#give me a show about a natural or industrial or other disaster any day
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Disaster shows are to me what true crime is to others
#give me a show about a natural or industrial or other disaster any day#some true crime is fine but idk its less for me than disasters#and diving or caving or climbing disasters those are also fun#all of this is really just making me go hm. why haven’t I finished the terror. I should do thst right now.
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Reviving Hope: How Sunny Worldwide Freight Forwarder China Helped a Client in Crisis
One of the most memorable instances for me was when Sunny Worldwide Freight Forwarder China helped a client ship their products to a trade show. The client, an electronics manufacturer, was preparing to exhibit in Frankfurt, Germany, and they relied on us to ensure their products arrived on time. As the exhibition date approached, the client’s products were not ready in time, leaving us with very little time to work with.
I made a decisive move to prioritize this order above all else. As a responsible member of freight forwarder China, we strive to make every client satisfied. I chose Cosco as the shipping company, and everything went smoothly on the China side, including shipping and customs clearance, and according to the schedule, we wouldn't face any delays. However, an unexpected problem arose when the cargo reached Germany, and it couldn't be released immediately, requiring a few days of waiting. This was a huge setback, and I immediately negotiated with our German agent. If the cargo couldn't be released on time, the client would miss the exhibition, wasting months of their effort. The client was extremely anxious, calling us repeatedly for updates.
I was just as anxious, but I kept telling myself to stay calm and find a solution. I immediately contacted our local partner, Agent A, to investigate and find a solution. However, Agent A reported back that there was no immediate solution. Not being on-site was challenging, but as an experienced freight forwarder China, we have alliances with partners in many locations. So, I reached out to Agents B and C to verify the situation and explore other possibilities.
Agent B confirmed that the container couldn’t be released immediately. Even if it was released, we still needed to unpack the container and deliver the goods to the exhibition, which would take additional time. Having worked with various partners over the years, we understood their operational styles. Agent A followed strict procedures, ensuring accuracy but often lacking speed. We then contacted Agent D, with whom we had frequently collaborated. They were resourceful and efficient. Finally, Agent D managed to get the container to the terminal, handle customs, unpack, and deliver it to the exhibition the afternoon before it started.
Even though Sunny Worldwide Freight Forwarder China was operating remotely, our operations, business, and overseas departments dropped everything to focus on this issue. It was a collective effort from all three departments that ultimately ensured the timely delivery of the goods to the exhibition.
Sunny Worldwide Freight Forwarder China consistently promises full compensation for delays and damages within our scope, a testament to our capabilities. We provide comprehensive services to major clients, including order tracking and direct logistics coordination with international end customers, a rare offering in the logistics industry. Typically, clients who experience our "more than just a shipper" value proposition tend to stay with us long-term. Sometimes, our close cooperation with factories moves them to become our clients as well.
The client was overwhelmed with gratitude, saying, "I had lost all hope and was ready to give up! But Sunny Worldwide Freight Forwarder China kept striving, looking for resources and solutions, never giving up until the last minute! I am truly surprised and touched! Who else would I choose next time if not you?"
As a freight forwarder China company with 25 years of experience, we care more about our clients' needs than they do. Our punctuality rate is 99%, barring natural disasters or unforeseen circumstances. If you have international transportation needs, please contact us at [email protected]. We are confident you will be satisfied.
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Roofers Near Me
BP Builders, a full-service building firm with a concentration on new and restored homes, is based in Hartford, Connecticut. The same family has been operating the company for several generations. If we believe it will increase their effectiveness, we can move them throughout the state. We can repair your roof and any other damaged parts of your home; we've been in the construction industry for more than 25 years. Prior until this, gathering data on this magnitude was simply not possible.
Our home improvement company provides a five-year warranty on all of our services in addition to having a full license, insurance policy, and other credentials. This type of warranty is included as standard with each of our service packages. Our flexible payment options are a key selling point. Roofers Near Me area You've come to the right place if you've been seeking for a reputable business to handle your upcoming home remodeling project. Working with one of our contractors will be advantageous to you if you decide to proceed.
a roofing business that provides both commercial and residential services
Only two of the many services offered in the region by BP Construction are roofing repairs and maintenance. If you need roofing services, roofing replacement is a choice to take into account. Both commercial and residential consumers that require roofing services are catered to by our company. The best way to show off your attention to detail and concern for appearance is by selecting CertainTeed shingles. You might use this to express your admiration for a certain period in art history. This contemporary design, executed in a traditional manner, would look fantastic on a structure from any age. You may try hand-drawing your own design and building it to see if you can achieve a genuinely distinctive look.
an aerial view, or bird's eye view
The chances of finishing it today are still quite strong. Don't just contemplate it; do something about it. Among the many services we offer at BP Construction is roofing repair. All new features and bug fixes will be instantly added to your membership as free updates. It can also be cultivated and altered to serve particular purposes. All of our customers' roofs will be protected by CertainTeed® Roofing shingles or another item of comparable caliber and toughness. You may be sure that the roofing materials and equipment you purchased will be of the finest quality and last you for many years. Call BP Builders if you require business or residential roofing services. Or to put it another way, it's a great way to relax and enjoy the present.
You can rest easy regardless of market alterations.
The guarantees made by BP Builders are unrivaled when it comes to client pleasure. Given that we are the most dependable business in the area, you can start to rely on us to the point that you find it impossible to envisage life without using our roofing services. This is the conclusion we have reached from our discussion so far. The industry standard for warranties on services is five years, while BP Builders gives a ten-year warranty. The longevity of BP Builders' outstanding service speaks volumes about the caliber and expertise of the business. Be patient with us as we work swiftly to finish the roof. You've brightened my day with that kind deed. We would be grateful for even a quick glance our way.
Searching for a dependable roofing business? Your task is complete.
Residents of Connecticut are aware that BP Builders can be relied upon for anything from routine maintenance to assistance with filing an insurance claim following a natural disaster. Among our many additional services are routine maintenance and inspections. If we decide to replace your roof rather than just fix it, your property will be protected from the elements for a very long time. The choice of whether to continue the project or not is still up in the air. Now that you have this new knowledge, you may unwind. 860.625.8717 is the number to call if we may be of any assistance. If you're interested in talking, get in touch with me as soon as you can.
The best resource for insurance information may be this website.
Do you have any proof that your house was truly harmed by the hail and/or severe winds? People put their trust in us since we offer a wide range of roofing materials, from common to unusual. We can take care of everything, from the initial paperwork to the follow-up on the claim's status, thanks to our years of experience in the insurance sector. You won't get very far until you develop the art of packing lightly. To maximize your payment in the event of an accident, learn as much as you can about your insurance. BP Builders will be there for you every step of the process, from the initial examination and cost estimate to the point when your home is once again livable. To start, we'll send a home inspector to have a look around and provide you with a free estimate. We will initially visit your home to discuss the specifics of the project and your needs. Any problems you encounter or questions you have can be answered by us.
We invested a lot of time and effort, but ultimately things started to turn around.
Whether installing a new roof or performing routine maintenance, it is crucial to always thoroughly clean the area before moving on. To protect it from damage while we work, we could cover the grass around your property. We'll apply two magnets simultaneously to the affected location in order to offer the greatest amount of relief. The garden is once again a secure location for social events thanks to recently added security measures. You can now relax knowing that there is no longer any danger to you or the people you care about.
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A Date With Destiny (m)
“Love is our true destiny. We do not find the meaning of life by ourselves, alone - we find it with another.” - Thomas Merton
➺ Pairing: Jungkook x Female Reader
➺ Trope: Strangers to Lovers, Idol!AU
➺ Genre: Fluff, Smut, one comedian in the mix
➺ Rating: 18+
➺ Word Count: 11k
➺ Summary: You are a boss lady in the tech industry travelling to world for work. He is a chart-topping artist touring the globe to perform in front of millions of fans. In the cosmos of life, you are not likely to cross paths. Luckily, fate has a different plan for you two.
➺ Warnings: dom!jk, unprotected sex (sex is cleaner when you pack your weiner!), hickeys galore, lot of spit, oral (male and female receiving), balls receive attention, throat fucking, cum eating, edging, masturbation kinda?, cum play, pussy slapping, pussy sniffing, fingering, squirting, spanking, pain kink?, tit slapping, reader teases a bit but this man is a tease maestro, cum stuffing (is that a thing even?), Jungkook’s THIGHS need their own warning
➺ Author’s Note: @ppersonna is an angel among us peasants. Thank you so much for all your help with this! This is my first attempt at writing, and the tiniest feedback goes a long way! Hope you enjoy!
When you die, the first pit stop you make is to the coffee gods.
Without coffee, this whole month would have been a disaster. Back-to-back meetings, daily flights, countless documents being read, it’s a miracle your eyes are open and fully functioning.
Being the Chief Technical Officer of a well-established company at your age had been anything but a cakewalk. You had strived hard and crossed many boulders to come to where you are. But if reaching that point required huge amounts of effort, now your work is tenfold.
“Why can’t I just get longer flights so I can nap in them?” You mumble into your nth cup of coffee - not keeping count is for your own sanity.
“Because longer flights apparently have crying children. You, our resident baby-magnet hypothesized that shorter flights equal more time in hotel rooms ‘sleeping’. Guess who sleeps in said hotel rooms? Everyone but you.” Your personal assistant and part-time truth-spouter Jake offers helpfully.
“Past me was such an idiot.” You shoot back, wondering if you could inject the espresso right through your veins.
Jake pouts. “Woman, you take on jobs that an intern could do. If you weren’t such an unnecessary perfectionist I would be on the beaches of Thailand, getting sensual massages and eating some pretty pussy. But here we are, on our way to Seoul. So quit your whining because clearly, I have lost more.”
“What if I wanted to do that too?”
“Can I watch?”
“Right.” And that was the end of the conversation.
Passengers on flight KE654 from Bangkok to Seoul are requested to report for boarding at Gate 45A. First Class passengers will be boarded first, followed by Business class and lastly Economy. Please keep your boarding pass ready for checking.
Jake stands up, groaning. “This is where we say goodbye. Do you wanna pretend like we’re strangers and have a hot one-night stand when we land?”
“Sometimes I think it’s your natural response to flirt with a breathing being. Do you ever accidentally just, you know, flirt with a tree?” You try to sound sarcastic, but you’re genuinely curious.
“If a day comes when a hot specimen like me has to flirt with a tree, humanity is doomed. Catch ya later!” He blows you a kiss before leaving for the restroom. You shake your head in awe, a small smile finding your lips. He knew how to get your mind off things.
For all his flirting, Jake’s interest in you is perfunctory. He looks after you, keeps you from starving or gouging your eyeballs out, and calms you when things are too hard. He’s seen your worst. You’ve seen him drunk out of his mind, bailed him out when he “accidentally” smoked up, and heard every new pick-up line his ingenious brain churned out. Basically, you’ve seen his worst as well.
You take a look at your boarding pass. 3C. Jake would be in business class, and you in first. Not your choice, the company makes the rules. It's for the better, he says. Apparently, he can ‘prowl for his hunt better’, without your judgmental glare. You nearly vomit on him just for his choice of words.
Entering the flight, you stash away your hand baggage the first place you find the room and head to your seat and-
Holy. Shit.
Jeon Jungkook is sitting on your seat.
Jeon Jungkook is on your flight?
BTS is on your flight?
What are the odds?
Granted, you’re not a 16-year old obsessive fan, collecting photocards and waving light sticks through the screen, but even in your adulthood you’ve admired their music and shows, routinely keeping up with their discography.
Hell, you even learned Korean years ago to better understand their songs. Maybe you are an obsessive fan.
But you can’t approach them like that. They no doubt want some privacy and not be recognized. God forbid you approach Jungkook with crazy eyes, just to be escorted off the plane for stalking. While you liked their work, you had your own, and getting thrown off this flight does not help you there.
So, you’re just gonna have to speak to him like just another passenger.
BTS who?
Biggest boyband who?
You only listen to Frank Sinatra.
“Excuse me?” You call out, a shiver of a whisper leaving your lips. You immediately chastise yourself for being so star-struck.
Big, round eyes glitter under the bucket hat. The softest ‘huh’ throws a lasso over your heart, and holds it captive. He adjusts his hat, inked fingers making a brief yet lasting appearance. The epitome of tenderness, you muse as his eyes flit here and there to figure out the situation. After finding no one to help him out, he gently offers “Yes?”
You feel extremely guilty for marring his serene face with creases of trouble. “I think this is my seat. See, 3C.” you say, pointing to the seat and then to your ticket for good measure. Did he suspect you recognize them? No. Do you look like you’re over-gesticulating? Totally.
“Oh.” His brow distresses further, the sight has you ready to give the man your seat and hide in the bathroom for the rest of the flight. “But even I am 3C.”
His ticket shows the same characters as yours.
Huh?
With both your faces contorted in confusion, an air hostess comes forward to help.
“We both are booked on the same seat. How does that happen? Do I need to catch another flight?” You suddenly pour out, remembering the countless commitments you have in Seoul that would go down the drain if you don’t make it by tonight.
She's quick to reassure you. “Do not worry ma’am, I’m sure there must have been an error in the printing. I’ll be right back.” At the same time, Jungkook is approached by someone, probably one of their staff, to discuss the issue.
The air hostess returns smiling. “Ma’am, you both were booked on the same seat but this adjacent seat was left empty. We are extremely sorry for the error. You may take 3B.” She reiterates the same message to Jungkook in Korean, who then looks mighty relieved.
Goddamn, his eyes got bigger. How much bigger can they get?
“All okay then?” He glances sideways, smile irradiating your senses and waking you up better than all the coffee could.
“All good. Sorry for the trouble.” You add, even though it isn’t your mistake in any way.
“No no. No trouble” He beams back.
Aw, you are in trouble.
As the flight is about to take off, you can see the rest of BTS in the rows ahead of you, with some other staff members taking up other seats. There’s one old man with a scowl on his face, whom you can’t place with the BigHit group. Great, no crying kids. Unless the frowning grandpa snores to the heavens, you can actually catch a good four-hour snooze. Take that, Jake. Hope a kid blows snot in his face.
Looking at your neighbor, you find him busy searching for a good video game on the screen. The other members seem to be using this flight to catch a nap, except him. You always wondered whether their on-screen persona was real or not. Now you could say at least one of his characteristics is true.
Turning away, you bring your focus back to the document at hand. The schematics for a new product your company was launching. You had spearheaded its conception and looked over every single detail in its manufacturing. The Seoul branch is one of the main players in its production, and your last stop before heading back home. You must have every word in this file burnt in the back of your eyelids to make this deal smooth.
Reclining your seat, and putting your legs up, you got down to business.
An Angel was calling you.
You want to wake up, but you couldn’t, fearing the Angel would stop singing to you. Something is poking you, but the voice just drowns it all out.
Wait...
Fluttering your eyes open, you see Jeon Jungkook staring right at you.
“Hi... They, umm--Food? Want to eat?” the Angel utters. Jungkook utters. Tomato, to-mah-to.
“Oh!” you exclaim, wiping non-existent drool on your face. His palm on your shoulder quickly retracts at your exaggerated attempt to hide your embarrassment. “Thank you so much.”
Then, he does that thing. He smiles. Eye scrunch and all.
Fuck the coffee gods. When you die, you want to meet the Grand Master and ask him what crack he was on to hand over so much power to one man’s smile.
The food is placed on your table, and you thank the hostess graciously.
“Do you need anything to drink?” She asks, to which you only shake your head. There was enough caffeine in your system to shoot a horse to the moon and you were still drowsy. There was no need to catalyze this process with booze.
“Your Korean accent is pretty good.” Your next-seat resident comments. Ah, you had conversed with the hostess in Korean.
“Thank you very much.” You giggle, roleplaying an acne-prone teenager talking to her hunk of a crush.
“Have you been speaking for a long time?” He pops a huge morsel of food after asking. Well, that’s another on-screen quality found to be accurate.
“Six years now. Comes in handy for my work.”
“Oh! Did you have to learn it for work? That’s fascinating.” Another mouthful went in. You didn’t even know it was physically possible to hold that much rice using chopsticks.
“Uhh.. no..” You tussle your hair, trying to stop your cheeks from turning beet red, “I just listened to some music and consuming more content.. and subtitles are a bore, plus I needed a hobby at the time so..”
Your unnecessarily long explanation was cut short by Jungkook’s child-like laugh, enjoying the pickle you were putting yourself in.
“Hey! I just didn’t want to put you in an uncomfortable situation, that’s all.” you try to be cross, knowing it’s inconceivable since God himself seems to have given him whatever he wanted. If big ol’ Almighty can’t stand against his charms, you are but a mere pleb.
He looks at you kindly. “Thank you, that was very thoughtful. I’ve been speaking to so many foreigners trying to get across to them I got surprised when you spoke so fluently.”
He went back to chomping on his food like it was his last meal, completely unaware of your staring.
You both speak for a long time. He explains their latest shoot and fan meeting, and you listen to him pour out his love for his job and fans as much as he could articulate. The rest of the emotion is portrayed by his now widest eyeballs (they cannot get any wider, you confirm by asking him - a request he apparently gets a lot) and intense gesticulation. It is very gratifying to listen to his past schedules, and you slip in a quick prayer for not having a job where you had to maintain public appearances while having a schedule as persevering as theirs. Sure, you had a ton of commitments. But can you throw your hair in a bun and aggressively scowl at a monitor and still meet your target? Fuck yeah.
You went on to tell him about yourself - your job, your travels, the reason you were in Seoul. He listens to them with rapt attention throwing in appropriate questions without interrupting your flow. He gives the right amount of sympathy; just enough to show that he understands why you have three sets of nightwear and a futon in your office, but not too much where it seems like you should “take a break” and “think about the joys of motherhood” - as you are often told.
During the conversation, you digress a little to take in his slight features. The apple of his cheeks, in full display, when he tells you about how he pranked his members. The light pout of his lips when he talks about the times their path seemed too far-fetched, when every single obstacle felt like the end of their career. The stars in his eyes when he speaks of how he feels during tours, meeting the endless number of fans, the drive that keeps him going. They all make an endearing package. Eager to please, you kept the conversation going with gusto. The meal is followed by a snack break, after which you had effectively exhausted all conversation topics that could be brought up with near-strangers.
A quick alcohol break later, (yes, you caved, the catalyst was welcome) you both doze off, seemingly exhausted from recollecting respective timetables. He wakes up soon after to play video games and talk to the other members. But you fall into a deep slumber, with an Angel’s chuckles in the background guiding you through the sleep.
Jungkook wakes up to see his character dead. The video game was forgotten after his conversation with you began.
He spent an inordinate amount of time talking to you. And now that you’re asleep, he is only thinking about how much he enjoyed the conversation. Jungkook is not a speaker. His introversion leaves much to be desired in that department. Most of the time, his members cover for him, play the role of dutiful wingmen, and introduce him to their friends. And still, it took him a long time to talk freely.
But something about you made him open up.
Maybe it was the way you listened to him, lips slightly parted when you were absorbing every single word he let out. Maybe it was the questions you asked, treading lightly and skirting any personal questions. Maybe it was the fact that you pretended to not know him at first, mindful of his privacy. The butterflies in him could be explained by this.
But.
It could also be how graceful you looked, even though you’re dressed in sweatpants and an oversized t-shirt. It could be how you carried yourself, with great elegance and poise, even though your work was taxing. It could also be your toe socks, and your glee when he showed you his.
Your personality is infectious. He already misses you, despite you being inches away, desperately wants to exhaust every second of this journey engrossed in you.
He wonders if you feel that way too.
Speaking of whom-
A snicker escapes his lips when he turns to face you.
In your sleepy haze, Jungkook sees that a) your mouth is wide open, b) your hands mindlessly fiddle with the reams of pages on your lap, and c) your eyes scrunch as sunlight pierces through the flight to bounce off your face. Cute, he muses, trying to locate the source of the criminal rays irking you.
The window letting the sunbeam in is beside an old man sitting on the other end. He is eyeing the magazine in his hands with abject disapproval, like the booklet had sullied him and his family.
Gathering up the courage, Jungkook calls out for the man.
“Excuse me, sir. Do you mind pulling the window shade?” He asks, in the sweetest voice that his hyungs would melt at first listen.
Puppy eyes are met with the geezer’s piercing glare, making Jungkook wonder if he accidentally said something strikingly offensive instead of what he thought he said. About to backtrack his words and try again, he gets interrupted by the man letting out a big grunt, after which he continues in his endeavor to telepathically set fire to the magazine. He does not forget to give a nasty side-eye but completely refuses to comply with Jungkook’s request.
“And my team thinks my glares are spooky.” You pique, having witnessed the whole interaction, “I ought to have him on board”. Jungkook snorts, and you take that to be his agreement.
Pausing, you throw caution in the wind and add, “Thank you though, that was very sweet of you.”
He eyes you demurely. “No problem, you looked like you needed the rest.”
“Listen, I-”
“So I was think-”
Ladies and gentlemen, we have just been cleared to land at the Incheon International airport. Please ensure your backpacks and suitcases are stowed away in the overhead compartments or underneath the seats ahead of you. The flight attendants are currently passing around the cabin to make a final compliance check and pick up any remaining cups and glasses. Thank you.
High-quality curses almost make it to heaven (speakers). The announcement dissipates all the courage you had mustered, feeling a rush exit your body. You had almost asked for his contact - and by the looks of it, he had wanted it too. Or maybe your hair is a rat's nest and he was just going to point that out. Guess you will never know.
You shyly smile at each other before going about following the instructions. Your half-read document gets stuffed back into its bag, to be read once you have no distractions in the form of eye candy armed with saccharine speech. Well, you have Jake to distract you plenty, but you can shoo him away by threatening his paycheck.
As the flight descends, you look over to your neighbor - one last time, you guess - and surprisingly lock eyes with him. Anything that had exited you comes rushing back, veins in full alertness. A moment’s awkwardness later you both burst out laughing, each doing their best to hide their crimson cheeks. You find one more online fact to be true - Jungkook’s peak happiness laughter, eye crinkle and nose scrunch, can melt your whole entire heart.
“Hey mami, come here often?”
“For the last time Jake, I will not hesitate to donate your bones for science.”
“Well, I heard bone, it's already a win for me.”
You let out a sigh of exasperation. There is no reforming him.
“How was the flight?” Jake questions as you approach the baggage belt. Looking out for your somber black suitcase, you try to play it off like you did not spend the whole time in the company of a stranger who is on the fast track to your heart.
“The usual. Sleep, eat, read needlessly printed out documents that could have been shoved into on email, repeat. What about you?”
As Jake starts an account of his flight experience in exorbitant detail, you took the opportunity to try and find your ride. Once you locate it and get in, you catch the end of his sermon.
“-and the name of the book will be ‘How to manage a farm - ‘cause chicks gon’ be crazy!’. What do you think?”
“I think it was a good idea I chose to zone out.”
“Y/N come on! It’s a self-help book for poor souls born without my raw charisma. Men and women out there want me, but I can’t satisfy them all. I will just resort to making more of me! It will have pointers, DIY’s and pick-up lines crafted by yours truly - wanna hear one?”
You throw your bag in front and turn to him. “Do I have a choice? Go ahead.”
Grinning like a Cheshire cat, he starts. “Am I cute? Squish my cheeks. Am I hot? Clap my cheeks.”
You raise an eyebrow. “Points for creativity. You’ll still get wine splashed at you.”
Jake was not one to give up. “‘It’s good we don’t need eye condoms, or you’d be on your way to delivery.’”
“Just… don’t have kids, okay? This gene must be stopped, right here.”
“Okay, this one is my all-time favorite. ‘Rack so big, I don’t motorboat, I motorship.’”
That’s it. The guffaw itching you since the start of this conversation is out of its cages, populating the air in the car. Wiping stray tears from your face, you face Jake, seeming very pleased with himself. Undoubtedly, he is coming up with absurd scenarios to ease your nerves. No book is in the works (one could only hope).
“Thank you, I feel much better now. You can stop coming up with these.”
The goof has the gall to look appalled. “I was going to cut you ten percent of my book commission but I guess that’s out. Hmph.”
“I’m at the receiving end of all these pick-up lines. I should make twenty at least for all the nuisance I’ve put up with.”
“All right mami, we’ll shelve this for later. Here’s the schedule for today. You have a 10 a.m. breakfast meeting with Dr. Park Shin Young, Lead Research Scientist of the project. Then you have a bunch of seminars to attend, which will go on all afternoon. There’s a bar right beside this venue.”
“How is that pertinent?”
“So you know where to find me.” He continues, unperturbed. “After which there’s an evening meeting with the whole team to demonstrate the product and a marketing meeting right after.”
“Am I required for the marketing meeting?” Your expertise is limited to the technical field. PR work isn’t your cup of tea, but they stubbornly demand your presence.
Jake exhales. “We’ve been through this. You CAN doze off during the meeting, but you have to be there. Just pretend you’re a college student, sitting in one class, completing assignments for another.”
“But if I’m there I feel the need to pay attention.” you whine.
“Clearly you weren’t one of those college students,” Jake says, perusing through his diary, “Stop being a pedant and do one of those things people do. Loving their jobs and whatnot.”
Before you can retort a reply, the driver pulls up to your destination and you exit the car.
Eleven at night is when you finally check in to the hotel. The tedious day warrants your heels coming off before you even reach your floor. There’s an irritant drumming, from the balls of your feet right up to your temples, that beg for your attention. Setting your footwear on your bags, you massage your feet for temporary relief as the lift took you closer to a more permanent one.
Once your suitcase gets parked in the closet, you head to the bathroom to soak your day away with the bath bomb kit you were gifted in one of the seminars. The ball fizzles as soon as it hits the water, dispersing in tiny bubbles and a heady aroma of vanilla and lavender. The soft amber tones of the walls, the lambent gold lighting, and the ambrosial air put all your senses at ease. You sink in; the bathwater permeating warmth through your skin. Crackling bubbles with every move; the water teases your neck, soothing the laceration with every lick. Every pulse point on you is enhanced - you let yourself float wherever your mind takes you.
A familiar face makes its presence known. You allow yourself to think about him, after pushing his visage away all day. Something about him… felt like home. Soothing, comforting, always speaking in dulcet tones unless something humorous pulled out a loud laugh. Even that wasn’t jarring; it was the exact opposite. Felt like sunshine filled your lungs every time he cracked up. Made you want to keep talking to him, keep him amused and entertained. You can’t imagine he converses with every stranger like that.
But maybe he did; maybe this is some unspoken celebrity culture you were unaware of.
All you know is that this was a once in a lifetime experience. There’s no way you are encountering another personage ever again. There’s no way you’re encountering him again. Luck can only thrive so far.
So when you exit the bathroom, clad in a towel, remnant bathwater dripping from every end, the last thing you expect is Jungkook, spread out on the bed, casually flipping through his phone like it’s his own abode.
“J-Jungkook?”
Y/N. In his room. In a towel. Dripping wet hair. Emanating a delectable aroma.
Y/N. In person.
He is dreaming. He has to be. He's been thinking of you ever since the flight, so now he is delusional. Nothing else. There’s absolutely no chance that you’re in his room, let alone… like this.
Right?
“What are you… what are you doing in my room?”
Wrong.
Jungkook knows he should say something. He should not be gawking at you like he is doing now. But God. You look so pretty, eyebrows arched up in confusion, jaw about to be unhinged, hands fluttering around not knowing what to do.
He forces his body to action.
"Y/N!" He exclaims, finally averting his eyes to face the wall.
Pause.
"Wait, what do you mean MY room? This is my room!"
You’re baffled. "Huh? How is that possible? This was given to me!"
“I really don’t know, Y/N, there must have been some confusion! Please, you have to believe me!”
Jungkook wants to turn around and face you. He desperately wants to clear the air. He can see that this looks bad. He obviously looks like an enamored creep, waltzing into your space. You probably think he does this all the time. Many a time people have misunderstood him, his celebrity status not earning him many points. You must think the same.
And now you’re going to tell him to get out and never see you again, he hypothesizes. His brain is working overtime trying to remedy the situation, without noticing your now relaxing demeanor.
“Oh, okay.”
“I’ll fix this, I’ll go to the reception and fix this. You don’t worry, I didn’t see anything, you can trust me, I’ll go an-”
“Hey, hey,” your tone gentle, “it’s okay, trust me. Just, let me get dressed and I’ll come down with you.”
Your soothing response almost has Jungkook on his knees. Whoever orchestrated this meet, he is just thankful for this good turn. Anyone else would go berserk, and rightfully so.
But you’re not anyone else.
He isn’t just anyone.
Technically, he isn’t a stranger, you try to justify. You should have been more shocked, enraged, or at least doubtful of his intentions. But you weren’t. You had accepted his explanation, let him stay in your room while you changed in the bathroom, and now are en-route to the main desk to rectify this error.
The air around you two is strained; he won’t even look you in the eye. Any question you have is replied to concisely, leaving no room for a chat. Nothing to disperse the tension between you two.
Like now, in the elevator, Jungkook has done the math and maintains the maximum distance between you. Opposite ends of the diagonal of this lift, his peripheral vision probably barely picks you up. However, his evasion helps in a way--you are able to study his full form.
He is dressed casually, and any lesser man would have seemed casual enough. On him, it is a whole new game. Ripped jeans hugging his sturdy legs, the slashed fabric allowing you a peek of his dangerous thighs. A plain white t-shirt tucked in to show off his lean waistline. The only thing holding you back from having a full-blown wet dream, wide awake, is his chestnut overcoat, saving his modesty and yours.
Jake was right, eye condoms are the need of the century.
To be fair, Jungkook had the worse end. He saw you scantily clad, post-bath glow and everything. You wonder what is going through his mind.
Definitely nothing like the debauchery unfolding in yours.
He has probably seen his fair share of women, and one hot to trot lady isn’t anything new. If anything, him dodging you is a sign of his civility, something you are lacking apparently--ready to jump his bones.
Stop thinking about his thighs, you whore. Get back home and trusty old Vlad the Impaler will take care of you.
The employee’s jaw almost hits the desk as Jungkook explains the situation.
“Ma’am, Sir, we are extremely sorry about this confusion. We usually keep another key for family members, but somehow you got them both. We are deeply apologetic.”
“Yes, it’s okay, I’d just like my room key now and-”
“We will give you the best of our service to make up for this disorder. Not that we didn’t plan on giving you the best anyway, but now it will be top-notch! Please allow us to have your room cleaned again ma’am. Kyuyoung-ah! Get the people to prep 5338 and set 5337 again, and add more flowers!”
“Hey, that really won’t be necessary, we can just go back and forget about all thi-”
“And!” She continues, relentless, fully intent on doing her job, “Here are coupons for our round the clock pub! The ambiance is phenomenal, and our bartender makes a mean drink! You can use the facility for free during your stay. Hope this compensates for our gaffe. Once again, we are extremely sorry!”
She extends two passport-sized coupons that you hurriedly grab, wanting this quandary to end.
The walk back to the elevator is less tight-lipped, only because Jungkook starts his deluge of apologies. Even though you had felt the same way on the flight, he was going overboard. You quickly assuage him and deflect his concerns.
“It’s okay, Jungkook. It really is. I know it was a mistake.”
“I know, but I shouldn’t have just walked in like that. I should have checked.”
Your expression is the visual form of a question mark.
“Do you go around making sure your hotel room doesn’t have a surprise occupant?”
You’re taking this too lightly; it's obvious you are doing it for him. He can only laugh, broad delicious shoulders loosening in relief.
After a delay, you add, “You can’t help it if fate wants us crossing paths like this.”
The quip makes Jungkook lose a beat. He cocks a brow in surprise - at that juncture, his features lose all boyish charm and turn unquestionably irresistible.
Then, in a flash, the expression is replaced by his usual grin, back to his boy-next-door spirit. Are there world records for this speed? Jungkook needs to sign up to one.
Collecting the stars floating around your head, you return the favor, thankful that the barrier is now broken.
After a quick break of courage gathering, you turn to him. “How come you’re staying in this hotel? Thought you’d be home.”
A thought is building in your mind; that this is too personal a question. But before you can take it back, you hear a chime. Jungkook moves. And somehow, you are moving with him.
The elevator door opens, and people walk out.
But that’s not where your attention is.
You are focused on the sole patch of your body in contact with Jungkook’s arm.
The palm of his hand sitting at the small of your waist is what had guided you away from the elevator. Even through the fabric of your t-shirt, his hand is sending goosebumps all over your body. The air feels twenty degrees too hot for you.
Jungkook is simply being his chivalrous self, while you are ready to get arrested for public nudity.
Woman, you are a disgrace. Get laid.
Jungkook will high five himself once he gets to his pad.
Is it right to get so euphoric about the smallest act of intimacy? That too with a near stranger? He has no answer. You are special to him; that much he knows. And someone up there agrees with him as well, letting him run into you again (albeit under crude circumstances; he’ll take what he gets). In this proximity, he can hear the slight gasp that escapes you once you recognize his hold, feel your muscles tense, smell the flowery fragrance you still carry. The fragrance that takes his mind on a rewind routine; one he forces to a halt. He feels lewd for taking pleasure in that misfortune, but he can take pleasure in the present.
Entering the elevator, Jungkook has taken note of one thing: the roles have been reversed. On the downward voyage, it had been him avoiding you. Now, even with the closeness, you refuse to meet his eye. Something on the carpeted floor has your unrelenting attention. Letting his gaze dip to you, he bit back a smirk. Good to know you are as affected by him as he is by you.
“It’s a shoot.”
You relent, looking up to him. “Huh?”
“You asked me why I’m here, it’s a shoot. The site is close by, so we don’t waste time traveling. Once the shoot is done, we will get back home.”
“Ah, that makes sense.”
You beg your grey matter to find some topic of conversation to halt the blood rushing to your cheeks. The atmosphere is frozen again, but not like last time. Any unease earlier present has drifted. The tension that once kept you from closeness now keeps you from moving apart. His hand sits unmoved, continuing to rest on your hip. Jungkook can hear the loud thudding of a heartbeat, but he cannot discern whether they are from his heart or from yours.
Continuing after a pause, “I will be here for a few days now.” he adds, the suggestive hint of the words masked by his innocuous smile.
“Ah.” You lamely add. You ought to kick yourself - but at this closeness, you might hit him too.
The span of your separation is contracting, even though none of you move. Like the land underneath you is shifting, because even Mother Earth can’t handle the sexual tension in this confined space.
“Ma’am, Sir, you’re here!”
The booming voice of an employee disrupts the scene. You jump, wondering how you didn’t hear the door open, while Jungkook takes a graceful step back unscathed.
“Your rooms are ready, please follow me.”
The walk back is quiet, except for bashfully exchanged glances and racing pulses. When you finally reach your respective rooms, he speaks again.
“Want to accidentally cross paths with me at the bar?”
The heat reaches your ears. A moment of silence prompts you to look up, and you are held hostage by his eyes. His gaze flickers, intense and probing. Then, as if it never happened, his eyes narrow and his smile softens, harmless and easy. Again, this has to be witchcraft.
“Maybe we’ll let destiny decide. Hasn’t failed us so far.”
Now, alone in bed with nothing but your thoughts, you wonder when it will ever happen again.
Three days. Three days before it happens again.
Three days filled with conferences, a ton of files, and a lot of battery acid disguised as coffee. Apart from the success of your work, the highlight of your time is when Jake tried to fix his shoe heel at a meeting and ended up gluing his fingers together. In a quiet room filled with immersed employees, he had yelled, “Superglue, my ass!”.
The punctuation was not vocalized.
Tonight was your last night in Seoul. It was supposed to be a night to yourself, but an office party pulled you out of your cavern to get dressed. You put on an elegant dress, a black and silver number, only to find the ‘party’ was the most monotonous excuse of networking. High-end businessmen exchanging cards over non-alcoholic fizz was not your idea of a party, so you quickly excused yourself.
The coupon still weighed heavy in your purse, carrying memoirs of the last time you saw him. You had wanted to go earlier, but always held yourself back. What if he wasn’t there? What if you missed your chance? Why did you have to sashay away with a cool statement that night instead of clawing your way through the lust-filled air and settling things then and there?
You supposed a drink at the hotel bar on your last night couldn’t be a bad thing, even if Jungkook didn’t show up.
So here you are, sipping on your wine and trying to appear nonchalant as you look out the window overseeing the city’s skyline. One ear is trained to the door of the pub, the slightest peep from that corner alerting your antenna.
So far, no sign of him.
This won’t work, you tell yourself. Second time’s a charm, third time’s pushing it too far.
But as you wave the bartender to top up your drink, the corner of your eye catches movement; one, two, three heads appear through the door. Signature multichromatic mops of hair make their way in, forcing your pulse to marathon mode.
And then you hear it.
You hear his trademark cachinnate echoing through the structure. Multitudes of contrasting sentiments fill your gut. Are you sensing relief, that fate served its purpose without fail? Or is it the anticipation of how events will unfold? A sense of titillation, that a three-day old bond makes you feel more than year-old relationships you’ve had? You pry your eyes from that direction, trying to appear aloof when you are anything but.
When you think you’ve gathered your composure, you look up. Like a hare falling for its bait, you are trapped, because he is looking right back at you.
Jin and Jimin are laughing about something that happened on set today, but Jungkook only has eyes for you. He can’t believe his luck.
The past few days, his schedule had no give. After every shoot, the only thing he remembered was taking off his shoes and falling into a deep slumber.
So today when the shoot wrapped up earlier, Jungkook grabbed his trusty wingmen and open bar enthusiasts to utilize his coupon, and possibly test his kismet.
“Wasn’t she on our flight?” Jin observes, tracking Jungkook’s sight.
“Oh yeah! Dude, is she the one?” Jimin keenly notes. “How do you keep bumping into each other like this?”
Jungkook downs his whisky, the burn felt from the throat to his diaphragm. “I don’t know, hyung. I don’t know what to do.” Beckoning the bartender for a refill, he tears away from your sight.
“Okay, liquid fortification is all good but how about,” Jin stops briefly to pluck the coupon out of Jungkook’s hands, “we handle the drinks department while you attend to her?”
Jimin nods in assent. “The worst thing you could do is spend time with her slurring and garbling while she ditches your sorry ass.”
“Hey! I won’t do that. Just, ” Jungkook gulps, “I don’t know... We’ve met like, hardly a few times. It really doesn’t make sense. What if we’re not on the same page?”
Jimin frowns, and even Jin seems unhappy with his reasoning.
“Things don’t have to make sense. You’re two consenting adults. You like her. By the way she’s eyeing you right now, I’m sure the feeling is mutual. You said it’s easy to talk to her right?”
Jungkook pouts, but sees his point.
“Then go with that. Don’t chart out a plan, just go with your heart.” Jin adopts a soft smile of encouragement.
“Meanwhile we will grab the others and exploit this coupon to the full extent!” Jimin gleefully appends.
Jungkook’s eyes crinkle as he laughs with the other two. They are right. Carpe diem, right?
Finding you again, his breath hitches. You look beautiful. The sleek black dress with silver embellishments over the torso. It hugs you in the right places, accentuating your already alluring frame. Your shoulders bare, elegant collarbones waiting to be tasted. Hair tied up, exposing the delicious curve of your neck, a stretch Jungkook wants to pepper kisses onto, without missing a spot. You look exquisite against the backdrop of the night.
Carpe noctem it is.
“Did you really dress up to use the coupon?” The tongue-in-cheek query breaking your line of thought.
A breathy chuckle leaves your lips, hopefully masking the frenzy in your heart.
“I had a party. A very dull party. Figured I preferred my own company over that.”
“Do you prefer your own company over mine?”
He’s still standing, tall frame waiting for your permission to occupy the next seat. God, he looks amazing.
“Not at all.” The words leave huskier than you intend, but they convey the message.
He takes the seat, a mere step away, his cologne wafting over to your side. The alcohol buzz makes the scent feel stronger, every bone in you wanting to dive in nose-first.
Apparently you have been staring, because he nervously chuckles “Why are you looking at me like that?”
Should you go the modest route or fuck it?
Fuck it.
“You look... great today,” is all you get out. Stupid brain spewing half-baked goods.
Understatement of the year. He looks like sin incarnate. All black attire highlighting his golden skin, the dichotomy of his whole look has you understandably tongue-tied. Black jeans - no rips, sadly- with a dark grey high-neck t-shirt, tucked in of course, because pain is the only constant for you. A black trench coat is thrown on top to seal the look. The obsidian outfit sends desperate need through your body, an intense desire to rip it all off surging through you. Somehow, through all these layers you can sense his fit body, his rippled muscles, his sturdy pecs, like they have an aura of their own.
“Ah, thank you. You look amazing as well.” Halting a moment to sip his drink, he resumes. “Sucks that you dressed up for nothing.”
“Well, you liked it. So it's not for nothing.”
If looks were potent, Jungkook’s own could set you on fire. Gaze coolly raking over your figure, the tick in his jaw betrays his reaction. A chill passes through every part of your body under his intense scrutiny.
“Are there other things you would wear… if I liked it?” He carefully treads.
“There are certain things I’m wearing right now that I’m sure you would appreciate.”
If not for the shrinking distance between you two, you couldn’t have caught the low hiss. His animalistic need, usually kept well under control, is raging against its bonds, screaming to let go. Your exquisite gown, flowing down your curves, accentuating the swell of your ass - God save this dress from his feral hands. Against his will, he restrains himself. He would make this a lasting encounter.
“How many drinks have you had?” He needs you to remember every single moment.
“Two glasses of wine, don’t worry. You?”
“A shot of whisky, that’s all. Haven’t even finished my second drink.”
Gone were his cherubic appearance and dimpled smiles; the man in front of you is oozing pure sex appeal. His clenched jawline, furrowed brow, and perfectly placed tresses add to his raw masculinity. The cusp of your thighs is damp; if this is his effect here, what will it be behind locked doors? You wonder whether this is the same man that gushed about old-era video games in the flight.
“Well, if you are wearing them for me, I’d be a fool to miss them.” he brings you back to the present. Twinkling eyes match your eager ones as you give a small nod.
Every step you take shoots a thrilling tingle through your spine. Every inch of distance closed forces you to close the next with doubled speed. Every foot forward adds to the thick air, laced with hunger, desire, and an inordinate amount of trust placed in the hands of a stranger.
The first time you two walked back to the elevator, his move had caught you unaware.
Now, the arm wraps around your entire waist, body flush against his, yet you yearn to get closer.
Last time, you couldn’t match his gaze, skin burnt a crimson hue.
Now, your eyes are locked together, any movement in your surroundings be damned.
Michael Jackson rising from the dead and performing Thriller wouldn’t tear you away from your current view (sorry MJ, maybe next time).
When the doors close, he places a palm on your bare back, bringing you to his chest.
“I’ve wanted this so bad, ever since I met you. It’s insane.”
The hand caressing your back makes you sigh. “Not if I wanted the same.”
His grip tightens. “The things I want to do to you...” eyes searching yours, ”tell me you can handle it.”
“Oh baby,” you drawl, “I’ll do whatever you want. Whatever it is,” your lips hover on his, “I can take it.”
The elevator doors opened too soon for your liking, and Jungkook drags you through the corridor. You’re practically hanging on to him, feet barely responsive, the faint buzz of wine making you giddy. His hawkish gaze soaks in everything you do, memorizing every response to his touch.
You lean over to lay wet kisses on his neck. Pleasure searing through his veins, Jungkook’s knees almost buckle. He pushes you against a wall and locks you in with his form.
“Uh-uh-uh, honey,” he tsks, “you’re not making this easy on me?”
You pretend to ponder. “Well, I didn’t plan on making it easy.”
He smirks, all sex, and the wetness between your legs is making its presence known. Leaning into your ear, he whispers, “Unless you want me to have my way with you right here…” and all your brattiness dissipates.
Satisfied, he grins. “Your place or mine?”
“Hmmn, depends.”
He cocks a brow. “On?”
“Am I gonna be able to walk tomorrow?”
That damned smirk. “Your place it is.”
Jungkook’s lips are on yours the moment your door is locked. He cages you against its frame, teeth clashing and biting anything they find. You let your hands roam all over, searching for something to hold on to. A throaty sound leaves Jungkook when your digits card through his hair and tug on it, a sound you gladly swallow.
Time seems to have taken a break. Your thoughts are blank. You chase the kiss like it's the only thing you know, the only thing you’re born to do, your sole mission in life before you die. The bruising pace Jungkook set is eagerly matched by you. Gravity is slowly losing its meaning, and you’re nothing but a stray entity floating in space. And this kiss is your only source of air.
Jungkook pulls you towards him, closing the nonexistent distance between you. Heat rises from his chest, the feeling is hypnotic beyond reason. A taste of you has ruined every other flavor. He kept his eyes half-open, sneaking peeks at your flushed face whenever you come for air. His fingers explored your body, grabbing your ass and pulling you into him. Your clothed crevice jolts at the friction, hips hounding for more.
The moan that leaves you gets muted, because Jungkook takes this opportunity to take control. Tongue forcing its way in to explore every corner of your mouth, it melds with your own muscle. If this were a dance, it would be a fierce tango, oozing with sexual tension. Breathing is now trivial, this kiss is imperative.
Jungkook’s hands grab your hips and twirl you, both of you now facing a full-length mirror. You can witness your neckline being abused, mulberry blossoms left in place. The sight has your sex clenching, and lips liberated, you couldn’t stop yourself from mewling.
“Fuck, Y/N. I’m going to make you scream so loud, the hotel reception will hear you.”
With your head spinning in lust, you try to form your words right. “An- And what? Discuss how a second room for you was - oh god - was useless?”
Jungkook pauses to admire his craft; your neck, shoulders, and collar are now littered with bruises, like a garden of hyacinth at his disposal. The view is maddening, your lusty gaze locked on to him in the mirror. His mane is tousled, no doubt your handiwork, and his hand is tracing the outline of your dress.
“That cursed day,” He chokes out, “You were so fucking hard to resist you know?”
You turn back to face him, hand reaching back to undo your halter neck, “You have me now.” Stepping back, you let your gown fall.
He froze. You are standing in front of him, robed in only your black lace-embroidered strapless bra, and matching panties, each adorned with a white bow. The swell of your breasts barely caged in the cups, making Jungkook drool at sight. All the wind was knocked out of his lungs; you look like a prisoner’s last meal, waiting to be devoured.
“On your knees.” he commands.
Not a second is put to waste. You begin undressing him, unbuckling the pants and aggressively pulling them down. Next come the boxers, and you are faced with-
Wow.
You mean this in the nicest way, but, what a dick.
He is already hard, the mushroomed tip angry and red, leaking a drop of precum begging to be tasted. The girth exceeds your expectation, already visualizing the delicious visual of your cunt stretched thin. He is going to reach places even Vlad the Impaler couldn’t; you are already brimming with anticipation for the final act.
And his thighs. Nothing angelic about them. Taut. Muscular. Sinewy. Something uncivilized in you wants them to trap your frame between them, caging you, pinning you down. You press kisses on his inner thigh, letting your tongue poke out when you hear him exhale. A sharp bite shocks Jungkook, but you only smirk.
“Wanted to do that since I saw you.”
The stare that meets you is practically challenging you to try that again, and perhaps reap some delicious consequences.
You bring yourself back, giving his cock the full attention that it deserves. Looking up, you see his half-lidded eyes, assertive and arresting, compelling you to go on.
You bring your palm up to him. He raised a brow in question.
“Spit for me.”
Jungkook almost busts his load when he hears you. “Fuck, so dirty.” he garbles out. Rolling his neck in an attempt to divert his blood, he takes your hand and drops a thick glob at the center of your palm.
A throaty moan arises from you, and his dick is harder than ever.
“Go on baby, show me you can suck dick like a champ.”
You give him a confident look; you’re about to rock his world. Starting with small licks, you tease the slit and taste the pre-cum lodged in it. Meanwhile, you work the spit along the shaft; you spit on it again, the original amount insufficient to cover the length. You can feel his dick twitching against your attention, eager to be sheathed. Interspersing with some long drags on the underside, you zero in on the pinched skin under the head.
Jungkook is staring at your jerking him off. The sight of you, clad in lingerie is blowing his mind. If that was not enough, the mirror in front is providing a sumptuous secondary perspective. The smooth stretch of your back, the swell of your ass, the panty fabric barely able to cover the expanse, everything on you is making him short circuit. Seeing you on your knees, your deferential nature stirs something in him. If he doesn’t control himself, he will bend you in half and ride you to sunrise. He doesn’t want to scare you, but fuck, his depraved early man instincts are telling him otherwise.
“What are you- ohhh, holy shi-”
Instead of slipping his cock fully into your mouth, you hold it up, and pay careful attention to his balls. Jungkook’s hands come to rest on your head, a telltale sign of his unraveling. With a smile, you let your tongue swipe through every nook and corner till they are coated in saliva.
“You think you’re such a fucking tease, ” He grabs you by your now unraveled tresses and pulls you back, “Ease up baby, your throat is in for a treat.”
In one quick swoop, he lodges himself at the base of your throat, provoking your gag reflex, but you restrain the urge to pull back. Breathing through your nose, you suck and swallow whatever you can; his girth isn't giving you much to work with.
Jungkook growls. “Such a tight fit. Like you’re meant to be like this. Forever.”
The last word slips out unwittingly.
Alarmed, his eyes flit down to gauge your response, but all you are doing is looking back at him.
Fuck, your dovelike eyes are captivating. They look so angelic, a complete contrast to the perverse posture you are in. Not an ounce of displeasure in response to his words. Pure, unadulterated affection for him. Only for him.
“God, you’re going to be the death of me.” Jungkook husks. “You’ll do anything for me, you said?”
Muffled whimpers impart your compliance, and you bob your head up and down for good measure. The tip of his cock hits every ridge of your throat, the vibration releasing more fluid down.
“Pleasure yourself, baby. Touch yourself, but don’t you cum.”
Your brow distresses further, a disgruntled whine leaving you and reverberating around him. Already so turned on, the lightest friction would make you combust.
Jungkook’s teeth clench. “Edge yourself for me, sweetie.”
It's like your body is tuned to his command. Slipping two fingers under the band, you part and slide them on either side of your throbbing nub. Despite you avoiding any pressure point that might push you over the edge, the pleasure threatens to tip you over.
You look over for his approval. Swallowing, he nods. Your self-stimulation is making him dizzy. It's time to get serious.
“Such a good girl. Don’t stop, okay? I’m going to fuck your throat raw.” Starting with mellow jerks, “Hope you don’t have to speak anytime tomorrow.” he rasps.
The carpeted floor grazing your knees only adds to the revelry. You’re not in control of yourself anymore. The back of your gullet is aching as Jungkook shoves into you again and again. An amalgamation of his salty juices and your dribble lewdly coats your chin and neck; you must look ravished. Everything with Jungkook feels augmented; every single motion of his making your sex clench.
He is close - you can feel his grip on your hair tightening.
“Can I cum on you?” words slither through his clamped teeth. You frantically nod.
With a loud grunt, he pulls you off and releases all over your chest, a stray pump landing on your chin. Thick liquid, dripping from your jaw onto your collarbones and breasts, the whole scene is filthy good. Your unfilled cunt is aching to be replete with the cum.
Post-orgasmic glow is dazzling on him--hair drenched in sweat, tufts sticking to his forehead. His breathing is heavy and resonant as dilated pupils take in your soaked state. Bending down, he crooks a finger under your chin, anchoring his attention on your dewy stare. The onyx embers in his eyes bore into yours, studying for any hesitation in them. A microscopic moment of tenderness, unspoken words exchange between you.
Satisfied to find only searing hunger, his digits collect the beads of cum on your jaw, pushing them back into your mouth. Your eyes roll skyward, relishing the briny taste, nearly asking him to do it again. Leaning further, he grabs the wrist of your hand that is thoughtlessly rubbing your sex - you didn’t even realize you were still doing it. You feel drained, like you orgasmed vicariously through him.
“My turn.” He wears a devilish expression on his archangel eyes.
Lips connect once again as he pulls you up. If he tastes himself, he is relishing it, with his tongue exploring the deep cavern. With wobbly ankles, you let him guide you to your bed, dropping on your back. He follows you, pouncing on you, plunging into your mouth again like a beast hungered. Bodies melting together like an icicle under the summer blaze, your hands hunt to frisk his skin. Realizing he is yet to undress, you yank at this t-shirt, attempting to liberate him from the offending fabric.
“Tsk, greedy.” he bit your ear, soothing the sting with a kiss.
“Cruel is what it is.” You huff, like everything he’s doing is not a blissful affair.
How do men do that? Violently ripping their shirt off and leaving a messy mop of hair in its wake, nevertheless looking like they could walk a runway the next instant. Jungkook was no exception. The moment he pulls his shirt off, you are rendered speechless.
Chiseled chest like the work of an artisan. Droplets of sweat race down the paths traced by the sculpted abs, an intense desire to taste them forming in you. He is a mesomorphic dream who puts Greek gods to shame. Swallowing, you let your hand trace the outline of his pecks, feeling him shudder against your touch.
“Jungkook, please.”
Who was he to deny you?
Leaning up to you with a wicked smirk, Jungkook drops a thick line of spit right on your hardened nipple. The concoction of his cum and spit soaks through the lacy material. A lone finger circles, avoiding the spot that requires the most attention. You arch your back, begging him for more, just more of anything. The wet fabric amplifies the emptiness in your cunt.
“Aww,” he coos, clearly amused by your neediness, “undo this for me, sweetness. Let me see you.”
Moving at lightning speed, you unhook the bra, swinging it away to a corner of the room.
“Oh no.” He mock-frowns, veins bulging on his arm as he controls himself. “Look at these tits, fuck.” Mind reeling with ideas, filthy ideas, of all the things he wants to do to you. “You’ve ruined everything else for me.”
You tremble. “Good, so have you. Want you for myself. Want you,” pulling him close, “to do your worst.” you end with a whisper.
Jungkook’s jaw tightens. “Careful what you ask for,” he grits before diving headfirst into your bosom.
He licks and laves and bites and laps--your breasts are on fire. Continuing his marking spree, new blemishes make an appearance on your torso. Nibbling on one nipple, he pinches the other; pulling moan after moan from you.
Your hips barely touch the bed, bucking up in response to Jungkook’s sinking teeth into your ample bust. He has decided to not leave an inch without his saliva, and like a man on a mission, covers every part with rapt attention.
“Yo- You don’t have to--oh holy fuck--you don’t have to, cover me in marks you kno--ohh my go-” The sentence is spastic, piercing mewls breaking your flow of speech and thought.
“These fucking tits,” roughly clasping your pert breast in his large palm, “they look so much better like this.” The proud smile he shows has not the slightest hint of regret.
Catching a break, he twiddles your nipples, letting his other hand sit on your covered sex. He is teasing you; you recognize that. Just giving you opportunities to disobey, to take all the pain he has to offer.
It’s a good thing you like the pain.
You slowly roll your hips, trying to grind against his palm, taking whatever help you can get.
A sharp smack lands on your clit, shooting your eyes open - you don’t even know when they closed. Jungkook’s hand is soothing the site of the blow, the pain converting to pleasure under his touch.
“Patience, sweetness,” the gravely whisper sending tingles down your spine, “such a good girl for me.”
You give him a slight nod - he smacks you again, once, twice, thrice, without a break. Your entrance is smarting, but you want to give him everything. Biting your lips to stop the labored moans escaping, you clench your eyes and savor the burn.
Your show of obedience has Jungkook’s heart thronging. Fuck, he was enjoying toying with you. Playing you like a fiddle. You produce every tone he desires in the form of wanton melodies, he wants to play them over and over again like his favorite song.
“How are we doing?” he asks, a shit-eating grin plastered on him. Before you could answer, his fingers shallowly enter your soaked pussy, still hampered by the cloth.
“You- fuck, you said I was the tease here?” Your hands are at his wrist, begging to pull the scrap of cloth aside and have his way.
He comes to face your sopping mound, pausing only to speak “Never said I wasn’t,” and starts pressing soft, feathery kisses. “That day, seeing you dripping in that towel, I dreamt of having these legs around me.”
“I swear, at least take it off - oh Jungkoo-”
Without warning, he kneads your ass and pushes you into his face.
You feel like you’ve been on the edge for hours. The suckle on your engorged clit along with the abrasion of the lace gets you so close. So damn close. So, so clo-
The tightness in your belly finally snaps and you howl, gushing your vat of arousal onto his face. The high was more intense than you had imagined, so high that you wonder if you will ever find your way back to reality. You feel like a rock in space, aimlessly floating in the vast nothingness.
You dimly notice Jungkook toying with the lacy hem of your panties, pulling it back to snap it against your hip. The sting is soon forgotten, along with your panties flung across the bed, as he parks himself back between your legs.
“You smell incredible.” He approves, taking a long whiff of your honeyed center. “Look at you, so messy.” He licks a long stripe along your crease. “Messy girl, I should clean you up.”
“Wait Jungkook-” you oppose, lids heaving in pleasure. “I need you inside me, please. I can’t take -oof”
Gnawing at your sodden folds, he let his nose press against your clit. “You’re so fucking tight, you think you can take me?” He shakes his head. “Gotta stretch you out, gotta make me fit.” He presses his tongue against your nub, feeling it throb in anticipation. “And I think you can give me one more.” He ends, before invading your drenched channel with two fingers. You are putting up with his torments the best you can; walls fluttering against his lips, legs entwined behind Jungkook’s back trapping him between your thighs.
“Ah! God - I, I can’t-” Your eyes are screwed shut, hands bunching the sheets in your grasp.
His fingers fluctuate between scissoring motions, their lengths opening you up for him and curling inside, fingertips finding the rough patch inside. He adds a third finger, pussy straining to accommodate them all. Your thighs clench in the burn, and he groans into your pussy at the pressure. Increasing the pace, he pumps into you harder and faster, sucking your puffy lips in tandem.
“Please, please, harder - let me cum - please oh go-”
“Fuck yeah baby, your pussy is just sucking me in. You like that? You like me shoving into your cunt?”
“Uungh yes yes I love it!”
“Doesn’t it hurt? Or are you such a slut for pain? Tell me, tell me you’re a pain slut.”
“Fuck, Jungkook, don’t you stop- I am! I am a pain slut! Your pain slut!”
“Goood girrrll,” he husks out. Even though he is taking charge, your words are what control him. “Only mine. My pain slut will come for me now.”
A spray of cum ejects out of you, coating Jungkook’s chest and inundating your legs. The coherent part in you recognizes that you just squirted, but the neanderthal side shuts all recognition of anything that is not Jungkook’s cock. Even after two climaxes, you are hungry to get more. More of him.
If you don’t fuck him now, you will lose your capability to reason.
Limbs still heavy and reeling from the ravaging, you pick your pieces and drag Jungkook to the headboard.
“I’m going to ride you.” you declare and straddle him.
Jungkook is staring fixedly at your still-leaking cunt. Running his tongue over his lower lip, and licking the remnant syrup of your release. You position yourself, letting the drippage fall directly on his erection. He twitches, eyes still feasting on the mess you are making.
Finding purchase on his shoulders, you lower yourself. Jungkook’s breath staggers as you drag your inner lips along his hard shaft. You repeat this motion till your fluids drip to his balls.
“Y/N, I swear to God, if you don’t stop with this-”
“You’ll do what?” you challenge, an eyebrow raised in response to his threat.
He grabs you by your waist, jerking you up before bringing you down on his dick. Your cunt, creamy from his earlier ministrations, gives no resistance to his hardness. His cock twitches inside as you bottom out. Pulling you closer, he bites your lip and tugs at it.
“I’ll do this.”
A sharp spank makes you clench around him, the supple flesh of your ass ricocheting in response.
“Go on baby, ride me.”
The low-grained command sets you in motion. Slowly gyrating your hips, you feel every ridge of this length inside. Jungkook’s grip on your waist tightens, and you’re sure you will see evidence of it tomorrow. Your grasp on his shoulders isn’t faring any better.
“You’re so tight, fuck, and so wet. Who made you like this, huh?” A second spank punctuating his question.
“Oh God, you-”, you barely manage to recognize your own voice, “You, Jungkook! Only you!”
“That’s fucking right, only me.”
Hips snapping, he meets you halfway. Both of you are lost in each other, lewd sounds of your skin slapping and juices quelching barely muffled by your desperate whines and moans of passion. Eyes locked in like magnets, neither of you could look away.
Jungkook pulls back a little, slapping your jiggling tit. Your sex clenches, and the following slap has you lodging yourself in the crook of his neck, searching for a reprieve.
“Want some help?”
One swift move and you are on your stomach, face pushed into a pillow, and ass out. A final spank lands right in the middle, and you can feel it pulsate everywhere. He pushes back into your glistening core, taking control of your pleasure and pain. One hand carding through the nape of your neck, pushing you down, the other hand grabbing your waist and setting the pace. The new angle hits deeper, you feel so full.
“Jungkoo--unghh I need to cum! Need to- umph- cum so bad!” You are wailing at this point, shame lying somewhere near your flung clothes.
“Fuck, babe, me too. Go ahead and play with yourself, nice and slow.”
It takes a few swipes for the tightness in you to detonate. Tears flood your face as you unravel, your orgasm crashing into you like waves of a tsunami. You clench tight, wetness flows out of your hole as Jungkook pumps in and out, chasing his high.
He comes undone soon after, ropes of his ejaculate filling your insides. He stays in, plugging you as if to not allow any of it out. But as his member softens, he gives in, turning you on your back to meet his face.
Butterfly-soft kisses are exchanged after the blazing encounter. He asks you if you’re okay between breaths, a tender murmur you almost miss, as if you weren’t screaming your lungs out moments ago. Nuzzling into his neck, you confirm.
A snort disrupts the silence. Looking up, you see Jungkook chuckling.
In response to your cocked eyebrow, he says “Want to talk about what a freak you are?”
“Want to talk about what a hypocrite you are?”
“Hey, you asked me to spit on you!”
You mock-gasp, hand on chest for the extra effect. “My breasts need medical attention after your attention! Freak!”
Laughter echoes in the room as you two tumble in the blankets, and you feel his release seeping out of you. Turning to him, you pout, “Your mess is leaking out of me.”
Jungkook gets up to leave the bed, and you expect a wet towel coming your way.
What you don’t expect is him parting your legs, gunmetal eyes following the rivulets escaping your abused hole.
“Your cunt smells so good with my cum on it,” he purrs.
He gathers the escaping thick liquid and pushes it back into your quivering core.
Jolting with oversensitivity, you try to stall him but he is fingering you with a vengeance. The ache and soreness soon dispel, bringing forth a new wave of ecstasy. His unrelenting stare concentrates on the mix of fluids on his fingers. With a few strokes on your sensitive bundle of nerves and fingers stuffed inside, you come again, legs shivering and pussy overflowing, his juices intermingled with yours.
You are dazed; you’ve lost track of everything. The room is spinning in front of you and your body feels like lead. All you can manage is to arch your neck, and plead, “No more, you freak.”
Jungkook giggles, eyes crinkling in good humor. Ah, the duality of this man is a force to reckon with. You can’t believe this is the same man that fucked you into your bed like a primordial beast. There’s no way you can move anytime soon.
After a clean-up interval, you are wrapped in each other's arms, melting into the embrace. His musky fragrance putting you at ease, you tuck your in the nook of his neck, basking in the aroma. Hands pressed against his broad chest, exuding warmth for you. His hand cradles your head, snuggling in closer till there is no space to cover. Sweet nothings whispered into each other’s lips, tender kisses exchanged in place of the scorching ones that had passed. You drift in and out of your slumber, fearing the sun would ascend too soon and break you apart.
A dim glow from the other end of the bed wakes you up. On turning you find Jungkook, dressed in his now-wrinkled clothes, seated on the edge. His gaze, pensive. You lay a hand on his thigh.
“Oh, did the light wake you?”
The alarm on his face makes you smile. “No, your absence did.”
The corners of his mouth turned up, eyeing you with softness.
“I have an early schedule. I didn’t want to wake you, but, ” he lets his palm rest on yours, “I also didn’t want to leave without it.”
Neither of you know how to walk away from this. The silence is deafening, unuttered sentiments hanging in the still air. Jungkook’s chest is heavy.
This is insane. He wants to lay you against a bed of flowers, treat you like the delicate petal you bear resemblance to, worship your body till the sun succumbs to your blazing passion. How is he to explain that his heart is beating through his chest for someone he knows for mere days? He rifles through his memories for a similar instance.
He finds none.
Maybe you don’t feel the same way. Maybe, you are blissfully unaware of the tumultuous emotions lurching in the pit of his belly. He can’t assume you will echo his lovesick needs, but he can’t let go.
You inch closer.
Fervid feelings die hard. He probes your eyes searching for an intensity matching his.
You let your lips convey the answer.
Passionate as ever, you draw him into the kiss. His lashes flutter against your rosy cheeks. At the moment, there is no dominance in him. Almost like his tongue, dragging across your swollen lips, is healing the brutality of last night. If you pull back, he comes after you; an incessant tug of war no player wants to win.
“Please Jungkook,” you choke between kisses, “Please tell me this isn’t the last of us.”
He is hovering on top of you, the galaxy in his eyes twinkling at your words.
“Please, I don’t want this to end.” You continue against his lips. Head versus heart, you fought a losing battle; how were you to stall the inevitable? Fueled, you plunge your tongue into him, determined to make your ardor known. The void of ferocity is filled with slow sensuality; like he is the sole reservoir to quench your thirst.
“Y/N”, he breathes out, “I feel like I know everything about you and nothing about you at the same time.” Resting your foreheads against one another, he continues. “I’m not about to let fate decide when we cross paths again.”
A grin finds your lips. “Destiny really pulled its weight here, didn’t it?”
He wordlessly nods, not wanting to break the tranquility in place. However, it is short-lived; his phone’s ringer makes sure of it.
“Yeah, I’ll be right down.” Something the speaker says turns Jungkook scarlet red. “I said I’ll be right there!” he yells before ending the call.
“The members are asking why I wasn’t in my room.” he clarifies, waggling his brows. You join his laughter, happy to have just the simple moment with him.
After exchanging numbers (and a photo for keepsake), Jungkook presses one last kiss, lips promising to find each other again. Somehow, you don’t say goodbye. You just stare at his disappearing body, confident that the next encounter is not far.
Jake is babbling about his night, how he managed to ditch the god-awful party and hang out with some overenthusiastic college-goers who paid for his drinks with their trust fund dough. This is usually the time you ask him if he’s proud of mooching off of children, but today his exaggerated narrative is cracking you up.
His forehead creases. “What’s up with you today? You haven’t vowed to skin me alive even once.”
“You like it when I threaten bodily harm?”
“I’m kinky like that.”
You just shrug. Erotic images make a fleeting appearance in your mind, but they are interrupted by your flight announcement.
“Aren’t you glad this is over? You can go back to overworking yourself in your office instead of a hotel!” Jake remarks, throwing his bag over his shoulder. “At least your back won’t break in the travel.”
Thinking over your experience in the city, you confess “Actually, I look forward to returning here.”
A thought slips in, curving your mouth into a smile. You quietly add,
“And yeah, my back was broken all right.”
Thank you for making it to the end! Please do let me know what you think!
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Season 1, episode 1: What About his Dick?
Spoiler alert!!! This is a rewatch recap of Snowpiercer s1e1: First, the weather changed. Naturally, it is full of spoilers for that episode. However, it also contains spoilers for some other episodes of season 1 and season 2. You have been warned!
The show opens with André Layton reading us a nice bedtime story. In a shocking turn of events absolutely nothing like the real world, the 1% have caused a climate disaster. Layton explains that the great visionary Mr. Wilford foresaw that the attempt to reverse climate change would cause the world to freeze, in what sounds like a thinly-veiled accusation that Wilford actually caused the freeze.
Next, some of the main characters get introduced. They start as they mean to go on: Layton takes charge before he’s even come up with a plan, Zarah inexplicably avoids any fighting, Miles just hides away for most of the second half, and Commander Grey refuses to wear a helmet.
After the opening credits, we’re introduced to Melanie. As she walks through a calm, quiet, corridor, I’m relieved to discover that there is at least one set in this production that’s lit brightly enough that my laptop screen can actually display it! She makes the morning announcement in the overly-calm tone of voice of a person who is close to snapping. At the end of the announcement, she warns the passengers to be prepared to brace. Viewers should also take note of her warning.
For anyone attempting to keep track of the timeline (I have tried and failed), Melanie informs us that Snowpiercer is six years, nine months and twenty six days from departure.
Layton uses the announcement to make sure that his watch is synchronised to Snowpiercer Standard Time, and if anyone knows what brand of watch battery he’s using, please let me know. Meanwhile, some Jackboots begin to unlock the gates and doors, allowing room service waiters Till and Osweiller through with the day’s breakfast orders.
Santiago shows us all why he wasn’t at the revolution planning meeting, and starts a fight with an armed soldier. Till responds with her best impression of a substitute teacher, telling the class to “Sit down and calm down!”
Josie and Murray complain that there’s only one cart of gourmet barres de bestioles today. Osweiller’s a dick about it. When the room service team and their military escort leave, we get to see a bit of tailie life: Murray works as a lunch lady, Winnie works as a personal trainer, and Miles works as a competitive rat breeder.
Layton demonstrates some questionable parenting skills for a while, then attends a revolution meeting where the main item on the agenda is exposition! We find out the following:
Lights knows a lot about the electrics on the train (I’m calling it now: she used to be a Wilford Industries Engineer)
Old Ivan can tune pianos, but there’s no piano wire on the train
There hasn’t been a child born in the tail for five years...
... largely because tailie women are being sterilised
Murray is the last Australian
There was a rebellion in year three, and thirteen arms were taken as punishment
Layton then tries to convince the others that six and a half years of living in squalor isn’t long enough, and they should all stay in the tail for a just little bit longer! But Pike and Josie call him out on his bullshit, and the revolutionaries agree to launch their attack as soon as the room service crew returns.
Josie apologises to Layton, and then for some reason they repeat the exact same debate that they literally just had at the revolution meeting. When that’s over, he tells her that he doesn’t want her on the front line tomorrow. Josie has apparently had enough arguing for one day, so instead of telling him to go fuck himself she dodges the subject and gives him a little kiss on the head.
The tailies sing and pray and sharpen their weapons, while Old Ivan gives Layton a knife and a pep talk about how the train is a ‘fortress to class’. Layton is considerably more impressed by the line than I am.
Uptrain, Melanie wishes good morning to a First class iguana.
It doesn’t take long for us to understand why she does this: it’s the most enjoyable conversation she’ll have all day. She makes smalltalk with the human passengers, in both English and Cantonese. Then, because the iguana wasn’t enough evidence that life in First is fucking batshit, Lilah and Robert Folger complain to Melanie that they are being body-shamed in the sauna by scandinavian royalty.
To recover from that/prevent herself from exploding with frustration Melanie attempts some light chit chat with the Folgers' teenage daughter, LJ. LJ’s hobbies include petulance, obvious foreshadowing and eating third class noodles. Mr. Lam warns LJ of violence in third, and Ruth dismisses it as, “Nothing but track talk.”
“Ruth!” Melanie snaps, “Stop trying to make track talk happen! It’s not going to happen!”
Melanie sends Ruth to investigate the track talk. Despite the fact that the rumours are about Third, Ruth has to go to the Tail (??). Ruth complains that she was hoping to avoid the Tail, so Melanie placates her by flirting.
“You know you love an excuse to wear your fur.”
Do you hear that? It’s the sound of a thousand lesbians typing Mel/Ruth fanfiction.
Next up, the tailies are preparing for the revolution. Pike is on lookout, and he reports that hospitality are overseeing today’s room service! Perhaps the tailies' complaints about portion sizes are finally going to be taken seriously? Due to hospitality's presence, the tailies put the revolution on pause; they want to hear what Ruth has to say.
A hush descends as Ruth takes to the stage - which is technically just an IKEA stool, because they're in the apocalypse.
Initially, Ruth suffers from a little stage fright. However, like all good divas, she quickly recovers by blaming her assistant. Then, she announces that they have a removal request for Mr. André Layton.
The ‘removal request’ turns out to be more of a ‘kidnapping order���. Layton is dragged away by Jackboots as soon as he’s identified. We get a montage of him undergoing a creepy medical checkup and a very public shower, before being led uptrain by Till, Osweiller and some Jackboots. Layton asks them what’s going on, and Osweiller’s a dick about it.
Till guides Layton’s head into the rickety little open air subtrain like it’s the back of a police car, which is probably sensible, but makes me laugh every time.
Their little meta train journey takes Till, Osweiller and their kidnap victim head to the third class mess hall. Layton, of course, promptly hisses at the sun as he enters.
Do you hear that? It’s the sound of a thousand ex-twilight fans typing Vampire!Layton fanfiction.
Lead Brakeman Roche gives Layton some soup and a grilled cheese, and I cannot wait to get a side-by-side of the way Layton looks at that sandwich vs the way he looks at his baby next season.
Roche also finally tells Layton why he was kidnapped: there’s been a murder on the train, and Mr. Wilford forgot to pack a homicide detective! It's a good job they treated the one they had in storage for 6+ years so nicely!
Back in the Tail, Miles tells Josie that he packed Layton’s worldly possessions: a book, a chain, a spoon, a photo and a badge. Miles also says that people don’t come back to the Tail. Perhaps this is supposed to be true, but my main takeaway is that the kid needs to listen more carefully to Old Ivan’s story about fixing a piano once.
From Miles and Josie's cosy chat, we cut to a frozen, dismembered torso stashed under the floor. Osweiller’s a dick about it. Till uses her Cop Skills to give Layton the details about the murder victim, Sean Wise. Then, she asks the great universal question:
Layton, quite rightly, cannot fucking deal with these incompetent baby cops. He walks off.
Osweiller tries to tell a joke, but unfortunately he’s no better at stand-up comedy than he is at law enforcement. Instead of asking for constructive criticism of his work or graciously accepting his small failure, he decides to deal with his disappointment by kicking the shit out of Layton. If only there was a train therapist in episode 1, to help him deal with his complicated grown up emotions!
Till does a half-assed job of getting Osweiller to stop kicking the shit out of the only surviving homicide detective in the world. However, before she's particularly successful, they get caught by their dad boss. He tells them they’re grounded for a week and sends them to their room the Tail.
Next up: some more exposition! It turns there was another dickless murder victim two years ago. Uh-oh! Before he'll consider doing his pre-freeze job for the people who have kept him in slavery for the past 6+ years, Layton asks for some basic human rights for the Tailies. Instead, Roche gives him a xenophobic anti-Tail rant.
To make things weirder, iiiiiiit’s creepy doctor time! Klimpt is brushing someone’s hair with his pants half down, and that’s all I want to ever say about that scene.
After some uncomfortable chit chat with Klimpt, Melanie tells Layton that, if he can prove drawer prisoner Nikki’s innocence, then she’ll give him a job he doesn’t want and move him away from Josie and Miles! She might know a lot about engineering, but our girl has some things to learn about bribery.
Roche then takes Layton to Snowpiercer’s queer, poly commune: The Chains. He calls the people living there a bunch of freaks, to remind us that he’s even more of a dick than his son employee. Layton meets the murder suspects, who are Sean Wise’s partners and... surprise! One of them is Layton’s ex-wife, Zarah!
Layton finally does a bit of detective work, and pieces together that Zarah must have been the one who told the cops that there was a spare homicide detective stored in the tail. He wants to question her first. She kisses her partners goodbye and, spoiler alert: that’s the last we ever see or hear of them again!
Layton and Zarah quickly cover why she outed him as a cop, and then they get into the real argument that’s been brewing: he’s pissed at her for taking the upgrade to third, and she’s pissed at him for making them survive the apocalypse just to live in the tail. They shout at each other for a while, and this might be Zarah’s best scene in the whole damn show? He takes a dig at her for moving on, to which she retaliates that he probably “bunked with Josie the moment [she] was gone.” He denies it, and then we cut to… Josie, holding Layton’s possessions, in what appears to be their shared bunk.
Pike’s got his tin foil hat on and visits Josie to accuse Layton of knowing all about the kidnapping. He makes a vague threat that doesn’t make any sense. Then, he asks her if she gets it, and she replies that she got it all. After watching this episode four times, I still don’t get anything! Seriously: what is going on in this scene?
In Ag Sec, despite the fact that Layton was in handcuffs and under military guard earlier that day, Roche is now happy to allow his charge to crash a school trip unrestrained. Layton accuses Melanie of using Zarah as leverage, but Melanie brushes it off: she just came here to talk about her strawberry garden and give Layton a load of useful information about how the train works.
Downtrain, the Tailies are singing. It’s Old Ivan’s birthday! In true grandad style, all he wants for his birthday is some peace and fucking quiet. The Tailies leave him alone for a few minutes, and Ivan plays some Rachmaninoff from a smartphone that’s juuuust about still working. Miles mimes along to the piece on a mockup of a piano keyboard, some other people dance together, and everyone seems about as happy as they could be under the circumstances.
Then, the music stops.
Because Ivan used the phone charger to hang himself.
How does a TV show bounce back from a graphic suicide scene? Nudity!
Jinju goes for a swim in the aquarium car wearing nothing but a knife strapped to her thigh, like some kind of Scandinavian royal. Apparently she didn’t want to borrow one of Lilah Folger’s sauna bathing suits.
There are a lot of shots of naked asses in this show. Let's count them!
Jinju has made some lovely, fresh sushi to share with her boss. Melanie - because of course she does - immediately enquires about Jinju’s love life.
Who is the head of HR on this train, and why aren’t they keeping better tabs on Melanie Cavill?
Mama Grande tells the Jackboots about Old Ivan. Melanie makes an evening announcement. The revolutionaries get kitted up. And then, it all kicks off.
Till and Osweiller (who are still grounded working their double shift) come into the tail to collect the body. The tailies walk around the body to say goodbye. Osweiller’s a dick about it.
Josie, proving that she’s one of the few characters with any common sense, hides her face with a bandana.
Till and Osweiller go to move the body, and surprise! Z-Wreck switched with Ivan! He swiftly punches both Brakemen in the face, and the revolution begins.
There’s some cool fighting, but it’s all far too dark and fast for decent screenshots. One of the Jackboots picks Osweiller up by his collar and tosses him from the tail like a Simpson's character being thrown out of Moe's bar.
Till, meanwhile, is dragged back by the tailies. They’re right: of the two Brakemen available for hostage taking, she’s definitely the most tolerable.
The revolutionaries block the doors with ramps. At first, I can’t figure out why that’s necessary. Then, Strong Boy runs up the ramp and launches himself out of the Tail, landing with his fist in a Jackboot’s face. It all becomes clear, then: the ramps are for dramatic effect!
Apparently nobody sees any reason to prevent a five year old child from running through a battlefield. So, Winnie watches Strong Boy slice a Jackboot’s hand off, and then races to pick it up. She makes it all the way to the next doors, chips them open, and squeaks in terror. She’s met by a solid wall of navy and black uniformed Jackboots, punctuated only by Grey’s ever-helmetless head.
Melanie is about to enjoy her leftover sushi, when an alarm starts ringing.
She does what we’d all do in that situation: she leaves her fancy dinner on a random windowsill, and goes back downtrain.
Grey wants to use Layton as a hostage to get Till back, but Melanie arrives just in time to remind him that, actually, they need the detective uptrain to solve the murder. Instead, Layton is appointed as lead negotiator. They send him in to talk with his comrades, unsupervised. Great plan, guys!
For a reason that I still cannot fathom, Pike, Z-Wreck and Strong Boy apparently decided to bring their hostage out of the Tail. Till is, as she so often will be in this show, covered in blood. Layton and Pike have a standoff, until Layton finally comes up with a plan: he’s going to harm the hostage! He also sees an opportunity to get rid of Pike, and suggests that he, Strong Boy and Z-Wreck surrender themselves to the drawers. Ruth and Grey don’t think it’s enough, but after a bit of haggling, they land on a compromise: Grey won’t kill any more tailies if Layton solves the murder for Melanie, and Ruth takes "a significant arm" in the morning.
And now, finally, Melanie can eat her damn sushi! She chips into her validatingly-messy bedroom, gets out of her work uniform, and puts on a hoodie. Then, she walks into the engine and grabs a drink. She tells someone - who at the time we do not know is just Bennett - that he’s in her chair. They have some flirty banter, and I am yet again left wondering about HR on Snowpiercer.
And then, after a mouthful of sushi, we get one of the best reveals I’ve ever seen on TV:
And that’s it! The end of series 1, episode 1!
#snowpiercer#snowpiercer s1e1#snowpiercer 1.01#snowpiercer recap#incorrect snowpiercer recap#snowpiercer season 1#snowpiercer rewatch#snowpiercer netflix
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Questions to Help World Build
I’ve realized I have a big problem with my writing. I am awful at world-building. Like, I just start writing without thinking about the world. And since I write fantasy. Well. That’s pretty no bueno and leads to all kinds of problems down the road. So I did some brainstorming with my friends and we created a list of over 100 questions to help think about our stories’ worlds and make them more concrete. Thanks to everyone who chimed in and gave me a hand!
A traditional Japanese clock, wadokei, that counted hours from 9 to 4, starting from sunrise, and then starting once again from sunset. (1-3 were not used for religious purposes.) They’re super interesting and confusing. You should definitely check them out.
Temporal
Is your story set in the past, present, or future?
Specifically, what year(s), month(s), day(s)?
Are days 24 hours? Or does time pass differently in this world?
How many months are there in a year? Is it a seven day weekday? Does the concept of weekends exist?
Have most existing societies developed a timekeeping device?
Is there a way to communicate across long distances?
The concept of time zones is still relatively new to our world. Prior to the late nineteenth century, timekeeping was a purely local phenomenon. Each town would set their clocks to noon when the sun reached its zenith each day. Do standardized time zones exist across the world?
Geographical
From a planet perspective, is it Earth? If it is not Earth, or an alternative version of Earth, what is it like? Is gravity the same? Does it have a moon or multiple moons? Can you see other planets? Is it closer or further from the sun? If so, what impact does that have on the climate and passage of time?
What town, state, region, country, continent, planet does this story take place in? What are its bordering/nearest neighbors? Draw a world map if you want.
What kind of land is it? Landlocked? Mountainous? Along the sea? Desert? Tundra? Tropical forest? Plains? Agricultural? Industrial?
What kind of plants and animals are common to the area? Are there any that do not exist in the real world?
What are the most common crops and livestock in various regions? What geographic features influence certain regions ability to grow/raise their crops and livestock (positively and negatively)? Are the regions diets strongly influenced by what they are able to grow themselves, or do other circumstances (like strong international trade) allow them to have more varied selections? How does religion influence what is considered ‘normal’ to eat?
What, if any, natural disasters are common to the region? Earthquakes, floods, tornadoes, monsoons, blizzards?
How many seasons does it have? Are any longer than others?
What is the typical weather like for those seasons?
Does the region have any unusual geographical features that set it apart? Perhaps there is some weird thing like Devil’s Tower just chilling out. Or hot springs because of volcanic activity?
Is it easy to travel from place to place within the area? Is it difficult to travel because of terrain/technology issues, or because travel is strictly regulated?
Main Locations: Cities
Many stories take place within one city. In Neil Gaiman’s Sandman, a character remarks, “So, if a city has a personality, maybe it also has a soul. Maybe it dreams.” What personality does this city have? What soul does it have? What does it dream of when it slumbers? If your story takes place within a settlement, town, or city, give these questions some thought.
Exactly where is it located within the lands you conjured up in the above Geography questions? Does it have a bay? A river? Does it butt up against mountains? Draw a map of the city.
How big is the city? Is it compact, or sprawling?
How old is the city?
What is the history of the city? How did it come to be? What tumults and triumphs has it seen?
What is the population? Is it currently increasing, decreasing, or remaining the same?
Does the town have any claim to fame? Any tourist attractions? What are they? What’s the story behind them?
If it’s a big enough city, how many and what kind of districts does it have? Residential, Commercial, Industrial, etc. Where are they?
Are there any areas that are deemed unsafe? If so, where are they and why are they unsafe?
Is there public transportation? What kind, bus, tram, train, subway, monorail? Is it good?
How do people get around this city if not by public transportation?
Are the roads narrow or wide? Crisscrossing in a methodical grid or higgledy-piggledy?
What are the buildings like? What materials are they made of? If they’re wooden, are they new wood, old wood? If they’re painted, what colors? If they’re stone, what stone? If they’re brick, is it new red brick or blackened, crumbling brick? If they’re glass and metal, are they sparkling with new hope or dull and jaded?
Are there many skyscrapers? Or are most buildings 1-3 stories tall? What does the skyline look like?
Are there many parks?
How is the city powered? Coal? Hydroelectric? Wind? Nuclear? Has it always been so?
What is the city’s main source of revenue? Agriculture? Tourism? Manufacturing? Mining? Something else? A combination? Dive deeper into this. If it’s agriculture, what do they grow? Tourism–what is famous? etc. This will help to determine what a lot of people do for a living.
What are the demographics? Ethnicity, age distribution, distribution of upper, middle, and lower class, etc.
How many schools are there? Universities? Are any of them good? Do they specialize in anything? Do schools even exist? Perhaps there are clans that teach their children everything they need, for example, or education isn’t viewed as important.
Are there any particular landmarks within the city that standout?
How many and what kind of restaurants are there?
Are there supermarkets, open air markets, or both?
Where do young people go to spend time? What about adults?
Do people there bustle or do they amble?
What are the nights like? Does the city grow quiet, or does it grow rowdy?
What does the city smell like?
If you had to give your town a color, one that represented its personality, what color would it be?
Main Locations: Houses (or buildings, but mainly houses)
There are many stories that have a house or headquarters or hospital or some sort of building as their main setting. These questions will mostly be geared towards helping you figure out a house, but you can apply these to other buildings too probably.
Exactly where is the house located within the city or outside the city? How does your character usually get there? Draw a map.
What year was the house built?
Was this house built by the current family or their ancestors? Who else lived in the house before the current dwellers? What were they like? Did they leave their mark on the house somehow?
What style is the house? Bungalow? Cabin? A shed? A cave? (makes the following questions mostly useless if so lol)
How many stories is it?
What is it made of? Wood? Brick? What color is it?
Does it have a lot of windows?
Are the curtains usually open or drawn? Are thee curtains at all?
What does the front door look like?
Is there a porch?
You enter the front door. Or maybe you don’t. Maybe you use the side door because the front door is for show or something. Anyways. You enter the house. What room do you step foot into?
Draw out the floor plans for each floor. How many rooms are there? Where are they? How big are they? How are they connected? What color are they? What style of decor?
Is there a basement? Is it used or is it just a home for spiders and darkness and unwanted things? How about an attic? Crawlspace?
How many bathrooms?
Are there any rooms that only certain people are allowed to enter? If so, why?
What is the flooring? Carpet? Wood? Tile? Linoleum?
What does the house smell like?
Government/Military/Economy
In other words, “the boring stuff,” if you ask me. But this is a very important aspect of any world.
What sort of government is in place? Democracy, oligarchy, etc? Is it a just or corrupt government?
How are goods exchanged? Bartering? Money? Coins and bills? Credit cards? A specific kind of sea shell? Lol
What are the police like? Strict? Lax? Is there a curfew?
Do taxes exist? If so, do the people feel as though they are heavily or unduly taxed?
Where is the intersection between theology and law? Is it common to have religious leaders in positions of power? Are laws based around religious ideology, or is there an effort to keep them separate?
Is there an organised structure devoted to halting criminal acts? Are they corrupt? Who runs the organisation? How does their reputation change based on demographic? What is the history of the organisation, and how does that history influence how it operates today?
Regarding potentially criminal acts, what is the elgality of prostitution, sex work, ect.?
What about drugs and other illicit substances? Alcohol, illicit drugs, recreational use. Legality, festivity, age limits, etc.
Underbelly. How prevalent is crime, what sort of crime (scaled from pickpocketing to human trafficking) is there? Are there areas that have bad reputations because of it?
Regarding war, are there currently conflicts in the world? Are they international or civil wars? How common is it to have an active war? What is the history of war? What does current warfare look like (Is it dudes in metal suits swinging swords? Have longbows been invented? Gunpowder? Tanks? Missiles?) Is military service mandatory or voluntary? How is the military seen? Is there a sense of patriotism for the military, or does the common man fear it?
Is there stigma around certain genders entering the military? Are come genders regarded as better recruits than others? Is it illegal for some genders to enter the military? Does a person's sexuality affect their ability to serve?
How has religion influenced war? Have there been holy wars in the past? Do any religious institutions hold their own military forces?
Cultural/Historical
I’ve put these together because events in history lead to cultural change. You can apply these questions not only to the world/country, but also the city or even the neighborhood, workplace, or school that your story takes place in.
What is the history of the region? Who was it settled by? Was another group of people displaced? After that, did any new cultures come in? Did they get along?
Were there ever any wars or serious conflicts in the region? What was the cause and what was the outcome of the war if there was one?
In our world, the internet, social media, and film/tv are massive cultural drivers. They determine the latest fashions, jokes, topics, and expressions. What are the big cultural drivers in your world? Books? Plays? Radio? Oral tradition?
Is it a collectivistic or individualistic society?
What languages are spoken by your characters? Is multilingualism common?
What sorts of cultures can be seen? Do any clash? Do any mesh?
What sort of foods are most common?
What superstitions do people hold? Is there a version of “knock on wood” or throwing salt over your shoulder after a funeral? What are the roots of these superstitions?
Are there religions? If so, what are they? Do any conflict with each other? Are zealots or extremists an issue?
Does slavery or indentured servitude exist?
Are there any class or caste systems? If so, what are they, and what does an average day look like for a member of each class/caste?
How does a person's appearance change from country to country? Do certain countries have very distinct fashions? If so, are the fashions influenced by religion, surrounding countries, the cultural majority or international trade partners?
How does a person's clothing relate to their social standing? Is it very easy to assume someone's roll by appearance alone? Are there punishments for dressing above or below your social standing?
Does the society place a great deal of importance on a person's presentation, or is the society more lenient on such things?
Is there an emphasis on conformity to a dress code, or is individuality encouraged? How strictly is clothing regulated by gender binary? Is it commonplace to see a man and a woman walking down the street in the same cut of clothes? Is there a social stigma when a person does not conform to the most common form of dress for their gender?
How are sexual rights viewed? Does the LGBTQ community have the same rights as people outside the community? How are sex acts between people of the same sex viewed? Is it legal? Taboo? Are there cultures that encourage those relationships in some circumstances (like how the romans were down with guys with guys in the military)?
Are there any groups of people that are victims of prejudice? If so, who are they, who holds these views against them, and what views specifically are they?
In regards to gender, do certain societies hold differing beliefs? Is there a commonly accepted number of gender identities or does it change regionally? Is the most common gender spectrum a binary, or do certain racial and cultural differences allow for a wider range to be seen as the baseline?
Are children raised by their biological parents or are children considered to be in the care of the wider community? Is it common/acceptable for extended family to raise children, such as parents needing to study, work, or serve time in the military? Is adoption a common thing in society? Is there a stigma around adoption/being adopted? Do cultural or religious views impact how adoption is seen by the wider community? What is adoption like for a single perspective parent? When adopting, is interracial adoption accepted/common, or is it seen in a negative light? Are some societies more open to adopting children outside of their own race?
How is sex and virginity viewed? Does religion influence it? What is the age of consent? What is appropriate on a first, second, third date? Is sex something that is talked about openly, or something taboo? Are you supposed to wait until marriage? Do couples stay monogamous while dating? Do some regions place higher importance on virginity than others? Do some place higher importance on one gender’s virginity than others?
How is marriage viewed? Are arranged marriages a big thing, or are people free to choose? Is monogamy common? How is a marriage symbolized? A wedding ring, or something different?
How is divorce viewed? What is the divorce rate? Can people remarry?
Magic and the Supernatural
If magic or spooky stuff doesn’t exist in your story, disregard this section.
Does magic exist? If so, who can use it? What are the limitations to their magic? What things are they capable of using their magic to do? What things are they incapable of doing?
Are there laws against what kind of magic can/cannot be used? What sort of laws? Who enforces them? What are the punishments for breaking said laws if they exist?
How does the existence of magic affect religion? Are there religious institutions that infuse magic into their worship? Are there religious sects that see magic as immoral and in direct opposition to their faith? Have there been conflicts in recent or ancient history between religion and the supernatural? Do some sects employ people to hunt and/or enforce law over the supernatural?
Assuming that magic does exist, is it taught? Are there different schools of magic? Is there a system of ranking for magic users based on their skill level?
Do non-magic users look towards magic users with respect or fear?
What role does magic play in this world? Has technology not advanced because magic solves many problems? Or has technology advanced and the use of some magics has become unnecessary?
Are there any mythological creatures/monsters, such as vampires, demons, skinwalkers, dragons, or other creatures of your own creation? Are they common? Do people believe in their existence? Do people worship them? Where can they be found? Do they interact with humans? Do humans fear them or try to put up with them as they do nature?
Do the dead continue to exist in some form, such as ghosts or zombies or the like? Can the dead be summoned or brought back to life?
Are there human/supernatural hybrids? Perhaps a half-demon half-human, for example? How are these people viewed by their peoples, and by society as a whole?
How has the supernatural influenced war? Do armies tend to have a mix of regular and supernatural soldiers/weapons? Have there been wars between the supernatural/magical and those without? How does magic influence a person standing in a mixed army? Is it more likely for a magical being to be promoted than a non-magical being? Conversely, are supernatural being forced into service and seen as pawns?
The End!
Please feel free to reblog and share, and add on any questions you think should be added!
#worldbuilding#world building#creative writing#writing fiction#writing tips#brainstorming#creative writing methodology#writing prompt#writing exercise#writing prompts for friends resources#long post#writing inspiration#writing prompts for friends
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Ouran High HCs
For the fifteenth birthday of one of my favorite romantic comedies, and the day that I started watching said romantic comedy with my boyfriend who is relatively new to anime it got me thinking about these characters and how wonderfully diverse their personalities are. The show has 100% chaotic energy and I love it so much. I wanted to look at every major character in the host club (Haruhi, Tamaki, Kyoya, Hikaru, my favorite twin Kaoru, Honey-senpai, and of course Mori-senpai.) using all their personalities and make some head-canons for favorite group of crazies!
Haruhi:
- She/they icon, we stan
- Always preferred to wear more masculine clothes growing up, they were less expensive than the feminine ones. Plus she felt more comfortable in a pair of shorts as opposed to a dress.
- A very active child, she was always running around her neighborhood, going to the park and doing things with her dad.
- Her dad taught her everything that she needed to know about makeup once she became a member of the host club.
- She worked a part time job in order to help her dad pay the bills and to get food money.
- She thought that she was arosexual before joining the host club. Despite the confessions that she got in junior high they either went entirely over her head or she told them that she was too focused on her studies for romance at that time. Of course all that changed when she met our favorite blonde haired himbo goofball.
- She did wind up taking the conversational French with the twins and often times they'll slip into it for practice. Of course, Tamaki always understands when they talk shit about him so they just do it to mess with him.
Tamaki (my favorite):
- Bisexual king, honestly I love that for him out here living his best life.
- He didn't have much of a childhood between constantly needing to be there for his mom and make sure that she was healthy and okay. It's why he made the host club in the first place to live out his childhood that he was robbed of.
- Is actually way smarter academically than most people might think. If you were to look at the class grades he's always right behind Kyoya. He dedicates a lot of his free time to studying. He's not inherently stupid, just naive.
- His mom was the one that got him into cosplay by introducing him to the various kinds of fabrics. It stemmed into a personal interest that he could lose himself in and distract himself from the loneliness.
- He practiced flirting on Kyoya back in middle school for the future host club once he had his heart set on it.
Kyoya:
- In the words of the great immortal J Michael Tatum "Kyoya is probably gay". It was something that didn't even occur to me until I watched him do an Ouran panel and then I was like holy shit the king makes a good point.
- While Tamaki was his gay crisis, he quickly realized that he would spend forever pining after him and eventually shelved his feelings. Tamaki was his best friend and that was more important to him than his feelings.
- Kyoya has always been a really keen observer of people's true intentions. He's excellent at reading people and knowing what they want from him. The only people he has never been able to read perfectly are Tamaki, Kaoru, and Haruhi.
- He originally didn't want to be a doctor but he eventually wanted to prove himself so badly that he told his father that he would surpass his expectations no matter how high they were.
- Doing background checks on people is fascinating to him. It's not just for blackmail purposes but he likes learning people's weaknesses. He's also an excellent chess player.
Hikaru:
- The definitive over protective sibling. Anybody hurts Kaoru they will wish that they were dead. Kaoru is the most important person in his life and he would do anything to protect him.
- His tsundere tendencies come from a place of wanting to protect those he loves not out of anger.
- While he is begrudgingly worse at letting in other people once you fight your way through his walls he's actually a really amazing friend and s/o.
- His love of the fashion industry stems more from the model side of things than anything else. He can't design anything of his own to save his life.
- He never cared about any girls in his life before Haruhi came into his. Even though he didn't know how to deal with his feelings she was the first person who ever really showed that she cared about him.
Kaoru (my preferred Hitachiin sib):
- One big gay disaster that is absolutely crushing on Kyoya (I just learned about this ship today and it has stolen my life juice.) To blush when he's working with Hikaru to please the ladies all he has to do is think of Kyoya in his brother's spot.
- Is the far superior designer that can actually make really beautiful clothes. Most of the costumes that are worn by the club are designed by Kaoru.
- His hair is a lot softer than Hikaru's even though it's the same style, hair product and everything. I think that his would be more poofy and Hikaru's more spikey.
- Kaoru has always felt like he had to work harder to be like his brother that when you spend time with him alone at first it will be almost like you're talking to a replica of Hikaru and not a separate entity. At first it's a little bit awkward but once you get him out of his shell you find what a sweet and amazing person he is.
- Kaoru is an incredible skateboarder. He loves the feeling that he gets from the wind in his hair and designed his own skateboard. A lot of his hobbies outside of the club are athletic related causing him to have a more defined body than his brother since Hikaru is basically a cat.
Honey-senpai: - If this boi could make cakes and pastries for a living without the threat of eating them all he would make the best sweets. He knows when something is just the right amount of sweet and when something is too sweet.
- He learned martial arts to be stronger because he knew that people would try to take advantage of him due to his childlike nature.
- Honey had a fight with his grandmother before she passed away over something completely selfish. That is why he is so attached to Usa-chan.
- Him and Mori were always really close, even as children and understand each other better than anybody.
- His constant animosity between him and his younger brother is because he feels like he is constantly being babied due to his personality.
Mori-senpai:
- Mori has autism. He is also selectively mute. I'm sorry I don't make the rules, the show itself gives them to me.
- Looks like a tough guy but in actuality would give the best hugs. I want a Mori hug. Haruhi probably gets the most Mori hugs because he is immensely protective over her.
- Aro-ace baby but gives the best platonic cuddles to any of the club members that are having parental issues.
- While he prefers spicy over sweet he does have a sweet tooth at random times of the day. Has been sighted at a local Cold Stone five minutes before closing in the dead of winter, while it's snowing outside by Kaoru and Kyoya while they were trying to find a place to get warm while out on a date.
- He actually didn't start his athletic endeavors with kendo, he started with ballet and gymnastics when he was really young.
And that's all my head-canons for the day! Happy anniversary to my favorite ridiculous throw everything against the wall and see what sticks to it romantic comedy. I hope that one day we will either get a season two or at this point it would be better to just do a hard reboot. Hoping that one day we will see our boys animated in high definition, even though I feel like an HD Tamaki would definitely kill me.
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Golden Kamuy chapters 269-270. The cliff notes meta edition.
This will be a less detailed meta as I’ve just been spread too thin recently and the current events of the manga have been underwhelming to me, making it harder to engage with the content.
Having an online presence has been a double-edged sword for me and as we mark 1 year of pandemic life, it is hard for me to invest as much time in it since I have to do so many more things online for work. Sitting down to write meta isn’t as fun and relaxing as it once was when you have 7 zoom meetings over the course of several days. Add on the fact that I have not left the county were I live since February 2020 nor I have a seen any of my family or friends . . . yeah writing meta isn’t a much of a priority. As an aside, I think more people need to be stating that being ‘productive’ and ‘leveling up’ during these times is either unrealistic and even more damaging by creating completely unrealistic expectations of how we should respond to things.
[steps off of soapbox]
Chapter 269, quickly shows us how the chaos that Tsurumi unleashed on the divided Ainu resulted in a tragedy and Wilk is the only one who managed to survive the massacre.
Tsurumi is able to sort out that there were eight Ainu, and that Wilk staged his own death by working quickly to conceal the identity of the dead partially by removing the eyes.
Kikuta is the first one to find the man who dies soon after discovery and Tsurumi seems to be in awe of Wilk’s escape plan.
KIkuta also shows he’s a more empathetic individual worried about how they contributed to the death of Ariko’s father. Did Tsurumi push Kikuta away after the war since he knew Kikuta would feel bad about doing the ‘things’ needed to be done for the gold?
It further highlights that Usami and Kikuta were never on the same page. I do like how the following page shows both Kikuta and Ariko continuing to tie the narrative that Kikuta feels a connection with the younger man. Shiraishi and Sugimoto spot Ariko, calling him Ariko Ipopte, which is an interesting choice to use a hybrid name for him. Kikuta uses his full Japanese name, while these men use a mix.
The final panel showing a reflective looking Kikuta walking alone in the rain really emotional connects with the grief surrounding all of this unnecessary death. Tsurumi sought to be a leader of men by giving them love and being the stand in father for them. I think that Kikuta is the character who is the natural and honest father figure - we know he has a deep relationship with Ariko and we also know he has some sort of connection to Sugimoto.
Tsurumi continues his ‘discussion’ of events with Asirpa and Sofia. Tsurumi has such a complicated relationship with Wilk. He’s both in awe of the man’s determination to survive but at the same time he wanted him destroyed at such a great cost.
Tsurumi really lays on the guilt to Asirpa that Wilk did everything to protect her - under the assumption that she’d be unfairly treated if her father had killed all of those men. Perhaps that is the case, perhaps not. It seems contradictory to his own actions where he gave Ogin and the Lighting Bandit’s child to Huci to care for it. He has this weird approach to the impact of the ‘sins of the parents’ on the child . . .
Tsurumi doggedly pursues Wilk and they immediately recognize each other and he flees onto the lake with his canoe. By shooting at Wilk, he forces him to capsize the canoe and items sink down into the lake. Honestly, I’m not sure what Tsurumi was hoping to achieve by this - make him swim so that he could capture him more easily. We don’t know how skilled Tsurumi is with a rifle and I’d be more concerned about killing Wilk and loosing the information. It seems reckless in my opinion since the ultimate outcome was Wilk appealing to Inudou thus achieving protection from the 7th.
I think Tsurumi was fueled and blinded by his emotions which only made things more complicated and drew the hunt for the gold out even longer (to the present time).
The rest of the chapter explains how Kiro felt. First, the grief at the loss of Wilk, trying to move on my having a family, but ultimately coming back to realize that Wilk was still alive after the war. Really, Wilk underestimated Kiro’s intelligence since he figured out that Kimuspu was the seventh man, not Wilk. As a Kiro fan, I of course favor him, but he really showed he’s a good leader and actually willing to take risks. What is most important is that having a family only lead him to want to fight for them - even more.
Kiro sees the flaw in Wilk’s plan of Hokkaido as an independent unit as a place for various native peoples, while ignoring all of the logistical issues that Kiro already pointed out to him previously. The Far Eastern Federation has the flaw that it is connected by land to Russia, but would me much harder to lay siege to. But Hokkaido as an island could easily be cut off - and with not much industry within itself, you still can’t do a whole lot with all of those raw materials if you can get industrial technologies from elsewhere. If it were blockaded they’d be screwed. Sure, you wouldn’t starve, but you wouldn’t be able to advance quickly. All that gold and nowhere to spend it.
Thus, Kiro believed he was acting in regard to their original goals and had no choice but to remove Wilk from the equation. As Wilk had become the very wolf that he had observed as a child and played with its pelt. That is some next level foreshadowing by Noda, if I do say so.
In the end, Kiro remained much more committed to their fight as partisans than Wilk did. You have to give it to him, he stuck to his original plans and he died believing he did the right thing. Now, looking back at how upset Sofia was when she first saw Kiro, we know why she slapped him in the first place. I’ll take it to mean that she was upset by Kiro’s actions but at the same time understood what he did. But then Sofia let it go, as she would soon go on to also speak fondly of Wilk and his desire to be like the wolves. Therefore, I don’t think Sofia was completely angry with Kiro, instead she knew the decision that was made and perhaps, she too, would have understood that there were divided in their goals once they moved on with their lives.
The next chapter starts off with the bottle mobile boys and Ariko on horseback as they determine what to do next. Sugimoto is amazingly still not rushing in like a maniac which is out of character for him. Are you okay Sugimoto? Or have your encounters with Kikuta and Boutarou begun to have an impact on you without being aware of it?
The settle on letting Ariko go ahead, even though he doesn’t answer their question. I’d say he doesn’t have a clue what side he is on. He likely cares about Kikuta. But he wants to see Asirpa succeed since he feels ashamed by his own approach towards life in Hokkaido as an Ainu.
Off he goes alone to figure out how to rescue Asirpa. Really, a terrible idea since sure he’s a tough guy, but we don’t know what his fighting skills are like in the first place. . . . At least he isn’t a hothead, so sending him in alone will be less of a disaster than Sugimoto.
The action returns to Tsurumi trying to turn up the heat on Asirpa. She asks him about Kiro’s fingerprints at the crime scene - a lie that Tsurumi fed to Inkarmat to get her to help him. He writes it off as him doing a good thing for her - she closed a chapter of her life - then again - he doesn’t know that Koito let Tanigaki and Inkarmat escape. The next several pages are a slow psychological technique that builds up to Tsurumi reveling that the bullet that killed Fina and Olga had been from Wilk’s pistol. Dum da duuum!
So, according to Tsurumi it is Wilk’s fault all those Ainu died. That he should have never left Russia for Japan. That even his time in Russia resulted in Fina and Olga’s deaths. Everything is Wilk’s fault!
This page ends with how Tsukishima let go of the woman he had loved and his memory of her - yet Tsurumi kept the bullet and the finger bones of his family! We can see that Tsukishima is barely holding it together, so upset by this knowledge!
As a master manipulator of people, Tsurumi thanks Sofia for what she has contributed to the story - he can help her feel better by telling her that she did not kill his wife and child. . . . on no, he only uses it as a way to add even more pressure on Asirpa!
To Tsurumi, Asirpa is no child, she is the direct tie to all of his anger and pain and his twisted soul.
I mean, he kept Wilk’s skinned face and he’s using it to get her to break! What is more interesting is after the initial shock, Sofia quickly regains her calm while Asirpa - well she’s clearly buying into Tsurumi’s explanation of things.
She is thinking about how her father ‘turned’ Tsurumi into the person he is before her . . . . I’d be willing to say that Wilk influenced Tsurumi - as much as Tsurumi influenced Wilk. Yet, Tsurumi as a human being is responsible for his decisions and he alone can respond to them in a constructive or destructive way. It is clear Tsurumi went for the latter.
Sofia’s calm in this pressure situation is clear as she asks him if it was for revenge. She’s a smart woman and has lived long enough to see these types of things through.
Tsukishima is ready to kill Tsurumi - it would make him a hypocritical leader - having him let go of his own earthly attachments only to serve a man bent on revenge. Koito is listening closely as well, unsure of how he’s going to respond.
Tsurumi makes it clear he could have killed Asirpa any number of times. I think this is another case of Tsurumi playing a verbal slight of hand. He’s asked if he’s doing this out of revenge, and his answer is - I haven’t killed her yet. Gee, based on how messed up you are Tsurumi, we both know that there is more than one way to take revenge. Killing someone in retribution is one way to take revenge or the worse way - make their life a living hell. It is clear that Tsurumi is going for the second one to break Asirpa.
There is a dramatic two page spread as he explains that he is doing this for Japan - and the implied increasing militaristic activities of the late Meiji government to expand their domain.
If feels - like a performance to me as a reader. The pages are remarkably light in tone giving it an optimistic and feeling of purity. Yet, Tsurumi is a broken and corrupt man . . . cruel in his intentions. He only says this as a way to combat anyone who were to contradict him . . . .
It is too perfect - too convenient - too good for Koito and Tsukishima to believe in my own opinion. As both of the men seem relived to have heard these very words as a type of closing statement.
Tsukishima looks relived that Tsurumi is continuing on the behalf of all of their fallen comrades and families. Again, this sounds too perfect like Tsurumi’s speech isn’t for Asirpa nor Sofia, it is for Koito and Tsukishima who are eavesdropping. Since Tsurumi is a next level planner/manipulator he likely came up with this well rehearsed speech to placate all issues around his inability to move on from his family’s death. It makes him look mature and that he’d moved on from his more basic human needs.
Koito looks like he’s trying really hard to believe Tsurumi and how Tsurumi’s words would comfort Tsukishima. But is that how you really feel Koito? That face looks - so - fake. Like Koito is overdoing it again and is actually unsure how to react. So, he he looks elated, Tsukishima will feel better - or something.
What I really want to know is why they are just there hiding and watching Tsurumi? If they are wanting to think independently and beyond Tsurumi why do it while hiding? It seems no matter what either man may think, they are still under Tsurumi’s thumb as far as how they react to his behavior and the current events.
And I’m gonna have to hold things here while I find a way to read the more recent chapters with non-shady software to decompress the files since I’ve been using Mangadex the entire time I’ve been reading GK (in addition to the english versions of previous chapters).
#golden kamuy#golden kamuy meta#asirpa#tsukishima hajime#koito otonoshin#kiroranke#tsurumi tokushirou#sofia#wilk#sugimoto saichi#Shiraishi Yoshitake#warrant officer kikuta#ariko rikimatsu
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Sleeping Beauty Missed Opportunities
I watched Disney’s Sleeping Beauty about ten days ago and I actually loved it a lot. The aesthetic is lovely and the music is absolutely ethereal, there was some awesome comedy and Maleficent remains such a cool villain even if she is not particularly competent at it, Phillip is probably the best Disney prince ever and I got all nostalgic so it was a great experience. I couldn’t help but notice a couple of things that had so much potential had they been explored and now I am going to write them out because they will simply not leave me alone.
- The fact that Flora’s gift to Aurora was beauty annoyed me a lot. So you’re telling me that her beauty is not only not natural, but it was also pretty much a gift wasted since it literally never played any role in anything. Aurora grew up in isolation so she could have looked as Godzilla for all anyone cared and it wouldn’t have made a difference. And to top it all, her beauty also does not play a role in Phillip falling in love with her because he falls in love with the beauty of her voice at first. It would have been much better if she was naturally pretty (as opposed to supernaturally so aka magically induced) and Flora had given her another gift. I suppose that since she is named Flora, she has something to do with flowers which is why her gift to Aurora was beauty. After all, flowers are there to look pretty and not much else. But I think it would have been a better idea if her gift to Aurora had been that of a nurturing touch that makes it so that Aurora nearly gives life to plants by just touching them. Animals are trickier but she can still heal and nurse them back to health with a little more effort. That would have been in contrast with Maleficent’s whole “kingdom” (aka the Forbidden Mountain) decaying and being in ruins and would have gone better with Fauna’s gift of the soul.
- In the scene where Maleficent appears to the Christening, it is Merryweather that tells her she was not wanted. Granted, the king and queen did not object to that but it was obvious they had already pissed off Maleficent so they probably didn’t want to get on the wrong side of the fairies whose benevolence they still had. When you think about it, though, it was Merryweather who escalated the situation into a disaster that could not be saved so my thought was that it would have been interesting to have learned a little bit more about the fairy ways and the conflict between the Three Good Fairies and Maleficent. Obviously, Maleficent has high social status since even the queen called her “Your Excellence” so the decision to not invite her to the Christening was weird and ill-advised. With a little more background info on the fairy business we could have witnessed the dilemma of the royal family that is caught in the middle of a feud they have nothing to do with aka having to choose which side to invite and risking to draw the wrath of the other upon themselves. It could have been interesting to see what would have happened if they had invited Maleficent instead of the Good Fairies in fear of what she could do if they didn’t only to have the Good Fairies paying them back for the disrespect but that would have changed the plot too much so it is probably best to explore as an AU.
- The consequences of King Stefan’s decision to burn all spinning wheels were never ever shown and that was such a great waste. The fact that the target audience is kids makes it a little bit more understandable, of course, but this could have made for a great political subplot. The decision was impulsive and was made more from the heart of the father rather than the head of the king in his desperation to protect the child he and his wife have wanted for so long. However, that will surely have economical and even political impact on the kingdom. Instead of celebrating the birth of the royal heir, they had to pay the price for protecting her. It is the fourteenth century so without spinning wheels in the whole kingdom, they could no longer turn wool into threads. Any industry including fabric would have suffered from that choice and that would have led to poverty. Now that would have been a perfect way to explore the alliance between Aurora and Phillip’s kingdoms. Maybe they signed a contract for Phillip’s kingdom to trade finished products for the resources that they need to make them coming from Aurora’s kingdom. It would have been a good way to include the aspect of royalty, politics and economics more since they already introduced it through the arranged marriage. And it would be interesting to see Aurora’s reaction once she was back at the palace to how much her subjects and the whole kingdom (even Phillip’s kingdom) had sacrificed for her well-being. Any decisions she could have made on the matter as the future ruler could have shown her introduction into her role of princess and future queen as well as her compassion and good heart.
- The king and queen’s pain over their lost daughter was never explored. They waited for years for the happiness to have a baby and when their only dream finally comes true, they are forced to give up the baby if they want to keep her alive. They can not see her for the first sixteen years of her life and by the time she comes back to the palace she is all grown up. She is not their baby daughter but a beautiful stranger that they don’t know anything about. Whatever happiness and relief there was over her being well and alive was surely overshadowed by the fact that Maleficent still succeeded in tearing their family apart. Their daughter is not dead but they lost her and she never had them. It is a horrible tragedy that the movie never even bothered to address for a second past that scene of them sending Aurora away with the Three Good Fairies. Considering all the negative repercussions the king’s decision to burn all spinning wheels must have had on the kingdom, it was a shame that they never truly showed the emotional consequences of the choice to give Aurora to the fairies to raise for the royal family. It could have added much emotional depth to the story and characters.
- In relation to that, there was a big missed opportunity with Philip also. Since his mother wasn’t there neither at the Christening, nor at the celebration of Aurora’s sixteenth birthday, a sound assumption would be that she was dead. The loss of her that Phillip and his father were going through and the loss Aurora’s parents were experiencing after they gave her away could have become a great bonding point for the two families. It has been shown that Phillip’s dad is a great friend of King Stefan so it would be safe to assume that the two met quite a lot. Phillip could have easily been brought along on those visits and since they lost their own daughter, Aurora’s parents would have probably become very fond of the boy and loved him as their own. He was to be their son-in-law one day and through him they could give their daughter all their love, by caring for him and helping raise him in any way they could. And Phillip could have come to think of them as family as well and respect them like his own parents which would have made it harder for him to stand up to the arranged marriage because he also loved them and didn’t want to hurt their feelings after all the love they’d given him. And later on, once Aurora was back home, he could have helped her get to know her parents. It would have been bittersweet that he knew them better than she did but it would have shown both his support of Aurora and the trust that binds the two families in one as well as helped both Aurora and her parents get over the pain and trauma they’ve experienced.
- This is more of a detail that would have just made things a little cooler if it’d been included but what if the gift of soul Fauna gave Aurora was the reason she was seeing Phillip in her dreams? It connected her to the living beings like the forest animals and it could have very well been the one thing helping her connect with the one she is destined to be with. It could have been a cool side thing. And maybe it also affected Phillip in some way and that was why he could communicate so effortlessly with his horse. Or they could have made it so that Phillip had also been blessed by fairies as a child and that was why he was communicating the same way with his horse that Aurora was with the forest animals and it helped them establish their dream bond.
- And one last possibility that I thought of would have been if Aurora had been raised according to fairy understanding and perception of the world. The Three Good Fairies themselves said that they knew nothing about raising a human child and Aurora neither knew they were fairies, nor had contact with any other humans in order to figure out that something wasn’t quite right with the way they were raising her and the things they were teaching her. So she grew up experienced in fairy traditions and the fairy way of looking on the world. Once she goes to the palace, she finally learns that what she’s been taught is not the human way of doing things so on top of having to patch up her family and learn the royal ways, she also has to learn the human ways. And since she’s been raised with fairy outlook on the world, she cannot believe her parents’ decision to not invite Maleficent to her Christening. It is not that she blames them but to her it seems incredibly stupid and disrespectful and she understands why Maleficent went for retribution. Since Aurora is so well versed in the fairy ways, she becomes something of an ambassador for the kingdom in its dealings with fairies (and possibly other magical creatures) to avoid repetition of history and offend another powerful being. The kingdom becomes prosperous thanks to its extraordinary princess who has managed to earn the benevolence and blessings of various fairies. There are those who do not like her since they think a human should have never been allowed the privilege to know their traditions so well but, in general, she is in the favor of most powerful beings that protect her kingdom and make it a force to be reckoned with.
Those are the things that I would have loved to have seen included or even hinted at in some way in the movie since there is a lot to cover in all the cracks of the story. Any of these would have made for great additions to the original plot imo and would have given more depth and life to the story.
#sleeping beauty#disney's sleeping beauty#aurora#princess aurora#prince phillip#maleficent#king stefan#merryweather#flora#fauna#sleeping beauty meta#meta
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Evaluting Gatchaman Crowds Through Rui’s Outfits
12 Days of Aniblogging 2020, Day 1
Oh, I’m fashionably late to this one. Gatchaman Crowds is a 2013 superhero anime that serves as a soft reboot of the old tokusatsu franchise, only now with 21st century shitty anime tropes. From this painfully generic setup emerges a surprisingly layered evaluation of technological disruption in the smartphone era. For this reason, Crowds is a favorite amongst anime bloggers as a superhero work that’s actually trying to do something interesting.
Unfortunately I don’t care about any of these guys
But it’s also a favorite amongst all sorts of weirdos because of the character Rui Ninomiya. A horrifying amalgamation of the technolibertarian CEO and trans femme hacker archetypes, Rui is by far the most interesting character in the show, because they’re a surprisingly prescient look at how the tech industry will function throughout the 2010s. But they’re also a ‘boy’ who never leaves their house without dressing in the most girly clothes imaginable. Predictably, this is catnip for me. But the funniest part of the whole situation is that nobody ever addresses it. Rui never provides an explanation for their outfits and the rest of the cast just uses she/her until they properly get acquainted and switch to he/him.
I could tell you that Rui’s obviously trans and wrap up the post right there, but that’s honestly not the most interesting angle of attack here. So I’m just going to use whatever pronouns I feel like in the moment for them and focus on what really matters: fashion! Rui has a surprisingly large wardrobe throughout the show, so I’ll be doing the heavy lifting of ranking each of her outfits. Oh, and also maybe a little analysis of what she represents. Spoilers for the whole show, of course.
7. The Yellow Dress
Let me lay out Rui’s ideology before I lay into their fashion disaster. You see, they’re a tech disruptor who believes that governments and bureaucracies are too slow to achieve the monumental (yet unspecified) change that society needs. So, they preside over a smartphone app called GALAX that successfully predicts Pokemon Go’s geosocial AR gimmick three years early. GALAX is a technolibertarian’s wet dream – crowdsourced emergency response, interest-based meetups, and matchmaking for people who need specific help and the people who can help them, all deeply gamified.
Their outfit here is about as messy as their politics, but at the same time, what a look. She’s got blue-and-white-striped programming thigh highs on under her combat boots, which are both such trans iconography, you know? While they may just be a reflection of early-2010s 4chan crossdressing culture, it’s also totally possible that Rui directly influenced or reinforced trans girl fashion, like the accelerationist she is. What a prescient show, in all sorts of weird ways.
6. Lace-up Dress with Bunny Ears
It wouldn’t be an anime girl cosplay without some bunny ears, now would it? Rui spends 5 minutes in an early episode just wandering around the city in this outfit, listening to people’s conversations and feelings on GALAX. There’s something very funny about how nobody even notices them, like they’re completely invisible despite their ridiculous outfit. This actually factors back into the tech stuff! Like pretty much every tech company, Rui’s app and vision are both sleek and shiny but rely on tremendous amounts of dirty labor kept as hidden as possible. From Amazon’s inhumane warehouse conditions to Facebook’s trauma-inducing moderator farms to Apple’s child labor-tainted supply chains, there’s always suffering humans behind the too-good-to-be-true magic of tech companies. Rui’s lie by omission is failing to mention that the app relies on invisible extradimensional beings called CROWDS that are manually controlled by underpaid workers to assist its users. One of the workers comes to Rui challenging their vision and arguing that they should be sharing this tech with the movers and shakers of the world, not trying to keep it invisible. He threatens a collective walkout and Rui fires him. At this point, we’re not even operating on metaphors.
5. Green Business Casual
Sure, most tech companies have cruel labor underbellies, but there’s also the separate risk of moral rot. It’s what causes Microsoft to take on ICE contracts and Google to develop censored versions of their search engine at the whims of authoritarians. Many tech companies start off with an altruistic message, but without a serious ethical core, they will start doing a whole lot of evil as they bend to financial and other pressures. Rui’s version of this is extremely literal: she made a deal with the devil to gain the ability to use the CROWDS and launch her app. Except this devil is also a butch gender-noncomforming alien (there is a Lot of other gender going on in this show that I don’t even have time for) and the two of them seem to have an extremely fucked-up relationship. Like any good Faustian bargain or any bad attempt at raising more venture capital without a viable business model, eventually the whole thing comes tumbling down and now you’re doing something terribly fucked up. Rui looks good in a dress shirt, at least!
4. Whatever your abusive partner puts on when she body-snatches you
Of course the center won’t hold, GALAX is subject to a hostile takeover, and to nobody’s surprise, an app with the flimsy promise to change the world for the better can actually be way better at ripping it all apart. I guess the prescient social media parallel here is Facebook being used to propagate Myanmar’s ethnic cleansing, or really anything related to Twitter for the last 5 years. FuckedUpAlienMimic!Rui sure does have cute fangs and a way more refined fashion sense though. I don’t feel like looking into that one.
3. Business....Futch?
I know I’m not done outlining Rui’s arc, but I’m going to skip ahead for a moment to say that Gatchaman Crowds also has a second season! I’m largely ignoring it here because Rui is pretty much stripped of all plot relevance and most of her outfits are less exciting, but I had to include this one. For two episodes, she puts on bright yellow stirrup leggings and an oversized polo shirt, with a cute ponytail to boot. It’s a ridiculous look, but still feels really evocative to me. Sometimes a girl just has to put together completely uncoordinated outfits and see what happens.
Unlike the disruption-focused first season, Gatchaman Crowds season two, which aired in 2015, is about how unfettered technolibertarianism can easily descend into fascism. Goddammit.
2. The Bunny Ears Outfit Again Oh God Who Hurt Her
The weight of the world comes crashing down in Rui’s hands, she’s bruised and beaten in a surprisingly sadistic manner by her alien ex-business partner/girlfriend, and she’s locked out of her own company which is very quickly causing society to fall apart. So what does she do? She puts the bunny dress back on, and wanders the streets again until she has to call upon the powers that be to fix her own mess. It’s silly that the powers that be in this world are superheroes, but I bet you forgot that this was technically a superhero show at this point. Anyways, my extended metaphor is quickly drifting off course, but I guess this is the part where Rui gets grilled by Congress and slapped with an antitrust case.
1. Every Trans Girl Stereotype Rolled Into One
I’ve been incredibly harsh on Rui throughout this writeup, because I’m harsh on the industry she represents, but I’ll make it up with this section. Look at what she’s wearing! A choker, the gothiest Hot Topic dress imaginable, arm warmers, no less than three asymmetric garters not even holding up anything, and the tallest black boots she could find. It’s incredible! If the first outfit on this list was hinting at her relationship to stereotypical trans fashion, then this outfit just screams it. It’s the perfect goth femme hacker look, a style commitment I have no choice but to respect.
Gatchaman is a weird show. After spending most of its runtime thoroughly dunking on tech disruptors for being too optimistic and uncritical, it takes a last-minute turn into Lockean state of nature arguments. It settles on “the masses are inherently good enough that empowering people through technology shouldn’t ever be a problem”, ignoring all the suffering that happened due to Rui’s unwillingness to curate their own technology. I’d give Gatchaman Crowds an average rating, but it’s one of those interesting average ratings where instead of being milquetoast, they tried something and failed and wrote themselves into a corner. But hey, at least there’s an interestingly gendered character!
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Writer/director Kay Cannon (Pitch Perfect, Blockers) has re-envisioned Cinderella as a modern musical with a heroine at its center who has ambitions of a career in a world that just wants her to find a prince to marry. Ella (pop music superstar Camila Cabello) wants to design beautiful ball gowns while her stepmother (Tony Award winner Idina Menzel) unsympathetically attempts to squash her dreams, until her fairy godmother Fab G (Billy Porter) shows up to help boost the confidence she already has in her heart.
During this 1-on-1 interview with Collider, Cabello talked about tackling her first lead feature film role, wanting to be responsible with her platform, believing in herself, her own Cinderella story, the music she’s currently dancing to, getting to put on the ballgown and slippers, the first day of shooting vs. the last day, and her desire to continue doing acting projects.
Collider: When the possibility of playing Cinderella in a big movie musical came your way, especially knowing that fairy tales and particularly princess fairytale is they’re often old-fashioned, misogynistic and sexist, what needed to be there in the character for you to feel like she was someone that you wanted to represent?
CAMILA CABELLO: I feel like I try to be as responsible as I can with my platform and putting forth messages that I stand by and feel like right to me. That is why I did the film. It’s just really empowering for women, and really empowering for me. It doesn’t have these messages that are this black and white way of looking at people, where they’re either good or they’re evil. It just has this complexity that I think is really beautiful.
You’ve had great success as a singer and performer, in that sense, but this was the first time you’re leading a film, as an actress. How did you find your inner confidence, to show up on set and lead this cast, as an actor, doing something that’s outside of what you’ve become known for?
CABELLO: I think that it was about just letting go of my ego, as much as I can, and just trying to have fun with it. Obviously, there were times where I felt nervous and I felt the pressure, but at the end of the day, it’s something that I chose to do because I believe in it. Clearly, I’m here because Kay Cannon, our director, and James Corden believe in me and they wanted me to be this character. I’m here for a reason, so I’m just gonna believe in that and have a good time.
Did you also have a real movie star moment, where you felt like you really owned that, when you were on these extravagant sets, in these costumes, and working alongside Pierce Brosnan? Did you feel the movie magic, in that way?
CABELLO: I feel like because it was my first movie, it was obviously really, really thrilling. And also, you don’t wanna feel like that, when you’re making a movie. You wanna feel grounded and present and not psych yourself out too much. I tried to just keep it as chill as I could, which is hard when there’s Pierce Brosnan in there, but I tried.
In a lot of ways, your own life journey feels like a real Cinderella story. Do you feel that way? Have you really felt a sense of that?
CABELLO: I definitely feel that. I feel like my story is a total Cinderella story. My life changed so much. I was just in Miami, with no connections, really, to anybody in the music industry. And one day, I auditioned for X-Factor and my life changed, and my life keeps changing. I definitely have been like the underdog, for sure, many times, so I totally relate to that story.
What’s it like to go from being that underdog to seeing how you inspire other young people?
CABELLO: It’s amazing. I just feel super lucky that life worked out that way. There’s just a lot of gratitude. There were a lot of really fortunate events happening.
A lot of actors talk about not wanting to watch their own performances, and you’ve said that you don’t like to listen to your own songs. How hard is it to then watch a movie that you’re acting, singing and dancing? Is that even more difficult to watch?
CABELLO: Totally. It’s very difficult. I had a lot of fun watching it because I was watching it with my castmates and my director, and we formed a little family together. And my acting coach, Anthony Meindl, was there too, so it was fun to enjoy that with the people that I made the film with, but it is, by no means, fun to watch yourself from all of these super up-close angles.
What is the strangest or most memorable place you’ve been, when you’ve heard one of your own songs start playing?
CABELLO: Hmm. I don’t know. There hasn’t really been any weird places. Out of people’s cars, on the street, is really interesting.
You’ve never been in an elevator with other people, when your own music has come on?
CABELLO: No. That would be terrible.
It’s hard to know how to handle a fame until you’re in it. What has most surprised you about yourself, having had the spotlight shown on you for some time now?
CABELLO: Honestly, how much that is not really the fulfilling or meaningful part of what I do. Even though it might look like it because that’s the part that most people see, the behind the scenes of making the music and the people that I make it with, and also the stuff that has nothing to do with my career at all, is really fulfilling and meaningful. The actual fame part is not really a big thing that I think about.
Has it taught you anything about your own strength that you didn’t expect to realize?
CABELLO: As I get older, I my sense of self gets stronger and stronger. I’m really lucky that I have an amazing family and amazing parents. My mom has been with me for a lot of this, so I never really lost myself in that, which is more of a testament to the people around me.
You have great comedic timing that seems very natural, which is not necessarily an easy thing to pull off. Do you feel that not taking yourself too seriously helps you with just jumping in and finding the comedy?
CABELLO: Totally. Hopefully, I’ll do more comedy. I think it’ll get easier and easier. Obviously, I really cared about, and care about, this film, so I wanted to do a good job. But I think that, at my best, I am pretty funny.
You’re definitely a powerhouse, in your own right, but what’s it like to get to duet with someone like Idina Menzel? As a singer, when you’re told that you’re going to be belting it out with her, is it intimidating or is it fun and exciting?
CABELLO: It’s so fun and exciting. I love her. Obviously, she’s so talented, but also I feel like we’ve connected so much during this whole process that it was just really fun.
Had you ever found yourself belting out any of her songs, before doing this?
CABELLO: Of course. “Into the Unknown and “Defying Gravity” are some of my favorite songs.
I especially enjoyed the big musical performances in this, at the beginning and the end, with “Rhythm Nation” and “Let’s Get Loud.” Both of those are songs that just make you want to get up and dance and sing along. Do you have songs that do that for you? Is there a song you always put on when you want to dance around the house?
CABELLO: Yeah. Tight now I’m listening to a lot of Reggaeton and a lot of J Balvin, a lot of Bad Bunny, and a lot of Rosalia. That always makes me want to dance around.
How much fun was it to get to do the big performance numbers, with all of the staging? What would surprise people about what it takes to pull off something like that?
CABELLO: It’s amazing. That last finale number and that week was a real movie magic moment. It just felt very like, “Oh, my God!” The best part of a live musical is having a huge ensemble singing and dancing and doing this amazing choreography. It was a lot of rehearsals, after set days and between set days. It was definitely a lot of work, but it was a lot of fun.
If we got a glimpse into the blooper reel for this movie, what kind of things would we see?
CABELLO: You would probably see a lot of unprofessional laughter. It’s hard for me to say anything specific on the spot right now, but a lot of the moments with the comedians, like James Acaster, Romesh [Ranganathan], James Corden and Rob Beckett, were really funny.
Your Cinderella is a fashion designer and has a great sense of style. Are you the same way? Have you always had a great sense of style, or are there fashion disasters in your past that you wish you could forget and that you wish didn’t live on social media now?
CABELLO: I’ve definitely had a lot of fashion disasters because I started doing this at 15, which is crazy. I’ve gotten more of a sense of style, as I’ve gotten older. Now, I just find it a lot more fun than I used to before. It was like a chore to me. I didn’t get joy from it, but now I really do. So, I relate to her more, in that sense.
I love that this is also a Cinderella who doesn’t change who she is or give up her life for a prince. How important was that to you? Is that something that you had conversations about and that really mattered?
CABELLO: Yeah, that was one of the things I loved about the script. She’s not really giving up her life for the prince because she knows that she would just be unhappy. She wouldn’t be able to be herself. At the end of the day, you wanna be in a relationship with somebody where you can be yourself. You don’t have to give up a part of you for them. So, that was one of my favorite parts of the script. I think she’s a real bad-ass for that.
One of the things that doesn’t change with the story of Cinderella is that you still get to wear a gorgeous ballgown and have glass slippers. What did you think of her look for the ball and getting to put on that incredible gown?
CABELLO: It was awesome. Ellen Mirojnick (the costume designer) did such an amazing job with that iridescent, non-traditional version of the Cinderella gown and the slippers. I loved it. It was gorgeous.
Was there a scene that was the most technical to do?
CABELLO: There was the running scene that we had to do, over and over again. That definitely required a lot of endurance because I was just running, all day. That was definitely a little hard.
Was there a most fun day on set?
CABELLO: There were different most fun days. The day with Billy [Porter], doing the Fab G sequence was super fun and magical. And also the finale was really fun. The last song was super fun.
You’ve said that you don’t know if you could have done this with anyone other than Kay Cannon. What was it about her and her vision? What was it like to really establish that collaborative and creative relationship together?
CABELLO: I feel so fortunate. Any other person that I work with now, it’s gonna be such a high bar because she’s just such a great person and an amazing collaborator. She’s so passionate and such a good person. I think that shows in the script, her emotional awareness, her sensitivity, and her desire to stand up for people and give people a voice. She’s like the character. She’s like Cinderella. She’s a bad-ass.
What do you remember about the first day on set and shooting the first scene you had, and how did that compare to the last day that you had on set and doing the last scene for the movie?
CABELLO: The first day, I was insanely nervous. I was so nervous. And the last day, I was not. The last day, I was just having so much fun. At that point, I was just like, “This has been the best experience ever,” and I wasn’t nervous anymore.
Now that you’ve had this experience, where would you like to take your acting career next? Are you already reading a lot of scripts? Have you thought about the type of things you’d like to do?
CABELLO: I haven’t because I went into making my album after the movie. But I would love to do more acting roles, for sure.
Is there dream project, a specific genre, or a character that you’d like to play?
CABELLO: I literally couldn’t tell you. I’d love to do more comedy. I think drama would be really fun. Action would be really fun. Thriller would be really fun. There’s so much. There’s a lot there to explore it.
Cinderella is available to stream at Amazon Prime Video.
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FEATURE: Madoka, Wonder Egg Priority, and the Future of Late-Night Magical Girl Shows
Beware! This article contains spoilers for the beginning of Puella Magi Madoka Magica.
It is January 21st, 2011. In the shadows of a witch’s labyrinth, two girls named Madoka and Mami form a close bond. Mami is a magical girl, powerful but lonely. Madoka decides, then and there, to fight by Mami’s side. But then, in the middle of combat, the witch Charlotte transforms into a giant worm and bites off Mami’s head. Madoka’s eyes widen in shock. A broken china cup seeps tea on the ground. Smash cut to the wails of goth rock trio Kalafina as black clouds roil and a single flickering shape strides toward oblivion. Three episodes in, Puella Magi Madoka Magica threw down the gauntlet. Over ten years later, the mark it left is still there.
Puella Magi Madoka Magica was special. But why? Not because it was the “first dark magical girl series.” Sailor Moon, the modern magical girl standard-bearer, became popular not just because of its charming characters but because the show could do things like briefly kill everyone during the series finale. Even magical girl series aimed at younger audiences, like Ojamajo Doremi, tackled subjects like the death of a pet or the aftermath of a divorce. Not to mention the infamous 46th episode of Magical Girl Minky Momo from 1983, when the titular heroine was hit by a truck! Truly, everything has been done before.
The secret to Madoka Magica’s success is that it is not really a magical girl show. It is a suspense thriller cunningly disguised as a magical girl show. It has as much in common with Kamen Rider Ryuuki as it has with Sailor Moon, and was written by Gen Urobuchi, a former eroge game writer who ran in the same circles as Kinoko Nasu and Hoshizora Meteo. Madoka Magica is not interested in the slow process of endearment by which magical girl series ease you into the daily routines of their characters — the weekly monsters, transformation stock footage, holidays, and very special episodes. It presents as such only as long as it takes to put you off guard, and then (clad in the gorgeous raiment of art team Gekidan Inu Curry) it goes for your throat.
So it was that Madoka Magica became the standard-bearer of a new kind of late-night anime. Rather than “cute girls doing cute things,” let’s call this genre “cruel things happening to cute girls.” Take something charming and unassuming, like a magical girl story or a high school slice-of-life show. Populate it with fun, marketable characters. Then set those characters screaming when the real story pops out like a jack-in-the-box. The frisson between cute and scary hopefully generates enough charge to catch the attention of audiences, but — most importantly — audiences don’t have to reach that far to engage with it. That is because these shows are built off those same conventions that anime fans are familiar with. Those conventions just happen to be evil this time.
As often happens in the entertainment industry, the success of Madoka spawned many copies. These projects did not have Gen Urobuchi, and they were often not lucky enough to have an art team as singular as Gekidan Inu Curry. All things considered, they tried their best. YUKI YUNA IS A HERO brought a different former eroge game writer, Takahiro, on board. Magical Girl Spec-Ops Asuka made its team of magical girls a proper military unit. More recently, GRANBELM added giant robots to the stew. I’d say Granbelm is my favorite of these, if only because the giant robots were pretty cool! I’d love to see them in a Super Robot Wars game one day.
Some of the more interesting entries in the “cruel things happening to cute girls” genre didn’t have any magical girls in them at all. Selector Infected Wixoss was a card battle show about teens fighting for wishes; writer Mari Okada smartly changed focus from the cruel system tearing the characters apart to the way that individual selfishness keeps cruel systems running perpetually. SCHOOL-LIVE! featured a group of schoolgirls continuing their slice of life activities within a world devastated by a zombie apocalypse; the anime production was bolstered by a murderer’s row of writers from Nitroplus, Urobuchi’s former stomping ground. Episode 3 — a flashback to teacher Megumi on the day of the outbreak — is a genuine triumph, precisely because it is so earnest. Rather than pushing hard to shock or disgust the viewer, it allows the characters to breathe in the moments leading to disaster and lets the horror come naturally.
Traditional magical girl shows, in the meantime, have been doing just fine. We’ve seen several good seasons of Precure and two fantastic ones, the all-rounder Go! Princess Precure and uneven but groundbreaking Hugtto! Precure. Sailor Moon’s Crystal remake seasons and movies have steadily improved after a rocky start. The first few seasons of magical idol series Aikatsu are charming and introduce a fun legacy quirk that ties together characters from different seasons. Even Ojamajo Doremi has seen a follow-up film that puts the spotlight on the generation who grew up watching it.
Madoka’s successors, on the other hand, are in a trickier place. Some of them have been successful, others have been good, but none have recaptured that lightning in a bottle that made Madoka a hit. Even a recent Madoka Magica series based on a phone game, written by Gekidan Inu Curry themselves, came and went without much buzz.
In the years since Madoka aired, there have been plenty of folks who have expressed their reservations about the “cruel things happening to cute girls” genre. After all, magical girl series can be revolutionary or transgressive without being cruel. Hugtto! Precure introduced the series’ first male Precure (equally comfortable wearing dresses as skating outfits) and featured a romantic partnership between two of its female leads. Go! Princess Precure’s best fight scenes are as spectacular as anything in this year’s Jujutsu Kaisen, yet remain perfectly accessible for its target audience of young girls. Madoka's progeny may have been targeted at older — and often, male — audiences, but outside of some blood and gore just a few of these series were more genuinely mature than the children’s series they riffed upon.
Image via HiDive
I do still see a future for late-night magical girl shows. In 2016, a weird magical girl series called Flip Flappers aired. Directed by animation wunderkind Kiyotaka Oshiyama, it featured two girls in love traveling through many strange and colorful environments in search of macguffins. Hidden inside a candy coating of marketable elements was everything from the Freudian fairy tale theories of Bruno Bettelheim, to architectural oddities such as thomassons, to occult figures like Jakob von Uexkull. Flip Flappers harnessed some of Madoka Magica’s sense of danger, putting its cast into intense and scary situations from the very first episode. But it was not a show about girls being tortured by an evil system; it was a show about girls exploring surreal dreamscapes. A new genre had been created: “cute girls doing weird things.”
Here are the cornerstones for the “cute girls doing weird things” genre: you need girls of course, maybe even magical girls, but the rules behind their magic are nebulous. Rather than take children’s genres and corrupt them, you build out atmospheric settings, drop in the characters, and see what happens next. You give the cast room to express themselves within the bounds of the story, rather than leading them down an assembly line to their doom. The malevolence of Madoka is not off-limits, but more useful still than malevolence is uncertainty. The goal is to unsettle the viewer rather than disgust them.
Image via Funimation
Five years after Flip Flappers, a new show walks these same steps: Wonder Egg Priority, an original series from CloverWorks. Of course, Wonder Egg Priority is aiming at something totally different than Flip Flappers. Its spooky environments are incidental. Its main aim is, through riffing on the work of Kyoto Animation and famed director Naoko Yamada, depicting in full and uncompromising detail the difficult emotional lives of teenage girls living in the modern-day. Those lives just happen to be filtered through an anime lens of trauma manifesting as horrific creatures that have to be destroyed, and girls that need to be saved. Yet to me, Wonder Egg Priority captures the dreamlike atmosphere that Flip Flappers achieved in its best moments — the means by which characters exploring unfamiliar spaces reveal themselves in new and different forms. Despite being made of familiar parts, in execution, I think it is something new.
Somewhere between Flip Flappers and Wonder Egg Priority lies the future of late-night magical girl shows. They should not ever replace the ones made for kids; those do perfectly fine on their own, thank you very much. But in their embrace of uncertainty, I recognize a ghost of what I once felt when I first saw Charlotte’s gaping maw. The sensation that the ground had disappeared, and that — like magic — anything was possible.
What's your favorite recent magical girl show? Are you excited for the newest season of Precure? Does Wonder Egg Priority terrify you on a weekly basis like it terrifies me? Let us know in the comments!
Adam W is a Features Writer at Crunchyroll. When he isn't reciting lines from Revolutionary Girl Utena, he sporadically contributes with a loose coalition of friends to a blog called Isn't it Electrifying? You can find him on Twitter at @wendeego
Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!
By: Adam Wescott
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Reviving Hope: How Sunny Worldwide Freight Forwarder China Helped a Client in Crisis
One of the most memorable instances for me was when Sunny Worldwide Freight Forwarder China helped a client ship their products to a trade show. The client, an electronics manufacturer, was preparing to exhibit in Frankfurt, Germany, and they relied on us to ensure their products arrived on time. As the exhibition date approached, the client’s products were not ready in time, leaving us with very little time to work with.
I made a decisive move to prioritize this order above all else. As a responsible member of freight forwarder China, we strive to make every client satisfied. I chose Cosco as the shipping company, and everything went smoothly on the China side, including shipping and customs clearance, and according to the schedule, we wouldn't face any delays. However, an unexpected problem arose when the cargo reached Germany, and it couldn't be released immediately, requiring a few days of waiting. This was a huge setback, and I immediately negotiated with our German agent. If the cargo couldn't be released on time, the client would miss the exhibition, wasting months of their effort. The client was extremely anxious, calling us repeatedly for updates.
I was just as anxious, but I kept telling myself to stay calm and find a solution. I immediately contacted our local partner, Agent A, to investigate and find a solution. However, Agent A reported back that there was no immediate solution. Not being on-site was challenging, but as an experienced freight forwarder China, we have alliances with partners in many locations. So, I reached out to Agents B and C to verify the situation and explore other possibilities.
Agent B confirmed that the container couldn’t be released immediately. Even if it was released, we still needed to unpack the container and deliver the goods to the exhibition, which would take additional time. Having worked with various partners over the years, we understood their operational styles. Agent A followed strict procedures, ensuring accuracy but often lacking speed. We then contacted Agent D, with whom we had frequently collaborated. They were resourceful and efficient. Finally, Agent D managed to get the container to the terminal, handle customs, unpack, and deliver it to the exhibition the afternoon before it started.
Even though Sunny Worldwide Freight Forwarder China was operating remotely, our operations, business, and overseas departments dropped everything to focus on this issue. It was a collective effort from all three departments that ultimately ensured the timely delivery of the goods to the exhibition.
Sunny Worldwide Freight Forwarder China consistently promises full compensation for delays and damages within our scope, a testament to our capabilities. We provide comprehensive services to major clients, including order tracking and direct logistics coordination with international end customers, a rare offering in the logistics industry. Typically, clients who experience our "more than just a shipper" value proposition tend to stay with us long-term. Sometimes, our close cooperation with factories moves them to become our clients as well.
The client was overwhelmed with gratitude, saying, "I had lost all hope and was ready to give up! But Sunny Worldwide Freight Forwarder China kept striving, looking for resources and solutions, never giving up until the last minute! I am truly surprised and touched! Who else would I choose next time if not you?"
As a freight forwarder China company with 25 years of experience, we care more about our clients' needs than they do. Our punctuality rate is 99%, barring natural disasters or unforeseen circumstances. If you have international transportation needs, please contact us at [email protected]. We are confident you will be satisfied.
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I’ve been getting some messages accusing me of hypocrisy of supporting Fena: Pirate Princess when it’s a Crunchyroll original and I’ve had nothing but critical things to say of CR in the past, particularly during the High Guardian Spice debacle. So, I wanted to clear the air and let people know where I stand on this.
To get right to the point: I’m watching Fena: Pirate Princess because this is an Adult Swim anime, not because of Crunchyroll. As far as I’m aware, CR had nothing to do with the production of the series and just has licensing rights for it. I think the same can be said for anyone who knows about this anime; we’re happy that Adult Swim is taking the reins because they’re known to produce good content and air good shows. I would venture to say that they are perhaps the only “network” that gives a damn about content creators anymore.
I haven’t given a cent of my money to CR in more than three years. When HGS was announced, I cancelled my subscription that day. And it seems that it was a good move as they have made nothing but one bad decision after another.
Crunchyroll Originals have been an unmitigated disaster. There is a great article written by Canipa Effect that you can read on your own time that goes into specifics. His article is far more in-depth than I will be here, but the list of failures is too long to go through. Gibiate and EX-ARM are now infamous among anime fan circles. HGS has all but disappeared. CR has repeatedly refused to answer basic questions about their employees’ working conditions, criminally underpays their translators, is more concerned with lining their own pockets than “helping the anime industry,” and is looking to create a brand than actually just give us anime.
I highly discourage anyone from giving a cent of their money to CR because not only do they not help the anime industry, Crunchyroll Originals only hurt it. They directly contribute to the overproduction crisis that is pushing more and more creators out of the industry. Even if we put that aside, CR is a really poorly optimized streaming service and there are far better alternatives out there. Not only that, but those alternatives actually do what they say and just stream anime instead of wasting subscribers’ money on originals and holding conventions.
I will not support CR until they get their shit together.
I will never watch this anime on any other platform other than Toonami and Adult Swim because those are platforms I respect. Frankly, I think at this point Adult Swim should just be its own separate network, detached from Cartoon Network completely. I don’t see why not.
So, Fena: Pirate Princess only has me in my good graces because it’s on Toonami and it actually looks like a worthwhile anime. Naturally, if it looks like it’s not good or if it starts to go downhill, I’ll change my stance. Until that day comes, however, I’m throwing my time and my money at Adult Swim, not Crunchyroll.
#crunchyroll#toonami#Cartoon network#adult swim#fena: pirate princess#anime#japanese animation#upcoming anime#crunchyroll originals
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[ask] would you want to be an idol?
80% yes. Unlike many I am going to give an extremely unpopular opinion: I love the fact that kpop is a strict system that promotes and puts a certain behavioral standard on idols like tbh if I was an idol it would be perfect for me in the sense that I am very private person, shy at heart ( I'm not as shy and socially awkward as I used to be but I am very INFP / INFJ last I checked, I may have to take the test again) and not desperate for attention to that degree so there would not be any pressure on me to expose myself like how american pop stars have to keep up antics and overshare to be "Relatable to their fans" kpop isnt about that. In a way it is...but isn't? Honestly
you guys will shit on me for this maybe but why doesn't the industry in Korea have a global idol contest? like dude it would be either disaster or lit (I pray lit LOL) to do an experimental project where it's like produce 101 and all that BUT from a handful of states in America and sectors in Canada, they allow regular people to audition like non asians completely who are least under 32 to be an idol. It'll be like a long intense but fun competition process and they are auditioning and competing to be like where Alex from Rania was in a way, but the role will be more serious and the american would be an equal part of the girl / boy group. They'll be paired with teachers to learn korean if they wish and go through challenges. Then the crowd votes along with passing judges tests / votes and then towards the finals they all travel back to Korea or wherever to do a show or do a song they all came up with on Inkigayo or Show champion and it's a special episode then whoever wins that wins the whole thing?
and become a temporary group for like 6 months or a year and if they do well they stay a group, the american can leave and go back home or sign with them individually etc. YOU GET WHERE I'M GOING WITH THIS? LMAO IF THEY DID SOMETHING LIKE THIS DESPITE BEING 27 NOW I'D AUDITION IDGAF I could pass for a mixed asian if need be and have no issues with pale skin since the burn left some discoloring I need to whiten out anyways. But if that was ever a thing like "now is your chance to become a kpop idol" I would do it.
but as I was saying you are either yourself 100% just 10x or half of who you truly are or an image with bits and pieces of your real self or just 100% fake with an image / character. Although it tire me out possibly (if I got stuck with a character / image that I didn't ask for / can't naturally do) I would feel secure and happy about knowing I am playing a role, I am doing an image and who I truly am as a person and my private information is factored in to whether I get fed or not with my check. Like for instance, as an idol let's be 100 - you are there to entertain, make the fans happy, make them find something special in you and stan you and develop a good working relationship with your group / person if you're in a duo (only yourself and another person*) as well as put the best of yourself out there. Sure it has ups and downs, it will never be easy like we learned over the past 6 years with all the tea spilled & scandals, but that is purely it. You don't have much more expected of you other than that. (I am not accounting the general things like weight, beauty, etc. thats another topic). Like you aren't expected to embody the music you put out and what you right on a realistic level if that makes sense?
I would be able to show up, work, do what I gotta do, and stress or not, go home and not worry about having to devluge much about myself or my fans being fickle if I slipped up like American fans these days. Also virgin or not, whatever my sexual status and dating status is It's not imperative nor a part of my job. There is no pressure on me in life to date or be deemed a weirdo or loser cause I'm not seeing someone and if I do date and fall in love then I'd be an idol who would like be genuine with fans and present it in a way to groom the fans to accept it and support us unless it's a fuck buddy then I gotta be careful ROTFL. I've already endured mountains of hell in my life and know what hard work is so the stress level of it wouldn't get to me unless I was expected to have good vocals and looked online seeing fans get on me about that. I'd either be a rapper in the group or like dara from 2ne1, a super pretty girl with barely there vocals that is cute enough to hang LOL.
I'd be a very much a dara, jisoo, suzy, hyuna, T.O.P hyrbid LOL. I would probably be the leader cause I have that grit and leadership (even when I don't want to lead) to do it and at least try to do some self choreographer in there. It would be simple, the complex stuff we'd hire a pro for LOL.
all in all I'd be holding my fandom very accountable and I'd be that rare idol who ALWAYS likes what fans send me, comments, reply back to them as much as I can and give them content when I can.
But I can't dance for shit in real life nor sing so Idk I wouldn't be able to make it into a group unless strings were pulled or they kept me as a token foreginer / pretty girl cause of my height, skin-tone and beauty LOL. I'm very tall in RL. It would just be a struggle for me in the sense that I don't take shit from people so I'd be checking hosts a lot like Heechul and them on radio star or whatever if they tried me. I'd have to keep track of birth control or go back to the states often to get that shot for 3months cause I would geniunely hook up with a lot of idols if they approached me idc LMAO. I want to be that idol who is like suzy and transitions into movies and dramas.
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Sept 12
Camila Cabello on the Responsibility of Playing ‘Cinderella’ and Updating the Classic Story
Writer/director Kay Cannon (Pitch Perfect, Blockers) has re-envisioned Cinderella as a modern musical with a heroine at its center who has ambitions of a career in a world that just wants her to find a prince to marry. Ella (pop music superstar Camila Cabello) wants to design beautiful ball gowns while her stepmother (Tony Award winner Idina Menzel) unsympathetically attempts to squash her dreams, until her fairy godmother Fab G (Billy Porter) shows up to help boost the confidence she already has in her heart.
During this 1-on-1 interview with Collider, Cabello talked about tackling her first lead feature film role, wanting to be responsible with her platform, believing in herself, her own Cinderella story, the music she’s currently dancing to, getting to put on the ballgown and slippers, the first day of shooting vs. the last day, and her desire to continue doing acting projects.
Collider: When the possibility of playing Cinderella in a big movie musical came your way, especially knowing that fairy tales and particularly princess fairytale is they’re often old-fashioned, misogynistic and sexist, what needed to be there in the character for you to feel like she was someone that you wanted to represent?
CAMILA CABELLO: I feel like I try to be as responsible as I can with my platform and putting forth messages that I stand by and feel like right to me. That is why I did the film. It’s just really empowering for women, and really empowering for me. It doesn’t have these messages that are this black and white way of looking at people, where they’re either good or they’re evil. It just has this complexity that I think is really beautiful.
You’ve had great success as a singer and performer, in that sense, but this was the first time you’re leading a film, as an actress. How did you find your inner confidence, to show up on set and lead this cast, as an actor, doing something that’s outside of what you’ve become known for?
CABELLO: I think that it was about just letting go of my ego, as much as I can, and just trying to have fun with it. Obviously, there were times where I felt nervous and I felt the pressure, but at the end of the day, it’s something that I chose to do because I believe in it. Clearly, I’m here because Kay Cannon, our director, and James Corden believe in me and they wanted me to be this character. I’m here for a reason, so I’m just gonna believe in that and have a good time.
Did you also have a real movie star moment, where you felt like you really owned that, when you were on these extravagant sets, in these costumes, and working alongside Pierce Brosnan? Did you feel the movie magic, in that way?
CABELLO: I feel like because it was my first movie, it was obviously really, really thrilling. And also, you don’t wanna feel like that, when you’re making a movie. You wanna feel grounded and present and not psych yourself out too much. I tried to just keep it as chill as I could, which is hard when there’s Pierce Brosnan in there, but I tried.
In a lot of ways, your own life journey feels like a real Cinderella story. Do you feel that way? Have you really felt a sense of that?
CABELLO: I definitely feel that. I feel like my story is a total Cinderella story. My life changed so much. I was just in Miami, with no connections, really, to anybody in the music industry. And one day, I auditioned for X-Factor and my life changed, and my life keeps changing. I definitely have been like the underdog, for sure, many times, so I totally relate to that story.
What’s it like to go from being that underdog to seeing how you inspire other young people?
CABELLO: It’s amazing. I just feel super lucky that life worked out that way. There’s just a lot of gratitude. There were a lot of really fortunate events happening.
A lot of actors talk about not wanting to watch their own performances, and you’ve said that you don’t like to listen to your own songs. How hard is it to then watch a movie that you’re acting, singing and dancing? Is that even more difficult to watch?
CABELLO: Totally. It’s very difficult. I had a lot of fun watching it because I was watching it with my castmates and my director, and we formed a little family together. And my acting coach, Anthony Meindl, was there too, so it was fun to enjoy that with the people that I made the film with, but it is, by no means, fun to watch yourself from all of these super up-close angles.
What is the strangest or most memorable place you’ve been, when you’ve heard one of your own songs start playing?
CABELLO: Hmm. I don’t know. There hasn’t really been any weird places. Out of people’s cars, on the street, is really interesting.
You’ve never been in an elevator with other people, when your own music has come on?
CABELLO: No. That would be terrible.
It’s hard to know how to handle a fame until you’re in it.
What has most surprised you about yourself, having had the spotlight shown on you for some time now?
CABELLO: Honestly, how much that is not really the fulfilling or meaningful part of what I do. Even though it might look like it because that’s the part that most people see, the behind the scenes of making the music and the people that I make it with, and also the stuff that has nothing to do with my career at all, is really fulfilling and meaningful. The actual fame part is not really a big thing that I think about.
Has it taught you anything about your own strength that you didn’t expect to realize?
CABELLO: As I get older, I my sense of self gets stronger and stronger. I’m really lucky that I have an amazing family and amazing parents. My mom has been with me for a lot of this, so I never really lost myself in that, which is more of a testament to the people around me.
You have great comedic timing that seems very natural, which is not necessarily an easy thing to pull off. Do you feel that not taking yourself too seriously helps you with just jumping in and finding the comedy?
CABELLO: Totally. Hopefully, I’ll do more comedy. I think it’ll get easier and easier. Obviously, I really cared about, and care about, this film, so I wanted to do a good job. But I think that, at my best, I am pretty funny.
You’re definitely a powerhouse, in your own right, but what’s it like to get to duet with someone like Idina Menzel? As a singer, when you’re told that you’re going to be belting it out with her, is it intimidating or is it fun and exciting?
CABELLO: It’s so fun and exciting. I love her. Obviously, she’s so talented, but also I feel like we’ve connected so much during this whole process that it was just really fun.
Had you ever found yourself belting out any of her songs, before doing this?
CABELLO: Of course. “Into the Unknown and “Defying Gravity” are some of my favorite songs.
I especially enjoyed the big musical performances in this, at the beginning and the end, with “Rhythm Nation” and “Let’s Get Loud.” Both of those are songs that just make you want to get up and dance and sing along. Do you have songs that do that for you? Is there a song you always put on when you want to dance around the house?
CABELLO: Yeah. Tight now I’m listening to a lot of Reggaeton and a lot of J Balvin, a lot of Bad Bunny, and a lot of Rosalia. That always makes me want to dance around.
How much fun was it to get to do the big performance numbers, with all of the staging? What would surprise people about what it takes to pull off something like that?
CABELLO: It’s amazing. That last finale number and that week was a real movie magic moment. It just felt very like, “Oh, my God!” The best part of a live musical is having a huge ensemble singing and dancing and doing this amazing choreography. It was a lot of rehearsals, after set days and between set days. It was definitely a lot of work, but it was a lot of fun.
If we got a glimpse into the blooper reel for this movie, what kind of things would we see?
CABELLO: You would probably see a lot of unprofessional laughter. It’s hard for me to say anything specific on the spot right now, but a lot of the moments with the comedians, like James Acaster, Romesh [Ranganathan], James Corden and Rob Beckett, were really funny.
Your Cinderella is a fashion designer and has a great sense of style. Are you the same way? Have you always had a great sense of style, or are there fashion disasters in your past that you wish you could forget and that you wish didn’t live on social media now?
CABELLO: I’ve definitely had a lot of fashion disasters because I started doing this at 15, which is crazy. I’ve gotten more of a sense of style, as I’ve gotten older. Now, I just find it a lot more fun than I used to before. It was like a chore to me. I didn’t get joy from it, but now I really do. So, I relate to her more, in that sense.
I love that this is also a Cinderella who doesn’t change who she is or give up her life for a prince. How important was that to you? Is that something that you had conversations about and that really mattered?
CABELLO: Yeah, that was one of the things I loved about the script. She’s not really giving up her life for the prince because she knows that she would just be unhappy. She wouldn’t be able to be herself. At the end of the day, you wanna be in a relationship with somebody where you can be yourself. You don’t have to give up a part of you for them. So, that was one of my favorite parts of the script. I think she’s a real bad-ass for that.
One of the things that doesn’t change with the story of Cinderella is that you still get to wear a gorgeous ballgown and have glass slippers. What did you think of her look for the ball and getting to put on that incredible gown?
CABELLO: It was awesome. Ellen Mirojnick (the costume designer) did such an amazing job with that iridescent, non-traditional version of the Cinderella gown and the slippers. I loved it. It was gorgeous.
Was there a scene that was the most technical to do?
CABELLO: There was the running scene that we had to do, over and over again. That definitely required a lot of endurance because I was just running, all day. That was definitely a little hard.
Was there a most fun day on set?
CABELLO: There were different most fun days. The day with Billy [Porter], doing the Fab G sequence was super fun and magical. And also the finale was really fun. The last song was super fun.
You’ve said that you don’t know if you could have done this with anyone other than Kay Cannon. What was it about her and her vision? What was it like to really establish that collaborative and creative relationship together?
CABELLO: I feel so fortunate. Any other person that I work with now, it’s gonna be such a high bar because she’s just such a great person and an amazing collaborator. She’s so passionate and such a good person. I think that shows in the script, her emotional awareness, her sensitivity, and her desire to stand up for people and give people a voice. She’s like the character. She’s like Cinderella. She’s a bad-ass.
What do you remember about the first day on set and shooting the first scene you had, and how did that compare to the last day that you had on set and doing the last scene for the movie?
CABELLO: The first day, I was insanely nervous. I was so nervous. And the last day, I was not. The last day, I was just having so much fun. At that point, I was just like, “This has been the best experience ever,” and I wasn’t nervous anymore.
Now that you’ve had this experience, where would you like to take your acting career next? Are you already reading a lot of scripts? Have you thought about the type of things you’d like to do?
CABELLO: I haven’t because I went into making my album after the movie. But I would love to do more acting roles, for sure.
Is there dream project, a specific genre, or a character that you’d like to play?
CABELLO: I literally couldn’t tell you. I’d love to do more comedy. I think drama would be really fun. Action would be really fun. Thriller would be really fun. There’s so much. There’s a lot there to explore it.
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