#gayest scene in modern history | Explore Tumblr posts and blogs

sebastianravkin · 8 months ago

Text

Another Book Recommendation for 2024

Good Omens by Neil Gaiman and Terry Pratchett

Seems obvious and possibly pointless for the Tumblr audience, but hear me out.

CONTENT WARNING: mention of dark moments in LGBTQ+ history. If you would like to avoid, skip Point #1.

The below notes reflect a discussion concerning the book Good Omens I had with a group of my undergraduate interns over a couple of lunches last semester. Given that they all loved the show, I had assumed they had all read the book. Not all of them had, and for those that did, their knowledge of when the book was originally published and an understanding of its historical context was surprisingly limited. I thought that others may be interested in these points, and so am sharing them here.

1) *SKIP TO AVOID CONTENT WARNING* To understand the impact of Good Omens when it was published in 1990 on the LGBTQIA+ community, it helps to understand the cultural environment at the time of its publishing, at least in the United States.

The book came out towards the end of the height of the AIDS epidemic (1981 - early 90s). I can not stress enough how terrifying this was for the LGBTQIA+ community to live through. People were afraid - of dying, of watching loved ones die, of being separated from their loved ones as they died, of being ostracized, of being denied medical help, of being attacked and beaten. While there was a short fluorescence of nominal acceptance of the LGBTQIA+ community during the 1970s, the societal response to the AIDS epidemic was a huge step backwards. People became cruel(er), whether out of fear or ignorance or opportunity.

Good Omens came quietly onto the scene during this time, providing an alternate universe in which a gay-presenting angel (and his gender-fluid demon friend) could live in a world without the AIDS crisis. At the same time, this angel did live in fear of his world literally ending, and really would like to have just gotten back to his comfy chair and his Regency silver snuffboxes. Escapism reading at its best, really.

In addition, the book was published in 1990, so before many of the cultural moments that helped lead to social change but are now taken for granted. Such as . . . .

-Freddie Mercury died of AIDS in November 1991 (which, by the way, means there was a very short window of time where people were reading Good Omens while he was still alive).

-Sir Elton John came out in 1992

-“Don’t ask, don’t tell” became official policy of the U.S. Military in 1993 (finally repealed in 2011)

-the establishment of LGBTQIA+ centers on college campuses surged in the mid-1990s

-Ellen came out on her show in 1997

-Will and Grace first aired in 1998

-Matthew Shepard was murdered in 1998 (the Federal Hate Crimes Prevention Act bearing his name was not passed until 2007).

2) The book is queer coded for 1990. As queer coded as the show is for current times.

I have heard multiple comments from GenZ students along the lines of ‘there is nothing queer about the book’, and I have read commentary that Neil Gaiman caved to fan pressure in modernizing the script for the show. But I have also heard comments from GenX peers, including one of whom said “it was the gayest book I read in the 90s”. I have highlighted 15 passages in my teaching copy of the book that would have been queer-coded in 1990, 12 of which would go unnoticed today as far as I can tell based on discussions with many of my Millennial and GenZ students.

It is important to keep in mind that the vocabulary of the 1980s and 90s relating to the LGBTQIA+ community was exceedingly limited; Mr. Gaiman and Sir Pratchett worked within this limited vocabulary, and were working within the stereotypes of the times, to portray Crowley and Aziraphale. And readers are meant to love them. Possibly more importantly, the derogatory comments concerning Aziraphale come from unlikable characters, and so the reader not only ends up feeling defensive of the angel but also does not want to be associated with those who hold negative opinions of him. I can think of few better ways to create social change.

In terms of the show adaptation, whenever I watch a movie or show based on a book, my first concern is whether or not the adaptation makes me feel the way the book did. I am not an artist, so I do not know how one translates the written to the visual and I do not envy those attempting to do so. But I do know that successful adaptations are almost never a one-to-one translation. What I can say in this context is that, to me, the show does feel like the book in terms of its themes, its humor, its timely social commentary. So whyever and however Mr. Gaiman updated it, I would argue it was successful.

3) It is my understanding that Good Omens is the first book written by cisgendered heterosexual males for a general audience that portrays a gay-presenting character and a gender-fluid character as main characters in a positive light that does not end in a tragic way. This is huge. This is Captain Kirk and Uhuru’s kiss huge.

Historically, LGBTQIA+ people rarely get positive representation in mainstream media. Rather, LGBTQIA+ characters in literature were often portrayed as villains in early writing, and are often used as comedic relief in more recent work. When there is a sympathetic main character, their story usually ends in tragedy. While tragic stories are very much a reality for many LGBTQIA+ people, it is incredibly important to also have stories that do not end in heartbreak or death. And it is also incredibly important for LGBTQIA+ characters to be part of the norm in main stream story telling as this leads to broader social acceptance. Good Omens provided LGBTQIA+ readers with a sense of belonging in the greater world, while ‘normalizing’ the happy existence of LGBTQIA+ people to a broader readership. This type of representation, presented by heterosexual white cisgendered male authors (at the top of the power structure in 1990) is a key moment in the slow but steady grind leading to social change.

In summary, read the book. Whether you are a fan of the show or not, and regardless of your generation, this book has a lot going for it. Above and beyond its importance to the LGBTQIA+ community, the book includes broader commentary on religion, good vs. evil, right vs. wrong, and identity in general. The menacing humor of Gaiman and the loving satire of Pratchett is a combination that is unequaled. The book is funny, thought-provoking, well-written, and has a lot of great characters above and beyond a particular angel and demon (who are only in about 1/3 of the book). And as you read it, understand its historical context, and love it for the role it played in getting us to this cultural point in time.

#good omens #evelyntyler #books #books and reading #book reccomendation #neil gaiman #terry pratchett

45 notes · View notes

kaletastrophes · 2 years ago

Text

The great Ethan Hawke once said “I’ve always had a thing for Westerns.” I, too, have always had a thing for Westerns. And a thing for Ethan Hawke. And, for the past year, a thing for Pedro Pascal. And next month all of my things are combining into one big thing. A film called “Strange Way of Life”, a Spanish western (anti-western?) about two former friends (lovers?) reuniting after 25 years apart.

To celebrate this momentous collaboration of all my "things" I would like to submit to this website a small collection of Westerns I believe would be helpful to watch before the release of Strange Way of Life next month. I’ve tried to give each film in the list a summary and a small explanation of why I included it in the list.

Some of these I’ve included simply because of how wonderful they are, some because I believe they’re going to inform Strange Way of Life in one way or another, and one because I, no lie, watched it in a movie theater with Ethan Hawke himself at a film festival he put on.

(@the-ginger-hedge-witch hi! I hope its okay to tag you the western queen in this! I thought maybe you would be interested in this western love fest.)

Without further ado:

Westerns I believe would make wonderful companion films to Strange Way of Life:

Red River

How does one delicately say….the scene in which Montgomery Clift meets John Ireland is so homoerotic and so sexy it’s almost unbearable. Have you ever wanted to watch two cowboys compare the weight and size of their dicks by trading guns? Well you’re going to love this film! To put it simply, as a wonderful youtube comment said, “give me one heterosexual reason for this scene. SPOILER there isn’t one!!” Exactly. This film has been hailed in film history for 2 things: the first being that Montgomery Clift burst onto the scene in this movie with a new way of acting (the method) that was so incredible it changed film acting forever. Literally. FOREVER. The second being, this is one of the gayest westerns ever filmed and has been viewed as one of the brightest examples of how homosexuality always found its way past censors. Clift and Ireland were lovers in real life and wow does that come through in every second of this film. Yes, sadly, John Wayne is in this film, but please don’t let this deter you. It’s simply incredible.

Summary: A father (John Wayne) and his adopted son (Montgomery Clift) feud over the management of a cattle drive from Texas to Kansas.

Unforgiven

What happens when one of our greatest Western actors ever, Clint Eastwood, thinks "actually Westerns promote an unrealistic black and white version of history and a kind of violence that is unrealistic at best and actively harmful to our society at worst"? You get THE Western to end ALL Westerns. (Note: please heed trigger warnings for this film!)

Summary: After a sex worker is assaulted, William Munny (Clint Eastwood) comes out of retirement to take one last bounty job and must finally confront the violent and reckless past he thought he left behind.

The Wild Bunch

One last job goes bad trope? Check. Men who have aged just enough they cant understand the modern world that now surrounds them? Check. Men driving themselves to madness after they violate their code of ethics by betraying a friend? CHECK. This film has it all, and it's why its considered one of the greatest Anti-Westerns ever made. And, as I've now mentioned twice before on this site lol, the wine scene in the Strange Way of Life trailer is, I believe, a direct retelling of a scene in this film.

Summary: An aging outlaw gang on the Mexico–United States border plan to retire after a final robbery but find themselves having to adapt to the changing modern world of 1913.

Hud

Paul Newman is HUD! Would you believe I added another Anti-Western to this list?? A father and son fight after their cattle falls ill. Thats the simple summary. My summary: What happens when masculinity becomes so toxic it's like a disease infecting everything and everyone around it? HUD is what happens. This is one of the films I watched at Ethan Hawkes film festival, Paul Newmans West, earlier this year. It's staggering. Hawke has clearly spent a long, long time thinking about Newman, Westerns, and his own life and career. Its hard for me to imagine he didn't carry at least a piece of this performance with him into Strange Way. (Note: please heed trigger warnings about this film as well!)

Summary: Honest and hard-working Texas rancher Homer Bannon (Melvyn Douglas) has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud (Paul Newman).

The Power of The Dog

ANOTHER gay anti-western?? Yes. YES. One of my favorite films. Loneliness and internalized homophobia destroy, we all know that, but it feels like it's never been said more powerfully or put more fully on display than in this film.

Summary: A domineering rancher (Benedict Cumberbatch) responds with mocking cruelty when his brother (Jesse Plemons) brings home a new wife and her son, until the unexpected comes to pass.

Brokeback Mountain

The film that started it all! Almodóvar famously turned down directing Brokeback Mountain in 2004 because he felt the studio would stifle his vision. “(Strange Way of Life) could be like my answer to Brokeback Mountain."- Almodóvar What more is there to say? A watch (or re-watch) is imperative.

Summary: In 1963, rodeo cowboy Jack Twist (Jake Gyllenhaal) and ranch hand Ennis Del Mar (Heath Ledger) are hired by rancher Joe Aguirre as sheep herders in Wyoming.

Extracurricular Films

Westerns staring Ethan Hawke:

The Magnificent Seven

In a Valley of Violence

The Kid

The Good Lord Bird (miniseries)

Westerns staring Pedro Pascal:

Kingsman: The Golden Circle

Triple Frontier

The Mandalorian (series)

The Last of Us (series)

Films shown at Ethan Hawke's Film Festival, Paul Newmans West:

The Left Handed Gun

Hombre

Hud

The Life and Times of Judge Roy Bean

Buffalo Bill and the Indians or Sitting Bull's History Lesson

Highlights from Pedro Almodóvar's directing career:

Women on the Verge of a Nervous Breakdown

Tie Me Up! Tie Me Down!

All About My Mother

Talk to Her

Bad Education

Volver

Parallel Mothers

#I love movies yall! if you wanna talk about ethan or pedro pascal or movies or westerns that would be swell just reach out!#Ethan Hawke #pedro pascal #movies #Pedro Almodóvar #strange way of life

122 notes · View notes

absolutebl · 2 years ago

Photo

2 Moons Ambassador

AKA 2 Moons 3 AKA 2m3

Thailand 2022 Motive Village

7/10

Tropes: E2L, obsession, popular/nerd, university set, pining seme, sunshine/sunshine, openly gay seme, bisexual uke

(I usually don’t review 7/10s because there are so many of them, but in this case I binge watched and took notes, so hey, here’s what a 7/10 looks like)

Random thoughts:

Basically we open with a recap of 2 moons 2 (NOT 2 Moons original), some are scene for scene re-shots, which acts as an introduction to the new actors in the same roles.

Pairs are:

PhaYo - uke has glasses

ForthBeam - no distinguishing features

MingKit - uke has braces

But these are all side couples, and we have a different new main couple of loser moon + ultimate hot guy too-lazy-to-moon, TatchLom.

Gay af Tatch has a huge crush but only knows how to neg. Honestly, this is so common in BL it should be a seme character archetype.

This BL pulp acts like a show that came out 5 years ago (considering the source material I'm not at all surprised). It’s full of ALL the flaws & tropes:

faen fatale

stilted dialogue & bad sound

blushing maiden trope

awkward acting & stiff (in the wrong way) physical chemistry

nonexistent yet also convoluted plot

punching down humor

gayest bridge in Thailand

They even have the thing where the boys’ makeup on jaw line isn’t blended properly.

On the bright side, when the main couple starts liking each other, they communicate properly, talking about why they behave the way that they do, and why they flirt that way. It’s actually a really sweet relationship. They gave me Nitiman vibes only with better resolution. No bad thing, frankly, I have a soft spot for Nitiman. They also both have nice wingman, and friends trying to be supportive and giving them good advice.

There’s a noted correction for dub con, permission around sex, and one of them is openly gay, and his not liking women turns out to be a defense and a plot point in a good way.

There is a lot of unnecessary manufactured drama and angst. For the sides this was basically the definition of their plots and they intersected not at all with the mains, so you can safely skip them. The plot is dumb.

That said, a small part of me enjoyed some of the drama around the twins and Tatch’s broken friendships prior to university, and I wish that was more of the whole plot and we got less of manufactured misunderstanding couple angst. That said it descended into some TharnType Mame level kidnapping nonsense at the end.

Favorite scene?

The table of gay boys going gaga over the new hot one in their midst was pretty darn amusing, very germane to the queer experience, quite frankly.

Oddness?

Main couple moves right on from first kiss to first sex scene. Although I do like how realistic that part felt to a first college relationship, especially when one half has been jonesing for so long.

Quick Pitch

A Thai pulp that felt like it came out 5 yrs ago with many of the flaws inherent to that time and studio system, including manufactured angst and convoluted plot, but an ultimately sweet main couple that (as a pairing) feels a bit more modern and is satisfying to watch together.

This will probably go down in history as one of the few BLs where I genuinely didn’t care about any of the side couples.

(source)

Shout out to ThailBLFan92 for the fun subs with extra notes, always appreciated.

#thai bl #bl review #thai bl pulp #do not honor the crumbs #Thai pulp #TharnType #Nitiman #TatchLom #2 Moons 3 #2 Moons Ambassador #2 moons the series #2 moons 2 #Motive Village

89 notes · View notes

eremin0109 · 3 years ago

Text

In an alternate universe, TDJ would say fuck it and film an extensive, six minute long, intricately gothic, inherently gorgeous, intimately detailed and probably the GAYEST sex scene in the history of modern media:

Gaon/Yohan/K and Jinjoo/Sunah/Jaehee dual threesomes.

40 notes · View notes

fanaticalparadox · 6 years ago

Note

001 kiribaku

when I started shipping it if I did: Hmm I think it was after the grab my hand scene? Around there

my thoughts: god tier ship. I have a whole thing i posted awhile ago about them but Yeah I think they’re great. They have some of the best relationship development in the show, even if we don’t see all of it onscreen. It’s good for both characters, too. Bakugou challenges Kirishima to push himself past what holds him back, while Kirishima acts as a bridge between Bakugou and other people. Plus they have all the gayest moments in the show so.

What makes me happy about them: there’s a possibility of canon because neither of them have endgame female counterparts, and both of them are gay-coded.

What makes me sad about them: they most likely won’t be canon because uhhhhhhh it’s shonen jump

things done in fanfic that annoys me: having it be one-sided. Like it’s only Kirishima helping Bakugou, or vice versa. It’s a mutual relationship, even if it’s just platonic. That’s the whole point. It annoys me when Kirishima or Bakugou (mostly kiri) is feminized because they’re both supposed to be ‘Manly’ characters (bakugou is sort of the toxic masculinity while kirishima is the not toxic side of the spectrum in my opinion). Idk it bothers me, especially since it reminds me of when people fetishize trans guys. I also don’t like porn of them thx they’re kids.

things I look for in fanfic: uh angst. Pining. Multiple chapters. I like modern day aus without quirks. Artist Bakugou or something.

Who I’d be comfortable them ending up with, if not each other: I like Bakugou with Todoroki but honestly, I don’t want Bakugou with anyone else. I feel like he’s kind of aro/ace coded, so like I’d be just as happy with them going down that route. Kirishima... i like him with Kaminari or something? Idk he’d go well with anyone.

My happily ever after for them: Uh together and domestic and perfecto. I don’t know. I want them to be happy.

who is the big spoon/little spoon: anyone who says bakugou is not the little spoon can fucking leave

what is their favorite non-sexual activity: I honestly don’t know. I had a dream the other day that they went out for karaoke and started doing epic rap battles of history and bakugou just knew every word to every one because he was one of those 4th graders when those vids came out. Idk. I guess that’s my answer

41 notes · View notes

abitterlifethroughcinema · 6 years ago

Text

The Wrap, Part II: Return of the Curse of the Creature’s Ghost!

Film Reviews from the 51st Annual Sitges Fantasy/Horror Film Festival

Lucas A Cavazos

It would be of utmost denial to oneself to not take part in the occasional puff of marijuana and/or odd glass or two of red wine whilst shuffling about Sitges during this type of festival. I tell you, in this gayest of cities (and yes, I mean that in both senses of the word), nothing says loving like soaking up sun and guts while having the right side of your brain open. To quote Henry Miller…”The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware.”

And it is in that vein, I present to you the latest film starring Nicolas Cage, Mandy ###-1/2…Could it be that Nicolas Cage might actually have something interesting to offer now that he’s well past 50 and ready to go beyond simple nut job roles and wannabe-buff, action hits and flops? Last year, this festival premiered the currently in-run and VOD film called Mom and Dad with Selma Blair, and if that was a thing of fun and delight, which is was, this film is much more darkly mirrored and rife with psychedelic imagery, and it must be discussed. To note, it does contain ye olde, ubiquitous screaming-whilst-having-a-psychotic-fit Cage scene, doubt ye not! Set in turn of the decade 80s, Red (Cage) and Mandy (Andrea Riseborough) have removed themselves from the majority of society and live a life of slight isolation, that is until one day, Mandy is abducted by some occult-like sect with grave intentions. Linus Roach (Priest) plays Jeremiah Sands, a man who can call forth demons and demonic creatures, and when psychedelia meets rancour, flames go up and and as they do, someone in them, as well. This is where the film turns into a contemplative narrative tale on revenge and turmoil, highlighted by a tinge of hallucinogens and wasp venom, and I cannot begin to tell you how eerily creepy it is to see Linus Roach after so many years in a role like this that sends chills down your spine in ways that create sheer panic and disgust. Watching Cage take revenge is a joy and wonder, and it should be noted that the film won two of the Sitges 51st Official Selection Awards for Best Director, which went to Panos Cosmatos and Best Actress going to Andrea Riseborough, who also comes up a bit later down below. A piece of rogue psychedelic modern art on celluloid if ever there was one, tinges of Wes Craven, Heavy Metal cartoon imagery and sleep paralysis demons make this Nic Cage vehicle one of the best things he has done in simply years.

Making my way over to The Retiro in the heart of bustling Sitges to screen the noir-like film The Dark ###, I realised that I was late and upon arrival, I was quickly ushered upstairs and had to make do with a single chair propped up next to an upstairs balustrade. The Dark is an eerie piece that preys on the power of the unknown to scare the viewer into wanting to know more about its strange characters…and then the film reveals those secrets in flashback. Despite its title, there is very little in relation to darkness other than the tone of the film and its narrative of teen spirit gone horribly awry. In a former entry, I spoke of how a screened premiere entitled Zoo had encroached upon fresh zombie territory, and until recently as just over a decade ago, zombie cinema was a mostly contained affair, and reserved to a select grouping of films annually. That all changed with the mid-noughties and this latest entry into its subject matter baits us with unexplained tidbits, starting when a one Josef Hofer (Karl Markovics), described as armed and dangerous, makes his way to a rather haunting locale, where death finds him in the form of Mina, perma-resident of this cursed abode in Devil’s Den, a forestal area with a history of hauntings and Mina is that person/monster haunting those very woods. But then she discovers Alex, a blind and also-scarred teen who had been Hofer’s captive, and together the two make off for a disturbing adventure, which borders on heartfelt while also sadistic. If anything, this piece certainly toys with emotions and good cinema ought to do just that.

The Sitges Fantasy/Horror Film Fest is divided into many distinct sections, such as the main Official Selections, Noves Visions,which promotes newer filmmakers and diverse subject matter, Melies Feature and Short Film sections, Asian Focus, Animated Fare, The Orbita promoting mixed big budget and indie fare, Fanastic Discovery Features promoting obscure (and often deeper) cinema, the B and Z-grade fare of the Midnight X-Treme selections, as well as, the Critics Jury Selection. All of that to say that there is nary a specific genre within the fantasy film/horror movie genres that is NOT touched on by this film festival. Winner of the Orbita Award for Best Picture went to the US studio outfit entitled American Animals ###-1/2 and what an astounding effort it provides its audience into a peek at the rather modern mindset of the ageing millennial. Telling a 2004 real-life story by British director Bart Layton, he of the haunting 2012 film The Imposter, this 2018 effort documents how four white youths from good, hardworking families failed to fully realise a masterminded effort to steal one of, if not, the world’s most valuable book. The multi-volume Audubon Society’s Birds of America, not to mention Darwin’s first edition copy of On the Origin of Species were just two of the books to be included in a heist that Transylvania University students Spencer Reinhard and Warren Lipka (played to perfection by Barry Keoghan and Evan Peters) foolishly decided to rob from the special collections library department. To say that the subject matter is mid-level at best might be a tad harsh but only just so; that said, the way Layton maps out the mental state of these middle-to-upper middle class boys should give all of us a hint as to where these boys, and millions like them, are coming from. The plan of a heist is bred with the idea that their spoiled lives have hindered their true creative identities, and so to tell the story, the director secured interviews with the actual perpetrators and spliced that with top grade talent re-enacting the actual events. The film cannot be heralded as a thing of wonder, as it truly details the dumbest snafu of a heist ever on American soil. But what it succeeds in showing is that insecurity, lack of identity, and seeds of doubt are rife amongst today’s young adults, and if we are not fomenting stronger individuals as siblings, educators, parents, et al…we will continue to create these spoiled races of highly non-autonomous individuals. Give them some tough love, for goodness sake. Worthy of a view for any parent or educator.

AND NOW FOR SOMETHING COMPLETELY DIFFERENT…Lars Von Trier, he of the Dogme 95 cinema movement and so many odd, jarring and sometimes good celluloid pieces…see Celebration and this film as examples please…he of the “understanding Hitler, I’m a Nazi” joke he pulled a few years back at Cannes, which then had him banned for half a decade, premiered his latest work last week at Sitges. It a doozy of a film that garnered some decent attention and a European and Spanish distributor, for sure. It’s been a hot minute since we’ve seen Matt Dillon on the big screen, and the brief time with Uma Thurman at the film’s beginning is a dark scene of beauty…and then not. Here’s the thing, as always we are dealing with the tortured mindset of a Scandinavian director who seethes out his demons onto celluloid, but that alone does not make it exceptional art, although I truly believe he thinks it is. In turn, I truly believe that von Trier is quite likely a mitigated sociopath. That said, while there is a bit of reverential awe to his masterful ways of movie manipulation, it is his use of dark comedy that sets this film apart from other recent fare he has brought us. Matt Dillon plays the titular character and while amusing at first, he soon grows languidly repetitive and chauvinistic, and while there are scenes of comedic brilliance, such as an OCD-related clean up job that leads to an incident with a policeman or the bang-down job he does trying to dispose of bodies in a freezer, it is impossible for this student and teacher of history to not associate the fact that we are watching a man, a DANISH man no less (do your research as to why I emphasise that, chirren) play out his darker inner recesses for our viewing interest, but it surely makes me aware that we are also likely dealing with his pathos. That’s what really makes The House That Jack Built ###-1/2 really scary.

Lastly this entry, Nancy ###-1/2 brings up the actress Andrea Riseborough again, and I would like to note that often at awards season and ceremonies, actors get rewarded for an individual work, which often plays testament to all the other work they’ve done in their field that year. As Riseborough won Best Actress at this year’s Sitges Fantasy/Horror Film Fest, I believe this piece was much more deserved than the aforementioned Mandy for that award. I also find it compelling that she as an actress chose to make two, back-to-back films about tortured women with their names as the movie titles. Nancy is a quasi-failed career woman tending to her mum who suffers from some neural disorder and who is unintentionally suffocating her daughter with complaints and stress…but when mum dies suddenly, what is Nancy to do but discover that she was likely abducted years earlier and soon begins to associate herself with a long lost child case never resolved that might fit her theory about herself, however strained it is. What ensues is a emotional tour de force involving the parents of the long missing child, played to award-level precision by J. Cameron Smith as Ellen and Steve Buscemi as her hubby Leo. When Nancy sets up an appointment to meet with them, they take a shining to her at once and while awaiting DNA results, take her in to stay with them, including with her cat to which Leo is allergic. As scenes go by, even though this might be more in order in an indie film fest rather than here at Sitges, you also understand that the fantastical elements lie in the mind of the titular woman, as well as, in director Christina Chloe’s softly brutal touch. A film meant for those who understand healing and suspension of (dis)belief, Nancy gives Andrea Riseborough a chance at becoming a celebrated actress to emulate.

#abitterlifethroughcinema #sitges film festival #mandymovie #TheDarkFilm #americananimals #the house that jack built #NancyFilm #matt dillon #steve buscemi #nicolas cage

1 note · View note

pinkspaceclub · 4 years ago

Text

Gay Travel Paris

Paris has all of the elements one needs for a fabulous vacation: romance, history, culture, and a population who embody la joie de vivre. Men sipping espresso at sidewalk cafes, women walking their canine companions down the wide avenue of Les Champs-Elysees, or couples frolicking carelessly around l’Arc de Triomphe, nothing is finer than a trip to Paris!

The center of gay Paris is the Marais, an old district in the 4th Arrondissement of Paris with lovely, narrow streets breathing centuries-old history. You'll find a good deal of gay bars, cafés and shops here, as well as plenty of gay-friendly eateries. The Marais is right in the heart of Paris where you'll find plenty of activities and things to do, walking distance to some of Paris' best museums anad culture. The close-knit community of the Marais makes it a lively and happening place to explore both at night and during the day.

Paris was the first European capital to vote in an openly gay mayor, and the city recently has hosted a number of important LGBTQ events, including the Gay Games in 2018.

Paris Gay Scene

Paris offers the gay traveler excellent nightlife and a comfortable atmosphere. The gay scene keeps its home in Le Marais, where you will find gay bars, restaurants, cafes, and shops. But while Le Marais is the heart of gay Paris, you'll find gay-friendly venues throughout the city. Club Banana Café has been around for ages, and while it hasn’t changed with the times, it remains popular in the Les Halles district. In Le Marais, sneak into Le Duplex for some quiet conversation, or be seen on the gayest terrace in town at Les Marronniers. French gays will be more than happy to stutter out their English – as long as you attempt to butcher French. Don’t expect them to know English, make an effort, and it will go a long way towards making a new friend! Lesbians are well looked after in Paris such as at Les 3W Kafé. Explore more lesbian travel tip for Paris in this gay travel diary.

While Paris is quite literally a city of love, the Paris pride festival (Marche des Fiertés) is not as international or as big as other European capitals, but it is the biggest LGBTQ event of the year in France.

When to Visit Paris

To maximize your croissant-nibbling, coffee-sipping, people-watching café time, we suggest visiting Gay Paris any time throughout the summer season when you will find that it is not too crowded since many Parisians are away for vacation. June is a fantastic time to be in Paris with the best weather, though you might run into large tourist crowds and long lines at tourist hotspots like The Louvre or Eiffel Tower. Visit in the summer for La Marche des Fiertés, the annual gay pride parade and festival in Paris. Paris Plage is a must-see in the summer when the borders of the River Seine are transformed into a beach promenade.

Expect to bundle up on French winter days as the temperature can be quite cold, but rarely will it drop below freezing. The spring and autumn months are comfortable, but of course quite unpredictable! October hosts the Nuit Blanche cultural festival, where artists add their creative energy to the city and makes a fine time to visit. But in the colder months, there is still plenty to see and experience in Paris, even if it's just enjoying an afternoon at a typical Parisian cafe.

Paris Gay-Friendly Activities & Attractions

Paris has been carefully planned for pedestrians with wide beautiful boulevards, manicured parks, and a dense network of public transportation. The Metro, buses, and trains, all allow easy access to destinations throughout the city and surrounding countryside. A map is highly recommended, as the serpentine streets lined with picturesque cafes, can easily cause visitors to lose themselves. Though that's part of the joy of being a tourist in Paris. The city is divided into 20 arrondissements, or districts, that spiral clockwise out from the city center, like the shell of l’escargot. Here are some of our favorite things to do in Paris

Notre Dame

On Monday, April 15, 2019, flames overtook the beloved landmark and religious site in Paris. All of our eyes were on Paris as a touching video of a crowd gathered near the Notre Dame to sing "Ave Maria" and pay their respects to this beloved piece of history and culture. We at the GayTravel.com are saddened by the damage and destruction done to this architectural treasure, but also encouraged by the fact that part of the cathedral was able to be saved, according to Paris Tourism, and by the fact that so many people have rallied to support the rebuilding of this iconic 800-year-old structure. In 2018, we named Paris the first GayTravel Approved® city in Europe, and our love has not faltered one bit. Paris, we stand with you through this tragedy and look forward to the day when the Notre Dame will be restored to her former glory! Even if you cannot visit the Notre Dame Cathedral while it undergoes renovations, you can still visit the banks of the River Seine to view it from a distance.

Centre Pompidou

While The Louvre is the largest art collection in Paris (and the world), the Centere Pompidou museum shouldn't be left off your radar while visiting Paris. The museum has an impressive collection of modern and contempoary art, many by openly LGBTQ artists. Check their exhibitions, as the museum regularly puts on exhibitions related to social and political causes.

Les Mots à la Bouche

Paris is famously a town for writers, poets, and artists, and it seems so many famous creatives throughout history have called Paris home at some point. Les Mots a la Bouche is a legendary booksstore in the Marais neighborhood which specializes in LGBTQ literature, community events, and more.

Paris Gay-Friendly Dining

Ground Control

Orchards, patios, clubs, boutiques, and above all, a dining area with a dozen venues offering ethically-produced world cuisines, the Ground Control market is one of the coolest spots in Paris, especially on a summer night. On weekends, it feels more like a club, though with lots of indendent food vendors with the highest quality foods and drinks available.

Maison Breguet

Under a great skylight and in a beautiful setting full of fresh plants, chef David Lanher creates a generous and convivial atmosphere with creative French cuisine on the menu.

Flow

For a unique dining experience in Paris, Le Flow is a restaurant on a boat! Located on the Left Bank, le Flow combines dinner, a theatre, and a rooftop all on a spacious barge anchored on the River Seine with a view of Pont Alexandre III.

Paris Gay-Friendly Bars & Nightlife

Most of the gay nightlife in Paris takes place in Le Marais—which on a summer weekend night, comes alive with bar-hoppers, both local and tourists.

RAIDD

One of the most iconic gay bars in Paris, RAIDD is a popular late-night club with regular DJs spinning tunes late into the night. The crowds here vary, but the real attraction are the go-go-dancers that dance in a rain room behind a waterfall.

Duplex

Just a short walk from Le Marais, Duplex is a more cozy and comfortable gay bar where you might be able to strike up a conversation with a stranger. The crowd here is a bit more bohemian than the Le Marais bars and you're more likely to here Morissey than Lady Gaga from the DJ.

Cox

Cox is the quintessentially Parisian Le Marais gay bar, with big windows for people-watching and often a crowd that spills out onto the streets. Come for happy hour for the best crowds and better opportunities to meet locals.

Safety

The vast majority of Paris is gay-friendly and travelers will have no problems holding hands or kissing a partner while outside. Like other European cities, Paris is relatively safe for most travelers, though with increased political and international issues universal across Europe, take care with your belongings and be aware of the surroundings. Most tourist neighborhoods in Paris are safe to visit, though be aware that petty crimes are common on the Paris metro subway.

1 note · View note

glenngaylord · 5 years ago

Text

PATTON PENDING - My Review of SCREAM, QUEEN! MY NIGHTMARE ON ELM STREET (4 Stars)

[Excerpted from https://thequeerreview.com/ ]

I have a very rare and unusual relationship to A Nightmare On Elm Street 2: Freddy’s Revenge. Long considered the gayest horror movie ever made, its homo panic subtext, which really just plays as text, feels unmistakable through a modern lens, but back then? It depends on who you ask. I should know. I was there.

For much of the 1980s, I worked in production on films, and New Line Cinema offered me a job on their rushed-out sequel to their instant horror classic about a man named Freddy Krueger who haunted people’s dreams. When I read David Chaskin’s script, I was floored by its depiction of a male scream queen named Jesse who freaks out whenever he gets intimate with a woman, races off to spend the night with his hot male best friend, experiences dreams set in leather bars and in the showers with his naked, tied up coach, pretty much invents twerking, and bemoans the fact that, “Something wants to get inside my body”. As played by Mark Patton, Jesse spoke for every queer kid who didn’t have the words to express his feelings. In1985, when the film was made, few could articulate what seems so blatant now. Still, all it took was a sideways glance to other crew members as we watched Freddy caress Jesse’s face with his knifed glove to understand the film we had in store for an unsuspecting public.

Elm Street 2 derailed the promising career of Patton, sending him virtually off the grid for the past thirty plus years. Scream, Queen!, the new documentary by directors Roman Chimienti and Tyler Jensen, initially takes us on a deep dive into the homoeroticism embedded into the sequel. Had it stopped there, we would have had a delightful fan service documentary. We hear from its director Jack Sholder and cast who all had their own take on the material, enough to send you home chuckling knowingly at what you knew was there all along. The film instead wisely chooses to take a more global perspective as we take Patton’s journey from failure and resentment to finding his voice and giving birth to a strong, stirring activist for LGBTQ+ rights. Who knew he had THAT inside his body?!!

Patton, who had just triumphed on Broadway and in film with his performance in Come Back To The Five And Dime, Jimmy Dean, Jimmy Dean, scored his first lead role with Elm Street 2, and clearly had the talent to go far. Unfortunately, his rise came during a particular time in Hollywood history when even the whiff of gayness could keep an actor from working. In auditions, such comments as “too soft” meant Casting Directors thought you were too gay to play straight. The implied message? Gay is bad. Gay doesn’t sell tickets. Get that gay away from me! It didn’t help that the AIDS crisis reared its ugly head, sending shockwaves of paranoia throughout the industry. Once the film came out, Mark couldn’t find much work, so he retreated from the business and moved to Mexico.

Unbeknownst to him, Elm Street 2 developed a cult following years later, with fans recognizing its unique place in horror history. Soon, Patton started making the rounds at horror conventions, which sent him on his quest to understand what happened and why. Scream, Queen! methodically takes us along with Mark as he meets fans, embraces his iconic dance in the film, thus learning how to laugh at himself. Some documentaries would end here as we look back with clear heads at something so absurd, but Chimienti and Jensen stand by Patton, who wants more answers. He seeks an apology from Chaskin, who had put the blame squarely on his shoulders for anything and everything gay in the film. He suffers through some mansplaining by Jack Sholder, who thinks Mark should simply drop everything. Neither, however, come across as villainous. Both simply never had the tools or the awareness to examine themselves properly. Mark, steadfastly wants to better understand how homophobia ruins lives and how perceptions of masculinity and femininity create unreasonable gender norms. Once a closeted actor, Patton stands firmly out about his sexual orientation and his HIV+ status, and with zero fucks left to give, he won’t back down from people who tell him he has to just let it all go.

I also went on a similar journey with this film. Mark and I didn’t really get to know each other during production. He would barely make eye contact, perhaps afraid he be “seen”, or maybe he just had too much on his mind. We really didn’t strike up a friendship until we met again at a party in the late 1990s. He spoke of the inequities surrounding that film, and it brought back my own memories and feelings. About 5 years ago, I happened to be at a film festival in Savannah, Georgia, and ran into Bob Shaye, the film’s producer. I told him he wouldn’t remember me, but I had worked on his movie. He asked me to join him for drinks and couldn’t have been sweeter. My interactions with Mark gave me the courage to ask him why he and the other filmmakers had denied Elm Street 2 had any intentional homoerotic undertones when it was so obvious even at the time. He copped to it being a business decision. Laughing, he said, “And in that bar scene, I was wearing a harness from The Pleasure Chest!” I laughed along with him and thanked him for his candor. Mark, whose evolution we witness in the documentary, may have laughed too, but he would also likely have looked at Shaye, with all of the hurt three decades of outrage can muster, and said, “It affected me.”

Some moments in the film verge on narcissism, such as when Mark tells someone, “This is all about me”. For a moment, I thought he needed to take it easy as well. In sticking to his guns, however, Mark keeps refocusing the arguments so that, finally, people truly see him. By seeing him, they see us. Ultimately, it’s an amazing act of generosity, a gift he gives us by exposing us to his raw, true feelings. It moved me to tears. I didn’t think I’d get that from an exposé about a campy horror film.

Mark stands up for anyone who has been bullied, who has lost a job, or anyone who has been held back and learns to say, “No! Don’t tell me to get over it. It still matters. It still hurts. The only solution here is to apologize and be kind to me.” It’s through this process that we discover a man who brings more to the table now than he ever did before. He and his team have brought us an important, expansive documentary which finds an articulate, grown-up path forward for the LGBTQ+ community. What Mark Patton does from here, I suspect, will be more dream than nightmare.

0 notes

tamboradventure · 6 years ago

Text

The Top 5 Lesbian Travel Destinations in 2019

Posted: 2/21/2019 | February 21st, 2019

We want to speak to a wide range of voices on this website so have added an LGBTQ column to talk about travel issues that are important some of our community members. This month, Dani, one of our LGBT columnists, shares the top five lesbian travel destinations in 2019.

I have told you everything you need to know about traveling as a lesbian and how to plan the perfect lesbian-friendly trip, but what about lesbian-friendly destinations? What are the greatest locations for an unforgettable lesbian vacation — where you don’t have to be afraid to get weird stares or have to be careful with PDAs if you’re with your partner.

There are dozens of spots that fit the bill, some of which became more interesting at certain times: Lesbos became popular with gay women when the Sappho Women’s Festival was created in 2000, Los Angeles saw an increase in lesbian travelers when The L Word first aired in 2004, and Madrid was particularly popular with queer visitors during 2017 WorldPride.

So which destinations are having their “lesbian moment” in 2019?

Here are five that welcome LGBT travelers and have something that makes them particularly interesting for lesbians now, no matter if you’re solo or with your significant other. Read on for why I think you should hit up one of them this year:

1. New York City, USA

Why go?: New York City is not only known as one of the gay-friendliest cities in the world and the top-ranked LGBTQ destination in the US but it is where the Stonewall riots kicked off the modern gay liberation movement in 1969.

2019 marks the 50th anniversary of this significant event in LGBT culture, and to commemorate, New York City will host WorldPride in June — the Pride of Prides, a full month of festivities, with over 50 events. It’s the first time in its 20-year history that WorldPride is being held in the United States, and many celebrities are expected to join the festivities, including Madonna, who rang in the 50th anniversary year with a surprise performance at the historic Stonewall Inn bar on New Year’s Eve.

While this is a great excuse to visit NYC this year, there are many more things that make the city attractive for lesbian tourists — from world-class art museums to stunning Broadway productions and dozens of neighborhoods to explore, New York City is always worth a visit. In the summer, you will get to enjoy free performances by the New York Metropolitan Opera and the Philharmonic in the city’s parks, free outdoor movie screenings, and weekend flea markets and food markets. Check out Matt’s 3-day NYC itinerary that covers all of the city’s famous sights and museums.

You’ll also want to check out New York’s lesbian nightlife, including the iconic Cubbyhole Bar and Henrietta Hudson in the West Village, the popular Hot Rabbit party, and a number of Pride parties exclusively for women, such as the Femme Fatale rooftop party.

If you want to learn more about the LGBT history of New York, I recommend this informative LGBTQ History Walking Tour of Greenwich Village.

When to go: June. The biggest event, WorldPride, takes place on Sunday, June 30, 2019.

Before you go: Check out the lesbian events calendar before you visit NYC. There are regular lesbian stand-up comedy shows, dance parties, and exquisite drag shows. Events like lesbian speed dating or a comedy show are especially great if you are traveling solo.

2. Montreal, Canada

Why go?: Canada legalized same-sex marriage in 2005 and has been a popular destination for LGBT-travelers ever since, and while cities like Vancouver, Toronto, or Quebec are all LGBT-friendly , Montreal is known as the city with the biggest LGBT nightlife scene and is particularly lesbian-friendly (unlike most other popular LGBT destinations, which usually focus on male clientele). The favorable exchange rate of the Canadian dollar right now also means that a trip there is not too expensive.

Rue Sainte-Catherine is where most of Montreal’s gay nightlife is centered, and it’s the center of “the village,” Montreal’s gayborhood. Sadly, the infamous Le Drugstore, a lesbian bar on eight floors, closed down, but there are still plenty of amazing destinations. Don’t miss Complexe Sky, the biggest gay club in all of Canada, whose four floors each have different styles of music; the terrific rooftop terrace includes a pool and hot tub.

No matter if you make it to Montreal in time for Pride or not, I do recommend visiting in the summer, since the city prides itself on an abundance of outdoor activities during the warmer months. The streets are decked with outdoor seating, and you can relax on Jean Dore Beach on the shores of St Lawrence River, just minutes from downtown. Climb up to the top of Mount Royal for sweeping views over the city, marvel at the murals on Boulevard Saint-Laurent, and swing by lesbian-owned industrial warehouse-meets-beer garden Bar Alexandraplatz in the up-and-coming Mile-Ex neighborhood for a cold beer.

When to go?: No dates have been released yet, but there will hopefully be another edition of the popular Slut Island Festival, a feminist-queer DIY music festival that was founded in Montreal in 2013 mainly for performers and audiences who identify as women, trans*, gender-fluid, nonbinary, or people of color. The festival usually occurs in July.

Montreal Pride 2019 happens August 8–18, 2019.

Before you go: LezSpreadTheWord, an organization that publishes the feminist LSTW magazine and created the popular queer web series Féminin/Féminin, hosts the bimonthly girls party “Où sont les femmes?” — try to plan your trip around one of their awesome parties.

3. Mallorca, Spain

Why go?: Mallorca has been a popular holiday destination with Europeans for decades, but in 2012, the Spanish island popped up on the lesbian travel map for the first time thanks to the inaugural Ella Festival in Palma, Mallorca’s capital. In August, the festival celebrates its seventh edition, and no matter if you identify as lesbian, bisexual, queer, transgender, or intersex, every woman is welcome at Ella! You’ll get to enjoy beach parties, concerts, and a number of activities, from paddleboarding to beach volleyball, as well as island excursions.

While most of Mallorca’s LGBT nightlife happens in Palma, I recommend exploring the rest of the island as well. The easiest way to get around is by car, but you can also reach many beautiful beaches and little towns by bus. There are over 260 beaches in Mallorca, but make sure to visit the picturesque small bays of Cala Formentor and Cala Pi, and Cala Mesquida and Playa de Muro for wide sandy beaches. Also worth a visit: the Cap de Formentor lighthouse on the northern tip of Mallorca, and as many as you can of the charming little villages that dot the island, for example, Sóller, Fornalutx, Valledemossa, and Deià.

When to go?: The Ella Festival is August 30–September 6, 2019. Add on a week of island exploration before or after the festival.

Before you go: Check out Lesbian Mallorca, the “lesbian lifestyle directory” of the island, has a great overview of lesbian bars and lesbian-friendly and lesbian-owned restaurants, hotels, and shops.

4. Provincetown, Mass., USA

Why go?: Provincetown, often referred to as P-Town, is a small fishing town at the northern tip of Cape Cod, and it has long been a favorite with LGBT travelers. The charming little seaside destination is a fantastic vacation spot for anyone — straight or gay — with over 200 independent shops, plenty of art galleries, delicious restaurants, and great beaches, but its focus on lesbian travelers and the celebration of freedom of expression are what makes this open-minded community so attractive for girls.

Provincetown has more lesbian-owned businesses per capita than anywhere else in the US, the highest concentration of same-sex households in the US, and many LGBTQ-owned B&Bs and inns. No matter if you are solo or with your partner, there’s something for everyone: Provincetown is home to the oldest gay bar in the US, the A-House; the gayest main street in the world, Commercial Street; one of the top ten gay beaches in the world; and the East End Gallery District, offering world-class art. No matter what time of year you’re visiting, you’re likely to stumble upon one of the town’s many themed weeks or weekends (see below).

The daily tea dance (4–7pm) at the Boatslip, an expansive deck that overlooks Provincetown’s West End Harbor, is something you have to experience once — expect a packed dance floor and great people-watching. You’ll make new friends there for sure.

When to go: Try to plan your visit around one of the many women-focused events, depending which one best fits your preferences and interests: Women’s Media Summit (April 5–7); Single Women’s Weekend (May 17–19); Womxn of Color Weekend (May 30– June 2); Pride (May 31– June 3); Girl Splash (July 23–27); Family Week, the largest annual gathering of lesbian, gay, bisexual, transgender, and queer-identified families in the world (July 27–August 3); the incredible Carnival, which attracts 90,000 visitors (August 15–25); Women’s Week (October 14–20); or the weeklong transgender celebration Fantasia Fair (October 20–27).

Before you go: Since there are so many events year-round, make sure to check what’s going on in P-Town during the dates of your visit. If they happen to be during Carnival, for example, be aware that the town turns into party central. Never arrive without having accommodation booked in advance — B&Bs and hotels tend to fill up quickly.

5. Puerto Rico

Why go?: Just over a year after devastating Hurricane Maria hit Puerto Rico with full force in September 2017, the island is bouncing back. Almost all hotels are open again, the New York Times just awarded Puerto Rico the #1 spot on its popular 52 Places To Go in 2019 list, and thanks to its status as a United States commonwealth, the legal rights of LGBT citizens (same-sex marriage has been legal since 2015) have had a great influence on Puerto Rico, which is now the gay-friendliest of all Caribbean nations. Especially for Americans, Puerto Rico is an easy getaway: there are plenty of direct flights from East Coast airports (and other US hubs), you don’t need a passport, and it’s a fantastic winter escape, with temperatures around 81° Fahrenheit (27° Celsius) in January.

Both San Juan, the capital, and Ponce, the island’s second largest city, have several gay and LGBT-friendly bars and nightclubs, and last year’s Pride Parade in San Juan attracted more than 5,000 people. Most gay bars are in San Juan’s vibrant Santurce neighborhood. Circo Bar is the most popular, and Oceano is a sophisticated, gay-owned, open-air beach bar across from Condado Beach. While there aren’t any lesbian bars per se (the last one, Cups, closed a few years ago), the go-to place for lesbians is El Cojo Bar (in the Hato Rey district), but all of Puerto Rico’s gay bars welcome women. Also worth a visit are Tía María Liquor Store and Splash Lounge.

While San Juan is the best base during your Puerto Rican gay-cation, don’t miss out on the rest of the island. The jungles of El Yunque National Forest will wow even avid hikers, the underground caves of Río Camuy Cave Park are spectacular, and of course there are dozens of picture-perfect Caribbean beaches all over the island.

A quick ferry ride brings you to Puerto Rico’s hidden gems: the island of Vieques, which is famous for Mosquito Bay and has the most bioluminescent bays in the world, and Culebra Island, where the turquoise waters at the stunning Playa Flamenco makes all your Caribbean beach dreams come true.

Vieques, a small dreamy island largely untouched by tourism, is especially popular with lesbian travelers. Don’t expect any LGBT nightlife there, but instead serene beaches, unspoiled nature, and even wild horses that roam freely in some parts. TripAdvisor listed Vieques as one of Top 25 Beach Destinations in the world, because the island has “more than 40 beaches and not one traffic light.” If you’re looking for a relaxing hideaway or a lesbian-friendly wedding spot—the W Resort offers same-sex ceremonies—Vieques is the place for you.

When to go: Puerto Rico is a wonderful beach destination during the winter months in the northern hemisphere. Mid-April to June, before the summer rainy season starts, is also a good time to visit — you’ll encounter less crowded beaches and fewer tourists. The gayest event of the year is Puerto Rico Pride, but the date for the 2019 edition has yet to be announced; it usually happens on Memorial Day Weekend.

Before you go: The upscale beachfront Ocean Park area of San Juan is where most LGBT travelers tend to stay. Not far from there is Condado, a pedestrian area with a gay-friendly beach (the stretch facing the gay Atlantic Beach Hotel). TripSavvy has a list of gay and gay-friendly hotels in San Juan.

***

Of course, these are not the only places that are worth a trip this year — there are hundreds of others around the globe. You don’t have to trek halfway around the globe to discover new amazing destinations. Why not plan a lesbian break during Pride weekend in a city nearby? But, out of all the places I’ve visited, I’ve found these had some of my favorite welcoming and vibrant Lesbian communities! They shouldn’t be missed.

What are your favorites? Leave a comment and let us know.

Dani Heinrich is the vagabonding writer and photographer behind GlobetrotterGirls.com. Originally from Germany, she has been nomadic since 2010, when she quit her corporate job and embarked on a round-the-world-trip. She has traveled through over 60 countries on four continents and has no plans to stop any time soon! You can also follow her adventures on Instagram, Facebook and Twitter.

Book Your Trip: Logistical Tips and Tricks

Book Your Flight Find a cheap flight by using Skyscanner or Momondo. They are my two favorite search engines because they search websites and airlines around the globe so you always know no stone is left unturned.

Book Your Accommodation You can book your hostel with Hostelworld as they have the largest inventory. If you want to stay somewhere other than a hotel, use Booking.com as they consistently return the cheapest rates for guesthouses and cheap hotels. I use them all the time.

Don’t Forget Travel Insurance Travel insurance will protect you against illness, injury, theft, and cancellations. It’s comprehensive protection in case anything goes wrong. I never go on a trip without it as I’ve had to use it many times in the past. I’ve been using World Nomads for ten years. My favorite companies that offer the best service and value are:

World Nomads (for everyone below 70)

Insure My Trip (for those over 70)

Looking for the best companies to save money with? Check out my resource page for the best companies to use when you travel! I list all the ones I use to save money when I travel – and I think will help you too!

Photo credits: 3, 5

The post The Top 5 Lesbian Travel Destinations in 2019 appeared first on Nomadic Matt's Travel Site.

from Nomadic Matt's Travel Site https://ift.tt/2V6j0xC via IFTTT

#IFTTT #Nomadic Matt's Travel Site

0 notes

travelguy4444 · 6 years ago

Text

The Top 5 Lesbian Travel Destinations in 2019

Posted: 2/21/2019 | February 21st, 2019

So which destinations are having their “lesbian moment” in 2019?

1. New York City, USA

If you want to learn more about the LGBT history of New York, I recommend this informative LGBTQ History Walking Tour of Greenwich Village.

When to go: June. The biggest event, WorldPride, takes place on Sunday, June 30, 2019.

2. Montreal, Canada

Montreal Pride 2019 happens August 8–18, 2019.

3. Mallorca, Spain

When to go?: The Ella Festival is August 30–September 6, 2019. Add on a week of island exploration before or after the festival.

4. Provincetown, Mass., USA

5. Puerto Rico

***

What are your favorites? Leave a comment and let us know.

Book Your Trip: Logistical Tips and Tricks

World Nomads (for everyone below 70)

Insure My Trip (for those over 70)

Photo credits: 3, 5

The post The Top 5 Lesbian Travel Destinations in 2019 appeared first on Nomadic Matt's Travel Site.

source https://www.nomadicmatt.com/travel-blogs/lesbian-travel-destinations/

0 notes

glenngaylord · 7 years ago

Text

THERE’S A SUCKY MOVIE BORN EVERY MINUTE - My Review Of THE GREATEST SHOWMAN (4 Stars...What?!)

I was as shocked as everyone else when the slow to catch on, critically excoriated THE GREATEST SHOWMAN turned into a bonafide blockbuster. But then again, big, empty musicals sometimes do well. MAMMA MIA and FLASHDANCE come to mind. Pure escapism often gets people through troubling times, be it the Great Depression, the Reagan years, or the current shit show on display. What’s better than a fantasy circus to “trump” the real sideshow on the news every minute of the day?

Screenwriters Bill Condon and Jenny Bicks have teamed up with LA LA LAND/DEAR EVAN HANSEN songwriters Benj Pasek and Justin Paul and first time director Michael Gracey to bring us a truly terrible film in so many ways, yet achieves greatness as well. Is it possible to love and loathe a film simultaneously? If we’re to fall for this movie’s themes, then, like its characters, we will sing/shout from the rooftops, “ANYTHING IS POSSIBLE, DAMMIT!”

Let me be clear. THE GREATEST SHOWMAN finds its inspiration from the life of circus impresario, P.T. Barnum (Hugh Jackman), but anyone expecting a biopic needs to check their egos at the tent flap. Sketching in his life with the merest hint of an outline, THE GREATEST SHOWMAN celebrates filmmaking kinetics, soaring inspirational anthems, and rhythmic editing…leaving depth, rigor, and layering to the Sondheims, Kanders and Ebbs of the world. Every scene with dialogue feels like the slightest excuse to set up the next singing/dancing showstopper. In fact, I’m convinced Sally Hawkins had more spoken lines in THE SHAPE OF WATER than that of the entire cast of this turkey/masterpiece.

Think of this as 20 great Michael Jackson videos strung together or as my friend Dennis said after a screening, “This movie plays like it’s a trailer of itself”. Yes, it feels like one big montage with style certainly lording over substance, but what style it displays. There’s so much epic sweep to every moment, such aggressive choreography, such pageantry and a self-serious call to arms for the “freaks” and the outcasts of the world, that I had to stop myself and ask, “Do I hear the people sing or not?” [LES MIZ fans get an extra point here]. The answer? YES! I HEAR YOU!

Jackman and company start things off with a bang with “The Greatest Show”, an on-the-nose introductory song if there ever was one, rivaling Styx’s “Grand Illusion” or Robbie Williams’ “Let Me Entertain You” as Overbearing Kings of Captain Obvious Openers. Then things turn really creepy as “A Million Dreams” flashes back to Barnum’s childhood when he meets and falls for young Charity, who will grow into his future wife, played by Michelle Williams. It’s a pretty song, but I get creeped out whenever children sing. It wasn’t a good look in BUGSY MALONE, and ANNIE felt like a bunch of kids pretending to be scrappy while tap dancing on a rolled out board for an audition. Only little Gavroche in LES MISERABLES worked for me, mainly because he was starving and willing to cut a bitch for his place in revolutionary history.

Luckily, the filmmakers have ADD and don’t dwell on anything for too long. We move along hastily to finish the number with Jackman and Williams taking over for the kids. I would have preferred they simply cover Jackman in shadows instead of CGI-ing the hell out of his face to look like a man in his 20s, but ain’t nothing gonna stop modern movie magic!

Flipping through this section, we see Barnum working out his early ideas for what would become his circus. He gathers the troops, or troupe that is, assembling society’s throwaways into his iconic Freak Show. Behold the Bearded Lady (scene stealer Keala Settle), the Fat Man, the Tattooed Man, and more. He also finds a business partner in Phillip Carlyle (Zac Efron), who falls for the acrobat Anne (Zendaya), a woman who feels at home with this group because of the racism she faces outside of their circle. At one point, to boost his business, Barnum teams up with Swedish opera star Jenny Lind (Rebecca Ferguson) to go no tour with her, leaving the circus to Carlyle.

Ferguson’s big number, “Never Enough” proves mesmerizing, despite the fact that former VOICE contestant Loren Allred does the singing. Allred may be the Marni Nixon of today, but Ferguson does such a gorgeous lip sync, entirely invested in this song and the implications of its lyrics, that I didn’t care. Of course, Barnum and Lind’s relationship will complicate things, but trust me, another musical number’s right around the corner to wash away those blahs.

THE showstopper of the film, “Rewrite The Stars” puts Efron and Zendaya front and center, and like all of the music here, it’s contemporary, anthemic bombast, auto-tuned within an inch of its life, but an unforgettable explosion of pop to hit that sweet spot over and over. I could watch this pair soar and twirl on an endless loop and be happy. Efron croons winningly, but Zendaya comes out the real winner here. A triple threat, she moves wonderfully, sings like an angel (ok, ok, with a lot of studio assistance), but it’s her acting which won me over. As she did in SPIDER-MAN: HOMECOMING, she exhibits a beautiful raw fragility, especially when out of makeup. If ever there was a ONE TO WATCH, it’s her.

Of course the freaks get their rallying cry in “This Is Me” (Oscar nominated), and it’s a killer number reminiscent of the “I Got Life” number in HAIR or “La Vie Boheme” from RENT, where the disenfranchised finally have their say. Sure, it’s a tad humorless, but I fully expect this song to be sung from floats at LGBT Pride Parades, replacing “I Am What I Am” for at least the next 3 decades. In fact, THE GREATEST SHOWMAN may be the gayest movie ever made without having a shred of gay content. Any film that makes a case for the glory of being different, despite the terrible conditions and abuse the real Barnum put his employees through, deserves a salute.

Even Michelle Williams, who gamely surrenders to this wafer-thin film, sells it in her big number, “Tightrope”. The fact that this actor can twirl and float about like everyone else, when she’s built a career around heavy, crying characters, speaks volumes as to the magical qualities in this movie.

Between her, Zendaya, and Ferguson, I was reminded of ABBA. They all have sweet, Agnetha/Frida-style voices and every song has a Swedish pop sheen to it. The circus setting harkens back to that group’s SUPER TROUPER days and is a better, more appropriate backdrop for this style of musical than MAMMA MIA’s dumb Greek setting. When I hear those Euro-style chords, I think of pageantry and committed dancing, not people shuffling badly on an overly-lit dock. THE GREATEST SHOWMAN is more ABBA than ABBA!

Whenever I’m in a bad mood, I put on the “Downtown” number from LITTLE SHOP OF HORRORS, one of the best-realized numbers in musical history, and I feel better. I don’t watch the whole film, just the great numbers. I suspect I’ll do the same when THE GREATEST SHOWMAN starts streaming. Yes, it’s a hot, steaming poo-pile of a movie, but it’s catchy, has a good beat, and you can dance to it!

In front of us in the theater sat two elderly women. Throughout the film, they threw their hands up in the air or swayed to the music, pumping their arms back and forth. It brought them so much joy, I tapped them at the end to tell them their love of the film made my evening. Is it so bad it’s good, or is it so bad AND so good? I’ll go with the latter. Didn’t a lot of people say the same thing about XANADU?

0 notes