#george hoyningen huene

[agelessphotography]

Josephine Baker, George Hoyningen-Huene, 1929

[mrmousetolliver]

Horst P. Horst (c.1935) by George Hoyningen-Huene

[kitsunetsuki]

George Hoyningen-Huene - Dress by Schiaparelli, 1934, from Vogue History of 20th Century Fashion by Jane Mulvagh (1992)

[dozydawn]

Madeleine Bonnardel in Madeleine Vionnet HC FW 1933.

Photograph by George Hoyningen-Huene.

Painting by Federico Beltrán Masses.

[gatabella]

Rita Hayworth in a pale pink satin dress photographed by George Hoyningen-Huene for Harper's Bazaar, Dec. 1941

[robertocustodioart]

Katherine Hepburn by George Hoyningen-Huene 1935

[gacougnol]

George Hoyningen-Huene

Katharine Hepburn, 1934

[mote-historie]

George Hoyningen Huene, Madame Grès, Alix design, Sphinx of Fashion, Grecian goddess gowns, 1936

[les-annees-vingt]

Lee Miller par George Hoyningen Huene, 1928.

[vintage-every-day]

Gary Cooper in September 1934 by George Hoyningen-Huene.

[agelessphotography]

Fashion by Lelong, Paris (Virginia Kent and Peggy Leaf), George Hoyningen-Huene, 1934

[mrmousetolliver]

Divers (1930) photographed by George Hoyningen-Huene for Lacoste. Taken for a Vogue editorial entitled "Modern Mariner's Put Out to Sea", Divers was meant to represent a chic couple on a diving board on the French riviera. It was actually taken on the roof of the Vogue offices in Paris.

[lascitasdelashoras]

George Hoyningen-Huene - Kiosque, Avenue des Champs Elysees, 1933. Paris

[kafkasapartment]

Miriam Hopkins Outfit by Travis Banton, 1934. George Hoyningen-Huene. Platinum Palladium Print.

[dozydawn]

Madeleine Vionnet HC SS 1938.

Photographed by George Hoyningen-Huene.

Model: Lisa Fonssagrives.

[gatabella]

Katharine Hepburn by George Hoyningen-Huene, 1934

"The Baron met Hepburn on the boat, coming over from Europe. He was with Ernest Hemingway, whom she wanted to meet. So his artist’s eye had the opportunity to study her informally, at close range. “Katharine Hepburn,” he says, “‘is the contrast of tremendous, burning intensity, inside a placid face with tiny features and the skin drawn tight like a drum. She is like a fire at which you would wish to warm yourself, and you would surely be burned if she did not dart away too soon. There is a fanatical expression in her eyes and a dynamo inside her which makes her slightest word or gesture take on enormous importance. With her flaring nostrils and harsh mouth, she could never be called beautiful, but her face has a dynamic quality which is more important to an actress than beauty. She could make people believe anything; she is almost hypnotic. It is this which is back of her ability. It makes everything she does dramatic, and it makes you wait for her to do something else, if only to sit down. It is too bad she has had a quick career. She should have arrived later, after work and struggle, because she has the same touch of violence that Sarah Bernhardt had—only Bernhardt had it under perfect control. She must have muscular things to do rather than spiritual. Then there is the genuine Peter Pan quality about her, too. She is always young. Her casualness as to appearance, that, also, is genuine, not intentional....”

-photographer George Hoyningen-Huene, Photoplay, Aug. 1934