#for the record pip youre awesome

[banned-for-horny]

HAPPY BIRTHDAY BANNED you're very cool and I hope your day goes well!!

thank you

[alex-guerin]

Further proof that corporate America doesn't give 2 shits (not even a single shit, lbr) about their employees.

I work for a multi-billion dollar hardware company in their warehouse. I've been there a year. My year anniversary I got a whopping 25cent raise.

They have what is called "PIP" which stands for Performance Incentive Payment, means the better and faster you work, the more money you make, but it has to be a 100% or higher in order to get that money. And actually, in order to see any major difference on your check, it needs to be an average of 120% for the week.

This is easy for some groups in the warehouse to hit, in others it's damn near impossible.

The kid who does breakdown with me and I generally run right around/slightly over 100% every week. We've gotten very good at working together and getting shit done cuz we both really need the money so we've been determined to earn as much incentive as we can.

Sunday, he and I ran a 240% for the day. Monday, 120%. Tuesday, 120%. Wednesday they conveniently forgot to tell me until I came in ready to breakdown that I would be on a forklift all day cuz one of our regular drivers scheduled the day off, so coworker baaaarely made 100% for the day and I doubt I hit 100% on my forklift cuz I was pissed off and there was nothing for me to do. It was pointless for me to be on a forklift. Today, I came in, coworker and I were excited to end out the week together, totally ready to kick ass and make a hella awesome paycheck for this week. We get told we aren't going to be working together today. That he would be working with the kid they put him with yesterday while I was on forklift and that I would be getting someone else to work with.

They've never had two breakdown teams on a Thursday. Except for a little while when it'd be one team of two and the 3rd person worked on her own for the day. But that girl quit and since then, we've done just fine with it being just me and him on Thursdays.

I talked to a few people and told them what was going on, people who had been there for a while, and those people all looked at me and said, "Know why they're separating you two? Cuz you were doing too good, they had to figure out someway to keep you two from making any decent rate for the rest of the week so they won't have to pay you as much incentive. They do it to everyone who runs well over 100% everyday. There's at least one day a week were your numbers will tank for no reason, and it's enough to knock your weekly average down so they don't have to pay you as much."

And then, to add insult to injury, our warehouse big dog called a meeting at the start of shift to congratulate us all on another awesome year, it was another record breaking year for the company and it was all thanks to us. So as a thank you, the company was going to give us all a one time $200 bonus! ...but it's taxed so it's probably only gonna be about $100 by the time we get it, but HEY! Merry Christmas guys!

Other warehouses in the area are giving their crews $500+ bonuses, we're getting the pocket change they saved by cheating their employees out of their hard earned incentive pay. While the big dogs and corporate workers are probably getting bonuses that are bigger than what most of us make in a week (the Big big dog probably a bonus that is bigger than most of us make in a YEAR).

So, someone please tell me why a multi-billion dollar company has employees that are still living in poverty and those people are the ones doing the back breaking jobs, pushing themselves physically to their limits and beyond just for a few extra bucks a paycheck so they don't have to wonder if they're buying groceries this week or putting gas in their car? How? We had a record breaking year, but most of us can't pay our bills. If we had such a great year, give us a raise.

[apkfanda]

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[oh-phineas]

[Given to Pip at his birthday party]

Yo Pip,

HBD man! I hope you had a great day, and I know you're gonna have a great year. Onwards and upwards right? Even though we've had our ups and downs you're one of my best friends and I wouldn't have it any other way. Thanks for all you do, dude.

Little explanation for the gifts because I know it looks like I just raided a Staples and called it a day: the key is to the Crypto Club suite (it's just a big ish closet in the basement of the castle where we keep all our shit). But tbh we don't really use it or have much shit and I talked to the club president and had this brilliant idea to rent it out to other students as a fundraiser. No idea if this is 100% cool w/ the university lmao but no one's stopping us and I figured it'd be a good place to rehearse, record self tapes for auditions, etc. So I signed you up for Friday afternoons through the rest of the school year and into summer session. Use it well! And dw about it if someone random shows up now and then, it's probably just someone from Crypto Club.

The flash drive has some animations with your name and shit that you can edit into self tapes on iMovie or whatever it is you use. Lmk if you have any trouble with it, happy to help!

Anyway, enjoy your bday! Stay awesome!

-The Phinster

@exsqueak-me

[notmrskennedy]

The List

(Spencer Reid x GenderNeutral?Reader)

A/N - In order to curb the crushing weight of being bested by a vacuum cleaner at work and stressing about my calc test, I’m posting this. I hope you all like it as much as the last one. Y’all are just the fuckin sweetest. 

Also, this was inspired by @definitelynotkatesblog and her awesome work Something to Cry About. It’s the cutest freakin thing. 

Summary - A little list on what makes Reader fall asleep at night...

Word Count - 2.2k

Warnings - swearing, but what’s new?

----

1. A Podcast Episode on Epicurus and the Hellenistic Age

“Spencer, christ,” you laugh, fluffing your curls. “I can assure you that I am not touchy and sharing a bed won’t kill us.”

Spencer fidgets in his spot in the doorway, crossing his arms to keep from shaking too much. Is it wrong to be jealous of your casualness surrounding this? Is it wrong to wish away that massive crush he’s got? Just at least for one night—pretty please with a cherry on top.

You wait with a half raised eyebrow at the side of the bed he clearly doesn’t sleep on. Your hand poised above the comforter like it’ll make his decision any quicker. Like you can’t see the turmoil that has to be written across his face.

Because what does this mean? What does it mean to sleep in the same bed with your best friend for the first time? What if you end up snuggled up in the morning? Is that bad? Is that good? Is he totally secretly wishing that’ll happen and spur you in falling in love with him just as much as he’s fallen for you?

He glances one more time between your calm eyes, the made bed, the clock, the giant college t-shirt you’re wearing, finally back to your face. He nods. Adds in a dash of blushing. A teaspoon of agreeing words.

You shake your head, smile at him like he’s an idiot—though he supposes he is with you—and wrench the covers back. Like you belong. He wants you to belong.

There’s still time to back out and sleep on the couch. Does he really want to?

He wills his feet forward. Tries to tell himself that this is just like every night. Sets his watch on the nightstand, plugs his phone in, slips into the covers.

“Hey, bud?”

He hums as he turns his head to look over at you. He’s still sat up in bed, hand poised over his stack of books. Are you going to tell him to turn out the light?

You smile, shifting your weight ever so slightly. You’re the restless sort and he wonders how you work the boring middle management job that you do. Pulling your lips back into a nervous smile, you gently say, “I can’t fall asleep to the quiet, do you mind if—“

“Do you want me to read to you?”

He hopes the excitement goes unnoticed. It seems to as you chuckle. “I wish it would work. You’re too interesting, Spencer Reid. Podcasts on Hellenistic philosophy however—do you mind if I listen? It won’t be too loud.”

He shakes his head. “Not at all.” Never for you.

“Thanks, Spence,” you chirp through a stifled yawn. And as you turn the podcast on and flip over to press tightly onto the pillow, you say, “and don’t worry. I promise I keep to my side of the bed.”

And unlike the liar he wishes you are, he wakes up to find that you are very true to your word.

2. Discovery Chanel, Documentary on Revolving Door Manufacturing

He’s never seen you cry before. You make it a point to keep saying between sobs, “I hate crying in front of other people. I’m so sorry.”

He can’t fathom why it’s you that’s sorry, not after you asked him to pick you up from your mother’s. The same mother who’s apparently found it within her purview to explain just how much she hates you over a nice dinner. He’s buzzing with anger on your behalf—anger that clearly isn’t shared, though he knows it’ll come later.

It takes roughly 20 minutes to get you over the hill, trading tears for tissues. Snot for begrudging smiles at his bad jokes. He’s promised himself that he will listen—for once in his goddamn life—to your whole story without interrupting. You seem to appreciate the sentiment, punctuating the whole experience with asking for one of those hugs that just never ends.

You try to explain it—“like cats, Spencer, you know?”—like he doesn’t already empathise completely.

And weirdly enough, it gets to a point where you two switch positions without breaking the crushing amount of contact you have. It gets to a point where you insist on watching the most boring documentary he’s ever seen on revolving door manufacturing. It gets to a point where you pass out after 15 minutes and turn over into his chest.

He doesn’t dare move. Not until he’s effectively sure you won’t be waking up anytime soon. Spencer falls asleep with your soft breath fanning across his chest and his hands tangled in your hair.

5. A Librivox Recording of ‘The Five Orange Pips’

Now this is ridiculous. And he says as much as you roll your eyes. You’re both sweaty and exhausted and he’s sure he’s never met someone who looked this awake after a romp at one AM. Your eyes are twinkling the same way someone does after they’ve run a mile and feel like they need to run another. You’ve got energy and he can’t fathom it.

“Spencer,” you whine, falling back into the bedsheets. It’s really the first official time you’ve spent at his house as more than a friend—much more. He’s gotten accustomed, understanding even, to the little podcasts you listen to to fall asleep. There’s no sense in understanding your sleeping habits, not yet at least, but he understands the boring, droning voices you let lull you to sleep.

But this! Sherlock Holmes?

“Y/n, I literally have the story on my bookshelf. I could read it to you if you’re so choosy!” he mirrors your position with a huff, already reaching out to drag you over into his side. The feel of your skin is addictive. The safest kind of high he can get. The only one he really wants.

You pout, sticking out your lip. It’s adorable and breaks the tweak of frustration resting hard in his features. “Love-bug, with you talking to me, I’d never fall asleep. It just doesn’t work like that and I don’t make the rules.”

“Fine,” he mutters, effectively pulling you close enough you can share the one pillow. You giggle, kiss his nose, and reach behind you for your phone. It takes five seconds for the Librivox recording to start and he realises that as he listens to the intro, he’s already dropping off. It’s understandable—he guesses—but he hopes that one day you’ll pick a story he hasn’t read already.

9. News in Slow Spanish

Listening to you get ready for bed will never be tiring, Spencer thinks. Not when he’s playing a game with himself. He’s so terrible at guessing what you’ll choose to listen to. There’s never any rhyme or reason. Never a solid thought process that he can decipher. He’s kept to making a list—half because he likes lists, half because he wonders how long it’ll get.

Four months in and he’s at number 9—more or less.

This one shocks him though. Has him poking his head out of the bathroom, toothbrush still stuck in his mouth. You’re pulling your hair out of a pony tail, humming along to the intro music for a newscast in Spanish. Do you speak Spanish?

“Sugar plum—“ he loves every weird nickname you’ve given him over the months— “I can hear the whine of your brain from here.”

It’s then you turn to really look at him. Smirking. Gleaming in the shadows of the bathroom light. Wearing nothing more than a sports bra and shorts. His mouth runs dry as he tries to keep his thoughts present and clean.

He takes the toothbrush from his mouth. You giggle as he speaks through the spit. “Do you speak Spanish?”

“I must not talk about work enough,” you mutter to yourself, slipping into bed. Like you belong. “My entire job is setting up relationships between the hotel company I work for and Latin American, well, anything. Hotels, river cruises, restaurants—I speak Spanish more than I do English some weeks.”

He nods, finishes brushing his teeth to process the thought. No, you don’t talk about work enough, and he’s suddenly worried about what you don’t talk about. It suddenly feels suffocating. Like he doesn’t know a single thing about you. Like he’s never known anything about you.

But as you drag yourself into his side once he’s beside you, as you kiss his cheek and settle in, he’s reminded that he doesn’t need to know everything to care. For you to care back. There’s enough time in the world to figure out all the other stuff. He’s content to learn as it comes. Appreciate every new thing he can get his hands on.

And, hey, if you listen to this podcast enough, he might learn Spanish too.

11. Whose Line is it Anyway? Reruns

“No, absolutely not. I’m putting the kibosh on this. The applause will drive me wild. Please, y/n, anything else.”

15. Spencer

If there hadn’t been a nightmare involved, it wouldn’t have been as terrifying to find you not in bed. To hear the door latch click with someone’s arrival. Or someone’s departure.

He’s out of bed before he can process. Before his brain can calm down enough to remind him that it’s fine. That there’s no way a burglar is going to be as loud as you’re being in the next room over.

He jumps out of the bedroom, ready to strangle the intruder with his bare hands, when you give a startled shout, “Jesus christ!” 

Spencer settles. Realises that it’s just you in a sweatshirt and slippers. You look utterly exhausted in the dim light of the apartment. Fidgeting and restless despite the slump to your shoulders. He vaguely wonders if he should make you a pot of coffee to calm you down.

The world catches up to him and he slumps into the wall. Is it so wrong to be this decidedly tired after a nightmare that he could’ve sworn wasn’t coming back? The two of you stare each other down, both equally apprehensive to the other for decidedly similar reasons.

Spencer’s entire body is beginning to light on fire. He doesn’t want to burn you in the process.

You’re buzzing and tired and angry and there’s no reason to take any of that out on him.

“Can’t sleep?” he finally prompts.

You scrub your hands over your face, fluff your curls, in response. “I walked the stairs four times, bug. I’m so—“

“Frustrated?”

“Yes.”

He nods his head, waves you over. You half heartedly trudge over to him, lean your head into his chest and feel at least a tiny amount of frustration drift away. He pulls you both back to bed—he can’t believe he’s functioning this well, but maybe it’s just because he’s fulfilling the need to think about anything else. There’s a hesitance as you lay back down and he knows that you’ve probably tried everything. That you don’t believe you’ll get any sleep at 2:45 in the morning.

“You’ve worked through the list then?” he asks. Your eyebrows pinch as you settle onto your side, giving him your full attention. “The things that make you fall asleep,” he clarifies, “you know, that list.”

“Do you—do you keep a list?” your voice is almost judgemental, but decidedly too curious. He nods. “I’ve never had anyone care that much.”

“So where are you at?” he says instead. There’s too much to unpack. Too much for his still swimming brain. He needs something concrete. “What’ve you tried?”

You go through your list, letting every inch of agony you’ve faced for the last four hours creep over your face. Spencer watches as you turn over one more time and groan into the pillow. “I think I’d rather just suffocate at this rate.”

He chuckles. “Stop being dramatic. Come here, let me try something.”

“But—“

“Just—please, y/n?” he doesn’t understand your refusal to trust him sometimes—it’s always about such strange things, like how he does the dishes or what brand of milk to buy. You scoot over to him, settle into his chest with an indignant huff. As if you aren’t tightening around him like a vice.

He clears his throat, drags his fingers softly up and down your spine, and picks the most boring thing—for you at least—he can think of to recite: quantum physics. He feels you relax after a minute. Your eyes close and your nose sinks a little deeper into his shirt. It takes nearly two chapters to get you to zonk out. Long enough that he’s worried you were right, that he was just too interesting for you. Even if he was reciting quantum physics literature.

He keeps droning for a little time after he thinks you must be—have to be—asleep. And just as he settles, just as his eyes are closing and he could drift off peacefully, he doesn’t miss the ever quiet, ever gentle words, “You’re too interesting, Spence, too goddamn interesting.”

You roll over, your back pressed against his side. He wants to laugh. He doesn’t, just ends up dreaming of something nearly as peaceful as falling asleep beside you.

[cashmecash]

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[creativeskullcreations]

HTaHHQ episode 4: Unarmed part 1

Whoops, sorry, no new Outside chapter this week, or the next. Wanted to get this posted too so I could start getting more episodes written. Don't worry though, it will return next month! :D

"I don't see why we have to come here today. Can't you just do this at home?" Stacy complained as Mary led them into the Studio. It was a dark, stormy Saturday, perfect for staying inside. Instead, her and Danny had to go to "work" with Mary.

"Stacy, honey, I would love to just stay home but Nick's stupid edits to my script mean I have to come in. All of us writers have to." She sighed irritably.

"Yeah, but why can't Danny and I just stay home? I can watch him." She tried desperately.

"Because... it's illegal." Mary swept her unbrushed hair back. "Besides, I thought you liked Scout. You told me you wanted to spend the weekend with her."

"Yeah. At home. Not here." The thirteen year old deadpanned as Mary moved towards the offices. The woman sighed in response, reaching the end of her patience.

"Look, why don't you take your brother and go find her? It'll be a lot more interesting than what I'm doing."

"You mean tearing Nick a new one?" She asked, sounding interested. "Cause I want to watch that."

"You don't get to watch that. Go find Scout." Were the last words Mary said before towards the offices.

"Fine." Stacy groaned as her stepmother went into her office. She grabbed Danny's arm with her left and led him in the direction of the Sound Stage. He followed her eagerly, just excited to be there at a time he normally wasn't.

Her intent was to find Daisy and have her let them into the elevator to go upstairs. If they couldn't find her, she was planning on using the vents to get into the playroom instead. She remembered the way, mostly, and it'd be easier than trying to work up the courage to ask someone else.

Unfortunately, Daisy was nowhere to be found. They looked all over the Sound Stage, checked her House Set, and then looked in the cafeteria. But, sadly, no Daisy. Which meant Stacy had to pick the lock on one of the prop closets to reach the vents.

"Hmm, two children where they're not supposed to be." Stacy froze mid break in as Danny ran over to the Puppet, who sighed and leaned down to ruffle his hair. "Yes yes, it's nice to see you too, Danny."

Stacy struggled to keep her voice even. "Uh, w-where's Daisy?" She stowed the picks back under her glove as she stood up and turned to face the scientist.

She wasn't the scariest looking Puppet(poor Nick held that title, even among the other staff). But, Stacy had always held a fear of doctors, dentists, anyone who wore scrubs and a lab coat basically. Which Riley did, unfortunately, and it made the girl more nervous than the others did.

Well, that, and the forums talking about how she must be doing unethical experiments to get a dog as big as the Rosco puppet. But Stacy was pretty sure that was for in the show, not real life. Probably.

Riley let out a huff of annoyance. "In the writer's room with our annoying brat of a brother. His edits to the script have caused her scenes to be quite a bother." She sighed. "What do you need her for, anyway? And why are you two here on this day?"

"... Mary's the head writer." Stacy told her, clenching her sleeves in her fists. "And it's, like, illegal to leave us home alone or something. I don't know."

"Ah, I see, but you only answered question number two." She pointed out in a matter-of-fact sort of way. "What for you, could Daisy do?"

Stacy thought that rhyme was a little bit of a stretch, with the wording and all. But, before she could respond Danny clapped his hands, and pointed towards the ceiling. "Scout!" He told her excitedly. "We're here to see Scout!"

"Ah, I understand now." She did not look happy about it either. Stacy wondered why. "Fine then, I'll call the elevator down."

She led the two kids to the elevator doors and inserted her own key-card, unlocking them. Stacy waited uncomfortably as it slowly descended, trying to keep between her brother and Riley. It was difficult, as he kept leaning around her to talk at the Puppet, who listened politely.

When the elevator arrived, Stacy pulled Danny into it with a quickly muttered "Thanks". It took everything in her to not button mash the floor number she wanted. She did her best not to stare at the Puppet as the doors closed, but it was difficult when she could feel her weird wooden eyes piercing into her soul.

When they reached the upper floor, Stacy practically dragged her brother out of the elevator. It started to go back down almost immediately, so she hurried to the playroom, rushing through Daisy's sewing room to get to it. She didn't knock, but did ease the door open slowly so as not to startle them. When she got it fully opened, Scout flung herself and landed on her face.

"Stacy!" She screamed, and the girl almost had to peel her off her face. She lifted the small Puppet up to let her rest on top of her head.

"Hi, Scout. Mom's here to deal with some... script issues, I guess, and she brought me and Danny." Danny waved, and Scout waved back. "So I brought some movies for us all to watch."

"Yay, movies!" Bonzai latched onto her backpack, working the zipper open so he could climb inside. Stacy put the bag on the floor and he burst out a second later, with a video in his hands. "Terminatooooor!" He yelled, and Canon facepalmed.

"Yeah, we can watch that one first." Stacy told them and grabbed the tape, going over to put it in the player. She put it in and turned on the TV, hitting play once it had booted up. They sat back to watch, most of the Puppets migrating to sit on the human children.

Surprisingly, they managed to watch in silence, though Stacy and Danny did have their own commentary in sign language. Only Scout really understood it, but she didn't understand much. She had only just started to learn, after all, and was looking at the signs backwards.

The movie ended, and Bonzai immediately dove back into the backpack with Bit. Together they searched for another action movie while Stacy rewound the Terminator.

"Hey, how come there are only baby movies in here?" Bit asked angrily, popping out of the bag with a tape in her arms.

"I'd hardly call Shrek or Spirited Away 'baby' movies." Stacy frowned, picking up the anime movie. "Mom wouldn't even let me watch this one until just last year."

"But they're cartoons, and cartoons are so boring!" Bonzai complained.

"What kind of cartoons are you watching?" She muttered as she took the film out of it's box and crouched by the player. Louder, she said "I promise, Spirited Away isn't boring. Anime is awesome."

"Mom never lets us watch anime. She says it's inappropriate for kids." Canon told her, and Stacy sighed.

"Well, she's wrong. Sailor Moon and Digimon and Pokemon are all for kids." She told the Puppets, with Danny nodding along beside her. "And there's a lot more than just that. I'll record some episodes to bring next time."

"Okay but we can't tell Mom." A pause as Canon raised her voice so her siblings could hear. "Nobody tell Mom Stacy's showing us anime."

"Okay!"

"Sure!"

"Whatever."

Were the three answers she got, which she called good enough for now. At least she knew nobody would tell Mom, if only for the promise of Forbidden Goods.

While they watched the movie, Stacy sat with her arms full of Handpuppets. It was like holding a litter of puppies, as they never stopped moving and sometimes crawled away to do other stuff. At one point, Bonzai pulled out a couple of magnets to play with. As he pulled them apart to let them fly back together, he was startled when they instead attached themselves to Stacy's right arm.

"Stacy's a terminator!" He shrieked, and immediately teleported away.

"What?! No I-!" She jolted when a small, stuffed bear hit her on the head. "Dude!"

"Bonzai, what the heck?!" Canon followed him onto the bookcase he'd hidden on top of.

"She's an evil robot! The magnets are sticking to her arm!" He cried, and when Stacy looked there were two small magnets caught on her. She pulled them off and tossed them aside while Canon tried to calm her brother down.

"Hey! Stacy's not a robot!" Scout angrily shouted up at her siblings.

"Then what is she?" Bit asked, having picked up a small stick. Scout opened her mouth, then snapped it shut.

"I... can't tell you that." She finally said. "But I swear she's not a robot."

A long pause of silence, and then Canon figured it out and smacked Bonzai off the bookshelf. "It's a prosthetic, you idiot!"

"Oh." Was all the fallen Puppet said as he laid limply where he'd landed. Canon face-palmed, followed by Bit, while Stitch went to check on their brother.

"Can we see it?" Bit asked excitedly, already trying to pull back her sleeve. Stacy yanked her arm up and away from the Puppet.

"No! You can't see it!" She snapped.

"Yeah, it's not that interesting anyways." Scout tried to help, very unhelpfully.

"You've seen it?! That's not fair!" Bit complained, and Bonzai Jumped over too.

"Yeah! You can't just show Scout! She's lame!" He insisted, to the human teen's unamused look.

"Scout's my favorite." Stacy told them bluntly, to two offended gasps while Scout cheered and then mocked them.

"Yeah, I'm her favorite! Who's lame now? Losers. Ow!" Canon smacked her head, turning on her eye lights.

"Don't be smug about it!" She scolded her younger sister, who grumbled and retreated to the top of Stacy's head.

"Hey, no hitting." Stacy tried to scold, then just gave a tired sigh. "Look. let's just go back to the movie, it's fine."

"No! I wanna see the robot arm!" Bonzai lunged for her, but Stacy yanked her arm away again and he landed on the carpet instead. "Come on! You showed it to Scout!"

"Yeah, and I'm not showing it to anybody else!" She retorted, while Danny picked up Bonzai. The puppet struggled against the five year old's hold, but ultimately failed to escape.

"I'm helping!" Danny pipped up happily as he sat back down to finish the movie.

"Yep. You are." His sister muttered. They managed about five more minutes of movie before Bonzai managed to escape Danny's grasp. He instantly went back over to her, draping himself over her arm.

"I still wanna see the arm." He said, and Stacy groaned as she fell back against the carpet, hands pressed against her face.

"Noooooo." She moaned out. "I. Don't. Wanna. Show you."

"Please! We all wanna see!" Bit piped up. Stacy uncovered her face and looked over at Stitch, who nodded. Her gaze turned to Canon, who looked away sheepishly.

"I mean, it's not like I don't want to see it..." She admitted quietly, and Stacy gave an irritated sigh.

"Fine! Fine. But you only get one look! And none of you get to ask me again!" She waited until they all nodded, before starting to roll up her sleeve, revealing just how long her glove really was. Carefully, she pulled it off, revealing gleaming silver metal that ended just above her elbow. The flesh that met the metal was scarred, rough and pale against the smooth brown that was the rest of her skin.

"Oooooh, so shiny..." Bonzai muttered. The four Puppets that hadn't seen it yet stared, transfixed, at the limb. Scout, who had also reacted that same way, just rolled her eyes.

"Weirdos." She muttered, though she also couldn't help but watch as Stacy flexed her hand and showed off the arm.

"It's really advanced, and really expensive." She told them. "And I'm supposed to go in for upgrades in a few months due to growth spurts."

"Why are you even hiding this? It makes you so much cooler than anyone else." Bit told her, and she shrugged, pulling the glove back on.

"Because I don't want them to know about it." Stacy said bluntly, letting her sleeve drop back down. "Now can we please go back to the movie? It's one of my favorites."

"Yeah, we can do that." Canon said, and then forced her siblings to turn back to the screen, which had been playing the movie the whole time. Giving a relieved sigh, Stacy did the same, settling in as she made sure her glove was on straight.

They watched the movie silently, the small Puppets getting way too into it in Stacy's opinion. But, at least they liked it, and that was all she really cared about. By the end of it, however, most of them were still riled up, including Danny, so Stacy put in Barbie Swan Lake instead.

"But that's a girls movie!" Bonzai complained, to which Stitch shushed him.

"You should give the movie a chance. The story is about a rather interesting dance." She told him, to which he groaned louder.

"Stacy can dance!" Danny piped up, to which Stacy internally sighed.

'Great word association there. Does everything have to come back to me?' She shook her head slightly, trying to keep from sounding resentful.

"You can?!" That was Scout, now staring up at her with wide eyes. "You never told me that!"

"That's because I can't do it anymore. The weight distribution is off with my arm." She told her.

"Can you still show us some moves? Please?" Five Puppets, and one younger brother, stared up at her, begging with surprisingly good puppy-dog-eyes. She could feel her resolve wavering,even as she focused on the TV.

"Ugh..." She hated being the oldest. Why did all the younger kids think she was cool? "Fine. I'll do a dance. But don't ask me for anything else today."

"Yay!" Everyone, including Danny, cheered, as Stacy moved to get ready. Lucky her, they were dancing on the movie, so she could just do what they were doing. It wasn't terribly complicated, as she'd been in a production of Swan Lake before, though not as Odette. The moves that were a little too complex, were easy to fake with a bit of effort.

It was easy to lose herself in it, just like she used to. Easy enough that she stopped looking at the screen, and simply did the dance from memory.

And thus, it was easy enough to misstep and slide on a piece of paper during a spin. A yell, and a loud, sharp thud as she landed, and things went black.

[randomvarious]

Gladys Knight & The Pips - “Take Me In Your Arms And Love Me” Soul Decade: The Sixties Song released in 1967. Compilation released in 1990. Soul

From Gladys Knight & The Pips’ 1996 Rock & Roll Hall of Fame induction essay, written by Dave Marsh:

Although they are best known for their great recordings at Motown in the late 1960s and the ballad hits they scored in the early ‘70s, Gladys Knight and the Pips, in fact, have had a career that encompasses the majority of rock history. Indeed, Knight is one of the few Hall of Famers who have continued to make hits from the ‘60s until the present day. 

The key to this success is Gladys Knight’s voice, one of the more remarkable instruments of the rock, soul and R&B eras. A perfect blend of grace and grit has allowed her to record such masterpieces of balladry as “Neither One of Us (Wants to Be the First to Say Goodbye),” “If I Were Your Woman,“ “Midnight Train to Georgia” and “Every Beat of My Heart” while also making such funky dance numbers as the original “I Heard It Through the Grapevine,” “The Nitty Gritty,” "Friendship Train,” “I’ve Got to Use My Imagination” and “Love Overboard.”

Missing from that list of masterpieces, however, is a criminally slept-on classic, “Take Me In Your Arms And Love Me,” recorded in the earlier days of the group’s tenure at Motown. “Take Me In Your Arms” originally appeared in 1967 on Gladys Knight & The Pips’ Motown debut LP, Everybody Needs Love, and while the single did rather well in the UK, peaking at #13, it fell surprisingly flat in the US, managing to only grace the upper reaches of Billboard’s Hot 100 chart. 

So, why did that happen? Well, there appear to be a few reasons: one, Berry Gordy really ran the Motown label in a tiered structure. While some artists that Motown spent less of their attention and money on were able to squeeze out a gigantic hit here and there (Martha and the Vandellas and The Marvelettes, for example), most of the label’s resources (session musicians, promotion, and their best songs) were devoted to the acts at the top of their pyramid, like The Supremes, Marvin Gaye, and The Temptations. And Gladys Knight & The Pips simply were not ever in Motown’s top tier, even though they certainly deserved to be. Case in point, before Marvin Gaye wound up selling four million copies with his own rendition of “I Heard It Through the Grapevine,” Gladys Knight & The Pips’ original version, released subsequently after “Take Me In Your Arms And Love Me,” managed to sell two and a half million copies, becoming Motown’s bestselling single at the time. And still, despite that awesome accomplishment, Knight & The Pips continued to play second fiddle at Motown.

And the reason for all that shunning might actually lay at the feet of Diana Ross’ own politicking. Gladys Knight claims in her autobiography that Ross, out of fear for her act being possibly upstaged, actually ordered Knight & The Pips kicked off of a Supremes tour in 1968, simply because their performances were just too good. It’s possible that Berry Gordy didn’t want to upset one of his cash cows by giving more attention to Knight & The Pips, who could’ve ultimately ended up usurping Diana Ross & The Supremes’ status as Motown’s top female-led group (and the same could hold true for all of Motown’s other numerous girl groups, too). Knight also claims in her book that it was actually she who suggested Berry Gordy sign The Jackson Five, but in transcribed Motown lore, Diana Ross is the one who is usually credited with discovering them. Needless to say, regardless of whether it was mutually felt or not, there was clearly bad blood between Knight and Ross, and after Knight & The Pips’ contract expired with Motown, they jetted on over to the Buddah label, a move that enabled them to really spread their wings and have their talent properly nurtured

Another reason why “Take Me In Your Arms And Love Me” might have failed to succeed stateside is the song’s lyrical content. The words in this one may have been just a tad too sexually suggestive in 1967 for radio DJs to take a chance on. I mean, just look at some of these lines:

This feeling is too strong to hold Any second now I'll explode Now's the time, now's the time Take all of this love of mine

If you knew that playing this sexy song about sex on the radio could possibly land you in hot water and cost you your job, would you still spin it? Probably not, right? 

And although I was personally unable to find any trace of the following allegation, a censored version of this song apparently originally appeared on the Everybody Needs Love LP, and ended up really messing with the song’s overall flow, both musically and lyrically, reducing it down to a forgettable tune whose obvious and sloppy editing was worthy of an incredulous eyeroll. But it appears that the original unedited version has been restored on issues of the album for years now because I’m unable to locate a deliberately censored version of this song on YouTube. 

There’s also the fact that Berry Gordy was someone who sought to sell his records to as broad an audience as possible (read: white), and a black woman freely expressing her sexuality so transparently in 1967 might’ve ended up ruffling some feathers and causing some unwanted blowback for Motown, which is something they probably had no intention of inviting for a second-tier act on their roster. But if that’s the case, one has to wonder why the song was recorded with those lyrics intact in the first place. Although a watering down of the lyrics would’ve caused the song to partially lose its intended impact, they still could’ve just tried to sell it that way instead of taking an axe to its entire structure for the  album cut, no? The sound of the song would’ve been just as good, but its lyrics would’ve been compromised. And that’s clearly better than changing both the flow of the music and the lyrics, right? Something just doesn’t add up with this whole line of thinking to me.

Either way, the song somehow managed to slip past the censorious ears of the UK’s pop culture gatekeepers and went on to rightfully succeed there instead. And that’s why this track is included on UK soul retrospectives, like Soul Decade: The Sixties, and not US ones, despite the fact that it’s clearly such a good tune.

“Take Me In Your Arms And Love Me” is really just a piece of late 60s Motown soul perfection that more than deserved to be a top hit in America. It was produced by Norman Whitfield and he would then go on to become a frequent collaborator with Gladys Knight & The Pips at Motown, including with the group’s following single, “I Heard It Through the Grapevine.” And Whitfield’s production on this particular song is really nothing short of sensational. 

“Take Me In Your Arms And Love Me” comes with wonderfully slow and carefully crafted build-ups, and is chock full of different instruments, including a harpsichord, an acoustic guitar, horns, snare drums that guide the music’s overall intensity by alternating between a calm heartbeat and a bouncy thump, and high-pitched strings that creep from the background to the foreground to match Knight’s own vocal melody at the end. And speaking of Knight, she is of course an indispensable piece of this song, too. Her vocal “blend of grace and grit” that Dave Marsh alludes to in one of the paragraphs quoted above is on full display here as she shows her ability to go from a soft, irresistibly inviting tenderness to a loud, exhilarated passion in a split-second’s time. Knight is singing as if she is in the midst of an extended, ecstasy-inducing sexual experience and that’s what she, Whitfield, and The Pips were going for all along.

Really, just one of the most underrated songs in the history of Motown. It’s a total shame that it didn’t perform better in the U.S., but that appears to have been for a confluence of reasons that were ultimately out of Gladys Knight & The Pips’ control.

[pipbuilderreview]

Free Automated Forex Trading Systems and Signals Reviewed

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[theladyragnell]

you don't think they'd kill john in the last season, do you? i've seen people worrying about it and now i'm getting concerned too.

I mean, I tend to subscribe to the television prophecy school of “if I imagine the worst thing, maybe I will be prepared if it happens,” so a lot of my worry is probably paranoia born of that, but this recent episode gave me some Vibes, so I’m going to go under a cut for the approximately three people in this world who care about Killjoys spoilers (if cuts don’t work on your device, go past the post now!) and explain my thoughts in both directions.

Let’s start on the nerve-wracking side, shall we?

I’ve actually been low-key worrying about it for a little more than a season now. It’s hard to pull together my nebulous feelings about narrative into a coherent theory, but I’ll try.

Evidence #1: The Maybe-Prophecy. Ever since we first saw that footage, I’ve been thinking that either we need to be worrying about pretty much all of our secondary and main cast, or we need to be worrying about John. Easiest way to circumvent that coming true? John dies. I don’t in a million years think Dutch would ever kill him, but I think if he found out and it seemed like it might actually be happening, he would sacrifice himself--this show has done sacrifice a few times now. Escalating sacrifices. I’m thinking of Pawter sacrificing some of Old Town’s people on the wall, of Pip, and now so recently of Lucy’s self-sacrifice and John having to be willing to let her go. Plus, the one situation where I COULD see Dutch sacrificing John is if he wasn’t John anymore. “Who the hell is Johnny,” anyone?

Evidence #2: Connections. Aside from Dutch and D’avin, who the narrative is pushing very closely together right now, John’s connections have, over the course of the show, been severed. Clara/Ollie, in her brief appearances, is somewhere happy and far away. Pawter is dead (and the show makes a point of showing how much he still grieves for her). And now, in this recent and devastating turn of events, he’s lost Lucy, one of the three most important people in his life. Even before he lost Lucy, he was self-isolating from the other two after the Lady’s torture. Who wants to bet we see that continue? And that leads me to

Evidence #3: John/Dutch? Look, we have not gone there before. The show has been so, so careful to not go there, to have them love each other so much but not in that way, and now we’re getting it, in a way that’s weird and unhappy for John and in a way that’s making it easier for him to isolate himself. This show’s track record with writing romance that satisfies me is ... let’s be kind and say that it’s uneven, so I am inclined to believe they’re doing this kind of clumsily, and adding last minute clumsy unrequited love is a great way to make things more tragic should a tragedy occur. This evidence is flimsier than the rest, but I do think something hinky is going on with this coming up where it hasn’t before.

Evidence #4: John’s ending. This goes back to #2, actually. Assuming they kill the Lady, save the Quad and the universe, and get to be happy in the end, what’s John’s ending? At the end of s3, it was raising robot goats on Leith, which always rang really false to me, but sure, we’ve got that and now we’ve got how he’s feeling in the wake of the mindwipe AU, which suggests to me that the writers at least think that John wants a happy retirement, less adventures and more domesticity. I don’t see that happening, really? In an ideal world, or my ideal world, we end up with Team Awesome Force getting ready for some new and exciting adventures, but team balance, with Lucy gone and Dutch and D’avin together, would be weird to say the least. Without Lucy, how lonely will John be on this team? If Dutch and D’avin head off on more sexy adventures, who does John have his happy ending with, and how? If there’s no ending for him that rings true ...

Evidence #5: Narrative stakes. If we lose the fourth, often overlooked, memer of Team Awesome Force in episode three of the last season, there has to be somewhere to go from there, and we know this show loves its end-of-season deaths. Pawter, Alvis, Pip ... and now Lucy, so early in the season. How do we step up from that? With the maybe-prophecy coming true, or with a supposedly-safe main character.

So, like! This is all flimsy evidence at best, led by my narrative gut telling me something might go wrong! But I think like a novelist, not a TV writer, I don’t always get their beats and foreshadowing, and while Killjoys has amazing characters, its plot has always been a bit of a hot mess, bless it, so foreshadowing in general might be hunted for in vain.

But the evidence on the other side?

The evidence on the other side is that the writers love John Jaqobis SO MUCH, they love their main trio so much, and in the end, I honestly have major doubts that they would ever have the heart to kill him. I know this is a tiny paragraph compared to all those long paragraphs up there, but I genuinely think it should be weighted as much as all of them together, because it’s so important to the writers and the show!

I have no idea how ANYONE’s story on this show is going to end. I can see a lot of arcs where John dies, but I can see plenty where D’avin dies too, and even a few where Dutch does, not to mention any number where they all survive, with varying levels of happiness. This is just kind of where my brain is at after watching the episode last night!

[terriportfolio]

Google translate bot text to speech

#GOOGLE TRANSLATE BOT TEXT TO SPEECH HOW TO#

#GOOGLE TRANSLATE BOT TEXT TO SPEECH DOWNLOAD#

#GOOGLE TRANSLATE BOT TEXT TO SPEECH FREE#

The playsound module is then used to play the generated mp3 file, After that, the generated mp3 file is deleted using the os module. It converts text from one language to another language and saves its mp3 recorded file. Choose your preferred engine, language, speech rate, and pitch.

#GOOGLE TRANSLATE BOT TEXT TO SPEECH DOWNLOAD#

When it is all done, you can click the download button to download your voice over as an mp3 file. Set back and wait for a few seconds while our AI algorithm does its text to speech magic to convert your text into an awesome voice over. It is created using google’s googleTrans API and speech_recognition library of python. Select Accessibility and then Text-to-speech output. Just type some text, select the language, the voice and the speech style and emotion, then hit the Play button. gTTs: The gTTS API supports several languages including English, Hindi, Tamil, French, German and many more.Ī real-time voice translator that can translate voice input and give translated voice output generated from it.

#GOOGLE TRANSLATE BOT TEXT TO SPEECH FREE#

googletrans: Googletrans is a free and unlimited python library that implemented Google Translate API.

We have to use pip for Speech Recognition. Wait for a second if it didn't play your voice maybe your connection is slow. The voices vary depending on your browser.

Speech Recognition Module: It is a library with the help of which Python can recognize the command given. Type a message below then click 'Speak' and SpeechSynthesis will read it out.

playsound: This module is used to play sound in Python.

Taking multiple inputs from user in Python.

Python | Program to convert String to a List.

isupper(), islower(), lower(), upper() in Python and their applications.

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Different ways to create Pandas Dataframe Read Aloud allows you to select from a variety of text-to-speech voices, including those provided natively by the browser, as well as by text-to-speech cloud service providers such as Google.

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The many ways in which Fallout 4 could have been better.

I’ve had so many ideas run across my mind that I have no hope of getting them all in writing, but some of the big ones..

During the opening, when your spouse goes into the cryopod in Vault 111, instead of merely waving to you, they could signal “I love you” in ASL. Your character mirrors the gesture and whispers “I love you too, hon.” Even if sign language never comes up in the game again. Just that little thing could mean so much to some players.

The intimidate perk could be used to resolve some situations peacefully. In Diamond city when that guy pulls a gun on his brother, thinking him a synth, you can pacify him if you have the perk - and nothing happens. The security goons don’t arrest him, they just stand around doing nothing and the encounter does not resolve until you put your gun away or walk away, where it resumes as scripted and security shoots him. 

Not to mention in the Railroad ending... Haylen surrendered to me, and then Tinker Tom comes along and fucking murders her anyway. How awesome would it be if you could talk her into joining you, in order to reduce collateral damage. While you’re planting bombs on the Prydwen, Haylen rounds up the squires (+Emmet) and take them down to the ground and away from the blast radius. Or you could even tell Desdemona that no, we’re not blowing up the Prydwen, there are children on that ship. Your plan sucks and I will not do it until you come up with a better one. At least in the Institute ending they had some time to evacuate - the last thing I saw before being forcibly relayed away was Elder Maxson in power armor, running away.

Everyone has already mentioned actually fixing Danse’s dialogue post-Blind Betrayal. A redemption arc would be nice too. He doesn’t strike me as the type of hypocrite who would accept himself being a synth while still hating every other synth in the game.

You learn Danse’s synth designation, but you can’t do a damn thing about it. You can’t ask the Railroad about what happened (granted, they’d have a lot of personnel changes since 97 originally escaped, but Deacon at least was probably still around back then, or they might have records. Or maybe those were destroyed at the Switchboard)

You can’t ask anyone in the Institute. Not even Liam. Obviously he’s too young to have been involved back then, but he’s pretty good with computers, surely he could dig up information about old synth escapes.

you never actually get to see the intel that Quinlan decrypted. All you get to know is he was on the list of “missing or escaped” which Arthur Maxson can’t tell apart from “infiltrator unit” and they announce his synth designation to the entire division as if there is no risk of actual institute infiltrators who can then contact their superiors to get the recall code. So I get at this point that bringing Danse back isn’t an option, but surely there is no danger in Danse existing after the institute is destroyed. When Maxson tells you that we will never speak of this again, I wanted to tell him that I’ll obey that order until the institute is destroyed, but after the dust settles, we need to talk.

Or how about some delightfully awkward situations where BoS members see you with Danse and you run away instead of killing them. Have Maxson exposed as a liar. Undermine his authority. (They sure gave us a lot of fanfic fuel...)

How about being able to assign settlers to corpse disposal or general clean-up and slowly over time get rid of those trash piles that are everywhere and those infernal skeletons that you can’t even drag around. But no, we had to get a mod for that.

How about after getting rid of the raiders at Nuka World, they actually start wearing normal clothing and take off the damn shock collars and get someone to work in the radio station - it’s still on air, Red Eye just left the studio without turning anything off. I bet they meant for that guy in Cappy’s Cafe to take over and then just never finished it.

Also wouldn’t it be cool if you ran into Red Eye in a random encounter that could go many ways depending on what you say to him. I wanted to say I loved his station and it was the only thing I missed from before I killed everybody. Offer him a ton of caps to come back and work for me again.

If you let the raiders take over Commonwealth settlements before turning on them, they’ll randomly show up and try to kill you - again and again, long after you exterminated them at Nuka World. How do they keep getting new recruits when all their leaders are dead? How does the Brotherhood keep getting new vertibirds when they crash all the time? There are always more raiders. Where was this massive population when I was just thawing out? Encounters should get less frequent to reflect the dwindling population.

There is no sense of scarcity beyond the first few levels. Things respawn at a ridiculous rate. Just the other day I was picking up some scavenge, wandered into a different area, backtracked and went through the same area later the same day and everything had respawned. This is so upsetting to me. I want my efforts to mean something. I am cleaning up the commonwealth, one discarded beer bottle at a time, but all the clutter just keeps coming back! I hate it. I have yet to play a character who is a cannibal because I really can’t imagine needing to do that when the world is just full of food. I plant some crops and tell a settler to tend to them, and when I return a day or two later it’s ready for harvest.

Speaking of harvest, there are no seasons. The daylight hours don’t get longer in summer or shorter in winter, there is no sense of the passage of time, the date is just a string of numbers in your pip-boy with no meaning whatsoever, you get a quest and everything just waits on you, for months or years, Father doesn’t start to question your dedication to the Institute when you STILL haven’t relayed to Mass Fusion six months later, nor will he be a good boy and just die already from his rapidly progressing terminal illness, no he’s going to force you to kill nearly all of your friends before he’ll let you actually take over. Not that you get to do ANYTHING at all as Director. All you get is the institute power armor paint job and the ability to buy synth relay grenades. You don’t get to say “Oh by the way I’m abolishing slavery, have fun doing your own menial work from now on” (I keep thinking I’d be able to do more good for the synths as the leader for the institute than I ever could with the railroad) and why can’t I tell Desdemona to go deeper underground and I can just tell Father they had already left when he sent me there to kill them. Why can’t I tell Elder Maxson to go back to the Capital Wasteland because literally no one in the commonwealth wants him there. We have the Minutemen to defend the settlements and the Railroad to fight the institute and all he’s doing is making things worse.

And let MacCready stop being such a deadbeat dad and bring his son to live with us in the Commonwealth.

I loved the Far Harbor DLC, but it was so disappointing that none of the companions other than Nick had any new voice lines. 

Why can’t I bring my romanced companion to the Memory Den for a date in a simulation of the pre-war era? Danse would love that, I’m sure..

why can’t I pet cats? Why didn’t Bethesda spend a quarter of the effort they did on dog animations on making cats look more realistic. They should be napping on beds and chairs, rubbing up against settlers’ legs and tripping them and interacting with their environment too. Have you seen the animation that passes for a cat’s yawn? The first time I saw it, I thought Ashes was about to throw up a giant hair ball.

If you are caught pickpocketing, that’s it, game over. Diamond City Security doesn’t try to arrest you, it’s shoot to kill. Same in the institute. I’m sorry to say it, but that was something Skyrim did better. 

why can’t you romance non-companions like in Skyrim? I want to marry Arturo Rodriguez and be Nina’s step parent.

Synth relay grenades should not work after blowing up the Institute.

The AI should not fall off things quite so often. I should not go through an entire Research Patrol assignment for the Brotherhood only to have the Scribe I’m escorting fall to their death when I take the vertibird up to the Prydwen.

When an enemy panics and decides to run away, they should keep running and not turn around and go right back to trying to kill me seven seconds later.

my companion should not be quite so bloodthirsty. They should not attack a fleeing enemy, particularly a civilian like the institute scientists.

Every companion shouldn’t have all the same animations. Preston should not inhale Jet if you linger around on the top floor of Drug Den. Curie should not smoke.

The companions should have preferences as to what food they prefer to eat, which chems they take or under which circumstances. I gave Danse a whole bunch of different stuff to see what he’d use, and the first time I got in a fight he had taken med-x and berry mentats (fun fact: your companion takes berry mentats and you see the pink haze). You’d think Yao Guai ribs were his favorite things to eat, but no, it’s just that the AI will favor taking anything with damage reduction. Other companions do the same. Synths will not favor Fancy Lads Snack Cakes. Little things like that would have made the game so much more fun to me.

Damn it there should have been a terminal with journal entries in Danse’s quarters on the Prydwen. Or he should have continued to update his terminal at the Cambridge Police Station. Maybe wash his face once in a while after the Prydwen arrives.

You should be able to give people caps. I hate how caps only flow one way in the game. You can take your settlers’ measly pocket change, but you can’t pay them for working for you. You buy property in Diamond City but you never pay taxes or utilities. (that might help with the sense of passage of time).

You build a peaceful utopia at your settlements, but your settlers never form relationships or start having kids now that it’s finally safe to do so. The world could feel a lot more real. (I mean I love how absurd it is, but absurdity and realism can coexist, I promise)

“Crop’s been growing pretty good lately” - there’s never any crop failure, or natural disasters making food a scarcity. Rad storms don’t affect anyone but you, and people will not seek shelter.

Nick and Ada remind you that they don’t need to eat or sleep or anything, but neither does any other companion. I mean I guess they’re adults who can take care of their own basic needs, but they don’t have any money of their own unless you specifically tell them to pick up caps you find.

You never find out where Danse got that lovely suit of X-01 power armor from.

Hate me for this long post yet? I’m not even done but this’ll do for now. Uh, how do I do a Read More thing again?

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1. KineMaster – Video Editor

With Kinemaster Video Maker you can do dazzling edits, motions and animations on your Android Smartphones which where prior capable only on big editing tools on PC. KineMaster is a fully professional video editor for Android, supporting multi-layers of video, images, and text with state of art cutting and trimming, you can have multi-track audio, volume envelope control, 3D transitions, Chromakey and more with this video App. The App is nothing parallel to a professional video editor app on PC.

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A variety of themes, animations and visual and audio effects

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Supports all the video formats.

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Viva Video is a popular video editor app. The App offers pro-level control without any watermark and all top features for free right away without any payment. You can download the App from the link below. The VivaVideo App is free to use but there are some limitations to the App like the edit has Watermark, you may be encountered with Ads, there is Time Limit and No Background Customisation option. But with the Paid Version of the VivaVideo App, you can access all these features. For professionals and amateurs alike, Viva Editor offers the pro level of control on the editing process over the mobile.

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Support multi-capture options: Basic| Selfie| FX| Funny | Music Video.

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You can edit, merge, trim, split, reverse, duplicate, rotate, blur, video reverse, video playback.

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Video Maker of Photos with Music & Video Editor is one of the easiest video editing tool with slideshow maker and picture motion effect. The App allows users to create videos smoothly with effects, filters, themes, doodles, gifs, animations, stickers and background music. You can also trim, merge, voice over, dub, split, compress and share the edits. Videomaker is a professional video editor App which will satisfy all your video customisation needs.

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Quik – Free Video Editor for photos, clips, music App is one such quick editing App with which you can create effects without much editing as the App hosts a number of pre-built templates to choose from. You just need to select your favourite photos and video clips, choose the effect you wish to apply, rest assured will be done by the Quik in seconds. The App itself adds beautiful transitions and effects and syncs everything to the beat of the music. You undoubtedly could manually edit and add effects if you wish. If you are not willing to engage yourself in layer by layer video edit you can go with Quik.

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Add up to 75 photos and video clips from local storage or directly from cloud storage

Automatically adjusts and creates great effects by scrutinising the images or video

Choose from 23 themes, each with transitions and graphics

Adjust the font, filters and graphics to fit your style.

Supports HD with 1080p or 720p @60 fps

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Geo-Tagging support

Supports all major video formats

Stickers, animations, trims and merge

Simple without much complications

5. FilmoraGo

FilmoraGo – Free Video Editor is a pretty powerful editor software. Unlike many other maker tools which restrict users with a time limit or Watermark, the FilmoraGo gives unlimited time access without any Watermark. The App helps you create some stunning videos using clips and images. Those who are familiar with Editing tools for them it is no brainer how popular the software is for PC.

Select Photos and videos

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Overlays & Filters

Play in reverse

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6. PowerDirector

PowerDirector is a popular and powerful video editor App with video layer support. The application also has other popular video effects like slow motion, reverse video, background edit and more. The App supports Chroma Key giving you the power to create cinematic visual effects. The App comes with all basic editing features needed to make the best Videomaker App.

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In-depth Audio editor

Combine picture and video in one movie

Chroma key for background editing

Video collage Effect

PiP video overlay

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If you are a social media freak than InShot could be your best friend. The App is designed to cater the users who are fond of Facebook, Instagram, Tik Tok and similar services. The App has a plethora of features which fast processing and simple design for quick results. The Videomaker App lets you adjust the aspect ratio to make it suitable for various social media platforms. InShot is a simple yet very intuitive movie and photo maker App for Android.

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VideoShow is a popular Videomaker App. It has a unique cult following among many countries. The App offers all the basic editing functions. It is also an instant Video Editing App with a number of themes and graphic designs which you can embed onto a photo slideshow or a video. VideoShow also offers other basic tools for making an excellent video with all the FX using stickers, gifs, video and audio playback controls and more.

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YouCut is an App by InShot for more detailed curation of the video. You get control over every basic editable aspect of the video. Create a fantastic photo show or a movie with cinematic FX in 4K quality to export. The App unlike most of the similar Apps does not come with any watermark on the output. YouCut is simple to use. I recommend this if you are going for some lightweight edits.

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PicsArt is well-known editor App. You will get all the features to edit a photo or create a collage. Some features are limited or restricted for which you need to pay to unlock them. But the buy is worth every penny. PicsArt is an ultimate resolve for all your image editing desires. You can start from scratch to create some top-notch edits with over-the-top effects, animations and FX. PicsArt is a one-stop destination for all who are in awe of creating some dazzling stories. (This is a Photo Editor, not a Video maker but still worth a try)

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Hence, import video into required video format.

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Exports to YouTube, Facebook, and much more

Lets you discuss creations through DirectorZone

3D editing

Fast rendering.

Clear port.

Loads of consequences.

The most 360-degree video capabilities of any movie editor.

Multicam editing. 3D and 4K capability.

Motion tracking.

Screen recording.

Supports:

Today with 360° Video

PowerDirector now supports complete end-to-end 360-degree video editing, opening up a whole new world of possibilities. Import equirectangular footage, create a 360° undertaking, edit using a full array of design programs, then export in 360° format.

Pro-style Films in Minutes with Express Projects:

Express Projects is the quick, easy way to create professional-quality videos in three simple steps quickly: open Express Projects in the PowerDirector launcher and import your videos.

Vertical Video like a Pro:

With this much video today being shot vertically on mobiles, PowerDirector has added a new design mode that allows you upload the mobile video for YouTube, Facebook and Vimeo by getting rid of those empty black pubs.

Action Camera Center, today Better:

PowerDirector’s new Action Camera Center is a toolkit for each intense movie maker. Produce stop-motion videos, add zoom and pan effects, stabilize video, correct distortions like fisheye, adjust color issues.

For genuinely professional productions, a video is merely a part of the complete narrative. Great videos need great audio, which is why PowerDirector provides an advanced audio studio, AudioDirector, offering final sound editing, mixing, recording and production tools.

Record PC Screen with Audio Full:

CyberLink PowerDirector 17 allows you to capture hands per hour, create instructional videos, or movie that are accounted for with family members & buddies at 30 fps. With customizable recording settings, as well as the capacity to also record system noises and voice, Screen Recorder adds another tool that is handy a video maker’s toolbox.

Screen Recorder additionally installs as a standalone app, letting you quickly capture and save yourself display screen recordings without introducing PowerDirector. You can achieve everything regarding the display, an application that is particular, or even a custom section of one’s screen in either 16:9 or 4:3 aspect ratio, as well as highlight mouse clicks in a variety of colors.

Latest Format and Codec Support!

As always, PowerDirector provides a list that is comprehensive of and audio platforms so that your movie experience that is making as effortless and trouble-free as you can. On top of the latest and greatest formats and codecs like 4K UltraHD, AVCHD 3D/Progressive, XAVC-S, and H.265, PowerDirector 15 has considerably enhanced online video performance. Whenever utilizing the WMV that is a structure that is well-liked by including FLAC audio modifying support—the format of choice for folks who care about sound quality.

Action Camera Center:

PowerDirector’s new Action Camera Center can be your last video modifying toolkit, joining features action enthusiasts have to produce the impact that is high.

Free Serial Number

Fixes the crash issue encountered intermittently after applying area v2527.

Adds support for 360 degrees PiP rotation in a keyframe that is solitary.

Enhances this program performance whenever a shadow that is generating.

Boost the stability of Title/PiP/Particle designer.

Improve the security of Desktop Capture.

Enhances PC software performance when a video that is previewing with rate adjustment used.

Fixes the matter that SVRT does work on MOV n’t videos.

Fixes the issues when the movie that is uploaded by Facebook and Youtube.

Fixes the crash issue encountered when applying a color present in the Action Camera Center.

Fixes the crash issue encountered when using the Fish Eye effect to create a 4:3 HD, Full-HD or WMV that is 4K video.

How to Activate

Turn Fully Off Online Connection (Essential)

Install CyberLink PowerDirector 17. (Don’t run after installation/exit if operating)

Open Regedit : HKEY_LOCAL_MACHINESOFTWARECyberLinkPowerDirector15UserReg

Change “Prod_Activate” from “OnlineCheck” to “LocalServer.”

Improve your System Date to (31 days in future)

From then on Run > PowerDirector 17 Skip > “Online Registration”

Activation Dialog should pop-up on-screen. (if not) > import mp4 or Mkv files to Project Library

Click > “I don’t have the connection that is the internet.”

After that run Keygen “as administrator” > Click Patch “Button.”

Copy activation URL from browser to Keygen

Copy CDKey from HKEY_LOCAL_MACHINESOFTWARECyberLinkPowerDirector17 to keygen

Click Activation “Button” on keygen and CyberLink PowerDirector that activates 17.

All Complete, Enjoy CyberLink PowerDirector 17 Full Variation For free…

Block CyberLink PowerDirector 17 via firewall > Do not upgrade.

How to Crack PowerDirector Ultimate/Ultra?

Cyberlink Powerdirector 13 Product Key Free

First download CyberLink PowerDirector 17 Crack

Install this and run now

Click on install Crack

if you want for a win then select win.

Mac user select Mac

It’s already cracked Enjoy.

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Easy yet powerful movie maker - better than iMovie but for Windows. It's Movavi Video Editor -- a must-have program for editing video in Windows.

Make stunning slideshows in clicks with photos, video, music and voice over.

Directly upload to YouTube or save in formats like MP4, MOV, WMV, AVI, etc.

Enhance your video with professional tools & 300+ built-in FREE elements.

Operating Systems:Windows 10, Windows 8/7/Vista & macOS 10.7 or later

Why You Need An iMovie Alternative for Windows?

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iMovie is the free video editor application for macOS and iOS. It's created by Apple and used only in its own operating system macOS and iOS. Apple hasn't released any Windows version of iMovie and it has not announced any scheduled plan to develop iMovie for PC. Actually, Apple won't earn money by selling iMovie for Windows. Instead, iMovie is currently and will only be a Mac/iOS exclusive video editing application. This is one of Apple's strategies to attract more people to buy and use their machines.

So what's the best iMovie alternative to edit videos on a PC? Our recommendation is Movavi Video Editor. Why? Read on...

Y iMovie News 1. Latest version: 10.1.10 for macOS 2. Official Release Date: Nov 8, 2018 3. What's New: 1) Fully supports 4K resolution movies. 2) Watch anywhere with iMovie Theater. 3) Edit videos easier using iMovie together with MacBook Pro's Touch Bar. 4) Improves stability when updating libraries created with earlier iMovie on Mojave. 5) Remove FB option and adds a Prepare for Facebook 6) more ... V

Powerful Video Editing Features Similar to iMovie

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Every regular video editing tool is provided in this iMovie alternative for Windows, as well as professional tools like Green/Split Screen, Pan/Zoom, Animation, PiP......

Split, merge, crop, rotate and enhance your video in clicks.

Organize your video, audio and titles in tracks of the powerful Timeline.

Enhance your video with professional tools like Stabilization, Pan/Zoom, Brightness/Contrast, Chroma Key, Color Balance, and more.

Includes an array of free elements such as 48 free titles, 100+ filters, 100+ dazzling transitions, 100+ stickers, royalty-free music, backgrounds, etc.

Make Awesome Slideshows from Preset Themes

Put your photos, videos and music together into a stunning slideshow that will amaze everyone, using free slideshow themes or not.

Create slideshow movies using free slideshow themes with preset music, transitions, and free elements for telling family, travel, love and sport stories.

Every filmmaker will love Movavi's built-in free background music and images. You're also able to import your own music files without limits like in iMovie.

Choose from various free title templates to tell an interesting story.

Share slideshow online or continue editing in the advanced editing mode.

Your Movies, Your Ways to Share without Effort

You'll see all possible sharing ways in this movie making software.

Save video to your Windows PC in any format you want for playing anywhere.

Upload to YouTube, Facebook and your website without leaving the program.

Encode video with MPEG-4, H.264, or WMV for better quality but smaller size.

Burn your videos to DVD/Blu-ray Disc for watching on TV with your home DVD player (Movavi Video Suite required).

Import video from DV/AVCHD camcorders, TV-tuners, web cameras and VHS and record audio from a microphone (Movavi Video Suite required).

FAQs on iMovie Alternative Video Editing Software

Keep in mind that this is NOT an official iMovie for Windows version made by Apple Inc. It's a universal video editing software for PC, with which you can edit videos on your new or old Windows computer. Below are the FAQs that many visitors have asked whether there are specific features in Movavi Video Editor - the best iMovie for PC alternative in our opinion.

Is there a Slow Motion effect? -- Sure, over 40 effects including Slow Motion enhance your video instantly.

Is Picture in Picture possible? -- Yes, simpler than iMovie, you just need to apply Picture in Picture effect to two pictures or two video files and resize them. View details here.

Can I speed up/fast forward footage? -- Yes, see how to do it here.

Is there a green screen effect/feature? -- Yes, Besides Green Screen, you also have Blue Screen and Pink Screen. See the tutorial here.

Can I record Screencasting? -- The single Video Editor doesn't support screencasting, it requires Video Suite to do this and more, like Video Converter, Video Digitizer, Blu-ray Burner, etc.

Is there movie trailer templates, flight map template? -- No.

Is it free? -- It's free to try for 7 days (fully functional but outputs with watermark). When expires, you can decide to buy and activate it or uninstall it completely from your computer.

Watch Movie Making Software Video Demo

Is This An Ideal iMovie Substitute for Windows? Share Your Opinions!

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Easy Steps to Make Movies from Photo, Video and Music

Step 2: Edit Your Video or Make a Slideshow

More iMovie Alternatives for Windows PCs

NCH VideoPad - Classic Video Editor

iMovie is the video editing software for the average Joe. Well, any average Joe that uses an Apple device. This is the go-to program for those who want to start editing their own videos. Like all Apple products, it is simple and functions easily across connected Apple libraries and devices. Once your Apple devices are synced, iMovie can serve as a home movie portal. It conveniently stores and organizes all imported photo and video files. Even better, it takes advantage of iCloud and iMovie Theater program to give you a platform to debut videos, movies and trailers in 4K resolution in any Apple device and HDTV.

Personalize your videos

iMovie’s feature improves your video’s appearance and audio.

Ever taken a video on the fly? It's unpredictable. Once videos and photos have been imported, you can trim clips, add close-ups, enhance audio, and even remove sound, and comes handy when you want to make changes, but don't know where to begin. Preview with Trailers: you can make any video look like a blockbuster when you use iMovie’s Hollywood-inspired movie trailers. Each template has its own original score, graphics, and animated transitions. The transitions are predetermined visual breaks created by the photos and videos you import. To add a more personal touch, you can add their own movie title, end credits, and even a customized studio logo.

Create Movies: iMovie is one of the easiest video editing tools to use, letting editors click and drag imported clips into the timeline, as well as automatically lock on adjacent videos. An important tool is the Precision Editor. It controls when a video fades in or out by showing an exact timestamp before and after the transition. Another important feature is Clip Connection, which holds all media together when you move a clip.

In addition to trimming, you can even crop and rotate videos. Yup. That's right. Both photos and videos. The difference between the two media sources is the Ken Burns pan-and-zoom effect that photos automatically get. The effect is more engaging than ever before.

Then there's the Autocorrect button—the cherry on top. Like a magic wand, it enhances the lighting and color on all kinds of videos. It’s a huge help in videos shot on the spot where little thought was given to lighting and color. Other common video enhancing tools are color matching for a seamless filter on every frame, white balance from a specific area in each frame, and the dropper tool to enhance colors and skin tones.

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Edit anywhere, anytime

Apple sets iMovie apart from other entry-level video editors by making it compatible with Apple desktops, laptops, smartphones, and tablet devices. Of course, the iPhone and iPad versions do not have all the features of the desktop version. Yet, it is incredibly useful for anyone who has an idea for a video and wants to conceptualize it. To put it simply, it is a lifesaver for creative ideas, especially in the eyes of professional video editors. Simply select the video or videos you want to edit on the Photos app. Click Edit and the iMovie app will automatically launch your already-imported videos. Once you have started creating your movie on the app, it will be uploaded on iCloud and you will be able to work across various Apple devices.

Another perk of having the app version in your iPhone or iPad is that you can create productions like daily video diaries and vlogs in a snap. When you’re finished, you can send the final product thru iMessage, Facebook, email, and other social media platforms.

Full support

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Apple Inc. offers a well-organized and detailed customer support website. You can find a solution for every Apple product. In Apple’s customer support website, you will find user guides, tutorials, and support communities. You can also schedule a phone, live chat, email and have one-to-one support if you need a more detailed guide. It is important to know that Apple does not have an email address published online, so all inquiries should be made on Apple’s official customer support website or their hotlines.

Where can you run this program?

Because iMovie exclusively runs on Apple devices, Windows users will have to run on over to the Apple store if they want to get their hands on the video editing software app. Not only is it free for all new macOS and iOS devices, it's pre-installed! This latter feature exceeds expectations and offers a bit more value. Users who are looking to take the plunge can feel free to try out Apple devices on display or ask for assistance.

Current Apple users are in luck. iMovie for macOS requires only 2GB of RAM and an OS X Mavericks to edit videos. Editors who want to make the most of the program are recommended to have a 2011 iMac or Macbook Pro with at least 4GB of RAM. These devices can export videos with 4K resolution. The latest version of iMovie, version 10.1.11 requires OS X 10.11.2 or later.

Is there a better alternative?

In general, other entry-level video editing tools don’t hold up to iMovie’s sleek and intuitive interface and its vast array of features. Wondershare Filmora, however, is a strong competitor. The video editing software is an established name amongst Apple and Windows users. Both its free and paid versions offer standard trimming, transitions, overlays, and effects. You can even put together one hundred layers of media—a feature that iMovie lacks.

Our take

iMovie is the user-friendly video editing application that turns your footage into stunning productions.The final output is not as sleek and professional as that of Final Cut Pro, Adobe Premiere or other professional editing tools, but that's all right. This software app is for dabblers, tinkerers and enthusiasts wanting to get those creative juices flowing without feeling overwhelmed.

Should you download it?

Yes. It’s a powerful yet simple tool that you can use to impress your friends, family, and colleagues.

10.1.11