#gatos jazz
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seromnipresente · 7 months ago
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de llorar borrachos,
a decir te amo,
a ni siquiera hablar
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thatrandomartistjaviarts · 3 months ago
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This is even funnier if you think about how in 2009, Caterpillar is technically the reason why they got Super Arrested
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radiophd · 1 month ago
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notes for a film on jazz [film, 1965]
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thatrandomartistjavi · 4 months ago
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Truly the criteria for me to ship Jazz Dance is on the floor like all you gotta do is not infantilize Gato and you will be legible for shipping
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jazzdailyblog · 18 days ago
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Poncho Sanchez: A Journey Through Latin Jazz's Rhythmic Soul
Introduction: Poncho Sanchez is a name synonymous with Latin jazz, and his influence in the genre has resonated for decades. As a percussionist, singer, and bandleader, Sanchez’s approach to music is dynamic, soulful, and deeply rooted in tradition. Known for his conga mastery and captivating live performances, Sanchez has worked with some of the most prominent figures in jazz and has inspired…
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jazzplusplus · 1 year ago
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Jazz Magazine N°192 - Gato Barbieri - Septembre 1971
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projazznet · 11 months ago
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Gato Barbieri – Ruby, Ruby
Charming and romantic fit the description of Gato Barbieri and the work he presents here, the album Ruby, Ruby.
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dustedmagazine · 10 months ago
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Horacio Fumero — Solo Bass Songs (Underpool)
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Horacio Fumero was born and began his studies in music in Argentina and has been a fixture on the Spanish music scene for decades, having come to Europe with Gato Barbieri in the mid-1970s and achieved recognition in particular as a member of Tete Montoliu’s trio. Solo Bass Songs seems to be his first recording as a leader and soloist. The material consists largely or entirely of traditional and popular Argentine songs.
Fumero’s playing is wonderfully warm and full and, on this recording, entirely pizzicato. Some of the tunes, such as the opener “Golondrinas,” move along at a brisk clip while others, such as “Seu Lorenço No Vinho,” are more contemplative, but all of the tracks display inventiveness and flawless technique, developing the fairly straightforward melodies into thrilling excursions up and down the fingerboard. The source material remains evident in these interpretations, providing the basis for variation and improvisation.
The first solo upright bass album seems to have been Barre Phillips’s Journal Violone, released in 1968. Conceptually, such recordings are inherently challenging as what is usually considered a rhythm instrument, with the lowest range among commonly played stringed instruments, takes center stage. Phillips made use of effects such as tapping and arco playing to expand the sound of his pioneering recording, and other solo bass recordings often follow suit. Fumero adds variety to this recording through the judicious choice of material and by including two duets, “Tordo” with Rita Payés on trombone and “Chajá” with his daughter Luciá Fumero (with whom he has recorded as The Fumeros) on piano, as well as some inspired tapping on “Chacarera” and recitation of the lyrics on Atahualpa Yupanqui’s “Los Ejes De Mi Carreta.”
Solo Bass Songs is a delight from beginning to end, and not just for bass players. The listening experience benefits from the high quality of the recording, which captures the richness of the low end, the buzz of the thick strings, and the interplay with the accompanists on the tracks where they appear. Once more, the Underpool label has documented the dynamism of the jazz and experimental music scene in and around Barcelona.
Jim Marks
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sivavakkiyar · 2 years ago
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the amazing solo on this one is one of the best by Gato Barbieri, AKA
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panchicha · 1 year ago
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themillpond · 2 years ago
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Gato Barbieri - Mi Buenos Aires Querido
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behindavelvetcurtain · 2 years ago
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Gato Barbieri - Fiesta
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thebuhonerodazorrow · 2 years ago
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Blacksad: El infierno, el silencio.
Blacksad #4
Norma 2010
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mahgnib · 3 months ago
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Gato Barbieri, “Encuentros”, 1973
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thatrandomartistjavi · 11 days ago
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I only post about Jazz Dance when it’s shitposts I’m so sorry
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hrsword · 7 months ago
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Europa (Earth's Cry, Heaven's Smile) · Gato Barbieri
Passion And Fire ℗ An A&M Records Release; ℗ 1976 UMG Recordings, Inc. Released on: 1993-08-09
Producer: Herb Alpert Producer,
Associate Producer: Michelle Barbieri Associated Performer, Recording Arranger: Gato Barbieri
Studio Personnel, Recording Engineer: Don Hahn
Associated Performer, Recording Arranger: Jay Chattaway Associated Performer, Drums: Lenny White
Associated Performer, Guitar: Eric Gale
Associated Performer, Trumpet: Randy Brecker
Composer Lyricist: Carlos Santana
Composer Lyricist: Tom Coster
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