#george has so much untapped potential you can get into when she's the main protagonist

[flythesail]

4x10 and 4x13 just would have been TOO good with Tristan/George. Like George scared of losing Tristan, but also having 2x05 behind her when she DID die. On top of that, the sin eater / previously possessed by a French woman and having a shortened life because of that parallel of it all. Bonus points if they haven't really acted on their feelings yet, so MAXIMUM angst. And then also, by 4x13 you can have Nancy, Ace, Tristan, AND George upset at the idea of Nancy/Tristan being soulmates.

[houseplant-central]

Yuri Katsuki does a better, more nuanced job of the "clumsy girl" trope than any female character I've ever seen

I will start this off by saying that I DO NOT think the 2016 anime about figure skating "Yuri!!! On Ice" is in any way "good cinema". It's 90% fanservice, fetishization of mlm relationships, and one 16 year old antagonist/ comic relief character being way over-sexualized (Plisetsky, where are your parents?)*.

It has some problems to say the least and I'm certainly not here to hype it up as an example of good writing or an example of good representation.

HOWEVER, Yuri Katsuki's character (the main character of the show) does an interesting thing by very closely conforming to what I would describe as the stereotype of the "clumsy girl".

My childhood and teen years were FULL of "makeover stories". Of narratives in which a nerdy, clumsy, bookish girl gets a makeover by the popular kids, gets contacts instead of glasses, and suddenly becomes a member of this societal elite, escaping former bullying. From the music video for "Last Friday Night" by Katy Perry, to (the classic) Mean Girls, to the Twilight series by Stephanie Meyer, to the Heather's Musical (although Heather's pokes a bit of fun at this trope and how popularity might not work out for you), narratives about a dorky girl who suddenly gets swept up by somebody popular and "taught" how to "be" popular permeated my youth.

Besides just giving my entire generation the incorrect impression that glasses had to be taken off in order of the makeover to be complete, these stories had the strange reverse effect of appealing to girls who felt like they were the "before" of the makeover. If Bella Swan, self described as "too clumsy to play badminton without sustaining an injury" and "too awkward to have friends" could be swept off her feet by the hottest vampire in town because he saw something in her, then there was hope for the rest of us. This sort of idea of "potential" untapped permeates the genre, because the clumsy girl was always pretty, she just needed to take off her glasses, put on some makeup, and gain some self-confidence.

The concept of "untapped potential" is also quite prevalent in the world of sports anime. Again, this makes sense, since a story about a winning athlete just continuing to win would be boring, so naturally works within this genre often start with the athlete at their lowest, and then follow them on their journey to a comeback or newfound fame. The mentor character who gives the athlete life-changing advice is also a staple, and it's easy to see how that mentor character might be similar to Regina George holding the makeup brush in "Mean Girls".

However, the creators of "Yuri on Ice" seemed to want their (questionably fetishizing) romance to over conform to the genre standards so they drop-kicked the mentor character archetype out the window and had Yuri's dreamy coach do much more makeover-ing than athlete-training. Some of this rests at the intersection of the fact that the sport of choice in the series is figure-skating, where your image matters quite a lot, and Viktor being implied to be in love with our fair protagonist Yuri**, but neither of these aspects fully explain how well the writers made this sports anime series fit into the "makeover" genre instead of the "sports anime" genre.

But back to Yuri Katsuki himself. In the first episode, we see him crying in a bathroom. We learn that he has serious issues with self-confidence in his sport and his personal life, and that this materializes in insecurity about his weight. Episode one Yuri fits nearly every aspect of the "clumsy girl" trope: he's socially awkward, quiet, and... well, clumsy. He narrates a lot of the first episode with his own voice, saying he's "a dime a dozen skater" and "totally awkward", a kind of self-narration reminiscent of Bella Swan. While the other characters are dressed in modern clothes, Yuri's in an oversized, comfortable sweater, and has a generally very outdated wardrobe. He doesn't seem to care about how the world perceives him, (or more likely won't make an effort because he's afraid of rejection). Were he a female character, this is what I would call the "not like other girls" trope. We immediately elevate him to a pedestal as the viewers because he's relatable, and in comparison, the other characters seem to be trying too hard. While this is not as prevalent in male characters from the time (because the other male characters surrounding them are rarely well dressed except for maybe one jock the viewers are supposed to hate), it's hard to find a piece of media between 2014 and 2016 with a female lead without this opposition of "main character can't dress but all other female characters are well dressed, clearly they're try-hards." (Ironic, because that main character is about to be well dressed after their makeover, but I digress).

(Yes, this is an issue that's been in media for a long time and will be for a long time still, and yes there are plenty of good examples of stories where the male main character is just "not like other boys" and has to compete in a world where the other boys are all well dressed, but cases of writers doing this to their female characters SKYROCKETED in the few years while I was a younger teen and it was slightly ridiculous).

Anyways, Yuri is insecure and undressed. But he has a heart of gold! Who can help?

Enter mentor character Viktor (who is.... very naked for some reason. Mitsurou Kubo, was that really necessary to subject my eyeballs to?). Viktor is the epitome of high class. He's good-looking, rich, and successful at his sport, and we're told that Yuri has personally idolized him for a long time. While not exactly a Regina George, he does present his offer to help Yuri in a way that implies that Yuri would be a fool not to accept his help; he's the best of the best and he knows it, he's used to hearing it.

Over the next few episodes Yuri is basically forced into a position acting outside his comfort zone preforming a figure skating routine called "Eros". There's a weird but somewhat comedic moment where a frazzled Yuri, hard-pressed to explain what the concept of eros means to him, says that eros means his favourite food, pork katsudon. While comedic, it is to me the very epitome of "clumsy girl": while other female characters might be alluring in their experience, the clumsy girl is appealing to the love interest and appealing to the male gaze because she doesn't "get it", she's not tangled up in the politics of sex like many female characters are written to be, she's different. (I could talk for hours about how problematic this aspect of the "clumsy girl" trope is, the implication that childishness/ lack of experience is attractive is so gross, but I will spare you).

As a whole, this fanservicy nonsense is fairly par for the course, but it's two aspects of the journey to completing the "Eros" program that interests me. We see him eventually go to his friend, who is a dance teacher, and ask her for help on how to move more femininely. This in part is a nod towards his future realization of his sexuality (or not, depending on whether you watched it before or after they retconed his and Viktor's relationship). But as his dance teacher friend shows him how to move with confidence, he fulfills one of the first steps of getting the clumsy girl makeover: somebody shows him how to move in a "sexy" way, and he is miraculously no longer clumsy. The other thing about this figure skating program is his literal makeover: as Regina George had given to Katy before them, Viktor gives Yuri one of his old outfits, which symbolizes the high-class and success that he's supposedly preparing Yuri for. Yuri switches his glasses for contacts (an iconic aspect of the trope), slicks back his hair, and is suddenly more confident.  

As the show progresses Yuri gains more confidence, symbolized not just by his body language but also by his clothing and presentation. He meets a fan of his and has a character changing moment when he realizes that he has a fan who idolizes him like he once idolized Viktor. This realization of new societal power is often a turning point for the clumsy girl finally feeling like she has self-worth, and indeed, Yuri immediately ties a new sense of self-worth to the knowledge that he has fans.

After quite a lot of figure skating animation, fanservice, and a weird subplot about a poodle, Yuri finds a sense of self-worth in the life he's building for himself as a member of "high society" and leader in his sport, no longer relying on outside validation. This, I think is the part that differs from other clumsy girl stories.

Why is this interesting? I think because I'm so very used to seeing female characters get shallow character development in the form of taking their glasses off, letting their hair down, and suddenly being hot, and male characters getting character development in the form of working out in a montage to the eye of the tiger and then getting hot. Despite Yuri basically only doing what female characters often do to become "popular" and no longer nerdy, his character development feels genuine, fuller, and less shallow. For him, his new look genuinely ties to internal character development, whereas in media with women it's usually all about the looks, and the assumption that a changed style must equal a changed character.

Bella Swan from Twilight, Katy from Mean Girls, and Veronica from Heathers all experienced a makeover and new look and implied character development because of a rise in social status (whether they asked for it or not), but ultimately all of them realized the popularity was not what was important to them and they went back to how they "looked" before to symbolize their identity and values shifting back to what they were at the beginning. Yuri ends the series in the fanciest suit we've seen him in yet, dancing with Viktor and excited about the prospects his new high-society life will present him with. His transformation into being self-confident is genuine, and his changing appearance was just a reflection of that internal transformation. Ultimately, I think this plotline is what the original genre of "clumsy girl gets makeover was aiming for", because it is what's most appealing to the viewer: genuine growth and happiness. But all the female "clumsy girl" stories I've seen fell flat of that in one way or another, leading me to very much dislike the trope until "Yuri on Ice" quite accidentally did a good job of it.

* to anyone who's seen this show: yes, I do know what is implied to have happened to Yurio's parents. I'm just a) quoting that vine where the kid goes "wouldn't you like to know, weatherboy" and the reporter goes "where are your parents?" and b) I'm mad that this over-sexualization of Yurio (even within the plot of the series) is something that happens relentlessly to young female characters who've "carved out a place for themselves in an adult world" and also apparently happens to effeminate (implied to be queer) male characters who have done the same thing, and that's not cool either.

**For the sake of my sanity I'll say implied, because though they kiss onscreen, there is apparently much room for debate. The original Japanese cut had them exchange engagement rings near the end of the series, but then both the Japnese version and the English dubbed version ended up having them show off their rings and say "look at our friendship rings". (Ah yes, because I love wearing a matching gold band on my left ring finger with my buddy to show the world what good homies we are (/sarcasm.))

As an interesting aside, in an Uno reverse card moment, the "clumsy girl" trope was made for the male gaze (proof: any trope that talks that much about women putting on less clothing and suddenly becoming hot is 1000% for the male gaze), and was accidentally latched onto by teenage girls. Yuri on Ice was made for the teenage girl gaze (proof: the fetishization of queer men, the pre-existing "boy love" genre that's so popular it has a name), and accidentally fell into the trope of the "clumsy girl".