miwill4-blog

[drizzileiscool]

oh yay

the scarlet and violet manga has a release timeframe now

we will be reading

[shazzeaslightnovels]

Reading Log - February 2019

Mostly Saekano with some first volumes thrown in. As per usual, there will be no spoilers, unless tagged otherwise.

Saenai Heroine no Sodatekata 4 by Fumiaki Maruto:

With this volume Blessing Software is now complete! But before I talk about our new member, I want to say that my favorite thing about this volume was seeing just how close Katou has become with Eriri and Utaha, especially the former. I have mixed feelings on Michiru: on the one hand, purple colour theme + short hair + can’t-read-the-room + genki gal = moe; on the other hand, I would hate her if I met her in real life. She constantly invades Tomoya’s personal space, belittles his hobbies and dreams and is way too disrespectful to the person who is giving her a place to sleep while she fights with her dad. I think she’s an enjoyable and interesting character but an awful person.  I really disliked how the anime handled her first episode. The constant shots of her boobs and ass made me so uncomfortable, especially seeing how that kind of outfit is actually pretty typical hot weather wear in Australia. It became a bit better in the following episodes but I still despise it. Overall, I’d still call the anime adaptation a good one, though. It succeeded in making Katou feel more like a boring heroine than the novel and manga did and I still love the café scene in episode 2. I won’t be covering the second season in this section anymore because AnimeLab doesn’t have access to it and I mostly only watch things using AnimeLab these days. In any case, I’m interested to see where the story goes from here.

Kumo desu ga, Nani ka? 1 by Okina Baba:

Well, this book was certainly a struggle to read. Most of the book is written in a stream-of-conscious writing style, meaning that 90% of the volume is purely narration. It’s a hard style for me, both to write and read but I think it works well here due to the protagonist’s personality being incredibly fun. But my attention did wander quite a bit while I was reading and I struggled with deciphering the skill names in Japanese. I also found the S chapters that occur after every few main chapters to be unnecessary. One of the things that can really kill my enjoyment of a story is knowing something before the protagonist does. I like to experience the story and world along with the protagonist and it’s frustrating when something important is revealed to the reader long before it’s revealed to the protagonist. This is not the most irritating example of it but I think the manga was right in skipping these chapters. It keeps you in suspense for longer. While I certainly enjoyed this volume I may continue the story through the manga instead of the light novel. The visuals in the manga are hilarious and really added to my enjoyment of the series and I don’t think I’m interested enough in the story to be annoyed with the slow pace of the manga.

This series is currently being released in English by Yen-Press as So I’m a Spider, So What? so pick it up if the series interests you.

Saenai Heroine no Sodatekata 5 by Fumiaki Maruto:

Definitely my favorite volume so far. It was incredibly interesting to the point where I stayed up late just to finish it. It also included a lot of my favorite elements of the Koisuru Metronome spin-off: a conflict the centred on writing issues, information on how to improve writing and Utaha being really interesting and complex. All that was missing was Mayu. In any case, I think what I want this series to do is to challenge it’s own genre and tropes. It’s a great romcom but it’s not much more than that yet.

Bishoujo Sakka to Mezasu Million Selleraaaaaaaa!! 1 by Takeru Kusakabe:

Honestly, I’m not 100% sure why I bought this book. I think I was looking for something easy to read at the time and this ranked in KonoRano 2018. Anyhow, this is written by the author of Noucome, which I remember as a series with an alright premise that got old fast but had good girls. Million Seller isn’t much different. The protagonist is a guy who becomes an editor and wants to be able to be put in charge of a series that can sell a million copies but gets put in charge of light novel series, which don’t sell as much. So he gets put in charge of two ladies, one who’s a high school student and another who’s an office lady. And it’s… fine. The characters are likeable and I was impressed that the author made the characters distinct enough that if you were to pick out a random page from the volume, you’d be able to tell who was talking to who by looking at how they speak. The thing is, the series doesn’t stand out. If want a romcom with a harem, there are better ones and it’s really not that informative on the light novel industry. There are some funny interactions but I’d only recommend it if you really liked Noucome’s sense of humour or are looking for some easy light novels to read to improve your Japanese. I won’t be reading the second volume.

Saenai Heroine no Sodatekata 6 by Fumiaki Maruto:

This was a really satisfying volume in terms of what it did for the plot and Eriri’s character. And, like vol. 5, every time I finished a chapter, I wanted to hurry on to the next. Iori continues to be a delight and Izumi has really grown on me. I’m excited to see what these characters do next.

Saenai Heroine no Sodatekata F.D. by Fumiaki Maruto:

Going into this, I knew that it wouldn’t have much to do with the main story but I ended up wishing that it had even less to do with the main story. All it is is a bunch of short stories taking place in between chapters of the main light novel that were previously published in magazine + an interview with Maruto and Misaki (the illustrator for the series) that is really hard to read on an iPad. I thought it would be a bunch of non-canon icharabu scenes between Tomoya and the heroines but there wasn’t much of that at all. Furthermore, Sayuri, who appears on the cover, doesn’t actually appear in the volume and I get the feeling that she’s only on there because Misaki created an amazing character design that wasn’t able to get shown off in vol. 6. Interestingly, some of these stories appear in other versions of the story; I recognized some of them because similar scenes appeared in the anime and Koisuru Metronome. I think I might have enjoyed it more if I had read it while I was reading the main volumes but I really don’t think it’s worth buying unless you’re a diehard fan of the series and want to know everything about the characters. This volume did make it clear how much Maruto has grown as a writer though; the first few stories were written the earliest and felt really jarring to read and definitely felt more like the type of writing that would be used in a galge but the later stories were much better.

Baccano! The Rolling Bootlegs by Ryohgo Narita

Note: I read this in English a few years ago and loved it and the anime was one of the first that I saw and I loved that so reading this volume in Japanese has been something I’ve been wanting to do for a long time.

As much as I enjoy the Baccano! series, this volume has never been one of my favourites. Even in the anime, I tended to zone out during these parts. But I did enjoy it more this time around. Narita really knows how to set the scene and make you really absorbed into it. The thing that surprised me the most about rereading this was Ennis. I remember that I used to find her really boring but I LOVED her here. She’s a genuinely interesting character and her scenes with Miria and Isaac were my favorite part of the volume and I loved the scenes that were narrated by her. My favorite thing about Baccano has always been the lack of a true protagonist and that’s certainly true here. Firo’s probably the closest to it in this volume but you could definitely argue that the protagonist is Maiza and Isaac and Miria have always been so iconic that they’ve always felt like the protagonists to me. That being said, I found the scenes revolving around the Gandor siblings and Dallas to be really boring and I can see why someone might not enjoy a series that has this many characters to follow. I’m looking forward to reading the 1931 arc, in any case.

This series is currently being published by Yen-Press as Baccano! so pick it up if the series interests you.

Saenai Heroine no Sodatekata 7 by Fumiaki Maruto

Well, this was certainly an emotional volume. It starts off seeming like it’s going to be pretty cute valentines day volume but it becomes an emotionally taxing one by the end. But I didn’t mind it too much. The drama elements worked for me and I was so shocked by the first epilogue that I thought my eyes would pop out of my head! Indeed, like the previous volumes, I set off to read one chapter and was half-way done with the volume before I knew it! One thing that Maruto does really well in this series is balancing the heroines. I still think that end girl could be either Katou or Eriri at this point and, if not for Koisuru Metronome’s existence, I would say that Utaha still has a chance too. And part of me is still holding out for a surprise yuri ending with Eriri and Katou. Their relationship is so well written that I can’t help but wonder whether Maruto just really wants to write a yuri novel but hasn’t for whatever reason. This volume marks the end of the manga adaptation (though it looks like they also adapted the GS side novels so I’ll probably talk about that at some point) and it was a good manga adaptation. I think the adaptations of the first 4 volumes were not great but 5-7 have been adapted really well so I’d recommend it.

Saenai Heroine no Sodatekata Girls Side by Fumiaki Maruto

The volume is split into two parts. The first part focuses on how Utaha and Eriri first met and it’s an amusing side story and definitely worth the read if you’re a fan of those two. The second scenario’s premise is more spoilery as it focuses on events that the reader heard about but didn’t see in vol. 7. While this volume isn’t required reading to understand the main plot, I still thought it was worth reading and would recommend it to most Saekano fans, especially those who like Utaha and Eriri. As for the manga, it only adapts this volume and it’s a 1:1 adaptation so no complaints from me.

Assassins Pride 1 by Kei Amagi

If I were to describe this volume in one word it would be ‘weird’. It has weird pacing in that most of the chapters could have been made into their own volume though I suspect that the reason for the fast pace is because the writer wanted to grab the readers’ attentions straight away. It has a weird protagonist because I can’t read him at all. I can never tell when he’s acting and when he’s being genuine. Finally, the future volumes look weird. From this volume and the covers of future volumes I assumed that this series would have a central OTP with possibly a slight harem element but the colour illustrations for the future volumes make it seem like it’s going to become an ecchi lolicon harem series so I don’t know what to think so I’m approaching this series with cautions and won’t be buying volume 2 until the anime comes out so that I can find out whether this series will go in that direction or not. As for the volume itself. It was fairly interesting and held my attention when I was reading but I would have preferred a slower pace. That said, I enjoyed the manga a lot. The illustrations in it are really something and the pacing is much better so even if I don’t end up continuing the light novel, I’ll likely be reading the manga anyway.

[recentanimenews]

Manga the Week of 9/23/20

SEAN: Manga is here and nothing can stop it!

Except perhaps fire. Pacific Northwest-based Dark Horse has two manga releases currently scheduled for next week, but has already said the wildfires might delay releases. But we will note them anyway: Danganronpa Another Episode: Ultra Despair Girls 2 and Ms. Koizumi Loves Ramen Noodles 2.

ASH: Yikes, that is a completely understandable reason for possible delays.

SEAN: J-Novel Club once again has two debuts, one which I care about and one which I do not. The “do not” is My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! (Sokushi Cheat ga Saikyou Sugite, Isekai no Yatsura ga Marude Aite ni Naranai n Desu ga). Leaving aside the fact that no light novel with the word ‘Cheat’ in the title should ever be licensed, this is by the author of My Big Sister Lives in a Fantasy World, and apparently ties into that story, but I’m still not interested enough to look at it. But it should appeal to those who like this sort of thing.

Far more to my taste is The Sorcerer’s Receptionist (Mahousekai no Uketsukejou ni Naritaidesu), a J-Novel Heart series about a commoner woman whose goal is to become a guild receptionist, and the duke’s son who she keeps running into while she achieves this.

ASH: That one’s more to my taste as well.

SEAN: Also coming out next week: I Refuse to Be Your Enemy! 3, Lazy Dungeon Master 12, My Next Life As a Villainess! 7, and Sorcerous Stabber Orphen 8.

Kodansha has a very light week next week. No print books, and the digital side is light as well. The debut there is Maid in Honey, a Dessert title whose synopsis and cover art makes me cringe, but I know there’s a big audience for series like these.

MICHELLE: Yeah, this is another of the “girl with a service job” titles I mentioned last week. The style of the cover looked familiar so I did a search on the mangaka and, yep, she’s the one who did Beauty Bunny also. I think I’ll be passing on this one.

SEAN: We also see Abe-kun’s Got Me Now! 4, Altair: A Record of Battles 22, DAYS 20, and the 20th and final Elegant Yokai Apartment Life, which I’m not sure if it completed or if it was simply cancelled.

MICHELLE: I’m hoping for the former! I have been meaning to read it for ages.

SEAN: KUMA has a print release of Canis: Dear Mr. Rain (which I thought we’d had before, but…)

MICHELLE: I am pretty sure it was supposed to come out earlier but got pushed back.

ASH: Yup, I think that’s the case. I’ll probably check it out at some point now that it’ll be available.

SEAN: Seven Seas has two debuts, one print and one early digital, but both yuri. The print is Our Teachers Are Dating! (Hayama-sensei to Terano-sensei wa Tsukiatte iru), a Comic Yuri Hime title about a gym teacher and nurse who are in a relationship… and the school is rooting for them! This looks cute, though future covers suggest it will also be ecchi.

ASH: I’m more in the mood for cute than ecchi at the moment, but I’ll admit to being curious.

SEAN: The digital debut, from GL Novels (you can guess what GL stands for), is I’m in Love with the Villainess! (Watashi no Oshi wa Akuyaku Reijou). As with many light novels recently, an OL dies and is reincarnated in an otome game. However, she’s the heroine. But she’s not interested in the guys… This looks fun, and I’ve been reliably informed is very well written.

Also out next week: Cosmo Familia 2, Gal Gohan 4, the 7th print volume of How a Realist Hero Rebuilds the Kingdom, the 2nd print volume of Kuma Kuma Kuma Bear, My Androgynous Boyfriend 2, My Senpai Is Annoying! 2, Peter Grill and the Philosopher’s Time 2, the 6th print volume of Reincarnated As a Sword, and the 8th and final volume of Tomo-chan Is a Girl!, which I have really loved from day one.

MICHELLE: Hooray for more My Androgynous Boyfriend!

ASH: I’m looking forward to reading more of that series, too!

SEAN: Tokyopop has a 2nd volume of Koimonogatari: Love Stories.

Vertical has the 1st volume of Weathering with You in print. Which I know I said 3 weeks ago, but this year has just been VERY BAD for release dates slipping.

There are a LOT of light novels from Yen due out next week. Including one debut, Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside (Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shimashita). “Slow Life” in Japanese loan word has become “Quiet Life” in English for these sorts of books, but the intent is the same: the heroes shun him, so he goes off to do basic boring tasks. I’ve heard good things about this.

Technically there is another debut, but it’s a sequel to a spinoff. Konosuba: An Explosion on This Wonderful World! Bonus Story moves the timeline forward a bit, but still has the premise of “Megumin and Yunyun have side adventures”, this time with Princess Iris along for the ride.

Other light novels: The Alchemist Who Survived Now Dreams of a Quiet City Life 4, Baccano! 14, Combatants Will Be Dispatched! 4, The Devil Is a Part-Timer! 17, The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?) 4, A Mysterious Job Called Oda Nobunaga 2, Re: Zero EX 4, Suppose a Kid From the Last Dungeon Boonies Moved to a Starter Town 3, and Torture Princess 5.

ASH: Wow, it really is a full week for the Yen ON imprint!

SEAN: Yen Press has three manga debuts. If Witch, Then Witch? (Majo Raba Majo Reba) is a Shonen Gangan title about a boy whose life is saved by a girl donating her blood. He wants to repay her anyway he can… and finds to do this, he has to dress as a witch and help her pass the magic exams. My expectations are low but not zero.

ASH: Hmmm.

SEAN: The second debut is King of Eden, a Korean horror manga that got a limited release a few years ago but is now out in a two-in one omnibus (it’s 4 volumes total, so the 2nd should finish it). Given it’s horror, it’s not my thing, but… Ash?

ASH: Well, now that it’s made its way to print, I may very well take a look!

SEAN: Lastly, we see the manga version of Last Round Arthurs, which I have described as “King Arthur meets Haruhi Suzumiya”.

We also see A Bride’s Story 12, The Elder Sister-Like One 4, Kakegurui Twin 7, My Youth Romantic Comedy Is Wrong As I Expected 14 (manga version), Plunderer 5, The Saga of Tanya the Evil 11 (manga version), the 15th and final volume of Silver Spoon, Trinity Seven 21, and Yowamushi Pedal 15.

MICHELLE: Hooray for more YowaPeda!

ASH: Oh yes, and A Bride’s Story, too! And of course, Silver Spoon. Yen manga is where it’s at for me this week.

SEAN: Leaving aside Melinda (SILVER SPOOOOOOOOOOOOON!), what are you all getting next week?

ANNA: I’m going to use this week as a breather to catch up on all my unread manga!

MELINDA: Hey, I think I missed my cue. SILVER SPOOOOOOOOOOOOOOOON!

By: Sean Gaffney

[recentanimenews]

Anime NYC 2019, Day One

A very busy start to Anime NYC this year. First of all, the line management seemed to be much better this year, though I do wish they’d let people into panel rooms before the actual start of the panel. The first panel I attended was the Shonen Jump panel, with the creators of Dr. Stone as guests. Since I can’t make tomorrow’s much larger Dr. Stone panel, I thought this would be a good choice.

They started off with some giveaways, notably to those with good costumes. We then got some Shonen Jump announcements. Most of the new titles had already been announced at NYCC, but they did have some new things to promote. Naruto is 20 this year, and Hisashi Sasaki talks about how exciting they thought the original proposal was, and that green-lighting it was a no-brainer.

Jujutsu Kaisen is out soon, and there were early copies of the manga at the exhibit hall. They also announced that the suddenly super duper popular Demon Slayer: Kimetsu no Yaiba will be getting a speeedup to catch up with Japan faster – monthly releases starting in the spring. They’re also adding chapters to the “Shonen Jump Vault” for members.

Speaking of that vault, there was a passel of digital-only license announcements, all rattled off at the speed of sound. Robot x Laserbeam, Red Sprite, Love Rush!, Hi-Fi Cluster, Yui Kamui Lets Loose (from the Nura: Rise of the Yokai Clan creator), The Last Saiyuki, Ne0;lation, Hell Warden Higuma, and Stealth Symphony (from the Baccano! writer). Most of these are 2-3 volume series from the last four years or so of Jump, and they would not otherwise get releases here. It’s nice to see them.

Also mentioned, and previously revealed at NYCC, were the new Bleach, One Piece and Naruto light novels.

After that we got Riichiro Inagaki and Boichi, the creators of Dr. Stone, as well as their editor Honda-san. Riichiro seemed very extroverted, and tried out some English on us. Boichi was more soft-spoken and quiet. Most of he questions came from the Viz team, rather than the audience, which I felt worked very well.

When the editor wanted to team up Inagaki with an artist (he had previously written Eyeshield 21 as well), Boichi naturally came to mind. Inagaki starts with the storyboards, which he calls scribbles but Boichi says are quite detailed. (There was a lot of “you’re the best – no, you are” during the panel, which was very fun.) Both also insisted they had the easiest job.

They were both very interested in science as kids, with Boichi saying he did a high school physics competition. He noted Arthur C. Clarke as an influence. They also discussed favorite scientists, including (inevitably) Einstein, but also Newton, Dawkins, Hawking, Carl Sagan (singled out by Boichi for making science “warm”), as well as the Japanese scientist who discovered Gibberellin, the seedless grape chemical (who is also the grandfather of Inagaki’s wife!).

Honda was asked what the Japanese editor does, and explained it was a lot of support and logistics – tries to make things possible for the creators. They were asked, given the location of the con, if Senku and company would make it to New York, and it was pointed out they would need a very good reason. Pizza? Could be a good reason.

Boichi was also asked about his very detailed art, and discussed how backgrounds and real-life detailed things take a lot of time due to the research, while characters took him less time. Boichi then stunned the room by stating that it took him one to one and a half hours to finish a page. For those playing along at home, that’s VERY fast. Even with three assistants, all apparently excellent artists.

Inagaki was asked how this differs from Eyeshield 21’s writing, and he said that, being a sports manga, he was far more beholden to rules and regulations with Eyeshield – here he can go wild a lot more. The Dr. Stone characters don’t have special powers like a lot of Jump characters, so he has to rely on science – it needs to strike a balanced tone between scientifically valid and fun. (When asked if Eyeshield 21 and Dr. Stone were in the same universe, the answer was a big NO.)

Boichi was asked about Dr. Stone’s memorable “gag faces”. Again, Boichi states they all are drawn up in the storyboards, and he just touches them up – while Inagaki insists his art is horrible compared to Boichi’s. Favorite character to draw? Kohaku, not just in terms of gag faces but all faces. He jokingly says “I don’t care about Senku.”

Asked whether anime will be invented by Senku, “not with the level of tech they currently have” seems to be the answer. Back to Honda, who notes how much fun editing is, mostly as he gets to read everything first. Indeed, with the finished chapter, he reads it before Inagaki! They then talked about the process for the new spinoff, which Boichi is both writing and drawing. Boichi also talked about using the old French-Canadian film Quest for Fire as a reference for the prehistoric landscapes.

Both creators seemed happy to be there, and were very receptive to the American fans.

The next panel was Denpa, who had as special guest TAa, the artist behind Today’s Menu with the Emiya Family. But first we had panel announcements, which included some stuff they’d announced at the previous Anime NYC – this year has been a “learning experience” for Ed and Jacob, but the schedule seems to be firming up now. They did have a copy of the Gambling Apocalypse Kaiji omnibus, which looks highly impressive.

Much discussion of titles out already or out in the next few months followed, including “Fate/Stay for Dinner” and Heavenly Delusion, which had an animated promo. The Girl with the Fierce Eyes also appeals to me, and it will be interesting to look at Shino Can’t Say Her Name and see if it can avoid getting as dark as Flowers of Evil or Happiness.

After mentioning they were close to launching a new website, we did get some new licenses. Baby Bar’s Bakery (a tentative title) is from Shogakukan, and is about a baby bear that also happens to be a master baker. It’s sweet and cuddly, and really big in Japan, collaborating with sweet shops and stores.

Fate/Go Chaldea Scrapbook is another Fate license, a one-volume manga from Kadokawa. It seems to be amusing takes of the FGO franchise – I spotted Mysterious Heroine X among the heroines in the art.

The big license, at least in my opinion, was L’il Leo. This Moto Hagio title from Flower Comics is about a kitten who grows up with a child and then decides that it too can go to school, get a job etc. It’s one volume, and apparently plays to Hagio’s strengths at bending the concept of what is human.

Lastly, we got The Men Who Created Gundam a two-volume series being released as one omnibus here. Part biography, part comedy, this series from Hideki Owada will tell the story of Gundam as it’s never been told before.

After this we had a few minutes to meet TAa, who will also have a livedraw session tomorrow. She talked about how happy she was to walk around New York and admire the buildings, and how stunned she was at the huge poster for her work in the exhibit hall. When asked if American Fate fans were different from Japanese ones, she notes that “all Fate fans are lively”.

After walking about the Exhibit Hall a bit, my final panel for the evening was “?! vs !? – The Great Debate”. Here Zack Davisson and Erica Friedman debated each other on important issues such as Honorifics, romanization, translation notes, localization, and regional accents. The panel was quite fun, mostly as Zack and Erica were mock-attacking each other all the time.

The audience also seemed to be having fun, though when scanlation came up it got a bit grumpy. Needless to say, both Zack and Erica are very pro-official release and anti-scanlation, and almost all the audience quesitons at the end were about that, with most of them being variations on “yes, but this is an exception, so I have to keep reading scanlations”. It did not go over well. Despite that, it was a highly enjoyable panel. Oh yes, and ?! and !? are meant to convey two completely different things. Apparently. Also, when Zack argued that shounen is pronounced “ooo”, when it should be ‘oh’, my first thought was of Seanan McGuire, and I wondered what Seanan Jump would be like.

This was a busy day, but tomorrow is even busier. Hopefully I will be able to give you a lot of news – the lines may be murder.

By: Sean Gaffney