#from the 70s didn’t come out until like 1977 or later so it’ll do for now | Explore Tumblr posts and blogs

ohblackdiamond · 5 years ago

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the end of the world tour (kiss/endgame crossover, r) (part 1/4)

part 1 | part 2 | part 3 | part 4

“Peter, c’mon, you’re saying we should just waltz right in to their place and tell them what, exactly? ‘Hi, we’re KISS. We haven’t done anything heroic in forty years, but—’”

“I wouldn’t say we haven’t done anything heroic in forty years. We all got married.”

Or, four washed-up former rockstar superheroes don the spandex of old in a last-ditch effort to save an already half-gone world. They just need a little support from a billionaire who's not too keen on KISS interrupting his private life. Somewhat Endgame compliant.

Notes: Most of this probably goes without saying given the general content of this tumblr, but in case anyone MCU wanders in-- KISS has been a part of Marvel Comics since 1977, and, in fact, starred in Marvel’s first full-color, magazine-sized comic book from that same year (in an infamous publicity stunt, the band members added their own blood to the ink of the first issue). Their characterization, history, and powers vary from run to run, and to be honest, it was easier just to pull from KISS Meets the Phantom of the Park and a bit of Scooby-Doo Meets KISS for powers, and actual band history for most of the rest. (Pulling from comic history, well, would have entailed messily trying to make canon ’70’s teamups with Spider-man and the Avengers work out with MCU—impractical at best!) Mistakes are mine.

Intimations of your typical usual suspect pairings, but nothing explicit.’

Looking back, the signs had been there all along. The KISS memorabilia starting to spread out like a fungus to all parts of the mansion they’d moved into five years prior. The cold cream that had found its way back to the bathroom counters.

The abrupt shift in mood of half the household.

The gloomier half. Except that wasn’t much of a specification. Ace tried to be upbeat, but he spent the bulk of his time alone, tinkering with the fifty-year-old remnants of his spaceship, though each assurance that he was going back to Jendell (“you guys’ll come with me, it’ll be great, we’ll just stay there forever”) seemed hollower with every passing year. Gene had put on an incredibly gutsy show in public for the first several months after the decimation, donating millions to clean up efforts around the greater New York area, only to falter in private. Paul had only started recovering enough to shave regularly over the past six or seven months.

Peter wasn’t in great shape himself. He knew it, too. But he was surviving. They were all doing that much. They had a daily routine down, one they stuck to as strictly as cloistered monks. Cooking duties divvied up; chores divvied up. Shopping divvied up. They could’ve hired help easily. The battered remnants of the KISS juggernaut were still enough for generations to live off of, like a bastard version of the Vanderbilts. But doing the chores themselves gave everything a sense of purpose. Meaning.

They weren’t doing poorly for four widowers. Coping a whole lot better than most guys their age who’d lost everyone but each other.

Deep down, Peter knew they couldn’t have made it any other way. They would’ve all been driven out of their minds with grief. Just cracked up. Especially those first few months after moving in together. In a sick kind of desperation, they’d spent that time sleeping in the basement together, the four of them, on a pair of pull-out couches. The prospect of waking up alone was just that awful. The craving for normalcy just that deep. Waking up to Ace’s morning wood (Christ, the guy was sixty-eight; his ability to maintain a hard-on had to just be alien biology at this point) had become a strange, nostalgic kind of comfort.

They were still sharing rooms sometimes. It felt really juvenile, at least to Peter, crawling into one of the other guys’ rooms at night, like a kid with a nightmare, but it helped. Touch helped. Living together brought them some focus beyond themselves. Forced them to look out for each other. Keep each other from doing something stupid. Funny how without any contract or tour bullshit to worry about, they could stand each other again.

Sometimes a little more than that. Sometimes a lot.

But Peter really didn’t connect the dots for awhile. One morning, he stumbled downstairs to see Paul making pancakes from scratch. He hadn’t made any pretenses of being a chef in years, but there he was, even tossing chocolate chips and strawberries into the batter.

“I decided every day was a good day,” he said, shrugging, when Peter asked him about it.

“He got laid,” Ace had called out from the living room. Peter, staring from an abashed Paul to an oddly-silent Gene, hadn’t asked for any elaboration, figuring he had a fair idea. Well, whatever. If they wanted to go back to fooling around with each other at this late a date, at least there was plenty of Viagra and K-Y to be had.

A few days later, Gene bought about three gallons of ice cream, an exorbitant amount of toppings, and a stash of his Moneybags signature root beer and they all spent the afternoon making and devouring sundaes and floats. Nobody bitched about lactose intolerance. Then they’d sat around and watched Godzilla movies on DVD and played each other on the old KISS pinball machine. It was like old times—really old times.

Peter had just figured things were finally starting to settle into a new normal. A devastating normal, sure, but they were all learning to cope.

He had no idea the coping methods they’d picked involved a lot more than self-help platitudes and dairy products, and a lot less Viagra.

Not until about a month later, on his assigned day to do the shopping—though they were all more flexible on who did the shopping than any other aspect of their chore board. Paul still hated to go anywhere by himself, invariably dragging someone else with him. Usually Gene, sometimes Ace. On his own days, Peter usually tried to invite Ace along, just to get him out of the backyard, even though Ace’s penchant for Arizona Green Tea still far outstripped the supply at the closest grocery store, and Peter would still have to make a dozen weird maneuvers around the place just so they’d avoid the liquor.

This time, though, Peter went alone. Stuffed the old Porsche full of a mix of canned and dried goods, mostly. Still the easiest, cheapest stuff to find, with or without the world half-gone. Almost bizarre to see things start to get in demand again. The first few days—the first few months, after, the grocery store had been hell to go to. Just the smell of all that food rotting for want of people to buy it. The look of it, mold everywhere, flies buzzing, maggots crawling—and not as many as all that.

A fifty-fifty split in all forms of life. Existence was just a coin toss.

He’d pulled into the driveway and gotten out, lugging a couple grocery bags out with him as he headed toward the door, pushing the doorbell with his elbow. No answer.

Another push. Nothing.

Ace was probably out back somewhere. Paul and Gene were probably upstairs, too close to deaf to have heard him away from the main floor. Goddammit. Peter sighed and set down one of the grocery bags, digging through his pockets for the house key, pulling it out and unlocking the door, only to be greeted by an odd, clinking sound and a low groan as he stepped inside.

“Gene?”

Peter dropped the grocery bags and hurried towards the noise, mouth pursed. No panicking. He couldn’t afford to panic. Still, it could be anything. Gene never had taken care of himself that well—sure, he’d never done drugs, but he had the diet of an emancipated six-year-old—prime candidate for a heart attack, for sure—

“…. What’re you…”

“Peter?”

Gene was lying on his back on the kitchen tile, mostly-obscured by the girl straddling him. She was leaning forward, blonde hair like streamers over his face as she kissed him, his hands clasping her wrists, holding them above his head, against the floor. Her white dress was bunched up enough it was obvious there was nothing beneath.

It was a scene Peter had first witnessed out of Gene around 1974, and it hadn’t gotten any more appealing in forty-five years. Just a lot more curious. No, fucking bewildering. Normally, Gene was—had been—infamous for stripping off as few clothes as possible in his rush to get to the main event. It was like the man thought a groupie couldn’t wait for him to get his jeans more than five inches past his hips. But this time was beyond bizarre. Gene wasn’t in his usual jeans and cowboy boots and button-down. He was in costume.

More specifically, he was in every ignoble inch of his Destroyer costume, except for the codpiece. His black leotard was hiked down to the tops of his scaly, silver monster boots, chest armor stretched over his torso, black leather gauntlets on. The last time Peter had seen any of that particular outfit, Clinton was still president.

The blonde gave him a brief look, then Gene, who whispered something Peter couldn’t quite hear. Then she started rolling her hips against his again, Gene dropping his hold on her wrists to cup his hands around her face, her hair sweeping over them both, preventing Peter from getting a great look at either of them. Peter just stared, unsure of whether his eyes could afford a closer vantage point.

“Really, Gene?”

“I’m—ngh, doing my duty as an American citizen here.”

“Your duty?”

“FER. Federal Emergency Repopulation.” Gene paused, glancing at the blonde. “If he’s bothering you, we can take it upstairs—"

“Jesus Christ, Gene, you’re seventy years old! And why the fuck are you in the costume?”

“Well, that aspect wasn’t really up to me.”

“Gene, sit the fuck up and look at me.”

“Peter—”

Gene raised up a few inches as every bit of color drained out from Peter’s face.

He looked better than he had in forty years. No, that wasn’t right. He looked like he had forty years ago. The Demon makeup couldn’t obscure it. The lines around his eyes and forehead were gone. The fullness that age and weight had left in his face and neck and chest had vanished utterly. He looked healthy. He looked young, terrifyingly young.

“Gene, what the hell did you do?”

“I—"

Before Peter could manage a single syllable, a loud, shrill cry from upstairs interrupted everything.

“Paul?”

“Oh, shit. Let’s not continue this upstairs.” Gene’s attention was back on the blonde, who rolled her hips up against his invitingly. “Better check on Paul, Pe—ohh, fuck, yeah…”

Peter darted upstairs, yanking open the door to Paul’s room to find almost the exact same scenario. One he hadn’t seen in decades. Paul, halfway in costume, rhinestone-covered black jumpsuit hanging somewhere around his hips, with a girl up against the wall, her bare legs wrapped around his waist. Three hip replacements, two knee replacements, and at least one rotator cuff replacement and yet Paul didn’t seem to be having any issues holding her there. Or plowing her.

Probably because he, too, looked to be about forty years younger.

---

Half an hour later, both girls were gone and Paul and Gene were back to a semblance of normal. The makeup had, weirdly, lingered when they’d reverted back—Peter couldn’t remember that ever happening when they were actively in the superhero business—though neither of them seemed particularly surprised by that, just a bit disappointed. Paul had darted over to the bathroom to get some cold cream and washcloths, like that would head Peter off at the pass, before returning to sit down at the table with Gene and Peter.

Peter was still fuming.

“Look, Peter, I can explain—” Gene started.

“You don’t need to. It’s obvious. You used the talismans.”

“Well, yeah.” Paul looked about as apologetic as a kid who hadn’t been caught until after eating the entire bag of Oreos.

“I didn’t know they could do that.”

“We didn’t, either.”

“Bullshit, that’s the only reason you were fucking—”

“No, really! We got them out for old time’s sake a couple months ago.”

“It makes sense, I mean, mystical artifacts from Victor Von Doom’s mom, supposed to reveal the true self of the holder…” Paul trailed.

“True self, my ass. Your true self is a bottle of Aquanet.”

Gene was starting to smirk. Paul elbowed him in the ribs.

“So you decided you were gonna use the talismans of Khyscz to make yourselves younger so you could fuck random girls. Christ. I knew you didn’t have any dignity, but—” Peter paused, unsure of how to even state the rest of his tirade. For once.

It was just too damn bizarre. They’d left that shit behind years ago. Decades ago. Their last real superhero stints had been in cancer wards, letting kids with lymphoma and leukemia jam with them from their beds and wheelchairs. Their first had been—well, they’d caught some burglars in the Bronx and Queens a couple of times, between band practice, before they were even signed to a record company. Once they’d started touring, they’d tried to keep the double lives up, and for awhile, it had worked to their advantage. People didn’t know whether seeing KISS on the street meant a concert was coming to town or a gang was about to get busted. And the merchandising…. Christ, what a frenzy. The public had eaten it up. Lunchboxes and the pinball machine had only been the beginning.

The biggest criminal they’d ever stopped was some amusement park tyrant, Abner Devereaux. Naturally, they’d turned it into a movie a year later. Hadn’t even been allowed to put most of their powers on display for fear of wrecking the sets and camera equipment. Paul couldn’t fire off any laser beams; Ace’s teleporting barely got a mention. Peter was lucky they didn’t try to trim his claws down. Even Gene’s fire-breathing had to be faked for the camera. He’d had to swill kerosene in his mouth and just spit at the torch like he was from the circus.

Really humiliating, looking back, but they hadn’t quite realized it. The movie had seemed like a natural next step. They were giving the fans what they wanted. A superhero group that could do anything, be anything. Role models. Rockstars. Sex symbols. Entrepreneurs. The four most recognizable faces in the world, faces of a corporation worth a hundred million. Not bad for 1978. Not Stark Industries levels, but not bad.

But the movie had started the blowback. No one under twelve even watched the damn thing. The press was coming out with hit pieces on the daily. Headlines like “Shilling Superheroes” and “Crimefighting Doesn’t Pay—But Capitalism Does” started dotting the supermarket stands. When they retreated back into making records, the bottom had already dropped out. KISS didn’t come off as superheroes or even musicians anymore, just a bunch of guys out for a quick buck. No amount of charity work—and certainly not a long stretch of tail-between-their-legs touring in Australia and Europe, where their superhero antics weren’t as big a part of their mystique—could’ve brought them back from that.

Peter had left KISS before things completely crashed. Been fired, more accurately. What that’d mean for the dwindling state of their superhero gig should’ve been obvious, but looking back, Peter couldn’t remember thinking about it or anyone even mentioning it when he’d left. Ace hadn’t talked about it when he quit the band a couple years later, either. KISS still performed with the outfits and makeup for awhile after. But the crimefighting was over. Any superhuman powers were done with. Gene ended up having to spit kerosene to breathe fire onstage for the rest of his career. The talismans just wouldn’t work without the four of them as some kind of unit.

Apparently, their current living arrangement counted as some kind of unit. Good enough for the talismans. And apparently, the talismans didn’t even care whether Paul and Gene were using them for the right reasons. Peter shoved his hands through his hair before slamming his palm against the table. True to form, Paul and Gene didn’t even blink. Gene, in fact, took it as an opportunity to continue.

“We thought it’d be a better sell to FER if we could offer them something a little more exciting than—”

“Than a bunch of old assholes.”

“More or less, yeah.” Paul rubbed at the star on his eye with a dollop of cold cream, carefully. “It’s not any kind of PR stunt. Just makes for better lays and healthier sperm.”

“We’ve had 53 successful pregnancies just over the last two months,” Gene offered. His phone buzzed, and he picked it up. “Make that 54.”

“54? Was that mine or yours?”

“Mine. That was, uh…” Gene scrolled up on his phone. “Tori Friedmann. Remember, the one with the tattoos right around her hips?”

“Gene, I didn’t see her anywhere near naked.”

“She had her hair dyed green. It was in ringlets.”

“Oh. Oh, yeah…” Paul trailed, before turning his attention back to Peter. “We’re really helping things out.”

“Helping things out?” Gene snorted. “Don’t be modest. We’ve got the best track record for pregnancies in the entire state of Connecticut. Eighty percent success rate after four sessions or less. Amazing.”

“Who’s supposed to be raising—” Peter started, but he was cut off almost immediately by a laugh.

“Seriously? The government’s paying the girls out the nose. Prenatal up through college. All we had to do was participate.” Gene shifted, pushed his washcloth into the jar of cold cream, and started wiping off his face. “Of course, FER pays the guys doing it, too, but it’s not our main motivation.”

“Why the hell aren’t you jacking it into a cup? What’s so wrong about artificial insemination? Is FER Catholic?”

“This world’s starved for the human touch. Sex drives are lower than the Dow right now.” Gene cleared his throat, tilted his head as if he were about to start on an interview-worthy set of sound bites. “Now, what we’re offering is only what KISS has always offered, an escape, a fantasy. But we sell it better than any fucking band before or since. We lift those girls up.”

“Yeah, I saw Paul lifting that girl up—” Peter started. Paul looked only a tinge embarrassed. “You could’ve been her grandfather, for Christ’s sake.”

“Hey, they know exactly who they’re getting with,” said Gene. “We aren’t pretending we’re a tribute band. And we cheer them up, Peter. Some of them haven’t slept with anyone in five years. Some of them haven’t touched anyone in five years. They forgot how to even be alive. We’re reminding them.”

“You’re selling your sperm, Gene, don’t act like it’s some grand gesture.” Peter paused. “Is Ace in on this, too?”

“I think Ace got in about four lays, but then he felt bad about it…”

“Because he’s got a conscience?”

“No, because he’s an alien. I mean, the girls kind of got off on it, I think, but…” Paul shrugged, finding a clean corner of his washcloth, patting away the traces of cold cream. “He thought Earth ought to be repopulated by regular humans.”

“He didn’t care about that when we were touring.” God knew how many girls Ace had knocked up with half-Jendellian spawn back in the seventies. His kid with Jeanette, Monique, hadn’t ever exhibited anything weird that Peter had seen, but then again, Ace was pretty good at keeping his own alien oddities under wraps. At least in public. Online tabloids and shit still said he was a normal guy from the Bronx that had just watched too much Star Trek in high school. If he hadn’t toured off and on with the guy for years, and if the remnants of his spaceship weren’t currently in their backyard, Peter might’ve believed it, too.

“Yeah, but when we were touring, the world wasn’t in an apocalypse.” Another corner of the washcloth and Paul was wiping off his eyeliner. “I dunno. I told him if they didn’t care, he shouldn’t, either. It’s not like his dick is any different.”

“He’ll change his mind. Probably.” Gene set down the washcloth, face reddish but bare. He looked so appallingly confident that Peter almost wanted to punch him. No, he did want to punch him. Clearly, the repopulation gig had been Gene’s idea. Paul was far too depressed these days to be such an opportunist on his own, and Ace… Ace, clearly, just had gone along with it. Neither of them had ever been half as desperate for a lay as Gene, either. Peter settled for pushing back his chair and leaning over the table, yanking Gene by both arms.

“What’s the matter with you?”

“Pete—”

“Don’t you even remember what we were supposed to use the talismans for?”

“Sure. Saving the world.” Gene tugged his arms out of Peter’s grasp. Utterly unmoved. He didn’t even have to stand up in order to wrench him away. It just made Peter all the more incensed. The blitheness of it. Shit, Gene used to care. Paul used to care.

“Fucking girls for some government program isn’t saving the world!”

“Then what the hell do you suggest? We’re a little fucking limited with half the population gone.”

“Fixing this mess!”

“How?” Paul started to laugh. “If the Avengers aren’t touching it, what makes you think we should?”

“When did that stop us before, huh? We were there before they even existed!”

“Most of them,” Gene put in dryly. “Captain America’s old enough that he could’ve even fathered you, Pete.”

“Oh, fuck you,” Peter rattled off. “Fuck both of you. You’ve finally got a real opportunity here and you’re too damn sorry to take it.”

“A real opportunity? You’re telling us about opportunities?” Paul snorted. “I should’ve known all you’d do was bitch and whine as soon as you found out. Mr. Misery never did fucking retire. Can’t let anybody else be even a little happy—”

“You’re not happy, asshole!”

The sound of the backdoor swinging open swallowed up any other comments. Ace, standing there in a ratty screenprinted Betty Boop t-shirt and jeans, looking sweaty and vaguely perturbed.

“Y’know, contrary to popular belief, I’m still not deaf.”

Peter spun around to face him.

“Ace! You knew what these bastards were doing this whole time and you didn’t tell me!”

Ace raised his palm in what might’ve been surrender, then shut the door behind him. He didn’t cross over to the dining room where the others were seated, surprisingly—just headed straight for the kitchen.

“Sit down, Pete. ’M gonna get us some water.”

Peter sat down. He wasn’t mollified, not in the slightest, but he stayed quiet until Ace returned, four water bottles in hand. Gene and Paul didn’t say anything, either. The only real sound was Paul screwing the lid back on the jar of cold cream.

Ace pushed a water bottle towards each of them before sitting down next to Peter. Peter eyed him warily. It felt like a band meeting, the tension thick as concrete, only for once, they weren’t arguing over solos or setlists. And Bill Aucoin, of course, wasn’t there to make sure they shook hands and shared a joint by the end. Not quite the kind of nostalgia Peter craved.

“Okay, so,” Ace started, conversationally, “I get why you’re pissed off, man.”

“You should’ve told me—”

“I tried! I told you Paul got laid! But you didn’t wanna hear anymore.”

“That’s because I thought he was back to fucking around with Gene!”

“I did not—" Paul’s face was going from pallid to pink to red at an alarming rate. Beside him, Gene was rubbing his forehead with a wince. “Look, let’s just address the issue at hand.”

“You’re right,” Peter snapped back. “Ace, listen. What they’re doing’s fucked-up.”

“Peter, we’re all still in kind of a bad place right now, I dunno if it’s the time to—”

“It’s not the time to be trying to repopulate like—like tigers in the zoo.” Peter exhaled. “Not when we could be doing a lot more. That’s what I’ve been trying to tell you assholes.”

Ace unscrewed Peter’s water bottle before opening his own. He took a long swallow, then let out a sigh.

“Just wait. I’ll be getting us to Jendell in another three months, easy. Then we won’t have to worry about any of this shit.”

“That’s been your answer the last five years, Ace! You can’t fix your ship! We all know we’re not getting off this planet!”

“I mean it this time! I really got it cracked. Three months or less.” Ace took another swallow of water. “It’ll be great. My ma—aw, man, you’ll love her. She’s great. I tried sending her our records once we got big, I still had this little portable, y’know, for shipping off small stuff, don’t know if she ever got it…”

“Still having family must be great, Ace.”

Ace flinched visibly.

“I haven’t seen her in fifty years, man, I don’t know for sure. We’re all in the same boat there.”

“We’re fucking not, Ace. You just proved it.” Peter swallowed thickly. It was a lower blow than he’d meant to take. But he couldn’t help it. Fifty-fifty shot, and they’d all managed to lose. All that grief the sickest, saddest equalizer. Gigi had beaten cancer. Monique had been clean for a couple years now. Gene’s kids had careers… Paul’s youngest three weren’t out of elementary school. All of them a million times more deserving of being alive than they were. Peter’s gut roiled, and he grabbed his water bottle, forcing several gulps down just to quell the lump in his throat. He still had to take a few more breaths before he was half-positive his voice wouldn’t quaver too much, and by then, Paul had already begun talking again.

“Okay, okay. Let’s say we wanted to do something. Where would we even start? What would we even be fighting against?”

“I don’t know.”

“Exactly. Now—”

“I know where we’d start.”

Pete��s gaze shot over to Gene. He couldn’t keep the bare, hopeful note out of his voice.

“Where?”

“Avengers headquarters. That or Stark’s place.” At Paul’s indignant glance, Gene shrugged. “What, it’s obvious. And it’s only a hypothetical. For all we know, they could be working on the solution right now.”

“They’re not doing a damn thing,” Paul insisted.

“How do we know that, though?” Ace said it slowly. “I mean, really. They haven’t given everything up. The Hulk’s still around… you get reports of some of the other guys sometimes, taking down drug cartels, that sort of thing…”

“So it’s worth a shot!”

“Peter, c’mon, you’re saying we should just waltz right in to their place and tell them what, exactly? ‘Hi, we’re KISS. We haven’t done anything heroic in forty years, but—’”

“I wouldn’t say we haven’t done anything heroic in forty years. We all got married.”

“You know what I mean, Gene.” Paul paused. “You really think they’re gonna buy that? You really think they won’t laugh in our faces?”

“Only one way to find out.”

Paul let out a long sigh and gave Gene a look of utter betrayal Peter hadn’t fully witnessed since the disastrous Reunion Tour about twenty years back. The I-kept-this-band-alive look. The why-don’t-you-ever-listen-to-me look. The I-told-you-KISS-condoms-were-a-bad-idea look. Gene just shook his head in return.

“It’s worth a shot. The worst they could say is no.” Gene took a swig of water. “And if they do, so what? My ego can take it. We can go back to helping with repopulation efforts here in New Haven.” He paused. “Actually, we could probably introduce the Avengers to the program, I’m sure the country could use some super-sperm to—”

“God, no.”

Ace started laughing. Really laughing, that awful, unsettling, but infectious cackle that used to embarrass the rest of them during interviews. Peter caught sight of Gene’s lips twitching and then he lost it himself. Totally helpless. Paul had his hand over his mouth, but Peter was pretty sure he was laughing behind it.

It had been so long since they’d found anything funny. So long since they’d had any kind of idea in mind beyond surviving from day to day. Sure, Paul wasn’t sold on it, and Peter wasn’t sure if Ace was, either, not exactly, but—they were getting there. There was energy there, buzzing through his veins, making him feel fidgety and anxious and alive, really alive, for the first time in five years. He knew it was the same for the others. All the four-who-are-one superhero mysticism they’d tried to blow off as bullshit as tempers had flared in the studio and onstage and in their hotel rooms—shit, there was something to it. There had to have been or they wouldn’t still be together now.

“All right, fine, we won’t advertise it,” Gene finally said, once the laughter had died down. “If they went on the market, we’d probably be out of luck. But if we head to Manhattan… that’ll take us, what, couple hours if we drive, depending on how many highways they’ve finally cleaned up…”

“I’m not driving,” Peter said flatly.

“We could teleport,” Ace offered. “If you got better coordinates than just Manhattan, anyway.”

“Right, yeah, we could—” Gene considered. “Actually, I think we might be better off heading to Stark’s directly.”

“Why?”

“Because he holds the purse strings. And because he’s the one person out of all of them I’ve actually spoken to.” Gene was nodding to himself. “I don’t think he lives in the city anymore, but I’m sure we can—"

“I didn’t agree to any of this.”

“Paul, c’mon. It’s not hurting anything.”

“It’s been forty years. We’re gonna be laughed out of town.”

“Yeah, but we’ve been laughed out of town since we started. ’S fine.” Ace looked over at Paul, mouth uncharacteristically pursed, on the verge of dissolving into giggles again. Peter could tell by the way Ace had his hand cupped around his thigh, underneath the table. He couldn’t remember the last time Ace had done that to him. Peter reached out to put his hand on top of Ace’s, absently tapping against the rings. Ace crooked a slow smile, and half-spoke, half-warbled, “Y’know, we’ve got nothing to lose…”

“That song was about anal, not stomping up to the Avengers headquarters asking for a job application.”

“Same difference. Well, one’s a little sexier.”

“This isn’t a joke, Ace. It’s just stupid.” Paul exhaled, staring at each of them in turn before shaking his head. “God, why the hell am I even still entertaining this shit?”

He started to get up, only for Gene to grab his arm before he’d done much more than push his chair back. Paul sat back down, glare fixed on his face.

“Paul, c’mon. We can’t do this without you.” Gene hadn’t let go of his arm yet, but Paul wasn’t relaxing into the touch. “What’s the real issue here? Are you that afraid of being turned down?”

“Let go of me,” Paul rattled off impatiently, brushing at Gene’s arm. “And no, I’m not. I—fuck, I can’t—”

“Can’t what?”

“What if you’re wrong? What if they aren’t trying? What if busting up drug cartels is all the Avengers are good for these days, too?” Paul tried to laugh but couldn’t seem to manage it, coughing, then draining the rest of his bottled water. “Nothing to lose—like hell we have nothing to lose. If we go over there, and we find out this world really is all we have left, no… no do-overs, no—saving anybody, no bringing anyone back… then that’s it. We’re done. We’ve got nothing anymore. Not even hope.”

“That’s where you’re wrong.” Peter watched as Gene reached over again, clasping Paul’s wrist before, almost hesitantly, taking his hand. Paul winced, but didn’t pull back. “We’ve got something left. We’re KISS. We’re family.”

“Gene—”

“And that’s not going to change, all right? Don’t get me wrong. It’ll hurt like hell if they say there’s nothing that can be done.” Gene paused. “But that doesn’t make it true. Look, whatever life ever had in store, we’ve kept going. We’ll keep going regardless.”

Paul didn’t say anything for awhile. Long enough that Ace had stopped just resting his hand on Peter’s thigh and started actively trying to pick the lint off his slacks instead. Peter batted his hand away, then, before Paul finally spoke back up.

“Okay.”

“Okay?”

“Okay. I’m in, I’ll do it.” Gene was still holding Paul’s hand. Neither had let go yet. “But don’t get too excited. And don’t think we’re just gonna pop over there tomorrow.” Paul finally tugged his hand away, but not until after a brief squeeze.

“We’re not? Oh, c’mon, Paulie, if I get some coordinates, I know I can teleport us there!”

“Because,” Paul said, grinning almost wolfishly, “we’re gonna train first.”

#kiss the band #kiss fanfiction #peter criss #paul stanley #gene simmons #ace frehley

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gencottraux · 6 years ago

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One of the pleasures of getting older is looking back on meaningful things in the progression of your life, or making sense of things that maybe didn’t at the time, or even reflecting on what weren’t good times and seeing how they contributed to who you are. I’m realizing how important the music of various times has been as the soundtrack to my story. I more and more listen to the music of my young adulthood and hear a beauty in it that I didn’t necessarily get at the time. I just knew I liked it, but maybe not so much what it meant.

I was reading The Secret Diary of Hendrik Groen (originally published in the Netherlands in 2014), and felt compelled to take a photo of this quote. It’s so true!

When we were on our recent vacation in England, I happened to hear over a cafe sound system songs by Leonard Cohen that took me back to the time when I didn’t even think I liked Leonard Cohen.

Now I appreciate him for the incredible poet that he was, and wish I’d paid more attention. The song playing was The Sisters of Mercy (1967), and I fell in love with it there in the cafe.

I don’t remember if it was the same cafe or later somewhere else on the trip, but my attention was caught by the Crosby, Stills & Nash song See the Changes (written by Stephen Stills) from the 1977 album CSN.

See the Changes (Stephen Stills)

She has seen me changing It ain’t easy rearranging And it gets harder as you get older Farther away as you get closer

And I don’t know the answer Does it even matter? I’m wonderin’ how

Ten years singing right out loud I never looked was anybody listening Then I fell out of a cloud I hit the ground and noticed something missing

Now I have someone She has seen me changing And it gets harder as you get older And farther away as you get closer

And I don’t know the answer Does it even matter? I’m wonderin’ how

Seems like something out of a dream I had years ago yes, I remember screaming Nobody laughing all the good times Getting harder to come by without weeping

Now I have someone She has seen me changing And it gets harder as you get older And farther away

Most of my favorite Crosby, Stills & Nash songs were written by Stephen Stills, and his voice was always the one that stood out to me. I went to see him in concert in Sacramento back in about 1990ish, and he was older and heavier (as I am now), but he could still play that guitar and his voice was as strong as ever.

As we steered our canal boat through the English countryside into Wales, See the Changes became the soundtrack in my head, the song I sang aloud when no one was listening. The lines “…and it gets harder as you get older, and farther away as you get closer…” seemed particularly relevant as I took ibuprofen every night after the day’s hard work or raising and lowering locks and bridges on the canalway.

I also had a lot of time to reflect on the meaning of those lines and whether or not I’d say that it’s true that it gets harder as I get older or if anything seems farther away. I suppose it depends on what the “it” is. Some things get harder as I get older, like getting up if I sit on the floor, or getting by on little sleep, or being on my feet all day. Those are the physical things.

The mental and emotional things, for me, have gotten easier in a lot of ways. My social skills are much better, I’m more tolerant and open-minded, I deliberately aim for kindness and compassion in my approach to life and the other inhabitants of the planet. I love learning, and since I quit drinking 5 years ago, my brain engages and I want to learn more, always.

Farther away? Well, the closer I get to the PhD finish line, the farther away that seems! People I started the program with, in my cohort as they say, have in some cases finished (congratulations, Barbara!) or are close to finishing (you go, Jennifer!). I’m still about a year away at best. But I remind myself over and over that it’s not a race or a competition, that I’ll finish in my own time and will be proud of what I accomplished. Retirement seems farther away than ever! I dream about the retirement house we will move to some day, where it will be and how clean and simple and tranquil it will be. The projects I’ll get done, all the books I’ll read. It’ll be awesome, if I ever get there.

Gee, I wonder what this house costs?

In addition to music and language, visual imagery, of course, is a huge part of our memories, nostalgia, reminiscing. I love to look through old photographs, but unfortunately, due a house fire in 1987, a lot of family photos were destroyed.

A rare old family photo: me in 1965 at preschool. I’m the 4th seated in front from the left, worried looking blonde in white.

When I was in high school in the late 1970s, I was obsessed with Seventeen magazine. Summer breaks seemed so long and luxurious (maybe because I wasn’t motivated to get a summer job like other teens; shy and lacking in confidence, the idea of applying for jobs was beyond me), and I couldn’t wait for the newest edition of the magazine, with the upcoming fall trends and teen advice. I was shy, yes, and also a loner, but I wanted what was in those magazines! I commandeered my mother’s old sewing machine, dragging it into my room, and followed all of the instructions on how to remake your wardrobe (turning flared pant legs into straight ones was a big one). In particular, the August 1978 issue was one that I read and reread, tried to copy the styles from, and wanted so badly to be the cover model, Lari Jane Taylor. I actually have remembered her name all of these years. I still love the look. I even still have a copy of the magazine, carefully preserved in an archival sleeve. It was my bible going into my senior year of high school, a year fraught with uncertainty and insecurity. In my 17-year old brain, I thought the right color eyeshadow would be the answer to my problems.

Lari Jane Taylor was also the cover model of the January 1979 issue, looking into the spring. That issue didn’t have the same impact on me, clearly, since I’d forgotten about it until I searched on her name. I prefer the August 1978 look anyway.

Ah, the late 1970s. A strange time, a transitional time between the “hippie” era of the late 60s and early 70s and the me-first greed of the 1980s. I often felt a little lost, not identifying with my peers. I became vegetarian, made my own clothes, listened to the “wrong” music (I abhored disco music, although I think it’s fun now). I wasn’t a punk, either. I was a geek in a land of jocks and cheerleaders on one side, and feaks and punks on the other. If you’ve never watched the one season of Freaks and Geeks (set in 1980), I highly recommend it, by the way.

I was flipping throught the 1978 magazine, and all kinds of advertisements and images struck me as hugely amusing now, 40 years later.

Whoa, 11 8-track tapes for $1! Even that $1 turned out to be a bad investment in a short-lived music format.

But look again at the song lyrics to See the Changes. The lines just before “and it gets harder as you get older, farther away as you get closer”:

Now I have someone

She has seen me changing…

Having someone with you on your journey who sees the work you are doing, who appreciates how hard you are working and can help you get perspective when whatever “it” is seems harder or farther away–that’s now my takeaway from this song. Whether it’s a sibling, a friend, a significant other, a companion animal (I’m not joking)–having someone to talk to, to bounce ideas off of, to give you comfort when you feel down–can make a world of difference. Hey, that English canal boat was a 2-person job and it was hard (but fun) work. Kind of like life.

Here’s to you, Captain Bob!

Peace and hugs.

See the Changes (Stills was always my favorite) One of the pleasures of getting older is looking back on meaningful things in the progression of your life, or making sense of things that maybe didn't at the time, or even reflecting on what weren't good times and seeing how they contributed to who you are.

#8-track tapes #Crosby Stills & Nash #English canal boats #Freaks and Geeks #Lari Jane Taylor #Leonard Cohen #lifelong learning #nostalgia #See the Changes #Seventeen magazine #Stephen Stills #the 1970s #The Secret Diary of Hendrik Groen #The Sisters of Mercy

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