#from his perspective it's a total win

[all-pacas]

I should clarify my previous ask, a world in which only cameron works for house but chase doesn't, would they date? Because we both know if they start dating AND are the only members of houses team, he'd fire them both.

a) I'm not actually sure House would fire them. He makes a big deal about Foreman and 13, and Foreman himself brings up this point:

FOREMAN: You were fine with Chase and Cameron dating. You obviously don't actually have an issue — HOUSE: You're fired. FOREMAN: How long are you gonna keep this up? We know you're not — HOUSE: Wrong. Again. In fact, in the last few weeks, it's hard to remember a correct call you made. If Chase had compromised his professional judgment to help Cameron, I’d have fired his ass, too.

Now, Cameron and Chase did have unprofessional sex all over the hospital while not-dating, but it's also the middle of Chase's S3 hot streak and he manages to solve a case by himself during this period, so by House's standards, no problem. He had more of an issue with them when they were bickering after 'breaking up' in Act Your Age, but actually Cameron and Chase got it together pretty quickly, so again, didn't approach the firing threshold. Hell, even in S6, House says (or at least pretends) he wants to hire them both after Dibala. Maybe he's a shipper!

But I do think it means that House is being sincere with Foreman here. He does not give a shit who is sleeping with who if it doesn't interfere with work or standards. So Chase and Cameron could date in an AU where it was just them on the team. I don't think they would, because Cameron would lose her impetus to act on her feelings. But they could!

b) They might date in a world where Cameron stays and Chase is fired, though. It was Chase leaving that triggered Cameron to pursue him, after all — they have their kiss before she resigns, I think it was the idea that she genuinely might not see him again that pushed her to act. And especially once Chase moves to the OR, there's absolutely no reason Cameron should have to make a choice between Diagnostics and Chase; Chase himself isn't actually bitter or angry over his firing, even if he uses his summer vacation to grow House Boundaries, and in S6 he mentions (without bitterness) that Cameron always liked diagnostics more than he did.

Whether the relationship would last, though… Chase has always felt pretty insecure about House in terms of their relationship. Part of it is his own issues, but Cameron really doesn't help at times. I mean, it's basically confirmed a big part of their FWB relationship was an attempt to provoke House into jealousy. While I don't think it's as simple as "Cameron was just using Chase to make House jealous," wanting House to care was a factor, House's opinion has always really mattered to Cameron. She might not be 'in love' with him, but he's someone she sees through the lens of romance if that makes sense: he's a potential romance, not just boss or colleague, and she kind of acts like the possibility always exists, even if it's unlikely. So she gets way too flustered when accidentally saying she loves him, because she's thinking it could be misconstrued (where if someone like 13 said the same thing, it wouldn't feel ambiguous to her). As late as the episode where Chase and Cameron get engaged, Chase has "is she dumping me for House" in the back of his mind — he doesn't seem to take the possibility that seriously (he's more upset about the ghosting), but it still exists. So in a world where Cameron is spending every day working with House, gushing on her lunch breaks to Chase about their current cases, I think the insecurity would get way stronger, and probably lead to the relationship falling apart pretty abruptly, even if/though nothing is actually happening with House.

[deathsmallcaps]

While touring on the San Diego duck vehicles, we actually caught a glimpse of the navy training dolphins and sea lions. According to the guide, the sea lions were much better at being food motivated and trustworthy, but the dolphins were a bit more agile and quick, so that’s why they use both. They find and ‘tell’ the military where underwater mines are and such

I’m generally against the military, and I’m kind of against using animals in such dangerous jobs. But regardless of my feelings, it’s happening. And I’ve been wondering for a while how ethically involved are these animals. Like, are they domesticated? Are dolphins really that smart, enough that they can consent to this sort of thing? I know they need lots of mental stimulation, like border collies but even more. And I figure this is the right post to ask.

(Also for the record I am 99% sure the duck vehicle company respected the animals well, and asked us not to feed them at all. It’s been about 2 years since I went so I may not remember everything but they seemed good to me)

I think it's a common misconception that domesticating animals is somewhat like enslaving them. It really is more of a symbiotic relationship. No wild animal would have willingly put up with early humans if they didn't get something out of it. Wolves wouldn't have stayed with us and become dogs if they weren't getting food and safety out of it. Many large herbivores that are now domesticated could and would have easily trampled their early human captors or broken their enclosures open if they didn't have a reason to stay. Sometimes individual animals still do if we don't give them what they need.

The animals that have stayed with us for thousands of years have evolved to cooperate with us better. Dogs have additional facial muscles around their eyes that wolves lack in order to mimic human facial expressions. Sheep grow their wool perpetually while their wild counterparts don't because a bigger fleece means they're more likely to be allowed to breed and be kept around. Domestic dairy cows produce much more milk than wild bovine species and domestic hens lay more eggs. Do you know how energy costly producing eggs or milk is for an animal? It's pretty intense! They wouldn't be able to do that if we hadn't given them the food and safety from predators and the elements to.

And we really need to show these animals respect and gratitude for what they give us by taking excellent care of them. They gave up a lot to be with us, often including the means to take care of themselves in the wild. That's a huge reason why I'm not against using animal products, but I hate factory farming. They are still living, breathing creatures with needs and feelings. They deserve a comfortable life and, when the time comes, a humane death.

[txttletale]

Sorry for anon, I'm shy. I think I'm one of the liberals you're complaining about and I don't want to be. If (and only if) you have the time/energy, could you elaborate more on where the Harris campaign went wrong? I promise I don't mean this in a sealioning way - I genuinely want to understand and move towards a better perspective, but I don't even know what to Google to start.

it is extremely conventional political wisdom that running as the incumbent party during an unpopular administration is a gruelling uphill battle--harris was in this position, and i think going all-in on her continuity with biden, who is extremely disliked (for many reasons, ranging from his fervent passion for genocide to a vague sense that He Made The Ecnomy Bad And Woke) was a catastrophic error that any dickhead with a political science degree would have told her to avoid. unfortunatley she surrounded herself with biden's people who in the run-up to him stepping down had already proven themselves to be completely self-deluding and isolated from reality.

the absolute worst thing you can do in the electoral situation harris was in is go on television and say "i would do absolutely nothing differently to the current (unpopular) administration" and she did literally exactly that.

other facts are that the constituency her campaign decided to go all-in on, of, like, sensible moderate center-right republicans who value bipartisanship, basically hasn't existed since tea party birtherism became ascnedant in the republican party if it ever did at all. the idea that there was an election-winning segment of voeters who would vote for harris if she proved that she wasn't "too liberal" through serious policy commitments to right-wing positions was just not founded in reality--like it was a strategy that failed to grapple with the basic reality that the modern republican position on democrat politicians is that they're adrenochrome-chugging child rapists.

in a similar vein her hard pivot to border fascism was morally deplorable but also a total waste of time because donald "build the wall" trump has made his personal brand synonymous with anti-immigration politics and so she was simply never ever going to win anyone over from him on that ground. & finally of course there was the campaign;'s wholehearted and total contempt for her own potential voters, which manifseted most obviously and evilly in their treatment of anti-genocide protestors and their flying bill clinton out ot michigan to lecture arabs about how they deserved to be bombed but also seems responsible for their total lack of consideration of (again) conventional elecvtoral tactics 101 like "energizing the base" or "getting out the vote"

so tldr it was just a disastrous campaign that prioritized the egos of biden campaign staff and biden himself over winning or facing basic reality

[chaptersleftunwritten]

Darkest Desire

Based off of this nonnie request! It’s a bit scarier than intended and I do apologise for that teehee. There’s also no smut…

Blurb: With a group of friends you visit the local Halloween Scare walk, an event that is hosted annually out in the creepy plaines of Hawkins and whilst it’s masks on for the locals, it’s very much masks off for the scare actors…

Pairing: Scare Actor!Eddie x Reader

Warnings: 18+, the holiday of Halloween is mentioned, talk of blood/gore, faux blades/knives, cursing, reader is referred to as girl, use of pet names, degrading, praising, stalking (cat&mouse), sly/cocky and slightly mean!Eddie. Characters are all 20+

-

divider by @reveriesources

Crunchy dry blood orange leaves litter the earth and frost tainted wind nips at your nose and cheeks. The squeals of excited children racing by your costume clad frame fills your ears with immense joy and you giggle airily as they launch themselves into one another. Racing toward the brightly lit luminescent funfair games in hopes of winning a stuffed animal or a goldfish in a bag.

Their parents lug behind them, their attire consisting of some makeshift costume they had thrown together at the last minute in hopes of pleasing their tiny humans and earning themselves a quiet car ride without any tantrums or fuss.

Your group, on the other hand, weren’t here for the childish and conning games. You were all here for the Scare Walk.

You hadn’t agreed on a coherent group costume so it was a pick and mix of totally different genres and ideas and from an outside perspective it was abundantly clear that there was no communication on the matter whatsoever.

Steve was dressed as the main character from Nightmare On Elm Street, Freddy Kruger. Nancy clearly had helped with the makeup aspect of the costume assemble but everything else screamed Harrington. He cropped the stripped knitted jumper to better suit his athletic frame and his hair was still very much classic Steve.

Robin had taken a whole new approach, dressing up as the colourful Rubik’s Cube puzzle toy. Deriving inspiration from the colourful squares she wore a long black jumpsuit covered in humongous reflective and vibrant square sequins. She more resembled a neon glitter ball, but you gave her the benefit of the doubt.

Nancy’s body was hugged by a khaki green boiler suit that had the long legs cut off and on her back she wore a black backpack with some DIY altercations made to it. She has begged Mike to help her create her costume, and that’s how she ended up dressed as a Ghostbuster, putting a strong feminine spin on the male dominated film. You hadn’t expected anything less from Nance, she was always looking for ways to empower women and her costume made you smile. Proud.

Jonathan had chosen a much whackier costume to better fit with his personality. The pungent smell of weed radiating from his body only complimented the fluorescent green costume he was wearing and the radioactive orange bandana blindfolded over his eyes. He had opted for the beloved character from the children’s series Teenage Mutant Ninja Turtles’, Michelangelo. Which shouldn’t have surprised you— but it did.

And finally, you had chosen something distinctively different from your friends. You had made the bold choice to go as a flapper girl from the 1920’s, inspired by Fitzgeralds novel The Great Gatsby. It was a bold move because you paired the costume with kitten heels and although they were small you knew by the end of the night your feet would be crying out for rest. It is a Scare Walk after all. Your body was adorned by glitter and lace and the fringe of your dress tickled at the exposed skin of your legs.

It was a bit chilly tonight, but you were having too much of a ball to really hone in and pay attention to the sharp gusts of wind. Steve and Robin were arguing over whose costume was more original and whilst Robin’s was, Steve always somehow managed to argue himself into being ‘right’.

“Talk to me when you have hand sewn a bazillion sequins onto something and not just took a pair of shears to a ratty old sweater.” Robin remarks with a smirk, crossing her arms over her chest and marching ahead of Steve.

“Hey! I’ll have you know that it was surprisingly difficult to cut this thing into a straight line— and it isn’t ratty or old, I literally bought it like two days ago.” Steve fires back with a squinted gaze as he follows closely behind Robin’s reflective beacon of light that seems to lead us through the dimness. Nancy grumbles inwardly to herself.

“Can you two stop bickering like babies? We’re here to have fun! So let’s go and do that!” She hooks her arm with yours, charging forward, “I heard that some people from campus are working here this year. I don’t know what they’re doing but isn’t that exciting? We might bump into them!” You admired how Nancy could make a good situation out of everything, however you didn’t quite share her enthusiasm for meeting people you already knew. Nancy was all about making and strengthening connections whereas you wanted to just have fun— judgement free.

And now that you knew that your peers were watching your every move you couldn’t help but feel your confidence shrink slightly and your words clam up. Dying in your throat before they could ever be heard aloud.

-

The walk started off relatively slow and rather boring. You kept mistaking your dress tickling your calf’s as insects running up the skin of your legs and Robin would giggle at the way your head was constantly shooting downward.

“You seem awfully jittery— is someone scared already?” She taunts, wiggling her eyebrows at you and grinning widely as she did.

You scoff in response, “Please. I’m nearly dozing off back here.”

An eerie dark silence falls over the group and the golden haze from the spooky funfair starts to fade into the background behind you as you venture further and deeper into the doom and gloom of night fall.

The smell of sweet popcorn no longer lingers in the hairs of your nostrils and a sinister chill runs down the back of your spine; like fingers tickling your bare skin.

“Are we sure we are sticking to the trail? It’s getting pretty dark out here— OH MY FUCKING GOD!!” Two little girls dressed in bloody dresses and horrifying makeup charge toward you from a nearby hidden brush. Their eyes glow a disturbing shade of white and they hold faux knives that still look devilishly real. You stumble backwards, nearly collapsing from shock however before you could fall to the ground you feel a hard body hit your back which makes you scream out in terror.

The figure laughs at you, jeering and sharp as you whip around to meet him and your hand is quick to find your chest. Your fingers claw at the fabric of your dress and you fist the fabric with a shaky grip. You’re panting, struggling for breath and the skull painted face looms over you for a moment too long; cocking his head to the side as he examines your costume.

That’s when you realise something. Something that you immediately recognised as a dark secret. A dark desire that should be kept hidden.

As his onyx orbs gleam and glare down at you, you feel a wave of heat feather your cold skin. Your core pulses between your thighs and your mouth hangs open in dreadful clarity; you were fucking turned on by this.

His chiselled face is painted to resemble a bare skull. White with inky dark circles that deepen his eye sockets and his cheekbones are defined with thick blended shadowy lines. His lips are painted black to match his contours and he has hand drawn on a stretched toothy smile and an empty nose cavity.

He doesn’t speak a single word.

He just stares at you. Almost as if he is furious with you.

And before long he drags himself away from you, like the simple task is deemed painful and impossible for him.

His torso is dressed in a fitted white button down shirt which is rolled up to his elbows and it exposes his tattooed forearms. On his legs he wears a simple but professional pair of black trousers paired with black suspenders that sling over his shoulders. On his feet he has combat boots supporting his ankles and some sort of padded device strapped around the joint of his knees.

You gawk at him as he skates across the concrete on his knees at an alarmingly fast rate toward another group of poor people; leaving sparks of light in his dust as they squirm and scream. Some of them even go as far to sprint off into the darkness away from him; which leaves the masked man cackling darkly and running after them.

“Holy shit! I had no idea he would be working here this year!” Steve slaps the palm of his hand onto your shoulder as he chuckles heavily and you pull away from him confused and slightly annoyed.

“Who is ‘he’ and how do you know him?” Steve’s laughter dies out slowly and his hands come to rest on his hips. A stance that he did often. The rest of the gang come to join you with curious expressions on their faces.

“Seriously? You don’t recognise him?” There’s a pause as you shake your head ‘no’ and Steve rolls his amber eyes dramatically, “That’s Eddie Munson, dipshit. He’s always smoking weed out in the courtyard on campus? Playing with the fire from the benson burner during chemistry— is this ringing any bells?” You shrug, crossing your arms defensively over your chest.

Is Eddie Munson someone you should know about?

“He has long, curly hair— not better than mine but hey, it’s definitely up there.” Steve’s hand smooths over his slicked back hair that is thick with gel and you laugh, now being able to form an image of Eddie in your mind.

“Ohh, the metal head? He sometimes walks around with his guitar slung over his back?” You reply as you begin to walk off after realising that you have all come to a stand still— and partially because you want to see Eddie again.

“Yeah! He is wicked with a guitar! I’ve seen him play.” Robin chirps from your left and Nancy hums on your right.

“He is pretty good.” Jonathan speaks through a mouthful of candy and you try to disguise your disgust as you unfortunately get a glimpse of the food on his tongue.

“Right…” is all you quietly reply as your eyes scan the bluish darkness. You can hear an owl hooting off in the distance and if it weren’t for the jump scares waiting for you, you would find this promenade quite peaceful.

Crickets whisper conversations from the tall blades of grass and you can see lanterns dotted up ahead of you. They cast ghoulish shadows all around the dirt path and your head twitches from side to side— trying to catch any of the silhouettes moving.

But they don’t.

You have strayed further ahead of the group, their voices hitting your ears in the form of muffled sounds but you don’t bother to wait on them. They are too busy laughing and booing at some of the scare actors whereas your heart is still palpitating at a ridiculous rate from the last scare.

Some of the actors were so gruesomely scary that you felt transported into your favourite slasher films whereas the others were just looming and ominous— more human. Humans are the scariest creatures after all. You fear your own kind in opposition to the unknown.

That’s why when the familiar skull skates over to you on his knees, you freeze this time. No fight or flight; just freeze. Your mouth gaping wide as his nose nearly brushes yours.

“Eddie.” His name is a breathless squeeze from your lungs as it leaves your mouth. You have to say his name aloud in order to ground your thundering heart. Were you excited or frightened? Maybe it was a mixture of both.

Whatever it was, the man stood in front of you wasn’t best pleased. His eyes narrow into irritated slits and his fingers toy with a piece of your hair— twirling it before yanking on it playfully.

Steve, Nancy, Robin and Jonathan all sprint past you in urgency. They screaming until their throats run raw as a deranged man with a faux chainsaw chases after them. Hot on their heels.

You and Eddie go unnoticed by them… and now…

Now you feel afraid.

“Y’know you aren’t supposed to address the actors personally, right?” He sneers through a tight jaw.

“He speaks.” You quip back sassily and Eddie huffs a distorted laugh.

“I’ve seen you around campus— even prettier up close. It’s a shame your attitude ruins that.” He circles you like a shark in water and you follow him. Twirling around makes you dizzy but Eddie’s chuckle makes your dizzier.

“Like a little lost lamb.” He coos, “Where are your cronies? Seems they’ve ditched.” His glove clad knuckle grazes your cheek and you flinch away from his soft touch. Taking a few steps back you widen the close distance between the two of you.

This causes Eddie to grin hugely; showing all of his teeth as he did.

“What? Don’t tell me you’re scared now?” He prowls toward you however you are quick to match every one of his steps. He takes a stride forward? You take a step back.

“You could run away if you wanted… but that’ll only entice me more. Didn’t they tell you? I love the chase.” His voice is a low animalistic growl and you couldn’t understand if this was Eddie or his character talking to you. Was this all an act or was he genuinely this menacing?

“I thought you actors weren’t supposed to get this close to the public…” You hunch your shoulders upward toward your ears as you cower away from his stalky frame and he stares through you; the gears in his head turning.

You shift on the balls of your feet uncomfortably and your skin blazes beneath his intense gaze.

“You’re blushing.” He says matter of factly and suddenly you feel the need to straighten your posture and try to get as far from him as possible.

“I am not.” The lie is pathetic as it meets the frosted air and Eddie smiles eerily.

“It’s the makeup, isn’t it? You like the makeup.” His head strains back on his neck as he lets out a loud laugh, “Fuck— that’s pathetic. You must be into some really weird shit.”

“I- that’s absurd!! I have no idea what you’re talking about!” You squeal and slink your arms around your torso. Partially because you were cold but also to be protective and assertive of yourself, “You don’t even know me—“ Eddie interjects, his finger tapping impatiently against his painted lips.

“Shhhh.” You feel the soft grain of his leather gloves as they tickle your skin and Eddie’s hands fully embrace your bare shoulders, “It’s okay— I like your costume too, I suppose.” He shrugs his shoulders nonchalantly, “I mean, it’s a bit outdated and boring but hey, you look good.” He flashes you a teasing wink that is nearly enough to make your lungs implode with lack of oxygen.

“Goodbye, Munson.” You swivel on your kitten heels and briskly find the frozen dirt path again. Your head involuntarily looks over your shoulder, trying to catch sight of Eddie one last time as you leave him behind but to your total disadvantage the metal head was no longer standing where you had left him.

He too, had taken off.

And unbeknownst to you, you had just pressed play on one of Eddie Munson’s all time favourite games; Cat and mouse.

-

It was getting later and later with every passing second and you couldn’t find your friends anywhere. You had last seen them run off whilst laughing and screaming in total horror but you hadn’t seen them since.

Had they actually ditched you and went home?

Once the thought infiltrated your psyche you contemplated on cutting the scare walk short and heading back to the funfair to search for them. However, going back meant that you had to go alone and there was something devilish about that.

To your left, through a thick canvas of sweetgum trees you can hear the owl again. Hooting softly— a sound that should calm your nerves but instead it tugs on them viciously. It’s more like an emergency siren warning you. A sign for you to run and to never look back.

A man made whistle slices through the chirping of the birds and it cuts at your skin like the edge of a blade. You look left and right, frantically dancing in circles as you try to determine where it’s coming from; but you are met with nothingness.

“Eddie, if that’s you then cut it out! This isn’t funny!” Your fingernails pinch at your skin as you begin to walk panicked in the opposite direction. Never paying attention to what’s in front of you, your gaze always trailing off to the side and behind you.

That’s when you see him— the skull peering at you from a dark line of trees in the distance. Your feet come to a staggering stop as you eye him. Was your mind playing tricks on you? Was Eddie really staring back at you or were you deluding yourself?

You swallow thickly, your mouth dry as you watch him emerge from the greenery. Before your brain can compute what your body is doing you are running; charging into the fullness of the forest.

Tree branches whip and rip at your skin, causing it to redden and sting. You wince but you continue soldiering on, your shoulders barge through sticks and nettles and thorns.

Your mind had convinced you that this was real. That you were being chased by a psycho.

“Hey— hey, stop!! It’s okay! Wait—“ Eddie is close behind you, crunching twigs beneath his boots but you are quicker than he is; more frightened and resilient to get as far from him as possible. For your own safety.

“Sweetheart! Stop!” You can hear him getting frustrated as he trudges through the cluttered landscape but you can see lights shining in front of you, just up ahead, and it causes you to force your legs to quicken. Desperate to reach there.

But just before you explode onto the funfair grounds your legs give way beneath you and you crash to the ground. The palms of your hands scrape against the jagged forest floor and your dress rips against a spiked log. You thought this shit only happened in the movies— but tonight you were proven wrong.

You look behind you and your eyes well up with tears of both pure adrenaline and fear at Eddie propelling himself toward you.

You bring up your hands around your head to protect yourself as you shrink back onto the floor, over the fact that your hair is full of pine needles and your knees are scraped and bleeding.

Eddie crouches by your side, a deep frown on his face and worry in his eyes.

“Hey, sweet girl, you’re okay…” Eddie bites off his leather gloves and throws them to the soft earth. He is gentle to pry your cold hands away from your muddied face and he hisses quietly at the temperature of your skin compared to his. He examines the palms of your hands tenderly, “Ouch… this must hurt. What were you thinking?”

Your foolishness almost causes Eddie to laugh, but after witnessing the genuine anxiety plaguing your features he decides not to.

“It was too real.” You blubber, letting out a dampened sob and Eddie’s heart pangs with guilt and sorrow, “I couldn’t find anyone and… and I saw you and I just couldn’t think of anything else…”

“I’m sorry, love. C’mere, let me help you up.” Eddie is crouched down, his knees bent as he braces himself in front of your shaking frame. He outstretches his hands toward you and you take them hesitantly.

Thanks to Eddie’s strength he pulls your weak body up to meet his with ease and he hold you against his chest. Breathing softly as he tries to calm your laboured and nervous breaths.

“I really am sorry… it’s just me, ‘Kay? I’m not gonna hurt you. I promise.” He peppers comforting pecks into your hair and your nails claw at the back of his shirt, “It must’ve been pretty scary; being out there all alone with me.”

You nod, your mind finally calming at the sound of his lulling and gentle voice.

“I do like the makeup.” Your confession is meek and muffled against his chest, “I think there must be something wrong with me.” You laugh, managing to pull away his chest and look at him much more confidently now.

“Not at all,” Eddie grins, “I think it’s quite the opposite, actually. Very normal— it might even be considered vanilla to some people out there.” Although you have removed yourself from the skull painted man’s chest, the closeness between the both of you remains the same.

The truth was; Eddie had always admired you. Your intelligence and your cunning. You were beautiful, which was the cherry on top of your infectiously bright personality. He had noticed you at the beginning of the academic year and he was too chicken to talk to you. You both were connected through Steve but Steve never really paid attention to Eddie’s longing and begging looks toward you.

But Steve didn’t have to say anything. Not anymore. Because you could see it for yourself. You could see beneath the intricate paint on his face that Eddie felt something for you. You weren’t sure what it was; lust, a crush or plain friendship but you could see it. Feel it.

“You must think I’m a total freak.”

“You have no idea who you’re talking to, sweetheart. I am the biggest freak to have ever lived.” Eddie lets out a giddy chuckle and his hands continue to rest lightly around your body. You welcome his lingering touch and his nearness. It felt familiar. Nice.

“We both look like weirdos standing out here in the dark.” Your eyes scan around the auburn horizon of tall trees and a soft smile rests on your smudged lipstick covered lips, “People are going to think we’ve been up to no good.”

Eddie smiles, his hand coming to stroke your cheek gently and tuck some of your rouge hair behind your ear, “With how windswept your hair is, I wouldn’t be surprised.”

You both stand there, the air is clouded with electrifying tension and you can’t think of anything else other than how badly you want him to kiss you.

“I wanna take you out… on a date.” His hands cup your face, “When I’m not this caricature. I’ll just be me and you will be you. You won’t have to run from me…” His cold nose brushes the tip of yours, “I won’t have to chase you.” You can smell mint and nicotine on his breath and you have never been more intoxicated by anything in your entire life.

“What’d ya say, sweet girl? Let me take you somewhere nice so I can kiss you properly at the end of the night?” There is a slight desperation to his voice and you bite your lip to suppress a wide smile.

“I’d like you to chase me, Eddie. Chase me with daisies and a boombox and your guitar. You won’t have to run after me for long…” You are dangerously close to him now, your breath quickening as you press a chaste kiss to the corner of his mouth. It takes every ounce of self control not to eat his entire mouth with yours, “Take me anywhere. As long as it’s with you.”

“I will.” He promises.

“And kiss me at the end of the night?” You are desperate yourself now, your eyes sparkling with moonlight as you look up into his shadowy hues.

“I will.” He strokes your hair so delicately; like you are the most precious thing he has ever handled, “I promise.”

-

taglist: @colorful-white-ideas @littlered0000 @ali-r3n @daisy-munson @serenadingtigers @rainybloo28 @munson-enthusiast @godcreatoreli @littlefreckles4 @what-the-jams @tlclick73 @ameliapond1995 @thepurplelovewitch @somethingvicked @costellation-hunter @munsonzgf @emxxblog @ingridvasquez @sadbitchfangirl @im-julessssss @munsonburn3r @unclecrunkle @cierra222 @ziggeddie @yarafae @sidthedollface2 @kellsck @your-nightmaredoll @purplewitchcauldron @manitskatrina @georgeweasleyslostearhq

[dollypopup]

even more things I love about Colin Bridgerton

-his taste in waistcoats is genuinely A++

-he cares so much about the women around him. brought his mum an expensive, sentimental gift. supported Eloise's pursuits to learn about feminism. gave Fran sheet music to show he cares and listens to her passions, compliments Penelope and refuses to let her say bad things about herself

-even when he's mad he's never disparaging. the absolute worst thing he's ever called a woman in the entirety of the show was 'cruel'. he called his older brother an ass in defense of a woman, and that might be the meanest thing he's said to anyone in the show

-his swoopy curls

-how much he values and respects consent and honesty. He just wants to be his whole self with Penelope and is so incredibly vulnerable with her

-THAT HE APOLOGIZES. I was watching a comedy special and they dropped the line 'Do you know how rare it is for a powerful man to apologize when someone's not threatening to take something away from him if he doesn't?' My god, how refreshing is it that we have a man who apologizes wholeheartedly and earnestly so many times? to his mother, to his friends, to his sisters, to his ex, to his wife, and he does it with his WHOLE CHEST. I need Colin Bridgerton to run tedtalks on how to properly apologize, it is sexy as FUCK

-he feels things so deeply because he's so emotionally sensitive, and didn't want to be intimate with Penelope in anger because for him, intimacy with her is special and a positive thing and he didn't want to colour that with negative emotion

-he cries when he's upset, he's a sad crier, and he's an *angry* crier. Like how is anyone ever meant to win a fight against him? The man just has to blink his wet soppy seal eyes at me and I'm a goner

-he can't stay mad for long. he's too empathetic

-he can be awkward and silly

-his silly puns (we shall gallop along, i oiled my way right in)

-he tries to see things from other people's perspectives. He came to Cressida trying to understand and relate to her, he reads Penelope's letters and tries to understand her choices and merge her and LW in his mind

-HE ASKED FOR ELOISE'S BLESSING!!!!

-for the most part, Colin doesn't ask for emotional labour from the people around him. he tries to cope with his concerns on his own. he is not afraid to do that work on himself first

-he pushes back against the male machismo of his peers. he's not just respectful to the women in his immediate circle, but also the women who are out of it. he's nice to the debutants but maintains his distance so as not to lead them on, he defends Marina even though she broke his heart, he's just a good dude

-he holds everything. . .so gently? cups, quills, his wife

-he's a total sweetheart, how can you not love him???

[bxtonpxss]

"The day?" Thor repeats tilting his head in full-on confusion, question marks floating above his head. When he gets his explanation-- it being Father's Day, the rodent hums briefly in partial understanding. "But that just sounds like a regular day around here, what's so special about that?" He murmured dully. While he hasn't been working with Bowser for too long, what little he has gleaned from the tyrant was quite clear. He was very self-absorbed and a proud sort. It was all very irritating to deal with.

Dad-liest Dad to ever Daddy....

"Please don't ever say that again... it sounds stupid." He interjects with a wrinkle of his muzzle. "And how could I forget when I didn't even know this day was important?!" He lived deep in a forest miles away from the closest town, and even then his visits to either of the nearest cities were infrequent. This Father's Day thing seems like something a human from back home would make up and of course, Bowser would like it. It sounds like it's right up his alley.

"Where the heck am I supposed to get a gift from?" Now it was Thor's turn to feel frustrated. His tail lashes behind him, smacking against the castle floor, he's sure there's a vein throbbing on the side of his head and a familiar itch in his cheeks that made him want to shock something. "I don't even know what you like..."

"THAT'S WHAT THE DAY IS!" Bowser explained in an irritable huff!

"On Father's Day, Dad is worshipped and the people do anything they desire!" Which, in most cases, would make it a pretty ordinary day for him. However, he demand this praise come from his entire family, including temporary help. "I'm the Dad-liest Dad to ever Daddy, and YOU forgot to get me a gift! Luckily, there's still time. So, ya better get moving!"

[bakuhatsufallinlove]

How do you feel about the fact that Katsuki’s apology and his death are not brought up again? I was really sad they never talked about it all. Do you have any headcanons for when/how/if they ever talk?

Dear anon, you've activated my trap card.

By which I mean you've asked me about something on which my feelings apparently vastly differ from those of most people.

To answer your question, I did not expect nor even want a scene addressing the apology again in-canon. Neither did I expect a scene where they discuss Katsuki's death, though I was less opposed to that.

But let me specify this right off the bat: there is a distinction between what I would enjoy seeing and what I think has narrative weight.

And I think that's fascinating to talk about. You asked me how I feel, so get ready!

When people say they wish Katsuki and Izuku had talked about his death, what are they wanting?

Do they want to see Izuku get vulnerable and choked up over Katsuki, shed tears for him? Do they want to see Katsuki see him like that, and watch him soften and let Izuku open up? Do they want to see him take Izuku's hand and comfort him, reassure him that they won, that it's over, that he's still here, and no one is gonna keep him from getting back up again? With the implication that getting back up again means standing at Izuku's side and helping him win?

I sure as fuck do!

But do I think that kind of scene does something for the story, themes, and development of them as characters that what we actually got doesn't do? Not necessarily.

See, stories are not driven by what the audience wants to see.

Stories are driven by what the characters need.

Not what they want, what they need. Often, characters are denied what they want because it does not align with what they need, and this is the very premise of their struggle. Katsuki is a great example of this, because at the start of the story, he wants to feel superior to Izuku, but what he needs is to accept his own admiration of him.

Fanworks exist to give the audience what they want, in a vacuum, totally separate from the linear structure of the narrative. You can just pop into a scene of Izuku crying and have Katsuki kiss him better and that gets us every time, doesn't it?

But in the manga, for a scene like this to exist, there has to be a need for it to address. So, what would that need be?

I think people ask for these scenes because they are under the mistaken impression that Katsuki doesn't understand how Izuku feels about him. And I cannot tell you how much I disagree with this.

If Katsuki didn't understand that Izuku cares deeply for him, then a scene like what I described would probably be intended to tell the audience that he needs to understand how Izuku feels and, up until now, he hasn't.

But that's not true.

Katsuki knows Izuku cares about him.

At the start of the manga, Katsuki is convinced Izuku looks down on him.

Chapter 10

We the audience understand this is projection. Katsuki's admiration of Izuku makes him feel inferior, so he rejects his own self-critical feelings and assigns them to Izuku. No matter how many times Izuku shouts that he thinks Katsuki is amazing, Katsuki's inferiority complex is unfazed.

He utterly ignores it, it doesn't even register for him.

Chapters 10 and 119

Instead he doubles-down on his own frustration and dissatisfaction with himself, engaging from a point of competition, as though Izuku had insulted him rather than complimented him.

This tells the audience that the problem does not lie with Izuku, but with Katsuki himself. Izuku cannot resolve this situation with words, we've seen him try. Instead, Katsuki needs to change his own perspective.

After Deku vs. Kacchan 2, Katsuki accepts—begrudgingly and with great discomfort—that Izuku does not look down on him.

Chapter 120

Even though Katsuki reconciles this, that doesn't change the fact that he is weak. He needs to grow as a person and as a hero. Now, his struggle is not just about his self-perception, but also his real progress.

Chapter 209

We joke about Kacchan being a tsundere, because he is, but part of the reason he rejects Izuku's appraisal of his progress is because he still hasn't met his own standards yet. Katsuki admires Izuku and All Might so much; he knows what they are capable of, he sees the gulf between where he is and where they are, and he is fighting like hell to close that gap.

He won't be satisfied until he does.

Chapters 362 and 409

I've seen people talk about this moment like it is a revelation for Katsuki about Izuku's feelings.

Chapter 359

And, first of all, lemme just say that no villain has ever said a damn thing to Kacchan that he didn't already know.

Chapter 358

ShigAFO's comment does not exist to confirm Izuku's feelings to Katsuki. It exists to signal to Katsuki (and the audience) that ShigAFO knows how Izuku feels, and he is prepared to use it against them.

This is a threat. This is about instilling horror in us and bringing to painful fruition Katsuki's fears about being a weakness people can exploit to hurt Izuku.

But let's not bury the lede: Katsuki would not have these fears if he didn't understand that Izuku cares about him.

Chapter 82

Look at his face and tell me he doesn't know with every fiber of his being that Izuku would die for him.

You could argue that because Katsuki understands Izuku's heroic nature better than anyone, perhaps he doesn't consider Izuku's protectiveness of him unique. Maybe he doesn't understand that Izuku loves him specifically and, to him, this is simply an expression of Izuku's selfless, save-to-win mentality.

But that I counter with two points:

Katsuki is not dumb, guys. He is our most emotionally intelligent and self-aware character. We are shown on numerous occasions that Katsuki can read between the lines and understand someone's feelings without being told (unlike Izuku, who's a damn nerd).

The story arc of Katsuki and Izuku's relationship is predicated on the fact that Katsuki rejected Izuku, but they are both unable and unwilling to truly disentangle themselves from each other. This means that their interactions, across the whole of the series, generally focus on Katsuki accepting Izuku and his own feelings, thereby restoring their relationship. To do this, he needed to both accept himself and better himself.

As a result of the second point, the focus is not on Izuku demonstrating his love for Katsuki as the bridge of change. The fact that Izuku loves Katsuki and wants him in his life is indeed highlighted frequently, but it is often treated as a given.

I've said it before: Izuku's feelings are not the ones that change the most, Katsuki's are.

Now you might say, "Maybe Katsuki doesn't need to hear Izuku's feelings, but Izuku might still need to say them!" And you're right, that is a possibility! Even if it is a given to the audience, there could be something that suggests Izuku saying these feelings out loud would be significant or change something between them.

But that's not what the series tells us.

Izuku does not hold back about the way he feels for Katsuki. Whether he is calling Kacchan a stupid jerk or saying he is amazing, Izuku is not subtle about what he thinks—in fact, these are often his most raw, unfiltered character moments, and they are significant.

Chapter 119

The only significant time Izuku does not tell Katsuki how he feels is his image of victory moment at the end of DvK2.

Chapter 120

My conclusion about this is that Izuku has felt conflicted about his own behavior and thinks Katsuki would reject him if he knew about it, so he chooses not to bring it up.

However, there is still a narrative purpose of showing us this thought, and that is to demonstrate that while Izuku may feel conflicted, ultimately he still accepts his own feelings. Regardless of whether Katsuki accepts him or not, the way Izuku feels won't change, and he's not sorry about it.

This moment exists for a lot of reasons, but chief among them is so that we the audience can see the true shape of Izuku's heart.

And what we see is that he loves and admires Katsuki, no matter how he acts or even what kind of person that makes Izuku.

I liken it to Katsuki's All Might card moment.

Chapter 362

Listen, I would have loved to see my explody boy get his autograph, but the greatest impact of this scene is not in the question of whether he will get one, that's just the tragedy lying on the surface as we witness his death.

No, the most meaningful part of this moment is in how it makes the audience truly understand that he still longs for it, even after all these years.

I wanted Izuku to tell Katsuki he is his image of victory, but the fact that it doesn't happen signals to me that Izuku ultimately didn't need to say those words out loud for that moment to matter. Izuku reconciled the discomfort he felt about admiring Katsuki and embraced his positive feelings for him, and that's pretty damn important.

I can and will indulge in fandom to meet my heart's desires, and that's excellent. But rather than simply feeling disappointed by canon material, I think it is more interesting to allow both what happens in the story and what doesn't inform my understanding of it.

I have been planning an in-depth post about the apology and what I think people are missing when they say Izuku "didn't respond" to Katsuki, but let me just lightly touch on my objections to that line of thinking.

Many people in the English-speaking audience appear to have a very narrow range of actions they consider a "response," and allowing someone else to act upon you for some reason does not seem to count.

If you frame interactions only by what Character A does to Character B and see Character A as the only active participant, you are missing out on a lot.

For example, Katsuki catches Izuku, and we see that as a demonstration of his love, as we should.

But how is Izuku allowing himself to be caught not an action that expresses his feelings? How is the fact that he responded to an apology with his own apology not indicative of how he wants to connect to Katsuki in this moment? How does it not convey what he feels for Katsuki, what he has always felt for him?

Furthermore, I see a lot of people take for granted how silence is a choice, and it carries meaning. Much like with what does and doesn't happen in a story, there is meaning in what people say and what they don't.

Japanese as a language values indirectness; it is not a bug, it is a feature. This is partly to avoid forcing yourself onto others and causing them discomfort, but another part is trusting others to understand who you are and how you feel without beating them over the head with it.

But you'll have to wait for my full post to hear the rest of that idea.

I dunno if this is what you were expecting out of your question, anon, but I hope you enjoyed the ride all the same!

[starbylers]

After spending some time listening and re-listening and thinking a lot, I think I finally have my head wrapped around all these songs. This post is an exploration of what they could tell us about Mike’s story, and also a sort of theory I noticed once I saw the full picture. This playlist is—in my opinion—the story we’ve been theorising for the past two years reflected in 12 songs. That might sound hyperbolic but it’s simply what I heard and interpreted, and wanted to share because I enjoyed writing it. I hope this is an interesting read!

If you didn’t see my last post about why I do believe this is Finn’s Mike/ST playlist despite the somewhat ambiguous title you can read that here. It’s totally okay if you disagree but I’m not interested in debating it, and this analysis is coming from a perspective of assuming we've guessed correctly that the playlist relates to ST (obviously we can't 1000% verify that, but for the purposes of this post that’s my stance).

I’m going to focus on themes and overall meanings in the songs because in my opinion that’s where any connections are going to lie, rather than specific lines holding anything important (aside from a few which I’ll highlight) because I feel like that’s closest to how Finn would’ve thought while making it. Basically a macro level representation of Mike and what he goes through next season, something that would help a person get into the headspace of a character. Oh and my larger point is about the playlist as a whole, which will come together at the end :)

➠ Track 1 | Ballad of the Texas King

The first song is an anomaly in that I think it’s meant to set the tone more than anything else. These explain better than I could hope to:

"Itʼs a murder ballad, and as is common in murder ballads, deals with promise and innocence being snuffed out.” [link]

"Clarke sings of a chance encounter with an ominous figure that feels akin to selling your soul at the crossroads" [link]

Hey kid come along, something is wrong, I believe you now / All this to say only one way that this can go / Come with us for a ride / Don’t it feel like hell? Boy let me tell you, that’s where you are

• • •

A nice little coincidence, Finn himself is quoted as saying season 5 is a “crossroads”. I can see this song being an allusion to inevitable big choices with life-altering consequences next season, and also more mature themes being tackled within Mike’s story. I mean he’s stepping back into his role as leader, and now they’re older that will come with a lot more weight and responsibility in situations where the fate of the world is likely hanging in the balance. Not to mention how his personal struggles will be tied up in that, it’s probable that a slightly darker, more self-reflective—and transformative—tone is waiting for us in regards to season 5 Mike.

➠ Track 2 | What You're Doing

A simple song about a turbulent relationship where one person is unhappy because their partner is messing them around, and they're pleading with them to stop.

Look what you’re doing, I'm feeling blue and lonely / You got me running and there's no fun in it / Please stop your lying, you've got me crying, girl

The partner is the one holding control in the situation, while they feel at the mercy of their partner’s careless choices. The mood here is one of helplessness and desperation while still remaining open-hearted, hoping they’ll change.

I've been waiting here for you wondering what you're gonna do / If you should need a love that's true it’s me / Why should it be so much to ask of you what you're doing to me?

• • •

This is heavily M!Ieven coded. What do we know about their dynamic? Mike is always the one chasing El (trying to “win her back” in s3, terrified of her not needing him in s4, stressing about her being in danger all the time). El is consistently seeking autonomy (choosing to learn about her identity over pursuing romance with him in s2, choosing to break up with him in s3, choosing to leave him behind in s4, and I’m willing to bet she’s the one who removes herself from his storyline in s5). We know their separation will happen early season, and naturally things between them must be unstable leading up to this. El being the one to pull away while Mike stresses over it checks out considering these past patterns, and also the end of s4 with her already closing herself off while Mike appears at a loss.

➠ Track 3 | After The Earthquake

A song reminiscing on a relationship and the failure and death of it, with a sense of lingering nostalgia and unwillingness to let it go. It’s set to the backdrop of a metaphorical car crash.

It wasn't built to last / If you wake up you’ll remember the awful things I said / Looking back to the vibrant days / Those days I'd never let you fall apart but things fade / Why would I ever fall in love again when every detail’s over the guard rail? / Velvet curtains drawn, flowers at your feet / Say you’ll climb your way out of your wake now / Are you awake now?

• • •

In simpler terms…this is a break up song. The longing tone makes sense to me for M!Ieven because I’ve long suspected the initial split between them is not going to be super clean cut (this should make more sense later). Mike and El were together for a long time for their age, and have a lot of intense shared memories. El was also his first and only experience of relationships; it’s going to be difficult to detach. It being the right decision to end something doesn’t mean it’s easy or simple. Even if Mike is gay and didn’t truly like her romantically, he still loved her and in my opinion that distinction isn’t something he’s going to have figured out and made peace with the second it ends.

➠ Track 4 | Promises I've Made

Very straightforward and repetitive, and follows on seamlessly from the last song: this is about having trouble moving on from someone who’s left your life.

Ever since you have gone the days don't seem so bright and I wish I could forget you but I can’t / I have promised myself I wouldn't dream of you but I find that awful hard sometimes to do

• • •

Based on what I’ve seen people might fight me on this, but to me it’s M!Ieven coded mainly because of its positioning in the playlist (directly after a struggling relationship song + break up song) but also because it is technically about an ex love. Could we say it doesn’t need to be interpreted that specifically? Yes. I suppose it could be Byler coded too but personally...the way I would interpret it is as Mike moping over whatever happened with El. There’s not any intense emotional pining going on; if you listen it has a very laid back, chill sort of mood and is honestly very upbeat. There’s no deep heartbreak. It’s just about missing someone. Plus it sort of perfectly closes out the process we see over the last two songs of being unhappy with someone, to breaking up and grieving, to the typical post-break up struggle of navigating this hole in your life and naturally missing what once filled it. This is a whole sub-arc for Mike.

➠ Track 5 | Angst In My Pants

We’ve reached the gay section! This song is about trying to fit yourself into an acceptable—aspirational, even—life but never feeling content, and continuously trying to squash this troubling Feeling, the titular phrase: angst in (your) pants. Some people think it’s a reference to literal physical arousal but others including me think that in context it’s intended more as a metaphor for sexual frustration/dissatisfaction.

I hope it doesn't show, it'll go away / It's just a passing phase / When you’re all alone, you and your head / When you think you’ve made it disappear it comes again, hello, I’m here and I’ve got angst in my pants

The queer subtext here is very clear, I don’t think I even have to explain (check out the cover art too lol). The song closes with a realisation/acceptance that no, this “phase” won't ever go away i.e. it’s just who you are.

Give it a hundred years, it won't go away

I also thought one of the opening verse lines was an interesting segue from the last few songs:

But when you’re all alone and nothing bites you’d wish you stayed at home with someone nice

• • •

Angst In My Pants may aswell be titled Forced Conformity the thematic parallels to ST are that blatant. Another point for team Mike Wheeler actually is connected to the main themes of the show like all his other friends, and no it’s not because he’s somehow oppressed for being a nerd. Also rather than being about feelings for another person the song is about personal struggle with sexuality which excites me to think about in relation to Mike because we’ve been saying he needs to explore his own identity outside of being a love interest.

➠ Track 6 | The Better Side

A very sweet, slow, slightly melancholy song. I’ll be honest I cannot decipher more than 2/3 of the lyrics but here are the most meaningful ones of those I could:

I know you cry and I’m trying to keep you by my warmth

You’re never gonna see my eyes, you’re coloring all the skies you want to / I tried staying alive, keep my head on the better side when you’re far away

You’re on the better side you’re always the better one for me

You’re all that I need, I’m not gonna miss you anymore

My understanding is it’s about pining over someone who is a “better” choice, whatever that means in this context. Deciding you want someone, someone who you don’t currently have, someone who is maybe distracted, distant or physically absent? But vowing to change that because you recognise that you need them.

• • •

This directly follows the Gay Thoughts song, and precedes the Gay Thoughts song 2.0 so I feel safe interpreting it as Byler coded and about how it’s Mike’s turn to pine. (Also because “better” implies that there’s a “worse” i.e. this is a situation where you’re differentiating between two things i.e. in Mike’s case, Will vs El). I can envision Mike and Will getting moments together away from whatever chaos is surely going on, having the space to connect more where Mike starts becoming conscious of his feelings, realising slowly that Will is the “better” one for him. And as the song also suggests, perhaps Will has pulled away from him in the beginning. I think this is possible because the torment Will's likely going to endure from Vecna could understandably cause him to push Mike away, fearing his safety or him finding out how Will feels, and also I just don’t think he’ll be able to stand the pain of being M!Ieven’s couple’s counsellor for much longer without cracking. But I think Mike “it’ll be easier if we’re a team” Wheeler would make it his mission to fix any rift between them, the final line literally being I’m not gonna miss you anymore.

➠ Track 7 | Don't Ask Me To Explain

As far as I can tell, this song is about being afraid to face queer feelings for another person who is also hiding this about themselves, and being conflicted about whether to confess because you're not sure how they feel.

How will I ever know you enough to love you if you're hiding who you are? / How am I supposed to let it show when I don't even know? / Don’t move on without me, who will be watching my body when I sleep? / I don't want to be the one who's coming out first, I'd really like to but I'm just too shy

The end is an admission of…something. I’m not sure whether to interpret it as wishful thinking over this queer relationship you believe you can’t have, or as an offhand comment about forcing yourself to love someone you can’t because of your sexuality. Interesting either way:

It’s so easy to lie to myself and pretend that I could love you but I can't

I did do some research and the alleged true explanation of this song is it’s from one queer friend to another (man to woman, I assume both closeted, maybe a failed romance?) but I could only find one uncited source for that and everywhere else seems to agree with my interpretation so it seems when listening to the song that’s the story people hear. (Plus either way the song is about being queer. Undeniably so).

• • •

It’s not Byler coded we’re way past that, it literally just…is them. It does seem to suggest a level of internal conflict in Mike regarding coming out that I can’t say I expected (yes I have no doubts about canon Byler but I’m also a pessimist by nature—that should tell you how obvious their endgame is though lmao—so I assumed the Duffers would go wrong somewhere). I always thought he would be almost consciously clueless about himself until he finds out Will loves him, and the focus be more on him liking Will back rather than him liking boys (and obviously wasn’t a fan of that), but the prospect of Mike actually being aware and grappling with his sexuality is what we’ve been praying for and builds on the more low-level thrum of sexual confusion in Angst In My Pants. Oh and the song also could suggest Mike suspecting that Will likes him/is queer too before anyone confesses.

➠ Track 8 | What Do You Want Me To Do?

Another straightforward one. It’s quite angsty, a big contrast to the more sad feelings about a relationship from the earlier songs. This is about someone who left you for someone else/someone who walked out on you, who decides they want you back.

You walked out took your chance, turned your back on our romance / You said the change would do you good / But then the bubble burst your dream, turned into a nightmare scream / You came crawling to me your knees, and you were asking me to love you please

The main message of the repetitive chorus is basically: you want me to need you, but that’s not real love. You’re just using me to feel better about yourself.

What do you want me to do? Say that I need you more? Is that what real lovers do? Or only what you use me for?

• • •

I mean isn’t that last part how we’ve always described M!Ieven’s dynamic—all about aligning with the other’s needs whether for safety, validation or feeling ‘normal’, rather than genuine romance? I don’t think there’s any chance at all of El leaving Mike for someone else lol, as I said I don’t think we need to interpret these songs super specifically. But it does make me wonder: could we possibly see a moment of regression for El at some point in the season, after they separate? The focus here in my opinion is frustration at someone trying to re-enter your life when you know they don’t truly love you. Reflecting on their dynamic I talked about with earlier songs and their history in the show (El walking away, Mike scared to lose her), is it possible the break up could leave Mike struggling initially then he progressively understands why it was the right choice (especially after spending time with Will), meanwhile for El it’s the opposite—she’s more sure about breaking up but something happens later on that shakes her belief in herself. Her having one last hurdle to overcome in her dependency on Mike to finally break that pattern of hindering her growth by retreating to him could make sense. And based on this song…Mike would not be receptive to being El’s safety net. Growth for both of them.

➠ Track 9 | Substitute

Again, very angsty compared to earlier. It’s about a relationship characterised by false perceptions (focused on class), and those being what is holding it together. One partner is pretending to be something they’re not, cosplaying as someone else, and the other is also being dishonest/fake.

You think we look really good together / My fine looking suit is really made out of sack / The simple things you see are all complicated / Substitute your lies for fact / I see right through your plastic mac

The relationship breaks down because of this and their partner doesn’t truly want to fix things, and ultimately trades up.

Those crocodile tears are what you cry / It’s a genuine problem, you won’t try to work it out at all, you just pass it by / Substitute me for him / Substitute my coke for gin

Essentially: your partner not knowing the real you because you’re putting on a facade—the facade being the version of you they really like, the thing that was making you compatible—leads the relationship to fail. The literal title suggests neither of them as they are are what the other truly wants or needs.

• • •

Obviously this does not directly parallel M!leven in terms of the topic of the lying but in terms of the themes and core relationship issues…yeah. To me this could be about point Mike has reached after gradually coming to realisations about the nature of their relationship after it’s over, like I mentioned before. I can envision a mid-late season confrontation (or something less aggressive sounding lol) between them, pairing perfectly with the topic of the previous song. El scared trying to fall back on Mike and he’s like…no, we don’t work, I can’t be that for you anymore and this is why: betraying who he is (nerd) to impress her, trying so hard to play the “boyfriend” role (yet they never successfully emotionally connect), if he’s gay then there’s also the facade of straightness, etc. I think it would show a lot of emotional maturity from him honestly, and I really need him to have a strong grasp on what went wrong with El for them to have a shot at forming a healthy friendship, and also to psychologically process all that stuff before getting involved with Will.

➠ Track 10 | The Rebel Kind

A short song about life being tough when you don’t have much (this one is class-focused too), but still craving the freedom that comes from not following societal rules and pressures for how to do life “right”, and instead living on your own terms. Basically the struggle is worth not having to conform. The first verse sums it up pretty well:

They call us the rebel kind but they don’t understand the things a man must do to prove that he’s a man / It’s not easy but I don’t mind, I just wanna run with the rebel kind

• • •

Again, obviously the specific topic is not relevant to ST but the thematic parallels blew my mind, I mean the entire show is about people being outcasts and learning to find strength in that, and the final season is going to majorly drive that point. We know this from the fact that Will “being different” Byers is the one who’s arc is said to tie up the whole show. Now in regards to Mike…if this doesn’t scream forced conformity and deciding to reject it for your own happiness I don’t know what does. It perfectly captures the thematic end point of his arc next season (and not just his but probably the entire party’s in one way or another). Also the toxic masculinity reference in that one line applies heavily to Mike with his history of trying so hard to do what he thinks he supposed to do in going from boy to man i.e. We’re not kids anymore. Did you think we were never gonna get girlfriends?

➠ Track 11 | Block Rockin’ Beats

Another one I think is mainly to set a tone; no real lyrics just beats. In my opinion it comes after The Rebel Kind for a reason. Somehow it just makes sense, it’s got this really loud, frenzied, unrestrained energy to it.

➠ Track 12 | Just What I Needed

We end off with a love (or desire?) song. It’s interesting because it’s quite aggressive sonically but at the same time it talks about being with someone in a simple uncomplicated way:

I don’t mind you coming here and wasting all my time / I don’t mind you hanging out and talking in your sleep

…but it’s also very intense how you feel with them.

Cause when you’re standing oh so near I kinda lose my mind

There’s a repeated line that stuck in my head. It’s obviously written about a female subject, but there is such a rejection of the feminine going on:

It’s not the perfume that you wear, it’s not the ribbons in your hair

It’s saying those feminine attributes are not why this person is attractive—and yeah logically that means the subject must have those things, but as I’ve said I don’t think these songs need to be interpreted on such a specific level. The point being made is about a deeper connection. The line is just intriguing to me from the perspective of Mike being into boys, I mean he could’ve picked literally any other romance song.

I needed someone to feed / I needed someone to bleed / I guess you’re just what I needed

The message here is basically: I was craving the rawest form of connection/intimacy with another human being (that doesn’t have to necessarily mean sexual it’s just those visceral words feed, bleed in comparison to perfume and ribbons which sound very fluffy lol)…and now I’ve found you and it’s exactly what I was looking for.

• • •

With all the themes through the songs of rejecting fake relationships and conformity, and accepting and exploring queerness…Will Byers is obviously going to be the thing Mike needed. I’ve been saying (and so have many) but Byler isn’t happening till the end. Also the playlist finishing with this song is telling in my opinion. Aside from the Castle Byers Classics link, the title itself implies searching for something which is now found, a journey being over. I say this for the purposes of pushing my agenda about this playlist painting a narrative. Hear me out:

Personally……that’s not accidental. It just isn’t. Even if my more specific interpretations aren’t correct, I just cannot believe that this wasn’t curated to draw a particular picture. I believe in coincidences and if the playlist had been titled as it was with a bunch of random unconnected irrelevant songs I’d be the first person to file it under that. But the title and the inclusion of a song from Will’s official playlist and these specific songs in this specific order? Yeah it’s about s5 Mike and I cannot wait to see him! If you made it this far thanks for reading <3

[the-s1lly-corner]

could I request creepypasta x reader who can take their head off

Various crps x reader who can take their head off

pretending that i didnt tear up the roof of my mouth while eating my dinner shhhshhhh ignoring that my bottom front teeth rest on the roof of my mouth right where its all torn up thus making me hyperaware and by extension making me clench and grind subconsciously characters: jeff the killer, laughing jack, ticci toby, eyeless jack notes: reader is gn, reader isnt really human but theyre written to look human, focusing on first reactions cws: none unless you found taking ones head off as body horror? does it count? im not sure tbh.. mentions of anatomy and stuff in ejs part.. canon typical violence

LAUGHING JACK

finds it so cool, entertaining even... i like to think that he has "clown physics" to him, but im unsure if being able to dethatch limbs would be one... if he cant take his own head off hes going to be a tad bit jealous of you

sometimes yoinks your head and holds it up to his height so you can "see the world from his perspective", this is more likely if youre significantly shorter than him

if you allow it hes going to juggle your head or even "go bowling" with it... you... may get dizzy though, so agree with caution

if your head is loose and has a habit of falling off hes going to take it as a win if it falls as you laugh at one of his jokes

EYELESS JACK

honestly? not all that phased by your little party trick, at least hes not grossed out by the clear view of your necks insides- hes seen those plenty of times... both in the form of images as well as in person when hes needed to silence someone

that said looking at in tact neat remains is different than seeing it all messed up or in a diagram, so if you dont mind he would like to take a look at least once... totally not making notes for future reference

not many questions otherwise, surprisingly... i mean hes a man eating demon of sorts who mostly gets nutrients from eating the organs of humans- he doesnt have much place to ask you what you are exactly or what caused this sort of thing to happen

doesnt ask you to show off your trick, finds no interest in asking you to take your head off and goof off with it unlike some of the others

TICCI TOBY

oh! thats his partner taking off their head.... OH! THATS HIS PARTNER TAKING OFF THEIR HEAD- he... genuinely needs a second to process what hes looking at because it catches him so off guard, you only told him you had a party trick to show him

lots of questions, main one being how and why- were you not a living human this whole time? a little betrayed that you didnt tell him sooner, actually- and even if you did, why didnt you show him this sooner?

traces his fingers along your neck where it separates, after you put your head back on- even more impressed if theres no mark left behind

like jeff, hes going to try to get you to play some jokes on people- though its likely hes going to pull them on masky and/or hoodie

sometimes carries your head around with him while hes working- ignore how morbid of a sight thatd be..! he just wants some company without making it too obvious!

JEFF THE KILLER

stares wide eyed for a few seconds... ignoring that he doesnt have his eye lids anymore so hes always looking at you wide eyed-- thinks he may have actually lost it for a second before cracking up

probably one of the last things hes expected you to do but hey, he thinks its pretty wicked!

oh hes definitely going to try to get you to use your quirk to scare some unsuspecting people who are walking around- perhaps do it late at night for some added effect? and if they lash out he can always swoop in and come to your aid

will push your head off of your neck if youre being a smartass or generally lightly getting onto his nerves- not a hard push, but enough to knock your head loose

[lottins-only]

THE ALCHEMY | PART II

pairing: kylian mbappe x fem!reader

word count: 3.9k

warnings: swearing, mentions of mental illness

A/N: thank you to those who read the first part. let me know what you think of this one <333

summary: working at real madrid is a dream come true— until kylian mbappe, football's biggest star and the last person you ever want to see, joins the club. as tensions rise between you two and the lines between frustration and fascination blur, you wonder: can you truly resist the man you've sworn to hate?

PART ONE

mallorca is a great place to let loose, have fun, bask in the sun. mallorca is not a great place to be stuck in a meeting with your ex-one night stand and his lawyers, discussing the nitty gritty of his salary and bonuses.

It’s little over a month after kylian’s presentation, and only a couple days after the men’s first team won the super cup in warsaw. you and a handful of others from the finance team flew out to mallorca for the match, and most importantly, for the post-game meeting with the club's leadership. that in itself lasted two hours and was draining, but last minute, you got dragged into this impromtu session with kylian and his lawyers. you don't even know why, to be honest. you're not familiar with the finer points of his deal, since that was your boss' responsibility.

anyways, here you are in one of the conference rooms in the hotel where the team's staying, completely zoned out as your boss speaks. your eyes zero in on kylian, who's just as bored as you, albeit hiding it way worse. he's absentmindedly doodling on a notepad while his lawyer next to him listens attentively to your boss. he's left handed? what a pick me, you think.

as if he can hear your thoughts, kylian glances up and shoots you a wink when his gaze catching yours. you're even more annoyed now. after you reminded him about the disappointing night you shared, you expected at least a little embarrassment from him the next time you saw him. but no, he was completely unfazed when you walked into the room and shook hands with him and his lawyer, and now he's being playful, maybe even a little flirtatious with you. the man is truly shameless.

"...so that will be the figure you'll receive as a bonus if you ever win the ballon d'or as a real madrid player" you catch the end of your boss' words.

"let's hope that's never happening" you mutter under your breath.

you freeze when you realize you've said that louder than you thought.

kylian’s eyes twinkle in amusement. “sorry, what was that?” he asks, leaning back in his chair and twirling the pen in between his fingers, clearly enjoying your slip up.

"n-nothing" you stammer, avoiding looking at your boss who's going red with anger.

your boss continues droning on and on about sums and figures, and an hour or so later, when he declares the meeting finished, you slip out of the room quickly. you don't want to exchange another word with him at all.

a while later you’re at one of the hotel lounge areas, staring blankly at yet another excel sheet when your boss slides up to you with a solemn look on his face. 

“we need to talk” he says.

you know exactly what he’s going to say. in fact, you’ve been anticipating this conversation ever since all the players returned to training and the season started.

you hold up your hand. “before you start, i want to say sorry for what was said when... when he visited. it was totally unprofessional, and i should’ve kept my mouth shut. I’m honestly really lucky you were the only one who overheard.”

he rubs the back of his neck, a relieved look on his face. “ i'm glad you brought it up, y/n. honestly, who cares how long it took the guy to get here, or how much he cost? the important thing is he's here now. he's gonna win us games, and he's sure as hell gonna bring in a lot of cash. so don't dwell on the past, okay?"

you nod along. you don't tell him that a few months ago, this would've been your perspective as well, and you don't say the real reason you hate kylian, because, well, it would be a little tmi to share with your boss, wouldn't it? nonetheless, you enthusiastically express your agreement, ready to move on from your blunder.

"oh, and please, try and make amends" he adds. "i've heard through the grapevine that he mentioned to the coaching staff he wasn't happy with the reception he got from a certain someone in the finance team"

"he didn't mention any names, nor did he file a complaint" he quickly adds at the panicked look on your face. "but you have to be careful with big personalities like his... just apologize if you get the chance, and then keep your head down" he pauses, sighing. "you're my best analyst, y/n. i don't want you to get into trouble over something like this"

"i understand" you reply, voice steady even though you feel anything but. "i'll handle it. whatever it takes to smooth things over. thank you for letting me know"

after he leaves, you bury your head in your hands, groaning. what did i get myself into? you think

a couple days later on a warm madrid evening, you find yourself at the front door of a pretty villa on the outskirts of the city, one hand ringing the bell and the other holding a bottle of wine. you're here for a dinner party hosted by rafael, one of the physiotherapists working in pintus' team. he's a decade or so older than you, but you two struck an unlikely friendship a couple months ago when you were the only two people to join the book club set up by hr to 'enhance company culture'. he's kind and easy to talk to, so it was a no brainer for you to accept when he extended the invitation.

the door swings open, and rafael greets you enthusiastically, giving you a small hug and ushering you in. as you follow him inside the house, you nod hellos to the few familiar faces you see, though you don't recognize most of the people because you don't work with them directly.

"why don't you get yourself a drink?" rafael says as he guides you to the living room, where there's an assortment of drinks laid out on a table. "i still have to finish up in the kitchen. make yourself at home ok?"

you nod, nervously glancing around as he walks away. you’re not socially anxious, but you’re not used to being the youngest person at a social gathering by several decades, either. you start pouring yourself a glass of wine but pause when you hear a familiar laugh.

you glance up, and of course he's here.

kylian stands in the corner of the room, drink in hand, casually leaning against a wall. he's deep in conversation with brahim, laughing at something he said. you're immediately infuriated by the casual confidence he exudes, the magnetism that seems like second nature for him. he's dressed in a simple black t-shirt and jeans, and you're horrified at the wave of attraction that hits you when your eyes catch the way the fabric clings to his bicep, or the way his fingers grip his glass. you're just ovulating you think to yourself, trying to remind yourself of the horrible night you shared – something you should never want to repeat.

you look away before he notices you staring, heading over to a group of people that seem friendly enough. you start chatting with clara, a lovely older lady who works as a receptionist at the training center. when you mention how old you are, her eyes light up.

"oh, there's a couple boys your age here. you have to meet them, they're the sweetest." she starts leading you towards another corner of the room, and your heart sinks a little when you realize who she wants to introduce you to. sure enough, clara stops in front of kylian and brahim.

"kylian, brahim – meet y/n" clara beams.

brahim greets with a warm handshake, but kylian only stares with narrowed eyes, eyes scanning your face for something.

"I take it you two know each other already?" clara asks, pointing between you and kylian.

"yes. we know each other" kylian says, voice cool.

" how wonderful!" clara says, blissfully unaware of how you know each other. she turns to you with a smile. "then y/n you must already know how much of a gentleman kyky is. the other day, he gave my grandson a signed shirt and a tour of the training center! he made that little boy's year, i tell you"

a gentleman? you almost snort. that must be a bad joke.

kylian glances at you, waiting for your reaction, his gaze almost daring you to contradict clara's words.

"that's...nice" you force out weakly.

clara leans over and pinches kylian's cheeks. "he's a real sweetheart our kyky. such a kind soul."

kylian shrugs humbly. " i'll never say no to kids. they're special"

clara coos even more, completely charmed by him, before excusing herself and walking off to greet a friend who just arrived. you grow frustrated as you watch her go – how can someone who left you feeling so insignificant be seen as this perfect figure by everyone else?

"your strap" kylian mutters, suddenly leaning closer.

"huh?"

without another word, he reaches up and adjusts the spaghetti strap of your top that had slipped off your shoulder. his fingers brush lightly against your skin, and without meaning to, you hold your breath. the sensation is infuriatingly gentle, his touch lingering longer than necessary. you don’t let out the breath you're holding until his hand leaves your skin.

"wait, how do you guys know each other again?" brahim, who was watching closely, asks rather curiously.

"old friends" kylian responds quickly.

brahim looks between you two suspiciously, then seemingly decides to let it go. he claps kylian on the back. " so, y/n. think we'll be back to back champions of europe now that this guy's joined?"

"depends" you shrug, taking a sip of your wine. your mind is elsewhere; you're still recovering from his hand on you.

kylian's jaw tightens in annoyance. "why? you don't think i can pull weight?"

" i didn't say that" you say smugly. "but out of everyone in the squad, you do have the lowest success rate in that particular area"

brahim, sensing the tension, quickly changes the subject before kylian responds. they start talking out about recovery routines after matches, and you zone out completely.

when rafael announces dinner is ready, you get a lightbulb moment: this is the perfect opportunity to politely apologize to the guy, as your boss suggested, so he doesn't get you fired. you say sorry tonight, and then you stay out of his way forever. because no matter how much he hurt you, confronting him every chance you get is definitely not worth losing the job that you worked so hard to land.

you stride over to his corner of the table and pull the chair right next to him. he only turns to look at you when you sit down, and it's comical how the smile on his face is completely wiped.

"hi" you say sweetly.

"...hi?" he peers at you suspiciously.

"listen, i–"

"you have a stain right there" he smirks, pointing at a small wine stain on your chest. " honestly, how many tops do you go through in a day? do i need to lend you some cash for the dry cleaners?"

your jaw drops. did he just call you poor?

"why do you stare at my boobs so much?" you whisper back, unable to help yourself.

"what?" he scoffs. "i don't do that"

"you do" you mutter. "only explanation why you notice every fucking imperfection on my clothes"

"do you want me to stare?" he smirks.

"no thanks" you say "i'd rather chew denim"

"pity" he says, flashing you a grin. "i thought maybe you wanted a re-do of that night in paris"

you look at him like he's crazy. "why would i–"

"i'm probably the best you've ever had" he shrugs.

you snort. "quite the opposite actually"

he physically cringes for a second before rearranging his features into a look of casual confidence and winking at you. "okay, that wasn't my best moment. but it's exactly why we need to have a redo"

you stare at him confused. one second he's insulting you, and the other he's hitting on you? you don't understand this man at all.

you don't responding but instead focus on the toast rafael is making to the whole table. you two don't speak for the rest of the dinner, him conversing with brahim and you with your seat neighbor on the other side. at some point, he excuses himself from the table and doesn't return.

at the end of dinner, you find your happy and satisfied, both with the food and the company (well, excluding kylian). you didn't manage to apologize to him like you planned, but whatever. he'll forget about you soon enough; at least that's what you hope.

before you leave, you wander upstairs to look for a bathroom to freshen up. the house is big, with the first floor lined with several closed doors. there's no sign of where the bathroom might be, so you decide to try your luck with the room closest to the stairs.

you stop dead in your tracks at the sight in front of you when you push the door open. kylian sits on the edge of the bed in what seems to be rafael's bedroom, judging from the pictures on the bedside tables. he has his phone in his hand, completely absorbed by whatever's on the screen. his head immediately snaps up at the sound of the door opening.

you frown. “what are you doing in here?”

“watching a game” he says, like it's the most obvious thing in the world.

“you can’t go a couple hours without football?” you snort, leaning against the door frame. “you really are dedicated”

“my little brother’s playing” he says quietly. “it’s is his first game with his new team”

you sense something in his tone, a hint of longing and vulnerability. for the first time, it hits you: he's new here. madrid might've been the dream, but he's alone in a new city, away from his friends and family. he’s probably missing his loved ones, you realize, but you quickly shake the sympathy away. I’m here to deliver a fake apology and leave you remind yourself not feel bad for him.

you swallow, shutting the door behind you. he raises his eyebrows, but he locks his phone and meets your gaze.

"kylian" you start your practiced script while you take a seat next to him on the bed. "i just want to say i'm really sorry for what i said the day of your presentation. it was uncalled for, and not to mention unprofessional. we may have an...unpleasant past, but that's not an excuse for the way i handed things. so, again, i'd like to apologize and put that behind us, if you're willing"

he stares at you for a long moment then bursts out laughing. "that's the fakest apology i've ever heard. did they threaten your job or something?" he pauses, eyes gleaming as he leans forward and clears his throat, putting on a childish voice. " 'kylian, please say yes to this apology i'm only saying because my boss told me to' "

"that's not what i sound like" you say, face burning.

"you're right. your voice is way more high pitched" he smirks.

you close your eyes, trying to keep the irritation off your voice. " oh my god, kylian. can you just say we're good so we can move on with our lives?"

the smirk on his face is replaced by furrowed eyebrows. "are you listening to yourself? you're literally scolding me for not accepting your apology"

"well what choice do i have?" you grit your teeth. "you're not listening to me!"

"because of how you act, y/n" kylian raises his voice. " you go around insulting me in front of my new teammate, even my fucking lawyer. you think you know me but you don't"

you hadn't realized it, but you're sitting much closer to each other, faces inches apart. the tension between you two is thick, and for a moment you swear you see his eyes flicker down to your lips briefly. you don't have time to dwell on it though because his phone suddenly pings loudly and you both jump apart.

kylian's face spreads into a smile as soon as he sees the notification on his screen.

"ethan assisted a goal" he announces, tone full of pride. he lets out a triumphant laugh, and your anger slightly subsides at the happiness in his voice.

"do you miss him?" you ask after a moment.

"yeah. a lot" he admits, not meeting your eyes.

there's a moment of silence, and you're about to awkwardly change the subject when he continues, voice unsure. " i've lived away from my family before when i was younger, but never in a different country. this is new. i kind of feel... lonely"

"don't we all?" you murmur.

"what do you mean?"

you sigh, shrugging. "i think it's more common than you think. we're all lonely in our own little ways. whether you've moved to a new country or not. some of us just hide it better"

"do you– what about you? have you ever felt like that?"

you think back to the months you couldn't get out of bed. when you felt like no one understood you. yeah, you definitely know what lonliness feels like.

you nod wordlessly. he doesn't ask more questions, which you appreciate.

you clear your throat. "what do you miss most from home?"

a small smile starts playing on his face. " i miss my niece and nephew. here look–"

he taps his phone and shows you the wallpaper on his lock screen. it's a picture of two adorable little kids, a boy and a girl, grinning widely at the camera.

"aww" you coo. "they're so cute!"

"i know right?" he stares at the picture fondly, a slight look of longing on his face.

you didn't expect he'd be the type to wear his heart on his sleeve, especially given his playboy reputation. you think back to clara's words from earlier in the evening, about how good and kind he is, and something tugs at your heart. the thought slowly creeps in: maybe one awful night wasn't enough to fully know someone's character. maybe there's more to him than what his exterior showed.

"i'm sure they're super proud of their uncle kyky, killing it at his dream club" you say teasingly.

he chuckles. "i feel like a part of you just died calling me kyky"

"oh absolutely" you mutter with a deadpan look.

you catch his gaze and you both burst lout laughing at the same time, the sound filling the room. wow, have his eyes always been this sparkly? without thinking, you lean in a little closer. he mirrors your movement, and this time you're absolutely sure he eyes your lips. as the laughter fades, the air cackles with tension, with potential. but just when you think the space between you two is about to vanish entirely, the sound of approaching footsteps jolts you.

instinctively you grab kylian by the arm and pull him towards the walk in closet. you've just managed to get both of you inside the small space and close it when you hear the sound of the bedroom door opening.

someone, who you assume is rafael, shuffles around the room while whistling softly to themselves. meanwhile your eyes adjust to the darkness in the closet, and when you realize your back is pressed up against kylian's front, you try to move away. except there's no space to move.

lovely, you think.

the sound of the footsteps get awfully close to the closet and suddenly you feel kylian's fingertips land on your hips. your breath hitches, and you feel him tense up behind you. the smell of his cologne fills your senses, and you're immediately transported to a stuffy club in paris– the heat, the music, the feeling of his hand on your thigh, the way his lips grazed your neck in the backseat of the car. you remember it all. but just as suddenly, kylian snatches his hand away, snapping you out of your reverie.

"sorry" he whispers. "i didn't mean to. i - sorry"

you tense again when you feel something poking your behind. is that...? you get your answer when you feel kylian shift around uncomfortably. this could not get more awkward for you.

a few moments later you hear rafael leaving the room, and you immediately walk out of the closet, flushing furiously.

your mind whirls, searching for something to say that could distract from the very obvious.

"so, about the apology. am i forgiven?" you blurt.

he scratches the back of his neck. "well, you've made it very hard for me–"

"i can tell" you smirk, glancing down at the bulge in his pants.

"– but we're good" he finishes, ignoring your comment. you, however, don't miss the embarrassed look on his face.

you stand there awkwardly for a second. you think about the fact that he's confided in you that he feels lonely, and you get an idea.

"do you want to grab some desert some place else?" the words are out your mouth before you could second guess them. "you know how the spanish love their late dinners. i have a spot i could show you" you put on grin, hoping he sees this as an olive branch.

"oh" his face immediately twists into an apologetic expression. "i can't tonight. i have to get up for an early meeting in the morning. sorry"

"no worries" you say casually, but a small part of you deflates. at least you tried.

"right" he says "well i should probably head home. and good call back there, by the way. would've looked super weird if rafael saw us in his bedroom all by ourselves"

"yeah" you say, tone even. "super, super weird"

you make sure the coast is clear before heading out of the room and making your way downstairs. after you've both said your goodbyes and thanked rafael, you find yourselves at the front door, him waiting for his driver and you for your uber.

"i could drop you off, you know" he offers. his tone is polite, like you're a stranger he's just met and not someone who he's had heated arguments with. it makes you feel weird.

"it's fine" you wave him off with a smile.

when your uber arrives, you turn to him to say goodbye. you hesitate for a second, a part of you hoping he'll change his mind about getting desert or maybe ask again about dropping you home.

but he only says "i'll see you around"

"see you" you say, and you walk over to the car.

at home, late at night, you're sleepless. you think about the almost kiss. the awkwardness in the closet. you toss and turn, but you can't get kylian out of your mind. you replay every word you said to each other, every touch you exchanged.

but that bubble bursts the next morning when you come across a picture on your instagram explore page that makes your blood boil. it's a paparazzi shot of kylian and a scantily clad woman leaving a club late at night. the caption reads, real madrid star kylian mbappe seen leaving club with mystery blonde

the timestamp reveals it's from last night. the same night he refused your kind offer to spend time with him. you feel deceived, disappointment and anger simmering inside you. you can't believe you were starting to like the guy, that you almost opened up to him.

you send the post to his instagram account, typing out a quick message :

hope she got better sex <3

tags: @kyliansonlygf @ynkfreeastheocean @scottishthistle @user6373738 @lucysantos6-blog @tuliptopiasstuff @kennasutopia @cinderellawithashoe @akiracim @kymb-10 @germanapples @loonworld @ajsboys @whateveryouloser @greyishbach

[frozenjokes]

Cub and mumbo is a ship I really want to like extremely badly but it hasn’t quite clicked in my brain how they would work so I just need to take a moment to ramble and brainstorm and make it happen.

I think they have a kind of vibe that’s like ‘I saw cub at the ‘eating people’ club!’ ‘what were YOU doing that the ‘eating people’ club?’ I imagine cub being charmed by S8 mumbo and his quite frankly insane workaround to stealing Grian’s soul instead of just cannibalism normal style. Cub might keep tabs on Mumbo after that, just curiosity with little interaction, and he ends up witnessing multiple instances of Technically Not Cannibalism? that leave him kind of baffled?? mumbo jumbo why are you jumping through hoops like this. I am fascinated by you but I think also you are in desperate need of tearing someone apart (and god I’d love to watch). They’ve said a total of five words to each other when cub wanders over to him and is like hey. if you wanted to 👉👈 you could ✌️ rip scar into a million pieces with me :) for fun :)

mumbo goes ?????????no????????"? and cub comes away from this interaction dejected and also with the impression that the issue here is that mumbo is simply repressed and is in desperate need of help and nothing else. commence slutfan135 (attraction and eating people are integrally linked which is a universal for everyone cub has decided)

from Mumbo’s perspective this is coming out of fucking nowhere and he’s deeply deeply confused until he’s chatting with scar one day and the subject comes up and scar’s like oh yeah lol he wants you to eat him soooooo bad he’s been talking my ear off about for weeks and mumbo goes Why. W hy. And scar shrugs. (Unhinged cubfan monologue would not have been understandable to anyone especially not scar but he’s just happy to listen to cub talk. Nothing is more fun than listening to an autistic person go off the rails about something insane.)

Mumbo just approaches cub the next day and goes dude I do not want to eat you and I’m not going to. And cub goes 🥺 please? Somehow this leads to a conversation about desire and carnal attraction and gore and shit and it’s nice probably. Mumbo doesn’t really want to hurt people so instead he chooses to hurt people in extremely convoluted ways instead. Cub suggests he go apeshit instead. you’ve been cannibalism edging me for weeks mumbo jumbo I am begging you. Something something guilt and shame and it’s all an extremely poorly disguised allegory for catholic guilt and shame in regards to sex. maybe it ends with mumbo suggesting cub eat him instead. This might fix him??? I enjoy a predator hunter/hunted dynamic so I think that would go hard with cub being like okay :3 only if I can chase you through my gay little labyrinth. Even better if the turns get tabled on cub and mumbo ends up killing him instead. I haven’t mentioned mumbo is a vampire yet but he is. Then they eat each other the end. cumbo win

[wynnyfryd]

Trailer park Steve AU part 14

part 1 | part 13 | ao3

fuckin' finally some FLUFF

Dinner is awkward.

It’s awkward, Steve thinks as he spears a Brussels sprout with more force than strictly necessary, because Dustin promised that it was just going to be the three of them tonight, and now he’s sitting shoulder-to-shoulder with his leather-clad metalhead neighbor.

It went like this: Steve showed up at the Henderson’s front door with a pie plate and a two-liter of Grapico under his arm, looking like a dork on picture day in his best jeans and a nice polo with his hair actually combed for once, and he lifted his hand to knock only to be greeted by Eddie throwing the door open and hollering, “Be right back, Henderson! Gotta grab— oh, shit.” 

And then, more eloquently, “Uh…” 

Uh. Like Steve was the one unexpectedly crashing the party.

Steve stabs another sprout. 

They’ve been bumbling through stilted small talk about work and school and weekend plans for what feels like a painfully long time, and Eddie has his elbows on the table — didn’t even bother to take his jacket off because he was apparently raised in a barn — and it’s basically dinner with Barb’s parents all over again. 

This is finger-lickin’ good.  

God. Get him out of here.

“Okay,” Dustin cuts through the stalled-out silence in the room. He jabs an accusatory fork into the air, pointing between the two of them and narrowing his eyes. “You two are being weird.” 

Eddie startles dumbly, and Steve just says, “Hmm?”

“You.” He aims the fork at Steve. “Are being.” It moves to Eddie; back to Steve. “Weird. What’s going on? I thought you two were getting along now.” 

Steve dabs his mouth with his napkin. Wow. Okay. So they’re doing this now.

Eddie either doesn’t get the memo or just decides to rip it up, because instead of being honest he throws on a theatrical smile and flings an arm around Steve’s shoulders, proclaiming, “Of course we are! C’monnn. Me and this guy?” He reaches up to give Steve a gentle noogie. Steve wonders if you can get a more lenient sentence if the guy you murdered really, really deserved it. “Thick as thieves.” 

Claudia smiles fondly.

Dustin’s not buying it. “You’re so full of shit, you know that?”

“Dusty!” Claudia gasps. She gives him a stern look as she tops off her wine glass, then leans over to do the same for Steve and Eddie’s glasses, too. “Stevie, honey, don’t listen to him,” she soothes. “I think it’s sweet. It’s good to see you with some boyfriends your own age.”

Dustin chokes at her word choice, and Steve blushes to his ears. 

Eddie’s arm tightens around his shoulders. “Yeah, Stevie,” he smirks, leaning in a little closer. “We’re great boyfriends, aren’t we?” 

“Oh, yeah,” Dustin joins in, “best boyfriends I’ve ever seen.” 

Surely murder’s just murder, right? Like, from a sentencing perspective? Does it matter how many people you off, or do you just get thirty-to-life regardless?

“Steve, tell mom more about your boyfriend.”

Steve chugs his glass of wine.

—

The conversation turns to less embarrassing topics after that, the words flowing more easily now that everyone’s warmed up with wine and making fun of Steve. Claudia asks what everyone’s doing for Halloween, and Dustin tells her that Eddie and Steve are taking the boys trick-or-treating in the neighborhood with the good candy bars (which was news to Steve, goddammit), and that leads to a discussion of costume plans. 

Dustin and Mike are going as a pair again, Marty and Doc from Back to the Future. Lucas is doing his own thing, but he's "totally delusional if he thinks a costume is gonna win Max back." Steve doesn’t really have a costume this year, so he’ll probably just pull some sweats out of the closet, throw a whistle around his neck and go as a basketball coach, and Eddie, surprisingly, has the lowest effort costume of them all. 

“Oh, I’m going as a vampire,” he says when Claudia asks. He reaches into his pocket, pulls out some cheap plastic teeth and pops them into his mouth. “Ta-daaa.”

Steve wrinkles his nose. “You just carry those around?” 

“Isn’t it awesome?” Dustin asks.

“Not really, no. It’s not.” 

“But S’theeeve,” Eddie lisps around the fangs. The wine’s made him weirder, playful and too-friendly and berry pink in the cheeks. He holds his sleeve in front of his face like a vampire hiding behind a cape and drawls, “I vant to s’thuck your bloood.”

Steve vants to jump out the window. “I’m gonna go serve the pie.” 

—

part 15

tags below the cut, comment if you want me to tag you tomorrow 🩷

@acedorerryn @ahsokatanoss @annabanannabeth @anne-bennett-cosplayer @awolfstudio @bananahoneycomb @bronwenmarie @burymestanding @cinnamon-mushroomabomination @courtjestermunson @cr0w-culture @cuips-not-cute @dontwasteyourchances @eddie-munsons-missing-nipple @eriquin @estrellami-1 @evillittleguy @fandomfix8 @foolofentirelytoomanyfandoms @goodolefashionedloverboi @gregre369 @griefabyss69 @grtwdsmwhr @heartsong18 @hellion-child @hotluncheddie @jackiemonroe5512 @jaytriesstuff @littlebluejane @lololol-1234 @messrs-weasley @nburkhardt @noodle-shenaniganery @ppunkpuppyy @runninriot @sadcanadianwinter @silver-snaffles @singmeyoursimpsong @slowandsteddie @slutforcoffein @solalasoforth @steddieas-shegoes @stevesbipanic @steves-strapcollection @teatimeeverybody @thealwithnoname @thestarslittleking @thesuninyaface @trensu @violetsteve

[lecsainz]

TATTOOED

request: could you write something with lewis or daniel where there reader is a tattoo artist and she gives him a tattoo and he starts flirting and asks her out? if not its totally okay! sending all my love

pairings: daniel ricciardo x tattoo artist!reader

authors note: I can't even, but like carolina by harry styles was totally stuck in my head while I was writing! it's like, seriously playing on loop in my brain and I can't even deal with it

✩. . . masterlist !

Daniel Ricciardo had always been a fan of tattoos, and it wasn't just for show – he had thousands of inked stories etched across his body. He had a genuine appreciation for art, relishing the meanings they held for him.

He hadn't really planned on getting another tattoo during his off-time from Formula 1 while in Miami. But there he was, stepping into a small, incredibly cool studio – at least in his perspective – though who was he to judge what was cool.

"Hey?" he leaned casually against the wooden counter. "Anyone here?"

"Hey! How can I help you?" A petite girl with a few doodles on her arms seemed to appear out of nowhere.

His lips curl into a charismatic smile, "I'm thinking about adding some more art to this masterpiece," he gestures to his arm covered in ink. "What do you think?"

She chuckles softly, "Well, I think you've got a pretty good canvas already."

He laughs, her quick wit catching him off-guard. "True that. But I've got a spot that's feeling a little empty."

"And what kind of art are you thinking?" she raises an eyebrow, her eyes curiously tracing over his existing tattoos.

He taps his chin playfully, "You know, something meaningful. Something that'll give my other tattoos a run for their money."

She nods in understanding, "Got any specific design in mind?"

Daniel leans in a little, his playful grin not wavering, "How about a cheeky smiley face? Right here," he points to an empty space on his arm.

She lets out a laugh, clearly not expecting that. "I can definitely do that," she says, amusement dancing in her eyes.

As she sets up her equipment, they fall into easy conversation. He learns that she's not just a tattoo artist; she's a storyteller who helps people etch their tales into their skin.

Throughout the tattoo process, their conversation flows effortlessly. She shares stories about the tattoos she's done and the emotions behind them, while he tells tales from his racing experiences. He realizes that she's genuinely interested in people's stories, and it's something he finds refreshing.

As she works on his arm, he finds himself studying her, noticing the way her brows furrow in concentration and the occasional smile that tugs at her lips. He's captivated by her passion for her craft.

"So, what's the story behind this one?" she asks, her fingers gently tracing a scar on his forearm.

He hesitates for a moment, then decides to share. "That's from a crash a while back. Nothing serious, but it reminds me of how far I've come."

Her eyes meet his, and he can see a mixture of understanding and admiration. "It's amazing how life's twists and turns can leave marks that become part of who we are."

He nods, his gaze lingering on hers. "You get it."

As she finishes up, he examines the smiley face tattoo with a grin. "It's perfect. Might just be my new lucky charm."

She smirks, "I'll take credit for your future wins then."

He chuckles, "Deal. But I'll need a lucky charm in return – your name."

She blinks, her eyes widening a bit. "You want my name as a tattoo?"

He laughs, realizing he might have caught her off-guard. "No, just your name. I'm Daniel."

She smiles, extending her hand, "Nice to officially meet you, Daniel. I'm Y/N."

He takes her hand, his touch lingering a moment longer than necessary. "The pleasure's all mine, Y/N."

He leaves the studio that day with a new tattoo and something more – a sense of connection and curiosity about Y/N. As he walks out into the Miami sunlight, he finds himself debating what to do next. But, as always, he doesn't back down from a challenge.

Y/N looks up from her work as the bell above the door chimes. Her eyes widen in surprise as she sees Daniel standing there, holding flowers. "Hey," he greets, his voice a bit more uncertain than usual.

"Forgot something?" she teases, her voice holding a light note.

He scratches the back of his neck, sheepishly. "Yeah, I know it might sound a bit forward, but how about we grab a drink tonight?"

She chuckles, her eyes dancing with amusement. "Wow, smooth move, Daniel."

He grins, his signature charm kicking in. "I mean, we did establish a connection over art and stories. I thought it'd be a shame not to continue that."

She raises an eyebrow, teasing. "You must really trust me if you're inviting me to a dark alley for drinks."

He laughs, the sound genuine and carefree. "Oh, I'd never take you to a dark alley. It's a rooftop bar with a view – much safer."

She feigns contemplation, tapping a finger to her lips. "Hmm, rooftop bar, huh? Well, I guess I can make an exception for a charming race car driver."

He pumps a fist in the air, playfully victorious. "Yes! You won't regret it, promise."

She grins, shaking her head. "Alright, Daniel, you've got yourself a date. But you better not show up in a racing suit."

He feigns a pout, "But I look so good in them."

"Save the suit for the track. Just be yourself," she replies with a warm smile.

He nods, his eyes locking onto hers. "I'll see you tonight, Y/N."

[aweekoftodays]

i have a theory about the reason 1893rd hsy and our hsy is so different from each other.

I just dont think if you perfectly split someone in half that would radically change the person they are. We know what happens when you give all of one type of memory to one copy versus the other (49 and 51), they don't have enough of what made them themselves to function for very long, like with 49 slowly disappearing. But that's how kdj would split himself, a complete polarization.

When yjk splits himself, he gives himself bits and pieces of his skills and secret easter egg memories but without the burden of all the turns that led him to split himself. He frees himself but instead of resetting himself back to the beginning, he keeps all his memories up to the 3rd turn. He had the choice to become the person he used to be before his turns drove him insane but he chose to keep the things that defined him the most.

But i think if you were to do it in a smart way, you would give each half different perspectives of the same thing, so that they could fill in the same blanks by themselves leading to the same result. Like 1863rd hsy isn't the smart and calculating one because she remembered memories our hsy didnt have but because she was the protagonist of her own story.

My theory is that 1863rd hsy is so different from the han sooyoung we know because it's the hsy that never met kim dokja

Our hsy is just the hsy that didn't have her every wish come true, the one that didn't have to pick up the burden of saving an entire world through her knowledge of the future. The 1863rd hsy is the truest version of an "isekai power levelling fantasy protagonist." She had total control but she was also completely alone, since she saw yjk as nothing but a means to an end. Our hsy got to be a little silly and a little stupid because she didn't have to face all this alone and didn't have to manipulate everyone and everything into the story of her own design.

Hsy is shown time and time again pandering to her audience, it's the main reason she didn't go along with kdj for the longest time. Because he took her coins and swept her up into a story she couldn't control. But she was also afraid of breaking from the formula. For example, the conversation about cliches in the king arc (she thinks the cliche will always win), the way hsy kept asking why kdj keeps changing the story even when it made surviving harder and took them further away from the story she knew, or the 'this is a paid service' scene where she tells kdj to never make her do that again.

Without her reader, she lost sight of her story and thought she could just restart and erase everything that came before. She was "fixing" the story she made fun of and looked down on. She didn't know how to save the story so she damned it.

Until a reader came along that loved it with all his heart and she realized if he was willing to sacrifice everything for this story then what right does she have to abandon it?

[leclercss]

Paris, je t'aime (Charles Leclerc), Part 3

Masterlist

plot: it's almost three years since your tumultuous relationships with Lewis and Charles came crashing down. but you find your self in a new city with new beginnings and new ways to fuck up your love life. that's no thanks to a cheeky frenchman who's set you up on a double date with someone oh so familiar.

pairings: charles leclerc x fem!reader

warnings: (+18) mentions of smut, cheating, violence and some swearing

authors note: part trois, enjoy. i literally wrote this and accidentally deleted my draft. fml. this chapter is going to focus on Charles' perspective of the break up. it may explain a lot of his feelings, i hope you enjoy

word count: 5.2k

taglist: @toppersjeep @janeholt3, @princess-siba, @nichmeddar, @tremendousandsonorouswords, @cmleitora, @victoriaholland, @amalialeclerc, @queensofshinigamis, @tempo-rary-fix, @starmanv, @happylittlereader, @trouble-sistar, @lightdragonrayne, @persephonemv1, @dreamingofautopia

'I’m so grateful that I got the chance to see you again.

Amour xxx ’

Charles has reread this part of the note at least 20 times already. His emotions have been conflicted every since he woke to the emptiness of your side of the bed this morning. Well, it wasn't really your side, just where you slept last night. Or for however long you were there for before you decided to flee. When he rolled over this morning, expecting his arm to wrap around your soft skin, all he felt was nothingness before his arm fell onto the mattress below him. Confused, he opened his eyes to see that you had gone and all that remained was the faint smell of your perfume and a small note.

He immediately grabbed it and was expecting the worst. Had you regretted seeing him again and took the first opportunity to flee? Because you had tried to leave a couple of times yesterday but only for Charles' resistance and pleas, you would have left. And Charles was unsure if you would ever want to see him again.

Could he blame you though ? I mean, he was a total asshole to you last night. If he was being honest to himself, some part of Charles enjoyed being an asshole towards you yesterday. After everything you had put him through three years ago, you deserved to feel some sort of pain or embarrassment. You had left him for a shitty husband, after all. A man who had cheated on you so many times and only seemed to care for your existence when he felt threatened. Which was what your husband had felt when it came you and Charles because at one point in time, you and Charles had loved each other. The two of you were in deep and when things finally felt like they had a chance for the two of you, you threw it back in Charles' face and decided to move away (more like run away in Charles' eyes) to New York with ... fuck, he even hated the thought of his name after all of this time ... Lewis.

The thought of him made Charles' blood boil to this day. He had only ever come across Lewis twice in person but that smug face remained imprinted in his mind. And at night, as he lay alone, Charles' thoughts often drifted to that dinner at Nusr Et where you were celebrating your birthday with Lewis. Unknowingly, Charles and his friends were also having dinner there that night.

Because fate had a funny way of working, the two of you were occupying two tables beside each other and Charles now found himself just two metres away from your husband and he couldn't hide the horror he was feeling. And neither could you, because you went into some weird silent state of panic.

Confused, Lewis had tried to comfort you but couldn't miss the theatrics that were happening on the tables opposite of him. Lewis just had to take one look at you and he understood that Charles, this stranger on the table beside you, was your lover. To everyone else, you hid it behind some heavy champagne drinking that had now taken over your body, but to Lewis it was all of the confirmation he needed. After months of trying to win you back, he had finally found the man who was occupying half of his wife's heart. Unable to have you to himself any more, Lewis decided that he was going to destroy Charles in a shameful display of arrogance, dick-swinging and lust.

In the moment, it had worked. Charles' was humiliated but he wasn't going to give up on you that easily. Lewis couldn't get away with his behaviour any longer, Charles thought. But then he did because one day you had come over to Charles' flat and your ring was no longer on your finger and to Charles, it meant that you were finally single. The two of you could finally be together and he could finally make love to you knowing that you were free from the restraints of your marriage.

But after you had had sex, Charles started talking about the next stage of your lives together. After all, it only felt natural now that you had broken up with Lewis. But you hadn't, he was moving to New York. And so were you...

Lewis and New York had sealed the fate in yours and Charles relationship. It was over, done. He was angry, traumatised, confused but most of all, he was heart broken.

He tried to hate you and at some point, he was sure that his efforts had paid off. Eventually the hatred had become exhausting, or at least trying to hate you was exhausting. After you had left, Charles felt that everything in London had reminded him of you and so he took the opportunity to flee. He had moved back to Monaco for a while, hoping that being at home somewhat healed him. It didn't. Monaco was more relaxing than London and it gave him more time to think, to think about you. He needed somewhere busy. He'd always wanted to move to New York but now, fuck that place.

One day, he reconnected with a childhood friend, Pierre, who was now living in Paris and thought that Paris would be busy enough to occupy his life and his mind. He never told Pierre why he was so open to move. Just that Monaco was a little quiet for a single man in his mid-twenties. So off to Paris and for Charles it occupied his mind, at least for a while. He kept himself busy with work and girls but none of them healed him deep down. No matter what he did, he always thought of you and he always thought about how you were living your life in New York.

Were you happy? How did you get used to living and working in the States? Did you miss home? Did you have babies yet? Were you still married? How was it so easy for you to leave Charles? Did you just use him to get back at your husband? Did you ever really love him? Did you ever even think about him? Even a little? Did you still love him like he knew he loved you?

He had so many questions to ask and none of them had been answered, until now. The funny thing was, despite it being Charles' truth for the last three years, you had never went to New York. And you were now divorced from Lewis.

Charles’ eyes drift back to the note and his anxiety about you not wanting to see him again after all this time had disappeared. You had said that you were happy to see him. His heart fluttered when he saw that five letter word, “Amour”. It clearly still meant something to you and it still meant something to Charles. You were his only Amour.

Feeling tired, Charles shuts his eyes and he realises that you were right. You both needed some time to clear your heads because this situation was fucked up. And while his body felted exhausted from the events of last night, he couldn’t help but chuckle to himself.

Fate was a funny thing and it had somehow brought you back into each other’s lives. As much as he complained about him, Charles was grateful for Pierre. For months Pierre had been harassing Charles to go on dates but Charles, who was much more into just straight fucking than romance these days, was hesitant. He still wasn’t over you and knew that deep down he’d compare every woman to you, despite the two of you having a fucked up relationship.

However, Pierre wasn’t a man to take no as an answer. He was convinced he was the modern day Cupid after all. If taking each of your girlfriends to a PSG match as your first date made you the god of romance, Charles was fine to let Pierre have that title.

But Pierre was like a dog with a bone, he wasn’t letting the one go. He was going to help Charles, who one night drunkenly confused that the only reason he was single was because one woman broke his heart, move on with his life. And there was no better person for him to get over you with than … you.

Pierre had exhausted many opportunities when it came to setting Charles up on a date. From Kika’s model friends, to setting up a Tinder account on Charles’ behalf, to taking him out to clubs. Nothing did the trick. Charles was hopeless.

But then Pierre, god of romance reborn, knew of the perfect person to set Charles up with.

“Charlie, I promise you’ll love her. She’s just as tragic as you are,” Pierre boasted like it was a good thing to be this bad at love.

“You’re really selling the dream here, Pierre,” Charles grunted, at the time he was too busy being preoccupied by FIFA to take Pierre’s proposition seriously.

“No, I’m serious. She’s moved here about six months ago from abroad. She’s divorced and thirty so what’s more tragic than that?”

Christ, Pierre really knew how to find these girls.

“She’s got the best tits, ask Kika. And… oh…. Wait a minute. She lived in London the same time that you did. Maybe you know her?”

Charles grunted once more. “Pierre, ten million people live in London. There’s no fucking chance I know her”.

“Alright, alright,” Pierre protested. “But I’m serious, bro. She’s fucking awesome, she’s just had a hard time at love.”

Feeling a little guilty, Charles conceded.

“Fine! I’ll go on a date with her,” Charles sighed. “But I’m not going on a blind date. Show me a picture so I can confirm she’s at hot as you say she is”.

With smirk like a Cheshire Cat spread across his face, Pierre tossed his phone to Charles.

“Here you go, lover boy”.

With Charles’ expectations at an all time low, he grabbed Pierre’s phone and looked at the picture on the screen.

Oh.

My.

God.

He wants to rub his eyes so he’s sure not seeing things but Pierre already thinks he’s weird enough as it is. It’s..

“Hot, right?”

Charles can barely get his words out, instead he just offers a nod.

“I… what’s… what’s her name?”

“[Y/N]”.

And as soon as the date was set and he knew that he was finally going to lay eyes on you after all of this time, he thought about how he was going to approach your date.

After quizzing Pierre as much as he could about you without raising too much suspicion, Charles felt like he held all of the cards. He had found out that you were divorced, had been in Paris for six months and were basically a mess when it came to your love life.

He’d tried to find out more about your life in New York that led to your divorce but apparently you didn’t want to talk about it that much. And when Charles asked Kika, who he was sure would spill the beans, she gave him nothing.

“She knows nothing about you so I’m not giving you any more details, okay? I’m already pissed that Pierre showed you her picture. It was supposed to be a blind date”.

Charles would cut his losses. But he had found out the important thing that you were divorced from Lewis. A petty part or him was gleeful. You’d have your tail between your legs now. Breaking Charles’ heart didn’t pay off and he wasn’t going to let you forget it.

And as your date rolled around, Charles put a plan into motion.

Step 1: Look hot as fuck ✅

Step 2: Turn up to the restaurant fifteen minutes later than planned. He wanted you nervous and off your guard. If he was going to control the evening, he needed you on edge ✅

Step 3: Try not to fall in love with you all over again as soon as he sees you …

Skipping straight to Step 4: Act as calm and collected as possible. Lead the conversation and if possible, convince her to leave the restaurant to come back to Charles’ for a “deeper chat” ✅

Step 5: Casually ask her about New York and hope that she regrets ever leaving him.

Well, the first part of Step 5 was executed. Everything after that was an utter shit show. Because you pulled an UNO reverse card on his sorry ass and now he couldn’t think straight.

The last three years of his life were a lie. And he didn’t know how to compute it all.

And he lays there in his bed, eyes still closed, he begins to feel guilty about how he spoke to you. How he taunted you about your divorce with Lewis and how your love life had been so pathetic that Pierre and Kika had to hold some sort of intervention. It’s funny, because they’d done the same to him. And maybe that’s what made him act at you so much. Because despite spending three years trying to hate you, you were in the same position as he was. And maybe that meant he hated himself too?

He didn’t have time to analyse that because clearly you weren’t here to tolerate bullshit any more. Your marriage had clearly fed you enough bullshit that you had reached your capacity and were ready to call out anyone who wasn’t treating you properly.

Feeling vulnerable, wounded and not ready for you to walk out of his life again just as you had come back into it, Charles threw one last Hail Mary to catch your attention, he was going to hit you were it hurt.

“Sorry, baby thought you were into men who treated you like shit”.

He wasn’t sure what hurt more. The slap you had given him or the look in your eyes. Broken, horrified. Charles had done that to you, just like you had done to him.

Maybe you were even now. It was petty for him to try and even keep score but Charles felt some sort of closure. He had made you feel just some of the pain that you had given him. And for what? Was it even worth it? Because, as you caressed his face to heal him, you had told Charles about how your life never went as he had believed or expected. Instead, your life was totally different.

And while he was saddened that you had never reached out to build some sort of amends, he was thankful that you didn’t settle into your job and life in the States and that you and Lewis didn’t in fact stay married and have lots of babies.

No, you grown up and even after all this time, you still cared about him.

Some, not all, of the wounds were beginning to heal and he couldn’t help but look at you like he was in love you with again. Because maybe a part of him still was. He just had to look at you for one second back at the restaurant in that peach dress for you to have his heart beating the same way it did the night that you had first met.

You had spent some time talking before the air in the room began to change. Charles was pretty sure it was him that initiated it but the two of you found yourselves in a soft and gentle kiss which only escalated within a matter of time.

Soon, he had pulled you onto his lap and your hands ran all over his body. Charles mentally patted himself on the back for not letting his appearance go because you were hot and bothered as your fingers traced over his skin. Him too feeling hot and bothered, Charles did his very best to get as much of your body out your dress as possible. He had kindly reminded you on a few occasions that the dress you were wearing was meant to get you laid that night.

And he planned on being the guy who was going to do that for you.

Soon, he was sucking on your nipples and every part of your exposed skin could find.

Fuck, he was getting hard underneath you. No wait, was he just hard now as he lay in bed, thinking about last night? Nope. It was both. He was hard last night and he’s been even harder now.

Because last night he had the chance to fondle with you, slip his fingers into your panties before teasing your clit. Where as now, all he has is his own hand to please himself. It’ll have to do because his dick is almost throbbing at the sound of your moans in his ears.

“Fuck Charles,” you gasped. Your voice sends tingles down his spine just it like it used to.

His eyes still closed, Charles runs his hand up and down his shaft. Shit, he wishes it was you that had their hand wrapped around his dick but his own is doing the job and he has to bite down on his lip to stop himself from moaning.

“Oh, Charles,” there you go again, moaning in his ear as he slips his fingers into you, your breasts bouncing in his face and latches onto your nipples once more. You’re so sensitive that your squeal has Charles’ cock twitching.

Holy shit, the thought of you is having him close to cumming already. His hand is moving faster against his dick and he gently thrusts up into it and in his memory, he thrusts his fingers up further inside of you. But this time you don’t pull yourself off of him, in his mind and in his fantasy, you begin to ride against his fingers.

Moans pour out of your mouth as you tell him how much you’ve missed him and how you want to cum so badly.

“Cum for me, amour,” he tells you as you moan at the sound of him calling you amour once more.

You’re close, the movements in your hip falter and Charles too feels that the cock in his hand as almost at its peak.

“Please, Charles. Fuck!”

“Charles, I’ve missed this,” you moan. And after one last big thrust, you cum undone on his fingers.

“Fuck!” Charles grown and he soon opens his eyes as he finishes himself off. His cum soon spills onto his lower abdomen.

Shit.

That felt good.

As his finally starts to catch his breath, Charles rests his head back on the pillow. All it took for him to fall for you again was one disastrous blind date. You have him hooked.

Ready to go to the bathroom to wash away his cum and his busy thoughts, Charles hears his phone buzz.

Grabbing it, he smiles around the phone.

‘Pierre: Charlie, I haven’t heard from you. How did it go? Did you…”

Charles chuckles and pauses before he responds.

‘Mate, I owe you. I think I’m in love with her already’.

[ef-1]

Transcribed Excerpts from Christian Horner's hour long Interview that are batshit insane and so narratively dense you'd think they're lifted wholesale from a book, featuring:

The most in depth, behind the scenes view of what transpired in 2018

Fords CEO getting in touch with Dax to gush about how much he likes Daniel

Christian feeling vindictive towards Daniel

Christian comparing Sebastian and Max

Christian comparing Daniel to Roger Federer

How Christian had to mitigate Helmut's shitshow and personally asking Dietrich to give Daniel everything he wanted

Hilarious rapid fire in the end and his perspective on the failure of Ferrari

●●● <- indicates a time skip

Dax: In tennis you see guys when they lose steam, they break apart.

Christian Horner : you see that with checo.

●●●

[Dax mentions that in Christian's position, a lot of people would not have invited Daniel back into the family. "Because Daniel turned his back on the family." ]

Christian: Daniel's a great guy. Very badly advised in his early career. Everybody fucks up at some point. I think he recognizes that he made a mistake. He didn't have good advice around him at the point he left us. Having spent time outside the family he realized what he had here was actually good. It was horrible to see that it got worse and worse after us. It was actually this time last year in Mexico where I sat down with him in my hotel room, I told him you need a complete reset- take a year out. Come back to us.

Dax: He's such a win for you guys.

Christian: Totally.

Dax: you sent Daniel to Jim Farley [ CEO of Ford] and I know Jim Farley and he got in touch with me and told me "That Daniel Ricciardo guy is the greatest!" I'm like to him: he's the dream, send him anywhere.

●●●

Christian: He's [Daniel] a confidence driver, when he's got his mojo, he one of the fastest guys on the grid.

Dax: he's lethal.

Christian: yep.

Dax: he's got that magic thing that people either have or don't have in my opinion which is: there are winners and there are not winners

[you're not ready for this lol]

Christian: He came to us, he's one of our juniors, I remember going to watch him in formula 3, he really stood out. Very smooth. Just great. Naturally. Like a Roger Federer kind of style behind the wheel, very very classic. Light touch. Great, great skill. And then he came through the system [RB program] when we had Sebastian Vettel, 4 time world champion- Mark Webber retired. We chose Daniel as the Junior, with no expectation on him and he started beating Vettels ass. he won 3 races in 2014 when we had FAR from the best engine, Sebastian never won a race that year.

Dax: Even his time at Mclaren, it sucked for him but he's the only one who won a race.

Christian: He IS the only one who won a race.

Dax: and for a long time now.

Christian: and Renault he had great performances. [...] he's got to feel the love. He's got to feel comfortable in the environment that he's in. Some of his races for us were- absolutely outstanding.

●●●

[Christian about the 2018 negotiations]

Christian: I asked Dietrich to show Daniel love. Helmut was obviously pro Max, I said if you could just balance things out, let him [Daniel] know you want him. Dietrich said "no problem, I'll talk to him" so he took Daniel upstairs after the race in Austria to talk to him, and they were there for well over an hour.

Dax: To the point you were nervous?

Christian: I thought SHIT! But they reappear, and they're both smiling, I tell him: "Dietrich, how did it go?" He says,"No problem, don't worry about it. It's not even a question [that daniel would leave]"

Christian: Then we went to Germany, and his engine blew up. His engine kept letting him down, letting him down, letting him down. But from there, we went to Hungary, and we got his paperwork [Daniel's contract] for a TWO year deal all sorted out. Daniel's manager came to me and said 'listen Daniel is nervous about the engine' because we were going to switch to Honda so his manager said: 'he'll do ONE year' I thought wow. That's not really what we talked about, because in 6 months we'll be having the same conversation. So I remember I went back to Dietrich, and I said, "it's about relationships. It's NOT about contracts. If he wants a one year contract, give him a one year contract," so at this point: he's got everything he wants. Also, at that point, Daniel was doing a test for us after the Hungarian race, I thought Daniel will sign the paperwork on Monday, suddenly Monday goes and he's in the car on Tuesday. I'm starting to smell something because this is an enormous deal, you'd have thought he'd be in a rush to sign this contract. And he didn't sign the contract before he got in the car in the morning and I thought he'd sign by lunchtime but it didn't happen. He had to get out of the car and go straight to the airport because he's flying from here to LA and I thought he'll call me. I'm feeling something at this point.

Dax: you know you're about to be broken up with.

Christian: yeah.

Dax: if your girlfriend didn't show up to lunch then dinner-

Christian: exactly. So- he [daniel] rings me, I was in the car with Geri, he tells me "I just got off the plane, I arrived in LA, and I've been thinking on the flight, all the way here- I'm not going to sign the contract. I'm going to take another contract. [...] he tells me Renault? The engine that let him down for 2 years? I was convinced, I was CONVINCED- because Daniel has got a sense of humour- I thought- he's taking the piss. I thought come on. I told him: come on. There is no way. You're not going to Renault, stop fucking about, just sign the contract. After 10 minutes he finally persuaded me that he was going to Renault. It was disappointing.

Dax: I wanna applaude you, because a lot of people who go through that experience think: fuck you.

Christian: there was an element of that. I thought: go and suck on a lemon for a bit. But actually during the pandemic, I remember he called me and said "Christian I hate to say this to you but you were right"

•••

Christian thinks Max > Vettel

Christian about Alex and Pierre being teammates with Max: he broke them

[Very confused in this part because Christian like? Says the best thing for Checo to perform is to forget about Max, stop trying to compete with him, stop looking at his data? Girl you are NOT selling it rn]

•••

When Christian is asked to analyse Red Bull's champions, he thinks Sebastian and Max are diametrically opposed . Sebastian is your stereotypical German, he would be at the track until 11 to analyse data. Max is not interested in all the detail [devasting news for all the bitches who spent years trying to dunk on Daniel by calling him not technical, Christian seems to think that Daniel and Max share a natural ability that doesn't rely on data.] He [Max] Gives you just what he needs to go faster. Max hates testing, has no interest in it.

●●●

Christian confirms he has a lucky toilet.

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Christian says in 2014-18 Red Bull came this 🤏 close to selling to Audi.

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Christian: Drive to Survive is the Kardashians on wheel

●●●

Christian: You get characters like Gunther Steiner. How scary is he. He used to work for us, I had to be the one to fire him.

●●●

Christian on why he believes Ferrari have failed over the last 15 years: Ferrari is a national institution instead of a Team. It needs to become a racing team again. Too many people have input at the top.