#frederick/jonas

[kasperikapanenisbetterthanyou]

hockey team thickness - Minnesota Wild 2024 VERSION (roster as of 27.07.2024)

since a lot of people asked for updated versions of my thickness charts here ya go, starting with the Wild because a lot of Wild fans found the old version yesterday <3 the rest will come in alphabetical order, probably tomorrow since it's after 1am for me and i have to get up at 5:30am for work

[svu-barisi]

Fagin!

[yes-perwallstedt]

In their model eras

[obsessedwithraulesparza]

Maybe, just maybe...

Someone who's made a fanvideo before can, you know, make a compilation video with all of Raúl's characters in it with Charli XCX's Boys as background music 🤔🤔🤔

[pyjamatranslation]

[maxwell-grant]

Could I hear more of your thoughts on Doc Savage and the archetype he created? How does it relate to modern superheroes more specifically Reed Richards? (I know that you dislike Doc Savage, so sorry if this bothers you.)

Sorta like this, if we take a look at how Doc's archetype was formed and consolidated, and how that affected the Superheroes and Reed Richards specifically. (also please don't apologize, you all can ask me questions about whatever, seriously)

"Doc Savage" is recognizable in lots of other characters but there is a difference between specific pastiches or tributes or parodies of Doc (Doc Samson, Edison Rex, Jonas Venture), and characters who are evoking Doc Savage as his own archetype to draw initial inspiration from (Tom Strong, Bane, Clark Kent), and if we pull at Doc's roots we're gonna get to prior characters like Tarzan and Sherlock who were the ones to introduce or codify much of what are now commonplace superhero traits or the ones to introduce much of what Doc was originally pulling from.

I wanna draw some lines in the sand separating what is it that these characters brought to the table, in the road to get to Reed Richards and what exactly is it that Reed and Doc have in common vs things they have that are mainly taken from characters before them/grandfathered in their respective mediums. So let's go over the Archetypes here:

The Sci-Fi Superman: Coined by Peter Coogan. Through some strange birth or scientific intervention, these characters have superhuman powers and abilities that set them irrevocably apart from humanity, nearly forcing them to usually fall into the roles of saviors, rulers, destroyers, or ostracized/self-imposed hermits. Unless they find a purpose requiring said abilites, they cannot be permitted to exist and usually meet a tragic demise or is stripped of said power. Formative example is The Creature from Frankenstein (Mary Shelley), and others include Hugo Danner from Gladiator (Phillip Wylie) and Bill Dunn from The Reign of The Superman (Jerry Siegel). Coogan considers John Carter the first wholly positive and heroic SF superman, which is disputable, but more on Carter later.

Pulp Ubermensch: The Great Man turned do-gooding adventurer with a prosocial agenda. A human who is physically, mentally, and/or morally superior to those around him as a result of training/upbringing, skilled at everything the story requires him to, who applies his talents and abilities near-exclusively to fight evil. Formative example is Nick Carter (created by John R. Coryell and penned by Frederick Van Rensselaer Dey), who established much of what would eventually become pulp hero and superhero convention consequently.

The Great Adventurer: I'm naming these as a counterpoint to The Great Detective, the fantastical globetrotting adventurer/explorer hero who can go anywhere and do anything, who takes to the world as the detective takes to the city. The idea of a wealthy, offbeat, yet good-natured pulp hero who goes around righting wrongs with like-minded assistants. Formative example here is Rocambole (Ponson du Terrail), in most ways a definitive early Pulp Ubermensch, and arguably the first proto-superhero to assemble a gang of odd companions with a variety of talents and backgrounds to aid him, which is what both the Fabulous Five and the Fantastic Four can trace roots back to.

Pulp Supermen: Offshoots of the Sci-Fi Superman as adventure protagonists in serialized stories, where their superhuman natures and status are alleviated and redirected by the need of their capabilities somewhere or in service of something, and thus they get around the ruler/savior/destroyer fate by being heroes with a social calling akin to the Pulp Ubermensch, dedicated to use their powers near-exclusively to fight injustice without rocking the boat of society by their presence (or if necessary, assert dominion ONLY in a setting outside of human society, such as the jungle or Martian civilization). Distinguished from the Pulp Ubermensch by their greater larger-than-life explicitly superhuman abilities, that they don't need to be morally/mentally superior to the extent of a Pulp Ubermensch, and by the fantastical settings and tone of their adventures. Formative examples are John Carter of Mars and Tarzan of the Apes (both created by Edgar Rice Burroughs), with Tarzan quoted by Lester Dent as a specific influence on Doc (there are others but we're skipping most of those not relevant here)

The Science Adventurer: A frequently-used name to describe Doc Savage and Doc Savage-alikes. Doc Savage can be described, in archetype word salad terms, as a Pulp Superman who calls upon the Pulp Ubermensch's great man-ness and urban social calling, and who combines a Sci-Fi Superman origin and physical traits with The Great Adventurer's explorer disposition, righteousness and band of companions. The main thing that sets him apart from the characters listed prior is his focus on scientific prowess, technology, reasoning and polymathic skills, the importance of the "Doc" part of his name as it where.

The Superhero: you already know what these are and how they relate to the above. I've written a couple of things about the differences between pulp heroes and superheroes and it's a subject I'm of constantly mixed opinions on even regarding stuff I wrote, so I'm linking these two written a year apart if you want an idea of where those differences are.

And so we get to Reed, who I'm naming a Science-Adventurer Superhero as a merger of the last two. Both Stan Lee and Jack Kirby mentioned several times that they read Doc Savage aplenty during the Depression and it shows in elements such as the Baxter Building (an expansion of Doc's headquarters in the Empire State Building - instead of just the 86th floor, The Four get the entire skyscraper), the specialized aircraft and vehicles, the fights and antagonism between the cantankerous and anti-social Ben Grimm and the smart-mouthed Johnny Storm mirroring the bickering spats between the bestial Monk and the silver-tongued Ham, and of course Beast from X-Men being more closeled modeled on Monk's ape-ish traits and scientific expertise (there's a fairly large argument to be made, that I think accounts for some of why Beast is, like that, in recent comics, that Ben Grimm and Hank McCoy both divided Monk Mayfair's every trait between themselves and ultimately flipped the script in the long run before taking it to the farthest extremes possible as polarized opposites of each other, with Ben initially getting most of the bad parts and making them the best ones, and Hank initially getting all the good ones and making them into the worst ones)

As far as I know, Reed Richards was not consciously modeled after Doc Savage (although Jack Kirby and Joe Simon's Private Strong used the origin story of a professor raising his son in a lab to be perfect in total isolation of other humans, which Lester likely may have pulled from Phillip Wylie's The Savage Gentleman to begin with), although it's commonly said that the direct precursors of the Four, the Challengers of the Unknown, were modeled after Doc Savage and the Fabulous Five's make-up. The members of the Fantastic Four are all based on 50s sci-fi archetypes, with Reed as the quintessential scientist, the grey-templed pipe-smoking patriarch frontman of the expeditions, and some creators over the years seem to have drawn upon Doc Savage as a model Reed. I'm thinking specifically of Mark Waid here, who openly named Doc Savage in his pitch bible:

The eternal problem with Scientifically Inclined Genius Adventures, the reason they don't ring true, is because in real life scientists spend all their damn time in the lab. Not Reed.

F'r pete's sake, we know he undertook all sorts of Indiana Jones missions as a younger man, we've seen that he actively enlisted in a war, and oh yeah, he stole a rocketship and tried to take it to the moon."

Tommy B put his finger on it when he suggested I stop thinking of Reed as the Professor from Gilligan's Island and instead think of him more like Doc Savage. When Reed encounters mental or logistic obstacles in his quest for knowledge, he thinks through them.

Doc Savage, of course, isn't the perfect model - he's a little more blood-and-gristle than Reed, more invested in the search for justice than for knowledge, and a little more "in the moment" as a general rule. Reed's more like Peter Weller as Buckaroo Banzai, they have the same aloof, detached nature. Unless active danger is staring him right in the face, Reed often seems a bit distant and not completely here because his mind is ten minutes in the future.

That addresses the Science-Adventurer aspect, which leaves us with the Superhero side of the equation.

With Doc Savage you of course have one of the, if not the, main archetypal pulp heroes, a character that both Superman and Batman would take a great deal from, and "pulp hero" in itself is a term that exists to define these characters more so in relation to superheroes than what they were actually like in their own stories, time periods and mediums. The superhero as a concept is founded on Superman and Batman and their dychotomy. Costumed Avenger vs Ubermensch, mortal and immortal, light and dark, Dayman and Nightman (AHH-ahhh-AAHHHHH!), and that dynamic is specifically a result of Superman and Batman being direct descendants from Doc Savage and The Shadow respectively, who were Street & Smith's (and by extension the American pulps) Big Two, the top dogs of 1930s hero pulps, and direct opposites to each other.

Doc Savage was created in response to The Phantom Detective (who was the first successful Shadow imitator and thus defined it as the thing everyone was gonna have to do or respond to) and was in many ways a modernized revamp-almost-copy of Street & Smith's Nick Carter during his heyday, in origin and first case and super strength and omnicapable skills and general Great Man-ness and gadgetry and mission statement and so on. Doc was co-created by the editor of Nick Carter Magazine, John Nanovic, and the first response to the Phantom Detective that S&S planned was a reboot of Nick Carter as a generic hardboiled detective, published on March 1933, the same month as Doc's debut, and obviously Doc would go on to achieve much greater success and thus would popularize those traits again with himself as the figurehead archetype of them (not unlike what Superman and Batman would later do).

Unlike The Shadow, Doc Savage does not operate under a secret identity or mask. He is not the hidden master of the city and has no division between his alter egos, and because he performs in broad daylight as a celebrity, is theorically held to social scrutiny, and is fully sanctioned and approved by law enforcement and works with the authorities with public transparency (minus the crime college but let's just, not, for now), it greatly upends and affects the approach he takes to fighting crime. He only has one identity, the greatest man of all time as the stories will remind you at every turn, by his author's own words he "manifests Christliness", and while not much separates Doc Savage's skills from Nick Carter's, he is explicitly and textually framed as superhuman (even a "superman", that term was deployed a few times), and he operates in a contemporary, urban setting that most Pulp Supermen cannot touch without veering into Sci-Fi Superman territory.

Within the hero pulp format that S&S started with Nick Carter and renewed with The Shadow, with the scientific explorer angle, you could argue Doc Savage, in almost exactly the same way as he does in his stories, worked out the solution to an unfixable problem: Turns out you can be as over-the-top super as you want, so long as you have a procession of equivalent super menaces to fight, don't upset society (and if you do it, not where the public where can see, keep it a secret that you can be blackmailed over by crooks you will inevitably silence okay look I'll stop now), have whatever incredible miracle cures and achievements and charity you do work on take place off screen where you never have to deal with them too seriously, and know how to pick your fights.

His service to others resolves the ruler/savior/destroyer conundrum. Savage aids individuals who face problems beyond their control, does great work in advancing medicine and science, and alleviates suffering through charity work, but he leaves the institutions of society in place.

He faces a never-ending succession of villains threatening society, an eternal frontier of gangsters and super-scientific menaces who play the role that Indians take in frontier narratives. The unresolvable nature of crime makes this frontier eternal, so Savage can place his superiority in service to the community and never risk turning into a ruler, savior, or destroyer because he can find challenges sufficient to absorb his energies.

The Savage solution—the hero position would be adopted by the creators of other prosocial supermen to come, including Superman, although only the adventures of Superman would be set in contemporary America.

Thus instead of marking an end to the bourgeois domination of society, as Nietzsche foresaw, the superman serves to protect that domination through myth-narratives. - Superhero: The Secret Origin of a Genre, by Peter Coogan

Reed Richards, in turn, is defined (INCORRECTLY, I say, feeling a plasma crackle barely miss my skull) as the smartest man on the planet, a mental superhuman who operates on a level above and beyond that of everyone around him, and a freak accident during a space travel grants him physical superhumanity to match, with his body able to morph and bend under his will. He alleviates the ruler/savior/destroyer conundrum Coogan described in much of the exact same way described above, kept busy with an endless procession of strange dimensions and aliens and supervillain challenges, and Mark Waid's famous confession scene in Fantastic Four #489 addresses the fate that looms over the Sci-Fi Superman directly, with the "very arrogant man who did something very stupid" pointificating to his toddler child just how necessary it was to ensure that the world would not fear and destroy the people he'd irreversibly mutated as a result of hubris, what is even the point of his grandstanding title and colorful outfit and public adventures and all that.

The life of superpowered adventurer celebrities was a necessity, and his superhero persona, Mr Fantastic, is a tabloid-catching act of penitence to mask his ultimate shame and to compensate the people he loves most. He lives for science, he craves discovery above all, but as far back as the Lee/Kirby stories, he still drags the team into awful intrusive press conferences none of them want to go but must, he sits through meetings with hardass generals to buy his team more leeway and trust, he takes the time to stretch across the city to visit sick children in hospitals and say hello to passing helicopters, he has to be the stick-in-the-mud dad who stretches himself thin to keep Johnny and Ben from ditching the team or seriously hurting each other (those first Johnny and Ben spats get way more violent than you'd expect), and he has to make difficult and even manipulative and harsh decisions even then to save the most lives he can. He carries a responsability to his family and loved ones first and foremost, and fashioning himself and them into superheroes is how he lives up to that responsability. It's what allows them to exist and thrive in-universe as much as out of it.

(We're not gonna play catch-up to the "why doesn't Reed Richards cure cancer" conversation but even that, in itself, is an extension of a thread that we can trace back to Doc and the Sci-Fi Supermen before him, when seams in the fantasy start showing with the introduction of consequence, a trend that particularly catches up to these scientist superhero characters who followed in Doc Savage's wake, and obviously caught up to Doc himself several times by now, for reasons @artbyblastweave describes as "a consequence of contemporary writers being Allowed To Notice And Unpack Things" and elaborates on very neatly here)

As a superhero, Reed Richards exists in conversation with Superman and Batman, same as every other character within the superhero "genre", which means he also exists in conversation with those traits borrowed from Doc Savage, and The Shadow, and all these other guys listed who were crucial in their development and a lot of others I'm leaving out of the conversation for now. A crucial part of that conversation and where the Fantastic Four figure into it is the fact that they were designed to not be traditional superheroes but to flip most if not all the conventions established on it's head, a part of that being their initial lack of uniforms (and when they did get uniforms they were just that, uniforms, rather than costumes), the lack of a secret identity, and the fact that the Four are scientists and explorers first, and crimefighting superheroes a distant second they're forced to frequently make a close second or first priority. Marvel made it's big defining pop culture splash with the Fantastic Four by turning superhero convention on it's head and doing as much as they could to do the opposite of what Brand Echh was doing.

And that's kinda the main reason they end up inviting similarities with Doc Savage and other pulp heroes, because they're going out of their way to imitate and subvert traits and tropes that Superman and Batman were already imitating and subverting from those guys in the first place, that they in turn were imitating and subverting from guys that came before them, and etc.

Archetypes are breakthroughs, and no breakthrough happens in a vacuum. In the end, a lot of these strands and connections between these characters are less specifically the result of writers consciously following in the footsteps of Doc Savage and those that came before or alongside him, and more so with the fact that there's only so many left turns you can take before you just end up in a circle, or reinventing the wheel as it were.

[kingdoms-and-empires]

Will we get the chance to tell Frederick or maybe Jona that the sins of the father shouldn’t fall to the son?I feel for Frederick and hope we can treat him as family even if it risks our relationships with the imperials

[littleoddwriter]

Rules, Guidelines, etc.:

[Used to be: ronaldrx]

I'm a hobby writer and mostly write (x Reader) FanFictions and Headcanons. But I am also working on my original story whenever I can, so that I’ll hopefully publish it as an actual book someday. My Ao3.

Here’s a link to my Ko-Fi, in case you want to support me financially. It would mean a lot to me! (Obviously no obligation whatsoever! You never have to pay for anything on my blog, it’s merely an option for donations.)

Also, here are my sideblogs if you’re interested:

Dead Poets Society

Horror

Raúl Esparza

The Simpsons

Only ask for the characters I’ve got listed, please. I’ve written down all of the ones I actually write for, and the list is being updated regularly, as I often find new (actors, whose) characters I write for! (And yes, I always write for every character, so don’t ever worry if you wanna ask for one I haven’t written for in a long time, or ever, it’s fine!) Please always be patient with me. If I haven’t outright declined your request, it’s definitely in the works; even if it has been weeks or months since you’ve sent it in! And only send your requests via ASKs. No DMs or comments, please.

If you have a request, send an Ask to my inbox.

NO sexual NSFW requests, please (more details further down).

Requests = CLOSED (Max. Limit: 10)

Current number of requests: 10

Last updated: October 29, 2023

Masterlists are linked with fandoms/actors/characters below. I WRITE FOR:

ALFRED MOLINA characters:

Doctor Otto Octavius/Doctor Octopus

DAVID DASTMALCHIAN characters:

Abner Krill/Polka-Dot Man

Bob Taylor

Denham

James Lewis

Johnson

Kurt Goreshter

Lonny Crane

Murdoc

Philippe/Abra Kadabra

Simon Lynch

Thomas Schiff

ETHAN HAWKE characters:

Arthur Harrow

Ellison Oswalt

Goodnight Robicheaux

James Sandin

EWAN MCGREGOR characters:

Alex Law

Catcher Block

Christopher Robin

Curt Wild

Dan Torrance

John Bishop

Mark Renton

Obi-Wan Kenobi 

Roman Sionis/Black Mask* (Birds of Prey - Masc!Reader only) [Any other version of Roman Sionis/Black Mask can be with a Gender Neutral/Female!Reader.]

HUGH DANCY characters:

Adam Raki

Cal Roberts

Luke Brandon

Executive ADA Nolan Price

Will Graham

KARL URBAN characters:

Billy Butcher

Black Hat

John Kennex

Dr. Leonard "Bones" McCoy

Markiplier EGOS:

Darkiplier

Illinois

Wilford Warfstache

Yancy

PAUL DANO characters:

Alex Jones/Barry Milland [Platonic only!]

Dwayne Hoover [Platonic only!]

Edward Nashton/The Riddler

Eli Sunday

Jay (Okja)

Joby Taylor

Klitz

PEDRO PASCAL characters:

Agent Whiskey

Dave York

Dio Morrissey

Eddie

Ezra

Francisco “Catfish” Morales

Marcus Moreno

Marcus Pike

Max Phillips

Maxwell Lord

Oberyn Martell

Ricky Hauk

RAÚL ESPARZA characters:

Bobby

Dr. Frederick Chilton*

Jackson Neill

Jonas Nightingale

Rafael Barba

Characters from 9-1-1 (Lone Star):

Carlos Reyes*

Eddie Diaz

Evan “Buck” Buckley

Howard “Chimney” Han

Josh Russo*

Mateo Chavez

Paul Strickland

Bobby Nash

Tim Rosewater

TK Strand*

Characters from Law and Order(: Special Victims Unit):

Detective/ADA Dominick “Sonny” Carisi, Jr.

Sergeant Mike Dodds

Detective Nick Amaro

Executive ADA Nolan Price

ADA Peter Stone

ADA Rafael Barba

Deputy Chief William Dodds

Little Miss Sunshine:

Dwayne Hoover [Platonic only!]

Frank*

Our Flag Means Death:

Edward Teach/Blackbeard*

Frenchie

Izzy Hands

Stede Bonnet*

Prisoners (2013):

Alex Jones/Barry Milland [Platonic only!]

Bob Taylor

Detective David Loki

Renfield (2023):

Count Dracula

Robert Montague Renfield

Tedward “Teddy” Lobo

SLASHERS/Horror Film Characters:

Asa Emory/The Collector

Ash J. Williams [I will usually default to Ash from the TV show, unless requested otherwise!]

Billy Lenz (1974)

Billy Loomis

Bo Sinclair

Brahms Heelshire

Bubba Sawyer/Leatherface (TCM 1974 and TCM 2)

Charles Lee Ray/Chucky

Chop Top Sawyer

Corey Cunningham

Dewey Riley

Drayton Sawyer

Herbert West*

Jesse Cromeans/Chromeskull

Lawrence Gordon

Lester Sinclair

Luigi Largo

Mark Hoffman  

Nubbins Sawyer

Pavi Largo

Stu Macher  

Vincent Sinclair

William Easton

Star Wars:

Anakin Skywalker

Obi-Wan Kenobi

Qui-Gon Jinn

The Girl Next Door:

Klitz

Eli

Characters from The Simpsons:

Cecil Terwilliger*

Fat Tony

Frankie the Squealer

Grady*

Jack Lassen

Johnny Tightlips

Julio*

Legs

Louie

Moe Szyslak

Ned Flanders

Otto Mann

Seymour Skinner

Sideshow Bob

Sideshow Mel

Snake Jailbird

Timothy Lovejoy

Waylon Smithers*

What We Do in the Shadows:

Anton (Movie)

Deacon

Guillermo de la Cruz*

Laszlo Cravensworth

Nandor the Relentless

Viago

Vladislav

* Please note that an asterisk (*) means that these characters are Male/Masc/GenderNeutral!Reader only (including non-binary, of course). Platonic relationships with Female!Reader are possible, but no romantic ones.

If it’s a character that is open to all Readers, and you do not specify in your request what you want, I’ll usually opt for a Gender Neutral Reader by default.

SHIPS, such as:

BlackBonnet (OFMD)

SteddyHands (OFMD)

Black Pete x Lucius Spriggs (OFMD)

Buck x Josh Russo (9-1-1)

Dracfield (Renfield 2023)

Buddie (9-1-1)

Eli x Klitz (The Girl Next Door)

Nandermo (WWDITS)

Herbert West x Dan Cain (Re-Animator)

McKirk (Star Trek: AOS)

Oluwande x Jim Jimenez (OFMD)

Barisi (Law & Order SVU) 

Renfield x Teddy Lobo (Renfield 2023)

Sickrent (Trainspotting/T2)

Stobotnik (Sonic Movie)

Tarlos (9-1-1: Lone Star)

AnderPerry (Dead Poets Society)

ZsaszMask (Birds of Prey)

Lastly, I would like to add things I will NOT write (about):

Sexual NSFW fics/headcanons (I used to write those as you can see in my Masterlists, but I have my reasons for not writing them anymore. Any hints at sexual topics are fine).

Anything related to death as the main subject (this includes deadly diseases, anything fatal, really, etc.).

Anything that romanticizes Mental Illness (my Vent Fics about my own disorders obviously do not romanticize any of it and I do not stand for that).

(Recreational) Drug Use

Extreme Possessive Behaviour and/or Jealousy

Yandere

If you have something you would like me to write for, but you do not see it listed anywhere, please ask me before requesting it, so we can talk about it. I hope you enjoy yourself on my blog and have a good time!

My Asks and DMs are always open for any questions or simply to talk!

- Jesse

[glowing-disciple]

Reading List - 2024

Books Read:

101 Famous Poems by Various Authors

The Abraham Lincoln Joke Book by Beatrice Schenk De Regniers

Advanced MS DOS Programming by Ray Duncan

Alone in the World by Catherine Reef

The Ancient Aliens Question by Philip Coppens

The Art of Computer Designing by Osamu Sato

The Broken Dice, and Other Mathematical Tales of Chance by Ivar Ekeland

The Cairngorms by Patrick Baker

The Codebreaker's Handbook by Herbie Brennan

The Color Kittens by Margaret Wise Brown

The Complete Book of Kitchen Collecting by Barbera E. Mauzy

Dinosaurs, Beware! A Safety Guide by Marc Brown

Dracula by Bram Stoker

Dreaming the Biosphere by Rebecca Reider

Farmer Boy by Laura Ingalls Wilder

Frog and Toad are Friends by Arnold Lobel

Funny Number Tricks by Rose Wyler

Gender Queer: A Memoir by Maia Kobabe

Giant Sea Creatures, Real and Fantastic by John Frederick Waters

Hammer of the Gods by Stephen Davis

Hiram's Red Shirt by Mabel Watts

A History of Chess by Jerzy Gizycki

I don't care by JoAnn Nelson

An Introduction to Linguistics by Loreto Todd

Introduction to Statistics by Ronald E. Walpole

Jaws by Peter Benchley

Jungian Archetypes: Jung, Gödel, and the History of Archetypes by Robin Robertson

Keeper of the Bees by Gene Stratton-Porter

MASH: An Army Surgeon in Korea by Otto F. Apel

The Messier Objects Field Guide by Stephen James O'Meara

Out of the Silent Planet by C. S. Lewis

Planet of the Damned by Harry Harrison

Precious Remedies Against Satan’s Devices by Thomas Brooks

Reflections on Evolution by Fredrick Sproull

Religion in Ancient Mesopotamia by Jean Bottero

Roadie: My Life on the Road with Coldplay by Matt McGinn

Signals from Outer Space by Robert Naaeye

Some of The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire by Howard Pyle

Strange Creatures of the Ice and Snow by Edward F. Dolan

Sweet Sweet Revenge LTD by Jonas Jonasson

The Tao of Pooh by Benjamin Hoff

Time for Bed, Sleepyheads by Normand Chartier

Weird Islands by Jean de Boschère

[wolgerrswraith]

Find the word tag

Thanks @winglesswriter for the tag! Don't hate me too much for not finding all the words

Music -

From Dragon Ronin Chapter 1

It had been a week since the last village, a bustling near metropolis dominated by a kabuki theater and thriving red lantern house. Music echoed in the air, beautiful women in white face powder and thin kimono's calling cheap come-on's from the balconies looming over the pavement.

Noise -

From Bloodbound Hearts (Previously the slightly stinky A Corpse of Roses)

the thorns latched onto the frayed edge of her gown, holding on tightly as she hurried up the wooden walkway to the doors that led into the great hall. She stumbled, the gown tearing down the middle with an awful noise like a dagger ripping into flesh.

Melody -

Not found

Tone -

Also from Bloodbound Hearts

Frederick shrugged, turning back to his work. "It doesn't matter," he replied in a flippant tone, lifting the hammer, preparing to strike the blade. Muscles ran taunt under his flesh, power coiling in his tendons, in his bones. "The people here are small minded. Let them watch me help someone out of the mud if they wish."

Voice -

From Hidden Pearl

The few times he did speak, he asked to be called Jonas, never giving a last name. "Just Jonas," he'd say in a voice much deeper than seemed possible for his slight build, flashing a smile most actors would have killed for, teeth bright and perfectly aligned, a dimple appearing his left cheek.

[adarafaelbarba]

Who do I write for?

Law and Order SVU and other Law and Order shows

Sonny Carisi

Rafael Barba

Mike Dodds

Nick Amaro

Kat Tamin

Peter Stone

Hasim Khaldun

Grace Muncy

Rita Calhoun

Toni Churlish

Joe Velasco

Mike Duarte

Jamie Whelan

Bobby Reyes

Nolan Price

Frank Cosgrove

Jet Slootmaekers

Samantha Maroun

Terry Bruno

~~~

Raúl Esparza Characters

Frederick Chilton

Bryan Kneef

Nevada Ramirez

Jackson Neill

Jonas Nightingale

~~~

Chicago PD

Jay Halstead (Could also be Will if you want)

Antonio Dawson

Adam Ruzek

Greg "Mouse" Gerwitz

Dante Torres

Vanessa Rojas

Kevin Atwater

Sean Roman

~~~

Chicago Fire

Matt Casey

Kelly Severide

Joe Cruz

Sylvie Brett

Blake Gallo

Christopher Hermann

"Mouch"

Otis

~~~

Marvel Cinematic Universe

Literally any of the Avengers

~~~

Mayans MC

Angel Reyes

Miguel

Bishop

Coco

Nestor

~~~

A Discovery of Witches

Matthew

Diana

Baldwin (specify if you want old or new Baldwin)

Gallowglass

Marcus

Phoebe

Miriam

Dominico

Ransome

Geraldine

Philippe

Ysabeau

Louis

Louisa

Verin

Freyja

Stasia

Hugh

Godfrey

Sarah

Em

Peter

Gerbert

Benjamin

Father Hubbard

~~~

Sherlock:

Greg Lestrade

Mycroft Holmes

Sherlock Holmes

Moriarty

Molly

~~~

Kingsman:

Merlin

Harry

Whiskey

Eggsy

Roxy

Lancelot/James Spencer

Percival/Alastair

~~~

The Rookie:

Lucy Chen

Tim Bradford

Celina Juarez

Aaron Thorsen

Nyla Harper

Angela Lopez

Wesley Evers

~~~

911 / 911 lone star:

Athena Grant

Bobby Nash

Henrietta "Hen" Wilson

Evan "Buck" Buckley

Eddie Diaz

Howie "Chimney" Han

Ravi Panikkar

T.K. Strand

Owen Strand

Carlos Reyes

Marjan Marwani

Paul Strickland

Tommy Vega

Judson "Judd" Ryder

Grace Ryder

Nancy Gillian

Mateo Chavez

[screenviolense]

muses that will probably be removed due to lack of interest/muse (if you see a muse on this list that you want to stay, lemme know and i’ll set them to probationary status/private)

nancy drew

dawn / contrast

ellen / no place like home

viveca / barbie in the 3 musketeers

johnny gat / saints row

claire parker / far cry

bianca / far cry

jonas palmer / far cry

daisy and duke / far cry

tess / far cry

beau wilcott / far cry

carmen / far cry

imelda / coco

chiara / luca

garrett / quest for camelot

ben ravencroft / scooby doo

bobbi morse / marvel

melody valentine / josie and the pussycats

bertrand baudelaire / asoue

frank denouement / asoue

agatha / school for good and evil

agnes lockwood / the once and future witches

charon / percy jackson

luke castellan / percy jackson

ceony twill / the paper magician

aneesa / halloweentown

mack / teen beach movie

anita / cruella

jasper / cruella

emery thane / the paper magician

frederick frankenstein / young frankenstein

arden mcnamara / fandomless

jun / fandomless

oliver cho / tma

maggie short / tma

sarah carpenter / tma

barbara maitland / beetlejuice musical

elsie odair / newsies

annie edison / community

azumi fujita / maniac

kate sharma / bridgerton

jenny calendar / btvs

rebecca jessel / bly manor

dani clayton / bly manor

erin greene / midnight mass

mildred gunning / midnight mass

laura palmer / twin peaks

dale cooper / twin peaks

alison / ghosts bbc

kitty / ghosts bbc

emma pillsbury / glee

tina cohen chang / glee

sadie / glee

liv moore / izombie

peyton charles / izombie

eden bingham / st

naomi jennings / st

rose blythe / umbrella academy

merry / animal crossing

lucky / animal crossing

lucy / pokemon

erika / pokemon

monica / pokemon

marie / pokemon

brigid tenenbaum / bioshock

elizabeth comstock / bioshock

diane mcclintock / bioshock

archie / borderlands

bethany hawke / dragon age

dorian pavus / dragon age

wynne / dragon age

larianni / dragon age

karen / harvest moon

abigail lockwood / the room (game)

fionnula / monster hunter

maya / state of decay

sally / we happy few

sloane / boyfriend dungeon

marci / mtap

remington / mtap

emmy altava / professor layton

hershel layton / professor layton

illuminata / rune factory

elsje / rune factory

dusty hogg / ts2

misty waters / ts2

sancho paco panza / ts2

ara fusilli / ts2

goth boy / mysims

buddy / mysims

lindsey / mysims

jodi / stardew valley

jakob / stardew valley

linus / stardew valley

rosemary / stardew valley

ola song / stardew valley

emily / stardew valley

shane / stardew valley

carina escobar / uncharted

santos bergeron / uncharted

cassandra de rossi / uncharted

megpoid gumi / vocaloid

megurine luka / vocaloid

[svu-barisi]

[librathefangirl]

ID: Tweet by Warren Gunnels, @/GunnelsWarren, saying:

Jonas Salk, inventor of polio vaccine: "There is no parent. Could you patent the sun?"

Frederick Banting, inventor of insulin: "Insulin does not belong to me. It belongs to the world."

Moderna CEO Stéphane Bancel: 400% price hike on COVID vaccine is "consistent with the value."

/End ID.

Capitalism kills. Shareholder economics is going to starve us all to death.

[13thpythagoras]

was Jonas Salk an anarchist?

[the-invisible-queer]

So if in JONAS, Kevin's middle name is Percy, do the other three also have fancy names? I vote Desmond, Frederick, and Bartholomew, respectively.

Kevin is the only one with a fun middle name

They never tell us the other three

I think the scene was him saying something like dangerous or daring - something to that affect - was his middle name and one of his brothers went like "I thought it was Percy"

But I second your HCs

Their middle names are the ones Tom wanted buy Sandy vetoed that and allowed it for middle names

Fully see her in labor like "YOU ARE NOT NAMING MY KID PERCY"

So it'd be

Kevin Percy Lucas

Joseph Desmond Lucas

Nicholas Frederick Lucas

Franklin Bartholomew Lucas