#fun fact this is the first day which includes two drawings of different canvas sizes

[shittyjakeenglish]

Have you heard of the Felt? If so, anything you'd like to share?

Day 53

I appreciate their color scheme.

[elecman108]

Man, I forgot to post 90% of my art here for the past while. I’m gonna do an art dump in this post under the cut. Enjoy the bonk emoji if you don’t click the read more, and man am I dumb and forgetful lmao.

Includes: OCs getting names, a Sonic impression, a D&D map, homosexual energies, a sheep floating in the astral sea, a birthday drawing I already posted, Hex Maniac Ender, D&D Characters, D&D Characters as Miis in Miitopia, Little Hater Axel, local Demon in the consciousness of my D&D character yelling at him, illegal plants, a necromancer being cute, an actual event that happened in a D&D game two days ago, and Mermay drawing.

That’s everything in here as a TL;DR, I guess. Enjoy your day!

I’m gonna try and sort of have them in chronological order, oldest first, but I may end up putting them in the wrong order. If I do... Whoops, I guess?

[04/14/21] - This isn’t really new art, but I started to work on giving the four OCs of mine without a full name full names... I have not finished this bit, though. So Hunter and Akira have full names, and Warlock and Assassin only have temporary names. This may end up like Seven where I put in their names as a temporary name (7th OC I’d made at that time) and it just kind of... sticks. Lmao.

[04/20/21] - Alone on a Friday Night? God, you’re pathetic. I didn’t colour this one because it was a half-attempt at a meme image I still like it, though, so I might end up colouring it. It’s gonna appear again whenever I do my “unfinished drawings art dump” at some point probably in... June? I know I said I’d post them last month but forget it, lmao, it’ll happen eventually.

[04/20/21] - A D&D Map! This was to help me visualize the layout of my D&D character’s ship he used to be on. Also for my DM if they ever put us aboard the ship. The little fella in the corner is just there to vibe. This map is made of free to use assets from This Website, so while I’m gonna say DONT USE MY MAP WITHOUT PERMISSION, feel free to make your own!

[04/26/21] - Lesbian Day of Visibility drawing of yours truly, the disapointment! That’s... really all I have to say about this, honestly. It was just for that one day and that was it, lmao. I mean, I accidentally lined it in dark pink, so.. .That’s different, I guess?

[04/30/21] - Do Astral Seas dream of Ensorcled Sheep? Does the City know what Sheepleb is going to do? What crimes he may commit? Who knows! This was fan art of Critical Role ep. 134 if I remember correctly, right at the end when they jumped into the portal into the astral sea and Caleb was a sheep. Using my knowledge of the German language, I knew the word for “shit”, and had to use it.

[05/07/21] - This was already posted, but it’s going in here to dilinuate that it was drawn at this point. Also, aside from playing Miitopia, this is all I have to show for myself until the 12th.

[05/12/21] - Hex Maniac Ender challenges you to a Pokemon Battle! WIll you win against my team? My sis, who loves fairy types, pointed out to me that there’s a fairy girl and hex maniac duo, so I’d be the hex maniac. I spent... Over a week drawing this, because I basically had to redraw the Hex Maniac art from scratch in a higher quality size, and then draw myself over it. So... You can excuse the low-effort background for once. It was basically this, and then my birthday doodle from May 1st to May 12th, and then I took a break to draw up several D&D characters quickly for fullbody references.

[05/12/21] - Remember this art I made several months ago? I finally added my other two completed characters! I have three more named but without character sheet D&D characters, so for now this is just Kara, Axel, Golden Shadow, Kau, Cecillia, and Miri. Kress, Tempest, and Melia will have to wait until I make character sheets for them to be posted, and... For when I probably make more D&D characters. I have at least 9 additional, incomplete character ideas floating around, so... I’m never gonna be done this art, huh?

[05/12/21] - Speaking of D&D characters, did you know I’ve been making them as Miis in Miitopia? So here is their finished full body art next to their Miitopia self! Some of them look a little off (Golden Shadow, Cecillia) because of limitations of the editor and shading issues, some of them look a little off (Kau, Kress) because this is a human face canvas that I’m using to make a non-human face, and some of them (Melia, Axel) look REALLY GOOD. Common traits among my D&D characters include green eyes and tall. You wanna know why? Because I am tall and... despite having red eyes, I do have green eyes under the coloured contacts.

[05/15/21] - More D&D stuff! This is based around my D&D group’s current Rime of the Frostmaiden campaign where our Goliath Fighter, Nioh, ends up getting a little bit of hate for being cocky, and our little (well over 6′) hater, Axel, is just a man full of irritation. These are the tallest two characters of the group at the moment. Someone send help. Nioh belongs to one of the other D&D players, Axel (and his stupid additude) belongs to me.

[05/15/21] - This is what me playing D&D feels like. Me, the demon entity trapped inside the head of my D&D character, yelling at them to do things while the dice decide that they’re gonna get bopped a hundred times by a yeti and somehow still survive. This is also a reference to our first or second game where I just ran off like sixty feet to one side of the battle map to fight a Crag Cat and was just in Gay Baby Jail until like two turns later when I could run back to the others. I also drew him not in his winter gear even though this is a bit from when we were atop Kelvin’s Carin in an icy cave, so maybe that’s why he’s at low HP.

[05/15/21] - Melia has good gardening tips, such as Use A Mars Mii Trap To Hide A Body Because They Are Endangered And It Is Illegal To Dig Them Up. I love her a lot, because she’s the youngest of four, all four sisters based around the different seasons. She’s based around Autumn, so she’s all orange and yellow and brown and is so cute. Also she’s Chaotic Neutral, as if she didn’t need to be mildly more threatening.

[05/15/21] - Cecillia is my Tiefling gal who lived in a very northern town plagued by cold weather and snow, and Axel is my Pirate guy who spent most of his time further south on the high seas and warmer weather. So, naturally... I’ll use the guy more acclimatized to the hotter weather in the campaign where we spend 99% of it in the snow. She uses Tarot Cards as her spell focus, and I decided to sneak my other D&D characters onto her Tarot cards so naturally, Axel is The Hanged Man, given his backstory and personality. She’s a very cheerful and friendly Tiefling Necromancer of the Hexblade, so she’d for sure take care of those around her to ensure their success. Especially if they’re on her Tarot Cards, and their spirit comes to her aid when she asks for them.

[05/16/21] - Content Warning; Ryma thinks too much into local stupid moron’s lack of knowing how to answer a question and thinks too much into the reputation of Pirates. Poor Axel, man doesn’t know how to socialize with people who aren’t pirates and is used to being hostile towards everyone, so when he’s asked a question that his answer to is “uhh... no?”, he panics and ends up making a mistake that leads him to think that Ryma can read his mind. Ryma belongs to another of the D&D players. I guess me drawing all those spicy Cow Costumed OCs earlier just brought me to drawing Axel being a bottom in this, huh?

[05/16/21] - It’s Mermay, which means more OC drawings! Here’s Theo after drinking some potion that turned him into a mermaid, and Seven, tiredly, collecting his stupid boyfriend so that Lailah can fix the fact he’s turned into a mermaid. Mer!Theo is based around his sword’s colours of indigo-purple with red accents, which looks a little weird since Theo is the Blue one of the group, but... it looks cool, I guess. Seven’s just the same outfit as always, just no gloves this time.

--

And that’s it for the art dump! This was, frankly, MASSIVE. I’ll try and remember to upload both on Twitter and Tumblr at the same time, but... Ah... I have been drawing a fair bit. Just mostly sketches and linework that I haven’t finished and may not actually finish. If they’re not completed, I’ll dump them all into something at the end of the month or whatever. Maybe you’ll get the old sketch of the Axel face in panel 3 because in the sketch phase it was an Ahegao face, in the clean sketch it was a lip bite, and in the linework and final it’s just horny face. lmao.

Top ten things I have to remember for drawing: AXEL HAS A SCAR AND GREEN EYES. I remember his eye colour now, but if you look at his fullbody ref, he’s got brown eyes. And, naturally, I keep forgetting to put in his scar. He has more, but most of them are located in areas covered by his clothes. So if I ever draw him shirtless I guess I’ll have to place them somewhere.

Also maybe finish the reference sheets I have left to finish so I can post more of them, since I have two “Pets” completed (Roko and Mona’s nameless pet), but I have to do up Hunter, Warlock, Assassin, Akira, Myuut, and Stella. I’m betting when I do complete two more, it’ll be Hunter and Akira. Those two are the most fun to draw, at least.

[leafesol]

Team DAQR: Part 1 (i.e. I don't know what I'm doing.)

Beacon Academy. One of the four Huntsmen Academies in the world, dedicated to raising the next generation of humanity's defenders. It, like its sister institutions, was located within one of the world's kingdoms, in this case, the kingdom of Vale. Soaring architecture, a maze of tree-lined pathways, and countless students, spread over an expansive area of land, gave Beacon an impression of one of majesty. Students that arrived commonly had the same reaction of "Whoa."

But one student didn't have that reaction, or perhaps it wasn't expressed as openly. She didn't stop to gaze at intricate stonework, didn't get lost navigating the paths, and, gods forbid, interact with any of the veritable flood of students arriving at the school. Rather, this student found herself quite removed from the whole situation. Literally.

Danielle Paladin sat perched in a tree located in one of the less frequented surrounding gardens. Here, she was comfortable. Nature had long been her refuge; it only asked for awareness of one's surroundings. Even now, as she finished her reconnaissance of the school, her eyes darted to a blue jay perched nearby. She allowed herself to relax. The trip here had been long and trying to remain unseen had taken most of her remaining energy. She didn't have time to rest, the headmaster would be giving an orientation speech soon, but, the breeze on her face and with the sun not being too harsh, Danielle began to fall into old habits. Meditating was something she hadn't done in a while. Truthfully, she could've stayed like this for the rest of the day, if it wasn't for...

"Hey! Tree girl! What'cha doing up there?"

Danielle's eyes shot open. Glancing down, there was another girl standing at the base of the tree. She was looking up at Danielle expectantly, an easy smile across her face. Clearly she was just having fun, although her outfit was saying otherwise. She had short, red hair and brown eyes. Similarly, dark red made up almost the entire color scheme, with her trenchcoat imbibing most of it. Dark grey armor made up various parts, including chest, shoulders, and legs. Combat boots and a skirt made of... metal spikes? completed the outfit. But the most noteworthy thing about the girl was the weapon on her back. A massive sword, just shorter than her, (despite her being taller than average), and about half as wide. The thing had an average hilt, but the blade had a thin, almost imperceptible line, running down the middle. It had to weigh at least a hundred pounds, yet she stood like there was nothing. Danielle took all of this on quickly. In short, it was if she was dressed for war. She yelled up to Danielle again.

"Well?"

"I'm sitting." While Danielle had known the girl was there long before she came over (all the metal made a lot of noise), that didn't mean she was in a socializing mood. She rarely ever was, in fact. But instead of moving away, she stayed. It had been some time since she'd talked to another person her age, and so having someone nearby was, in a way, calming to Danielle. But she was out of practice; she didn't intend to sound so cold. Luckily, the redhead took it well.

"Don't worry, I won't bite." She pushed some hair back behind her ear. "I was just wondering if you could help me find my way around the school. You see, I'm new."

"So am I." Yep, way out of practice.

"Oh." The girl's smile faltered for a second, then came back in full force.

"Well, then we can explore together! Two has to be better than one, right?"

"I uh, I'm busy right now, maybe another time," Danielle said, trying to find a way to avoid further conversation without being rude or just jumping off.

"That's okay, I can wait 'till you're done," the redhead replied, crossing her arms. She seemed like she was enjoying herself.

Danielle sighed to herself. Clearly, her new "friend" wasn't going to give up so easily. Danielle could see that the other girl was used to the curt answers she was giving, like they were familiar to her. And her own upbringing wouldn't allow her to just leave. She looked down at the girl and spoke, hoping to end the conversation before it lingered on too long.

"I'm not getting down from here."

The other girl dropped her smile. Uncrossing her arms she stepped closer to the tree. "Fine. Then I'm coming up there." And with that, she began pulling herself up the tree.

Years of experience caused several alarms to go off within Danielle's mind. She had to fight against all of them just to stay put. This girl didn't mean any harm; she was just stubborn. Still, as she followed the other's climb up, she closed her fingers around something at her side.

Climbing up the tree, while carrying that ludicrous sword had to be exhausting, but true to her word, she managed to draw up to eye level with Danielle.

"Hey," she said, panting. "Nice to... meet you."

Danielle allowed herself a small smile. Releasing her hand, she shifted to face her guest. A person like her, Danielle could respect.

"Please, the pleasure is mine."

--------------------------------------------------

Climbing had taken a lot out of the redhead, but she was doing her best not to show it. Up here, she was able to see why tree girl was so adamant about staying; the whole of the school could be seen and it was damn near impossible to be spotted here. Even she didn't know someone else was here. She would have left, if she hadn't been distracted by a bird flying in front of her. A blue jay. It flittered up to a tree and perched on a branch, at which point she noticed a patch of brown that didn't match the foliage. Turns out, the brown was a shoulder bag, and it had a person right below it. She could see the bag clearer now. It was simple, brown canvas, but it was old. Clearly, it'd been through a few fights. When Rouge had arrived, they told her that her bags would be handled for her, no need to worry. She hadn't even considered carry-ons, but Danielle did. That, or she she didn't trust school staff with her things.

Following her line of sight, Tree Girl pulled the bag off its branch and moved it to one behind her. Maybe she just didn't trust anyone with her things.

"So... I guess... introductions? Unless... nothing works for you?" she asked, still out of breath. Bringing up the fact that she been calling her Tree Girl until this point probably wasn't the best idea.

"...Paladin. Danielle Paladin. And you...?"

The redhead smiled again. "Rouge Garnet, at... your service."

While Rough allowed herself to breath again, she appraised Danielle. Brunette, with hair down to her shoulders. While she kept her attention on Rouge, her eyes kept glancing around. A pair of cat ears designated her as a Faunus; part human, part animal. Maybe the skittish nature was part of it? Compared to her own outfit, Danielle, like her bag, was simple. A black, zipper-up sweatshirt over a purple blouse, blue jeans, and brown hiking boots. If Rouge was dressed for war, then Danielle was ready for a hike through the woods. Only her weapons marked her for a student. A quiver of arrows was strapped to her right leg, just below a silver design that was on both sides. Looking closer, Rouge saw that the designs were actually wireframe gloves with claws at the end. A bow was looped around her torso, but the bow itself was probably the fanciest thing on Danielle. The fame was silver, with a leather grip in the middle. Two blade-like protrusions made up the ends. The string... was not a string. It was like a really thin glowstick was attached to each end of the frame, but no light was emitted from it. There was noise, no heat, and judging from the way it sat, was solid enough to hold the bow in place. Rouge considered herself a tech expert, at least when it came to weapons, but she had never seen anything like it before.

Danielle noticed her staring and shifted, a bit self-conscious. "You said you were new here too, didn't you? Trying to get attention off of her, she brought up something that was said earlier.

"Huh? Oh, yeah!" Rouge snapped to. "Yeah, I just got here a while ago. Thought I'd walk around a bit, familiarize myself with the grounds, you know? Get a lay of the land."

Danielle nodded in agreement. "That's smart. Know where you are, and you know half the battle." She glanced back at the school, focusing on something in the distance.

On the inside, Rouge celebrated. Finally, some common ground! But on the outside, she tried to keep going.

"Right? A place this big though, there's bound to be lots of tiny things you'd miss on first glance. That's why I got here as soon as possible, so I could explore at my pace."

"Really?" Danielle turned back around. She had never met someone who thought this way- her way- before.

Neither girl realized that, although they were doing the same thing, they had different reasons for doing so. To Danielle, surveying meant looking for vantage points, escape routes, hiding places. For Rouge, it was like she said, to get a lay of the land. Her father taught her to never miss any detail, no matter the size. It was what he was taught, and what worked for him would work for her. But for now, that misunderstanding didn't hinder their conversation.

"Yep." Rouge shifted on the branch she was on. Even holding on, balance was a hard thing to find. She couldn't see how Danielle could crouch and move around while on a smaller branch than her.

"I thought, maybe, with your help, we could-"

"I'm already done. With the whole place," she added as Rouge opened her mouth, who then closed it, thought about it, and started again.

"You did? How? I was on the first transport over and I managed to only get to here-"

"I didn't get a ride here. I walked."

Rouge struggled to keep up. "What do you mean, you walked?! Town is several miles away and we're surrounded by cliffs. You mean to say you walked through miles of Grimm infested forest, scaled a sheer cliff, and still managed to look over the whole school?" she asked, incredulously.

Danielle met her gaze square on. "Yes," she said, unfazed. She then got slightly worried as a new thought entered her mind. "Was I not supposed to?"

Rouge could only stare back. What Danielle just admitted boggled her mind. A trip like that was out of the question for her, yet Danielle apparently didn't see it the same. And she thought she was diligent. Finding her voice again, she managed to get out an answer.

"I mean, I don't think so. How long have you been here then?" Rouge had to look at Danielle's outfit again, there had to be something else there that she missed. How else could she survive in those woods?

"A few days. I didn't want to be stuck with a lot of people, so I came early, thought I'd get a headstart." Danielle still looked slightly worried, so Rouge managed to push past the previous statements to help her.

"Hey," she started. "I wouldn't worry about it. Technically, there's no rule about not being here early." She wasn't sure, but she was trying to help. "As long as you didn't steal or break anything, I'm sure it'll be fine."

Danielle didn't reply. She was thinking back to the security camera she shot on her first night here.

"So..." Rouge tried changing the subject. "Why'd you apply? Why are you trying to become a huntress?" When Danielle still didn't answer, Rouge kept going. If this ship was sinking, well, she was going with it. "I always liked fighting. Been doing it my whole life. Figured, 'might as well make something out of it'. Dad wasn't okay with it at first, but he came around when I said I was going." Rouge became lost in memory at that. She snapped back to when Danielle spoke.

"My mother told me to." She had a far away look in her eyes. Everything else about her locked down. Rouge found it unsettling, especially since it came on so suddenly.

"That's cool. But what about you? What are your reasons for becoming one?" she pressed.

"I-" Danielle didn't know what to say. It was something she'd thought of before, and that bothered her. Not because she hadn't heard it before, but because she could never find a suitable answer. Not when there was an easy excuse nearby.

She started to say something back, when her ears picked up a loud noise. Rouge didn't hear it, but being a Faunus gave Danielle better than average hearing. She stood up so fast, she almost knocked Rouge out of the tree.

"Hey! What the-" Ignoring her as she tried to regain her balance, Danielle looked in the direction of the noise. There, at the entrance to the school, a black cloud billowed.

"What's going on!" Rouge had grabbed onto the trunk to stop from falling. She was looking up at Danielle, who didn't return the gaze this time.

"An explosion." In her mind, Danielle was trying to piece together what happened. Most likely, a student did something stupid, a situation Danielle was all too happy to stay out of. She began to sit back down, only to find Rouge making her way down the tree. "Where are you going?" she asked, confused.

"I'm going to see if I can help." Rouge reached the bottom, her entire demeanor now serious. "Someone might've been hurt." With that, she began running down the path without letting Danielle reply.

"But-" Danielle was at a loss. Her first "friend" in years and she was currently running away towards an unknown problem. To her, the explosion wasn't her concern; she didn't care if someone was injured. But Rouge was different. She actually stopped to talk to Danielle, she didn't let her Faunus traits stop her from treating her as an equal. And as much as Danielle didn't want to admit it, having someone with her at Beacon could be beneficial. If something happened to her now, she'd be back at square one.

Making a noise of frustration, Danielle called out for Rouge to wait, threw her bag over her shoulder, and chased the redhead, leaping from tree to tree.

[henrynicholls65-blog]

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It's a mid-range budget smartphone which comes with a price tag of just Rs 19,990.  Don't hesitate to suggest different covers that you believe should be part of this collection.  Talk about its price so that it is going to be a flagship mobile.

[isitkpop]

Cat Hybrid!Jinyoung as your Boyfriend

Request: Omg omg omg omg!!! I haven't requested anything for sooo long!!! But hey hey hey!!! Can I request a cat hybrid au for Jinyoung B1A4 pretty please? ~Bana anon 💚

It has been awhile! I shall make this worth it! I know the gif looks a bit sad....but this is the looks I’m going for in here!!! This turned out to be longer than I anticipated...BUT HE’S MY BIAS OF THE GROUP AND I LOVE HIM!!!!

One cat came to mind when I seen this gif...and that would be the  Abyssinian cat.

He has a bit of an orange-yellow ‘ticked’ coat but there is less orange fur so it’s more on the yellow side. (A/n: His hair in the gif is the color of the yellow fur)

He’s one of those people that won’t talk unless you talk to him first.

Also one of those that won’t open up until he get’s to know you better.

He also hates the cold....

Like if he HAS to go out, you would catch him wearing a thick ass scarf and two kind of jackets, a hoodie and then a jacket on top, and a beanie to cover his precious cat ears. His tail would also be tucked in because it cannot get cold either

He’s a photographer!!!

Mostly does those gorgeous Aesthetic photos of anything that’s worthy

He’s picky about it too and he doesn’t really  let anybody see his most private photos 

Not even his friends

You are a tiny little mouse hybrid

The only thing that gives it away is that you got some mouse ears in your human form. (Not the Mickey Mouse kind...but they’re still some damn cute ears alright?)

You’re pretty timid but when people get to know you, you’re pretty hyper active....basically a ball of energy

You’re a college student and majoring in art!!! 

You’re always seen with a sketch book and at least one or two streaks of paint either on your clothes or face or hands.

You live in a dorm by yourself and it’s not really a mess...but it’s also not the cleanest too...(A/n: I also forgot to mention that Jinyoung lives in a dorm by himself too)

You literally have an empty wall that you either draw on or paint on and when you’re ready for a new “canvas” you paint the wall white and go at it again

The school doesn’t mind it either because the whole Residence Hall is specifically for the Arts Major people (Including Jinyoung....whoops. Forgot to mention that also.)

You also do commissions for people cause you also kind of need the money you know...

Oh...fun fact about you...when you sneeze...you let out a little squeak and it’s insanely adorable.

Sooo funny story....you had a project in your art class that required you to use a 48x60″ canvas...which is big canvas....(not really but it was the perfect moment to say that).

Wasn’t really a challenge for you and you pretty much had a perfect landscape area on the rooftop of the dorm to paint once the sun sets.

So after painting reds and purples and oranges for the beautiful sky you painted and seen with your own eyes and it dried the next day...you needed to have this perfect painting get photographed for your collection of “Best Art by Y/n” photo album.

And well...you were in a stump because you couldn’t turn it in yet until it was photographed...luckily it was due by Friday...practically gave you five (5) days to find a photographer...

And what’s worse is that you’re extremely shy to try and talk to new people and it starts up your anxiety and it’s just...why can a photographer just magically appear before you without a spoken word???

And sooo you were walking to one of your classes while texting your friend to figure out if she knew any which was a no and you kind bumped into someone and dropped your sketchbook and a pencil and you let out a squeak as you caught yourself before busting your elbow on the sidewalk...which you luckily didn’t...

And it turns out...it’s your best friend who was giving out flyers like he does once a year.

He pulls you up and picks up your sketchbook and pencil and gives them back...“Oh! Before you leave, have this flyer! Haven’t you been looking for a photographer? You should check him out! He’s pretty good...and I think you might like him!”

The flyer was an advertisement for Jung Jinyoung and OH MY GOSH ARE THOSE CAT EARS???? You’ve always had bad luck with cat hybrids...they tend to not like you for some reason???? But you call him before class anyways and you didn’t want to be late because it was like the third week of the new semester....

Turns out...he’s in the classroom beside yours and you both turned down the hallway at the same time and came to face each other and you’re like “Oh! You’re the photographer I just called! That cat hybrid!”

You didn’t mean to say that and it just slipped out and your mouse ears twitch and fold a bit from embarrassment and nerves and he’s looking at you with his feline like eyes and staring you down and he just gives you a small smile and a nod “See you tomorrow right?”

You timidly nod and hurried into the classroom because you felt like you were dying with embarrassment and meeting him face to face with the fear that he would blow you off because of your bad luck...pretty much set off your nerve alarm...

Jinyoung on the other hand was dying of cuteness because it was his first encounter with a mouse hybrid and you were just sooo damn adorable and cute and he was kind of glad that you walked into your classroom  first because he was pretty sure his face was going to explode with a prominent blush

He was looking forward to seeing you tomorrow and what you have in store for him...

....you’re pacing back and forth in your dorm...contemplating whether to clean or not because it was a little messier than usual and plus a handsome cat hybrid that you’re not sure if he hates you already will be coming by

And you squeak out a little louder than usual....Jinyoung heard it by the way and tried ANYTHING to get his mind off of the cuteness so that you wouldn’t open the door to a blushing cat

You open the door and he’s looking inside and he loves it???

“Nice place! It’s colorful and gorgeous and is that an art wall? Could I photograph it too?”

He pretty much went photo nerd on you and you couldn’t help but look at him quizzically and he finally blushes in front of you and it’s cute to you...

You pull out the canvas and he is just AMAZED at your skill and sees that you have a pretty good sized window and places the canvas on your bed where the natural light catches the beauty just right

You watch as he pulls out his equipment and you notice that his tail is swishing a little bit from curiosity and it was just adorable

He takes a few photos from different angles and shows you the best ones for you to pick out.

He then takes some photos of your art wall for his own personal use which you didn’t mind since he wasn’t going to spread it around campus

“Hey...how did you get here so fast anyways?”

Jinyoung looks over at you after packing up his equipment and his ear twitches a little “I live in this Residence Hall too. I catch glimpses of you every once in while...”

“Ahhhh....no wander why you looked familiar.”

He’s getting ready to leave but stops at your door. “Is it okay if I come by again? I would love to photograph anything in here.” Practically just wants to see your tiny self again...

You smile and nod at him but kind of feel bad because you didn’t really talk much during his visit but it was comfortable...

To say the least...you both started to develop some hard core crushes on each other

You almost slipping off your bed as you were trying to sketch a tree outside and you squeaked as Jinyoung took a photo of one of your older watercolor canvas of the Blue Ridge Mountains in the United States

He looks over at you and your blushing and your ear are folded down a little and he’s blushing now because that was way too cute for his heart and his tail is twitching which you found cute too and it’s just cuteness galore

It continues on like this for like a few weeks....

Well....Jinyoung was about to walk into your dorm room but you were also about to walk out and you bumped into him and he’s holding you to make sure you wouldn’t fall and he’s looking at you with a surprised expression and you start to freak out because he’s HOLDING you and you freaked out to the point to where you accidentally transformed into your mouse form and you scurry under your dresser with embarrassment.

“Hey Y/n! Are you okay? Where did you go?” He grabs your clothes and places them on the bed and starts to look around for your small form

You basically didn’t want to come out and face him in this form...you were already weak in your human form but this mouse form of yours??? Yeah...no way in hell are you going to show Jinyoung this form....

But too late...he’s looking at you under the dresser and you see if you could backup any further into the wall but he’s not having it and reaches and gently grabs you and pulls you out and holds you up in his hands

“You’re so small. Why did you hide from me? Did you not want men to see you in this form?”

You tried to move your tail to cover your eyes but he caught on and took your tail and gently wrapped it around his fingers to keep you from using it to hide again

“To be honest...I kind of liked you from the start. You were cute and your mouse ears was wayyy to adorable for me to handle. I also thought you didn’t like me because I was a cat...Mouse hybrids tend to stay away from me...but I was happy that you didn’t. So uhhh....how about going back into your human form and getting dressed so that I can kiss you because I can’t take it anymore...”

So you do and made sure that he had his back turned so that he didn’t see your naked form and you tapped him on the shoulder to let him know that you were ready and without warning, grabs you and places his lips onto yours and you squeak out a little and he giggles into the kiss.

You finally open up completely to him and he LOVES your energetic self

You finally got to see him in his cat form and he snuggled up into your lap and you pet him and sketch...this is pretty much your favorite snuggle time with him.

This also goes vice versa...you in your mouse form and snuggle up into his neck and you both nap together.

You both made a business together after getting the right degrees and everybody LOVES the work you both display

He even let’s you look at his most private album and it turns out that it’s pictures of his family and you and the most beautiful photos of anything ever!!!

[mfmagazine]

Pierre Bensusan

Article by Erik Schultz

Born in Oran, French-Algeria, Pierre Bensusan's family moved to Paris when he was 4. He began formal studies on piano at the age of 7 and at 11 taught himself guitar. Influenced in those early days by the folk revival blooming in Britain, France and North America, Bensusan began first to explore his own diverse musical heritage and then moved to the horizons beyond. At 17 he signed his first recording contract and one year later, his first album, Près de Paris, won the Grand Prix du Disque upon his debut at the Montreux Festival in Switzerland. Bensusan has established himself as a compelling concert performer and a stellar contributor to worldwide music festivals. What set Bensusan apart is the passion, soul, intensity, and rhythmic complexity that mark even his quietest and most elegant pieces. The show at the Tractor Tavern in Seattle was outstanding and I enjoyed the many stories prior to many of the songs. Would you mind telling me a few more interesting stories relating to your music? When flying, it's never easy to travel with a guitar, even if this one is in a good and solid case, it's difficult, at times frightening, to have to check it and see it going into foreign and improbable hands. So I try not too and in most cases, it works. I was at the Washington DC airport on my way to San Francisco, with my usual belongings: suitcase, handbag, a 2 rack flycaisse and my guitar in a vivid red fiberglass case. I know that at times, traveling into the USA with a case with such color could be miss-interpreted, but hopefully people remember that buses and phone booths are equally Red in UK, and especially in an airport: I can see my guitar at all time, but this one can be seen too. Walking towards the counter of the airline, I hear a man calling me, as he is coming into my direction; I turn my head to see what's the matter. He is wearing a mark identifying himself as a member of the staff of the airline I am flying with but wears no uniform. He asks me if my name is so and so - yes it is I say, and with a big smile on his face, he tells me that he saw me performing at Blues Alley in Georgetown (DC) more than 15 years ago, loved the show, still remembers it, and asks me where I am going. To San Francisco I say, then I ask him if he works for the company, yes he says but today I am off work and with my wife on our way to NYC to play in a club in the village tonight with my band. He tells me he is a guitarist too, but plays a very different style, more jazz, electric, writes all the lyrics for the band, comes from Ethiopia and would love to offer me his brand new CD and bring it to my departure gate. In the meantime, I ask him if he could say a word to the woman behind the counter to make sure it was OK for me to not have to check my guitar. After a few minutes during which the woman calls the staff on board the plane, the answer is positive. I am delighted and slightly relieved, we speak together with his wife, beautiful woman from India and with two other women working for the company, very nice gathering... Then I go on my way towards the gate where he was going to meet me 10 minutes later. When at the gate, another crew comes to me and say that the head of crew refuses all guitars onboard the plane. I am very surprised, explain that it has been previously arranged, feel uncomfortably there is no need to discuss, and try to get on with this new idea. In the meantime, a man sitting in front of me, looks at me, smiling with a yellow mood, and asks me to imagine what he would be if every passenger was carrying these kind of hand bags, I told him that maybe the world would be better one and ignored him. Then I remember that my new Ethiopian friend was on his way to meet me. A few minutes later, here he is with his CD. I thank him and tell him about the situation. He is not happy and goes to talk with the crew at the gate. Long talks during which I speak with his wife. She tells me that when they saw me - 15 years ago - I went to sit at their table during the intermission, talked with them, asked them where they were coming from, and that some years later, in my first Guitar Book, I wrote a note accompanying a song mentioning this very concert and meeting. It was very true! So that coincidence started to become quite amazing all together. Zaki, her husband, comes back with a brand new boarding pass: the problem has been solved; you will carry your guitar on board! I am very thankful, he says, very humbly, that he was happy to help. As a matter of fact, he went back to talk with the crew again and comes back a few minutes later with a different boarding pass: there was one free sit in the business class and it was going to be given to me. My guitar is no longer a problem then. As I stepped into the plane, the same man who refused it at once took it off my hands and put it in the closet with a beautiful commercial smile. The man who told me this ungenerous remark was sitting not far from me in the economy and was no longer smiling at me. The food and Champaign were great. I kept thinking about the human conditions and differences between people, how money was making some living and travel in comfort and luxury, almost ignoring how it really was next to them, but was, in truth, very happy to mime being one of them for a few hours, remembering vividly the faces and expressions of my two new unwealthy Ethiopian and Indian friends, and how amazing it is to have the fortune to travel and meet people whose energy and vibes feed you in the most unexpected moments and places. I was rested when in San Francisco and on my way back home several weeks later, one of the first things I did was to play Zaki's CD. I was astonished at the quality of this Ethiopian jazz, the singing, the lyrics, the sound, his guitar playing and wrote him to share my impressions with him and thank him again. What goes into writing your music? A full spoon of embodying the moment, 3 cups of inspiration, 2 cups of hard work and a pinch of good luck. Served hot or cold. What are some of the differences touring around the States vs. France vs. UK? On an affective level, now a days, I am almost uncomfortable touring in the USA because of the political climate between France and the USA. They love French people in the UK even if they very rarely admit it. On a logistics aspect, touring the US is exhausting, I should be a plane. In Europe, I drive to most places and can bring a bit more of my personal environment along with me. You have helped create some new guitars for yourself. There are two different luthiers I have been working with. Kevin Ryan for the steel string model and Juan Miguel Carmona for the nylon string model. Sometime in the summer of 2002, Kevin Ryan began developing a new concept in the philosophy of guitar building. What later became known as the Nightingale was on the drawing board during this time when myself and Kevin (who know each other for years) began a discussion of a possible collaboration on the Pierre Bensusan Artist Model. Kevin knew immediately that the Nightingale (then known secretly as Project "X") would be the perfect model upon which to base a Signature guitar for me. It was a great size; it had the sensuous curves and look, and it had a higher and tighter waist so that the soundboard could respond freely to the rich and powerful bass characteristic of my sound. And it was going to accommodate Kevin's innovation of the ergonomic bevel so that the instrument could be held comfortably and the soundboard would respond to the trebles and mid-range with sparkle and shimmer. All this made it the perfect canvas upon which to paint the Bensusan Signature Model, which has many other unique features. My nylon string Signature guitar model was made and designed by the Spanish luthier from Granada, Juan Miguel Carmona, considered to be one of the best of his generation, and also a cousin of the Habichuela family, one of the most well known Flamenco families in Andalousia. The first Pierre Bensusan Signature models were delivered in April 2003. Although Juan Miguel makes both Flamenco and Classical nylon strings, the Carmona/Bensusan Signature is not a classical, nor a Flamenco, but somewhere in between. The neck is not as wide as on a classical but still wider than what steel string guitarists are used to. The sound, the touch, the look are all what I have dreamed of. I read you use DADGAD tuning. How did you come up with that and why? I use DADGAD tuning since 1973. I made the choice to stick with DADGAD instead of traveling into a myriad of open tunings including standard tuning. That tuning became a tool which I had to tame. This implies to deepen its different areas, relationship from string to string, modes, scales, harmony, and different ways to lay the fingers and get the sounds. The tuning is not the most crucial element, the inspiration, the ideas, the organization and architecture of the music, the feel, the grove, etc. are the keys. That tuning helped me to articulate, have maybe more fun and understand what I had inside that wanted to come out, but sincerely, I could have very well achieved different things in standard tuning and be as happy in the process. Maybe I am saying this because I don't even notice any more that I am playing in a different tuning because IS my "standard" tuning. Tell me about the new album. I am right into the process of recording and finalizing the writing of it. It will be acoustic, contain guitar instrumentals, songs and vocal materials. Most of the tunes have been within me for a long time, so it will be like a deliverance. It will be released on Favored Nations at the end of March 2005. The label is very supportive. What would you say most influences you? The green eyes of my wife Doatea.

[dillenwaeraa]

Google Data Studio: The Beginner's Tutorial

Google Data Studio is a communication tool. It brings together data you store in several places so you can visualize it on one screen. The goal of using Data Studio is to become a data communicator, not a data plumber.

There are several Data Studio beginner’s guides in the wild. I’ve created this one to get you thinking in Data Studio terms. It’s a proper tutorial, taking you through things step-by-step. Where there’s too much to say about a feature, I’ll link to relevant documentation or other blog posts. And of course, this guide is for you — please ask questions and leave feedback so that we can improve it!

Contents

Data Studio lets you visualize data from many sources

You only need a Google account to get started

Get oriented

Make your first report

Connect a sample data source

Get acquainted with the report interface

Now let’s make a chart

Add a time series

Set dimensions and metrics

Set the date range

Update the style to use bars

Label your chart

Admire your work

Add interactivity

Add a filter control

Connect your data [optional]

Share your report

What we learned

Do more, learn more

Data Studio lets you visualize data from many sources

The compelling reason to choose Data Studio is the sources from which it can pull data. With it, you can use almost any data available from Google. That includes Google Analytics, AdWords, Search Console, BigQuery, and more.

Data Studio is also easier to learn and teach than the alternatives. In particular, querying the Google Analytics API requires learning a complete vocabulary of dimensions and metrics (“Page” → “ga:pagePath”) and operators (“Match Regex” → “=~”). Data Studio renders that obsolete for many use cases.

Finally, the fact that Data Studio makes all these data sources available lets you juxtapose charts from many sources in one report. For instance, you might want to chart both organic traffic from Google Analytics and clicks from Search Console in the same report. With Data Studio, you can!

You only need a Google account to get started

Data Studio is a free product. The only way to incur expense is if there are fees associated with accessing your data source. For instance, BigQuery charges for some requests. That won’t happen in this tutorial.

All you need to get started is a Google Account. If you have personal data to work with, experimenting will be much more fun — but it isn’t required.

LOG IN TO DATA STUDIO 

Note that you may have to accept some terms and conditions before creating your first report. For some reason, this process can be a bit finicky. If at first you don’t succeed, dust yourself off and try again.

Get oriented

See interface documentation.

The next thing you’ll see is the central Data Studio interface. Data Studio is part of Google Drive — like Docs, Sheets, or Slides. The interface of Data Studio is similar to docs.google.com. The interface lists only Data Studio documents. You’re meant to do organizing within Google Drive as opposed to Data Studio itself. That’s why you can’t make folders on this screen.

Unfamiliar territory!

One difference worth noting is that instead of a single document type, Data Studio has two. There are Reports and Data Sources. In this tutorial, we’ll be manipulating reports, and using the sample data sources provided by default.

Make your first report

See report documentation.

Make sure you’re looking at the Reports section as opposed to the Data Sources section. You should see Reports by default. Click the familiar “+” button in the bottom right corner to get the ball rolling! If everything is going as planned, you should now have a blank canvas:

Connect a sample data source

See data source documentation.

Before you can add any charts to your report, Data Studio needs to know where that data is. Fortunately, Data Studio comes with several sample data sources to help you get started. Each of these has a name that starts with “[Sample]”. For now, choose “[Sample] Google Analytics Data”:

You’ll see a request for confirmation. Click add to report.

This sample data source exposes Google Analytics data from the Google Store. We’ll show you how to add a custom data source later in the tutorial.

Get acquainted with the report interface

See report interface documentation.

At this point you’ve got a blank report in front of you — the world is your oyster! If you want to mess around a bit, feel free. Anything you add will use the data source we just added.

You can always undo anything or create a new report if you don’t like the result!

Now let’s make a chart

I don’t want to bury the lede. Here’s what we’re going to create:

see the finished product

This is a simple chart. It shows sessions to the Google Store website by month and compares each month to the same month last year. It also happens to use most of the features you’ll need to master in Data Studio, so it’s a great starting place. This is what it looks like:

Add a time series

See chart type documentation.

A time series is a type of chart. Its defining characteristic is that its x-axis is a unit of time. In Data Studio, a chart isn’t just defined by how it looks. In fact, there are multiple ways to make something that appears to be a column chart. Instead, a chart also specifies what data it accepts as inputs and how it transforms that data into a visual.

Try adding a time series to your chart now. It’s the very first chart type in the toolbar:

Dragging a box on your canvas will result in something like this:

Humble beginnings.

Congratulations — you’ve made your first chart! Let’s take a moment to analyze what just happened. You said you wanted a time series. On the other hand, you didn’t have an opportunity to specify what data you wanted to visualize. Data Studio chose some reasonable defaults for you (charting Sessions by Date). Next, we’ll see how to customize these choices so that you aren’t stuck with these defaults forever.

Set dimensions and metrics

See dimensions and metrics documentation.

Dimensions and metrics in Data Studio are conceptually the same as dimensions and metrics in Google Analytics. If you’re using Google Analytics as a data source, the same dimensions and metrics will be available to you in Data Studio.

A quick refresher: metrics are numbers, and dimensions allow you to slice and dice those numbers in different ways. Pageviews and Sessions are both metrics. Page and Landing Page and Default Channel Grouping are dimensions.

The chart we just created shows Sessions by Date. By selecting the chart, we can change these in the right-hand sidebar shown below.

We’ll keep Sessions the same, but change the time dimension to be Month of Year. Be careful here — Month of the year and Month of Year are two different dimensions. To create our example chart, we want Month of Year. The result will look something like this:

Not a great visual — a time series with only two data points? A little wonky, but never fear. We just need to inspect a wider date range.

Set the date range

See date and time documentation.

The reason that the chart only has one or two data points now is that by default Data Studio will show the last 30 days of data. Most of the time that means a chart by month will only show partial data for last month and this month.

Let’s make things more exciting. In that same sidebar, you’ll see an option to set the default date range. Use it to select “Last Year”.

Now we’ve got an appropriate time range to show off our website’s performance:

Finally, let’s compare this data against last year’s. In the same date range control panel, select a comparison period:

Which results in:

We’re most of the way there at this point. The data that we want to visualize is there; it just doesn’t look quite the same.

Update the style to use bars

See time series documentation.

The most apparent difference between our chart and the target is that the target chart uses bars instead of lines. Since we want to be able to compare specific months against their performance last year, grouped bars will be more natural for our audience to interpret.

Click your way over to the Style section in the right-hand sidebar. At the top, you’ll see a conspicuous option to use Bars instead of a Line to represent your data.

This has the expected result:

So the chart seems correct, but the example also has a pretty title at the top. What about that?

Label your chart

Data studio offers bare essential drawing tools — text box, image, rectangle, and circle:

Choose one or more of these and drag away. Let your inner artist out! Take a gander at the options given in the sidebar. Foreground and background colors can be selected, in addition to basic font choices.

Here’s what I came up with:

If you’d like to have more fun — and maybe make the chart align better with your own brand — you can also play with the style controls. Select the chart and click “Style” in the sidebar. Check out the series color options, and font face and size options. Extreme changes are possible. You can even turn off the axes entirely!

Admire your work

For those following along, you’ll see that we’ve built what we had planned. If you want to scope out what your report really looks like, hit the View button:

This removes the helpful design grid and the rest of the UI elements. It brings your visualization to the foreground.

If you give someone view permission, this is what they will see.

Add interactivity

SEE THE INTERACTIVE VERSION 

One of the great things about Data Studio is that it also accommodates interactivity. Let’s say we’re presenting this chart to our board, who is interested not only in trends in overall sessions but also in the channels from which those sessions began.

We could make a different chart for each channel — and in some cases, that might be the appropriate visualization. But for the sake of our tutorial, we can avoid creating eight different charts. Instead, we’ll add interactivity to our current chart so that we can use it to track each of these

Here’s the end product:

Add a filter control

See filter control documentation.

This pictograph (like an inverted pyramid) represents a filter control. See how the bar starts out large and gets smaller? That’s because it’s been filtered!

Just like a chart or a text box, you can draw a filter element onto your canvas:

Subtle difference — look in the upper right corner!

And, like any other component, you can configure the dimensions and metrics that the filter users. Note that the filter does its filtering on a dimension, not a metric — the metric is merely an aesthetic option. Configure your dimension like this:

By default, a filter control affects all charts on a page. You can change this by grouping the filter with the charts you want it to affect. See the documentation for details.

Now when you go to View mode, you can click on the filter control and choose what Channel Grouping you want to focus on:

Now we’ve got the same chart, but showing only organic traffic.

Connect your data [optional]

See the Google Analytics connector documentation.

I’ll assume you have access to a GA account. If not, that’s fine—you can skip ahead to “Share your report”. Let’s swap your data for the sample GA account we’ve been using.

Select the time series component and click “Data Source” in the sidebar.

This will allow you to select any data source you have. You can also create a new data source from within the report building interface:

To connect to Google Analytics, you’ll have to choose an Account, Property, and View to use. On this new screen, select “Google Analytics”.

Because we’ve chosen a Google Analytics data source, Data Studio already knows how to interpret the data. If you wanted to use another data source you might have to tell Data Studio what its schema is. I’ve written a guide to using Google Sheets as a data source that you might find useful.

When you’re satisfied with the list of dimensions and metrics that Data Studio is showing you, click “Add to Report”.

Your chart will now be using the data source you’ve created. No other configuration required!

Share your report

Sharing a Data Studio report is slightly more complicated than in Google Docs. The most important thing you need to understand is how permissions work. That blog post is a crash course on the subject. The choice you’ll be making is whether you’re letting readers see data using your credentials.

For more details about sharing, check out these three documentation pages:

Sharing documentation

Report sharing documentation

Data source sharing documentation

What we learned

In this tutorial, we covered all of the basics of Data Studio. Here’s a quick summary of what we learned:

How to start using Data Studio.

How to create a new report.

How to create a time series.

How to choose dimensions and metrics.

How to expand the date range.

How to label a chart.

How to make a chart interactive.

How to connect a data source.

Whew — that’s quite a bit. I hope you feel a well-deserved sense of accomplishment. Nice work!

Do more, learn more

That’s it for our tutorial, but not for your Data Studio journey. Here are a few things to try with your newfound skills:

Add a second chart type.

Add more pages to your report.

Change the size of a page.

Add another data source.

Make a component report-level instead of page-level.

As you iterate, check out these resources — they all helped me as I learned Data Studio.

Read the tutorial report included with Data Studio

Watch the Data Studio instruction videos

Try creating a data source from Google Sheets

Read other intro guides (from Whole Whale, Coding is for Losers, Search Engine Journal)

Happy visualizing!

from Marketing https://www.distilled.net/resources/google-data-studio-the-beginners-tutorial/ via http://www.rssmix.com/

[anthonykrierion]

Google Data Studio: The Beginner's Tutorial

Google Data Studio is a communication tool. It brings together data you store in several places so you can visualize it on one screen. The goal of using Data Studio is to become a data communicator, not a data plumber.

There are several Data Studio beginner’s guides in the wild. I’ve created this one to get you thinking in Data Studio terms. It’s a proper tutorial, taking you through things step-by-step. Where there’s too much to say about a feature, I’ll link to relevant documentation or other blog posts. And of course, this guide is for you — please ask questions and leave feedback so that we can improve it!

Contents

Data Studio lets you visualize data from many sources

You only need a Google account to get started

Get oriented

Make your first report

Connect a sample data source

Get acquainted with the report interface

Now let’s make a chart

Add a time series

Set dimensions and metrics

Set the date range

Update the style to use bars

Label your chart

Admire your work

Add interactivity

Add a filter control

Connect your data [optional]

Share your report

What we learned

Do more, learn more

Data Studio lets you visualize data from many sources

The compelling reason to choose Data Studio is the sources from which it can pull data. With it, you can use almost any data available from Google. That includes Google Analytics, AdWords, Search Console, BigQuery, and more.

Data Studio is also easier to learn and teach than the alternatives. In particular, querying the Google Analytics API requires learning a complete vocabulary of dimensions and metrics (“Page” → “ga:pagePath”) and operators (“Match Regex” → “=~”). Data Studio renders that obsolete for many use cases.

Finally, the fact that Data Studio makes all these data sources available lets you juxtapose charts from many sources in one report. For instance, you might want to chart both organic traffic from Google Analytics and clicks from Search Console in the same report. With Data Studio, you can!

You only need a Google account to get started

Data Studio is a free product. The only way to incur expense is if there are fees associated with accessing your data source. For instance, BigQuery charges for some requests. That won’t happen in this tutorial.

All you need to get started is a Google Account. If you have personal data to work with, experimenting will be much more fun — but it isn’t required.

LOG IN TO DATA STUDIO 

Note that you may have to accept some terms and conditions before creating your first report. For some reason, this process can be a bit finicky. If at first you don’t succeed, dust yourself off and try again.

Get oriented

See interface documentation.

The next thing you’ll see is the central Data Studio interface. Data Studio is part of Google Drive — like Docs, Sheets, or Slides. The interface of Data Studio is similar to docs.google.com. The interface lists only Data Studio documents. You’re meant to do organizing within Google Drive as opposed to Data Studio itself. That’s why you can’t make folders on this screen.

Unfamiliar territory!

One difference worth noting is that instead of a single document type, Data Studio has two. There are Reports and Data Sources. In this tutorial, we’ll be manipulating reports, and using the sample data sources provided by default.

Make your first report

See report documentation.

Make sure you’re looking at the Reports section as opposed to the Data Sources section. You should see Reports by default. Click the familiar “+” button in the bottom right corner to get the ball rolling! If everything is going as planned, you should now have a blank canvas:

Connect a sample data source

See data source documentation.

Before you can add any charts to your report, Data Studio needs to know where that data is. Fortunately, Data Studio comes with several sample data sources to help you get started. Each of these has a name that starts with “[Sample]”. For now, choose “[Sample] Google Analytics Data”:

You’ll see a request for confirmation. Click add to report.

This sample data source exposes Google Analytics data from the Google Store. We’ll show you how to add a custom data source later in the tutorial.

Get acquainted with the report interface

See report interface documentation.

At this point you’ve got a blank report in front of you — the world is your oyster! If you want to mess around a bit, feel free. Anything you add will use the data source we just added.

You can always undo anything or create a new report if you don’t like the result!

Now let’s make a chart

I don’t want to bury the lede. Here’s what we’re going to create:

see the finished product

This is a simple chart. It shows sessions to the Google Store website by month and compares each month to the same month last year. It also happens to use most of the features you’ll need to master in Data Studio, so it’s a great starting place. This is what it looks like:

Add a time series

See chart type documentation.

A time series is a type of chart. Its defining characteristic is that its x-axis is a unit of time. In Data Studio, a chart isn’t just defined by how it looks. In fact, there are multiple ways to make something that appears to be a column chart. Instead, a chart also specifies what data it accepts as inputs and how it transforms that data into a visual.

Try adding a time series to your chart now. It’s the very first chart type in the toolbar:

Dragging a box on your canvas will result in something like this:

Humble beginnings.

Congratulations — you’ve made your first chart! Let’s take a moment to analyze what just happened. You said you wanted a time series. On the other hand, you didn’t have an opportunity to specify what data you wanted to visualize. Data Studio chose some reasonable defaults for you (charting Sessions by Date). Next, we’ll see how to customize these choices so that you aren’t stuck with these defaults forever.

Set dimensions and metrics

See dimensions and metrics documentation.

Dimensions and metrics in Data Studio are conceptually the same as dimensions and metrics in Google Analytics. If you’re using Google Analytics as a data source, the same dimensions and metrics will be available to you in Data Studio.

A quick refresher: metrics are numbers, and dimensions allow you to slice and dice those numbers in different ways. Pageviews and Sessions are both metrics. Page and Landing Page and Default Channel Grouping are dimensions.

The chart we just created shows Sessions by Date. By selecting the chart, we can change these in the right-hand sidebar shown below.

We’ll keep Sessions the same, but change the time dimension to be Month of Year. Be careful here — Month of the year and Month of Year are two different dimensions. To create our example chart, we want Month of Year. The result will look something like this:

Not a great visual — a time series with only two data points? A little wonky, but never fear. We just need to inspect a wider date range.

Set the date range

See date and time documentation.

The reason that the chart only has one or two data points now is that by default Data Studio will show the last 30 days of data. Most of the time that means a chart by month will only show partial data for last month and this month.

Let’s make things more exciting. In that same sidebar, you’ll see an option to set the default date range. Use it to select “Last Year”.

Now we’ve got an appropriate time range to show off our website’s performance:

Finally, let’s compare this data against last year’s. In the same date range control panel, select a comparison period:

Which results in:

We’re most of the way there at this point. The data that we want to visualize is there; it just doesn’t look quite the same.

Update the style to use bars

See time series documentation.

The most apparent difference between our chart and the target is that the target chart uses bars instead of lines. Since we want to be able to compare specific months against their performance last year, grouped bars will be more natural for our audience to interpret.

Click your way over to the Style section in the right-hand sidebar. At the top, you’ll see a conspicuous option to use Bars instead of a Line to represent your data.

This has the expected result:

So the chart seems correct, but the example also has a pretty title at the top. What about that?

Label your chart

Data studio offers bare essential drawing tools — text box, image, rectangle, and circle:

Choose one or more of these and drag away. Let your inner artist out! Take a gander at the options given in the sidebar. Foreground and background colors can be selected, in addition to basic font choices.

Here’s what I came up with:

If you’d like to have more fun — and maybe make the chart align better with your own brand — you can also play with the style controls. Select the chart and click “Style” in the sidebar. Check out the series color options, and font face and size options. Extreme changes are possible. You can even turn off the axes entirely!

Admire your work

For those following along, you’ll see that we’ve built what we had planned. If you want to scope out what your report really looks like, hit the View button:

This removes the helpful design grid and the rest of the UI elements. It brings your visualization to the foreground.

If you give someone view permission, this is what they will see.

Add interactivity

SEE THE INTERACTIVE VERSION 

One of the great things about Data Studio is that it also accommodates interactivity. Let’s say we’re presenting this chart to our board, who is interested not only in trends in overall sessions but also in the channels from which those sessions began.

We could make a different chart for each channel — and in some cases, that might be the appropriate visualization. But for the sake of our tutorial, we can avoid creating eight different charts. Instead, we’ll add interactivity to our current chart so that we can use it to track each of these

Here’s the end product:

Add a filter control

See filter control documentation.

This pictograph (like an inverted pyramid) represents a filter control. See how the bar starts out large and gets smaller? That’s because it’s been filtered!

Just like a chart or a text box, you can draw a filter element onto your canvas:

Subtle difference — look in the upper right corner!

And, like any other component, you can configure the dimensions and metrics that the filter users. Note that the filter does its filtering on a dimension, not a metric — the metric is merely an aesthetic option. Configure your dimension like this:

By default, a filter control affects all charts on a page. You can change this by grouping the filter with the charts you want it to affect. See the documentation for details.

Now when you go to View mode, you can click on the filter control and choose what Channel Grouping you want to focus on:

Now we’ve got the same chart, but showing only organic traffic.

Connect your data [optional]

See the Google Analytics connector documentation.

I’ll assume you have access to a GA account. If not, that’s fine—you can skip ahead to “Share your report”. Let’s swap your data for the sample GA account we’ve been using.

Select the time series component and click “Data Source” in the sidebar.

This will allow you to select any data source you have. You can also create a new data source from within the report building interface:

To connect to Google Analytics, you’ll have to choose an Account, Property, and View to use. On this new screen, select “Google Analytics”.

Because we’ve chosen a Google Analytics data source, Data Studio already knows how to interpret the data. If you wanted to use another data source you might have to tell Data Studio what its schema is. I’ve written a guide to using Google Sheets as a data source that you might find useful.

When you’re satisfied with the list of dimensions and metrics that Data Studio is showing you, click “Add to Report”.

Your chart will now be using the data source you’ve created. No other configuration required!

Share your report

Sharing a Data Studio report is slightly more complicated than in Google Docs. The most important thing you need to understand is how permissions work. That blog post is a crash course on the subject. The choice you’ll be making is whether you’re letting readers see data using your credentials.

For more details about sharing, check out these three documentation pages:

Sharing documentation

Report sharing documentation

Data source sharing documentation

What we learned

In this tutorial, we covered all of the basics of Data Studio. Here’s a quick summary of what we learned:

How to start using Data Studio.

How to create a new report.

How to create a time series.

How to choose dimensions and metrics.

How to expand the date range.

How to label a chart.

How to make a chart interactive.

How to connect a data source.

Whew — that’s quite a bit. I hope you feel a well-deserved sense of accomplishment. Nice work!

Do more, learn more

That’s it for our tutorial, but not for your Data Studio journey. Here are a few things to try with your newfound skills:

Add a second chart type.

Add more pages to your report.

Change the size of a page.

Add another data source.

Make a component report-level instead of page-level.

As you iterate, check out these resources — they all helped me as I learned Data Studio.

Read the tutorial report included with Data Studio

Watch the Data Studio instruction videos

Try creating a data source from Google Sheets

Read other intro guides (from Whole Whale, Coding is for Losers, Search Engine Journal)

Happy visualizing!

Google Data Studio: The Beginner's Tutorial was originally posted by Video And Blog Marketing

[heavenwheel]

Google Data Studio: The Beginner's Tutorial

Google Data Studio is a communication tool. It brings together data you store in several places so you can visualize it on one screen. The goal of using Data Studio is to become a data communicator, not a data plumber.

There are several Data Studio beginner’s guides in the wild. I’ve created this one to get you thinking in Data Studio terms. It’s a proper tutorial, taking you through things step-by-step. Where there’s too much to say about a feature, I’ll link to relevant documentation or other blog posts. And of course, this guide is for you — please ask questions and leave feedback so that we can improve it!

Contents

Data Studio lets you visualize data from many sources

You only need a Google account to get started

Get oriented

Make your first report

Connect a sample data source

Get acquainted with the report interface

Now let’s make a chart

Add a time series

Set dimensions and metrics

Set the date range

Update the style to use bars

Label your chart

Admire your work

Add interactivity

Add a filter control

Connect your data [optional]

Share your report

What we learned

Do more, learn more

Data Studio lets you visualize data from many sources

The compelling reason to choose Data Studio is the sources from which it can pull data. With it, you can use almost any data available from Google. That includes Google Analytics, AdWords, Search Console, BigQuery, and more.

Data Studio is also easier to learn and teach than the alternatives. In particular, querying the Google Analytics API requires learning a complete vocabulary of dimensions and metrics (“Page” → “ga:pagePath”) and operators (“Match Regex” → “=~”). Data Studio renders that obsolete for many use cases.

Finally, the fact that Data Studio makes all these data sources available lets you juxtapose charts from many sources in one report. For instance, you might want to chart both organic traffic from Google Analytics and clicks from Search Console in the same report. With Data Studio, you can!

You only need a Google account to get started

Data Studio is a free product. The only way to incur expense is if there are fees associated with accessing your data source. For instance, BigQuery charges for some requests. That won’t happen in this tutorial.

All you need to get started is a Google Account. If you have personal data to work with, experimenting will be much more fun — but it isn’t required.

LOG IN TO DATA STUDIO 

Note that you may have to accept some terms and conditions before creating your first report. For some reason, this process can be a bit finicky. If at first you don’t succeed, dust yourself off and try again.

Get oriented

See interface documentation.

The next thing you’ll see is the central Data Studio interface. Data Studio is part of Google Drive — like Docs, Sheets, or Slides. The interface of Data Studio is similar to docs.google.com. The interface lists only Data Studio documents. You’re meant to do organizing within Google Drive as opposed to Data Studio itself. That’s why you can’t make folders on this screen.

Unfamiliar territory!

One difference worth noting is that instead of a single document type, Data Studio has two. There are Reports and Data Sources. In this tutorial, we’ll be manipulating reports, and using the sample data sources provided by default.

Make your first report

See report documentation.

Make sure you’re looking at the Reports section as opposed to the Data Sources section. You should see Reports by default. Click the familiar “+” button in the bottom right corner to get the ball rolling! If everything is going as planned, you should now have a blank canvas:

Connect a sample data source

See data source documentation.

Before you can add any charts to your report, Data Studio needs to know where that data is. Fortunately, Data Studio comes with several sample data sources to help you get started. Each of these has a name that starts with “[Sample]”. For now, choose “[Sample] Google Analytics Data”:

You’ll see a request for confirmation. Click add to report.

This sample data source exposes Google Analytics data from the Google Store. We’ll show you how to add a custom data source later in the tutorial.

Get acquainted with the report interface

See report interface documentation.

At this point you’ve got a blank report in front of you — the world is your oyster! If you want to mess around a bit, feel free. Anything you add will use the data source we just added.

You can always undo anything or create a new report if you don’t like the result!

Now let’s make a chart

I don’t want to bury the lede. Here’s what we’re going to create:

see the finished product

This is a simple chart. It shows sessions to the Google Store website by month and compares each month to the same month last year. It also happens to use most of the features you’ll need to master in Data Studio, so it’s a great starting place. This is what it looks like:

Add a time series

See chart type documentation.

A time series is a type of chart. Its defining characteristic is that its x-axis is a unit of time. In Data Studio, a chart isn’t just defined by how it looks. In fact, there are multiple ways to make something that appears to be a column chart. Instead, a chart also specifies what data it accepts as inputs and how it transforms that data into a visual.

Try adding a time series to your chart now. It’s the very first chart type in the toolbar:

Dragging a box on your canvas will result in something like this:

Humble beginnings.

Congratulations — you’ve made your first chart! Let’s take a moment to analyze what just happened. You said you wanted a time series. On the other hand, you didn’t have an opportunity to specify what data you wanted to visualize. Data Studio chose some reasonable defaults for you (charting Sessions by Date). Next, we’ll see how to customize these choices so that you aren’t stuck with these defaults forever.

Set dimensions and metrics

See dimensions and metrics documentation.

Dimensions and metrics in Data Studio are conceptually the same as dimensions and metrics in Google Analytics. If you’re using Google Analytics as a data source, the same dimensions and metrics will be available to you in Data Studio.

A quick refresher: metrics are numbers, and dimensions allow you to slice and dice those numbers in different ways. Pageviews and Sessions are both metrics. Page and Landing Page and Default Channel Grouping are dimensions.

The chart we just created shows Sessions by Date. By selecting the chart, we can change these in the right-hand sidebar shown below.

We’ll keep Sessions the same, but change the time dimension to be Month of Year. Be careful here — Month of the year and Month of Year are two different dimensions. To create our example chart, we want Month of Year. The result will look something like this:

Not a great visual — a time series with only two data points? A little wonky, but never fear. We just need to inspect a wider date range.

Set the date range

See date and time documentation.

The reason that the chart only has one or two data points now is that by default Data Studio will show the last 30 days of data. Most of the time that means a chart by month will only show partial data for last month and this month.

Let’s make things more exciting. In that same sidebar, you’ll see an option to set the default date range. Use it to select “Last Year”.

Now we’ve got an appropriate time range to show off our website’s performance:

Finally, let’s compare this data against last year’s. In the same date range control panel, select a comparison period:

Which results in:

We’re most of the way there at this point. The data that we want to visualize is there; it just doesn’t look quite the same.

Update the style to use bars

See time series documentation.

The most apparent difference between our chart and the target is that the target chart uses bars instead of lines. Since we want to be able to compare specific months against their performance last year, grouped bars will be more natural for our audience to interpret.

Click your way over to the Style section in the right-hand sidebar. At the top, you’ll see a conspicuous option to use Bars instead of a Line to represent your data.

This has the expected result:

So the chart seems correct, but the example also has a pretty title at the top. What about that?

Label your chart

Data studio offers bare essential drawing tools — text box, image, rectangle, and circle:

Choose one or more of these and drag away. Let your inner artist out! Take a gander at the options given in the sidebar. Foreground and background colors can be selected, in addition to basic font choices.

Here’s what I came up with:

If you’d like to have more fun — and maybe make the chart align better with your own brand — you can also play with the style controls. Select the chart and click “Style” in the sidebar. Check out the series color options, and font face and size options. Extreme changes are possible. You can even turn off the axes entirely!

Admire your work

For those following along, you’ll see that we’ve built what we had planned. If you want to scope out what your report really looks like, hit the View button:

This removes the helpful design grid and the rest of the UI elements. It brings your visualization to the foreground.

If you give someone view permission, this is what they will see.

Add interactivity

SEE THE INTERACTIVE VERSION 

One of the great things about Data Studio is that it also accommodates interactivity. Let’s say we’re presenting this chart to our board, who is interested not only in trends in overall sessions but also in the channels from which those sessions began.

We could make a different chart for each channel — and in some cases, that might be the appropriate visualization. But for the sake of our tutorial, we can avoid creating eight different charts. Instead, we’ll add interactivity to our current chart so that we can use it to track each of these

Here’s the end product:

Add a filter control

See filter control documentation.

This pictograph (like an inverted pyramid) represents a filter control. See how the bar starts out large and gets smaller? That’s because it’s been filtered!

Just like a chart or a text box, you can draw a filter element onto your canvas:

Subtle difference — look in the upper right corner!

And, like any other component, you can configure the dimensions and metrics that the filter users. Note that the filter does its filtering on a dimension, not a metric — the metric is merely an aesthetic option. Configure your dimension like this:

By default, a filter control affects all charts on a page. You can change this by grouping the filter with the charts you want it to affect. See the documentation for details.

Now when you go to View mode, you can click on the filter control and choose what Channel Grouping you want to focus on:

Now we’ve got the same chart, but showing only organic traffic.

Connect your data [optional]

See the Google Analytics connector documentation.

I’ll assume you have access to a GA account. If not, that’s fine—you can skip ahead to “Share your report”. Let’s swap your data for the sample GA account we’ve been using.

Select the time series component and click “Data Source” in the sidebar.

This will allow you to select any data source you have. You can also create a new data source from within the report building interface:

To connect to Google Analytics, you’ll have to choose an Account, Property, and View to use. On this new screen, select “Google Analytics”.

Because we’ve chosen a Google Analytics data source, Data Studio already knows how to interpret the data. If you wanted to use another data source you might have to tell Data Studio what its schema is. I’ve written a guide to using Google Sheets as a data source that you might find useful.

When you’re satisfied with the list of dimensions and metrics that Data Studio is showing you, click “Add to Report”.

Your chart will now be using the data source you’ve created. No other configuration required!

Share your report

Sharing a Data Studio report is slightly more complicated than in Google Docs. The most important thing you need to understand is how permissions work. That blog post is a crash course on the subject. The choice you’ll be making is whether you’re letting readers see data using your credentials.

For more details about sharing, check out these three documentation pages:

Sharing documentation

Report sharing documentation

Data source sharing documentation

What we learned

In this tutorial, we covered all of the basics of Data Studio. Here’s a quick summary of what we learned:

How to start using Data Studio.

How to create a new report.

How to create a time series.

How to choose dimensions and metrics.

How to expand the date range.

How to label a chart.

How to make a chart interactive.

How to connect a data source.

Whew — that’s quite a bit. I hope you feel a well-deserved sense of accomplishment. Nice work!

Do more, learn more

That’s it for our tutorial, but not for your Data Studio journey. Here are a few things to try with your newfound skills:

Add a second chart type.

Add more pages to your report.

Change the size of a page.

Add another data source.

Make a component report-level instead of page-level.

As you iterate, check out these resources — they all helped me as I learned Data Studio.

Read the tutorial report included with Data Studio

Watch the Data Studio instruction videos

Try creating a data source from Google Sheets

Read other intro guides (from Whole Whale, Coding is for Losers, Search Engine Journal)

Happy visualizing!

from Digital https://www.distilled.net/resources/google-data-studio-the-beginners-tutorial/ via http://www.rssmix.com/

[donnafmae]

Google Data Studio: The Beginner's Tutorial

Google Data Studio is a communication tool. It brings together data you store in several places so you can visualize it on one screen. The goal of using Data Studio is to become a data communicator, not a data plumber.

There are several Data Studio beginner’s guides in the wild. I’ve created this one to get you thinking in Data Studio terms. It’s a proper tutorial, taking you through things step-by-step. Where there’s too much to say about a feature, I’ll link to relevant documentation or other blog posts. And of course, this guide is for you — please ask questions and leave feedback so that we can improve it!

Contents

Data Studio lets you visualize data from many sources

You only need a Google account to get started

Get oriented

Make your first report

Connect a sample data source

Get acquainted with the report interface

Now let’s make a chart

Add a time series

Set dimensions and metrics

Set the date range

Update the style to use bars

Label your chart

Admire your work

Add interactivity

Add a filter control

Connect your data [optional]

Share your report

What we learned

Do more, learn more

Data Studio lets you visualize data from many sources

The compelling reason to choose Data Studio is the sources from which it can pull data. With it, you can use almost any data available from Google. That includes Google Analytics, AdWords, Search Console, BigQuery, and more.

Data Studio is also easier to learn and teach than the alternatives. In particular, querying the Google Analytics API requires learning a complete vocabulary of dimensions and metrics (“Page” → “ga:pagePath”) and operators (“Match Regex” → “=~”). Data Studio renders that obsolete for many use cases.

Finally, the fact that Data Studio makes all these data sources available lets you juxtapose charts from many sources in one report. For instance, you might want to chart both organic traffic from Google Analytics and clicks from Search Console in the same report. With Data Studio, you can!

You only need a Google account to get started

Data Studio is a free product. The only way to incur expense is if there are fees associated with accessing your data source. For instance, BigQuery charges for some requests. That won’t happen in this tutorial.

All you need to get started is a Google Account. If you have personal data to work with, experimenting will be much more fun — but it isn’t required.

LOG IN TO DATA STUDIO 

Note that you may have to accept some terms and conditions before creating your first report. For some reason, this process can be a bit finicky. If at first you don’t succeed, dust yourself off and try again.

Get oriented

See interface documentation.

The next thing you’ll see is the central Data Studio interface. Data Studio is part of Google Drive — like Docs, Sheets, or Slides. The interface of Data Studio is similar to docs.google.com. The interface lists only Data Studio documents. You’re meant to do organizing within Google Drive as opposed to Data Studio itself. That’s why you can’t make folders on this screen.

Unfamiliar territory!

One difference worth noting is that instead of a single document type, Data Studio has two. There are Reports and Data Sources. In this tutorial, we’ll be manipulating reports, and using the sample data sources provided by default.

Make your first report

See report documentation.

Make sure you’re looking at the Reports section as opposed to the Data Sources section. You should see Reports by default. Click the familiar “+” button in the bottom right corner to get the ball rolling! If everything is going as planned, you should now have a blank canvas:

Connect a sample data source

See data source documentation.

Before you can add any charts to your report, Data Studio needs to know where that data is. Fortunately, Data Studio comes with several sample data sources to help you get started. Each of these has a name that starts with “[Sample]”. For now, choose “[Sample] Google Analytics Data”:

You’ll see a request for confirmation. Click add to report.

This sample data source exposes Google Analytics data from the Google Store. We’ll show you how to add a custom data source later in the tutorial.

Get acquainted with the report interface

See report interface documentation.

At this point you’ve got a blank report in front of you — the world is your oyster! If you want to mess around a bit, feel free. Anything you add will use the data source we just added.

You can always undo anything or create a new report if you don’t like the result!

Now let’s make a chart

I don’t want to bury the lede. Here’s what we’re going to create:

see the finished product

This is a simple chart. It shows sessions to the Google Store website by month and compares each month to the same month last year. It also happens to use most of the features you’ll need to master in Data Studio, so it’s a great starting place. This is what it looks like:

Add a time series

See chart type documentation.

A time series is a type of chart. Its defining characteristic is that its x-axis is a unit of time. In Data Studio, a chart isn’t just defined by how it looks. In fact, there are multiple ways to make something that appears to be a column chart. Instead, a chart also specifies what data it accepts as inputs and how it transforms that data into a visual.

Try adding a time series to your chart now. It’s the very first chart type in the toolbar:

Dragging a box on your canvas will result in something like this:

Humble beginnings.

Congratulations — you’ve made your first chart! Let’s take a moment to analyze what just happened. You said you wanted a time series. On the other hand, you didn’t have an opportunity to specify what data you wanted to visualize. Data Studio chose some reasonable defaults for you (charting Sessions by Date). Next, we’ll see how to customize these choices so that you aren’t stuck with these defaults forever.

Set dimensions and metrics

See dimensions and metrics documentation.

Dimensions and metrics in Data Studio are conceptually the same as dimensions and metrics in Google Analytics. If you’re using Google Analytics as a data source, the same dimensions and metrics will be available to you in Data Studio.

A quick refresher: metrics are numbers, and dimensions allow you to slice and dice those numbers in different ways. Pageviews and Sessions are both metrics. Page and Landing Page and Default Channel Grouping are dimensions.

The chart we just created shows Sessions by Date. By selecting the chart, we can change these in the right-hand sidebar shown below.

We’ll keep Sessions the same, but change the time dimension to be Month of Year. Be careful here — Month of the year and Month of Year are two different dimensions. To create our example chart, we want Month of Year. The result will look something like this:

Not a great visual — a time series with only two data points? A little wonky, but never fear. We just need to inspect a wider date range.

Set the date range

See date and time documentation.

The reason that the chart only has one or two data points now is that by default Data Studio will show the last 30 days of data. Most of the time that means a chart by month will only show partial data for last month and this month.

Let’s make things more exciting. In that same sidebar, you’ll see an option to set the default date range. Use it to select “Last Year”.

Now we’ve got an appropriate time range to show off our website’s performance:

Finally, let’s compare this data against last year’s. In the same date range control panel, select a comparison period:

Which results in:

We’re most of the way there at this point. The data that we want to visualize is there; it just doesn’t look quite the same.

Update the style to use bars

See time series documentation.

The most apparent difference between our chart and the target is that the target chart uses bars instead of lines. Since we want to be able to compare specific months against their performance last year, grouped bars will be more natural for our audience to interpret.

Click your way over to the Style section in the right-hand sidebar. At the top, you’ll see a conspicuous option to use Bars instead of a Line to represent your data.

This has the expected result:

So the chart seems correct, but the example also has a pretty title at the top. What about that?

Label your chart

Data studio offers bare essential drawing tools — text box, image, rectangle, and circle:

Choose one or more of these and drag away. Let your inner artist out! Take a gander at the options given in the sidebar. Foreground and background colors can be selected, in addition to basic font choices.

Here’s what I came up with:

If you’d like to have more fun — and maybe make the chart align better with your own brand — you can also play with the style controls. Select the chart and click “Style” in the sidebar. Check out the series color options, and font face and size options. Extreme changes are possible. You can even turn off the axes entirely!

Admire your work

For those following along, you’ll see that we’ve built what we had planned. If you want to scope out what your report really looks like, hit the View button:

This removes the helpful design grid and the rest of the UI elements. It brings your visualization to the foreground.

If you give someone view permission, this is what they will see.

Add interactivity

SEE THE INTERACTIVE VERSION 

One of the great things about Data Studio is that it also accommodates interactivity. Let’s say we’re presenting this chart to our board, who is interested not only in trends in overall sessions but also in the channels from which those sessions began.

We could make a different chart for each channel — and in some cases, that might be the appropriate visualization. But for the sake of our tutorial, we can avoid creating eight different charts. Instead, we’ll add interactivity to our current chart so that we can use it to track each of these

Here’s the end product:

Add a filter control

See filter control documentation.

This pictograph (like an inverted pyramid) represents a filter control. See how the bar starts out large and gets smaller? That’s because it’s been filtered!

Just like a chart or a text box, you can draw a filter element onto your canvas:

Subtle difference — look in the upper right corner!

And, like any other component, you can configure the dimensions and metrics that the filter users. Note that the filter does its filtering on a dimension, not a metric — the metric is merely an aesthetic option. Configure your dimension like this:

By default, a filter control affects all charts on a page. You can change this by grouping the filter with the charts you want it to affect. See the documentation for details.

Now when you go to View mode, you can click on the filter control and choose what Channel Grouping you want to focus on:

Now we’ve got the same chart, but showing only organic traffic.

Connect your data [optional]

See the Google Analytics connector documentation.

I’ll assume you have access to a GA account. If not, that’s fine—you can skip ahead to “Share your report”. Let’s swap your data for the sample GA account we’ve been using.

Select the time series component and click “Data Source” in the sidebar.

This will allow you to select any data source you have. You can also create a new data source from within the report building interface:

To connect to Google Analytics, you’ll have to choose an Account, Property, and View to use. On this new screen, select “Google Analytics”.

Because we’ve chosen a Google Analytics data source, Data Studio already knows how to interpret the data. If you wanted to use another data source you might have to tell Data Studio what its schema is. I’ve written a guide to using Google Sheets as a data source that you might find useful.

When you’re satisfied with the list of dimensions and metrics that Data Studio is showing you, click “Add to Report”.

Your chart will now be using the data source you’ve created. No other configuration required!

Share your report

Sharing a Data Studio report is slightly more complicated than in Google Docs. The most important thing you need to understand is how permissions work. That blog post is a crash course on the subject. The choice you’ll be making is whether you’re letting readers see data using your credentials.

For more details about sharing, check out these three documentation pages:

Sharing documentation

Report sharing documentation

Data source sharing documentation

What we learned

In this tutorial, we covered all of the basics of Data Studio. Here’s a quick summary of what we learned:

How to start using Data Studio.

How to create a new report.

How to create a time series.

How to choose dimensions and metrics.

How to expand the date range.

How to label a chart.

How to make a chart interactive.

How to connect a data source.

Whew — that’s quite a bit. I hope you feel a well-deserved sense of accomplishment. Nice work!

Do more, learn more

That’s it for our tutorial, but not for your Data Studio journey. Here are a few things to try with your newfound skills:

Add a second chart type.

Add more pages to your report.

Change the size of a page.

Add another data source.

Make a component report-level instead of page-level.

As you iterate, check out these resources — they all helped me as I learned Data Studio.

Read the tutorial report included with Data Studio

Watch the Data Studio instruction videos

Try creating a data source from Google Sheets

Read other intro guides (from Whole Whale, Coding is for Losers, Search Engine Journal)

Happy visualizing!

from Marketing https://www.distilled.net/resources/google-data-studio-the-beginners-tutorial/ via http://www.rssmix.com/