#for the record alanna has an a in the class
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“Faust, is there anything I can do for you to bump my grade up?”
“Get off my desk.”
#for the record alanna has an a in the class#she just likes fucking with ilsa#ilsa is done with her shit#alanna mitsopolis#white widow#ilsa faust#ilsalanna#mission: impossible#alanna mitsopolis my beloved#ilsa faust my beloved#art#guys this took me an hour to do#SPEED#like i said the brainrot is real#i still have two hours until my next class :’)#college au#magnolia draws
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🍒BOLD THE TAGS - NICOLAS EDITION🍒
The Rules are simple! Tag people and name a character you want to know more about! If you want to let the person you tagged decide who to showcase, then don’t name a character and they can pick somebody. Easy! The person who is tagged will then bold the remarks below that apply to their character &, if they want to, include a picture with their reply!
ft. a render that i put too much effort into
I was tagged by @l-e-i-k-o, thank you so much!!
of course, i have to do nicolas since i need to develop him way more than love lol
NICOLAS ROULET
$ Financial: wealthy / moderate / poor / in poverty
✚ Medical: fit / moderate / sickly / disabled / disadvantaged / non applicable
✪ Class or Caste: upper / middle / working / unsure / other
✔ Education: qualified / unqualified / studying / other - on the job
) ✖ Criminal Record: yes, for major crimes / yes, for minor crimes / no / has committed crimes, but not caught yet / yes, but charges were dismissed
◒ Children: had a child or children / has no children and doesn’t want any children / wants children
◑ Relationship with Family: close with sibling(s) / not close with sibling(s) / has no siblings / sibling(s) is deceased
◔ Affiliation: orphaned / adopted / disowned / raised by birth parent / not applicable
♦ extroverted / introverted / in between
♦ disorganized / organized / in between
♦ close minded / open-minded / in between
♦ calm / anxious / in between
♦ disagreeable / agreeable / in between
♦ cautious / reckless / in between
♦ patient / impatient / in between
♦ outspoken / reserved / in between
♦ leader / follower / in between
♦ empathetic / vicious bastard / in between
♦ optimistic / pessimistic / in between
♦ traditional / modern / in between
♦ hard-working / lazy / in between
♦ cultured /uncultured / in between / unknown
♦ loyal / disloyal / unknown
♦ faithful / unfaithful / unknown
★ Faith: monotheist / polytheist / atheist / agnostic
☆ Belief in Ghosts or Spirits: yes / no / don’t know / don’t care
✮ Belief in an Afterlife: yes / no / don’t know / don’t care
✯ Belief in Reincarnation: yes / no / don’t know/ don’t care
❃ Belief in Aliens: yes / no / don’t know / don’t care
✧ Religious: orthodox / liberal / in between / not religious
❀ Philosophical: yes / no
❤ Sexuality: heterosexual / homosexual / bisexual / asexual / pansexual
❥ Sex: sex repulsed / sex neutral / sex favorable / naive and clueless
♥ Romance: romance repulsed / romance neutral / romance favorable / naive and clueless / romance suspicious
❣ Sexually: adventurous / experienced / naive / inexperienced / curious
s ⚧ Potential Sexual Partners: male / female / agender / other / none / all
⚧ Potential Romantic Partners: male / female / agender / other / none / all
☠ Combat Skills: excellent / good / moderate / poor / none
≡ Literacy Skills: excellent / good / moderate / poor / none
✍ Artistic Skills: excellent / good / moderate / poor / none
✂ Technical Skills: excellent / good / moderate / poor / none
☕ Drinking Alcohol: never / special occasions / sometimes / frequently / Alcoholic
☁ Smoking: tried it / trying to quit / quit / never / rarely / sometimes / frequently / Chain-smoker
✿ Recreational Drugs: never / special occasions / sometimes / frequently / addict
✌ Medicinal Drugs: never / no longer needs medication / some medication needed / frequently / to excess
☻ Unhealthy Food: never / special occasions / sometimes / frequently / binge eater
$ Splurge Spending: never / sometimes / frequently / shopaholic
♣ Gambling: never / rarely / sometimes / frequently / compulsive gambler
i tag @simminglytimeladies, @bunnybananasims @fwaldorf, @alanna-goth, @angelapleasant, @stevelacysguitarstrings, @socialbunny & anyone else who wants to do this!
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Two Dead in Hit and Run
Harvmont 13th, 1995
Alanna Najani, age 35, and her daughter Sienna, age 12, were struck while crossing the street by a mid-sized truck last night at 10:11 pm. The mother was pronounced dead on the scene and while Sienna was brought to the St. Ainsley Memorial Hospital, doctors were unable to stabilize her and she was declared dead at 11:59pm. They are survived by father and husband, Vaso Najani, a local scholar of antiquities and collector of ancient relics.
Miss Najani, we are pleased to...
...inform you that your application to attend Sandalwood Institute for Higher Learning has been accepted. We expect your attendance for the orientation on Sunmont the 6th, 2003 at the main campus. Registration will be running from 6:00 am to 6:00 pm. Please have your payment information available as well as your selection of classes.
Pertaining toward the irregularity of your medical records. Please also provide the necessary paperwork to prove your identity and living status.
Dean of Admissions - Wissa Caritan
#I've been a bit inspired by Dracula of late#we'll see how long this blog lasts#figure I can get at least a couple hundred words of writing a day#urban fantasy#found footage
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tag game : bold the facts ! ✨👸🏿
i got tagged by the Iconic @fwaldorf (Love u bestiee, sending u a lot of hugs!! <33) i tag : @nonsensical-pixels @profesionalpartyguest @moocha-muses @simstralia @simologista @katatty @alanna-goth💕✨
rules: tag people and name a character you want to know more about! If you want to let the person you tagged decide who to showcase, then don’t name a character and they can pick somebody. easy! the person who is tagged will then bold the remarks below which apply to their character &, if they want to, include a picture with their reply! 👀🍬
💖-"Ladies and Gentleman, please welcome to the new Reality Star Quinn Hudson!!"-💖
-QUINN HUDSON PARK, AKA "PRINCESS QUINN"-👸🏿💕💅
$ Financial: wealthy / moderate / poor / in poverty
✚ Medical: fit / moderate / sickly / disabled / disadvantaged / non applicable
✪ Class or Caste: upper / middle / working / unsure / other
✔ Education: qualified / unqualified / studying (she’s currently in her last year of hs) / other
✖ Criminal Records: yes, for major crimes / yes, for minor crimes / no / has committed crimes, but not caught yet (She was driving drunk while she was taking care of her little cousin Desiree Park)/ yes, but charges were dismissed
[ TRAITS + TENDENCIES ]
♦ extroverted / introverted / in between ♦ disorganized / organized / in between ♦ close minded / open-minded / in between ♦ calm / anxious / in between ♦ disagreeable / agreeable / in between ♦ cautious / reckless / in between ♦ patient / impatient / in between ♦ outspoken / reserved / in between ♦ leader / follower / in between ♦ empathetic / vicious bastard / in between ♦ optimistic / pessimistic / in between ♦ traditional / modern / in between ♦ hard-working / lazy / in between (Sometimes she practices for her upcoming reality Show "Boys and Tiaras" or maybe she is just relaxing in the tanning salon) ♦ cultured / uncultured / in between / unknown ♦ loyal / disloyal / unknown ♦ faithful / unfaithful / unknown
[ ABILITIES ]
☠ Combat Skills: excellent / good / moderate / poor / none ≡ Literacy Skills: excellent / good / moderate / poor / none ✍ Artistic Skills: excellent / good / moderate / poor / none ✂ Technical Skills: excellent / good / moderate / poor / none
[ HABITS ]
☕ Drinking Alcohol: never / special occasions / sometimes / frequently / Alcoholic ☁ Smoking: tried it / trying to quit / quit / never / rarely / sometimes / frequently / chain-smoker ✿ Recreational Drugs: never / special occasions / sometimes / frequently / addict ✌ Medicinal Drugs: never / no longer needs medication / some medication needed / frequently / to excess ☻ Unhealthy Food: never / special occasions / sometimes / frequently / binge eater $ Splurge Spending: never / sometimes / frequently / shopaholic ♣ Gambling: never / rarely / sometimes / frequently / compulsive gambler
[ BELIEFS ]
★ Faith: monotheist / polytheist / atheist / agnostic ☆ Belief in Ghosts or Spirits: yes / no / don’t know / don’t care ✮ Belief in an Afterlife: yes / no / don’t know / don’t care ✯ Belief in Reincarnation: yes / no / don’t know / don’t care ❃ Belief in Aliens: yes / no / don’t know / don’t care ✧ Religious: orthodox / liberal / in between / not religious ❀ Philosophical: yes / no
[ FAMILY ]
◒ Children: had a child or children / has no children / wants children ◑ Relationship with Family: close with sibling(s)/ not close with sibling(s) / has no siblings / sibling(s) is deceased ◔ Affiliation: orphaned / adopted / disowned / raised by birth parents / not applicable
[ SEXUALITY & ROMANTIC INCLINATION ]
❤ Sexuality: heterosexual / homosexual / bisexual / asexual / pansexual ❥ Sex: sex repulsed / sex neutral / sex favorable / naive and clueless ♥ Romance: romance repulsed / romance neutral / romance favorable / naive and clueless / romance suspicious ❣ Sexually: adventurous / experienced / naive / inexperienced / curious ⚧ Potential Sexual Partners: male / female / agender / other / none / all ⚧ Potential Romantic Partners: male / female / agender / other / none / all
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tag game : bold the facts ! 💀
i got tagged by: @polygonbeach and @byou-shin <3 ty guys :3
i tag : @cobycobsy2k @stevelacysguitarstrings @profesionalpartyguest @socialbunny @vampirepill @alanna-goth @simmer-until-tender and whoever wants to make this! :D
rules: tag people and name a character you want to know more about! If you want to let the person you tagged decide who to showcase, then don’t name a character and they can pick somebody. easy! the person who is tagged will then bold the remarks below which apply to their character &, if they want to, include a picture with their reply!
sabrina dallas aka pukii madness <3
[ PERSONAL ]
$ Financial: wealthy / moderate / poor / in poverty
✚ Medical: fit / moderate / sickly / disabled / disadvantaged / non applicable
✪ Class or Caste: upper / middle / working / unsure / other
✔ Education: qualified / unqualified / studying (she's currently in her last year of hs) / other
✖ Criminal Records: yes, for major crimes / yes, for minor crimes / no / has committed crimes, but not caught yet (she and her best friend, mackenzie used to love draw graffitis in public space) / yes, but charges were dismissed
[ TRAITS + TENDENCIES ]
♦ extroverted / introverted / in between ♦ disorganized / organized / in between ♦ close minded / open-minded / in between ♦ calm / anxious / in between ♦ disagreeable / agreeable / in between ♦ cautious / reckless / in between ♦ patient / impatient / in between ♦ outspoken / reserved / in between ♦ leader / follower / in between ♦ empathetic / vicious bastard / in between ♦ optimistic / pessimistic / in between ♦ traditional / modern / in between ♦ hard-working / lazy (she spends her nights playing the sims 2 ofc and watching vids on yt ofc) / in between ♦ cultured / uncultured / in between / unknown ♦ loyal / disloyal / unknown ♦ faithful / unfaithful / unknown
[ ABILITIES ]
☠ Combat Skills: excellent / good / moderate / poor / none ≡ Literacy Skills: excellent / good / moderate / poor / none ✍ Artistic Skills: excellent (her dad is musician and artist, sooo pukii always loved drawing and playing the piano!! shes so good at it) / good / moderate / poor / none ✂ Technical Skills: excellent / good / moderate / poor / none
[ HABITS ]
☕ Drinking Alcohol: never / special occasions / sometimes / frequently / Alcoholic ☁ Smoking: tried it / trying to quit / quit / never / rarely / sometimes / frequently / chain-smoker ✿ Recreational Drugs: never / special occasions / sometimes / frequently / addict ✌ Medicinal Drugs: never / no longer needs medication / some medication needed / frequently / to excess ☻ Unhealthy Food: never / special occasions / sometimes / frequently / binge eater $ Splurge Spending: never / sometimes / frequently / shopaholic ♣ Gambling: never / rarely / sometimes / frequently / compulsive gambler
[ BELIEFS ]
★ Faith: monotheist / polytheist / atheist / agnostic ☆ Belief in Ghosts or Spirits: yes / no / don’t know / don’t care ✮ Belief in an Afterlife: yes / no / don’t know / don’t care ✯ Belief in Reincarnation: yes / no / don’t know / don’t care ❃ Belief in Aliens: yes / no / don’t know / don’t care ✧ Religious: orthodox / liberal / in between / not religious ❀ Philosophical: yes / no
[ FAMILY ]
◒ Children: had a child or children / has no children / wants children ◑ Relationship with Family: close with sibling(s)/ not close with sibling(s) / has no siblings / sibling(s) is deceased ◔ Affiliation: orphaned / adopted / disowned / raised by birth parents / not applicable
[ SEXUALITY & ROMANTIC INCLINATION ]
❤ Sexuality: heterosexual / homosexual / bisexual / asexual / pansexual ❥ Sex: sex repulsed / sex neutral / sex favorable / naive and clueless ♥ Romance: romance repulsed / romance neutral / romance favorable / naive and clueless / romance suspicious ❣ Sexually: adventurous / experienced / naive / inexperienced / curious ⚧ Potential Sexual Partners: male / female / agender / other / none / all ⚧ Potential Romantic Partners: male / female / agender / other / none / all
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149. Alanna: The First Adventure, by Tamora Pierce
Owned: Yes Page count: 216 My summary: Alanna wants to be a knight. Her twin brother, Thom, wants to learn magic. Thanks to an inattentive father, they manage to switch places, and ‘Alan’ goes to the palace to learn the art of knighthood. Alanna is determined to achieve her dreams - but her powerful friends have powerful enemies, and soon she will be tested both physically and magically. My rating: 5/5 My commentary:
Getting close to the end of the year now, and what better way to round it out than exploring a series I loved a lot as a child? The Song of the Lioness quartet was hugely formative for me when I was little - it’s the reason I should have probably figured out I was trans way earlier than I did - and with good reason, it’s a genuinely good young adult series that more kids should read, honestly.
Let’s start with Alanna. She’s a lot of what I love to see in a character - she’s impertinent, bold, determined, and honourable to a fault. She has a lot of good traits, but also a fair amount of realistic flaws. Her stubbornness leads to a lot of problems for her early on, and her impertinence towards authority figures doesn’t always act in her favour, but overall she’s a very credible image of a kid in her position. There’s also this subtle through-line that I’m not sure I picked up as a kid that Alanna is deeply insecure - she never takes credit for her victories, but is quick to pick up on her flaws - and seeing the people in her life rally around and support her is wonderful to see.
She’s also a pretty realistic portrayal of a young trans person in a vaguely medieval setting! Little details, like her not knowing about periods because she’s grown up among cis men, or binding her chest being painful, add that touch of realism that I haven’t often seen in literature written by cis people. (And Alanna is subtextually trans - Pierce has gone on the record as saying that, were she to write Alanna today, she’d be more genderfluid, and as-is Alanna takes aspects of masculinity and femininity to forge her own identity.) I also like what the book has to say about gender on the whole. While Alanna is smaller than her peers and has to overcome physical boundaries, she ends up no less strong or skilled than the other pages because she has worked and trained for it as much as they have. The thesis statement seems to be that there’s not a lot of actual difference between men and women, and it’s one I find interesting in this sort of media.
The worldbuilding of this story is subtle - other than the requisite fantasy map at the start of the book, the reader is introduced to this setting through the narration and dialogue from the characters. Things like the gods, magic, other countries, they’re all brought into the story organically, and it works for me overall, forgoing exposition for tighter narrative focus.
Usually in historical fantasy/fiction I tend to chafe at narratives that mostly portray the upper classes - the nobles, kings, and aristocrats - and ignore the common people who made up most of the population. Despite most of the characters in this book being from the nobility, I never really had that problem here. I think a large part of it is that, out of the gate, we have Coram, Alanna’s guardian and a guardsman from her home fief, and before too long we are introduced to George, king of the thieves in the city. Seeing their lives and experiences gives the book a wider scope, and aids in character development - we see Alanna’s friend Prince Jonathan hanging out with thieves and commoners and learning from it.
Speaking of, other characters! Jonathan’s alright, very much the image of a Good Prince in this sort of story. Myles of Olau, Alanna’s surrogate father and court drunk, is a lot of fun. (And I can’t help but read him as gay.) Some characters, like bully Ralon of Malven, do come across as a little one-dimensional, but I think that is justified by the story being written for younger readers. You have to economise a bit, and people in real life are just assholes for no real reason sometimes, so it’s not too egregious.
Overall - I love this story and always will. Join me tomorrow for post 150, where I cover the second book in the series!
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Cutting Class
The Ashvane plot was becoming as thick as day old Sailor’s Pie, and Vincent was feeling increasingly troubled about what they’d find at the end of their investigation. Inglewood’s corpse was a grotesque but critical new piece to a larger puzzle, and even though he was contained within the most secure prison compound that Kul Tiras had to offer, he was still eliminated. Their only clue on the scene itself was the name “Jane” carved into Inglewood’s stomach.
Vincent’s main concern wasn’t the “how” of Inglewood’s death. After all, it didn’t seem to matter at this point where their suspects operated or were incarcerated, they always seemed to be taken out before being turned or otherwise questioned. The main concern for him was the “who”, meaning, of course, Jane. Was it an alias, a la Jane Doe? Unlikely, he supposed, if Inglewood himself (or even someone else) carried out the act. That’s a lot of effort to go to for just a fake name.
He followed the others out of the prison, stopping quickly by the entrance to retrieve his short sword left with the guard when they checked in.
“I’ll head for the record vaults then.” he said to Quai. “But I need to make a slight detour to the Academy first - a personal errand, but important. It won’t take long.”
Quai nodded. “Alright, meet us there as soon as you’re done.”
***
Vincent walked out of the Academy a short time later, having just dropped off Professor Clifton’s medicine with his assistant. He was adamant about getting it before the week’s end, so Vincent obliged. He didn’t mention his other work in the area.
As he was walking out the main corridor to the main road that would eventually lead him to the record vaults, his eye caught on something on the wall. Upon further inspection, he almost couldn’t believe the coincidence.
“Proudmoore Academy welcomes guest lecturer Commodore Jane Altham - Starts promptly on 6pm this Sunday. Lecture will be located in Falerevere Hall. Q&A segment to follow.”
Vincent’s hand fumbled to retrieve his comm stone, not taking his eyes off the poster in case it would somehow disappear if his attention wandered.
“Alanna, I found a potential identity for our Miss Jane.” he said into the stone.
Almost instantly there was a response. “You have? That was quick. Okay, who is it?”
“There’s a Commodore Jane Altham set to give a guest lecture here at the Academy this Sunday at 6pm.” he said. “Maybe-”
He was cut off with a short bit of laughing on the other end. “I’m sorry Vincent, that’s not possible.” Alanna said. “Jane Altham is a highly decorated, high-ranking retired military official; she does the lecture circuit during the fall every year at Proudmoore Academy, and she’s been a staunch defender of Kul Tiras for years. There’s just no way.”
Vincent paused for a moment, then clicked on the comm stone again. “Alanna, Inglewood was a general, so who knows how high up this goes.” he said, then pauses for a moment, then adds “I think we should at least consider it.”
A few seconds of silence pass. His comm crackles on again. “We’ll need to do more than simply consider a person like Jane Altham. If you’re serious and want to build a case against a retired Proudmoore Admiralty Commodore, it has to really stick. We’ll start digging.” she said. “In the meantime, I’ll keep going over connections to other Janes that Inglewood might have known.”
“Copy that.” Vincent said, then put the stone back into his pocket. He ripped the bulletin off of the wall and placed it into his front pocket. Despite Alanna’s reaction, Vincent considered this a promising lead. After all, it would fit the trend of corruption in the Admiralty up to now.
As he walked onwards in the direction of the records hall though, his thoughts lingered on his latest and biggest concern: how much higher could this possibly go?
@blackbay-wra, @quai-mason, @brian-wellson, @juniper-rose-blower, @killerkyara, @malodarstarstrike
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Fic: The Swiftest Course (Ao3) (Chapter 2/8)
Fandom: Flash, DC’s Legends Pairing: Barry Allen/Leonard Snart/Mick Rory, Eddie Thawne/Iris West Summary:
Barry of Allen is on his way to the capital of Tortall for the final part of his knight training, hiding a secret that could threaten his career there. He’s determined to keep his head down and not get into trouble.
He isn’t expecting to meet Len, Corus’ Rogue, or his right-hand man, Mick. Or meet Princess Iris and his new friends, Cisco and Caitlin.
He certainly wasn’t expecting to be roped into adventure.
(It’s the Gods’ fault, really.)
A/N: For joyous-lee, who purchased one of my stories for the FandomTrumpsHate event. She requested a Tortall AU, with Barry as Alanna. Thank you so much for your patience, and I hope you enjoy it!
——————————————————————————————–
"I don't think I like that guy," Barry groans one evening a week later. Iris has smuggled some muscle pain relieving balm out of the infirmary for him and is rubbing it into his back while Cisco and Caitlin keep watch.
"Of course you don’t," Cisco says. "That's 'cause he's a dick."
"My dad says 'all knights go through something like this' and cites the Lioness and Keladry of Mindelan," Iris says, scowling. "Like that's not a reason to change the system, rather than a reason to keep it the way it is."
"It's okay."
"No, it's not! That creep deserves to get kicked out of the program, not - used as some sort of life lesson for the rest of us! Ugh, and he keeps trying to flirt with me, which, no."
"Agreed," Caitlin says, nose wrinkling a little. "I've tried to explain to him that I have a boyfriend, but he just doesn't take the hint. He all but said that I was lying because I was shy and didn’t think I was pretty enough for him!"
"Wow," Cisco says. "That's even more dickish than I'd thought."
“You’d think that because my dad goes ballistic at the thought of me dating anyone, ever, he’d have some issues with me being sexually harassed, but nooooo, apparently that’s just fodder for his argument that I wasn’t cut out to be a knight,” Iris says.
“Maybe it’s his way to try to encourage you?” Barry offers. “Since any idiot would be able to tell that telling you that you can’t do something is a surefire way to get you to do it, I mean. Like, I’ve only known you for a week and…” he trails off. Iris is smiling. “No?”
“Nah,” she says. “My dad’s just blind about certain matters. God only knows what he’ll do when it comes time to marry me off for king and country.”
“I feel like the chances of us going to war with the relevant country when he finds out what happens on your wedding night are, like, 60%?” Cisco says. “And I’ve only been here two weeks.”
Caitlin snickers.
“He’s not that bad,” Iris says, shaking her head and grinning. “Well. Maybe just a little.”
“I’m surprised I haven’t seen him, actually,” Barry comments. “I would’ve thought, given that we’re so close to the courts…”
“He’s been out on same tour your mom’s on,” Iris says. “He’ll be coming back tonight, though, which is good. Mom misses him. Though I’m not sure if he’s coming back alone.”
“Oh?” Caitlin asks.
Iris shrugs. “Our neighbor to the north. The current Thawne, Eobard. He’s nice.”
“Thawne – wait, the whole big civil war thing? Where the reigning Thawne family was all but wiped out in that uprising?”
“Yeah – Eobard was some sort of cousin, but after the whole family died, he took over.”
“Seems fishy to me,” Barry says.
“No, no, he’s great. He comes by sometimes, teaches some classes in the mage university, some in the knights. He’s very nice."
"Being nice doesn't mean he didn't murder his family for power," Barry points out.
"Maybe you have to meet him to get it,” Iris says with a shrug. “He's really quite charismatic. And it's nice to have someone more interesting than Lord Merlyn around, so people stop talking about him all the time."
"I guess," Barry says. He’s not really convinced, but then again, he hasn’t met the guy, so what does he know? Maybe he is just that nice. Though that’s not a word he would have previously thought Iris would use; most of hte time, she has a bard’s turn of phrase. "I'm really just looking forward to seeing my mom."
-----
Turns out Thawne Eobard has indeed returned to Tortall with the king; in fact, they arrive sufficiently early that the instructors decide to give the students a special treat by bringing him in to teach the last class of the day.
Which they extend by an extra hour.
Barry hates everybody involved.
He wants to see his mom already; is that so much to ask?!
Still, it'd be rude to rain on everybody else's parade, so Barry pulls out some papers and starts sneakily doing some of his homework instead of paying attention. Iris will catch him up on anything important, finishing his homework means more time to spend with Mom, and at any rate Barry’s never known these guest speakers to say anything that's actually on an exam. Usually it's just stories of their heroic deeds and stuff, meant to inspire you.
Barry's all good in inspiration, thanks.
From Barry's brief glance up at the start of the class, Thawne Eobard is a pretty average-looking man, dirty blond and facile of face, and he favors a frankly horrific shade of yellow for his formal robes. He spends a lot of time playing with a yellow ring which sparkles a lot and makes Barry oddly queasy, so he focuses on his work instead.
He manages to get a lot done, since the class sits positively spellbound for the whole extra hour.
"That was great," Cisco says, eyes shining. "I see what you mean, Iris; he's really nice."
"I told you," she says, grinning.
"What was the lecture about?" Barry asks.
"Oh, you know," Caitlin says, which is rather unlike her usual precision of language. "His rule up in the north, allying between Bergen and Tortall, that sort of thing."
"And what'd he fill the other hour and a half with?" Barry asks skeptically.
"That was it, really. But he was very nice!"
Honestly, Barry doesn't even care what lecture he's missed. He just wants to see his mom.
"Catch up later?" he asks and walks carefully off when the others nod.
Carefully, both because he's still sore, and because being excited could activate his powers, and no one could know about those.
He still makes it to his mom's quarters in record time.
He knocks.
“Come in!” a familiar voice calls.
Barry cracks open the door and slips in.
His mother is darting from one side of the room to the next, scowling at a pile of paper. “Sorry about the mess,” she says automatically. “How can I help –” she looks up.
Barry waves.
“Barry!”
And she leaps up and she runs over and she wraps her arms around him and it’s everything he ever wanted. “Oh, Barry, Barry, my beautiful boy,” she says, over and over. “I knew you were coming to Corus – I didn’t realize that time of year had come already – oh, I’m so happy to see you!”
“You too, Mom,” Barry says, and puts his face in her shoulder so she won’t see his tears.
Nora draws him down. “Tell me everything,” she instructs. “Who have you met so far? Have you made any friends? You’ve been here – oh, my, it’d be a week already, wouldn’t it?”
“You were out on tour,” Barry tells her, which earns him an eye-roll.
“Oh, that stupid tour,” she says. “Even less useful than normal years, and that’s saying something. Have you been out into the city yet?”
“Not except on the way in, no…”
“You should,” she says briskly. “Too many knights never venture out from the courts, and that’s a crime and a shame, that they don’t know the people they’ve sworn their lives to defend. But that’s for later. Tell me about your classes!”
Barry smiles, and does.
------------------------------------------
“I’m just saying,” Len says, not for the first time. “I don’t know if it’s appropriate.”
“You’re the Rogue,” Mick says, utterly tranquil and as unmovable as a rock. “You don’t care about appropriate.”
“Appropriate for the Rogue.”
“You’re the Rogue. You decide what’s appropriate.”
Len contemplates beating his head against the table.
“I don’t suppose saying that as the Rogue, I don’t think it’s appropriate to have a rat as a pet, would convince you?” he tries.
“I’m sure you’ll change your mind,” Mick replies. He’s still petting that stupid rat he found Mother Flame only knows where.
“In here,” a cheery voice says, audible even from where Len’s sitting, bringing a blissful interruption to Len’s attempt to shift the unmoveable object that is Mick.
Len looks up.
“Hey, it’s that kid,” Mick observes. “From last week.”
“Ten days ago,” Len corrects automatically, but indeed it is, and he’s brought friends.
Barry sees him and beams, coming over. “Len!” he says happily. “And Mick, too! It’s good to see you.”
“Hello, Barry,” Len says, unable to keep his lips from curling up. Mick just grunts, but Len can tell he’s pleased that Barry remembered him as well. Most people just focus on Len.
“It’s my first day off,” Barry says proudly. “My mom – she’s at the court – she told me to make sure to go out, but I don’t know the city at all, so I thought I’d come see you.”
“And you brought friends, I see.”
“Well, yeah,” Barry says, utterly unselfconscious. “I told them I was going into the city, then Cisco said I was probably going to be kidnapped and sold into sex slavery and Caitlin told him he was stupid and you were probably just going to try to sell me things until I didn’t have any money left and Iris started saying there were laws against that, so in the end it was easier to convince them that I wasn’t going to be murdered, robbed, or otherwise vanished by bringing them along. Besides, neither Cisco or Caitlin know the city all that well; they’re new, too.”
Len blinks. Those were a lot of words. “Right,” he drawls, for lack of anything better to say. “Well, why don’t you introduce me?”
“Right! Here – guys, come over here – here, this is Cisco – uh –”
“Francisco Ramon,” the boy says. “But no one calls me Francisco but my parents.”
“And this is Caitlin Snow,” Barry continues, nodding at the blonde girl. Then he turns to the last girl, who’s pushing back her cloak to reveal her face. “And this is –”
“Iris, Princess and Duchess of the Western March,” Len drawls. “Yes, Barry, I do live in Corus; I’ve seen her before.”
Iris shrugs. “It was worth a shot,” she says wistfully.
“Oh, I don’t care,” Len clarifies. “There’s only one King in the Dancing Dove, and he doesn’t wear a crown.”
If Len was expecting Iris to be annoyed, he’d be disappointed. Luckily, he wasn’t. Instead, her eyes light up. “This is the Rogue’s Court,” she crows. “I knew it!”
“The Rogue’s Court?” Barry asks, blinking.
Len presses his lips together to keep from laughing. The kid’s adorable.
Mick leans over and mutters into Len’s ear, “You can keep him if I can keep my rat.”
“Not the same,” Len hisses back.
“- where the Rogue controls all the thieves of Corus, possibly of all of Tortall,” Iris is telling a spell-bound group. “They’re the representative of the poor of Tortall, the King of the streets, the poor man’s last resort. His job is to manage the crime in the city and kick the asses of the nobility if we start forgetting about the poor. So basically: totally awesome. This is where it all happens.”
“You’re going to be disappointed,” Len says, unable to keep a smirk off his face.
“I am not!”
“Sure you are,” Len says. “I’m the Rogue.”
Iris eyes him suspiciously. “No way.”
“To my sorrow, yes.”
“Really?”
“He killed the last one,” Mick says. “That means he’s in charge. No other competence test required.” He picks his rat up from the table onto his palm and tickles it under the chin.
“Will you please not do that?” Len says, closing his eyes. “At least not in front of visitors.”
“We’re making progress,” Mick tells the rat. “First he was saying I couldn’t keep you, then that you weren’t appropriate, and now we’re on specific to-dos.”
Len looks beseechingly at the group of grinning knights-to-be. “Tell him the Rogue’s terrifying second-in-command becomes notably less terrifying if he’s got a pet rat he coos over.”
“I don’t know,” Barry says, hiding a smile. “I think he’s a very scary rat.”
“Traitor.”
“He’s adorable,” Iris declares, leaning forward to get a better look. “What did you name him?”
“Faithful,” Mick says.
Len gives him an incredulous look at the same time as the four others. He hadn’t heard that before, either.
“Really, Mick?”
“That’s his name.”
“Like, um, Lady Alanna’s Faithful?” Cisco asks.
“Yep. That’s his namesake.”
“But the Lioness’s Faithful was a cat…” Caitlin starts, but Iris shushes her.
“I think Faithful is a lovely name,” Iris says firmly. “Can I…?”
Mick holds out his hand.
“Aw, he’s really quite cute and…” her voice trails off. “Oh. Huh.”
“Oh, huh?” Barry asks.
“Purple eyes.”
“Are you kidding me?” Len asks, leaning in, but no, she’s right. Purple eyes.
On a rat.
How utterly bizarre.
“Told you,” Mick says placidly. “Faithful.”
“…right,” Len sighs, dropping the question. He knows when it's just not worth fighting on an issue.
That’s when there’s a loud clatter and the sound of shouting. The would-be knights all spin around – undoubtedly eager to go do justice or whatever it is that knights do – but Len can hear the voices and he knows what this is.
He settles back in his chair.
Some of the bully boys drag in a tall blond man, dressed in a long black cloak designed to help with the rain. It’s clearly meant not to stand out and probably wouldn’t anywhere else in Tortall, but that by itself stands out plenty in Corus, where the Rogue controls the crime.
“I’m telling you, I didn’t –” he’s protesting in a faintly accented voice, only to fall silent when they throw him to the floor at Len’s feet.
“This is the one,” one of the bully boys reports. Thugs and enforcers; Len doesn’t have to like them – and he doesn’t – but they’ve more or less formed their own union in support of the Rogue. His very own bodyguard corps, but one with its own interests, and one that’s helped more than a few Rogues go the wrong way down the road of succession.
There’s a reason Len prefers Mick. Of course, that’s the same reasons the enforcers can’t stand him.
“You sure?” Len says, lacing his fingers together.
“What’s going on?” Barry asks.
“This man has been accused of stealing from his fellow thief,” Len drawls, eying the man. “Now, I don’t know how it is where you’re from, but here in Corus, we thieves follow a code of conduct. It keeps us out of getting into too much trouble with the Lord Provost, and it keeps peace among our ranks.”
He smiles sharply. “And we don’t appreciate people who break that code.”
“I didn’t,” the man says again. “I swear it.”
Mick snorts in disbelief. “Punish him and be done with it,” he says, stroking his rat with a gentle finger as the rat crawls over his knuckles.
It is oddly threatening, now that Len sees it in action. Dismissive and yet not soft.
“If he says he’s innocent, you have to prove he’s guilty,” Iris says.
Len gives her a look. “No,” he says slowly. “We really don’t. This is the Rogue’s Court, not the lawman’s.”
“But then how will you know if you’re punishing the right person?” Barry asks. “Won’t it be worse if you get tricked?”
They’re not wrong, but…
“We have three eyewitnesses that put him at the scene,” Len says. “Two more that say he was arguing with the man beforehand, and he was spending some pretty pennies the very next day – pennies he refuses to explain how he obtained.”
“I can’t,” the guy says wretchedly. “I would if I could, but I really can’t. I just woke up with the money in my pockets. But I didn’t take his money. I really didn’t.”
Iris crosses her arms. “Maybe he’s being framed.”
“Maybe he’s lying,” Len points out.
“I’m not letting you punish him just because you think he’s guilty,” she says, bristling. “Not without some proof.”
Len and Mick exchange looks. They’d really only planned to give the guy a good tanning and set him on his way – standard for first-time offenses – but the guy was really sticking to his story.
And that cloak was so very distinctive. Very easy to fake.
Len sighs.
“Mick,” he says. “You have three hours.”
Mick nods and gets up, slipping out the side door.
“He stays here, under watch,” Len tells the bully boys. “He so much as twitches towards the door or a weapon, put him down.”
The enforcers nod, pleased, and retreat to stand by the door.
“What’s going on?” Barry asks.
The man looks up, hope in his eyes. They’re very blue.
“Mick’s going to look into the issue,” Len says. “If he comes back and says there’s not enough to convince him, you go free. If he says there is, you face the penalties you have coming, no more arguing.”
“That’s fine,” the guy says. “Thank you – I swear –”
“I don’t want to hear it,” Len says. “Really.”
He turns his eyes to Iris. They’ve gone a little starry-eyed. “Thank you for standing up for me, my lady,” he says. “You don’t know me – and yet –”
“I’m training to be a knight,” Iris says, but she’s smiling back at him. “Standing up for people – for justice – well, it’s what I do.”
He catches her hand and presses his lips to her knuckles. “It doesn’t take away from what you’ve done for me,” he says. “If all the world followed your example, we’d be better off. Thank you. What may I call you?”
“…you can call me Iris,” she says after a moment, slight flush on her cheeks, pulling him up. “You know, like the princess. And enough of that. What’s your name?”
“Sorry,” he says, smiling a little bashfully. “I forgot myself. My friends call me Eddie.”
“Nice to meet you,” she says. “Won’t you sit with us? You’re not from here, are you?”
“No,” he says. “I’ve never been to Tortall before, actually; I worked with a caravan and they fired us not far from here, so I thought I’d come here.” He winces. “I’ve only been here two weeks.”
“And you’re already in trouble,” Iris says, shaking her head.
Len rolls his eyes.
Barry notices him and grins, leaning forward. “They’re a bit much, aren’t they?” he whispers.
“Just a bit,” Len murmurs back. “He is new, though – you catch how his eyes didn’t even blink when she said her name?”
“What about it?”
“He doesn’t know who she is, and she knows it.”
“I’ll tell Cisco and Caitlin not to say,” Barry replies, eyes dancing with mischief.
“You do that. No need to spoil her fun.”
They fall to talking, since Len’s not going anywhere until Mick’s finished his investigation. It turns out Barry has some problems with a boy up in the castle – some jerk named Tony Woodward who’s apparently as massive as an oak tree and has taken a distinct dislike to Barry – and his friends have all sorts of suggestions on how to fix the issue.
Iris spends most of her time talking with Eddie. They apparently share an interest in neo-revival poetry, with a particular emphasis on how notoriously terrible Good King Jonathan’s love poetry was.
“You want me and Mick to take care of it next time he goes out walking?” Len offers. “My grandmother was Bazhir; I don’t hold for any of that desert rat talk, not in my city.”
“No!” Barry says. “I couldn’t ask that of you. No. If you’re the Rogue, you’re nobody’s fists for hire.”
Adorable.
He’ll have to ask Mick how serious he was about letting Len keep Barry. Especially if he gets Mick equal dibs…
Mother Flame curse it all, though; that means Len’ll have to accept the rat.
“It wouldn’t be for hire if I’m doing it ‘cause I want to,” Len points out.
“Still no,” Barry says, but he’s smiling. “But actually – could you teach me how to stop him? I have knight training, but so does he; I don’t know any tricks to beat someone the size of Tony. But you…”
Len raises his eyebrows. “What makes you think I know?”
“No way Mick would’ve let you get this far without teaching you how to stop him,” Barry says.
“Hey! Maybe I taught him.”
“Did you?” Caitlin asks.
“…no,” Len concedes. “Mick’s the genius when it comes to punching people. I just run the Rogue, that’s all. Barely worth discussing in comparison. King of the Streets? Eh, whatever, pay it no mind – punching people’s where it’s at.”
They all laugh.
“So can you do it?” Barry asks, looking eager. “If it’s not too much time…”
“I could see myself covering a few classes,” Len says.
“Caitlin and I can cover for you for chores if you teach us the tricks when you get back to the knight’s court, Barry,” Cisco offers. Caitlin nods in agreement.
“That would be great,” Barry says.
They end up talking logistics for the next hour until Mick shows up, a good hour and a half before Len’s deadline.
Everyone goes quiet for a second.
“He’s fine,” Mick says.
They break out into cheers.
Iris even grabs Eddie into a hug.
Len arches an eyebrow. Mick had been fairly convinced of Eddie’s guilt, and a hour and a half isn’t a lot of time to change your mind.
Mick shakes his head slightly.
They’ll discuss it later, then. That’s not promising – Len has been complaining recently about how strangely slow certain things have been going, and an incorrect identification with five witnesses means either a set-up or a conspiracy or both.
Probably just people bellyaching about how Len’s not a proper Rogue again, but worth investigating.
For the time being, Len turns to Eddie. “No hard feelings, yeah?” he says mildly. “But remember, if you intend to be a criminal in this city going into the future, you’ll obey the rules.”
Eddie smiles.
He looks like a puppy, but not quite as much as Barry.
“I promise,” he says. He dips his head a little, looking a little shy. “I’ve actually never been a criminal before. I’m hoping to find a job.”
Trickster help him.
Len sighs. “How ‘bout this,” he says, mildly pained. “I’ll get you a job, if you promise to not be a criminal. I got a feeling you’d be terrible at it. Give us all a bad rep.”
Iris is beaming so hard Len’s amazed her muscles haven’t seized up yet.
“Thank you,” Barry says, and smiles at him.
Len swallows. Barry's really pretty when he smiles like that. “Yeah, sure,” he says, aiming for dismissive. “Hey, Mick, I promised Barry here lessons in dirty fighting. You in?”
“Of course I’m in,” Mick says. “Are you crazy? I taught you everything you know.”
“You did not.”
“I knew it!” Caitlin giggles.
#coldflashwave#dccoldwave#mick rory#barry allen#leonard snart#iris west#Caitlin snow#cisco ramon#eddie thawne#my fic#tortall
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Podcast Teatime: The Question Session
A very welcome February day to you all! This is my first Q&A of the new year and I thought no one was better to pick for this beloved series than the creator of The Bright Sessions podcast, Lauren Shippen.
I’ve been itching to know what this starlet in the podcasting scene has to say about her work on the show, her muses, and what she might have in store for us in the future.
(The following is a direct copy-and-paste from the email)
Hi PodCake!
Thanks for reaching out! Here are my answers:
Question One: What drove you to make the series have therapy as a central plot point? Is it more of a framing device for the overall narrative or is there a more specific reason?
It definitely started as a very convenient framing device. Everyone knows what therapy is, and has an idea of what happens there, so there wasn’t a complicated premise or world that the audience needs to buy into. It also gave me the excuse to keep things confined to two people in one room - those kinds of scenes can be hard to keep active, but with therapy as an activity in of itself, the audience doesn’t get bored (hopefully).
But ultimately, I wanted to write something that would allow characters to really discuss their feelings and delve into their own emotional lives. People rarely do this in their actual lives, but therapy provides this space.
Question Two: Is there an ultimate plan you have for your overall story or do you simply make things up as you go along?
It’s a little bit of both. My writing is always very focused on character, rather than plot, so I usually think about where I want to take the characters and build the plot around that. There are some exceptions to this (which I won’t identify here because: spoilers), but I’m rarely thinking about the big plot machinations first.
As I start to map out a season, I have a target that I’m trying to hit, whether it’s a reveal about a character, a big change in the dynamic of the group, etc. I then start to write the season with that target in mind, but how I get there is discovered along the way. This has meant that some things have changed pretty drastically from when I started out, but it has also led to some really exciting, organic discoveries about the characters themselves.
Question Three: Your show has a very interesting cast of characters. Is there a specific character you have the funnest time writing for? Whose the hardest character to put on paper?
I think this shows in his scripts, but I love writing Caleb. That’s why his scripts are usually at least 5 pages longer than everyone else’s. I like getting my brain into that teenage boy voice and I love the contradictions that Caleb contains - he’s smart, but so often oblivious; he’s very caring, but he also has an anger problem; he wants to talk about his feelings, but he can be so bad at communicating.
I’m also really enjoying writing both Mark and Wadsworth this season. Mark is such a cheery, charismatic person who has been through so much trauma - balancing who he is by nature with what has happened to him is a fun challenge. Wadsworth is just…she’s awesome, and so unbelievably arrogant, but has reason to be, and that’s a lot of fun to write.
Chloe is definitely the hardest to write. She’s constantly having at least two conversations: the one that’s happening out loud and the one she’s participating in in her head with everyone’s thoughts. Chloe is always at least one step ahead of everyone she’s talking to, so balancing each of those conversations and thinking about how what she’s hearing is affecting her own emotional state can be really difficult.
Question Four: I tend to use The Bright Sessions as a great example of expressive and effective acting in audio drama and I’m curious as to where you found so many wonderful actors. Did you already know them all or did you seek them out yourself?
I am lucky enough to live in Los Angeles, where I am surrounded by incredible actors that the big shots haven’t discovered yet. Most of the cast are from an acting class I’ve been taking at The BGB Studio for three years. Julia (Dr. Bright), Briggon (Caleb), Charlie (Damien), Andrew (Mark), Phillip (Frank), and Alanna (Rose) all go to that studio and that’s where I met them.
Anna (Chloe) and I met in a UCB class three years ago, and she introduced me to Ian and Alex M., who play Agent Green and Wadsworth respectively. Briggon, appropriately, introduced me to Alex G., who plays Adam. And then we have Reyn, who plays Charlie Decker, and who I know from ars Paradoxica, which our sound producer, Mischa Stanton, created. So it really is a family affair.
Question Five: The Bright Sessions has been achieving a lot of success in the podcast community over the few years it’s been out. Did you expect it? What do you attribute this success to?
I definitely did not expect it. I certainly hoped that people would listen, and had lofty goals to have tens of thousands of subscribers, but when we started out I assumed that was a pipe dream. I - and I think this applies to everyone else involved as well - have been delightfully surprised by its success at every turn. In just the 15 months we’ve been doing this, we’ve had so many people listen and send us messages and draw fanart and be enthusiastic, and we are incredibly grateful.
I wish I could tell you that we followed a very specific set of steps to have a successful podcast, but I honestly have no idea how we’ve gotten to where we are. Obviously, I’m proud of the show - I wouldn’t make it if I thought it wasn’t good - and I think people should listen, but I’m still surprised by how it’s taken off. I spent a lot of time in the early days on Tumblr, Reddit, Twitter, Facebook, etc., just trying to get people to listen and I think putting in those hours really helped. And then I think it’s just been a lot of dumb luck of the right people finding us.
Being featured in different publications and on iTunes has really helped people find us and those features came up more or less organically - thankfully, there are people out there who actively seek out audio drama and then write about what they like. But mostly, I think the show has done well because we’re telling stories about characters a lot of people can relate to. I’ve certainly made an attempt to write something that is engaging and compelling, but having the actors that we have to bring these characters to life is, I think, our biggest asset.
Question Six: What drove you to make this into an audio drama? Do you have any inspirations you’d like to credit?
The reason for making The Bright Sessions an audio drama was two fold. First, there was the practical reason: making an audio drama is far less expensive than making something for film. I needed to be able to do every step myself - the writing, the recording, the post-production - on a tight budget. Audio drama was the solution.
Second, the creative reason: I like the freedom of interpretation that audio drama provides. I’ve been in fandom spaces for a long time and, though I’ve never been a creator of fan works myself, I’ve always loved consuming them. The wonderful thing about audio dramas is the variety of listener interpretations they spur. Listening to an audio drama is like reading a book - you can fully immerse yourself and imagine the world and the characters however you like. Creating something that encouraged that kind of imagination really appealed to me. There were many creative reasons for sticking to audio, but this was the one I was most excited about.
While there aren’t any direct inspirations for the content of The Bright Sessions, Welcome to Night Vale and BBC Radio’s Cabin Pressure were the two pieces of audio fiction that I listened to before writing The Bright Sessions. WTNV is simple - mostly just one man talking into a microphone, with music. Cabin Pressure is elaborate - multiple scenes with different soundscapes and effects each episode, recorded in front of a live audience, big name actors. I didn’t have the dough for a BBC-like production and I think Night Vale only works as a mostly one-man show because of the magical combination of Cecil Baldwin, Cranor & Fink’s writing, and Disparition’s music.
That formula is impossible to replicate. When thinking about how I wanted to tell a story through audio, these shows were my two reference points and helped me find the middle ground in which The Bright Sessions exists.
BONUS: Has creating The Bright Sessions been a major impact in your life? How have things changed for you?
Oh boy, has it ever. The Bright Sessions has become my life. It started as a side project - a way for me to try my hand at writing and do some acting with a couple of friends. It has now turned into a full-time job (or, more accurately, three full-time jobs). On a practical, macro-career level, doing this podcast has completely changed the way I approach my professional life. Whereas before I was mainly an actor, I’m now a “writer/creator”.
People like the thing I make and they write about it and invite me to come places and talk about it and that could not be more different from the life of general obscurity I lived as an actor. I’m by no means famous or even known outside of podcast circles, but I do feel that I am beginning to experience a level of recognition that is exciting and weird and genuinely a bit confusing. Also on the practical side, the success of the show has opened a lot of doors to me in entertainment that were previously closed. You’ll have to stay tuned on where that leads, because I certainly can’t predict at the moment.
On a personal level, The Bright Sessions has given me so, so much. It’s given me the opportunity to work with people I deeply admire and grow something with them. I cannot ever express how rewarding that is. Beyond the friendships that doing the show has strengthened, and the amazing work I’ve been able to observe in these actors, the show has, funnily enough, been very good for my mental health. Creating the character of Sam was like giving my own anxiety a voice. I wouldn’t necessarily recommend acting out panic attacks for everyone who struggles with anxiety (those scenes are hard) but for me, it has been extremely cathartic.
Sam and I are very different people in what we want out of life, but our anxieties are the same. It is such a relief to be able to write a scene in which Sam explains why going outside or talking to people or feeling a certain way is terrifying. I now have something to point to and say, “this is who I am, this is how it feels sometimes to just go to the grocery store, these are my fears” and, while that is a vulnerable and frightening thing to lay bare, it has been oddly healing.
And then to get messages from people saying, “I relate to Sam so much, thank you for her, I feel less alone now” is truly moving for me. It makes me feel less alone and I am unbelievably grateful for that.
And, mixing the practical and the personal, doing The Bright Sessions finally made me get my act together and actually start going to therapy last year. I thought it was time for me to practice what I preach.
Such elegance. Such confidence. Such charisma towards her field! I want to thank Miss Shippen for doing this Q&A with me and to you all for reading this.
I say you make your appointment pronto and take a listen to The Bright Sessions for yourself. This has been PodCake, end recording.
#the bright sessions#podcast#lauren shippen#looking at the BRIGHT side today#ha ha#q&a#podcast teatime
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(PHOENIX) — An Arizona elected official ran a human smuggling scheme that promised pregnant women thousands of dollars to lure them from a Pacific Island nation to the U.S., where they were crammed into houses to wait to give birth, sometimes with little to no prenatal care, prosecutors allege.
Paul Petersen, the Republican assessor of Arizona’s most populous county, was charged in Utah, Arizona and Arkansas with counts including human smuggling, sale of a child, fraud, forgery and conspiracy to commit money laundering.
The charges span about three years and involve some 75 adoptions. Investigators also found eight pregnant women from the Marshall Islands in raids of his properties outside Phoenix, and several more are waiting to give birth in Utah, authorities said.
“The commoditization of children is simply evil,” said Utah Attorney General Sean D. Reyes.
The adoptive parents are considered victims along with the birth mothers, and no completed adoptions will be undone, authorities said.
Petersen’s attorney, Matthew Long, defended his client’s actions during a Tuesday court hearing in Phoenix as “proper business practices” and said they disagreed with the allegations.
Republican Arizona Gov. Doug Ducey said Petersen should resign from his elected position determining the taxable value for properties in Maricopa County, which includes Phoenix and its suburbs.
Petersen served a two-year mission in the Marshall Islands for The Church of Jesus Christ of Latter-day Saints, Reyes said. He was later recruited by an international adoption agency while in law school because of his fluency in Marshallese, according to a 2013 Phoenix Business Journal story.
Prosecutors say Petersen used associates there to recruit pregnant women by offering many of them $10,000 each to give up their babies for adoption. Petersen would pay for the women to travel to the U.S. days or months before giving birth and live in a home that he owned until delivering the baby, according to the court records.
The expecting mothers were often crowded in the homes, with Marshallese women Petersen employed helping with things like translation, transportation, legal documents and applications for Medicaid benefits, prosecutors said.
Women got little to no prenatal care in Utah, and in one house slept on mattresses laid on bare floors in what one shocked adoptive family described as a “baby mill,” according court documents.
Petersen sold the house this spring as complaints mounted from neighbors in the working-class area in suburban Salt Lake City, said new owner Alanna Mabey.
She was told it had been used as a rental, and since purchasing it she has found trash like dirty diapers in the bushes, she said. The news about how prosecutors say expecting mothers were treated there is “horrible,” she said. “It makes me sick to my stomach.”
In Arkansas, it wasn’t uncommon to find a dozen Marshallese mothers on the verge of giving birth in one house, said Duane Kees, the U.S. attorney for the western district of Arkansas.
“Many of these mothers described their ordeal as being treated like property,” Kees said. “Make no mistake: this case is the purest form of human trafficking.”
Arkansas has one the largest concentrations of Marshallese immigrants in the U.S. and the women would then be flown there or back to the Marshall Islands after giving birth, authorities said.
Petersen charged families $25,000-$40,000 per adoption and brought about $2.7 million into a bank account for adoption fees in less than two years, according to court documents.
Petersen’s Mesa, Arizona, home is worth more than $600,000 and located in an affluent, gated community.
The Utah probe began after investigators got a call to a human-trafficking tip line in October 2017. Staff at several hospitals in the Salt Lake City area would eventually report an “influx” of women from the Marshall Islands giving birth and putting their babies up for adoption, often accompanied by the same woman.
The scheme defrauded Arizona’s Medicaid system of $800,000 because the women had no intention of remaining in the state when they applied, according to Arizona prosecutors.
Under a compact between the United States and the Republic of the Marshall Islands, Marshallese citizens can enter the U.S. and work without a visa, unless they’re traveling for the purpose of adoption, authorities said.
Petersen has faced troubles with his adoption practices in the past. An Arizona juvenile court judge in 2016 denied a couple’s request to adopt a child born to a Marshallese woman because he feared the arrangement set up by Petersen had violated that country’s law. A court of appeals reversed the decision, saying no Marshallese approval was necessary.
Authorities do not believe the women were misled into believing their children might be returned at some point.
Arizona Attorney General Mark Brnovich said adoptive parents who went through Petersen’s agency have nothing to worry about.
“No one’s going to go back and redo adoptions or any of that kind of stuff,” Brnovich said.
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October 09, 2019 at 11:26PM
(PHOENIX) — An Arizona elected official ran a human smuggling scheme that promised pregnant women thousands of dollars to lure them from a Pacific Island nation to the U.S., where they were crammed into houses to wait to give birth, sometimes with little to no prenatal care, prosecutors allege.
Paul Petersen, the Republican assessor of Arizona’s most populous county, was charged in Utah, Arizona and Arkansas with counts including human smuggling, sale of a child, fraud, forgery and conspiracy to commit money laundering.
The charges span about three years and involve some 75 adoptions. Investigators also found eight pregnant women from the Marshall Islands in raids of his properties outside Phoenix, and several more are waiting to give birth in Utah, authorities said.
“The commoditization of children is simply evil,” said Utah Attorney General Sean D. Reyes.
The adoptive parents are considered victims along with the birth mothers, and no completed adoptions will be undone, authorities said.
Petersen’s attorney, Matthew Long, defended his client’s actions during a Tuesday court hearing in Phoenix as “proper business practices” and said they disagreed with the allegations.
Republican Arizona Gov. Doug Ducey said Petersen should resign from his elected position determining the taxable value for properties in Maricopa County, which includes Phoenix and its suburbs.
Petersen served a two-year mission in the Marshall Islands for The Church of Jesus Christ of Latter-day Saints, Reyes said. He was later recruited by an international adoption agency while in law school because of his fluency in Marshallese, according to a 2013 Phoenix Business Journal story.
Prosecutors say Petersen used associates there to recruit pregnant women by offering many of them $10,000 each to give up their babies for adoption. Petersen would pay for the women to travel to the U.S. days or months before giving birth and live in a home that he owned until delivering the baby, according to the court records.
The expecting mothers were often crowded in the homes, with Marshallese women Petersen employed helping with things like translation, transportation, legal documents and applications for Medicaid benefits, prosecutors said.
Women got little to no prenatal care in Utah, and in one house slept on mattresses laid on bare floors in what one shocked adoptive family described as a “baby mill,” according court documents.
Petersen sold the house this spring as complaints mounted from neighbors in the working-class area in suburban Salt Lake City, said new owner Alanna Mabey.
She was told it had been used as a rental, and since purchasing it she has found trash like dirty diapers in the bushes, she said. The news about how prosecutors say expecting mothers were treated there is “horrible,” she said. “It makes me sick to my stomach.”
In Arkansas, it wasn’t uncommon to find a dozen Marshallese mothers on the verge of giving birth in one house, said Duane Kees, the U.S. attorney for the western district of Arkansas.
“Many of these mothers described their ordeal as being treated like property,” Kees said. “Make no mistake: this case is the purest form of human trafficking.”
Arkansas has one the largest concentrations of Marshallese immigrants in the U.S. and the women would then be flown there or back to the Marshall Islands after giving birth, authorities said.
Petersen charged families $25,000-$40,000 per adoption and brought about $2.7 million into a bank account for adoption fees in less than two years, according to court documents.
Petersen’s Mesa, Arizona, home is worth more than $600,000 and located in an affluent, gated community.
The Utah probe began after investigators got a call to a human-trafficking tip line in October 2017. Staff at several hospitals in the Salt Lake City area would eventually report an “influx” of women from the Marshall Islands giving birth and putting their babies up for adoption, often accompanied by the same woman.
The scheme defrauded Arizona’s Medicaid system of $800,000 because the women had no intention of remaining in the state when they applied, according to Arizona prosecutors.
Under a compact between the United States and the Republic of the Marshall Islands, Marshallese citizens can enter the U.S. and work without a visa, unless they’re traveling for the purpose of adoption, authorities said.
Petersen has faced troubles with his adoption practices in the past. An Arizona juvenile court judge in 2016 denied a couple’s request to adopt a child born to a Marshallese woman because he feared the arrangement set up by Petersen had violated that country’s law. A court of appeals reversed the decision, saying no Marshallese approval was necessary.
Authorities do not believe the women were misled into believing their children might be returned at some point.
Arizona Attorney General Mark Brnovich said adoptive parents who went through Petersen’s agency have nothing to worry about.
“No one’s going to go back and redo adoptions or any of that kind of stuff,” Brnovich said.
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Need to Go on a ‘Tech Diet’? Current Ways to Fight Your Device Addiction
Screen time has been occupying headlines in recent weeks. Last month, two Apple shareholders wrote a letter to the company voicing concerns that technology might be hurting children. This past Sunday, the New York Times reported that former Facebook and Google employees are teaming up with Common Sense Media for a campaign to inform people about the dangers of technology. And on Monday, Bloomberg reported that some people in Silicon Valley are attempting to limit their use of devices via “tech diets.”
For Catherine Steiner-Adair, such concerns are not surprising. A clinical psychologist who has written about technology’s impact on children’s development, Steiner-Adair believes that devices can be particularly problematic when used as a panacea to deal with children. She tells EdSurge that when a parent gives a young child technology when he or she is emotionally upset, the parent is giving them a stimulant, rather than teaching them how to calm down.
Steiner-Adair says teachers have told her they’ve seen a huge decrease in children’s ability to stay engaged with the learning process. She also says too much technology can dampen a child’s imagination.
“When you match [a] lowercase A to [an] uppercase A on an iPad, even though it’s an educational game, you get a ping, you get butterflies, you get a stimulant to your brain,” Steiner-Adair says. “Children come to school expecting teachers to say that was great, that was fantastic, that was excellent, over and over and over, rewarding them in the same way that games reward you neurologically with stimulants.”
She calls technology the biggest experiment on a developing child’s brain without an ethical review board. While there are positive uses, she says it’s time to push the “pause button” and look at the psychological and neurological fallouts. She adds that we need to examine what non-tech tools children need to develop healthy relationships and sleep habits.
Steiner-Adair points to the Wait Until 8 movement, which calls on parents to refrain from giving their children a smartphone until at least 8th grade, as one response to concerns over technology addiction.
Roxana Marachi, an associate professor of education at San Jose State University, agrees with the waiting approach. She thinks tech companies like Google and Apple can encourage children not to be online until they’re 12 or 13 and able to “better understand what’s happening online.” But she doesn’t think that’s likely to happen. It would be helpful for parents to recognize that devices and apps have been designed for children to become addicted to them, and protect them from that at a young age, she says.
For those who prefer not to wait, here are some other ways parents and educators can monitor and manage children’s screen time on mobile devices.
Family Link
While Apple was publicly called out by its shareholders, Google heard the call to address tech addiction internally—from its very own employees.
“I think it’s one of these stories where we hear a lot, actually from our own Googlers that were saying, ‘My kids are starting to get onto tablets and smartphones at earlier and earlier ages. Can we at Google do something better here for them?” says Saurabh Sharma, the Product Manager of Family Link. “A small team of us got together and...after a couple of months and a lot of user research, we kind of came up with the basics of what’s now Family Link.”
First released in March 2017, Family Link allows a parent to manage the apps a child uses, keep track of a child’s screen time, set a daily limit on usage and remotely lock the device. Parents can use the app on an iOS or Android device, but the app can only control a child’s Android device.
There’s a one cent charge that’s required to create a child’s account. A Google spokesperson says the fee serves as verification that the parent gave their consent, in line with child privacy regulations.
Parents can choose to record how much time their child is spending on certain apps. If they make that choice, Google stores that data on its servers so that they can see how much time the child is spending on certain apps.
Google still reserves the right to share content in certain circumstances. Information the company collects can include information given to it, such as a child’s birth date and about services the child uses. While a child using Family Link can still see ads, he or she will not see personalized ads. (For more information, here’s the disclosure page for Family Link.)
Sharma says he hears time and time again from parents that tools are important to manage different types of concerns on the internet, but there’s no substitute for a conversation with a child.
Apple
Apple currently doesn’t have an app akin to Google’s Family Link, although it hinted last month that it's adding additional parental control features.
For the time being, adults can make use of existing parental controls available on iOS devices. They include the ability to block or limit certain apps and features on the iPhone, iPad and iPod touch.
There are other features a user can implement: Do Not Disturb mode can silence calls, alerts and notifications a user gets when their device is locked; Guided Access has the ability to temporarily restrict a device to a single app; Ask to Buy lets a parent approve new purchases and free downloads a child wants to make in iTunes, iBooks, the app store, iCloud storage or in-app. And on the iPhone, iPad and iPod touch, parents can check the amount of battery used by each app to get a sense of what apps a child has been on.
Third-Party Apps and Products
There are also a number of third-party apps that let parents manage their child’s screen time.
Circle
Circle is a device that pairs with a Wi-Fi router so a parent can manage content and set time limits on apps and websites on every device that run on the household’s Wi-Fi. The device costs $99.
DinnerTime Plus
DinnerTime Plus is an app that lets parents monitor and control what their kids do on their devices. The app is free, but there’s an in-app purchase for parents to see detailed usage reports for their child’s device. The child’s device must be an Android smartphone or tablet, but the parent’s device can be an iOS or Android phone. DinnerTime Plus claims it does not yet support tablets for parents.
Flipd
One company is trying to minimize distractions in the classroom. Flipd is an app students can use to stay off their phones in class and any time they don’t want to be interrupted, such as when they study.
According to Flipd’s co-founder Alanna Harvey, the app works like a screensaver that reminds students not to use their phones while they’re “Flipd Off.” If a student unlocks his or her phone during a Flipd session, the screen is there to remind them they shouldn’t use their phone. If a student decides to override Flipd, they’re making a conscious decision to use their phone when they know they aren’t supposed to, Harvey explains.
Professors and teachers can use Flipd to get analytics and data around the engagement of students in the class. If an instructor is using Flipd during a lecture, he or she can see how many students have activated the app, and at which point during the lesson students exited Flipd to check something on their phone.
Using Flipd is entirely the student’s choice, although many professors who use it do tie it to participation or engagement credit, Harvey says.
When Flipd was first starting off, its initial target market was as a parental control app. But Harvey says that changed when they started recognizing that students were using Flipd for themselves. Today, Flipd is mostly used in higher education, with 125 institutions having used it since fall 2016. The company is also expanding to younger grades, and currently has three K-12 pilots in California.
When All Else Fails...
If you don’t want to use tech to combat tech, there’s an extreme option: physically lock up the device. Yondr is a company that offers a pouch that locks a phone, and markets it for a wide array of use cases, including concerts and schools.
Using the Yondr pouch, the phone is placed into a case that locks. You can still feel your phone vibrate if you get, say, a call from someone, but you can’t physically access it. The only way to access your phone is to use a specialized unlocking mechanism.
Sometimes kids will find ways to outsmart that system, such as by ripping the case open, says Graham Dugoni, the CEO and founder of Yondr. “It’s a constant game of cat and mouse which we kind of find entertaining at a certain level.”
Currently, Yondr is used in roughly 600 schools. Five universities in the United States and two in Canada use Yondr for lecture halls or studies. Yondr has occasionally worked with households, but Dugoni says on a bigger level, his company is figuring out how to best help individual families implement their system.
Dugoni thinks most phone usage is primarily an impulse, and creating a physical barrier is “really all you need most of the time.”
Need to Go on a ‘Tech Diet’? Current Ways to Fight Your Device Addiction published first on https://medium.com/@GetNewDLBusiness
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Your Friday Morning Roundup
The Phillies lost to the Dodgers 5-4. If you’ve been someone that hasn’t followed the Phillies since June, this shouldn’t be a surprise to you. The Phils lost to the best team in baseball, not a shock.
But dig deeper into that 61-92 record and you see the Phillies have actually been good since the All-Star break. They’ve gone 32-34 overall and 18-15 in their last 33. They went 29-58 in the first half.
During that stretch, the Phillies have lost their title as baseball’s worst team, which now belongs to the San Francisco Giants by a game. They’re close to leapfrogging the White Sox and Tigers as well, and are four-and-a-half games behind the Mets for fourth in the NL East.
A big reason for this surge has been the arrival of their highly-touted prospects. And throughout this Dodger series, they played a huge role in the team’s three wins.
Monday night, Aaron Altherr hit the first grand slam home run Clayton Kershaw ever gave up. Rhys Hoskins hit a bases-clearing three RBI double Tuesday night and batted in another run. Altherr was clutch once against the following game, thanks to a game-tying homer in the seventh, followed by a two RBI single.
Yesterday, Hoskins, who started at first base, and Nick Williams drove in all four runs the Phillies would score, while J.P. Crawford drew three walks.
We saw a glimpse of what the 2018 Opening Day lineup could be. No Tommy Joseph. No Maikel Franco. No Cameron Rupp. Cesar Hernandez started at second base, but that could change if Scott Kingery excels in Spring Training.
There’s still plenty of things for the Phillies to fix, especially their pitching. But it’s been a long time since the team was fun to watch. And thanks to the prospects, they’ll be fun to watch for the final nine games of the season.
That starts tonight with the team’s final road series of the season against the Atlanta Braves at 7:35. Ben Lively goes on the mound against Sean Newcomb.
The Roundup:
Sticking with the Phillies, Tommy Joseph knows his role has changed, and he’s been professional about it.
Reliever Jesen Therrien might be out for the entire 2018 season after undergoing Tommy John surgery.
Ryan Lawrence has five candidates who could replace Larry Andersen on the Phillies radio team next season, including Jayson Stark:
Sometimes you put a list together and you feel really good about the names on it, but you’re searching for one last one to top it off. And then you realize that it’s probably the most obvious and best fit of the bunch. Broadcasting experience? Check. Stark worked at ESPN for nearly two decades. Baseball knowledge? Check. Stark is as plugged-in as anyone in baseball and has been for nearly 40 years working at the Philadelphia Inquirer and ESPN.com. Encyclopedia-like knowledge of the Phillies? Check. Stark is a former Phillies beat writer who wrote about baseball in Philadelphia and around the league while at the Inquirer for 21 years. He still lives in the area. Like Glanville, Stark was shockingly let go during ESPN’s layoffs in April. He should still be writing somewhere, surely, but maybe in 2018 he can be like Ken Rosenthal and write for one company while broadcasting for another.
Lawrence also interviewed Joey Davis, the area scout that signed Hoskins and a few other rookies.
The Phanatic got a date with Dodgers reporter Alanna Rizzo prior to yesterday’s game.
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The Eagles are still trying to figure out their situation at safety. Rodney McLeod, Corey Graham, and Jaylen Watkins didn’t practice yesterday with hamstring injuries. Is new arrival Trae Elston ready to play on Sunday? Les Bowen has more:
Would defensive coordinator Jim Schwartz try some sort of four-linebacker look, with [Kamu] Grugier-Hill covering in the box? Is there any way to get Elston ready, even for one specific package?
“I really don’t know,” Elston said, when asked if the Eagles’ defense was similar to what he played in with the Bills. “I’m just trying to run fast, do it full speed.”
With Jalen Mills and Rasul Douglas as the probable starters at cornerback this week, and Sidney Jones waiting to play, are the Eagles grooming their next long-term starters at the position?
Or could they go and get Malcolm Butler from the Patriots? Albert Breer thinks it’s possible:
Who would be the trade partner? The Eagles make sense. And they have a versatile front seven piece that would fill a major need for the Patriots and has been tied to trade talks in the past: linebacker Mychal Kendricks.
Speaking of Jones, Elijah Qualls thinks he’ll be a top corner when he finally plays in the NFL:
DT Elijah Qualls was a terrific guest on Pro Football Report. He's convinced his college teammate, Sidney Jones will become an elite corner.
— Merrill Reese (@mreeseeagles) September 22, 2017
In what might be a historic running back class, the Eagles failed to get an impact running back. But everything will be alright.
We’ll have game predictions later today.
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The Flyers fell to the Bruins 2-1 in overtime last night. Travis Sanheim scored the lone Flyers goal in the third period on a shorthanded opportunity, and Brian Elliott stopped all 18 shots he faced in two periods of work. The big worry was the power play units, going 0-for-9 in the game.
The team also reduced their training camp roster by 18 players. Notables include 2016 first round pick German Rubtsov heading back to Chicoutimi of the QMJHL, Philippe Myers going to Lehigh Valley’s training camp. The roster currently sits at 36 players.
But the toughest decisions have yet to come.
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Chris B. Haynes has a small Joel Embiid update:
chris b haynes reporting on embiid, says he's expected to do some basketball activity during camp, no one has a timetable http://pic.twitter.com/SpCQwp59LE
— Drew Corrigan (@Dcorrigan50) September 21, 2017
One of the big questions surrounding the Sixers that doesn’t involve Embiid’s health is how Brett Brown will use Markelle Fultz, according to David Murphy:
“I feel like the city and the media has to recognize that he just turned 19 a few months ago, and we all get how unforgiving the NBA is,” Brown said, “and there are weaknesses obviously that we have to address in his game, and we really want to go hard at this defense, but I think when you ask what do we see at first glance, I see a person, a real person, I see somebody that is incredibly gifted and the game comes easy offensively, I see someone who will be challenged defensively, especially as it relates to NBA point guards, and then how does he navigate NBA seasons and the rhythm of an NBA season at 19 years old, we will all learn more about.”
The team will also give center Jahlil Okafor every chance to play while he’s being shopped.
A realistic worst-case scenario from the Sixers this season. And be sure to take a listen to Kevin Love’s latest podcast, featuring Tom Moore:
Episode 6 of the Sixers Science podcast is live, featuring the ever insightful @TomMoorePhilly https://t.co/trhYu03iPh
— Kevin Love (@KevinLove_76) September 21, 2017
The team will also hold their Blue x White scrimmage at the Palestra October 1.
Kyle Neubeck of Liberty Ballers is leaving his post as Managing Editor. But he also teased he’ll continue to write about Philly sports full-time somewhere soon.
Finally, Benjamin Simmons:
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Temple got crushed by #21 South Florida 43-7 in Tampa. The Owls recorded 89 yards in the air and -4 rushing yards. Their defense gave up 408 total yards to the Bulls, including 312 on the ground.
Speaking of the Owls, even though Matt Rhule has yet to win a game as Baylor’s head coach, he’s still the right pick to lead the Bears. I wish he never left Temple.
Tim Reilly reminds you Joe Paterno may not have been the perfect head coach at Penn State.
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In other sports news, last night’s Thursday Night Football game between the Rams and the 49ers was…entertaining?
First play INT✅ 10 TDs✅ 80 points✅ Muffed punt✅ Fumbled kickoff✅ Missed 2pt conversion✅ Onside kick✅ Game-sealing sack✅#LARvsSF
— Rich Eisen (@richeisen) September 22, 2017
This is some incredible football. Gotta be one of the highest effort games I've seen in a while.
— Ian Rapoport (@RapSheet) September 22, 2017
Amazing how all the people who complain about Thursday Night Football spend their Thursday nights tweeting about Thursday Night Football.
— Peter Schrager (@PSchrags) September 22, 2017
It was the highest-scoring TNF game in the history of the series.
Former Patriots tight end Aaron Hernandez had a severe form of CTE in his brain when he committed suicide in April.
Jose Baez, Hernandez’s lawyer, said Hernandez’s brain showed a level of damage that was seen in players with a median age of 67 years.
Baez said he had filed a lawsuit in federal court against the Patriots and the N.F.L. on behalf of Hernandez’s daughter, Avielle. The suit seeks unspecified damages for loss of parental support. The suit alleges that the Patriots and the league were “fully aware of the damage that could be inflicted from repetitive impact injuries and failed to disclose, treat or protect him from the dangers of such damage.”
The Giants offensive line, as explained by a New York radio host.
Andre Ward, the undefeated light heavyweight boxing champion that was considered as one of the best in the world, unexpectedly announced his retirement.
Golden State head coach Steve Kerr said the team will discuss if they will visit the White House when they all meet later in the fall.
Screw the NCAA:
Texas A&M distance runner Ryan Trahan says that he has been ruled ineligible and warned by his university for using his name, image and likeness as an athlete on his YouTube page to promote a small company that he started. NCAA bylaw 12.4.4 rules that an athlete “may establish his or her own business, provided the student-athlete’s name, photograph, appearance or athletics reputation are not used to promote the business.”
In addition to his running, Trahan has his own YouTube channel with 14,000 subscribers and nearly one million views where he shares tips and insight into his training. He also promotes Neptune water bottles, a company that co-founded with a friend in 2016. Trahan just started his freshman year at Texas A&M after a successful high school career.
Clemson kicker Greg Huegel is out for the year after tearing his ACL on the last play of practice.
From being a running back on the Steelers to being one of the main minds behind Ballers, Rashard Mendenhall has found his dream job.
An interesting read by Nick DePaula on the race for sneaker companies to sign Giannis Antetokounmpo to a deal:
To kick things off this week, Bucks teammate (and Adidas endorser) Thon Maker walked Antetokounmpo out to the parking lot of the team’s practice facility after a Tuesday morning workout. Awaiting him was a truck full of size 16 Adidas sneakers, including everything from pairs of the coveted Yeezy Boost series to Adidas Originals staples like the Stan Smith and running models like the UltraBoost.
With his current Nike endorsement deal set to expire on September 30, Antetokounmpo is assessing his options. Rather than take brand pitches at their headquarters, as some players do, he insisted on hosting the meetings in Milwaukee, in order to not disrupt his no-frills workout schedule leading up to his fifth season — a season in which he has MVP aspirations.
Loving these new Colorado State unis:
Colorado State will wear these special State Pride uniforms Nov. 11 vs. Boise State. Love the helmet look http://pic.twitter.com/u7HeVW9IQm
— Brett McMurphy (@Brett_McMurphy) September 21, 2017
LaMelo Ball got roasted and it’s beautiful:
LaVar's gotta find this clown and whoop him for disrespecting LaMelo like this. http://pic.twitter.com/OkJxqGZzNS
— Thomas Duffy (@TJDhoops) September 21, 2017
The NHL might want to let their players go to the Olympics in 2022:
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In the news, Philadelphia police have charged a man after a pipe bomb scare Wednesday in East Oak Lane.
Two men are on the run after stealing about $2,000 worth of cigarettes at a Wawa.
North Korea could test a hydrogen bomb over the Pacific Ocean.
Hurricane Maria left a devastating mark on Puerto Rico.
Your Friday Morning Roundup published first on http://ift.tt/2pLTmlv
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Lee Lozano Background
BY the time Lee Lozano died in 1999, her last high-profile artwork could fairly be judged a success. “Drop Out Piece,” begun in 1970, had consisted of removing herself from the New York art world, of which she was a highly visible member, and eventually disappearing altogether from the public eye. Her choice of burial, in an unmarked grave outside Dallas, was arguably the work’s final flourish.
Around the same time, though, Lozano’s artistic reputation, which had faded into the same obscurity as the artist herself, was beginning to revive. After a show of her late-’60s “Wave” paintings at the Wadsworth Atheneum in Hartford in 1998 there were several surveys in the United States; a traveling exhibition organized by the Kunsthalle in Basel, Switzerland, in 2006; and a retrospective at the Moderna Museet in Stockholm, Sweden, last year.
A few of her paintings and drawings are on view (in spite of Lozano’s notoriously dismissive attitude toward other women) in “Seductive Subversion,” the Brooklyn Museum’s show about female Pop artists that runs through Sunday. And on Wednesday an exhibition of her drawings and paintings of weirdly distorted tools, from 1963 and ’64, opens at the Hauser & Wirth gallery in New York.
Lozano has become something of a cult figure, her works on canvas and paper celebrated for their urgent, angry energy, which seems to have culminated in later, increasingly radical conceptual “pieces” like “Drop Out.” In the view of some experts her ultimate rejection of the art world may have much to do with the renewed interest in her work.
“In an art world which, for many, is dominated by the logic of art fairs and billionaire collectors,” said Helen Molesworth, a curator who featured Lozano in a show at the Wexner Center for the Arts at the Ohio State University in 2008, “the fantasy of walking away from it all is a powerful one.”
And it’s hard, in retrospect, not to see pieces like the roughly two dozen drawings and large paintings in the Hauser & Wirth show — close-cropped, menacing depictions of a three-headed hammer, a stubby-handled ax and other deformed hardware — as early expressions of the defiance that came to define Lozano and ultimately pushed her, some believe, beyond the boundary of sanity.
“Robert Rauschenberg used to talk about the space between art and life,” said Alanna Heiss, who knew Lozano and was a curator of a 2004 exhibition, “Lee Lozano: Drawn From Life, 1961-1971” at P.S. 1 Contemporary Art Center, in Long Island City, Queens. “Lee was cruelly caught in the space between art and madness.”
Lozano, born in 1930 into a staid, middle-class household in Newark as Lenore Knaster, began her career conventionally enough, with a B.F.A. from the Art Institute of Chicago after getting her bachelor’s in liberal studies from the University of Chicago in 1951. In her mid-20s she worked laying out ads for the Container Corporation of America, and met and married Adrian Lozano, an architect.
After the couple separated in 1960, she moved to New York, where she looked up Richard Bellamy, an acquaintance from Chicago who had just founded the Green Gallery, which would propel the careers of artists like Robert Morris, Donald Judd and Claes Oldenburg. Lozano quickly became immersed in the downtown Manhattan art scene.
“She was brought up with pearls and twin sweater sets, so I identified with her,” said Dorothy Lichtenstein who, before marrying the legendary pop artist Roy, worked at the Bianchini Gallery on 57th Street, where Lozano had her first Manhattan solo show in 1966. But Lozano was in the course of changing her style, preferring men’s white shirts and black leather jackets. “Lee was punk before punk,” Ms. Lichtenstein said.
From the start Lozano’s art was wild. After her classical training at the Art Institute she began producing paintings that mixed the frenetic brushwork of many Abstract Expressionists with cartoonish, sexually freighted imagery. Many peers, including Hollis Frampton, Sol Lewitt and Carl Andre, were drawn to both her work and her personality.
“Lee was brilliant as an artist and a person,” Mr. Andre recalled in a recent e-mail, “and utterly unique as both.”
In 1963 she began her large-scale tool paintings, which were exhibited at the Green Gallery a year later with works by Judd, Dan Flavin and Mark di Suvero. Although more restrained than her earlier work these paintings still felt oddly provocative and aggressive in the company of the minimalist works around them. Mr. Andre said he was particularly struck by their “powerful phallocentric content.”
By the late ’60s her own work had become more Minimalist, in the form of her “Wave” paintings, each of which was an undulating representation of an electromagnetic wave composed of multiple tiny rills of paint painstakingly applied with steel combs and stiff wire brushes in a single session so they would not dry out. It was as if the emotional intensity of her artworks — at least the physical ones — had shifted from the content they depicted to the way they were produced.
They were recorded on a surface “striated like a phonograph, but much coarser,” said the artist Stephen Kaltenbach, a frequent visitor to Lozano’s Grand Street studio. The series of 11 paintings — each one more complicated than the previous one — was completed when Lozano could no longer physically endure even one more striation, he said, adding that her final painting session involved three straight days of the grueling work.
The “Wave” paintings were featured in a solo exhibition at the Whitney Museum of American Art in 1970, then a notable distinction for a female artist. But Lozano’s appreciation of this achievement was largely undercut by her increasing disenchantment with what she saw as the hypocrisy and careerism of the art world. In a journal entry from May 1968 she wrote, “Artist, critic, dealer and museum friends, in fact, almost everybody: I still smell on your bad breath the other people’s rules you swallowed whole so long ago.”
Meanwhile she also was starting to practice a different kind of art: conceptual pieces turning on self-prescribed tasks, sometimes witnessed by no one but herself and often involving her accelerating drug use. In April 1969 she planned a series of identically sized paintings, never realized, that she would execute first high on a drug, then drunk and finally sober. (“Since I’m usually stoned or half-stoned when I paint,” she wrote in a notebook at the time, “the drug for this painting would have to be stronger or harder than grass or hash.”)
The same year, according to Mr. Kaltenbach, she embarked on a work requiring her to drop 30 hits of acid in 30 days. After this endeavor, her friends agreed, Lozano was a changed person.
“Sometimes I felt I was talking to whatever drug she had just taken,” Mr. Andre said.
Lozano’s use and abuse of her body in conceptual pieces was not unique in that era; in 1971, in the name of art, Vito Acconci masturbated under the floorboards of a commercial gallery, and Chris Burden convinced a friend to shoot him in the arm. But many began to feel that she had passed a point of no return.
The artist John Torreano, a friend of Lozano’s, recalled a holiday party at the end of that year when, dismayed by the evening’s bourgeois atmosphere, she shouted, “I’m so bored!” and smashed a plate on a table, then threatened to cut her wrist with a shard. “She had gone over the top,” Mr. Torreano said.
Yet, according to Mr. Kaltenbach, when Lozano mentioned the incident to him afterward, she insisted her outburst was simply another artwork.
In August 1971, enraged by what she saw as the self-defeating isolationism of feminists in a leftist art group she had joined, Lozano scribbled in her notebook, “Decide to boycott women.” The piece that resulted, which began with a simple gesture — tossing a letter from the feminist critic and curator Lucy Lippard onto a stack of unanswered mail — eventually escalated to the point that Lozano refused to greet or take phone calls from female acquaintances and insisted on having (male) guards at her shows, from which she tried to deny women access, Ms. Heiss said.
“Lee wanted to be a bad boy very much,” Ms. Heiss said. “Then she got irritated because she always a girl in the end.”
Ms. Heiss recalls seeing “scraps of paper, stretcher bars, and then a painting” tumbling down onto the sidewalk as she was walking down a SoHo street years ago. Ms. Heiss looked up, and “there was Lee, throwing things.” she said.
Wondering if the attack was personal, Ms. Heiss recalled “holding up a scrap of something, and saying, ‘Hey Lee what are you doing?’ ”
Ms. Heiss said Ms. Lozano replied: “Get away from me! I wasn’t throwing anything at you. I wouldn’t take the time or trouble.”
Having briefly considered a return to the site to search for anything worth keeping, Ms. Heiss said, “it occurred to me that I could be discovered and — who knows? — killed.”
After all, she said: “Lee was such a great artist. But she was also a pretty dangerous person.”
Dorothy Spears. (2011, January 5). Lee Lozano, Surely Defiant, Drops In. The New York Times. Retrieved from http://www.nytimes.com/2011/01/09/arts/design/09lozano.html
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Her Own Story - Episode 1.4: Alanna: The First Adventure
Feminine Mystique
This is the segment where I talk about what it means to be a woman in this fantasy world: gender performance, female sexuality, and relationships with men, women, and everyone in between.
I’m going to start with the bad here so that I can end with the good. Because there is a lot of good. But sweets are for dessert. Beef is for the entrée.
~Gender Essentialism Rearing Its Head~
A quick note before I get started: I’m writing this as a cis-het woman. In other words, I identify with the gender I was assigned at birth. As a result, I have a lot of biases - some I’m sure I’m not even aware of. So if you find this discussion or my definitions in any way off-putting, please let me know! I’m always working to get better at this.
Now to get to it.
This book runs headlong into the issue of gender essentialism. If you’re not familiar with the term, the basic gist is this: all men have a penis, all women have a vagina, and there is no in-between.
For the record, this is not true. Your biological sex and gender are not the same thing. Biological sex refers to the type of genitalia you have. It’s physical. Gender refers to the set of social behaviors a person performs: whether you like wearing dresses, who you prefer to date, and even how you hold yourself when you walk or sit. And all of these behaviors are learned. Terms like “tomboy” and “queen” are used to judge how well people perform them.
This translates into a two-fold problem in western society (and other countries, but because this series is written in the context of western society, that’s the side of the issue I’m focusing on for now).
First, we link biological sex, which is a physical trait, to gender, which is behavioral.
Second, we only have two gender options, based on the most commonly seen types of genitalia: male and female. Man and woman. With this system, we assign babies a certain set of behavioral expectations based off their reproductive systems.
In practice, this doesn’t work out, of course. Even if everyone could agree on what makes a “real” man or woman, there are overlaps and contradictions everywhere: there are women who like to talk cars and men who enjoy cooking and cleaning. Women who are attracted to women, men who prefer dresses. The list goes on. And I’m not even getting into how race, class, and disability play into this issue.
As a result, it’s not surprising that there are people who don’t identify with the gender they were assigned. Some identify with the opposite gender. Some identify with a combination of those roles. Some don’t identify with any gender at all. Currently, one of the most popular terms for this broad group of people is “trans,” but there are many other names.
Clearly, this is a huge social divide that intersects with all kinds of issues. But the problem with The First Adventure is that Pierce never addresses any of it! Although she openly challenges the assumption that men and women should follow certain behaviors, she never once questions the existence of those genders themselves. So for people who don’t feel as if they fit into either one, these books seriously fall short.
I don’t think this is intentional. In this book and in later ones, Pierce goes to a lot of trouble to be as inclusive as possible. But when Alanna’s first period triggers a massive breakdown about her body and gender, her health practitioner tells her: “Your place in life can always change…but you cannot change what the gods have made you.”
And that is a problem. It implies that gender is biological and immutable. It implies that you don’t get a choice.
I’m pretty sure that this isn’t what Pierce intended. The rest of the book lands much closer to a message of “don’t change yourself for society.” But what she intended doesn’t matter. Because in this context, where it is framed as a gender essentialist issue, that message becomes something more like, “you can’t change the gender you’re born with.” And that’s some transphobic bullshit.
~A Brief Aside on Gender Performance~
Now might be a good time to go into gender performance – those behaviors that we see associated with either gender. Unfortunately, because Alanna is going through her pubescent years with a ton dudely dudes, she’s not very aware of the differences in how men and women act. So while there’s lots of gender performance going on – see the bullying discussion in 1.3 – it’s not something that’s highlighted much. So I’m going to save it for the next book.
~More Internalized Misogyny~
As I said before, I think Pierce talks about this issue really, really expertly. But she does slip up. I may be part of a small demographic that finds this particular instance troubling. But it’s still worth talking about.
Alanna loses her temper pretty reliably throughout the book. And she suffers from a lot of internalized misogyny, which rears its head pretty consistently, as well. But these two intersect most notably when she notices physical changes: her breasts and her first period, in particular.
Her consequent outbursts are fueled by fear of discovery, obviously, but they also reveal a fear of being a woman. Because in Alanna’s mind, women are “soft and silly” – and that’s a bad thing.
Coram, her man-at-arms, reassures her that she’s neither of these things. But he’s missing the point. Because the issue isn’t that she’s mischaracterizing herself: it’s that there’s nothing wrong with being soft or silly, just as there’s nothing wrong with a woman who’s tough or serious.
It may be a small quibble, but it’s one that bothered me. Alanna is still young, so it’s natural that she’s not thinking of how other women are affected by sexism. But it would’ve been nice if Coram had at least mentioned it. Then again, he is a cis-gendered male.
There is a brief nod to the effects of systemic sexism – and oppression in general – at the novel’s end. After Jon discovers Alanna’s secret, he mentions in passing that she has outperformed most of the other pages, that she “does better than most of us.” Alanna simply says, “I had to.” Because in her society – and in ours – any person who is marginalized has to be extraordinary in order to be considered on the same level as your basic cis-gendered white dude. And those expectations have imprinted on her so strongly that, even though most people don’t realize she’s not a boy, she holds herself to higher standards.
~Boobs and Blood~
Okay. Now that I’ve hit on the most outstanding issues, I’m going to get to the good stuff. Because, holy cow Batman: a nuanced portrayal of female puberty!
I’m not even talking about becoming interested in sex. I’m talking how girls cope with the physical and emotional impact of growing breasts and getting their first period! And best of all, when Alanna goes to see a health practitioner about these concerns (in secret, naturally), we get a straightforward discussion about sex and FANTASY BIRTH CONTROL. References to female orgasm!
If I sound excited, it’s because I am. I can’t overemphasize how unusual it is to see a scene like this in any literature, let alone books targeted to children.
Pierce is not the first author to explicitly discuss menstruation and sex. Both Judy Blume and Stephen King did so earlier and more famously in Are You There God? It’s Me, Margaret and Carrie. But menstruation is still a deeply taboo topic, even today. And this scene in The First Adventure was the first time I personally ever read about it in a novel. And outside of one or two memoirs, I’ve only seen the subject tackled in one other book – also written by Pierce.
And the discussion is nuanced.
Oftentimes, going through puberty is shown as one of two extremes: something that all girls desperately crave (as in Are You There God?) or as a horror show (as in Carrie). The First Adventure offers a rare in-between. Alanna is deeply distressed by her changing body. And, before she realizes what it is, she is terrified upon finding blood on her sheets. But once she understands what is happening and how to deal with it, she begins to accept it. She isn’t happy about it, but it isn’t a deal-breaker.
And honestly? This really matches up with my personal experience. Overall, I was looking forward to both breasts and periods much more than Alanna ever was – but even I was left feeling pretty ambiguous once both appeared. Not just because of the physicality of it, but because of the social implications. Awkward conversations with my mom and teachers. The constant fear that my bra strap might show or that I might leak. And the reactions from classmates, particularly male ones, whenever the subject came up. I could write a whole book on it.
Just as you don’t get to control when these changes happen, you don’t get to control how other people respond to them. And that loss of control is unexpected and unpleasant, even if you’ve been looking forward to the rest of it. So I could deeply relate to Alanna’s overall negative reaction. Puberty can really suck, even when you’re not hiding your gender.
In all honesty, other than the gender essentialist issue which pops up here, my only major beef with this scene is the health practitioner’s casual assumption that Alanna is going to change her mind about having kids. Presumptuous, much?
But really, there is so much to like here. I love that chapter in which this scene takes place is explicitly called ‘Womanhood.’ Pierce isn’t trying to hide it.
I also love that the remainder of the chapter focuses on other, non-physical aspects of growing up. It’s not about physical attraction or sex. That’s saved for later books. Instead, this is the chapter where Alanna starts to become more self-aware: not just of Duke Roger’s suspicious behavior, but also of the possibility that the divine might be taking an interest in her life. They are the first inklings of developments that will become integral to the remainder of the series.
~A Quick Note on Breast Binding~
Pierce briefly describes the practice of binding breasts in this book. The reasons for this are obvious, but the method Alanna uses – wrapping her breasts tightly with a piece of fabric – is actually considered pretty unsafe. Putting that kind of pressure on your chest improperly can seriously deform the ribcage. Alanna switches to a more classic chest binder by the next book, which is a much safer option, but not a lot of attention is brought to that. This Buzzfeed article provides some good info and resources.
If you’re interested in learning more about trans rights and issues, I highly recommend checking out the National Center for Transgender Equality.
And that’s it for today! Next up: Bildungsroman.
#Tamora Pierce#Fantasy#Her Own Story#My Writing#Analysis#Meta#Books#Song of the Lioness#Tortall#Alanna of Trebond#Jonathan of Conté#George Cooper#Coram#Maude#Gender#Gender Essentialism#Binding#Transphobia#Gender performance#Transgender Equality#Alanna: The First Adventure
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