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malapertmarquess · 8 years

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Now you've read all the plays I'm curious to know which Shakespeare movie adaptations you've seen. And what you think of them.

WELL THEN YOU ASKED FOR THIS HERE WE GO (sorry about the super long post guys)

Hamlet

Olivier, 1948 - Half the plot was cut to shorten the running time, which surprised me but does make sense. I thought that the focus on Hamlet’s family troubles was done quite well, and it works well. Did not like that Hamlet was one-dimensionally moody. Also the first production to put the infamous closet scene in Gertrude’s bedroom because Olivier quite liked Freud (he even cast a woman 14 years younger than him to play his mother, so super Oedipal). Do NOT agree.

Zeffirelli, 1990 - I know I’ve seen it, but it was pre-2008 sometime and I remember very little about it. I think it was also quite Oedipal? And I don’t think they kept the original text (I wish they had; Mel Gibson trying to speak in Early Modern English would be fucking hilarious). I don’t remember being terribly impressed. Like Braveheart but Danish?

Branagh, 1996 - Olivier’s antithesis! This film was everything Olivier’s was not: the scale was huuuuge, Branagh kept every line of the original text (and added a lot of flourishes), it was very anti-Oedipal (GOOD). The cast was very star-studded, which was cool but seemed to detract from the storytelling a lot because you’re too focussed on the fact that Robin Williams is in it for no known reason to pay attention to the text. Branagh’s characterisation was way more manic than the melancholy Olivier, but still came off as being a bit flat because his only emotion was ~INTENSE~.

Doran, 2009 - My fave.

Much Ado About Nothing

Branagh, 1993 - Kind of quintessential? I watched it in high school when we studied the play in record time because the teacher had us on the wrong one for two weeks. Emma Thompson was in it, and I eternally adore Emma Thompson. Also featured were the guy who plays Wilson on House and Keanu Reeves as the evil Don John, doing a wonderfully mopey Don John (guy’s such a wet blanket). There was a ridiculous scene when Bea and Ben “discover” their “love” for each other and decide to love the other back, which for some reason involved Emma Thompson on a swing and Kenneth Branagh splashing in a fountain. WHY.

ShakespeaRe-told, Nicholls, 2005 - A modern adaption set in a television studio. Very cleverly done, and given more of a sense of realism in a modern world than the original text has. I liked that at the end *spoilers* Hero wasn’t keen to get back together with Claudio, which is how most modern women would react in that situation. *end spoilers* Good actors, good adaption.

Rourke, 2011 - Another filmed stage show starring David Tennant (shut up). He’s opposite Catherine Tate, and OH MY GOD I love the energy those two have together. There’s a reason Donna’s my favourite Who companion. Both fit their roles very well and carry a believable relationship built on teasing each other mercilessly. The staging was brilliant, with a revolving circle making up most of the stage with some pillars to create separate spaces and for the actors to interact with. Also: Benedick enters majestically in a golf cart. And gets covered in paint. And Beatrice gets hoisted into the air by her belt. Basically this show is a JOY to watch.

The Taming of the Shrew

Zeffirelli, 1967 - I’m pretty sure I watched this one pre-2008 too, so I don’t remember much. I think I liked it well enough? There was a hayloft? Elizabeth Taylor was pretty great I think.

10 Things I Hate About You, 1999 - Pretty fab. Great casting, and I liked the changes they made to the story to make it more in keeping with the setting. Generally pretty good.

Twelfth Night

She’s the Man, 2006 - Another pre-2008 movie. I liked it a lot! I don’t remember terribly much, but I remember that. Makes my li’l cross-dresser’s heart happy.

Coriolanus

Van Someren, 2014 - This is the one with Tom Hiddleston. I like Tom Hiddleston. Almost as much as I like David Tennant. Hey, they should work together on something... Anyway, I watched this before I read the play, so I was unprepared for just how GAY it is. Like, Coriolanus and Aufidius are clearly either boning each other or having a lot of uncomfortable dreams about boning each other. Also Hiddles strips off his shirt early on, and even a flaming asexual can appreciate the beauty that is Tom Hiddleston’s chest. His muscles are very impressive. Another filmed stage show - this one had a fairly minimal set, which I like! It had a really gritty, warlike feel, almost industrial, which worked really well with the grimness of the play. I probably would have gotten more out of it if I’d read the play previously.

King Lear

Nunn, 2008 - Ian McKellan is a brilliant Lear! You can really see how delicate he is, despite all the posturing. The madness scenes were very heartstrings-pulling, with his flowers and all. It’s another stage show, but you’d hardly know it with the amount of dirt and tussock they managed to get hold of. Like how is that workable?? I’m a bit amazed. The costumes are GORGEOUS. So great. I’m retrospectively a bit disappointed that Regan wasn’t cleverer in this version. They did manage to answer the question of the Fool’s disappearance quite well, though.

Romeo and Juliet

Romeo + Juliet, Luhrmann, 1996 - It’s very iconic, and Luhrmann uses imagery really well, but I’m just not that into it, despite Tumblr’s obsession with the film.

Titus Andronicus

Titus, Taymor, 1999 - This film is fucking WEIRD. I watched the first 10 minutes of it in a uni class, and they made zero sense. I later watched the whole film, and it made slightly more sense. The film is completely anachronistic, with ancient Rome superimposed onto the twentieth century, or maybe the other way around. There is symbolism in SPADES, and it’s really artsy symbolism that isn’t always clear. Anthony Hopkins plays the titular role, and I think he’s well suited to the role. It also has Alan Cumming in it, and I don’t know how that happened.

The histories

The Hollow Crown, Eyre, 2012-2016 - Lumping this all together because it’s easy. I really liked this series for several reasons:

It presented most of the history plays together in a way that emphasised their interconnectivity, because out of the 10 history plays, 8 of them are consecutive, and the same characters pop up in several plays. It also provided a lot more context for the later plays and about the Wars of the Roses in general.

Margaret of Anjou is a BAMF. Like, so cool. She murders people like it’s the most fun she’s had all day, and she’s fierce and fearless and spitting curses, but she’s also a mother and a powerful leader and strategist.

Bolingbroke/Henry IV is so damn serious - such a stick-in-the-mud - and he tries SO HARD, but then he gets stuck with Harry and is So. Disappointed.

Harry and his gang are pretty great, especially Poins. I may have started lowkey shipping Poins and Harry.

Benedict Cumberbatch plays Richard III, and while I’m not as enamoured of him as I was, I still have mad respect for his acting ability, and he does the part really well.

So yeah. A+ work.

Richard III

Loncraine, 1995 - Sir Ian returns as one of our favourite villains. Always a pleasure to watch him, almost as much as watching Maggie Smith as his mother. That woman is a gem, and I can still remember the thrill of hearing her spill all the venom she feels for her son. The setting is a 1930s fascist dictatorship, so obviously a lot of telling imagery there. It was interesting, but I wasn’t as thrilled by the direction as I was by Dame Maggie.

So that’s all of them, And I think I might have seen Branagh’s version of Love’s Labour’s Lost? It’s a musical. And there was colour symbolism. I remember nothing else, so I’m not counting it.

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roxannazelman-blog · 7 years

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Powerful Nurturing Saving.

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