#get together (implied)

[ryllen]

[ x ]

[mettywiththenotes]

Jayce and Vi "its always two dumb headstrong bitches with a sense of justice telling each other exactlyyy"

Viktor and Jinx "its always two smart bitches acknowledging each others work but being intimidated by their power telling each other to fuck off"

[valtsv]

that shitty thing some people do where they compliment something about you, only to take it back and reveal that it was meant to be a joke at your expense when you sincerely thank them for it, used to bother me until i realised that you can just. keep it. refuse to hand that power back to them. they are never prepared to deal with this.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[divorcedfiddleford]

leave the door ajar

[claraoswalds]

#mrs flood who are you: time lord edition

[rosurie]

sometimes after a long day of being molested by the whole town all you need is to soak in the bath with your bestie (˶ˆᗜˆ˵)♡

with @wreckowafer 's yunie <3

[moonyslesbian]

ok enough discourse for the day. everyone quick whats your favourite MINOR buddie scene. like that one scene that is so small and unimportant it shoudln't even be a thing but that for some reason it stuck in your brain. i'll start. mine is in episode ten season four, parenthood, when the 118 is responding to a call and they're talking about the "good cop, bad cop" approach parents use with their child and chimney asks "can't you both be good cops?" and eddie and buck, hanging in the back together, simultaneously go "nooooo" and everybody turns to them. IT'S LIKE. it's the meaning behind it.... everyody in that scene realising that eddie and buck HAVE actually been using parenting techniques with chris cause they're coparenting a child. like for real and not as a joke

[zoriac]

Where the hell did this man get fire. Did he chop the wood himself?? Does he just carry matches around up his ass just in case he needs to ponder something?

Where the fuck even is he

[ghostbsuter]

John Constantine was in prison.

No, not a normal, mortal prison. Those wouldn't be able to hold him like this one does.

No, he's imprisoned in the Infinity Realm.

The warden of the establishment is Walker, someone whose blood sings Witch Hunter.

If that wasn't bad enough, with every second, it gets worse. Angels decided to interfere in a realm not in possession of their God.

Who's idea was it to go against the Infintiy Realm? Are they nuts?

"John Constantine," One of the messangers steps forward. There is no weapon in sight, yet.

"Under the scrutiny of Heaven, we were sent to retrieve you for a trial." Their voice clipped, blond hair shimmering a soft green and John is sweating buckets.

"Your deals with various demon folk and such shall be judged unter gods court and—"

A loud bang echoes through the hall, Walker's men are surrounding the beings of heaven and particular brave soul steps forward.

The lad is young, can't be older than Bat's Robin. He walks with an air of authority, white hair floating against gravity's rules and towering before the flock of messangers.

"How dare—"

The boy, the godling– growls.

He blocks their view of Constantine, staring them down.

Some of the angels fall back, wings arched and ready for a fight, weapons still not in sight however.

"I am Phantom, King of God's of the Infinity Realm." The child with a title too much for such small shoulders bear, introduces himself.

It sends the flock into mild panic. Constantine is just a bit satisfied at the change.

"Returns to your god and tell him this, every Constantine bearing the title Laughing Magician is under my protection."

For such a small stature, his voice is booming, the command thinly veiled as a threat and icicles forming around him.

"Tell him that if he ever dares to breach my territory once more, I will not hesitate to call war upon heaven."

The main angel of the flock, the one that had read out Constantines sentence, hesitated only for a moment before urging the others to leave.

Posture stiff and movements jerky.

They didn't expect to be told off like this, John muses.

He only slightly dreads when phantoms attention drifts to him finally, a light knock on the metal bars and the whole wall was gone.

"Follow me, John Constantine."

And John does.

He'll sweet talk himself out of this on the way to his doom. Like always.

—

("Unpopular belief, but I actually quite like you." Danny had stated once in the garden, sitting on a table and drinking tea. John hadn't touched his cup nor desert at all, cannot trust those of the infinite after all.)

(A rip into the green before them had created a portal, a gateway.

"Leave, Laughing Magician. Hold onto that necklace, it will ward off anyone with the intent to harm and deals as a warning to those working for the immortal."

And as John steps forward, his eyes meet toxic green.

"We will see one another again, sooner or later. Farewell, Jester."

The portal spat him out in his apartment in New York, if it wasn't for the protection charm, Constantine would have believed it to be a mere dream. A warning.)

[aashiyancha]

Two guys walk into a bar and (seb and sam also make a really fun rival pairing)

[hairmetal666]

Read Part One here

cw: implied child abuse

Eddie's coming over for coffee. Not Eddie with Nancy and Robin or Eddie with the kids. Just Eddie.

They haven't been alone in 9 years and now Eddie is coming over for coffee.

They're friends, of course. After Vecna they didn't have much of a choice, but they've never talked about it--that they used to be something.

After Steve kissed Eddie goodbye for what turned out to be the last time, they didn't see each other again for months and months, except for a devastatingly fleeting moment in the Family Video parking lot. And the next time after that, Eddie's pinning him to the wall of a rickety boathouse, a broken bottle to his throat.

What's going through his mind, his body, at that moment is relief. For days, weeks, months, he ached for Eddie's touch again, and even though he was in danger, he relished in the push of their bodies together. Thought, if this is how he dies, he won't mind going.

But they don't talk about it, about them, because Eddie is on the run and Max is going to die, and they have to save the world, so there's no time. In the aftermath, it's the least of their worries, and now it's been almost a decade and Eddie is coming over for coffee.

The thing is, it's not like Steve has been pining away for a love long lost in the intervening years, and neither has Eddie. They've both had longterm, serious relationships; Steve almost got married. But for Steve...Eddie is the one that's lingered, the one that knocks around his ribcage on late sleepless nights, the one that makes him dream of what might have been. Because Steve truly loved his other partners, but Eddie--nobody will ever compare.

Someone is knocking a rhythm at his front door, and he can't stifle his smile even as his heart runs riot in his chest.

"Hey, man," he says, remarkably nonchalant as he takes Eddie in. Still beautiful, still brimming with energy; his smile wide and dimpled, bouncing on his toes.

"Harrington!" Eddie grabs him into a quick side hug, slapping his back. "Since when do you wear glasses?"

Steve chuckles, touching the horn-rimmed frames. "Oh, god, Robin forced me to get them back in '87? Too many concussions." He touches his forehead. "I usually just wear contacts."

"It's a good look," Eddie says. He's very much not looking at Steve, eyes roaming around the Chicago apartment he's been to many times before.

He watches as Eddie spots the display of his own books, index finger slowly slipping across the spines in a way that makes Steve remember when those same fingers would slide down his spine. He stifles a shiver, turns towards the kitchen.

"So, how's New York? How's the book coming?"

"Livin' the dream." It's not flippant, not like how most people mean it. Eddie leaks genuineness, always has. "The book though...it's a little rough."

Steve sets the coffee maker going, brings fresh pastries and a couple plates over to the table. "I can imagine. It doesn't--it doesn't have to be the same, you know?"

"Yeah, if only I hadn't written three other books leading up to the evil mind wizard," Eddie chuckles. He grabs a croissant and tears it in half. "It'll be alright, Harrington. I'll figure it out. I lived through it the first time, after all."

Steve doesn't remind him that he almost didn't, that they almost didn't. Instead, he pours coffee, listens as Eddie talks about how to fictionalize the worst month of their collective lives.

He splashes milk into Eddie's coffee, taps in three scoops of sugar. He carries it to where Eddie waits, still talking about the logistics of Vecna-slash-Henry-slash-One in his novel, but his words abruptly stop as his hands wrap around the porcelain.

"Steve?"

It's only then that Steve realizes what he's done--made Eddie's coffee like he took it back then, made it without thinking, totally on muscle memory, when the best of his mornings were spent in Eddie's arms.

His cheeks glow crimson and he grips at the back of his neck. "S-sorry." He says. "It--is this still how you take it?"

"Yeah." Eddie's eyes fall from Steve's face, his own cheeks pink. "It's--yeah. Still the same."

"I'm sorry--"

"--Steve, I--"

They don't laugh. They both stop speaking and look at each other, faces still red. Steve thinks there's nothing for it but to get it all out now.

"I'm sorry, Eddie." He takes a deep breath. "I'm sorry I never came back. I'm sorry I didn't explain why. I'm just--really, really sorry."

Eddie's eyes are hooked on the table top, fingers twisting and twisting his coffee mug. "Can I--why? I waited and you--why?"

Steve swallows, but it gets stuck in his throat, and now he's the one who can't look up from his hands.

"My parents got home early," he manages. "My dad, he was waiting for me. I guess one of the neighbors thought it best to tell them who I'd been spending my time with."

Silence falls over the table, and he chances a look up at the man across from him, the one whose knuckles bite into his lips, whose eyes shine with unshed tears.

"You should've called me. You should've--you could've stayed with us. We would've kept you safe."

"Eddie, I couldn't. I physically couldn't," the admission costs him so much.

"Steve," Eddie chokes on his name, voice nothing but anguish. "Did anyone--You could've--you were all alone."

He shakes his head. "Robin knew. She snuck through my window to take care of me, but my parents--I couldn't--" This time the words really won't come. "We made a plan. We started that job at Family Video, and we saved up our money."

Now, Eddie's face is creased with grief. "Sweetheart, I'm so sorry."

Steve shakes his head, smiles despite the wreckage around his heart. "You have nothing to be sorry for, baby. I left you with no explanation. I broke your heart. And--and--" He thinks, what does it hurt to say it at this point. "I love you. I love you so much. I convinced myself you were better off without me, that we could have a clean break and you could get over me."

Eddie's hands cover his face, muffle the sob that slips out. "Get over you?" He whispers. "There's never been one like you, sweetheart."

He slides around the table to kneel at Eddie's side. "Hey." Deep brown eyes stare back at him, Eddie's face wet with tears. "It's always you, Ed. Always. I didn't want to say anything, if you had moved on, but--"

There's not really any transition from them talking to them kissing; Steve slips into it like he did all those years ago, when he first asked for Eddie's kiss. Their mouths slot together, their bodies fit like they always used to, perfect puzzle pieces. Steve's knees give out at the first brush of Eddie's tongue, and they collapse into a heap on the kitchen floor. Even then, they don't part.

Eventually, Steve does break the embrace, face flushed and hair a disaster, glasses hanging off one ear. "Okay, trying to be responsible here. Should we take a pause, go on a date first? Slow down?"

"Nine years isn't slow enough?" Eddie's pupils are blown, hair frizzed around his head.

"When you put it that way," Steve can't help but laugh. "I just want to do right by you, Eddie. Make up for--everything."

Eddie grins down at him, that sunshine beam smile where his dimples pop. "Tell you what, how bout you take me to bed now, and I'll let you take me on a date tomorrow?"

"Oh, you'll let me?" Steve rakes a hand through Eddie's mane of hair. "I don't think you'll have any choice."

"You sure about that, Stevie?" Their lips are so close, the brush with every word.

"Uh-huh," Steve's having trouble keeping his eyes focused, overwhelmed by the sheer force of Eddie Munson. "Never letting you go again, Ed."

Surprise! Part 2! I genuinely had no intention on doing a follow-up, but so many of you asked so nicely that it gave me this idea. Sorry if I miss anyone in the tag list and thank you for reading! @everywherenothere @tiny-enthusiast @emma-elsa-0000 @fuzzyduxk @moonythepluviophile @anaibis @rhapsodyinalto @bunk12bear @tillystealeaves @velocitytimes2 @s-trawberryv-eins @marklee-blackmore @ignoremyworld @its-a-me-a-morgan @goodolefashionedloverboi @starman-jpg @djohawke @adaydreamaway08

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[perish-the-creator]

Megatron slandering Starscream so badly in Earthspark is both tragic but also comical because imagine believing a genocidal warlord when he tells you that the person he had direct control over for the last millions of years and subjected to literal physical/mental abuse is somehow a worse person than he ever was.