#for something I hate less.... the hatchetfield series

[femslashspuffy]

Actually the worst thing that can happen to a really good work of art is that it gets a sequel and... especially if it has more fan service... you cant interact with the original good one without encountering the parts of the rest that you HATE and everyone else just accepts without criticism?

And then the creator gets into hot water and the conversation is all about that

[man-down-in-hatchet-town]

Everything You Want

If you ever needed proof that I really love Shipwrecked, here it is: I tore myself away from Hatchetfield on NPMD RELEASE DAY (!!!!!!!!!!!!!!!) to put down some thoughts on Greater Gatsby, episode 7. As always, spoilers below the cut.

(Before we jump into that, though, MASSIVE shout out to Curt Mega for this podcast, Nerdy Prudes, and Pulp Musicals. He's worked on almost everything that's keeping me going right now. Man of the Season. Thank you for your service, sir.)

Okay, I got to say it. Ford suggesting that Peter Lorre, an ethnically Jewish guy who had to flee Nazi Germany, isn't used to hate mail was... a choice on his part. But the running gag of celebrities taking threats as complements is genuinely one of the best gags in the series so far.

So the writer of the letters is going after adaptions. The further we get into this, the more I start to wonder if these letters are really just an old-timey viral advertising campaign. If you build up this whole, buzzy, real-world-intrigue story about beloved actors being threatened for appearing in adaptions, you know what will happen when such adaptions come out? Ticket sails will soar. People will want to be part of the narrative, to see the movie Jimmy Stewart or Wilhelmina Vanderjetski put their life on the line to make. And someone in the business threatening other people's lives just to increase profits is thematically just the sort of thing that would exist alongside Ford Phillips and his hatred of the cynical, exploitative Hollywood system.

But the problem there is, what would that have to do with F. Scott's murder? There's got to be a reason both these cases are part of the same story. Perhaps Fitzgerald somehow found out in his deep-dive into Hollywood secrets, and the letter writer killed him to keep him quiet. It's not a worthy motive, but most aren't, and the greed at the top of the ladder knows no bounds. Or maybe the letters are being sent out by someone connected to the movie but unrelated to the murderer in order to specifically market a rewritten Greater Gatsby and further capitalize on Fitzy's death--make it seem like he died for the art. But then again, the public doesn't know he was even murdered in the first place...

Or maybe I'm flat-out wrong about the whole marketing angle. Really, the most obvious answer is that Greater Gatsby was basically an adaption, and the writer of the letters genuinely hates such movies. They threatened Fitzy, then simply followed through. But that falls apart if you look a little deeper. Beyond "hatred of adaptions" being the silliest reason to kill someone, such events would imply a pattern of the writer murdering a victim before moving onto the next and that hasn't held up. So maybe F. Scott was being threatened to stop work on his film by someone who had a secret to protect. The situation spun out of control, our threatener killed Fitzgerald, and is now writing all of those threats as a distraction. That way, if the threats he/she ever sent to Fitzgerald were found, investigators wouldn't see through to the real motive behind them.

Meanwhile, all of the celebrity cameos were very fun and silly, but didn't tell us much other than give the slightest glimpse into why Ford hates Jimmy Stewart so much (still perfect character lore). We got another mention of Eugene from the Punchwhistle twins, definitely making him feel less like flavor and more like set-up. And do we think Rex's perfect recall is going to come back, or was just a device for this one scene? In Ford's personal orbit, it sounds like Bixby's quest to fix his financial issues has gotten him into real trouble. There's clearly something clandestine about the group he's renting the backroom out to, and their potential relevance to Mo, one of the few people to see Fitzy's body, is another point in favor of that group connecting back to our murdered author. I still think they're working on remaking Greater Gatsby in secret.

Speaking of secrets, we don't know where Barnaby was the night of Fitzgerald's murder, or why he's lying about it. He could be the murderer, he could have also been having an affair as well... I gotta tell you guys, Barnaby might be one of my favorites but I wouldn't trust him with a moldy piece of bread. The way he stabbed Ford in the back and then instantly came to him for help because someone else was untrustworthy? What a guy. (He's right about the cops, though. Don't trust the fuzz.)

Regardless, it looks like Fig and Ford are setting their sights on Darby. I doubt she's the one behind the letters but I'm hoping we'll start to get answers about her "book club" and whatever the hell Bixby's gotten himself into...