#gay cult

[dijjonceline15]

I just wanna stay inside and cuddle all day and get fucked probably 🍆🥵

Telegram:@Dijjoncelline

[sassycum]

I have surprises for y’all in my DM

[applesaucefilledsocks]

They both suck….eachother- WHAT WHO SAID THAT???

My keyboard is haunted guys-

My hand is also haunted…

Runs away

[msclaritea]

Wow! You talk about a Bamboozle. Not only is Louis Farrakhan friends with Tom Cruise. According to this video, at the 40 minute mark, The Nation of Islam has been requiring their members to join Scientology and be audited. Damn. Is the entire Civil Rights history a LIE?

[lexiwhytesblog]

Tell your maid how much you want a taste of that c0ck 🥵 🔞

Telegram: @whytelexi01

[ninjasmudge]

gay sheep for the end of pride 🌈 i redrew the official sprite to get something higher quality, but i left them without watermarks so you can use as discord emotes or icons. credit appreciated if you use!

[ts-celine-dijjon]

what are the odds of you giving me head if you were here?

[asmimir]

small comic I made mid storm last night

[spaceman---29]

Men's antagonism toward women's self defense strategies reflects their discomfort with female empowerment. When women take measures to protect themselves, such as carrying weapons or walking with dogs, some men attempt to undermine their efforts, which reveals a desire to maintain control over women by keeping them vulnerable. Radical feminist critiques of sex work focus on the broader systemic forces that push women into the industry, rather than simply protecting workers. They argue that by targeting the demand for sex work and providing resources to exit, feminists can dismantle the structures that exploit women. Radical feminists often criticize the liberal feminist approach to sex work for not addressing the root causes of exploitation. While criminalizing sex work without further support systems can harm workers, radical feminists argue for a broader restructuring of society to provide alternatives. By focusing on creating safe exits from the sex industry, they emphasize the importance of long-term solutions that protect women from exploitation while challenging the economic systems that perpetuate it. Many radical feminists express exhaustion with online activism, feeling that it lacks the power to effect real change. While digital spaces have provided a platform for feminist ideas, they can also become echo chambers where meaningful action is sidelined. The call to move from online discourse to real-world organizing reflects a desire for more tangible, collective action that can challenge oppressive systems and create lasting social change. The transactional nature of transgender healthcare raises ethical concerns. The ease with which some can access hormones or surgery, without deep psychological evaluation, reflects a healthcare system that often prioritizes efficiency over thoroughness. While access to healthcare is vital, the lack of comprehensive mental health screenings can leave individuals unprepared for the emotional and psychological challenges of transitioning, ultimately failing to offer truly holistic care. Lets tring through a scary room and see if we find any drippulous vaginas along the way.Nothing good ever comes from slop with drabbley Shadow. Why would you trip over a chicken like that in the middle of rat's squibulous burgers?

[mudtrash]

Talking it out away from the noisy cult

Mostly Lamb talking, Nari’s having a non verbal moment

[dijjonceline15]

Where do you start licking me? 🔞🍆

Telegram:@Dijjoncelline

[donutfloats]

Your honour, they’re in love

[applesaucefilledsocks]

Throws this at you and runs away-

HOLD MY COTL ART!!!!

I’ve been SUPER into cult of the lamb recently, like I’ve been playing almost everyday cause I’m crazy and this is what I’ve done in my own game LMAO

POST GAME NARINDER IS THE BEST OMG-

I have so much more but I gotta make it look good first >:3

[queenoftheimps]

One thing I find interesting about The Terror's cult following is that, on the face of it, the audience that is attached to the show is not at all what I imagine people assumed when it was released.

Like, this a show specifically about history and the military/the navy, with a cast that is 95% white guys. Even with the horror elements, I kind of imagine AMC executives might've thought it would do well with the 'Dad' audience, or people who like stuff like Band of Brothers. (Tobias Menzies' latest show, Manhunt, is in this category, and I don't think it's entirely coincidental that he & Ciarán Hinds were also big main characters on HBO's Rome, something that also fits this niche.)

And instead, it seems like it was mainly embraced by a younger audience (something Jared Harris himself noticed), specifically one that's probably a lot more queer/non-masculine than might have been expected.

I'm sure there are people out there with much more astute analysis than me on why that is, but I wonder if a lot of it is simply down to tone. This isn't a show about the glory of the military or a patriotic mission, or even about men being noble/tough in the face of an ultimately tragic ending.

It's about how all that shit falls apart when it comes to push comes to shove, and how sometimes things that are framed as glorious are actually a pointless fucking tragedy on behalf of an empire that kept chugging right along without them. And the only thing to show for it is the bonds these people formed before they died.

[lotussart]

yeah

[karasucatt]

GUYS IM GOING FERAL LOOK AT THEM