsing” back into the casual one.

Because Iori was so young during 02, and because the events of its story ended up really upending his view of the world, the huge eight-year gap between 02 and Kizuna makes it difficult to predict certain things about his demeanor at the time of Kizuna (especially since his own voice actor commented on the difficulty of conveying the nuances of Iori’s character, thanks to only being able to work with the limited time frame of a movie that doesn’t put him in the kinds of emotionally drastic situations that push him to his limit). That said, everything we’ve seen of him in the movie itself and the drama CD makes reasonable sense; now that he’s much older, he comes off as having much better restraint on his emotions and coming off as genuinely calm, but he’s still not one for flattery, and you can still see very minor slips in his facade every so often.

Armadimon also initially seems like a sharp contrast to Iori in terms of demeanor, in that he’s much more casual and laid-back, and he’s indeed a huge factor in reminding Iori to chill once in a while -- but, much like Iori, he prods and asks questions about anything he’s curious about. This initially seems to be out of simple-mindedness because, being a Digimon, he doesn’t understand human society that well, but his very basic questions often end up snapping Iori back to reality in realizing that he’s getting hung up on things that don’t actually make practical sense. Urawa also felt that Armadimon fills in some of the void that Iori’s late father left behind, in that he provides Iori with unconditional love and helps guide him.

Takeru and Patamon

Takeru is the kind of person who seems to dislike major disruptions to the status quo, so he doesn’t say anything inflammatory that’ll rock the boat. It’s very difficult to get him to talk about serious topics related to his deeper personal feelings (02 episode 17, 35, Spring 2003), and even when it’s clear he might have more misgivings on the situation, unless it’s an urgent situation where it needs to be brought up, he won’t voice his misgivings too clearly for the sake of not causing trouble (hence why Daisuke is so unsure what to make of him in the early episodes of the series, because Takeru constantly fails to clarify his own position in favor of a “good for you” or “sure, you keep believing that if you want” attitude). This also makes him the most likely to awkwardly change the subject or try to distract with small talk, and it means that, even when he’s saying cheerful, pleasant things, it’s very likely there’s pain or uncertainty under that initial facade. (Note that while his suspicions of Ken during 02 episodes 25 and 27 aren't nearly as vicious as Iori's turn out to be, we learn that he's still willing to quietly accuse Ken of working for his own self-satisfaction in the latter episode, but he never brings this up to anyone but himself.)

Because Takeru isn’t necessarily doing this to be consciously dishonest, it does mean that he also has positive applications of this tendency to take everything in stride and keep the peace, because he ends up keeping the more extreme personalities in the rest of the group in line and acts as an effective mediator. You could say that he has a pretty high amount of tolerance and a capacity for taking everyone’s points of view in mind. However, since it’s also very difficult to tell what he himself is thinking, his use of this as a poor coping mechanism for his personal trauma leads to a tendency for him to suddenly explode in a mess of emotions whenever something gets too personal, leading to sudden conflict, and with others at a loss in terms of how to deal with him (the most extreme example being 02 episode 19, but also present in 13, 11, and 34). This “two-sidedness” is why it ends up having to be the more consciously methodical Iori who steps up to try and understand him better as his Jogress partner.

Fortunately, Takeru shows signs of becoming more straightforward in the aftermath, although you can see that he still has a penchant for mild flattery and “trying to hold back for the sake of not being rude” all the way up to Kizuna (but, again, this can’t be said to necessarily be a bad thing when it means he has a valuable skill as a mediator).

Takeru has a fairly neutral speech pattern that comes off as casual but not too aggressive or assertive (not as absurdly polite as Iori’s, but slightly less assertive than Ken’s).

Patamon initially still seems to be “immature” in the same way he was in Adventure, which initially seems to widen the gap in personality between him and Takeru, but looking closer reveals that the differences aren’t as big as they seem; Patamon seems to have gained a capability for slyness and active trolling behind his playfulness (see 02 episode 7), not entirely like Takeru starting to use his evasiveness in a teasing-like manner. Moreover, Patamon does actually seem to have gained a bit of proper maturity in the meantime; see how he instructs the Baby Digimon on convenience store food in 02 episode 3, and in general seems much more willing to take independent action in ways he didn’t always in Adventure. Noticeably, Takeru’s difficulty with his own convoluted feelings means that he can’t even have a proper heart-to-heart with him about it on the situation (most glaring in 02 episode 34, where it’s implied that Takeru would rather leave Patamon to be happy right now instead of bothering him about it), especially because he’s clearly having difficulty even working it out with himself. However, despite their ostensible differences in mentality, Takeru and Patamon have no difficulty getting along at all in 02, and, other than Takeru pampering Patamon a bit, there isn’t all that strong of an impression of them being so mismatched -- perhaps because, in the end, they really aren’t all that different.

Hikari and Tailmon

Taichi stated in Adventure episode 48 that Hikari has a problem where she's so selfless and thinking of others that she'll never speak up about her own problems. Hikari states in 02 episode 31 that she compulsively cannot speak out about her own feelings even if she wanted to, to the point she’s jealous of Miyako for being able to be more open (even if it means being overkill at times). As a result: if Hikari’s talking about “the right thing to do”, or something for everyone’s sake, or something that’s relevant to other people and what’s best for them, she will be extremely vocal and quick to act, and she’s not above even chipping in with criticisms (see: 02 episodes 19, 32, 44). In fact, she’s fully capable of being playful or toying with others if she really wants to (see how she casually manipulates Daisuke into calling a lunch break for everyone in 02 episode 6).

The moment the issue at hand is about herself, though -- her own feelings or pain, or something that might hurt others’ feelings (hence the presumable reason she dodges Daisuke’s affections rather than proactively doing anything about it), or something that would put a burden on others for her own sake -- she completely clams up and refuses to do or say anything, and when bad things start happening to her, she resigns herself to her own fate and concludes she can’t do anything about it. Hence, why she takes such a defeatist attitude towards the Dark Ocean swallowing her up in 02 episodes 13 and 31, and why it’s such a big deal if she even so much as asks for help. 02 episode 31 indicates that Miyako reaching out to her is an important step in breaking her out of her shell, and the Kizuna drama CD -- which has Hikari assertively declare something she personally wants -- heavily implies further that Miyako was instrumental to this becoming possible.

Hikari is compassionate for others to the very end, expresses pity for BlackWarGreymon as early as 02 episode 31, and catches on quickly to Ken’s feelings on himself in 02 episode 37 (and even back when she’d been more skeptical about him in 02 episode 25, she never seemed to have real personal distaste against him as much as she still wanted to make sure he was trustworthy first). But although she’s one of the most compassionate in the group, she’s also one of the most assertive in the group. This leads to something that initially seems like a paradox: she’s actually more fervent about the need to fight than the more aggressive Miyako is. Miyako is, ultimately, emotionally caught up in everything and briefly falls apart at having killed LadyDevimon in 02 episode 44 (even despite knowing how horrible of a person she’d been), but Hikari is the one who points out that there would have been more victims if they hadn’t. 02 episodes 25 and 43 had made it abundantly clear that Hikari didn’t like it at all, but she states in 02 episode 37 repeatedly that they need to prevent there from being victims -- meaning that she values the importance of protecting all lives, including those who would be hurt in the process, and thus has some of the more resilient guts when it comes to the prospect of fighting to save others. Again, her hesitation only comes into play at its worst when it has to do with herself; working to save others is a no-brainer.

Hikari uses a casual feminine speech pattern that’s less in-your-face than Miyako’s, but she’s still a bit more casual than she was in Adventure, when she used the more polite watashi instead of atashi. Interestingly, Tailmon herself seems to have mirrored this as well, presumably because now that she’s had more time to recover from her miserable life under Vamdemon, she’s able to enjoy her life a bit more freely. This means that, while Tailmon is still the most mature and put-together of the Digimon partners in the 02 group, she sometimes acts a little more casual and playful in a similar way to Hikari, and while she has a certain degree of stuffy personal pride (see how she wasn’t very amused at how frivolously the other Digimon were playing around in 02 episode 3), she’s still open to enjoying herself a little more freely. Hikari, for her part, becomes surprisingly like-minded with her during those times -- see them in 02 episode 12 -- and, as stated earlier, it’s not like Hikari isn’t up for making tough decisions when they’re needed, either.

#digimon #digimon adventure 02 #digimon adventure last evolution kizuna #shihameta

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deltas-writing-corner · 3 years ago

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Courtship (4): The Gargoyle Graveyard

Fandom: Twisted Wonderland (Malleus x GN!reader)

Author note: Again, thank you all for being patient with me and I apologize for having a very inconsistent writing schedule. I'm going to make it my goal to update on a bi weekly basis instead of leaving you all in silent limbo. Also a reminder I suck at figuring out which warnings to put so if there's something that needs to be forewarned that I failed to disclose please lmk!

Warnings: Mentions of heavy bodily injuries | childhood trauma/neglect | discussions/mentions of discrimination | mentions of virginity/sexual history

Previous chapter | Next Chapter

AO3 version

Clay. Stone. Porcelain. Plaster. Metal. There are even gargoyles carved entirely of wood! Some statues are stand-alone works of art while others are part of a clear collection or series of similar inspiration. They even come in all sorts of shapes and sizes; as small as an apple or a towering height to rival Malleus himself. No matter what, each grotesque has been crafted with the utmost consideration, by well seasoned and knowing hands. Even the ones that have clear defects and cannot serve their intended purpose are free of overabundant ivy, weeds, or dust. There’s a clear degree of love and care the family who makes these statues has for their craft that makes him feel less alone in his interest in an uncherished form of art.

“It should be around here somewhere,” you muse aloud. Ever since he expressed interest in seeing more sculptures made with non-traditional materials, you’ve been keeping your eye out for a particular one that would fulfill his yearning. You eventually find it and eagerly point to it. “There it is!”

Malleus watches as you approach a massive-sized statue covered with a thick and half-wet tarp. He helps you remove the cover, revealing a winged and slightly humanoid canine. There are many more grotesques with a similar design, but what makes this one stand out the most is the material it’s made out of.

“Amazing!” Malleus awes. “I’ve never seen a grotesque of this size made entirely of glass! They’ve even managed to maintain their attention to detail despite such an abnormal material choice.”

“You can even see the inner channel where the water would flow in and redirect out of its mouth,” you notice.

“They even went out of their way to make it functional despite it being unfit for actual installation?” Malleus inquires with disbelief. “Such a shame.”

“If you’re looking to buy anything here, I’m afraid it's a lost cause. One of the first warnings the grandfather gave me is that none of these are for sale.”

“What was his second warning?”

“If we damage anything, even as small as a scratch, he’ll kill us.”

“How charming,” he chuckles. “I cannot blame him. These statues must take weeks to complete. Time is a human’s greatest enemy.”

“For some, sure. But when I went to visit the family and talked to the old man, he was lunging around all this heavy equipment like he was still in his prime,” you recall. “He lives for his craft. If there’s anything humans are at risk of their entire lives, it’s a lack of motivation and reason to live.”

“I suppose that’s true, but the lifespan of humans and the inevitable effects of aging is difficult to live with, especially once it begins to hinder one’s ability to do what one could previously do without issue. ”

“You’re not wrong,” you acknowledge. “But I think I’d rather live a short life with fulfillment than a dull, long-as-shit life.”

To show that he’s entirely on your side, Gunter lets out a guttural bark while his tail rapidly wags and thumps the damp ground, coating the ends of his bushy tail in specs of dirt and dirtied, remnant snow of the north that has managed to stay frozen on the isles warmer south end.

“You’re only agreeing with them because you’ve been promised food,” Malleus chastises. “Don’t think I didn’t pick up on your grumbling stomach.”

“And don't think I didn't pick up on your stomach rumbling either your highness," you quip back at him. "The family has a small cottage nearby we can use. We'll settle down for a bit and eat before sightseeing some more."

Before you turn and walk in the direction towards the aforementioned lodgings, you reach your hand out for Malleus to take and he latches onto you with restrained enthusiasm. He's taller than you, but he takes care not to take his normal strides as to not leave you struggling to keep up with him. Gunter doesn't know the way, so he trots beside you every step of the way up until the destination is in plain view. The cottage is small but well-attended. There’s a rustic flair to its construction that makes it feel familiar and safe despite never stepping foot in it before.

"Those gargoyles were something, huh?" you remark to him while you tap and shake off the gunk wedged into the soles of your heavy boots against the frame of the door.

"Indeed," he nods, taking your cloak off for you and hanging it on the wooden rack nearby. "I don't think I've ever seen that many gargoyles in one day. Just when my eyes land upon an intriguing one, there's several more that catch my attention."

The way he gets all wide-eyed is outright adorable. It makes you grin just as enthusiastically too. "I bet your club is going to have a field day once you tell them about this!"

His child-like smile turns into one of disappointment. "I'm certain they would, if I wasn't the sole member that is."

Your hands halt from pulling out and setting down all the premade food out of your pack. "Seriously? You're the only one?"

When he nods his head, you feel a twinge of hurt in your heart. Poor guy. You can only imagine how disappointing it must be to go through all those lengths to start a club (you would know since you're technically a staff member of the school and have been given a rundown on some of the school's functions and regulations) only for no one to show interest. Of course, you completely understand that gargoyles aren't exactly all the rage within the minds of teenage boys. Still! He goes through so much effort to build relationships with his peers but they always cower away, either due to his status or even because of the way he looks. You won’t deny that he does come off as rather intimidating at first glance, but he's a sweet guy once you give him the chance to speak.

But to expect teenagers going through social pressures and demanding academics to be as understanding and willing to understand someone like Malleus is an impossible demand. Given that everyone in the school can be a bunch of self-centered and easily agitated bunch of pricks, it's understandable that most of the student body isn't keen on trying to take into consideration the proper etiquette one needs to consider in the presence of a young and noble fae. Deuce has met and talked briefly with Malleus on one occasion, but even he visibly shakes whenever his name is mentioned, even in casual passing.

Wait until they found out who you've gone and gotten buddy-buddy with behind their back. They probably think they're slick or that their intentions are well swept under the rug, but it's clear they feel some semblance of responsibility for your well-being, as both a magicless individual as well as a close, albeit older, friend. You dread the day people begin to make the connections between Malleus and you, but you still can’t help but wonder what their reactions might be. You also dread the high probability those two idiots are going to find out and embarrass the living hell out of you, which you know you do not have the patience or tolerance for.

Gunter jumps up and sits himself down in one of the wooden dining chairs, pushing the small ceramic plate towards you with his nose, as if telling you "Alright, I’ve done what I said I'd do, now feed me what I'm owed." You tell him that you'll give him what he's well earned after you get a small fire started in the brick fireplace. Just because it's warmer near the southern half of the island and not as heavily blanketed with snow, doesn't mean the cold has completely vanished, Winter is still winter after all.

"Where did these scars come from?"

Malleus' unexpected question and closeness nearly make you drop the iron rod you've been using to stoke the growing fire. You've since taken off your boots and rolled up the bottoms of your pants just above your knee as the room starts to warm up enough for a thin layer of perspiration to accumulate and roll down your skin. The scars he's referring to are the ones on your right leg, both side by side at an awkward angle and discolored. You have a lot more scars than these, some much more gruesome in appearance than these two. Malleus has never asked about your scars, but sometimes you catch him looking in the general area of some that peak through your clothes. He likely keeps quiet about their existence out of courtesy.

Yet out of all the markings on your body, why did these two stand out enough that he'd finally ask about them?

"It's a long story," you say in an effort to stall the topic. "Sit. I'll feed you two once the fire is stable."

He doesn’t push you for an answer, instead simply doing as you say and lets you poke at the burning logs until they're properly aflame on their own. You made mostly some of your morning favorites; Creamy and thick potato stew with diced carrots and peas and some eggs, ham, and crispy hash browns sandwich between homemade halved croissants. You teased him about having picky taste buds earlier, but Malleus is content to eat anything you serve him so long as it is not comparable to the likes of Lilia's atrocious cooking.

(Seriously, how does a man as old as Lilia not know the basic fundamentals of cooking? And why does everything he makes end up burnt and tasting like something rotten? You will never understand.)

"Don't eat too quickly," you warn Gunter as you pour a bit of light-colored soup onto his designated plate. Your words are ignored, as the equally marred wolf sloppily slurps and munches on the few bits of potatoes and vegetables you generously scraped out of the thermos. His food is gone as quickly as it’s put in front of him and he looks at you expecting more.

"No. The rest is mine," you scold. "And don't beg Malleus for some either! I know you do it behind my back, you little shit!"

He turns to look at Malleus with an accusatory glare, thinking that he ratted him out to you. Malleus’s response towards the silent imputation is to turn and look out the window as if something caught his interest all of a sudden, cup raised to his lips as he politely sips away at his meal without an air of calmness. You have to slap a hand over your mouth to hide the amusement that overtakes your senses.

"Malleus, stop that!"

"Stop what?" he innocently asks.

"Stop making me want to laugh!"

He sets his cup down onto its matching serving dish. "It's not my fault you have an easily satiable sense of humor."

"Wow!" you say incredulously and put your arms up in offense. "And here I was thinking we were friends!"

His distant demeanor breaks and you both devolve into a fit of laughter together. Gunter unfortunately takes advantage of your joint distraction and slips away with a warm sandwich between his jaw, your sandwich in particular.

"That damn wolf!" you curse. "I knew I should have trusted my gut and pack extras.”

Malleus pities your distress before moving over to sit closer. "Worry not. I'll split mine in half with you,” he reassures.

"No, it's fine," you immediately dismiss his offer. "Have it for yourself."

"I'm not taking no for an answer," he firmly states. “Don’t be stubborn. It’s far too early for that.”

"I thought you liked it when I was stubborn?” you pout.

He shakes his head with a smile. “I would be lying if I said I didn’t”

"At least someone likes my attitude,” you say after chewing and swallowing a mouthful of soup. “Sebek certainly doesn’t."

"The boy is stubborn as well. When two equally stubborn individuals cross paths, you will witness nothing but discord between the two."

"Add the fact I'm human into the mix, and we'll be exchanging fists instead of words sooner or later," you scoff. "I get that some faes don't like humans, but what's his deal with acting like he’s got a vendetta against me?"

"Sebek doesn't hate humans for the reasons you might think," Malleus admits. "It’s more like he finds them difficult to think that highly of. Did you know that he is half-human?"

You nearly choke on your own breath over the sudden revelation. "Really?"

"Indeed," Malleus finds amusement at your disbelief. "Have you ever wondered why his ears aren't pointed like Silver, but his eyes are like mine and Lilia’s?"

"Damn,” you scratch the back of your head with embarrassment. “Now I feel stupid.”

"You aren't. Given the way he speaks, not many would assume he had human blood in his veins. His mother was highly regarded within her social circle, but her marriage to a human man tarnished her reputation a great deal. She's happy and does not seem to care what others think of her these days. However, when Sebek set out to be a knight, his mother's marriage and his lineage were often brought up as a way to scrutinize his character and capabilities rather than any of his actual shortcomings as an individual."

"Poor kid," you sigh. "Lilia told me those sorts of things still happen in The Valley, but it sounds so outlandish that I couldn’t take it that seriously."

"Many faes hold old traditions above all else, to a degree that the purity of one's blood stands above all other merits." His eyebrows pressed together in annoyance. "Even my grandmother thinks it's archaic, but as the reigning queen she has to embody a persona of neutrality between the social divide."

"It sounds like you have your work cut out for you in the future," you say, almost apologetically. "What do you plan to do about it once you're the king?"

There's a brief flash of surprise over your question, but Malleus easily answers it as usual. "I think my first course of action as king would be to properly knight Sebek and Silver."

"Bet my rifle that Sebek is going to cry the entire ceremony!" you remark with certainty. "That's all he ever goes on about, being a knight and all."

"He's devoted countless hours and efforts since he was a child. If there's anyone who deserves to join the knighthood, it's him."

"Definitely," you nod to further cement your agreement with him. "He could stand to lower his voice a bit. He'll give you tinnitus before long.”

"At least we won't have to worry about losing him in a crowd," Malleus jests.

"That's to say we'll lose sight of him to begin with," you remark. "He'll gladly lose me in a crowd. You? You'd be lucky to get out of arm's length."

"You underestimate me, dearest," Malleus smirks. "Ever since I've met you, I've perfected the art of avoiding Sebek's insistent searches."

"Have you now?" you razz back. "Don't let him catch onto the fact. He'll have my head."

He reaches over and tucks a strand of hair behind your ear. Each second his skin touches yours makes you tingle. Time slows down ever so briefly if only to savor the small instance of physical connection for as long as possible. "What of your aunts?" he inquires. "Are they as overprotective of you as Sebek is of myself?"

"They’re a trio of mama bears," you proudly admit. "I'm old enough to drink and well equipped to fend for myself, but in their minds, I'll always be the little tyke that couldn't even eat their meals without looking at them for approval. Especially my aunt Gia."

You have three aunts. There's your aunt Marisol, the mother of most of your cousins and the main caretaker of the household. Your second aunt Lucia was well into her studies at university when you came to live with them, but her stress and long hours of mulling over her course materials paid off in the long run. Your gardening skills wouldn't be what they are now without her expertise in agricultural botany.

Then there's your aunt Gia. Oldest of the three. An absolute tank of a woman. No spouse. No kids of her own. She lived off the land like an absolute titan. The woman raised you as if she was the one that carried you for nine months and not your actual birth mother.

How would you describe your parents? If your parents were told to list out their priorities in life, their careers would be at the top of the list and you would be put at the very bottom. Why they carried you to term is beyond your understanding. You later learned that Gia had even offered to take you under her care well before your birth, knowing that your parents might not be well-suited to take care of you in the way she thinks would be beneficial for you. It was a convenient offer that would have saved everyone the trouble years down the line when you had your accident. They worked in a cutthroat industry and were constantly moving up the executive echelons. They had no time for you, yet their pride as a pair of young, successful business magnates made them incapable of seeing past the reality of the situation. That left you mostly in the care of last-minute caretakers and your aunts, but only if they had time from their own busy and preoccupied lives to come out into the city and visit.

You were eight years old when things started to get better, but it was upstarted in the worst possible way. Your parents had to go away for the upcoming weekend for work and left you in the care of a babysitter as per the norm. The babysitter never showed up however and your parents apparently couldn’t be bothered to check up on you even once the entire trip. Their silence wasn’t surprising. You just went on about your business for the next three days on your own like nothing was wrong. Your aunt Gia had even called at one point to check up on you, but you didn’t bother to tell her that your parents had left you to fend for yourself. She would have exploded if you did, but not as much as she did when you woke up in the hospital after falling down the stairs and lying helplessly on the ground for several hours with a dislocated shoulder and a compound-fractured leg. You were lulling in and out of consciousness due to all the medication pumped into you, but what little you do remember seeing and hearing when you regained consciousness will forever stick with you for the rest of your life.

If people think your level of swearing is bad, they should have heard your aunt that day. She swore so viciously that it could set an innocent bystander's eardrums on fire. What will forever stand out the most to you was the fact that your parents didn’t even look the least bit apologetic or regretful. They didn’t even approach you once your aunt was done giving them a piece of her mind to check up on you. They simply talked with the awaiting social worker and doctors and then left. It was for the better, but the small part of you that continued to hold onto the desperate belief that your parents would come around one day sent you into a thrashing frenzy and you had to be sedated before you could hurt yourself anymore.

The next year was spent recovering from your injuries, meeting regularly with your caseworker, and going through therapists like a pack of cigarettes. By the time you were back on your feet and the legal proceedings of your custody case were concluded, all you wanted was to move on with it all. Nearly a decade of neglect left you this unattentive, uncertain husk of a person who couldn’t take a single step forward without looking for some sort of guidance or assurance. Your family was exhausted by the entire ordeal and over speaking with third parties. Your aunts took it upon themselves to help you regain your sense of self in the comfort of your new home, no matter how difficult or demanding it was going to be.

“It took some time, but eventually it clicked in my mind that I was in a better place and I started to get better. As for my parents, I have no clue what they’re up to these days.” You lean back into your chair and let out a shaking yawn. “I like to think they’re getting on well like I am.”

“I don’t understand.” Malleus looks at you with unbelievable confusion. “Your parents treated you poorly, yet you don’t sound the least bit resentful. Why is that?”

You shrug your shoulders. “What’s the point? I'm in a better place now, so I've let bygones be bygones. 'Doesn't mean I don't harbor any anger against them anymore. I do, but getting upset won't change what's happened to me."

Gunter, having sensed your discomfort over the matter, trots over and rests his head on your lap. You gratefully rub the top of his head, carding your hands through his thick, coarse hair. "I'm just glad they let me go without a fuss. Family court was hell for my family.” Your eyebrows knit together. “Expensive too.”

Crackling wood fills the momentary silence that befalls the small cottage. What you've recollected to Malleus is a lot to take in, and if you're being quite honest you'd prefer if he just dropped the subject and talked about literally anything else right now. You hope he doesn't say he's sorry or any other type of apologetic comment. That's all you were ever told that entire year it all happened, during court proceedings, your rehabilitation, by both strangers and distant family members alike.

"I'm so sorry. What happened to you was unfortunate. You didn't deserve it."

No shit you didn't deserve any of that. You were a kid. You don’t need one pity party after another to realize that what took place then had fucked you forever. But as you said earlier, you're in a better place now, with a loving and supportive family that's moved on alongside you. A family you need to get back to as soon as possible.

"I love you."

Well, if he was hoping to take your mind off the past. that certainly did it. How can it not? It came out of nowhere and as good as you are at holding your composure when need be, you're sure you look no less like a gaping fish when warm and plush softness presses right against the corner of your lips. A kiss. His kiss.

"What's wrong?" Your voice sounds shaky. You’re nervous.

"Nothing," he smiles reassuringly. "I simply said what I felt needed to be said."

"Fair enough" you concede easily. He was going to say it sooner or later. He already has actually, now that you think about it. Yet here you are trying to process his words like it’s rocket science.

"Am I going about this too fast perhaps?" he genuinely asks. His hands that have been busy massaging your calves that have settled across his lap somewhere during your long retelling gradually slow down, but his hands never go completely still. "This is my first time experiencing something like this."

"What?" You sit up a bit straighter. "A relationship?"

"Yes."

Your head tilts to the side. "Really?"

He nods hesitantly "Yes?"

For a moment, you go completely quiet. "I don't believe you,” you doubtfully say, head shaking to further showcase your refusal to believe him.

He must not have liked your remark, frowning with clear offense in his eyes. When he dislikes something, the vertical slits in his eyes contract into a thin line. "I cannot lie, yet you still doubt me?"

"I know you can't lie, but I find it hard to believe you haven't been with anyone else before," you explain. Before you can consider the appropriateness that was your newfound curiosity about Malleus's apparently non-existent love life, you blurt out, "Are you still a virgin?"

You slap your hand over your mouth the moment those words come out of it. He's equally caught off guard and nearly drops his warm cup of coffee. Even Gunter is surprised by your question, olive-colored eyes looking at you as if you've lost your mind. It's an invasive question, inappropriate even. You and Malleus have been dating for a little over two days. A question like that is way too early to bring up just yet.

"You don't have to answer that," you tell him behind your palm. "I shouldn't have even asked it. Forget I ever brought it up-”

"I'm not," he interrupts you, leaving you even more shocked than you already are. You’re practically gaping like a fish by now. "I'm not a virgin,” he further insinuates.

A deafening silence, but it’s eventually broken by yourself. “I still don’t believe you.”

Malleus gets further annoyed at your refusal to accept his truth. "I'm not lying!" he insists.

"Bullshit!"

"Do you want me to recount my history to you?" he asks, exasperated as you are at the shift the conversation is taking. "Will that satisfy your doubts?"

"You know what? It will!" you loudly declare. "Who'd you sleep with?"

"He was a young page at the time,” he reminisced. “It happened before I was a century old.”

Your eyebrows raise with intrigue. "Was he cute?"

"Yes," he hushedly agrees. The disconcerting admittance paints his face a pinkish-red glow. "But that's not why I bedded him."

"But surely his looks are what made you interested in the first place?” you make blatant regard of the fact.

“You’re not wrong,” he acknowledges, expertly avoiding agreeing with you outright. “But his looks aren't the sole reason I was drawn to him. He was bright-eyed and ambitious, to the point you’d think him insane given his position in the court. It was also the first time I ever truly met with a group of humans, and my young mind was eager to get a more accurate perspective of humans that wasn’t through the lens of my tutors.”

“An ‘accurate perspective’?” You make playful air quotes, eyebrows wiggling because you know the fact that he knows what you’re implying. The playful comment is met with a sharp pinch on your leg that makes you jump and shriek out in pain. Did he have to dig his nails into you? Apparently so, and now you have small crescent indents on your skin. “I bet Lilia had a good laugh when he found out.”

“He doesn’t know, actually,” he admits to you with what is obviously a proud smile.

“Now I know you’re lying to me,” you scoff. “Nothing escapes the old man’s radar.”

His hands begin to rub out the marks he’s left on you as a form of apology. “Lilia is sharp, but he had lost most of his vigor by the time I was born.”

You go wide-eyed again. “You mean his hearing and eyesight was better than it is now?”

He nods affirmatively. “From what I’ve been told, terrifyingly so.”

Lilia is already frightening as is. His short stature and boyish looks make him perfectly unassuming to those who don’t know any better. You once watched him beat up a couple of bulky, twice-his-height students from Savanaclaw without breaking a sweat, yet moments before he was jokingly scolding himself for dozing off so easily. You never once thought he was ever out of his elements. A cold chill runs down your spine thinking how much more perceptive the older fae may have been back during his prime years.

“Wonder what Lilia’s gonna think,” you ponder out loud in a quick effort to banish out the skin-prickling mental imagery your mind was invoking. “About us, I mean.”

Malleus seems surprised that you would change the topic to that of all things, but his initial shock goes away as quickly as it came. “As you may have guessed, he’s an open-minded individual, but he’s also very realistic and unafraid to say what’s on his mind.”

“So what does that mean for you and me?” you question with a bit of hesitation.

“Well,” he trails off and ponders for a moment. “He’ll surely like the scandal our relationship would invoke. However, as my caretaker and mentor, he won’t hesitate to put an end to it if he feels it necessary.”

Had it been anyone else sitting beside you, you’d have found that comment way too extreme and outright ridiculous. However, you are not speaking to anyone ordinary. You are not sitting before someone normal. It doesn't matter how well you get along with him. It sure as hell doesn't matter how deeply in love you are with him, and him of you. The moment you have been deemed a shortcoming, the outings, the closeness, it all stops. All of it will come crashing down and both you and him will be left wondering what could have been done differently.

Malleus is truly your best friend, because already he can tell that your mind is beginning to spiral even when you go quiet. He calls for your attention by gripping his hand around your bare ankle and carefully tugging the end of your limb. “Don’t fret over it too much,” he soothes, yet also sounding like he’s scolding you for letting your mind wander off so negatively. “Lilia is an exceptional judge of character. From what I’ve gathered, you’ve well exceeded all his marks. He trusts you, and to gain such a thing from someone as old and wise as him is an extraordinary feat.”

You brew over the attempted compliment he tried to pay to you. Unfortunately, it doesn’t snub out all these festering thoughts in your head. It doesn’t even give you temporary relief. Perhaps it would have brought you a sense of peace a few months ago, but with everything that has happened thus far, you doubt even Malleus can alleviate the storm that rattles inside you, even if what he speaks is without a doubt nothing but the truth.

Surely he can see that you are still having some hangups. When you lift his hand and plant a chaste kiss on the back of his hand, you hope he can decipher the gesture as a pitiful request for his forgiveness for dampening the once energetic mood. He is not at fault for your loss and inability to think optimistically at the moment and you need to make sure he knows it.

Today is about him, not you. Even if it’s just for today, you’ll put on a pleasant facade and worry about the rest at a later date. It’s just you and him, and for now, that’s enough.

You do a mental countdown starting from three, before finally giving him a late response to the three words he uttered in confidence to you earlier. “I love you too, by the way.”

You love him. You love him. You love him. That’s all his mind can think of for the rest of the day. He replays your reciprocation over and over like it’s sacred and all-powerful.

He had planned to return to his dorm before the sun began to set, but he found the mere idea of detaching from you deeply unwanted and made the last-minute decision to spend the evening at the Ramshackle dorm. He already has a few articles of clothing and personal essentials set up in one of the many empty rooms, so neither Lilia nor you had any objections at his sudden request.

“Don’t worry!” You shout across the room so that Lilia can hear you over his phone. “I’ll make sure he gets to bed on time!”

“You have my gratitude!” Lilia’s muffled voice responds gratefully. “Don’t cause too much trouble now, you two.”

“No promises~” you sing in jest before Malleus hangs up. Once the call ends Johnny, Benji, Franky, and you turn their attention back to their ongoing game of poker. Malleus watches and occasionally laughs to himself over the friendly banter shared between the quartet. At the end of every round, the winner is assaulted with colorful profanities whilst they take their newly won gambling chips with ebullience. Yet with each new dealing of cards, the animosity goes away and they’re all back to being friendly. He finds your interactions with your incorporeal roommates more entertaining than the book he’s been reading to pass the time.

“Hey, fairy boy,” Franky informally calls out toward him. “Don’t be a stranger now. Play a few rounds with us.”

“I’m afraid I’m not well versed in card games,” he admits, yet he still finds himself setting his literature aside and moving over to join them.

“Don’t worry,” you give him a reassuring smile. “They’ll go easy on you.”

“For how long?” he knowingly asks.

You give him an impressed smirk at his quick uptake. “I give it three rounds before they start to pull back their sleeves.”

Malleus is well-adjusted to the need to quickly learn a new topic and the expectation for him to fully comprehend it in full. None of them are harsh on him for his minor mistakes like some of the tutors he’s had in the past. Answers that he believes may be obvious or not as complicated as he thinks they are being answered with enthusiastic patience. The smallest achievements he makes are met with a proud response. When he makes a surprise turnabout and wins his first game, he’s rewarded with an encouraging round of applause by everyone.

“Not bad,” Benji praises as he shuffles the deck of cards. “You’re a fast learner.”

“So I’ve been told,” he humbly replies. “Is this the part where you all stop going easy on me now?”

“Don’t provoke them,” you half-heartedly warn. “Otherwise we’ll be up all night duking it out otherwise.”

Franky sets his glass of iced liquor down on the edge of the table. “Don’t you little lovebirds worry. We won’t take up too much of your well-needed time together.”

Annoyed at the clear jab at his relationship with you, you throw one of your chips towards his head. It passes through his body and clatters on the floor behind him. Your fawn Blossom jumps down from their spot on the couch and goes to sniff it, thinking it to be food, but walks away with a disappointed strut when he realizes it isn’t anything edible.

“I didn’t tell them a damn thing,” you defensively clarify. “It was so obvious what was going on between us that they figured it all out before we made it official.”

He lets out a deep breath he hadn’t realized he was holding. “That’s...I can’t say I’m too pleased to hear about that.”

“We won’t say anything,” Franky reassures. “Just make sure to put a sock on the door whenever you guys want some alone time.”

“Franky!” you hiss at him. “What the hell?!”

“What?” he looks at you, unbothered by your clear embarrassment. “Do you honestly expect us to think you guys went out just to look at a bunch of statues?”

“Oh, I’m sure they were looking at something,” Johnny smirks. “It wasn’t made of stone though.”

“I hate you guys,” you growl out, arms crossing and leaning back into your seat with an angry huff. You don’t mean it. He can see the tremble of your lips as you try to contain the urge to grin. “Even if we did end up rolling around in the sheets, I wouldn’t be yapping about it for all to hear, much less you guys!”

“What happens in the gargoyle graveyard stays in the gargoyle graveyard, eh?” Franky winks at both Malleus and you, nudging you with his elbow.

“Exactly!” you affirm, batting the large ghost away from you for some much-needed distance. “Now stop being so damn nosy.”

They cackle one last time and everyone seamlessly goes back to their ongoing game. Conversations like the one that just concluded are commonplace in your dormitory. Even if he contributed next to nothing to the discussion, he enjoys watching them interact. You come from a world where ghosts are hardly as overt as the ones in this world. Ghosts are said to entertain themselves by picking on the living, to the point that it can be fatal. Your ability to come up with witticisms at a moment's notice is something he enjoys seeing in action. He feels great satisfaction not only knowing that he has secured your love but to also see you in a state of tranquility and within your elements.

As Benji and you have a hushed conversation on the sidelines, he reaches over and places his hand on your knee beneath the table. You quietly reach over and put your hand over his, stroking the back of his hand with your thumb like it’s instinctual. Unfortunately, the heart-fluttering moment is ruined by the sudden buzzing of his phone. He has half a mind to ignore it, but when he gives the screen a glance he realizes ignoring the caller is not an option.

“I’ll be out for a moment,” he excuses himself once he sets his hand down and stands himself upright. “This shouldn’t take that long, hopefully.”

They all stop to look up at him inquisitively for half a second. In unison, they ask, “Sebek?”

“Sebek,” he affirms.

There are simultaneous displays of annoyance, pity, and silent wishes of good luck directed at him. He’s tempted to ask where all this contempt for the boy comes from, but then he remembers the many times Sebek barges his way into their dorm at the worst possible moments. It is either when everyone is beginning to settle down after a long day or in the middle of an important house project, the former more so than the latter now that the dorm is much more stable and in need of less restoration. Malleus learned the hard way how ill you and the ghosts will react when your peace is unwantedly interrupted and your space invaded by an unwanted guest.

Sebek is also quick to scrutinize whatever he sees out loud without a filter. You never seem to mind half of the time, merely rolling your eyes and moving past Sebek’s ill-meaning remarks as if you never heard them. As you are someone Malleus highly regards and holds close to his bosom, he hopes Sebek can one day set aside his strife with humankind and give you the due diligence you deserve.

...Though, he completely understands that reaching that point will take time. While you can endure Sebek to a certain degree, there are times where he, unfortunately, pushes you past that threshold and, without flinching, you will tell him to “Shut the fuck up”. Your words, not his.

“Young master!” Sebek's transmitted voice peaks and he has to half pull it away to give his pained eardrums some relief. “I was informed by Lord Lilia that you will be spending the night over at the Human’s dorm. Have you all your accommodations at their estate? If not, I will swiftly-”

“That won’t be necessary,” he half laughs at his enthusiasm over such a small task. “I have enough to keep me comfortable and well for a few days. Your offer is still very much appreciated.”

“Y-Yes, of course,” he stutters. “If there’s anything you should ever find a need for, please inform me at once! I will fulfill your every wishes no matter the hour!”

He’s enthusiastic and ready to act at a moment’s notice, even during the middle of a cold and dark hour. Malleus doesn’t necessarily dislike this part of Sebek, but he’s starting to understand why someone like you would find such subservience difficult to deal with. At any moment, Malleus could ask Sebek to grab some insignificant item of his and tread through the thick snow to deliver it to him, and the boy would do so with jubilation and utmost timeliness. You on the other hand wouldn’t be caught dead ordering someone to do something on your behalf when you believe you are well and capable of doing it yourself.

You don’t put expectations onto the backs of others, choosing to trust yourself first before anyone else. He knows now that it’s a result of the one instance where you expected something from someone, only to be thoroughly let down and left wondering if it was you who did something wrong.

Malleus cannot make up for the pain you’ve been subjected to, but he hopes that he can become the outlier in your life that surpasses any preconceived notions you may hold onto others. He hopes...No, he absolutely will be the one who brings you your well-earned and deserved joy and repose, just as you have done for him and continue to do so.

You love him, and he will ensure he is worthy of every last drop of your fidelity.

#twisted wonderland #twst #twst x reader #twisted wonderland x reader #twisted wonderland imagines #malleus draconia #twst malleus #malleus x reader #malleus draconia x reader #twst writing #twst fanfic #fanfic: courtship #reader insert #reader insert fanfic #reader insert fanfiction #gender neutral reader #gender neutral pronouns #x reader

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popculturebuffet · 3 years ago

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Scottrospective Part 6: Scott Pilgrim’s Finest Hour!

Hello all you happy scottaholics! And welcome back to Scottrospective and we’ve reached the finale.. of the comics. Yeah for those of you who’ve been following this and thought this was just covering the comics, nope! I’m also covering the movie and video game for their anniversaries, with the movie serving as a natural finale. The reason for saving both for last is simple: both pull from all 6 books (though realistically the movie pulls more from books 1-3, a bit of four and the OUTLINES for 5 and 6 that ended up radically changed but hey, semantics).

Point is it just didn’t feel like a complete look at Scott Pilgrim without them and the movie’s anniversary is in part why I dove back into the series leading to this retrospective in the first place, so it’d feel weird not to FINALLY revisit it after a decade you know? If your just joining me and would like to check out the other 5 parts of this retrospective so far here they are: Precious Little Life, Vs The World (Comic), Infinite Sadness, Gets It Together, and Vs The Universe. And if that’s not enough pilgrim for you I have reviews of the bonus comics (Free Scott Pilgrim, Wonderful World Of Kim Pine, Style, the comic strips and Natalie Beetle) all up on my Patreon which you can find RIGHT HERE. For only two bucks a month you get access to all those reviews and more.

So yeah we’re at the finale and for one last time we look at my experince waiting for this book. As you can imagine with how devistating the last book was I was hotly antipcaiting this one. So I fondly and throughly, the last part a rarity for me, remember getting the book from amazon, opening it up, marveling and the cool cover, easily the best of the original run...

And then reading the whole thing, cover to cover. I’d waited a year to find out what happened to my beloved gang, I wasn’t going to wait any longer.

You however will have to wait a second. As a refresher for those who didn’t need to binge the last 5 parts of this, and no shame if you did, as i’ve discovered via youtube it’s sometimes really fucking fun to find an entire series on something you never knew exsited and cram your face with it. Anyways Scott was at his lowest point: his girlfriend left him, his cat left him, Kim left him, Stephen was a dick, and oh yeah Gideon finally made his move now Scott had defeated the other exes, calling Scott to politely schedule a time to die.

Just kidding.. Scott dosen’t have a therapist otherwise this series probably woudln’t exist. So yeah Scott’s in a deep hole. Will he dig himself out or keep digging himself so deep he hits the core of the earth?

You probably expected that so join me under the cut and see for yourself as Scott somehow goes lower only to rise to his highest peak, this is Scott Pilgrim’s Finest Hour!

Things Stop Happening: So we open with Scott having a nightmare, desperatley trying to go after Ramona and Gideon (The Cat), only to find....

So with that Scott wakes up or something and we fade to him on his couch which he clearly has not left often in months playing his handheld. I’d make a joke at his expense but a good chunk of my time is spent on my bed playing my Switch so stones, glass houses, you get it. Wallace wants Scott to get out of his Ramona induced depression.. and more importantly get laid so he’s less boring to talk to because Wallace while a caring concerned friend who clearly wants Scott to move on, especially since he likely already went through this with Envy. Seeing Scott post breakup also shows a clear vision of what he was probably like back then.

Wallace also wants to take him to Hooters which is apparently his favorite restraint despite being gay. But given his best friend is Scott watching Horny Straight men be really fucking stupid on a regular basis is clearly something he gets off on, so fair enough. Wallace also points out he can’t just.. dodge Gideon forever. With Ramona or not he’s clearly coming for Scott and can’t keep putting this off , forgetting putting uncomfortable things off until they blow up in his face is one of Scott’s pasttimes. Before we move on the conversation has a weird bit of Wallace saying “You still like girls don’t you?” and just feels a bit off with Wallace wanting Scott to randomly bang people to feel bettter forgetting that Scott sucks at telling people things and is already bad at not hurting people. it works for Wallace because he’s good at telling people things are casual and also has game and feels off for Wallace to give such terrible advice.. if somehow still in character because it works for Wallace after all.

So we have an interlude from Stephen inviting Scott to watch his new band, and Scott bringing up the name Shatterband whic his a damn good band name.. also a clear sign Scott likes Shatterstar which means he has good taste. I want to rag on the guy more.. but this time Scott really is the asshole being so out of it he forgets he broke his bass months ago and isn’t aware he isn’t even in this band or Sex Bomb Omb is gone. Or is in denial. Stephen is genuinely being a good friend going to Scott.. even if inviting him to his new band after he broke up the old one is kind of a facepunchingly dickish move. Oh look I was able to rag on him after all. Wishes do come true.

So Scott has another nightmare, this time Ramona stabbing him with the power of love and then Scott being surruonded by horrible creatures.. which come into focus right before he wakes up

Yeah obviously this is Scott’s repressed guilt over his past relationships mixing with his last one having just emploded.. as well as clever setup for the fact all three relationships are about to collide back into his life.

So Scott decides “damn I gotta get out of here if my dreams are getting this horrifying and decides to go tot he show where we meet his band which consists of Joseph and cole, who we’ve never met before but Scott apparently stabbed with a fork thinking he was Gideon...

Coincidentally the real Gideon is opening up a club soon. Also concdentally, for once she’s really not stalking him anymore, we run into Knives, now 18 years old, with Scott wondering if that meant she was 16 when they met. Turns out no she was 17 meaning this story, at least in flashback, all started one year ago, it having been a few months since Ramona left. We then get one of the series most iconic moments

So we find out that Knives will be moving away to UCB soon, with Scott barely comprehending anything as she goes over the fact she will be far away from all her friends.. but she needs a change. Scott.. uhhhhhhhh

Which leaves both just sitting there not sure what to say because .. what the fuck else would this do. I”m not even sure how to grapple with this and I knew this moment was coming.

So we cut to later where Knives .. rejects him.

I really hadn’t noticed how great and impactful this scene was before now. After a year of obessing over scott, not getting the breakup wasn’t her fault or ramona’s fault or anyone but Scott’s, or that Scott in general was kinda a shitty person... Knives has finally grown up. Realizing Scott is not some perfect guy but just a shitty, normal guy finally woke her up to reality and she’s no longer the same wide eyed naive homicidal kid we met at the start of this. It’s really striking just how much she’s like the rest of the cast: a bit cyncial, a bit broken.. but wiser for it. Hell she’s honestly more mature than most of the cast was at the start, hinting she might have a better go of it than they did. Her experiences sucked but she ultimately came out of them for the better. Granted I don’t think Scott should of done anything he did to her in the first place, but I do think Knives strong character arc is precisily why she works in this story: sure Scott dating a 17 year old and tossing her aside is fucked up.. but the narrative never stops showing the damage he did to her and once she’s finally healed, Knives herself even lays into him how bad it is. Though she does offer to make out with him.. but it’s shown as a terrible idea for all parties involved in the most amazing way:

Scott At The Party:

So that scene just ends and next we see Scott he’s at a party for someone he dosen’t know and assumed was Julie who moved to Montreal that Young Neil clearly invited him to tag along with at. What I love is you feel just as disorinted as Scott does: your just dropped into this random party resembling the one from Volume 1 with no real context or reason and help helps really sell just how lost Scott is.. how the last encounter and just how SKEEZY he was, leaning on an ex he’d already horribly mistreated for some support, left him FURTHER lost and further down the hole. This part was hard to read at the time since you know, Scott was already in a hole why push him further but now I see it as Scott NEEDING to sink lower narratively. He needs to hit his weakest point, have lost everything nad be truly lost and alone as a person, with his friends on their last leg with him for what happens next to work.

So Scott finds out Envy’s there and we get.. this

God I feel like i’m back at the start of volume 1. For the record for any impressionable readers who may not get this is bad, it is. it’s called negging and it was primarily touted by Mr. E a pickup artist and giant pile of feces masquerading as a human man who looked like this.

He looks like the kingdom hearts character you wish would stop banging your sister.

So yeah Envy’s back for the finale, and well. look at her introduction..

Eh I duno I think this series already gave us the perfect woman.

Scott tries negging her and it goes as expected: She glares, he fumbles and thankfully the comic itself cuts out before we see more..

So the next day Envy let’s Scott buy her a coffee and they catch up.. or rather she asks questions, he’s evasive and has an actually withering response when she calls him on it.

Okay so while I DO think Envy cares... I don’t blame Scott for not thinking she would as last time she asked him questions about his life she was doing so just to torture him. Why would he assume different? And while as this volume reveals he wasn’t blameless in the breakup.. it was still mostly on her as she slowly pushed him away and dumped her. Also bitch you are some kind of vilianess, you tried to hammer his girlfriend to death a few months and three volumes ago and came back just to toruture him, as well as reveled in your current boyfriend beating his face in. You may have some legitimate beef with him Envy but he has an entire COW with you.

The next day after calling her the devil, as you’d expect, Wallace points out Envy turned 25, then talks about her possibly being with gideon and ramona possibly having a threesome with her and gideon. Yeah while this book is mostly gravy Wallace IS a tad more dickish. Though he did buy Scott sushi. That was nice.

We then get some GOOD news for Scott for once: after getting a call from kim that telegraphs she misses him and sets up for a little bit later in the plot, handling scott with all the grace and subtley you’d expect...

As you can tell Cat Gideon has returned. Scott FINALLY gets a win. Huzzah! He’s still a douchebag but you know HUZZAH!.. .which really sums up the series to this point don’t it?

So Scott talks to Envy, congradulates her and she points out Gideon threw her the party. Scott ignores the obvious red flag and asks if she wants to get back together or have casual sex, with envy rebuffs, asking if he even remmebers the party, and while he counters she broke his heart, she counters with the same. It’s clear though she still CARES about him as he’s one of the only people who knew her before and “he’s only known me as I am now”. Yeahhh as you could probably guess she’s with Gideon.. who after 5 books of ominous build up.. has finally arrived.

After a few more panels of build up Scott prepares to hit him the same way he hit his own brother thinking he was gideon and...

Yeah I can’t exactly blame him. Scott’s in no mental shape to fight. Phsyically he shoudln’t but this is a comic so he’ll be perfectly fine to fight later despite months of atrophy. Look unless said otherwise comic book heroes genuinely don’t have to stay in shape to kick your ass. It’s merley implied but it’s not a hard rule.

Naturally he ran to Wallace, off panel, as the next time we see him Wallace is putting him on a bus to Kim to take a wilderness sabatical: get his head on straight and get ready to fight. Scott does have a point that what if he dosen’t want to fight him and that he has no reason to.. but that point is moot. It’s very clear Gideon wants to kick his ass wether Ramona’s in the picture or not and Wallace knows it. This fight may not have it’s ORIGINAL point but Scott can’t keep running: Gideon is rich, connected and can keep following him and likely only allows said sabatical because he’s both baffled Scott ran.. and because he still has his fallback of his incredibly cool club opening where he can dramatically stab him in front of an audience. This was likely simply Gideon setting up Scott to come to said club opening, so Scott running really dosen’t delay anything in the long run.

A Link To the Past:

So it’s off to the great white north for some beer, back bacon and meeting Kim’s parents:

Yeah that explains why she’s so awesome. Also as it turns out Kim has not gone back to school.. or done much of anything, having kinda lost her way since then. But not so much she still can’t bust Scott’s balls:

Or help perk him up when he truly needs it:

Kim admits she has no idea WHY she’s out here or what she’s searching for. Presumibly she came back with grand plans of restarting school then backtracked unsure of who she is anymore after all the crap she went through last volume and how lost she’s probably felt for a long time. She and Scott sit in a tree and soon K-I-S-S-I-N-G insues.

Like the Knives thing I read through this so quickly the first two times, I didn’t notice just how FANTASTIC this scene is: Scott suprises her, Kim naturally gives in having wanted this for all 6 books and finally having it.. only to reject it. It’s just not right. She realizes their both just trying to fill a void in their lives and this can’t end well on any level. She does LOVE him, but she can’t be with him, not now and not like this. Not while he’s still messed up and she’s still lost. Maybe later once Ramona gets back. All three of them. Now that’d work.

But for the present when Scott tries to say it was always easier with her.. she points out he’s forgetting a few things.. and we soon find out why that flashback was so crucial: Scott edited it. His telling Kim he was leaving for Toronto? Never happened, he told Hollie and she told Kim for him. His epic fight to rescue her from her ex simon? Yeah... about that...

Yeah this is the reveal i’ve been mostly tiptoeing around: Scott has been conciously repressing his shitty behavior. The reason he seems so cavalier about things, was so shitty to kim, to knives to everyone... is that he just tries to forget when he does something bad and act like it never happen, re-write his own history to make him look like an undisputed hero.

Scott tries to avoid things and glows.. which could be taken as this being Gideon’s doing but given Scott’s response to Negascott showing up soon after...

Scott’s likely been fighting Nega Scott his whole life. Nega Scott like the movie isn’t evil. He tries fighting Scott here sure and looks evil.. but he’s really just everything Scott hates about himself. Everything he regrets, every bad and selfish act locked away so he can see himself as a good person. Negascott isn’t trying to beat up Scott for fun.. he just wants Scott to finally FACE HIM, to notice him and own up to his actions instead of running away constantly. As I said in the volume 5 review, Scott and Ramona’s issue.. is that they run. From consequences, from problems, from physical locatoins, and most importantly from how shitty a person they’ve been. Ramona tries to ignore it, Scott avitvely denies it and thus both are in an awful place. But Kim refuses to let Scott dig himself deeper yelling at him ...

Among other things, this is a long scene and I can’t in good concinse just put the entire thing up there. That’s against fair use. He can’t keep running, neither can Ramona. It just keeps piling up and coming back on them. It’s a truth I learned too.. you can’t keep RUNNING from crappy things you did. I’ve come on way too strong with women, assumed frinedshpis were more, had tantrums in chats. I’ve fucked up too... and it was only by stopping and finally letting myself feel that and realize it was my fault did I grow as a person.. and it’s only by stopping, by remembering ramona and remmebering how she made him feel, how she made him WANT to get better and want to be a less shitty person.. that Scott finally accepts this. Then this happens

So with that Kim puts Scott on the bus. Scott feels he’s not worthy of Ramona, even though simply by admitting that and welcoming his full memories back he already is, Kim simply tells him to fight for it, gives him a kiss for Good luck and sends him on his way

Love Hurts:

So we cut away from Scott breifly to Gideon, who finally gets a proper Scott Pilgrim intro.

He does his job well: he dismisses Envy’s concerns of working herself to the bone for him, literally chains people to sewing machines to produce her costumes and outright says he gets off on dressing her lik ea doll, then has the fucking nerve to get angry when she quitely quips back and retracts it, implying he PHYSICALLY abuses her too.

Yeahh. So back to Scott who enters the Chaos Theater looking for Ramona, instead finding Wallace, who gladly greets his buddy and admits he dosen’t know where Gideon or Ramona are but figures this theater has gideon written all over it what with it’s cage dancers, arcade machines clearly meant for Scott and trendy for the 2010′s lightiing.

He next tries his sister whose oddly douchey in this volume, being constantly hostile with Scott for no reason, or some reason here given Wallce told Stacey his threesome theory. Mine’s better. Point is he also introduces Stacey to a friend she’s somehow never met.... a friend who despite being a right dick lately at long last gets his hearts desire:

Look neil has been a right dick for the past three volumes, and at times the entire series. But Look at that face. Your heart cannot withstand that face. He’s just so freaking happy. I’m so happy for him. It also shows him going from one of Scott’s friends because, to a true friend. They’ve clearly been hanging out more, Scott buying his handheld off the guy, and Neil inviting him to a party but this clinches him as a real friend. And really while some of that dickishness was uncessary , aka calling stephen “Captain Homo”, mostly just that, the rest was all brought about by Stephen blatantly abandoning him and the rest of the gorup just kinda doing it because it was easy instead of working to keep him as a friend. So this gesture isn’t just Scott being nice.. it’s Scott honestly putting in the work he hadn’t before and his friends never really did and acknolwdging that Neil isn’t just some kid who hangs around but his friend. That’s true friendship.

He also runs into Julie... because my life isn’t painful enough but thankfully outside of one cameo later this is her last apperance so despite summoning her like Beetlejuice, i’m free FINALLY FREEEEEEE. So yeah not dwelling on that scene.

So after that touching moment Scott talks to Knives and Tamara whose now all in on Envy, and while Knives has neither person she’s look for the show begins soon after, and Gideon naturally reveals himself.. and naturally tried to Sucker Punch Scott from behind, but thankfully Envy warned him in song. And why yes she apparently wrote a song entirely just to warn Scott because she knew Gideon well enough to know his opening move would be trying a sucker punch. Wallace.. is as helpful as ever.

Or rather as helpful as he is in an actual fight. Still love ya bud but for fuck’s sake. Anyways Scott and Gideon spar a bit, with Gideon giving out one of my faviorite lines in the series and one that’s stuck with me in the 10 years since this came out (This came out the same year as the movie and game). It’s anniversary is next month but given how packed that already is and how this was intended for last month but got pushed back I decided screw it. Anyway about that line:

The two fight but eventually both find out something crucial: Ramona isn’t with EITHER of them, and Gideon is livid for a second and takes his rage out by stealing the power of love from Scott.

But he’s not going to gut scott right away.. he has a very Darth Vadery offer for him first

Gideon takes it well...

Yup... Scott’s DEAD. I also love how everyone has a unique reaction with those closest to him, knives, kim, wallace, stacey and yes.. even douchebag, having a shocked reaction. Other little things to note, Joseph has no reactoin yet Julie does meaning Julie somehow has a heart despite all evidence ot the contrary and Stephen SOMEHOW found someone worse than her. The other thing is that Kim, despite clearly still back up north, can sense Scott died because she’s apparently a jedi. Such an amazing woman.

So I guess this ends the review, if you liked this review please consider.. oh right.. there’s like a hundred pages left give or take. So yeah Scott’s not dead but is groaning about about it.. when a certain somebody finally makes her entrance.

Don’t Let it Get You Down:

Also nice work on the call back. So Ramona is indeed back. As for where the hell she’s been, she’s been milling around trying to find herself , leaving becxause she was afraid she’d hurt Scott if she stayed.. and still hurt him by leaving. She came back.. for herself. Scott is naturally a bit upset at that but Ramona’s response is perfect.

As it turns out though her motives weren’t entirely selfish: She came back because he deserved an apology and closure and she was tired of always running. Like Scott she had an emphipany and wants to be better and this was step 1. Step 2 is scott ramming his tounge down her throat because he thinks this is a dream. But nope he really is dead.... until a chekovs gun finally fires.

Yup. All the way back form volume three to save the day. it even took on his new hair’s apperance. Spiffy. So he takes it and comes back.. and Ramona comes through his chest, proving to him that wasn’t a dream. Wallace reacts how you’d expect.

Gideon, who likely expected he’d have to double murder scott anyway given he was there for Volume 3 is glad she’s back.. as he can inact plan a... which he lowers from the celing. And if you already thought he was an asshat.. good.. but you might not of realized HOW much of an asshat.

Yeah Gideon’s been freezing his exes as part of a sick collectoin.. and Ramona’s next. Gideon then Hadouken’s the glow at everyone as it turns out he invented it.. somehow.

Point is it makes Scott and Ramona fight, and Gideon reveals how he founded the League.

Yes really... this may be one of the funniest things in the entire series. This entire series exists.. because some douchebag posted a drunken rant on Craig’s list and happened to find out his ex who he pushed away anyway, had 6 other exes who were like sure why not.. or he bribed or glowed them into it. The specifics aren’t clear. He also argues Ramona must be the common denimotor with her saying they could’ve just turned shitty later. Which really while she did screw over most of them that’s only true for the twins. The twins are GENUINELY the only ones where she’s their super villian origin story. Otherwise Matt clearly just kept on being a douche or became one or is mad over a relationshpi from middle school which makes him a douche by default, Lucas made peace with it, Todd was always an ass and Roxy was killing less because she was evil and more because she was jealous. Sometimes someone just attracts douchebags. We also get a curious look into Gideon’s head.

Yeah as you’ve probably figured out... Gideon is an evil version of Scott.

But unlike Todd he’s a more complex dark mirror of our hero. And as someone who loves evil oppositeis, one of the best i’ve seen. Gideon has Scott’s charm, looks, selfishness, tendency to rewrtie his past, anger, love of music and trouble letting go. But it’s all twisted up into some noxious pretzel: He’s charming but only on the surface and in a way that wears off fast where as Scott is genuinely well meaning and likeable despite his doucheness. He’s handsome and knows it while Scott really dosen’t realize it. He’s selfish.. but while Scott is untetionally greedy and is trying to correct that, Gideon dosen’t care and literally gets off on being controlling. Both rewrite the past.. but Scott stopped doing it to be better while Gideon’s response to it is to call his ex a whore and slice her current-ish boyfriend on chest. Scott’s anger is either impotent or righteous while Gideon kills . Both love music but Gideon is the corrupt industry incarnate while Scott is just happy dinkin around. And finally Scott learned to let go.. and Gideon wants to stuff his exes in cryo because it makes his dick hard> There’s obviously more bu tGideon is just a compellingly vile counter and easily the best of the exes, being the most complex, vile and compitent while his parallels to our hero show just HOW FAR Scott has come. He might’ve been a low rent version of Gideon some day.. but he faced himself in the miror and came out better.

Ramona tries to just bounce to fix things but gideon stabs her to stop it. He also reveals Ramona’s been using it to ride into subspace... and what it is exactly.

He can be two things Scott. He can be a dickish sociopath who seals people in their heads and a music producer. Both jobs don’t require a soul.

We also get a quick flashback of how Gideon and Ramona met and how she left, planning on leaving the letter before accidently porting out with it.

Ramona is weak from you know the stabbening, and tells Scott she’s sorry and he just has a way of getting insider her head... literally. he’s inside her.

So Scott realzes what she’s getting at and uses her magical murder bag to travel inside Ramona’s head to get Gideon out.

Gideon boasts he’s all powerful om jere.. but Scott defies it, not only telling him to look at himself.. but then headbutts him down from his super spooky god mode back to normal. And then gets bisected because the glow does nothing to him.

Things look bleak.. but Scott’s noble save of Ramona has woke her up... and she takes on her real world form and well...

“You know your right part of me does belong to you.. but the other parts of me are finished with you!”

Bad.. ass. Gideon naturally tries to kill Scott on his way out but Ramona blocks with the bag.. somehow and it causes it to rip in the real world spilling all three out.. and Ramona realizing how much she cares for Scott.. gives her a little something.

And as Gideon is a dick to Envy trying to help him he flashes back to all his breakups... and seeing all his friends combined with that gets him somewhere profound. He understands Gideon because he could’ve been him.. and now he has to kill him because he’s not. Because he’s Scott without any of the good, just a douchebag, just who he could’ve been.. and in realizing that and coming further.. Scott gets a new power up:

So you’d think this would be the end.. but Gideon hid a sword in envy’s dress because “that’s just the kind of guy I am!” so we get one final swordfight, with Gideon doing his best villian gloating saying Scott and Ramona will never work and that he watched them.. not as the cat though.. which he didn’t even know existed. He has a parting shot that dosen’t quite go as planned.

Yes they WERE.. but their trying to fix themselves where as Gideon is just a dick and always will be and thankfully gets killed in the coolest way possible. ‘

So with that Envy hugs Scott, he gets closure, and she reveals Gideon never really wanted a relationship and ps get off her stage, having clearly become a better person herself.. and showing it off by singing as she lets Gideon’s captured exes free.

So with that Scott and Ramona sit down with his friend group and Ramona reveals where she’s been.. dicking around, playing games and watching x files at her dad’s place and she tried calling but couldn’t. Or as Wallace puts it...

So with that Scott and Ramona talk things out and she admits she cahnged constantly as part of her whole running thing afraid of getting stuck. Scott tells her they can be stuck together and to not worry if she has trouble with that.. it just takes practice. With that their back together

So Anyway: Time for the epilogue. We start with Scott and Steven at work with Scott having not only got his job back but upgraded to prep cook. And after closing via a casual kiss, Scott finds out Stephen is gay, something I didn’t bother hiding as it’d get in the way of my anaylisis. But yeah Scott knows now, Joseph is a dick about it, and Stephen admits he came out fully in volume 5 but didn’t mention it to Scott because he was going through some shit. Scott’s reactoin is the exact one your expecting.

I’d say that was offensive.. but this is Julie we’re talking about. But no wether he’s covering up his sexuality or not Stephen Stills just has shitty taste in partners.

Next up, ding is Kim and Scott who have formed a new band, Shatterband, because Scott again has good taste in mutants, and perform what turns out to be a shitty cover of i’m a belivier. Knives and Neil aren’t impressed but their happy anyway.

Next is Knives leaving for college with a tearful goodbye.

Finally we end our story as Scott and Ramona jump into a door into subpsace.. and into their future together

THE END Final Thoughts:

This volume is perfect. Even it’s one or two tiny flaws don’t detract from the fact this is a damn fine ending and the golden standard by which I hold all comic book series and series endings in general. It ties up all the loose ends, has a dramatic satsifying payoff that was built up the wole way, and in general is just great. The art hit’s it’s true peak, the color does too for the reprints, and the characters are all paid off in great way. It’s just a wonderful, truly spectacuclar end to a truly spectacular series. Speaking of which

Final Thoughts on Scott Pilgrim Comics and Volume Rankings:

While i’ll again return to the series in july with this the comics are at an end. I’m truly glad I did this, doing a deeep dive into a series I loved but was disconnected from for so long and it only made me love it more. The series has some issues, mostly of the time such as gender politics, not getting bi or pan people exist, the use of the r word, portaying living at home as a loser move when it’s pretty normal now that sort thing.

But outside of that, and Julie as she served no purpose and just grated on me every second and i’m glad to be free of her.. and yes i’m aware she’s in the game and movie but she’s not an ungodly blight on humanity in both versions so I stand by what I said. But yeah outside of that.. this series great. It’s well drawn, has amazing memorable characters, a releatable story, awesome fights, and with the color aditions truly eye popping colors that show just why we need colorists. It’s a truly remarkable work and if you haven’t read it, PLEASE DO.

So like I said, i’ll be back in August for the anniversaries, and until then like I said MY PATREON has some bonus reviews to keep you occupied and any money is appricated. So until then my Scottaholics.. thank you.. thank you for reading all these, thank you for making this one of my most popular series, thank you for your feedback and just.. thank you. I love you all, goodnight and good luck.

#scott pilgrim #ramona flowers #kim pine #envy adams #knives chau #stephen stills #julie powers #tamara chang #gideon gordon graves #joseph #stacey pilgrim #neil nordgraf #other scott #negascott #wallace wells #lbgtq+#pride month

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hyperbali · 4 years ago

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Agatha Harkness Was Right, And Here’s Why

Alright. Finally had to sit down and write my way out of this quiet, internal temper tantrum, and a few people were interested in seeing what I had to say, so I present to you:

Agatha Harkness Was Right, And Here’s Why

Disclaimer: MASSIVE spoilers for the entirety of WandaVision, and I am not nice about it.

I’ll start off by saying that, for all its foibles, WandaVision was genuinely a good example of a property within the MCU/Disney umbrella that stepped out of the usual ‘good guys fight bad guys action extravaganza’ in a way that pushed the envelope. The pseudo-horror aspect of the first few episodes is something I would really love to see engaged with on a more thoughtful basis in future projects.

I would say that it proved to be more than a vehicle to promote toys, but… well…

Yeah. Anyway.

I’ll assume that you watched WandaVision if you’re reading this, but quick recap: In the aftermath of ‘the Blip,’ Wanda is left broken and alone with no one in her corner. Her biggest mentor willingly abandoned his team to get his own ‘happy’ ending (do not get me started on Steve, that’s a document in and of itself), her other biggest mentor is probably off enjoying his family while ignoring the incredibly racist killing spree he’s been on for the past five years, and her lover is dead. When she goes to claim the body, she’s told nuh-uh, that’s government property, please leave.

So she goes to a plot of land in the middle of some nowhere town in New Jersey, which Vision apparently bought despite the fact they were living a pretty decently comfortable life in Scotland, where she looks at the deed that Vision drew a heart on and wrote ‘To Grow Old In’. Very sweet. Kind of weird, considering nothing of this caliber had ever been suggested for either of their characters and they’d been actively running from specifically the U.S. authorities? But sweet.

She has a breakdown and, in her grief, contains the entire town of Westview and all 3,892 of the people in it in her own personal paradise, where nothing bad ever happens beyond sitcom hijinks, no one dies, and every problem is tied up and neatly dealt with by the end of an ‘episode’. Except we learn that this is only paradise to Wanda, who apparently shares the aspect of having to relate everything to her favourite pop culture with Tony, because everyone else in Westview is more or less being psychologically tortured by the incredible amount of pain she’s in, forced to be puppeted actors to make her happy.

Bear in mind, Westview might have been bigger at some point - we have no idea how many people survived the Blip, or how many have been brought back to life within the past few weeks of the current setting. Either way, this is a town that has already dealt with a lot of trauma being dragged into yet another awful, much more specific kind of emotional damage, thanks to ‘the heroes’. Nice.

Agatha Harkness, a witch who’s been up to who-knows-what in the 340 years since she drained the coven that tried to kill her for getting a little too ambitious into jerky, feels the massive expenditure of magical power and decides to investigate. All the while, she carefully uses her own magic to try and peek into Wanda’s psyche, her motivations, all while keeping up appearances and not letting slip that anything is amiss.

I’ll point out that she’s no saint here, either - she specifically keeps one Westview resident at her mercy, and knows what’s happening to the rest of them, but doesn’t attempt to stop it. I’ll chalk that up to her pragmatism; their ‘sacrifice’ was fine to her as long as she could figure out how Wanda could have done something so unheard of in terms of power.

What we come to learn over the course of the show is that, given everything that happened, Wanda didn’t mean to take over an entire town and tool it into her own personal slice of heaven. She very quickly became aware of it; we know that she knows it’s her own personal bubble as soon as episode three, when she’s confronting Monica about how the latter could possibly know about Ultron. Wanda is made further aware of how much damage this is inflicting on others in episode five, when Vision himself tells her that these people are scared. But still, she has everything handled! It’s okay! The outside world is worse, trust her!

Her handling of the question, ‘where are all the children of Westview,’ is one that bears some thinking - and, y’know, kind of more than a little concern. They’re allowed to walk around as part of the ‘Halloween special,’ but as Vision walks further and further out towards the edges of town where Wanda doesn’t have as much full control, people are just frozen in place, or conducting the same few seconds of action over and over. And fully aware of being trapped.

How are they being sustained? Eating, sleeping? If someone isn’t part of her storyline, is she just locking them down into a coma? What made Wanda decide that keeping the children ‘out of the way’ was somehow kinder than involving them, especially given her later argument that she’s been trying to keep the entire town safe and happy?

The fact of the matter is, she only actually starts to feel remorse for any of this after she’s confronted with the fact that, after weeks of being at her mercy, the townspeople of Westview would rather be dead than endure another moment of having to play nice for her enjoyment. She finally opens the ‘bubble’ to let them out - which leads to the ‘epic’ finale of three different entities trying to take down Wanda and her happy family: the S.W.O.R.D. military led by Hayward, the White Vision, and Agatha.

Winding back to how we got here: after Agatha uses her own trapped resident, Ralph Bohner (who, given his casting and the props in place during the last episode, I’m willing to bet is actually the missing witness protection person Jimmy was looking for) in an attempt to lure out Wanda’s reasoning - and fails - she’s pretty much done pretending. She tricks Wanda into her basement, nullifies her powers, and makes her face her own past to get to the truth of the matter.

Not going to lie, favourite moment of the show. Kathryn Hahn killed Agatha’s slightly-amused-slightly-irritated observations about Wanda’s coping mechanisms, and the whole arrangement was extremely meta. I would have paid real money dollars to see her do the same thing to the likes of Tony, Strange, and Loki. Hell, even just having her meet the rest of the Avengers? Augh. If wishes were fishes.

When Agatha comes to the conclusion that Wanda is the vaunted, nigh-indestructible force of nature that she’s literally spent her entire life reading about is the ultimate source of chaos magic and will likely bring about the end of the world, she’s pretty understandably taken aback. To that matter, the fact that Wanda… has very little control over any of it, and is using what she does understand to play housemaker? After how long Agatha has spent learning control, hiding in plain sight, just to be child’s play compared to what Wanda has at her fingertips? I’d be pretty pissed off, too!

The way that WandaVision handled both of the major ‘fights’ - Vision versus White Vision ending in philosophy, and Wanda ending up beating Agatha at her own game of deception - is excellent. A little grating that they had to go with the beat down angle before they got there, but this is MCU; punches and thrown cars had to get shoved in somewhere. And, given that this series very much played with the idea of grey morality, I was sort of hopeful that Agatha would end up in a not-quite stalemate arrangement with Wanda. She’s not as powerful as the Scarlet Witch, but she has the know-how that Wanda sorely lacks; in recompense for her own deeds, she would be able to teach what she knows while also kind of scheming on her own time.

Y’know, like what they did with rehabilitating Loki?

Except that Wanda, who has just gone through the entire rigamarole of coming to terms with the fact that she trapped thousands of people into a nightmare scenario against their will, rendering them helpless to her mercy… traps Agatha into a nightmare scenario against her will, rendering her helpless to Wanda’s mercy.

That moment actually shook me. Oh, my god. We’re supposed to still look at Wanda as a good guy after this?

This isn’t even covering the incredibly awful confrontation with her and Vision where she tries to gaslight him into believing that everything is A-OK, or the fact that the person she gets most violent with (apart from Agatha) is Monica Rambeau, a black woman who spends most of the show bending over backwards trying to say that what Wanda is doing is understandable, justified, and just needs a gentle touch to be dealt with.

That could be its own document, too - how Monica, much as she’s incredible and definitely looks to be a really exciting addition to the MCU roster, more or less gets used as the Good One to absolve and enable Wanda’s actions. One of her last lines to Wanda, after seeing how the people of Westview (rightfully) look at Wanda like she’s monstrous, is “they’ll never know what you sacrificed.”

Sacrificed what? The fake husband and fake kids she made out of her own compulsion to pretend that everything is okay? None of that would have existed if she’d been given the proper resources to actually cope with how much loss she’s had to deal with. None of that would have existed if she hadn’t caused this problem in the first place.

In the end, Wanda flies off in her fancy new gear before the FBI shows up, avoiding any real consequences to her actions - which has pretty much been the running theme of her character ever since she was introduced to the MCU in Age of Ultron. The worst kind of direct consequence she’s ever gotten was being grounded to her room for a while, then kept in the Raft for, like, maybe a day - and both times, she was broken out post-haste.

Meanwhile, she worsened the issues in Sokovia (which, I will say upfront, was Tony’s fault to begin with), unleashed the Hulk on Johannesburg, got a pretty significant amount of civilians killed as bystanders in Lagos (hey, how come Wanda keeps turning a lot of black people into casualties?), and stood back in Wakanda to let their people try to fight off Thanos from getting to Vision until it was clear that there was no other option than for her to get involved.

Great Power Comes With No Responsibility At All, Actually.

Wanda, in the several years she has maintained her identity as an Avenger, has proven time and time again that she takes on innumerable risks without any full understanding of what they mean, allows others to take on the brunt of the fallout for her, and looks sad until she’s forgiven and moves on to the next problem. She has no business casually throwing around the kind of power that being the Scarlet Witch entails, not until she’s actually made any kind of headway into making reparations for what she’s done and tried, really tried, to get a handle on what she’s capable of.

Which she’s apparently doing in the last post-credits scene, astral reading the literal Book of the Damned on her lonesome in the mountains, but… without anyone to guide her, or give her any kind of boundary?

[I ran out of images I could post, but you know exactly what image I am referring to here]

Agatha Harkness was right. And that should terrify everybody that has to deal with Wanda in the future.

(P.S. Do we know if she actually even killed that dog? We never see her holding anything but a blanket, and characters go in and out of that show all the time. Granted, she wasn’t great with the cicada-turned-bird... hmm.)

Additional Notes:

“Well, you’re a Tony Stan, of course you think Wanda’s a villain”

I like Tony because he’s such an awful mess, and the narrative isn’t exactly kind about telling him what a piece of shit he can be! He reaped a lot of problems, created practically half the villains in the MCU, and ended up dying a martyred hero. Thanks to being the tent pole by which this franchise hoisted itself into a cultural powerhouse, he will always be their golden savior. If you want to read about how he’s the true villain of this entire affair, feel free to look up any number of takedown pieces about him that are out there. He’s a dick. I will never “uwu sad baby who did nothing wrong ever 🥺” him the way people do about Wanda.

“Why are you so pressed about this”

Because something as good in concept as WandaVision could and should have been about anyone other than the whitewashed, antisemitic take on Wanda Maximoff that MCU brought upon us. They put crucifixes on her wall in Civil War, for fuck’s sake!

“Weren’t you mad about them not including Aaron Taylor-Johnson”

At this point, I am almost kind of relieved the real Pietro wasn’t resurrected for this, because god knows they probably would have killed him all over again just to inflict that much more pain on his sister.

“Anything else you’d like to tell us, turbo nerd”

This was literally itching at me all weekend to write, so it’s more or less just to get it off my chest. If you powered your way through it, uh… thanks? Sorry if I yucked your yums, but I tried to be as clear with the disclaimer as I could. 🤷‍♂️

#blah blah #long post #marvel #mcu #wandavision #wandavision spoilers #wandavision critical #anti wanda maximoff

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my-writings-and-musings · 4 years ago

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Latest part of my commission series from an awesome person, now on part three of the Brave Police hanging with the Lost Light!

Kazuto Azuma had known nothing but one long, continuing headache from the moment he'd allowed the Brave Police to be commissioned. Between their eventual acclimation of sentience to the constant additions to their numbers, they'd turned what was supposed to be a public relations move into a nightmare of paperwork and legal ramifications, mostly to be dealt with by him.

And all for what, so they could have feelings? Emotions that did nothing to help while they were on the job, and only resulted in insubordination and disaster for his end? He doubted anyone could live a day in his shoes and see them as anything but a gigantic inconvenience, and an expensive one at that!

Thus, it seemed fitting that he hadn't time to celebrate their apparent loss in space before receiving a message that they were somehow fine, and worse, had been rescued by Cybertronians.

Reading the transcript again, word for word, the vice commissioner had to resist the urge to crumple it into garbage. Of all the fates they could have met, of all the ways he could have finally been rid of them, they had been picked up by the biggest robotic nuisance in the galaxy? Even if they had spent little time in Japan, Cybertronians had made their mark well known on earth, and the litany of restrictions against them spoke to the nature of their destructive presence. Despite being machines, they had no inclination nor any kind of desire to heed the will of humans, and thus every government they dealt with was left with a huge and expensive mess. Knowing that the already rowdy Brave Police were in such company was… disturbing. Who was to say what horrible habits they could pick up while cruising back to Earth at such an apparent lackadaisical speed? Just the rudeness it took to return with "relaxed urgency" as the message had put it was enough to make his blood boil, and he had no reason to believe the few days it would take for them to arrive might leave them even more unmanageable by the end.

At the very least, before it came to that, he had a rare opportunity in a tiny window of time. Neither the Tomonaga brat nor Saejima knew any of this yet, and he was in no rush to let them know of the development. Surely it wouldn't be too bad if they received the news a little late, continuing to believe the bots were MIA in the depths of space, while he made a little call.

Adjusting his suit to appear less ruffled, he left his office behind and ventured into the depths of the building, where the communication center was nestled amongst a swarm of high tech enhancements and long range experimental equipment. It was here the first message had been received, and it was here he would send back a reply. Staff, already informed of the plan, set to work as soon as he arrived. The report had mentioned that there was some unknown and invisible "tether" of sorts connecting to their end, likely a way for long distance communication to happen instantaneously even when only one side had the technology to make it happen, and had likely been left in place for the express purpose of getting a reply back. Azuma intended to use it for just such a thing.

A great monitor for communicating visually faced him in the pulpit where he'd chosen to stand, and he made it a point to ensure he was presentable. Robots or not, it was important he established he was a prominent figure that required respect, assuming the Brave Police hadn't had the last of that knocked out of them by their troublesome rescuers…

"It it ready?" he asked after checking his watch, knowing that he only had as long as it took for Saejima or Yuuta to arrive and receive their initial briefing. It had taken all of his influence to ensure they weren't informed immediately, so he had to make the delay count.

"Yes, Mr. Azuma." an engineer replied hastily, nodding to his co-workers with a neutral expression of assent. Several great switches were flipped and the building hummed with tremendous energy, the invisible tether for communication igniting to allow an instantaneous connection across the vastness of space.

-----

Sitting idly at the bridge, Rodimus allowed himself to more or less sink into the captain's chair in boredom, wishing desperately that he could be at the bar having fun with their guests like everyone else. But, of course, plotting a reroute to Earth didn't happen on it's own. For reasons he couldn't begin to understand, the Brave Police had indeed been insistent about returning home with relative speed. It was only because of the message they'd been able to send that he'd been able to get them to take it slow at all… Ah well, at least they did seem to be happy about going home. Earth did have its charms-

An unexpected beep from an incoming message made him flail nearly to the point of crashing, but thankfully he managed to catch himself and flip right side up, plopping down into a somewhat respectable position in his chair just as the computer brought through the signal.

A face so grumpy it would have made Magnus appear sociable appeared on screen, and Rodimus recognized the speaker as human just before he began speaking the same language used by the Brave Police. "This is Kazuto Azuma, Vice-Commissioner of the Brave Police Force in Tokyo, Japan. Who am I speaking with?"

"Uh, Rodimus, Captain of the Lost Light." he replied automatically, having heard friendlier opening statements from enemies about to open fire. There was also no memory of this person being mentioned by the Braves, but he had figured their organization was a big one, so he tried to take the helpful route. "What can I do for you?"

"Are the Brave Police in your custody?" Azuma asked pointedly, and Rodimus knew with just a few words he wasn't going to like this particular human. Just managing to hold off a frown, he replied with a carefully chosen sentence, folding his hands together to keep them from forming fists.

"They're our guests, yeah." he said, hearing approaching footsteps from the side door. Judging by the pace and weight, they belonged to Magnus, who could always be expected to check in when a message came in. Thankfully the mech also had the sense to be subtle about it, so Rodimus made no move to acknowledge the big bot when he stepped quietly into the room off camera. Having a calm bastion of reason was going to be critical in keeping this from becoming an incident.

"Per your communication, you are not making utmost haste to return to Earth, is that correct?" Azuma asked, the question sounding more like an accusation to Rodimus given the aggressive way it was delivered. It proved to be one when he wasn't even allowed a chance to reply before he was being chewed out. "I demand an immediate increase in your speed, they must be returned to us as fast as your technology allows!"

Dentae clenching, he tried to hide how thoroughly enraged the tone made him, especially with the particular choice of words. Did this guy really think he had any kind of authority here? Was he so callous to the Brave Police that he regarded them as nothing but cargo to be shipped overnight? With Magnus tensing by his side, Rodimus just managed to reply without visibly clenching his jaw. "Is there some kind of emergency you need them for? Because otherwise, I don't think you have the authority to make that kind of order."

"That is none of your business, Cybertronian." Azuma retorted, practically sneering at the immature bot who was refusing to do what he was told. Assuming that the Braves would pick up anything from such hosts, he was certain it would be uncooperative behavior like this, and at this rate that seemed more and more unavoidable… He'd probably have to try and convince the Commission to reprogram the entire group.

"It's Rodimus, human." Rodimus sneered right back, gradually letting his scant efforts to look professional fade out into open contempt. Every word seemed to confirm his worst fears about earth and the Brave Police, and he was beginning to doubt the wisdom of just dropping them off back home. With people like Azuma about, it seemed equivalent to leaving a group of cybersheep surrounded by hungry turbofoxes, and he was not about to let those bots come to harm. Sitting back more formally in his chair, Rodimus tried to cut an intimidating figure. "This is my ship, so that means if you expect it to jump, I need to know why."

"This is pointless." Azuma clipped, sputtering as he fought to keep his anger in check to avoid looking too flustered. Looking about what little of the ship he could see, he tried to find any trace of the bots he was looking for. At the moment he'd settle for anything more cooperative than this fire patterned Cybertronian. "Where are you keeping the Brave Police? I must speak with them."

"Okay, because you're having a hard time grasping this, we aren't keeping them anywhere. They're not cargo, they're our guests." Rodimus replied, standing up from his chair as the energon in his veins started to run hot. If a human could be so condescending now, what did those bots have to endure on a day to day basis? Protective instincts told him to never give a human the opportunity to hurt them again, leaving him tempted to kill the communication as Azuma sputtered through an increasingly red face.

"That-"

"Secondly, you aren't going to just hop on my channel and start barking orders." Rodimus interrupted, not intending to give the man a second to recuperate. He wanted the tiny organic to realize he had no power here, and that the Brave Police would not have to endure any further bullying on his watch.

Azuma, never one to put the pieces together expediently if he didn't like the picture, continued to press every metaphorical button possible to anger the captain. "This is absurd! I don't know how your laws, if you have them, presume to function but by the standards of earth you're in possession of stolen property!"

Rodimus felt his vents hitch, and thankfully Magnus was already mobilizing just before he could finish the thought someone might eventually regret.

"Now that's where I'm gonna need you to stop-"

"I can assist with this matter." Ultra Magnus said plainly, stepping into the video and laying a hand on Rodimus's shoulder. The gesture appeared amicable, but was more than a little forceful, pushing the captain back into a seating position. Reading the intent loud and clear, the smaller mech still pouted as he conceded and sat back down. Choosing the smart path never felt as good, especially because Azuma looked pleased by the turn of events as Magnus took over. "Greetings, Mr. Azuma, I am Ultra Magnus. Perhaps the best way to proceed is to allow the Brave Police to speak for themselves? I have already asked that they come to the Bridge."

"Acceptable." Azuma replied simply, appearing less ruffled but no more amicable. At the very least he was silent until a group of bots audibly approached at full speed, and after just a minute of tense silence their wait ended and the bots of the hour entered the room.

Rodimus couldn't help tensing at how the human regarded the group with barely concealed contempt.

"Vice-Commissioner, we came as soon as we heard you were in contact!" Deckerd said the moment he stepped into the Bridge, snapping to a salute that his companions mirrored with varying amounts of success. It was a greeting so proper and well mannered one would have thought they were interacting with a popular superior, and the effort they'd put in made Rodimus frown with dissatisfaction. Azuma didn't even bother with a wave as they continued. "As stated in our message, we are all intact and accounted for, and will be arriving at earth in due course!"

There was an awkward silence and a dissatisfied glare from the human before he went right into criticism. "Why are you not returning at full speed?"

Deckerd wavered in his salute, and those around him did the same. There was a moment where the bot looked about almost helpless for a reply, before carefully stringing his words together, helm lowered the whole time like a child caught in the wrong. "We… we do not want to pressure our hosts, Mr. Azuma. They have been most accommodating-"

"Ah, so you've been content to stall up there, lazing around while we need you back on Earth?!" Azuma snapped, interrupting the police bot so aggressively he flinched. Rodimus clenched his servos into fists, knowing that getting involved would lead to a huge mess but caring less with every passing moment. Seeing the bright and happy bots pressed into a corner was making him absolutely enraged, to the point the air about him wavered from the heat. Only a firm hand on his shoulder from an equally simmering Magnus kept him in check.

"Their technology is quite advanced, but it would still be strained by an immediate trip to Earth." McCrane offered helpfully, stepping in as he always did when things were tense. A grateful smile in his direction from Deckerd was so subtle and quick it may have been a trick of the light.

"We would not wish to cause our rescuers any kind of harm or stress." Duke confirmed, stepping to the front with a level of calm control not yet seen by anyone on the ship. The transformation from shy and quiet to bold and in control impressed the Cybertronians present immensely, but had no impact on the fuming Azuma, who didn't take well to being told no in very certain terms.

"Unacceptable!" he barked, making Drill Boy flinch and step closer to the others for security. Though they appeared quite accustomed to the man's badgering, the stress was no less considerable, and they all shared the same tense mannerisms of a cornered animal. Rodimus could feel himself reaching his boiling point, and knew it was now a matter of when rather than if. There'd be no holding him back once that was reached, and thankfully Magnus appeared to be in similar straights. One could almost see the anger breaking through his usually stoic frown.

"Are you really trying to convince me there is no way for you to arrive sooner? That you're just going to laze about in space because there are no other options?!" Azuma said, grilling the Brave Police so readily it was obvious he had considerable experience with the task. It hit Rodimus in that moment; this was merely how they were treated with an audience, what was this man like in private? What terrible things had he said or done to these bots when no one was there to protect them? The thought flipped a powerful switch inside him, and before he knew it he was rising from his chair, having been given free reign to do so by an equally protective Magnus.

"Vice-Commissioner-"

"Alright, I don't think we're communicating effectively here." Rodimus said loudly, stepping in front of the Brave Police to form a physical barrier with his larger frame. Deckerd appeared worried by the action, but the captain didn't flinch, putting his hands on his hips as he faced the monitor with a plastered on smile. "Look buddy, maybe your human technology is buggy so you're not hearing us clearly…"

Azuma fumed, visibly growing hot under his collar as the bot he had no power over flounced about before him. "You-"

"So allow me to make it loud and clear! They'll be there in a few days at the earliest, got it?" Rodimus replied, cupping a hand beside his mouth so he could bark the words back as loudly and obnoxiously as physically possible.

"I do not believe you understand the situation!" Azuma sputtered, and Rodimus was tempted to reply with something far more crass than what he eventually settled on.

"Try me!"

"Perhaps it is unclear, due to personal reasons fogging your judgement, but the Brave Police are the property of the Japanese government! You risk a great incident by delaying their return!" the Vice-Commissioner said, unintentionally striking the deepest possible nerve within every bot present. Rodimus felt something snap inside of him at the way the word property was uttered, and he was so revolted the human was able to take advantage of his horrified silence to continue. "They may look like you, but they are Earth made, not Cybertronian! Their physical appearance should tell you that much."

Magnus stiffened at his side, the big mech's equivalent to what would have been a shocked gasp by most other bots. Through sheer incompetence, Azuma had managed to put together an insult so grave no Cybertronian could let it stand, though the Brave Police themselves appeared resigned to the treatment. Only a murmur from Drill Boy came in response.

"Is he calling us ugly?" the dejected little bot said just loud enough to be heard from his fellows, and a simultaneously comforting and silencing hand was laid on his shoulder by Shadow Maru.

"Okay, see… I thought we were getting along okay here, but I think things are getting out of hand…" Rodimus said in a halfway bitter laugh, pinching the bridge of his nasal ridge as the full torrent of anger he wanted to unleash stewed inside of him. Though there were quite a few foul words in the mix, he cared very little for propriety, especially when none had been directed their way since the conversation had begun. "Because I can't help telling you what a massive and egotistical-

"Rodimus!" Deckerd whispered in warning, his frightened expression only managing to fuel the fire. After all, why would these bots be afraid, except if terrible things could happen if they disobeyed? He was going to go nuclear on their behalf, just to make it clear there was nothing to fear while they were with him.

"Vice-Commissioner!"

Every single being involved in the conversation froze when a voice cut through from the other end of the call, echoing through the long distance tether as someone approached Azuma from an out of frame location. Rodimus lost all of his fire and only stared in total confusion as the once haughty human blanched at the sight of whomever had called for him, and the expression of worry only intensified as the voice cut it again.

"Vice-Commissioner, what is the meaning of this?!" the unknown speaker said, their tone gruff but somehow personable and animated as their laid into the other man from offscreen. A look in the direction of the Brave Police revealed only a shared smile of relief amongst them.

"C-Commissioner!" Azuma sputtered, stepping away from the podium to meet with whomever had arrived. The Lost Light was treated to a somewhat distorted view of the out of focus man they'd just been arguing with as he tried and failed to make his case. A sharp rebuttal was issued before a single word could pass his lips.

"You received word that the Brave Police are alive and well, and we were not informed immediately?!" a man said as he appeared suddenly in the view, advancing upon Azuma with his greater height and build as the smaller Vice-Commissioner backed up at every word. To the surprise of a greatly entertained Rodimus, a small human appeared as well, undoubtedly a child. The little boy glared up at Azuma with all the rage Rodimus had been feeling moments prior and then some.

"You jerk, how could you lie to us!?"

Azuma ignored the child altogether to retort to his apparent boss, pointing at the screen where Rodimus was still front and center with his current expression of total bafflement. As if it would clear his transgressions, he announced his argument for everything with as much desperation as could be packed into so few words. "Saejima, they're with Cybertronians!"

Worlds apart, the two groups fell into total and oppressive silence. Rodimus met the eyes of the man called Saejima, and immediately got the sense he was dealing with someone who actually had a backbone and a conscience just by the way he apologized with his expression alone. Clearing his throat, the man gave his subordinate a flat look and spoke with undeniable authority.

"We shall discuss this later."

Like any bully, the defeated Azuma slunk off, leaving his superior to clear his throat and take center stage on the pulpit. The confused child remained at his side when he finally addressed the Autobots.

"My apologies." he said calmly, giving Rodimus the comfort he needed to step in line with the Brave Police so they could be seen far more clearly. The man smiled as he caught sight of the bots. "Is everyone safe and accounted for-"

Without any warning, the child lit up as he saw the Brave Police, his wide eyes locking on Deckerd as he ran up to the monitor as if it were a barrier. Tears began to flow unabated as he cried out in a voice choked with emotion. "Deckerd?! Deckerd, are you there?!"

In another surprise for Rodimus, the always restrained police car pushed right past him and mirrored the boy's actions, his optics lighting up as he replied with equal jubilation.

"Yuuta!" he cried happily, his tone alone making it clear he adored the little human bawling his eyes out a billion miles away. Rodimus and Magnus exchanged shared looks of total surprise and confusion. Neither had ever seen a human and a bot so incredibly close, and the two weren't even done.

Sniffling so hard he could barely talk, Yuuta tried in vain to wipe away tears, looking to each of the Brave Police as tears continued streaming down his face. "Deckerd! Build Team! Everyone!" Each and every bot came behind Deckerd to joyfully greet the human Rodimus recalled was their fabled "boss", and judging by their smiles none felt anything but relief to see him again. The crying adolescent made it clear why they all loved Earth with a single heartfelt phrase. "You're all okay!"

"We're more than okay, these guys rule!" Drill Boy interjected, clamoring over the bigger bots to be seen.

"They've welcomed us into their home, and they're bringing us home while showing us the sights on the way back!" Power Joe said, gushing as if describing a vacation.

"Boss, please tell Ayako I am safe! I know she'll only believe it from you!" Dumpson said, spurring McCrane to make a similar request.

"Please tell Seia the same!"

"Make sure nobody touches my bike until I get back, that includes you!" Gunmax said playfully, obviously just messing with the little human. Yuuta nodded and smiled through his tears, overwhelmed with happy relief that Rodimus had to admit was beyond touching to witness.

"Stay safe, miniboss." Shadow Maru said simply, and at his side, Duke cleared his vents before speaking softly.

"Make sure Regina is okay, she won't admit that she's worried." he said, and Yuuta nodded in acknowledgment and a kind of deep understanding.

"As you can see, Commissioner, we are all doing quite well." Deckerd said once everyone had spoken their peace, smiling as he was shushed in amongst the group. Saejima smiled in kind, and Rodimus found something inherently trustworthy in the expression.

"That is a relief." he said calmly, sighing ad a great weight of worry disappeared from his relaxing shoulders. "I must apologize on behalf of my subordinate once again, Captain. Please excuse his behavior, as he does not speak for us. We are beyond grateful for your actions."

"Thank you for rescuing my friends." Yuuta added, finally getting his tears under control long enough to speak clearly. Rodimus found his spark flickering at all the gratitude he felt hit him from a galaxy away.

"Uh, no problem. We'll get them home safely." he said, a little unsure of himself at the total whiplash the conversation had taken. How was it that a planet capable of producing an Azuma could also have people like this? Then again, the same could be said of Cybertron several times over, couldn't it?

"Mr. Commissioner!" the offscreen voice of an engineer said with urgency. "I apologize for the inconvenience, but this communication is taxing our equipment heavily! I'm afraid we have to end the call."

"Understood!" Saejima said, speaking fast in the wake of the news. "Until we speak next, just let me say that you have our highest gratitude!"

As the older man jumped into a full salute, Yuuta spoke with the speed only a child could manage, bouncing between his various concerns as the video began to fade. "Call again soon! I miss you guys! Stay safe but have fun!"

The Brave Police gushed out their farewells, waving and promising to do so with such excitement that Rodimus found himself unintentionally joining in with a tiny wave of his own before the screen went dark. He was left speechless when it did, but the bots at his side turned to each other and began to talk amongst themselves with unimaginable excitement. A million different things were said at once, most of which were praise for their tiny boss. The Captain of the Lost Light could only look on in awe at their happy circle of friends, one that just minutes before had been reduced to anxious silence at a being from the same planet.

It occurred to him in that moment why they truly wanted to go home, and he found himself smiling at the thought. Just as there were those on this ship who wanted to keep them safe, so we're there individuals on Earth to do the same. They were really loved wherever they went…

A flash of amusement tickled his spark as he thought about all those friends reacting once they heard about this call. Their protective instincts would undoubtedly be the same as his, especially for dear Tailgate, who'd more or less claimed the group as his adoptive younger brothers… along with the entire crew. It seemed they had a young human to add to that rank now.

#transformers #maccadam #mtmte #more than meets the eye #lostlight #lost light #idw #tf #ll #my writing #my commissions #brave series #brave police j decker #brave police

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jbk405 · 3 years ago

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A few weeks ago I stumbled across the Superbit DVD format, which was a Sony-exclusive line of DVD movie releases in the early 2000s. The format enhanced the bitrate to provide a better-quality video display over standard DVD without actually increasing resolution. It was discontinued in 2007 to focus on Blu-ray and other high-definition technologies.

I don’t think I’ve ever heard of Superbit before, I certainly didn’t know about it back when it was out, but looking into this it really seems like a missed opportunity that it never really took off. Instead of trying to include more detail like HD, its basis was less compression of the video file so there was less data loss compared to standard DVDs. The discs could be played in any DVD player without any additional technology or equipment. According to the comparison articles I’ve found -- which bear in mind are all twenty years old now -- there was a noticeable difference in quality. Nothing as drastic as the switch from standard-definition to HD, but enough to qualify as an actual improvement.

The big drawback was that the size of the video files themselves had to be increased, so to fit it all on a standard DVD (Even a dual-layer DVD) they had to strip out pretty much all bonus content. Even the DVD menus were static, since there wasn’t spare space for animated menus. For most people, when given the choice between a slightly-improved-video version of a movie all by itself, and that same movie with deleted scenes and audio commentary and behind the scenes interviews, it’s not really surprising that people chose the basic video with more content.

Plus, according to those same old articles the improvement over the standard DVDs varied from title to title. It depended on just how much compression they had to use for the standard release, so sometimes the improvement was very marginal. There was always some improvement, but sometimes it was so minor that they themselves admitted they probably wouldn’t have noticed it if they weren’t looking for it. For a few releases they endorsed buying it for a second time in Superbit for the improved quality, while for others they said it wasn’t worth spending the money again if you already owned it.

I’d love it if Superbit -- or a similar less-lossy format -- were to make a comeback. Despite the visual superiority of Blu-ray, DVDs still occupy a huge percentage of the home video market. Some of that is cost to the end user (Even with prices dropping significantly over the past few years, Blu-ray players and discs still cost more than DVDs), but a lot of it is also a question of video quality for the original source. Without remastering of the original product -- which is expensive and time-consuming -- you can’t just release an HD version of an old TV show or movie. But you could release them on this hypothetical DVD format for a better viewing experience than the original DVD release of the product twenty years ago. To remaster an entire TV series takes time and money, and a pretty large amount for both, but this would just need to take the video source they already have and not compress it as much.

Just a few weeks ago I was lamenting the lack of a DS9 remaster when I bought the full series box set, and this could be a great middle ground to give the audience superior quality without requiring a big corporate investment. Still an SD release, without any need to re-render CGI special effects (This is a big hurdle for all late-90s TV shows when it comes to remasters), but clearer, crisper, and smoother.

The format didn’t involve any proprietary technology or equipment exclusive to Sony, so it should be simple for another company to start doing the same thing if they wanted to. The lack of special features on the same disc shouldn’t be as big of an issue now as it was then, since including multiple discs in a packet is very common now (Including Blu-Ray + DVD combo packs) so people wouldn’t be as hesitant to buy a two-disc set with the special features on the second disc.

Ah, if only...

#DVD #Superbit #Home Media #Technology #SD #Standard-definition television #Standard-definition #Superbit DVD

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itsclydebitches · 4 years ago

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Um one thing i wanna ask is why do you want penny to stay a robot? She would have been hacked again as it wouldn’t make sense for someone not to try it again... ignoring the pinnochio allusion thing cause of course RWBY shouldn’t follow fairytales like a script, but just thinking about practicality as the problem would just occur again.

Also, people complaining about how its a problem they cured her illness (having the virus)... why would you want her too keep the virus when its literally about to kill her and the cure is right there???? I dunno some of the complaints have me a bit confused and i need clarity on them.

Like, If they didn’t grab the relic for themselves, they would have been hunted by ironwood for penny, she would have been killed for the powers to open the vault etc... if they went to the vault with penny without their plan, she would have died... its all a lose lose for penny to me at least

Questions are genuine and I’m not trying to be rude or anything :)

Happy to explain, anon! :D

I’m going to break this up into three parts: The claim that people are upset about Penny’s virus going away, the idea that she’s in more danger as a robot, and the assumption that she had to be made human to fix this problem.

The first is the easiest to tackle simply because I haven’t seen any of this myself. I don’t know why someone would “want her to keep the virus when it’s literally about to kill her.” My guess would be that there’s been some miscommunication at play. I’m not saying just because I haven’t seen these takes doesn’t mean they don’t exist, but rather that I have seen a lot of critical takes since Saturday and they all boil down to the fans being upset that Penny’s android identity was removed, not that the virus was removed along with it. Of course we’re happy about that additional outcome, we just believe it would have been possible — even easy — to achieve that same outcome without taking a core part of Penny’s identity along with it (more on that below).

Secondly, if one of the main arguments for Penny getting a human body is “It’s less dangerous” then I personally don’t find that persuasive. Yes, it means no one can try to hack her again... but it also means Penny can die all the horrible, messy human deaths that she was previously immune from (within the boundary of how long Pietro can give her aura, anyway). We saw it happen on screen. Penny was able to go from this

to this

purely because she was an android. Penny, due to her synthetic body, was able to be torn apart and then — pretty casually it seems, based on Pietro’s comments — be put back together, given more aura, and booted up with absolutely no downsides. Penny shrugged off death with a smile! No human body can do that. So yes, she’s vulnerable to hacking as an android, but she’s vulnerable to everything else as a human, things like Nora’s scars and Yang’s lost arm, things that android!Penny would have shrugged off. Each body has its benefits and its downsides, with my personal belief being that, from a combat standpoint, a synthetic body has far fewer downsides and far greater benefits. But that opinion aside, objectively I don’t think a human body is intrinsically safer for Penny in the long run, especially not after her biggest moment in the series was coming back from the dead. She can’t do that anymore.

Which then touches on our third topic with the question: Why couldn’t the show have fixed android!Penny in a way that ensures she can never be hacked again? See, we have to remember that RWBY is a constructed, fictional story. Nothing “has” to happen. Or rather, nothing has to happen until the writers impose limitations on the text that the viewer expects them to adhere to. For example, if you impose the implied rules of 1. “Our four main characters will make it to the end of the series” and 2. “A character, without aura, will die from a spear through the gut,” then RWBY has to find a way for Weiss to survive Cinder’s attack (rule #1), but that solution can’t be, “Weiss is just randomly okay after a deadly injury, I guess” (rule #2). Hence, we get the solution of “Jaune unlocks his semblance and heals Weiss for her” and it works! It’s a solution that viewers like because it obeys all the rules, both overt and implied. Meanwhile, the problem with Penny’s solution is two-fold. The first is that it contradicts the entire journey she’s been on of “Android girl learns that she’s real and human just the way she is,” which I’ve already spoken about extensively (there are other posts on that), but the second problem is that the show ignores other possibilities and makes up new rules solely to reach this ending.

Why is Penny made human? Because of Ambrosius’ rules. Why do those rules exist? Because the writers said they do in this episode. It’s not that they introduced these rules episodes or even whole volumes ago, thereby requiring that they adhere to them once Penny’s life is suddenly caught up in them (like with the Jaune example). Rather, the viewer only learned these were limitations while Penny was being fixed. So the writers could have just... not included those. There’s no reason why, in developing Ambrosius’ abilities right then and there, the show couldn’t have made them into something a little different. Have Ruby go, “We want you to magic up an anti-virus program that will heal Penny completely, with no chance of the virus returning. Thus, when you create something new, it doesn’t matter if that program disappears. The virus is already gone!” If the response to that is, “But Clyde, Ambrosius can’t create something he doesn’t understand” that’s a rule that the writers just made up. No one forced them to suddenly impose that limitation. It was a choice. Or even if we have to have it for some reason, you’re telling that the group gets to have the schematics for their escape route — essentially inventing a teleportation system because Whitley looked at airship flight paths for a few minutes — but they can’t have Penny or Pietro draw up an anti-virus program? There’s no reason why these rules couldn’t have been tweaked to cure android!Penny.

There’s also no reason why Ambrosius needed to be involved at all. As just mentioned, Pietro exists and many fans (myself included) thought he would be the solution. Imagine for a moment we had a slightly different version of these events. Penny’s virus is briefly halted by Jaune and, finally given a moment to breathe, she asks where her father is. Last she saw, he was floating in a dead Amity after Cinder’s attack. This reminds Ruby that hey, Pietro made Penny! He’s just as smart as Watts and is far more knowledgeable of her systems. Maybe he can help? So the group heads to Amity and, due to the same techno mumbo jumbo that launched Amity in the first place, or had Klein heal Penny after her crash, Pietro says yes, he can get rid of the virus. Better yet, he can slightly redesign Penny so that she’s made un-hackable in the future, using (again, mumbo jumbo) parts from the now useless Amity. But it will take time. It’s then that the group receives Ironwood’s message and learns that they don’t have time. The reality that Penny will not be cured before the hour time limit necessitates that they come up with a creative way of dealing with Ironwood. Enter Emerald. Her semblance can make it seem like Penny is there, despite her being fixed by her dad miles away. We get an extended fight with Ironwood and, at episode’s end, the new and improved Penny catches up, ready to open the vault for them, this time of her own free will.

Now, obviously I just made this up off the top of my head — far from perfect — but a scenario like this:

Remembers that Pietro exists and lets him/Maria as an assistant do something for the plot

Re-uses Amity now that it’s just a floating pile of junk metal

Creates a scenario where we get to see Penny and Pietro confront the fact that she was created to be a tool (sorry I originally made you so easily hackable/put a self-destruct in your brain)

Maintains all the main story beats like Penny’s near escape, Ironwood’s message, and using Emerald’s semblance

Makes space to tackle other issues like the complaint that Ironwood was taken down too quickly

Achieves the desired result of healing Penny without taking away her android identity

Proves that, because we can easily come up with another solution, the idea that she “had” to become human is inaccurate. There were always other options

Hell, we can even ask why the story bothered with a self-destruct threat in the first place. Seriously, why did Watts do that? I have my own headcanons, but the show never says. This act is the entire BASIS for Penny’s conflict and the show didn’t bother to a) say why he’d do this or b) explain why he’d do this when Salem would presumably like having a Maiden to control. It’s counterintuitive and the show never grapples with that. We have no canonical answer here. More importantly, what else changes if Penny’s self-destruct order is taken out of the narrative? Absolutely nothing. She’s still hacked and struggles to keep Amity afloat, still flies to Ruby, still wakes up and needs to be calmed down by Nora, still tells Whitley her order, still fights the Hound, still tries to escape, still tells Ruby to kill her so she doesn’t open the vault, and Ruby still realizes that opening the vault might be the answer. They could have taken Penny to the door and nullified the virus by letting her do what the virus ordered. Penny is fine now, they snag the Relic, and the group proceeds to save all of Mantle and Atlas. The only thing this self-destruct sequence brings to the narrative is a reason to give Penny a human body. That plot-point was introduced solely as an excuse to give Penny a human body. That never had to happen. It’s not that the writers had a story where, by the rules already in place, they truly had to change Penny to ensure they didn’t lose her, it’s that the writers carefully crafted a story that existed to justify their desire to change Penny. That was always the end goal. They decided they wanted this to happen and that’s the problem here. That they took a character who has spent her entire, fictional existence learning to love herself as she is and crafted a bunch of unpersuasive, needless, and contradictory scenarios specifically to get Penny to a place where they could erase all that.

There’s no version of Penny that exists who truly had to get a human body to survive because Penny is a fictional character. Everything she does and experiences is thought up by our writers. Thus, at some point they thought up the idea to erase her android identity for a completely human one instead — the part a lot of people are upset by — and then made some messy attempts to write a story to justify getting that ending.

#rwby #rwby spoilers #rwby volume 8 #mymetas #Anonymous

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viciousgracearc · 4 years ago

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sh.adow & b.one thoughts ( contains spoilers! ) tw: racism ( this is just a thought dump and to explain why i’m not adapting the show’s racist elements in my portrayals )

disclaimer: just because i will not adapt the racist element as it appears in the show doesn’t mean i won’t acknowledge the book canon, in-universe prejudice and discrimination against the poc characters in grishaverse.

so. the racism in shadow and bone. having watched all of the show, i now have some mixed thoughts about it. in the books, alina is assumed to be white for the most part. it is only at the end when we ( or at least i ) suspected that she is not entirely ravkan, and then the casting confirmed it. the kind of racism alina ( and mal ) faced in the show was never a factor in the books, despite rampant anti-shu and anti-fjerdan sentiment. the suli are painted as people who are displaced and mostly neglected by the ravkan government, and definitely treated with prejudice, but as far as i recall there is no specific slur directed at them either in book canon.

however, whereas alina’s ethnicity is vague in the books, it is crystal clear in the show that she is a biracial woman. i know that for biracial folk, experiences vary across the board, especially if you’re a biracial person and an immigrant or a refugee. alina is a war orphan. her mother’s country of origin is at war with her current country of residence. to an extent, i understand the level of animosity ravkans have against people who look like the threat / the enemy. people of color face racism and prejudice day in and day out, sometimes from white people, sometimes from fellow people of color. this is a grim reality with a long and studied history of racism and racial superiority creating divides between minorities and pitting them against each other.

was the racism necessary to the plot? it definitely adds layers to it. you have an orphaned girl of color in a mostly white people country. they discriminate against her and her best friend for most of her life, using slurs such as “rice-eater” and “half-breed”. but this country has a huge problem, and it turns out only this orphaned girl of color can save them from it, despite them alienating her consistently. now they need her help, now they call her a saint. this girl, who based on show-canon, feels so different and abnormal from the rest of her peers because her ethnicity is always pointed out and considered a bad thing. now she has to be a hero for a country that despises her... and not only that, now she has to do it under the tutelage of a white man. white man looks older than her; there is an obvious imbalance in their power dynamic, but he looks at her like his hope come at last and places her on a pedestal she doesn’t ask for. this same white man puts a collar around her neck and then effectively subjugates her by taking control of her power.

it... it kinda sounds bad, doesn’t it? it does. “but wait,” the volcra screeches. “via, are you fucking stupid?” it asks. “that’s not how the story ends! she overcomes!”

well, yes. but does it really make the rest of it any less insidious? alina is denied food, consistently picked on, and mocked, for being half-shu. it is prevalent in her show storyline and difficult to ignore. and thus it will be woven into everything that happens to her, and every decision that she makes will in turn, make us, the viewers, look back on it even if she herself doesn’t do so explicitly. i know the intent of including this racism element into her ( and mal’s ) story is to portray an accurate depiction of the POC experience as they maneuver white or mostly white spaces, or just spaces not catered to their specific ethnicity. but does it work? is it necessary? the irregulars, which is also a netflix show, did a great job at casting a young chinese woman in a lead role and a black man as dr. john watson without ever having to define their characters or their capabilities to move in the world by their race alone. as a half-chinese woman myself, it was empowering to watch a chinese girl able to take the lead and make bold statements and brave decisions without ever being bogged down by the limitations of her race.

at the end of the day, it is a fantasy world. do you think if the racism isn’t there, the story’s going to be worse off than it is? personally, if they left it out, i think the story will be just fine. there are a lot of things that tie these characters together outside of their racial struggles, like... i don’t know, personality? circumstances? the need to save their country from a powerful tyrant? the struggle for survival in a constantly at-war nation? there is also the fact that this racism element they’ve introduced is inconsistent. so much directed against alina and mal because they want the viewers to sympathize with these two characters. some of it directed towards inej, another protagonist, whose story has a lot to do with how she was exploited because she is suli. but where’s the racism directed at zoya? at botkin? if there’s racism against the shu and if they call them rice-eaters, where’s the anti-fjerdan racism and what do they call fjerdans? ice-shavers? cold-dwellers? aren’t fjerdans ravka’s enemies too? but oh wait... fjerdans are white. nevermind.

speaking of zoya: in the books, especially in RoW, it was implied that she is white-passing, which is why she was never treated differently for being suli. however, show!zoya is NOT white-passing at all. she is very obviously a woman of color, and while i acknowledge that yes, poc can be racist against poc, i don’t really see zoya -- bully, mean girl, attention-starved, ambitious, ruthless zoya -- resulting to such a low blow. sujaya dasgupta herself admitted that in show canon, zoya experiences racism ( though it was never explicitly shown to us ), and consciously turns it against alina in the hopes of hurting another woman of color. don’t get me wrong, zoya is definitely a terrible person at the start of the series. she was classist and mean and she had a superiority complex, and that superiority complex comes from being a powerful grisha, something she worked hard for. she thinks alina doesn’t belong in the little palace, not because alina is shu, but because alina appears out of nowhere, is untrained but is already considered powerful / the solution to everyone’s problem, and has nabbed her old place as the darkling’s favored. the “you stink of keramzin” jab is more than enough to drive her point home and i don’t think “half-breed” is necessary at all. besides, from what it looked like, alina isn’t the only mixed-race grisha. grisha comes from all over, taking refuge in ravka because they’re the only nation that treats their grisha under acceptable conditions. so one would expect some diversity there, which zoya, having been at the little palace since age 9, would have been used to by now. i don’t really think there’s a lot of incentive for her in using a racial slur, and she’s lethal enough with words that she doesn’t need them to injure somebody.

“via, stop barking and tell us what you’re going to adapt in your portrayal!”

okay, well. personally, i’m not interested in including the show’s racist element in any of my characters’ storyline ( alina, zoya, mal, ehri ). i acknowledge the anti-shu, anti-fjerdan, and anti-suli sentiments as they appear in book canon, but i will not use alina’s ethnicity as the basis of her “otherness” because i like the book canon explanation for that better. nor will i acknowledge that zoya called alina a half-breed, because my zoya is not white-passing zoya, and she knows infinitely better ways to inflict verbal harm than racism. zoya will also be grappling with being half-suli because she was exposed to anti-suli sentiments by her own mother as a young child.

all my characters are of asian-adjacent ethnicities, and as an asian person myself, do you really think i am interested in reliving my traumatic racism experiences through the characters that i write in a fantasy world? with alina especially, it’s like she couldn’t breathe without someone pointing out that she’s half-shu. i think as much as it is important to show authentic poc experiences in art and media, it is also equally important to show poc solidarity, and to stop defining people by their race alone and to just let them exist as people.

it doesn’t help that the show’s way of depicting racism is gratuitous, insulting, and feels like it’s catered more towards the white gaze than... you know, actual POC viewers? i understand people will disagree with me on this and that’s fine. this is just how i feel. given that shu-han as a nation didn’t even feature much in the books and we don’t know ANYTHING about them in a cultural context aside from the fact that their appearance is coded as east asian, the discrimination towards them really just hinges on shallow factors like how they look, what they eat ( ???? ), and how they are viewed as ravka’s enemy. it boils down to an east vs. west type of scenario ( and considering the barrage of anti-asian sentiment in our current political climate it’s... questionable at the very least ), and the racism element is not a profound expression of the poc experience but more like... a caricature version of it, once again, in my opinion.

“via, i can’t believe you used that many words trying to tell us you won’t include the racism in your portrayal.”

hey, i know. but a girl be having thoughts, a girl’s two brain cells be rubbing together, you know? this is me deep cleansing my brain by yoting my thoughts into the void. but yes, this is my take! i understand if you don’t feel the same way, but i just... i can’t feature the racist elements of the show in my blog, sorry (not really).

¯\_(ツ)_/¯

#* ic. / headcanons #headcanon: alina starkov #headcanon: zoya nazyalensky #headcanon: malyen oretsev #headcanon: ehri kir taban #racism tw #sab spoilers #asian ppl who disagree are valid #& pls remember not to tell POC what they can be iffy abt #also this seems like a lot of thoughts i just had to put them somewhere #shadow and bone spoilers

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ronnytherandom · 4 years ago

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I forgot to watch content all week so i wrote about games ive been playing

9/2/2021: The Truman Show

You should fear your fears but embrace them and use them to guide you into the unknown, to explore and experience what life has to offer. Fear stands between you and the fullest experience of life so you must pass through it to better yourself. Heed not the walls built about you and the chains made to hold you. Though the architects insist it will preserve your life, containment is anathema to life. Do not take in faith the benevolence of powers that be; instead trust those who would support and liberate you, guide you through fear and into life.

As best I can lay it out, I think this is the philosophy of the Truman show but there is so much more to read into it also. There is critique of systems of commodification and celebrity (i.e. capitalism) reducing human beings to a consumable good as well as encouragement to find and pursue your goals despite adversity and even sensibility which is also tied to the illusion of economic responsibility. You can’t put a camera inside a human head, you can never “know” them without being an active and intrinsic part of their life, but also there is need for reciprocation. If one half exists with ulterior motive then the entire relationship is rotten; sincere humanity is what creates real connections. Without such your world is fake. A world built around one person is a world where no one can truly live. All these actors have given up basically their entire lives for the sake of watching Truman have his life built around him by outside forces, have allowed themselves to be commodified and dehumanised for the good of one man, Christoph. The man at the top has delusions of grandeur and thinks only of his own bottom line, he cares not for his subjects but simply wants them to do as he tells them because it benefits him to commodify their lives and interactions. Even then he cannot stand to lose control and in seeking to demonstrate Truman’s “realness” he structures his life so thoroughly that eventually there’s no reality left, only a script and adverts. But the people watching still empathise with Truman because everyone in the working class understands what it is to be trapped because real life is our own Truman show and one day we must all pass through fear, step out of the dome and create a real life for ourselves outside of the system of commodification which consumes everyone’s life and removes all realness and sincerity and emotional catharsis from it.

I unreservedly love this film.

14/2/2021: Assorted Game Reviews

Horizon Zero Dawn (Unfinished due to technical issues, 45 hours inc. parts of Frozen Wilds): This game is really cool and really fun. I think it is defined by its incredible setting which somehow creates a fresh feeling post-apocalyptic environment. Said environment creates intriguing alt-future lore and some very interesting environments to explore. I love the machine designs (especially tallnecks!) and was very sad to hear one of their contributing artists passed away recently but I’m glad their work lives on in this visually stunning game. I’m a sucker for Ubisoft-style open world games simply because it tickles a certain kind of itch and somehow this non-Ubisoft game has outdone Ubisoft on their own formula, which is hilarious, but also good for me as running around this world exploring and clearing map markers is engaging fun. Not least because of the combat. I have a minor criticism here that the combat feels slightly awkward on mouse and keyboard, the arrows never seem to go where I’m aiming, but aside from that the experience of fighting is a grand one. Enemies never lose their threat and I love the weak spot system the game employs which makes every tool useful in niche circumstance and rewards curiosity. It specifically manages this in a way that I feel the Witcher series could learn from if it ever returns; by making head on assault less viable and encouraging tactical hunting. I do feel this system makes hunting robots so fun that by contrast hunting humans becomes a chore however, though I noted this improves in the dlc with the addition of humans with elemental weaknesses limited in number as they are. I cannot speak for the story in entirety but what I encountered was pretty good, though I feel as if it was only just really getting going at the point where I could not continue. I find Aloy to be a compelling and well portrayed protagonist and though I can guess about her origin and the ultimate end of the alt-future apocalypse I still want to see how it plays out on screen, so will return to this as soon as I’ve fixed it.

Rimworld (122 hours. Familiar with but do not own Royalty Expansion):

Rimworld is one of those super special games that I don’t think I have a single problem with. Fair warning it can be brutal and is heavily dependent on RNG but this allows it to create truly unique and interesting scenarios on a constant basis. In the wider perspective it could be described as formulaic, with regular cycles of managing the settlement between raids and random events, but the devils in the details. Colonist traits, health and skills dictate how you play and sometimes you’ll be forced to adapt as some colonists simply refuse to perform some tasks. The depth of health particularly amuses me, in that each little part of someone’s body is modelled in a way. If you’re in a firefight you may take a single bullet which grazes your finger and you’re fine. Alternately it could pierce your human leather cowboy hat, your skull and kill you instantly and the game will tell you exactly what happened. The risk/reward element is addictive enough, and that’s without accounting for just how cool it is to see your colony slowly expand. Establishing more and more options for crafting is fun and shows off the full range of different items in the game which is fucking extensive. Between clothing, weapons, armour, sculpture and drugs to name only a few you have the opportunity to create many varied production lines either for your colonists or to trade for money and there is a lot of fun to be had here as well as it is quite satisfying to see psychoid you have grown personally become the cocaine your colonists snort to help them stay awake on limited sleep. From an archaeologist’s perspective it is especially cool to look back over your base and see the hints of how and why structures were built and remember the history of your limitations and development through structure. I think the lore of the universe is really cool too, a very 40k-esque kind of place except with far less order, somehow. But the universe does an excellent job of feeling alive and moving constantly on both a planetary and interstellar level. You can fully believe that while you build wooden shacks to shield yourself from terrifyingly low temperatures there are simultaneously rich pieces of shit living it up on the glitterworld that’s one system over. The music does an excellent job of creating the wild west frontier atmosphere the game cultivates to great effect. Ultimately, for just being a grid with a series of different numbers attached, this game does a fantastic job of creating a compelling, brutal and very real colony management experience. I dont think I can properly put into words the grandness and scope of this one. I didnt even mention the modding scene, which is expansive and tailors to basically any need you could have. The Rim is a terrifying place but theres so much fun to be had.

Factorio (86 hours, mostly 1.1): Having completed a game of Factorio I can tell you reliably that this is one of the best games ever made, thoroughly addictive and fun. If you like numbers, logistics, TRAINS, its gonna be your thing. Not to mention its probably the only documented case of a game with no bugs (so far as official forums are concerned). Strictly speaking this games combat is not the most engrossing thing but good lord do you feel it when you acquire a flamethrower. The way each aspect of the game (production, research, logistics, combat, upgrades for everything therein) feeds into the next is a really well constructed balancing act such that you must experience the full game in order to complete it and I always appreciate this kind of design. I think its one of the best tenets of factory game design especially as its something present in Satisfactory too. Beyond all of this generalised good the game is also excellent in its intricacies, the architecture necessary to build a maximum efficiency base, the level of planning and organisation that can be employed is mind-blowing. Not to mention the mod community, factorion is already an extensive experience and some mad bastards have seen fit to complicate it further, hats off to them. This really is a great moment in gaming.

Destiny 2 (198 hours, all expansions, played some post Forsaken release, mostly Season of Arrivals onwards, spent roughly £20 on microtransactions):

This is a very interesting and enjoyable experience, but I must say it can be a bit controversial at times. What its does particularly well is moment to moment gameplay and design in all aspects. The game is stunning; between environments, cosmetics, shaders ships and ghosts there’s a vast range of incredible things to see, all rooted in the “pseudo-magi-science” aesthetic it’s got going on. The class design is excellent and you really do feel like you embody this rampaging madman / agile gunman / space wizard archetype, whichever you choose to play. The abilities, especially supers, are very satisfying. Everything has heft and power behind it which can be felt in all aspects of design; sound and animation is top notch. Movement is cool, you can feel how fast you move both on foot and in vehicles and the navigation has a little fun subtlety depending on your class jump, even if you can bounce unpredictably occasionally. But for the love of god why is the wall kick in there? It has only ever served to push me from a ledge into a bottomless pit. You're looking to remove antiquated content? Start there. Some guns are not so good to shoot but there’s such a great range of guns that are fun its like complaining about one drop in an ocean; and enemies are fun to shoot at, each faction distinct in meaningful ways and presenting an effective challenge. Speaking of oceans, that’s one way to describe the lore. I haven’t dived too deep but it keeps going down forever and everything I’ve read is intriguing. As a former Elder Scrolls lore nut this is something I could definitely sink my teeth into, though its much more of a pulpy sci-fi vibe than a pure nonsense vibe. I do think the game has a bit of a loot problem, primarily in regards to the conflict between high stats and looking good. This should never be a conflict, and yes you can apply ornaments to any purple gear but that’s not enough when I spend the entire time grinding power levels and thus must change armour and weapons on a constant basis to progress. This game needs a true transmog system and if not that, rethink how gear power level works. Perhaps rather than earning new instances of gear you always possess a version of it and the loot you acquire in missions just upgrades your instance to your current overall power level? This would serve to do away with the current upgrade system which I think is a needless additional grind. Perhaps it could be retained in using enhancement cores to empower gear as present but necessitating a whole upgrade module to keep your favourite weapon on hand is kind of painful honestly. There is also at present the issue of sunsetting gear, mildly controversial to say the least. If it’s necessary to streamline the game and make it function moving forward so be it but surely loot pools should be adjusted so you can actually get useful loot from older locations? And why sunset personal instances of gear which can be acquired at the regular power level anyway? I had to throw away my favourite bow and hunt down a new version of the exact same weapon for… what reason? I do think destination navigation leaves a little to be desired also. I get that having a physical hub world is meaningful but Destiny does not have a very extroverted community; I can count the times someone noticed me in the tower on one hand. And its not even like there’s fun activities to be found in the same sense as say Deep Rock Galactic, which really does take advantage of its hub. Perhaps for players who simply want to go about their business all of the vendors could be set into a menu system where just clicking an icon takes you to their menu from anywhere in the system rather than, per se, having to go through an entire loading screen (Which takes you to orbit and back) to reach a location which serves simply as the front for four menus. These are established player problems. As a dedicated PvE player I can say that this game is immensely fun in combat and growing in power does feel really good. It’s something I recommend getting into, there’s just some very large creases that need ironing which the Bungie should really take the time to address rather than pushing out new in game content every three months.

#the truman show #horizon zero dawn #rimworld #factorio #destiny 2 #d2 #film #movies #video games #i dont know what im doing #hzd #opinion

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orangegreet · 3 years ago

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No Minor Miracles | Chapter 3

One Day in Midsummer

Our immortal idiots get some distance from each other and we learn a good dose of their back story.

Once he closed the door to her on his end, slipping back into his previous persona was painfully easy. Months he’d tortured himself trying to get back there and suddenly he was arrived.

The tether lay limp inside of him and pretending it did not actually exist was second nature again. He built a vacuum around it and shoved it full of his hate and indignation. Then he boxed it all in numb indifference and cast his shadows around it.

The space he held her in was carved out of himself and there was nothing but a hollow in her place.

Years wasted and he finally found the perfect shield against her charms. Aleksander allowed himself to really, truly hate her. Hatred he could dole out with practiced indifference.

A couple months passed before he started to feel like a facsimile of his former self again. Once he did, he ordered Ivan back. Fedyor too.

The two Heartrenders returned to Os Alta five months to the day after first receiving their assignments.

The day of their joint return, he invited them to dine with him in the War Room.

“I wanted to thank you both for the work you have done this winter. It did not go unseen. It will not go unrewarded.” He raised a glass to them.

Fedyor was blushing and cheery, smiling as he chewed his mutton and chased it with his wine. Ivan took a small sip but watched his General from his periphery.

Despite the effectiveness of the hollow, the loneliness was problematic. If felt as if he was built to seek her out. Given time and circumstances, the feeling would become too much to reconcile and he would become burst open again.

The obvious immediate remedy was sex. Pleasure would not fill him up for long but even kvas on an empty stomach could keep you alive in the permafrost.

He thought to take up with a Healer or even a Heartrender — familiar and respectable in the Grisha order. But eventually determined anyone with a Saints-given gift for pulling on his innards was a step backward, not forward.

If that were not enough, taking up with a soldier, even on a casual basis, would undermine his authority and position. That behavior bred gossip and instability in the ranks. This was how Tsars lost their power—slowly seeping out of the seams of their ill-managed exploits.

By default this left him to the pursuit of an otkazat’sya woman. Likely several so as to avoid sticky situations and questions.

And so a couple nights a week, the General would don attire fit for an Os Altan civilian and frequent the city taverns. It was not difficult to cloak himself in shadows to the edges of the Little Palace grounds and pass unnoticed into the city.

He did not wish to pay for the attentions of a woman nor did he want to go about the heady task of wooing one. Relieving tension by creating opportunities for tension was not ideal.

There were a series of short-lived escapades. No one memorable but the experiences were effective nonetheless. The exhausting aspect was hunting for someone suitable for an evening.

In the end it was quite accidentally that he found the most suitable partner with whom he could explore and expend his lust over a longer period of time. A simple barmaid and widow named Inna who rarely left her family-run tavern and who happened to have a small room above the dining hall.

She was easy-going and dark haired. She would have been plain if not for the look she sometimes had in her eyes when she looked at him. There was attraction but there was also a kind of resignation.

They had this in common.

Between them they shared an acquiescence about the hand they had been dealt in life that made them ideal sexual partners. Inna expected nothing and wanted nothing from him that he was not willing to provide.

Inna gave him permission to frequent the tavern so long as he remained discrete. In exchange, Aleksander gave her a fake name with a sparse cover story and for a few nights a week, they fucked like rabbits.

He never stayed the night. She did not ask him.

More often than not he took her from behind, one hand clamped to her hip and the other pulling back on her shoulder, her hair, her throat while she touched herself.

He was generous with her. More than she would ask from him anyway. When he finished quickly, he rarely let a beat pass before he was pulling her back to her knees and licking her to completion. Periodically he would bite her neck or pull on her nipples. They did not kiss.

Excepting of course when she kissed him on the cheek goodbye. It was a friendly thing to do.

Occasionally he gave her a small twitch of his mouth in return.

Inna did not ask for more. This was how they worked.

He did not mean to let it carry on so long with Inna. It was dangerous for many reasons. Both to his station and to her life. Something so casual was not worth the cost to keep for long.

However, now he was not counting time in doses of Alina and the spaces in-between her, time moved quickly once more.

Thoughts of her fell into the shadowed hollow of his chest. Pushed in and forgotten. Suffocated and drowned out. He was a Shadow Summoner after all. He held that ball of dark matter in a lazy swirling mist that pulled in his unwanted things like a celestial black hole at the center of a dying star.

Thoughts of her went in. They did not come back out. This was peace.

It was around that space, that something truly extraordinary occurred: he felt something like contentment for the first time since…well likely since the creation of the Fold.

The unrest born from creating the Fold seemed to be stilled. All of it could be attributed to this careful, internal balancing act: ensuring all his basic needs were met.

The General remained ruthless and decisive on the battlefield, delivering justice and instilling fear in the enemy. He doused his lust between the thighs and lips of a willing and uncomplicated woman.

And, most surprising of all, without meaning to, the General grew a bond with his Heartrenders. Not a close enough relationship to divulge the truth of his nighttime activities in the city, but enough that the periodic joke or personal question was exchanged.

It was sporadic and a little delicate, but he did feel less lonely when Ivan stood by him also seething after another round with the useless Boy King and Fedyor entertained them both stories from the Permafrost or the social structures happening within the Little Palace.

When was the last time he listened to a story for the sake of amusement? He could not remember. The dark archives in his chest might know but he did not attempt to check.

Two years passed in this way. The General visited camps, sent spies into enemy territory and visited Inna when he was back in Os Alta.

Ivan and Fedyor formalized their partnership with a ceremony, Aleksander signed as witness.

The General honored the union by bidding them to move into the Vezda suite. They remained stationed with him in Os Alta when he was not on the move. The suite sat unused for so long. It was only right for his right and left hand to be awarded with such finery.

Following his commission to get the suite ready for their return from a week long leave, the servants cleaning the rooms entrusted the random personal items from the rooms be returned to the General himself.

Funnily enough, had either of his Heartrenders been present that week, he was sure he would never have seen it. Would never have heard a word about it.

Yet it turned up one day. Set on the entry table in the receiving room. One night black, velvet kefta with gold stitching, folded and unworn. On top of it, one silk blue and gold scarf with tattered edges and fading colors.

He paused in his entryway.

His Oprichnik stirred to attention and he quickly closed the door behind him, leaving the guard outside.

His eyes lingered on the scarf. It was something he could not store into the shadowed cache of his chest. Pushed into a void.

He walked through to his War Room quickly, leaving the pile untouched.

The next few hours were spent immersed in missives, strategy and letter writing.

The Secessionist Party had long been gaining traction in West Ravka. This warranted attention not only in the eventuality of a Civil War but also because the party seemed to be stoking prejudice toward Grisha as well.

The General addressed letters to two of his Grisha across the Fold with instructions to gain entry to their meetings and report back.

Sealing the letters, he glanced up at the entry door as if someone called his name. His eyes lingered unseeing as he envisioned the thin scrap of blue fabric, innocently waiting on the other side.

An entire mission to Tsemna was planned from start to finish, down to which soldiers would be sent to answer the reports on Grisha being smuggled through the Fold. He sealed and sent the directives.

He walked with purpose to the entryway to leave his rooms entirely.

A streak of blue stained his periphery.

He touched the door handle.

He dropped his hand and turned, walking back through. A streak of blue for the other eye.

Lunch arrived. The servants left the doors to the entryway ajar. He shifted his chair.

Blue and gold and black neatly folded.

He wiped his mouth and got to his feet. His hands locked behind his back as he stared out the window at the grounds where Summoners trained by the lake.

He turned and walked through the open doors, grabbed the handle to the hall and began his descent to the grounds of the Little Palace.

The Tidemakers and Squallers paused their practice at the sight of The General. He waved a hand indicating they all continue.

After observing for twenty minutes and walking around, he settled on the most advance pair. For them he conjured Shadows held aloft in his palms, “You have one objective, keep my shadows from getting past your guard.”

The Squaller of the pair swallowed but the Tidemaker gave him a wicked smile and nodded.

He battled them six times over the next two hours. Each victory took longer for him to secure. By the third round, he allowed two other pairs to join their ranks against him.

By the fifth round, all the Summoners stood against him. One young Squaller in particular stood out.

He was a small and weedy Zemeni boy who had a way of twisting himself into the gaps left by his teammates and always seemed to deter a shadow when the General was on the cusp of victory.

During one impressive move, the young Squaller dodged a grasping shadow and quickly summoned a gust a wind so hard the General fell back a step and barked a laugh.

“Very well done. What is your name?”

“Kalem, sir.”

“You are very young for one so advanced. How long have you been training?”

The boys hesitated.

“I was brought to the Little Palace just a couple months ago.” The General caught the eye of the Squaller corporal overseeing the training who nodded in confirmation.

“A natural then. Very well done, Kalem. I look forward to our next match.”

He gave the boy a rare kind smile which the boy returned.

“I won’t go easy, sir.” The sheer cheek on the boy had another laugh tripping over his lips. This was a surprising day on several accounts.

“I expect nothing but the best. As you were.”

The loosely held ranks broke and with a firm pat to the shoulder of the Corporal, the General made his way back inside.

He wiped his brow with his handkerchief and smiled at the slight panting caused by his exertion. An Oprichnik opened the door to his rooms and the General’s smile faltered as it landed on the neatly folded scarf.

This thing that could not be shoved into the shadow void.

Tearing his eyes from it, he stalked past and took his seat at his desk where dinner arrived not two hours later.

That evening he waited for nightfall with increased anticipation. When the hour grew late enough, he conjured his shadows and moved through the grounds with ease.

Inna could tell something was different. Her eyes lingered on the General while he drank his kvas slowly and didn’t speak. He waited for her work to be done and when it was, he waited a few minutes before following her up the stairs.

When he entered she took him in with slight hesitation. In turn, his eyes categorized every feature of her face with determination. Her dark hair, her cautious eyes and the way she held her mouth. Poised on the cusp of speaking.

He crossed to her and took her face in both hands. His kissed her mouth. After a couple moments she opened for him.

He took her as a lover might, his tenderness edged with a desperation that felt misplaced to her given the otherwise balanced nature of their arrangement.

When they finished he rolled off her, sweating and panting with a forearm thrown across his eyes.

His chest was pounding.

He lay unmoving while he listened to her shift about the room. The gentle splish of water in the bowl as she was cleaning herself up, the swish of skirts and fabric as she got dressed.

When the movements stopped he stood and began to do the same. Inna took a seat at her vanity, watching her hands. The air thickened with a growing unease.

The General pulled his shirt on, pausing only to press a firm hand back against the pounding in his chest before continuing with his belt.

When he was dressed, she stood.

“I think perhaps this has run its course.” Inna said. She was not unkind. He nodded in agreement.

He kissed her cheek. She squeezed his hands. He left.

When he returned to his rooms, he took in an extra breath before entering.

His eyes fell to the entry table. It was bare.

The pounding in his chest intensified. He squeezed the shadows of the hollow tighter and walked to his room where he fell into a fitful sleep.

The next morning he took his breakfast in the study and when the servant came to collect his tray he stopped her.

“There was a set of items left in the entry yesterday—“

“I apologize, sir. One of the new girls can’t tell her arse from her elbow,” she reddened and clammed up, caught off guard by her own blunder.

The General waved it away, “Where were the items stored?”

“I’ll ask, sir.”

He nodded in dismissal.

Within the hour, the same servant returned, items in hand.

“Just there is fine. That will be all.”

She set them on the end table by his armchair.

He locked the door behind her and after allowing a moment for hesitation, sat in the armchair.

It was a familiar scene. Though the details felt almost deliberately different. It was the height of summer so there was no fire beneath the mantle. No fur draped across this back. The armchair he had a couple winters back was since replaced with a new one.

Aleksander himself felt different now. He hoped that would be enough.

His hand brushed the blue and gold silk and lifted it for inspection.

It did not smell like her as he imagined it might. It smelled woody and stale like the empty cabinet or drawer it lay in for the last fifteen years.

The colors and pattern he remembered well. She had been wearing it around her neck on the first day she appeared on the grounds.

Centuries of waiting for a Sum Summoner, the last hundred sending testers across Ravka, only for the woman herself to appear nearly out of nowhere and present herself to the Shadow Summoner as if the visit had been marked in his calendar all along.

She was a girl of barely twenty then. Powerful and skilled already. It unnerved him how prepared she was for him and how completely out of step he became around her.

She asked him not to reveal her identity to the King. Or to anyone really.

That was fine by him for he wanted to keep her all to himself but why risk it at all coming so close to the Royal family?

To have time with you. She had told him with a laugh, as if it was the most obvious thing in the world.

Saints. How his heart stopped then.

Already enamored. Already pathetic.

The official story if anyone investigated was that she was an ambassador from a sector of the Shu Han/Ravka boarder. Their territory who was exhausted and rundown from the war and she was elected to negotiate peace on behalf of the Ravkan villagers. Ambassador at least explained why she sometimes sat in on meetings in the War Room.

They set her up in the Vezda suite and booked her for nearly every meal in the company of the General. Peace treaties are not resolved quickly and many hours logged was to be expected.

Either way, they did not bring her presence to the attention of the King. He was not considerably observant and her attendance in his Court was as innocuous as the presence of any other Grisha soldier.

Over their meals they discussed the current state of things. The ways in which the world operated in and around the existence of Grisha. She shared with him things she hoped for and strived to change and he probed for information about her beginnings.

Her origins were most mysterious and every time he brought up his questions (who trained her, who raised her, how did she learn she was Grisha, who knew about her outside of himself) she would frown and grow reticent and he would resolve to back down.

In the brightest light of day they disappeared to the forest for hours at a time where they summoned and dueled and acquainted themselves with each other while their lights and shadows weaved around them.

It was three weeks in before he dared to let her discover he was an amplifier. The trepidation on his face brought an adorable twist of confusion to her eyebrows and she asked after if he wished he hadn’t told her.

No, he was fine with her knowing. She did not seem to hunger for power enough that she would kill him and wear his bones to create a brighter beam. She looked very troubled by this statement.

She trailed a hand over the hair falling in his face and assured him that no, she could not ever bring herself to sacrifice him. Not for power or otherwise.

From there they had a free-for-all discussion of Grisha theory, debated amplifiers and motivators and training styles. He told her of Morozova’s creatures to which she looked further troubled and shook her head no. He gave her the journal containing Ilya’s documentation of his experiments and told her to consider seeking one in light of what good could be done for Grisha as opposed to a fear of power-grabbing.

She rolled her eyes at him which he cherished because of the high he felt from their freedom to be direct with each other. The journal was pushed into her hands and she yielded to consider it.

She kissed him first. They stood in the forest and her was hair wild with the humidity generated from her sun beams sizzling off the cool of his shadows and her eyes were bright and he was thinking about what to do with her anymore now he knew she could be like this. Now he knew he could be like this.

She pressed her lips against his.

His thoughts smeared against the walls of his brain and he could not regret the mess she had made of him any more than he could regret his own eagerness in returning her attentions at that moment.

Sweet. She was incredibly sweet with him. That was ultimately what eroded his sensibilities. It was too much kindness showered upon a long blackened soul. He was terrified she would stop.

Ivan remained too close by to not know what was going on between the two Summoners. Though he remained stubbornly stoic, the General could sense his unease. Could sense this was all too delicate, perhaps. He ignored the tensions.

A blissful month was passed in her confidence, making plans for a brighter future, enjoying a laugh over their meals and taking affections from her whenever she offered them. It was her idea to sneak off the grounds and into the city in disguise.

They sat in a pub over a shared pitcher of kvas, playing dice and listening to conversations from the normal otkazat’sya people around them. He felt lighter than he ever had before.

Upon their return to the Little Palace he thanked her with a kiss crushed to her lips within the tree-lined grounds. She pulled him in by the nape of his neck and he lifted her up, coaxing her legs around his waist. Against an ash tree he crowded himself close her, scrabbling for her warmth with a feral desperation that she reveled in.

He pressed his name into her ear. Could no longer bear her to call him by his military title.

When she repeated it back to him, broken over her breath and safely pressed back into the skin of his throat, he closed his eyes and felt the wetness gather in them.

He believes he would have made love to her in the shelter of the ash tree if not for a sound that broke them apart. Someone was hidden close by and she grew shy and kissed him goodnight before disappearing herself.

That evening Aleksander resolved himself to tell her the truth. He would trust her with the truth of himself and his history just as she had trusted him with her identity. Perhaps then she would open up to him about her past. Trust for trust seemed the only way forward. One of them had to make the first move.

Only he could not bring himself to do it.

At least not before she was discovered by his mother. Baghra, his life long antagonist. Baghra who discovered the existence of the Sun Summoner the next day. He wasn’t fully certain how she learned but he could guess it had something to do with that noise in the woods.

The one which interrupted them on what would become their last night together.

The old woman, presumably looking to save the Sun Summoner from the evil clutches of her son, cornered Alina. Baghra showed her the centuries of belongings stored up in the tunnel behind the stables. From Baghra she learned of his age and his transgressions and of the plans he long held for his fictional, fabled, imagined Sun Summoner.

Plans which would never have fit her.

Only he couldn’t tell her. She did not believe him.

Twinges of his betrayal against her saturated their burgeoning connection and he tried to remedy it with his truth. The truth that he did not know anything anymore. That he would not have done to her what he once planned and an earnest request that she just listen.

She was horrified at his lie. Horrified at the army he created in the Fold and repulsed by his designs on her. Was she to be just another of his pawns? Faceless and devoid of humanity in his eyes? Marked by her power and usefulness alone?

His attempt at an explanation did not start well.

Perhaps he felt her betrayal and that only spurred him on to his own sense of betrayal at her hands. Why did she tell him nothing about herself? Should he not have kept this hidden from her considering she could not trust him enough to give him a shred of her life before this? A hint about her beginnings? A clue as to what she wanted with him? How dare she ask more of him when she was not willing to move toward him either?

He made no apologies. He had plotted and he planned for a day when a Sun Summoner arrived and he would not waste a moment attempting to usher the Grisha into a new age. They deserved a swift deliverance.

Not a moment to pause, even at the expense of her wishes and opinions? She had asked him this.

His face hardened at her loss of belief in him and he stated truthfully that he had watched his people suffer long enough.

She disappeared that night. She did not take the help offered by Baghra.

Aleksander sent his mother away for her betrayal. Unable to fully explain to her that she was completely wrong about him. That he had changed. Because the fact was, it could not be possible for him to truly change over the course of some fifty days. His mother likely was right about him anyway and he did not owe her—nor any twenty-something glorified sunbeam—insight into his doubts or beliefs. Nor the gray matter in-between.

The Sun Summoner escaped with the journal in hand, of that he was certain, and he forgot to go looking for it. He ordered her room be closed and locked without permitting anyone further access.

He knew she made off with it because it was a year and some odd months later that she first appeared to him.

Aleksander would have believed he was dead if she told him so. In that moment it seemed like the very thing he wished for most in the world was returned to his side. Wishes such as those are not granted to the living. Nor the living dead which was closer to his state of being.

He could touch her. He did. Laid a palm to her face and closed his eyes in disbelief. Only she responded with a pained look and stepped back and he realized no true paradise of his would begin that way.

The burning of his chest told him what this was and he scoffed in disbelief at the new level of hell that would torment his presence on earth.

She did not know she could do this either. She had said. That she would appear to him. She simply felt a pull in her chest and followed it.

Embarrassment, he realized, ran through them equally and he scrambled inside himself to pull the plug for the sake of them both.

She vanished.

Only he could not shake how or why this new development had occurred. Why after all the time spent burning for her after her immediate departure from him was she suddenly able to appear?

Could he follow through to her as well?

It turned out he could.

This ill-timed discovery was made not five months after the first apparition when he felt a tugging call in his chest and followed it with disgraceful haste.

He found her wrapped in the tight embrace of another man. Her eyes were closed as he pawed at her chest and kissed her neck.

The all-consuming rampage of agony which lit up Aleksander like a flare brought her attention to his appearance. Her eyes flew open.

Her hand was curled lazily to the back of this mans head and Aleksander recognized the amplifier for what it was; pieces of the antlers of a stag encircled her wrist.

An answer, at least, to this nightmare.

Sheer panic and humiliation shone from her eyes until it seemed she too located the off switch within herself. In the next moment he was careening back through himself.

He woke up in his bed still utterly enraged and riddled with an inexplicable grief which made the cavities of his lungs and stomach feel cavernous as he tried to draw breath.

That was the worst one.

That toughened him up as nothing else had since meeting her. Not her leaving, not her abhorrence of his history nor her apparent misery at being tied to him—nothing toughened him so keenly as that singular encounter.

Perhaps it was because it reminded him inescapably of the way he had held her on their last night together. Wrapped up in her body and feeling sure it was his home.

Sure enough that she was his to give her his name and pray to the Saints that he could brand it on every inch of her skin. That she would let him.

Images of another man filling that space between her legs shook him of his idle dreams with the force of being bucked from a horse and thrown into the belly of the Unsea itself.

Unfortunately for them both, these unexpected visits continued this way over the course of the next year until she finally gained enough to control over her end to put a stop to them.

It was for the best. When they saw each other there were only barbs exchanged and the shared hurt which had long passed its expiration date was now a thriving cess-pool of passionate resentment.

The Age of Silence emerged from there and Aleksander spent the better part of ten years on the war front reassuring himself of his own ability to care for the Grisha. Something that someone as young as this Sun Summoner could hardly understand.

He did that until that night when his exhaustion eroded his good senses into gravel. Ten years had not been a bad run.

This was the after.

The blue silk sang its rasp of fibers over his skin as he ran it between his fingers. The carefully constructed world he forged the last two years had severe weak spots.

His chest was still pounding for one thing. This silk talisman in his hands called to everything locked away inside that black hole and the most he could do was try to temper the release.

His Heartrenders were gone and their company would not be here to drive this away.

Inna was a bridge now burned. He had broken a truce with her and it could not be remade.

Finally, this was an event the General knew would not and could not be delayed with an immersion into work.

This lived beyond work. Beyond lust or friendship. Beyond the seemingly never-ending expanse of his loneliness. She and everything he felt for her lived in the Inevitable now. His personal Inevitable.

Perhaps he was beginning to understand.

This Inevitable lived outside the confines of time. It simply was and would be.

The black hole which consumed more and more of his inner being was breaking open. The shadows dissipated and again he simply tried to temper it into a slow release lest he feel that onslaught of emotions and memories too quickly.

Aleksander braced himself for pain.

It did not come.

He felt the shadow of pain. Then a shadow of grief. A shadow of his soul-numbing sadness. They did not consume him as he feared.

He felt a wave of joy too. Contentment and desire. Levity and lust.

He searched himself for what he knew to be at the center of it all, the thing which he wrapped around his end of the tether a couple years ago: his unyielding resentment. Resentment of her for what she did to him. For how she ruined him. Resentment for himself for being unable to overcome it.

What he found there was now a shriveled thing. Something that was once a juicy fat on which he could chew all day was now dry-hardened and tougher than tack. It was a static, uninteresting thing that even his deep-seated grievances could not live on.

Aleksander saw the Inevitable now. He understood it now. At least, partially.

When he grasped the tether that evening after hours spent collecting himself and setting his own expectations, it was with deliberate calm and confidence.

He pulled.

#darklina fanfic #darklina #darklina fic #alina x aleksander #aleksander morozova #alina starkov #power dynamics #angst #grishaverse #smut #shadow and bone #mutual pining

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