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jeriafterdark · 2 years ago

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813 - The Reprise - Part 9 - One Year onward and how 813 never stopped, + muting of CAPA clowns

Masterpost here

Long time no post! I'm much more active on my twitter, I mostly retweet updates on 813/JunZhe / my art and fan creations if you're wondering where I am.

So it's been one year since August 13, 2021, the day that ZZH was cancelled / bullied off the face of Chinese Entertainment.

Table of Contents:

813 never ended - a one year summary adding context as well as relating it to Zhang Sanjian / ZSJ, a weapon in CAPA's arsenal against Zhang Zhehan.

CAPA clowns muted on August 12, 2022.

Below is my thread from twitter, but with links and sources.

1. 813 never ended, and ZSJ proves that.

You may have thought that 813 ended with ZZH’s cancellation, but it never stopped. The big picture: the IG/ZSJ scandal is part of a corrupt industry-coordinated effort to effectively erase ZZH’s presence from entertainment, for good.

Since the airing of SHL/WOH and ZZH’s subsequent rise into fame, he had to endure many harsh rumors generated by malicious people planted in fandom or on the periphery. If you’ve followed QV/Blue/Flora’s posts recently, more and more people are being identified, who came out of the woodwork to contribute to these false rumors. I.e, the GF rumor on the boat that ZZH was on. There are many groups of individuals with connections to each other and to CAPA, i.e. the teashop / the Chens, Weibo Antis, Xie Yihua and co., and the Shenzhen Gang.

Flora's character sheet keeps track of all the characters here and she also keeps an updated map of how everyone is related (as of 21/08/08), from CAPA execs to the tea shop to the ehzz ZSJ brand.

Leading to July of 2021, the rumors became more and more vicious, attacking ZZH’s credibility as a graduate of Shanghai Theatre Academy, attacking his character, etc.

And it culminated in the industry-wide ban on August 13= “813”. Within 2 days, he and his 10 years of work were erased from Chinese entertainment.

Even during these tumultuous times, when long-time HaiZhe/ZZH solo fans told everyone to quiet down and let it blow over lest fandom makes it worse for him, some planted fans/antis in the fandom tried to stir the pot even more. (revealed recently by QV and co).

On November 23, CAPA released a ban list of 88 names including Kris Wu (a known star who broke the law) and Zhang Zhehan. It was later revealed that the meeting that decided these names was over in an hour and barely had any oversight or transparency.

Bc CAPA wasn’t transparent in how they came up with this industry-ban list, Director Li Xuezheng (Uncle Li/LXZ) stood up and started a movement of accountability. One hashtag on Weibo that I followed was “justice for the people,” which reached BILLIONS of interactions, and never once did it make it onto hot search. Weibo itself was in a fight behind the scenes between different parties, constantly muting and unmuting, deleting and restoring Uncle Li’s daily updates and videos, as well as his audio interview with ZZH himself.

(Update Aug 8, 2022) QV came out with information: The reason that Uncle Li couldn't get ZZH's case onto the hot search was because of the Chinese Cyberspace Admin (CAC). This gov org prevented them from reaching hot search in order to prevent CAPA from unleashing its 800 yxh accounts to smear Uncle Li and company. They were investigating water armies at the time.

They really wanted to get on Hot Search, they were planning to smear LXZ as someone who was trying to whitewash history. They had articles planned, water armies readied as well as "fans" and "righteous passerbys" prepared to stoke sentiments.

There are many parties still fighting behind the scenes that we are not privy to(#QuestionCAPA). It may seem like ZZH is quiet but it’s a strategic silence until his case is ready to be made public. Otherwise, it’s still ongoing and private.

Uncle Li had major success in turning the tide of public opinion, and ZZH finally submitted an official police report to the Beijing PD on Dec 24, 2021. His recorded interview with LXZ and other party members and lawyers was released on Dec 31, 2021.

ZZH maintained his innocence. There was no evidence of him committing wrongdoing, and he submitted himself to court. March 18, a leaked audio of ZH expressed how he has the will to fight for his name, his family, and his innocence despite the barrage of corrupt industry bans.

Now cue ZSJ👻 Because ZZH’s fandom was largely intact, the agents of CAPA behind 813 wanted to thoroughly destroy his chance of ever coming back + destroy his reputation via stealing his Instagram, which fueled the ZSJ scandals.

Jan 13- Uncle Li was muted

Jan 16- The ZSJ account emerged. (Check Ennis's ZSJ timeline)

This is not a coincidence, the perpetrators knew LXZ will be muted and prepared their Second Act, the ZSJ scandal to destroy ZZH. And so we have the constant infighting between ZSJ fans, ZZH fans, and CP fans. Have you noticed how toxic ZSJ fans are now? And on twitter, they keep trying to stir up trouble with us, hijacking our hashtags, etc.

It created a RIFT within ZZH’s main fandom. Looking at it with this big picture, can you see that this is all one WHOLE campaign against ZZH? Because they failed to destroy him completely on 813, they planned their Second Act with ZSJ to finish the job.

This is where things stand, the ZSJ accounts shill merch using commonly available apps/tech to impersonate ZZH. They have him talking sh-t about his former co-stars (never by name), burning his bridges. A professional would never do this if they wanted a chance at jobs again.

Through all of this, the characters never once mention "Gong Jun" or "Zhang Zhehan" and never claim to be them. Just to "hint" at them. Why? So their impersonation scandal can't be easily traced back to them, they have the defense of vague words, ambiguous names.

Gong Jun is suffering a constant barrage of anti attacks also related to CAPA and associates (as revealed day by day by Blue/Flora/QV). I'm sure he has been preparing for this eventuality since 813 last year, so I believe in his and his team to keep him safe.

813 never ended. It is CRUCIAL context to ZSJ and ZZH’s silence. Let’s wait. Believe that the real ZZH is who he always was: a strong, loving man who focuses on the kindness surrounding him rather than burning those who wronged him.

2. Many CAPA / Xie Yihua etc Minions were muted yesterday (Aug 11-12, 2022)

Many CAPA clowns' accounts were muted yesterday, right before 813. It is unknown if it was the government doing this, or if it's just another part of CAPA's scheme, only time will tell.

The EHZZ Brand account was wiped out (still there though) on Weibo.

CAPA minions like Tony Peng, Sanke, intern lawyer, have all been muted.

I have cautious optimism that this is a sign of better things to come, but only time will tell!

#813 #813 the reprise #813 summary #capa #xie yihua #uncle li #sanke #tony peng #intern lawyer #zhang zhehan #zsj

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ontheoddoccasioniwritestuff · 4 years ago

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Mystery Writer (Spencer Reid x Reader)

Summary: Spencer finds books at a second hand bookstore that are annotated and he falls the person writing the notes.

AN: This was part of a fic swap on @imagining-in-the-margins server! This is for the marvellous @definitelynotkatesblog <3 I really hope you like it! I had to delete the original post because it didn't show up in the tags. This will be staying up regardless of that now.

Masterlist

Your name: submit What is this?

“If you need anything, just let me know!”

Spencer pressed his lips together at the person behind the till before heading deeper into the rows of second-hand books. Familiar titles, old and new, printed on spines in various states of pristine/decay, they tempted him to select and bring them home with him. The clear sections between biographies and fiction guided him deeper into the forest, deeper into finding his way out. He was hoping to adopt one such book for a day off, when he could revisit it with a fresh eye. It would be like seeing an old friend again, remembering why they were friends in the first place with a hint of that initial read through from years ago, and perhaps he would learn something new in the process.

A dull ache in his chest at the sight of The Sign of Four by Arthur Conan Doyle. But he had long since recovered from that heartbreak and he would be able to read this story without feeling that again.

Still. It had been several years since he read this book.

His nervous fingers plucked it off the shelf and the pages fell open for him. A flattened gum wrapper parted the pages like the Red Sea. Spencer lifted it out tentatively. Its creases were ironed in from its role as a temporary bookmark, an impression of scribbled black ink flattened after it was made.

Spencer’s eyes scanned over the page in search of what this gum wrapper might have been guarding.

“Women are never to be entirely trusted – not the best of them.”

In the margins was scribbled:

Product of the time, but still a prick, rude smartarse role a bit dull

Spencer found himself exhaling in light laughter. That a lack of empathy was considered “dull” by this person, when it was something he dealt with in his job almost every day. The confidence in this commentary too, this brazen critique of a much beloved fictional character was left for someone else to find.

His gaze found Watson’s opinion of Holmes’ casual sexism: “atrocious sentiment”. It was circled twice in the same black biro.

Spencer dug his thumb against the text block and flicked through the book. A waft of that book smell lifted from the paper, accompanied by the bold notes of the previous owner dotted across the text until he finally landed on the reverse of the front cover. Two letters – initials - were scratched onto it.

It was with bridled exhilaration that Spencer approached the till and held up the book with a half-smile. His hands were quick to place it down on the counter so that the shop assistant could type the price into the till. His mood was apparently palpable because they seemed just as happy as Spencer to hand him back the novel in a brown paper bag – the receipt tucked inside.

--->--->--->--->--->

“Love is an emotional thing, and whatever emotional is opposed to what is true, cold reason, which I place above all things. I should never marry myself, lest I bias my judgement.”

What a lonely existence and also a lie. See: entire relationship w/ Dr. Watson!

Spencer smiled at this comment. Now all the other instances of a double underlining made sense. Each one produced itself in his mind as evidence that Mr Sherlock Holmes did in fact love. Maybe not marry, but it would have been terribly unconventional for him to wed Doctor John Watson. The unknown author seemed to understand this. They never emphasised if this love was platonic or romantic. But the way in which they proved love existed within this character oft portrayed as emotionless, Spencer simply adored. They were a romantic reader, who still enjoyed reading about the cynic

He grew quite aware of his posture in that moment and he straightened his back. A few clicks of complaint emitted as he stretched, his head twisting from side to side. Screwing his eyes open and shut behind his glasses, he revisited your deduction.

On the dot of the “i” in “lie”, there was a sprinkle of graphite around the indent from where a pencil’s lead had snapped from the effort put into topping off this point. A sprinkle of graphite smudged where the pages pressed together.

Spencer moved on to where a sentence in black biro tried to blend in with the printed words. A memory appeared at the front of his mind: when Rossi was bewildered to learn Spencer and Dr. Alex Blake wrote the newspaper crossword in pen.

The pencil markings were like mini brainstorms, something to revisit and make a solid theory with the black biro. But the planning was never rubbed out.

Little quotes were circled. This mystery critic spent half the book roasting the characters and the other half leaving little exclamation marks and circles around phrases and words when they couldn’t think of something to say. Spencer found it sweet, picturing the thrilling unfolding of events for the reader to revisit.

His heart ached in bittersweet memory as he recalled the contents of Dr Alex Blake’s book The Route of Linguistics. It was necessary pain to create a profile of who this mystery critic was. Yes, he was profiling out of work hours. His evenings were now spent trying to picture the voice behind the notes. The sarcasm, the witty blows to the character’s and author’s ego. He almost wished that he couldn’t read so fast because he finished the book, even with its additional notations, all too quickly. But there was one bonus.

Spencer traced the pad of his fingertip over the exclamation marks describing Mary Morstan. What else might a detractor of the great Sherlock Holmes read?

--->--->--->--->--->

He had returned to the bookshop in favour of adopting another. Yet he could not find one that satisfied his unknown criteria. It was not until he found himself checking the front pages of the fifth book he had selected, that he realised he was looking for a pair of initials.

Sighing, he placed My Dear Bessie, with its empty front page, back on the shelf. The chances of finding another book containing this mystery critic were so minute. He could probably calculate them if he wanted to dedicate himself to such a disheartening statistic. He’d rather not spend his lunch break doing that, as much as he loved statistics. This once, they did not assure his safety and he remained unsupported by the fact that he could not find any other Arthur Conan Doyle books.

His desperation became most apparent when he thought that perhaps fate should just decide for him. If anything, he would come away with a random book to read through in about ten minutes on a flight back home.

He peeked around the corner of the shelves. The shop assistant at the till was busy writing something down, not paying any mind to the shop’s only customer.

“A random shot had no better odds than just picking books off one by one” is what he told himself as he closed his eyes and placed his fingers on the end of the shelf, just over the first book’s spine. In an “S” pattern, his arm moved up and down, over the books and shelves and gaps between units. His feet stepped forwards into the space he knew was clear.

Spencer stopped and opened his eyes, his finger shifting just an inch out of the way of his new book’s title.

Circe. Madeline Miller.

He tapped the top and the book fell forwards, where he caught it. Its shining dust jacket was serving its purpose, a few tears along the edges from where it had protected the hardcover. He checked the front page. A map of Aiaia in orange and brown filled it to the corners. On the next page, his heart stuttered at the sight of two initials in the same handwriting and the same biro. There was also a scribble - invisible to start with then a ball of black.

The first page with the story’s text held a scribble just above its opening line:

the power of the name

“When I was born, the name for what I was did not exist.”

He could see that the first was in a blunt pencil, but the addition was a sharpened point carving into the paper. A secondary thought that was provided after completing the novel, they had added it. Spencer lifted it to his face, his eyes crossing to keep the stipple in focus. The scent of the paper and the graphite reached him easily; the note must have been made just before Circe was gifted to him. How lucky he was to find such a treasure.

The shop assistant was cutting out a new sign for “BUY ONE GET ONE HALF PRICE!”. By the time Spencer made it to them, the sign was placed upon the pile besides him. The shop assistant smoothed out a crease on the dust jacket, ineffectively but Spencer admitted the gesture. He was glad that someone who loved books as much as him got to work in a place like this.

--->--->--->--->--->

Spencer’s mind, definitely for worse, echoed the words off the tabloids around his head the split second he made eye contact with the headlines. He paced the shelves to somewhere a little quieter. When he found the chocolate aisle, he pretended to peruse. Ever half a minute or so, his gaze drifted up to the till area where the shop owner was on a phone call and clearly not paying attention to him.

It was not long before Spencer grew bored of looking at KitKats, and he pulled out One Thousand And One Nights. The book’s pages fell again to page 57. This shop’s receipt stood above them, still holding its place from the previous owner. It felt wrong to part the two.

No new people had entered this corner shop for 8 minutes. He’d even given the time at the receipt’s end a fifteen-minute margin either side. Given that this mystery critic took a break from work at the same time on the same day of the week – and that they worked during the day – he should have seen them. Maybe he had, and they were that man in the baggy hoodie who stunk of weed. Probably not. Hopefully not. Not that Spencer was judging him for his… recreational activities. He just wanted the mystery critic to be someone he could realistically spend time with.

Just then, Spencer’s phone trilled annoyingly loud. He received a glare from the shop manager and Spencer sent an awkward apologetic expression his way before answering JJ quickly.

“Spencer, we’ve got a case. We need you here ASAP.”

His response was immediate. “Ok, be there in ten.” Hanging up, Spencer dithered on the spot then grabbed a packet of Cheetos. He’d been there for nearly twenty minutes; he had to get something.

“Three dollars,” the manager said before returning to his call. But not before he rolled his eyes at Spencer. Spencer dropped the bills onto the counter and dashed out before he could be offered a receipt.

--->--->--->--->--->

An outlier in the usual length of case work had passed by in five long days. Spencer hardly ever regretted the time he put into this job. Every unsub caught was lives saved. But the absence of his mystery commentator had been niggling at the back of his busy mind and he was glad to finally reunite with them on this long flight back.

From his satchel, he recovered the copy of One Thousand And One Nights and began rereading the notes to ground himself in the story. His focus lingered on the page as if he were reading it at the average 250 words per minute. It allowed him to block out the humming of the engine.

Spencer did not take his eyes off the page as he pulled open his desk drawer and popped a piece of overpriced gum into his mouth. Half-hearted reminders bounced in his head, from when he tried smoking and chewing gum to ease his cravings. The fruit flavour was very clearly artificial and it faded within six minutes. Why his mystery critic would pick such a pathetic packet of gum to chew, he didn’t know. But hopefully the fact of its flavour disappearing fast would mean they get through the packet quicker and buy another soon. Even if today, and the days before, spent in that shop did not lean in favour of that hypothesis.

--->--->--->--->--->

The Five People You Meet In Heaven was in the Recently Donated pile. It was near the top, slid towards the edge of the container after being placed wonkily on a copy of some sports autobiography.

Within the pages was more than Spencer could have ever hoped for. Entire paragraphs were circled, quotes underlined. A squashed mini post-it note tabbed the page and a whole paragraph was scrawled on it, about Tala. An arrow pointing to the underside, Spencer lifted the flap and saw more to read, like an interactive pop-up book that he’d gotten Henry for his second birthday. Spencer closed his eyes quick and snapped the book shut. He wanted to save it for when he was sitting comfortably, not while he was rushing back to work in time for JJ to get to her lunch break on time.

The shop assistant had just clipped the lid back onto a green highlighter when Spencer drew up to their counter. With careful fingers, he placed the book upon it. There was a twitch of the assistant’s mouth; their eyes brightened. They looked like they wanted to say something, but something else held them back from making the first move. Spencer recognised it from his school days.

“It’s a good read.” He spoke after they had typed the price into the till.

“I know,” The assistant replied instantly, a relieved smile on their lips, “What part are you on?”

“I’ve already read it, but I wanted to revisit the passage at the diner.”

“Ahh, that’s a good bit. One of my favourites.”

Spencer’s eyebrows furrowed a fraction of an inch. His gaze dropped to the nametag on the left side of their chest. Y/N, their name’s first initial. It couldn’t be.

“What did you think about the final person, Tala?”

“Oh,” The shop assistant clutched at their heart, “I was an emotional wreck before and it hit me hard just as the rest did. So bittersweet to hear her forgiveness. It took me a few times to finish reading the end, but it was all worth it.”

He couldn’t be this lucky, to get this many books from the same person and to have them standing in front of him. Spencer didn’t believe in luck.

As he reached across for his new book, he turned over the cover, “Was this yours?”

Twisting their head around to read the publication details, the assistant – Y/N - smiled sheepishly at the initials. “Yes, and I’m glad to see it go to a new home.”

Apparently luck believed in him.

“But,” Spencer felt his brows knit automatically as he looked between the book and their previous owner, “You love it. I-I’ve seen your notes.”

A hand clapped over Y/N’s mouth, “Oh God, you must have. I mean, it wasn’t the intention initially, but I thought they might be a little entertaining for anyone who picks it up to leave them in there.”

“Oh, they were! I’d love to read more of your thoughts. Hear, hear them, if you wouldn’t mind.”

Y/N checked the door to the shop, still shut, and back to Spencer. They dropped their elbows onto the countertop with their chin in their palms. “What did you wanna know?”

From his bag, Spencer procured his – their – copy of The Sign of Four and flicked through the pages. So many places to choose, but he wanted to open with what had introduced him to Y/N’s analysis.

The pair put their heads together, leaning on the counter. Spencer could smell the chewing gum on their breath. Y/N never cut him off, and he never wanted to cut them off. There were little pauses at the end of each of their turns to speak before the other picked up where they had left off. Their voices leapt from secretive whispers to passionate orations of their favourite passages, rebounding evidence and analysis off each other like a bouncy ball. Spencer finally had a voice to put to the sarcasm, the one his mind had conjured long forgotten in the wake of Y/N’s enthusiasm.

The shop’s door swung open. Spencer leapt to attention as an older woman swept in, past the two of them towards the non-fiction section. Y/N adjusted their name tag, their back straight too. The clock behind the till announced that it was now twenty minutes after the end of Spencer’s lunch break.

Running on the rush of his hobby meeting a potential friend, Spencer asked, “Can I get your number? So we can talk more, maybe swap some more books, when you’re not working?”

His luck was still by his side as Y/N wrote out their number on his receipt, written in their infamous black biro.

--->--->--->--->--->

Spencer leapt over to the door of his apartment, took a deep breath, and unlocked it. Stood behind where it had been was Y/N and they too were still wearing the uniform from work. Their nametag was still on their polo shirt, the same spot that Spencer wore his FBI tag.

“Can I get you a drink?” He asked the second they made a step inside his abode.

“Tea would be great. Milk and one sugar please.”

And while he was in the kitchen, Y/N rushed over to the bookshelves, their eyes wide to take in Spencer’s collection. “Oh wow! You weren’t joking!” Their finger indicated to a hard cover copy of Mean Time by Carol Ann Duffy, “That’s one of mine. Well, yours now.”

Plucking it from the shelf, they opened it up. Spencer had written his initials beside theirs.

Spencer stuck his head out in the partition, “Ours. If we’re going to be sharing.” Y/N stood on tiptoes, teeming with delight, their hands cradling the book with all the care Spencer could hope for in a fellow reader. Joint custody of their books and their passion? What a dream.

“I just have to write a little more about the epilogue, and I’ll be with you,” Y/N took their place on his couch. A pencil began scribbling away their thoughts onto the last few pages. Their knees were their desk.

Spencer finished brewing and placed the mug in front of Y/N, who mumbled a quick thank you to him. He joined them in writing his final notes. It slowed him down a considerable amount, but he was glad to take things at a casual pace, especially considering the way that Y/N almost broke their pencil as they scrawled out their thoughts for Spencer to hear later.

“Have you thought about the next one you’d like to try?” Spencer asked tentatively. He wasn’t so sure if Y/N would want to be interrupted.

Luckily for him, Y/N paused their stream of consciousness to look back at his books, “Hmm. So much to choose from.”

Stood up, their book left in Spencer’s care. They took a deep breath, closed their eyes and used their forefinger to draw a zigzag over the spines. Spencer felt that he was almost sick with joy.

Y/N stilled their wandering hand and opened their eyes, already drawing out the selected novel, “This one.”

“And what have you chosen for me next time?”

Y/N handed over The Butterfly Lion from their bag, “Ok, I can’t wait any longer, what do you think?”

They sat back on the couch. Their legs now hung over the arm of the couch, elbows either side and face cupped in their palms. The book rested in their lap. Shifting so that he faced them completely, Spencer returned to the first page and his analysis began.

#spencer reid #spencer reid fanfic #spencer reid x reader #spencer reid imagine #criminal minds #criminal minds imagine #criminal minds fanfic #criminal minds x reader #my writing

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tyrantisterror · 3 years ago

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The ATOM Create a Kaiju Contest 3-D: Entry Roundup

You’ve been patiently waiting for the results of the ATOM Create a Kaiju Contest 3-D, and now... you have to wait a bit longer, but at least you’ve got an entry roundup with lots of sketches and a good bit of feedback for all the entrants! My goal is to get the finalists illustrated in a week or two, and after that, the grand prize winner will be announced. But, for now, the official entry roundup! After the cut:

I should note that while I sketched these in the order they were submitted, my scanner saved the documents with random names, so they’re a bit jumbled. You know, just in case you’re like me and would get confused noticing that it’s almost in chronological order but with some entries jumbled around.

@bugcthulhu’s Obsideban was designed as a counterpart to Rohobaron - the Black King to Rohobaron’s Red King, if you will. Or, well, Black Queen in this case, as Obsideban also takes her personality from the “delinquent girl” archetype in Japanese media. Bug’s designs always ooze personality, and I had a lot of fun translating this big, gnarly retrosaur into my own style.

@toothlessloveshiccup‘s Argonox is the first - but far from the last - monster in this breakdown that brings in a bit of fantasy influence to ATOM’s roster. A golden-fleeced ram with a vicious streak, this sheep is both treasure and dragon at once. And while it wasn’t written in the monster’s profile, given the Yamaneon-rich nature of its wool, Argonox might be able to replicate the healing power of the golden fleece too! A very fun mammalian kaiju and excellent entry.

@highly-radioactive-nerd submitted Gunmetal Jeeves, a robot butler who can gigantomax temporarily create a holographic/hard light version of himself to fight kaiju. That detail was a late revision added to the entry before the contest’s deadline, made after the creator realized that ATOM allows for some truly ludicrous bullshit, which is something everyone should exploit when making entries for this in my opinion. Also, this is a robot butler who can size shift. Revel in its awesome absurdity!

Ultranerd submitted Rajasaurus, a dimetrodon-like synapsid kaiju with electric powers. His origin specifies that the electric powers are a result of the volatile nature of the Yamaneon deposits he mutated under, which is an interesting idea. That’s another theme that cropped up a lot in this contest’s entries, actually - people really wanted to play with what Yamaneon can do.

Case in point, @polygonfighter’s Yamaneolith takes the Monolith Monsters homage at the heart of Yamaneon even more apparent. I like the implication that there is a second mineral-based lifeform at the root of this Yamaneon cluster’s anomalous behavior - a parasite, perhaps? It brings up some interesting possibilities.

@ariccio50 submitted Kukulkuzana, and damn is this a cool spin on the body plan of my martians. I made a few changes here and there (splitting its tail into two is probably the biggest one), but tried to keep true to the original design, because holy hell is it gorgeous. The idea that this is a mountain-dwelling creature is really intriguing to me, as it looks like a sea creature, but at the same time, that flexible and low-slung build WOULD work pretty well in mountains, and it’s just the right mix of plausible weirdness that makes for a fun alien design.

@akitymh submitted Aramzados, a Venusian monster that’s basically an organic hot rod car. I like the idea of organic machinery being the gimmick for Venusian kaiju, and Aramzado’s does it subtly enough to not feel like that gimmick is the sole thing going for it. I especially love this monster’s stange, apparently mouth-less blade-beaked face.

@virovac submitted Rurzar and Zar Rider, a Beyonder kaiju and mecha (respecitvely) that were both modified and repurposed by humans reverse engineering Beyonder technology to make, like, a motorcycle-saurus essentially. It is a delightfully absurd concept, and a very, very detailed one (13 pages of description). There’s a dark undercurrent beneath the sillyness, though, as this pair show that humanity might still be following the same path as the Beyonders before them.

@dinosaurana brings us Krangor, a humanoid monstrosity of living kelp! The goal here was to create a Jack Kirby-esque monster dude, complete with the gibberish name and all. He’s also made out of kelp, which feels very classic 1950′s monster-y despite me not being able to think of any monsters that were explicitly made of kelp. I love him.

@kiryuthechimera submitted Genkakurah, a psychic retrosaur with some draconic features. Though his substantial powerset is probably the biggest distinguishing feature of this kaiju (given that most ATOM kaiju pretty much have the same standard powers), what really draws me to him is that reptilian pseudo-beard. It’s just a fun detail!

@glarnboudin submits Tiratola, and see, there’s that fantasy influence again! Even more explicitly dragon-y than Kraydi, Tiratola still manages to toe the line between sci-fi and fantasy enough to fit ATOM as is while still cementing its ties to my own slice of fantasy fiction. Man it’s good I’m doing a Midgaheim book next, huh?

@dragonzzilla submitted Scuttlebutt/Argonautilus, a hermit crab kaiju who lives in/with a hollowed out mecha. That’s a twist I can’t recall ever hearing before, and the idea of a kaiju and a mecha having an equal partnership that doesn’t involve one being grafted to the other is really intriguing to me. A very unique concept!

@evolutionsvoid submitted Fleagor, an enormous flea who has no idea what to do with itself now that there’s no creature large enough for it to parasitize. I love that concept - it takes the core idea of the giant bug kaiju archetype (i.e. unsettling the audience by showing how terrifying small, “insignificant” creatures would be if our sizes were reversed) and really turns it on its head. The name also plays on the Universal Monsters, who were a huge part of 1950′s pop culture thanks to their movies being re-released in that era, so all and all this one is very on brand for ATOM!

@skarmorysilver submitted Lilacorn, another entry that plays up that Midgaheim/ATOM connection. Reinterpreting the mythological unicorn as an Cenozoic wooly rhinoceros-inspired monster gives it a very unique look, both in ATOM and in the general world of unicorns, and she has a bad-girl with a heart of gold personality to boot!

dracosaurus-rex submitted Florasaura, a two-headed plant/retrosaur hybrid monster. I love me some plant monsters, I love me some retrosaurs, and I love me some rhyming the word “flora” with other words that contain similar vowell sounds, so this one has me written all over it!

@downtofragglerock submitted Sauroguana, a delightfully odd flying retrosaur. There’s a great deal of charm to the original illustration that this sketch doesn’t quite capture - it’s a deceptively simple design with a lot of personality in it, and with those unique leg-wings it really doesn’t need a whole lot of frills to stand out.

Draxi submitted Brakan, an unimpressive burrowing retrosaur kaiju whose mastery of illusions allows it to convince other kaiju it’s actually a big, super-powerful badass that’s the ultimate fighter in the universe. It’s a delightful parody of the concept of a fan self-insert god-mode character, with a really fun story built into it to boot!

@quinnred submitted O.N.I.A.C., a mysterious cocooned kaiju whose chrysalis has been turned into an organic computer of sorts by the people studying it, and seems to possess a fairly advanced intelligence for a kaiju. It’s a really bizarre and ominous idea, with built in intrigue given how vague its nature is. Is it just a kaijufied butterfly/moth who got stuck mid transformation? A relative of the Mothmanuds? Something else, perhaps equally alien? Good story potential here.

shadyserpent submitted Vespilitor, a bat/retrosaur hybrid made by the nefarious Spooks Organization. A mercurial prankster whose tendency to stir up trouble never crosses the line into maliciousness, he’s the kind of monster who would make a great foil to a lot of ATOM’s cast. I’d especially like to see him in a prank off with Ahuul - it’d be like Bugs Bunny fighting Daffy Duck, but on a kaiju scale.

@multiversefan submitted the Yamaneon King, a nomadic kaiju whose refusal to settle down causes problems as he stirs up trouble at kaiju sanctuaries all over the globe by showing up unannounced and stirring up the locals. He was basically designed to be a monster that the kaiju sanctuary initiative would struggle to deal with, which is a good idea for a post-ATOM Volume 2 story conflict.

Sir K submitted Jadeera, a kirin kaiju that can actually forcibly convert most of its body to Yamaneon to enter a dormant, statue-like state in a loose homage to King Shisa. Though the fantasy elements are far more present than I usually prefer for ATOM kaiju, I think it should be noted they’re pushed that far for a purpose - a theme in Jadeera’s entry, which continues where its creator left off with their submission to the previous ATOM create a kaiju contest (Yokaigon), is that the world of kaiju is more complicated and challenging than many are willing to accept, which is a theme in ATOM itself. Yokaigon’s more supernatural/occult powers are based on the ghost parascience of my setting, which ATOM has delved into a bit (Pathogen being the big example), so it’s not as out of left field as some might think.

@cerothenull brings us our final entry (unless some got lost thanks to tumblr’s shitty tagging system), the flying spider Naeranti. She’s a kaiju spider who uses silk to make complicate hot-air balloons, more or less, and that’s just delightful. ATOM could always use more spider-monsters, and with a really unique gimmick backing up a wonderfully distinct look, Naeranti is sure to stand out among her fellow giant arachnids.

Well, that’s the roundup! In a week (or two, depending on how much my hand cramps) we’ll have the five finalists, and sometime after that, the grand prize winner!

#The Atomic Time of Monsters #The ATOM Create a Kaiju Contest 3D

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hypocrisyofandrewdobson · 4 years ago

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Dobson's Patreon: An Addendum to His Monument of Sins

(The following is a submission from @soyouareandrewdobson, meant to be an addendum to the multi-post submission @ripsinfest made a while back. Ironically, this one also had issues when being submitted, so I’ll be copypasting it here with all the images and links originally intended.)

In 2018, user @ripsinfest wrote a multipart series of posts for THOAD, recounting Dobson’s attempt to establish a patreon in 2015 and how it resulted in failure on a massive scale, to the point that his patreon is arguably “a monument to all his sins”.

Personally I think the post series is extremely well researched, rather “neutral” in terms of tone (letting the posts provided as evidence speak more for themselves than the opinion of the writer) and gives a detailed but quick rundown on what went wrong. Primarily that Dobson overestimated his own “value” as an artist and did NOT attempt to give his few supporters what they wanted through his artwork posted around the time.

I do however want to use the opportunity to also point out at certain obvious things that in my opinion (and likely the opinions of others) added to the failure of the patreon account, that were not accounted for in detail and are primarily related to how the internet perceives popularity and Dobson’s inability to understand, how to “sell” and make himself look good to the public.

To begin with, let’s just point out a certain truth about making money via Patreon: To do so, depends a lot on your popularity as a content creator online. That is simply because the more popular you are, the bigger your fanbase is and as such the more likely a certain percentage of people may be willing to donate money to you and your work in hopes they get something out of it, even if it is just the altruistic feeling of having helped someone they “like”. It doesn’t take a genius to see, how e.g. internet reviewers such as Linkara or moviebob (around 2800 and 4400$ earnings via patreon each month respectively) can make quite some money, while other, more obscure content creator or artists barely make money to go by, earning essentially pocket money at best.

In addition, popularity is fleeting. A few years ago e.g. internet personality Noah Antweiler aka The SpoonyOne managed to earn 5000$ a month via patreon, just shortly after establishing his account. But his lack of content over the years AND his toxic behavior online resulted in a decline of popularity and with it people jumping off his Patreon. As such, Antweiler only earns nowadays around 290$ a month via Patreon and most of that money is likely form people who have forgotten they donate to him in the first place anyway.

And Noah is not the only one who over the course of the last couple of years lost earnings. Brianna Wu makes barely more than he does, despite having once been the “darling” of the internet when the Gamergate controversy was at its peak. Many Bronies who once made more than 2k via video reviews on a show about little horses at the peak of its popularity (2013-15) earn less than 300-800 on average nowadays because interest on the show as well as people talking about it has declined.

Heck, in preparation of writing this piece I found out, that one of the highest grossing patreons nowadays is “The last podcast on the left”, a podcast that earns more than 67k a month by making recordings on obscure and macabre subjects on a regular basis.

So there you have it folks: As the interests of the internet users change, so does the popularity of certain people online and -in case they have a patreon account or similar plattforms- their chances of making money via their content.

Which now brings us back to Dobson, who was not popular at all at that particular time and managed to become even less popular as the months and years passed by.

Sure, Dobson had his fans via deviantart, people knew who he was. But the later was more because of “infamy” than popularity and the number of fans he had accumulated online were representing people interested in him at least since 2005 and did not quite represent his actual present day numbers of supporters at the time.

And mind you, the number of supporters was less than 100k, most of them likely underaged deviantart users. And if my research indicates something, then that most content creators with a halfway decent patreon earning need at least 100k+ followers in total. Because of those fans, only around 1-3% will on average then spend money on you, if you actually create content they enjoy and on a regular basis.

Which brings up the next major problem: Dobson did not create content people enjoyed and that in more than one meaning of the word.

On one hand, as pointed out by ripsinfest, he barely released any content at all over 2015 after a few initial months, despite the fact that he was obviously active online a lot, as shown by his presence on twitter. On the other hand, the few things he did create were not the stuff people wanted.

As an example: If you go to a restaurant and pay for a pizza, you expect the cook to give you a pizza. If however for some reason he just gives you a soda, you get ripped off and never come back. In Dobson’s case, the thing people wanted was not pizza but comic pages. But what he delivered was mostly bland fanart, such as of Disney and Marvel characters crossing over or KorraSami. Sure, a few strips of “So…you are a cartoonist” were still released at the time, but not really many.

To give an overview: Taking the release dates on Dobson’s official SYAC site into account, he released around 16 strips of it between March and August of 2015, the last two being “No Leia” being titled “Zip line”

Afterwards, the next official strip released was “Anything at all” in October of 2016.

Now to be fair, there was at least one more strip at the time Dobson released via patreon, that is also save to see on kiwifarms and other plattforms, which has not been uploaded to his official SYAC page. Likely because he simply forgot about it.

But I think that in itself should tell you something about Dobson’s work ethics when it comes to his webcomics. He promoted his patreon in his own video as a way to ensure he can make comics in a timely fashion again for others to enjoy, but in an environment where certain artists are capable to create multiple strips per week at minimum, Dobson could overall not manage to produce more than 16 over a course of six months, which means an average production of 3 strips per month.

For comparison, Tatsuya Ishida of the infamous sinfest webcomic (a garbage fire of epic proportions from a TERF who I think should be put on a watch list) has produced on average 4 strips per week, including full page Sunday strips, for years and nowadays even releases stuff on a daily basis to pass the covid crisis. So a mad man who wants to see trnas people die, has better work ethics than Dobson.

In other words, people expected Dobson to actually get back into creating comics (with some even expecting a return of Alex ze Pirate), but he got in fact even lazier than before, releasing only SYAC strips and random fanart as a product. Which he then also tried to justify as his choice to make because a) he had mental health issues and b) no one can tell him what to do.

And sure, people do not need to tell you what to do. But when people pay/donate money to you expecting to get a certain product in return, they should get the product. Linkara e.g. by all means doesn’t NEED to review comics to have a fullfilling life, but he got famous for his reviews, people want to see his reviews and they pay him for those reviews. So obviously, he will continue those things.

Then there is also the fact that despite Dobson’s claims how he wants to create comics for everone to enjoy and that he aims to keep his artwork online for free so anyone can view it…(his exact words in his promotional video AND text on his patreon once upon a time)

youtube

…the reality was, that he wanted to use patreon as a paywall. Something I actually kinda pointed out at on my own account (shameless self promotion) once, but want now to elaborate a bit. Basically at the time Dobson opened up his patreon, he also was on the verge of leaving deviantart as a platform people could look at his work behind. Which he eventually did.

Meaning that the only major platforms for people to watch any “new” stuff by him were his patreon or art sites such as the SYAC homepage or andysartwork. Which granted, he did EVENTUALLY put his stuff on.

But unlike other content creators who would put “patreon exclusive” new content up on more public plattforms often within a few days, weeks or a month after making them “patreon only” at first, Dobson waited longer and did barely anything to promote his sites as places to look his stuff up for a public audience. In doing so creating a “bubble” for himself that hurt him more than it helped, as Dobson made himself essentially come off as a snob.

A snob who did not create content for everybody to enjoy, but ONLY for those willing to pay him at least one dollar per month. As evident e.g. by the fact that as time went by, certain content was never released outside of his patreon at all, such as a SYAC strip involving Dobbear screaming at the computer because he saw a piece of art that featured tumblr nose.

Lastly, there is the issue of his patreon perks and stretch goals.

See, his perks were essentially non existent. Aside of the beggars reward of “my eternal thank you if you donate 1 dollar”, two other perks that come to my mind were the following: If you donated up to 5$ at minimum, you got your name thrown into a lottery to potentially win buttons and postcards of his artwork. Unsold cheap merch from years prior he failed to sell at conventions basically. There was just a problem with that thing: That lottery thing, which he also was only going to initiate when he reached a stretch goal of 150 dollar a month? It was illegal!

Patreon itself has in their user agreement a rule that forbids people from offering perks that essentially boil down to “earning” something via gambling, which this lottery by Dobson was.

(THOAD chiming in here to add that, in addition to all this, he fully admitted he would be excluding Patrons that he “knew were clearly trolls” from the lottery. Which made the already illegal lottery also fixed, so...yeah.)

The next thing coming to mind was his “discount” on previous books of his he offered online, if you donated at least 10 bucks per month to him. Or to translate it: You would get a bare minimum discount at pdf files of books such as Alex ze Pirate and Formera (you know, the permanently cancelled Dobson comics) if you paid up 50-75% of their original price on Patreon already. And considering the quality of his early works, he should have given you at least a book per month for free if you dared to donate him that much.

As for the stretch goals… lets go through them, shall we:

100$: A wallpaper per month. Something he did provide with eventually, but barely. And after less than five of those he stopped to make them overall

150$: Monthly Gift basket Lottery, which as I stated, was illegal and almost got him into serious trouble with his account. Also not an initial stretch goal he made up but instead came up with a few months into his accounts existence. Finally it got temporarily replaced by Dobson playing with the idea to use 150$ per month to open up a server and art site where people could upload stuff for free similar to deviantart, but under his administration. Promising a “safe space” for other artists. Which considering Dobson’s ego and inability to accept criticism or delegate responsibilities would have likely ended like this:

175$: Establishing a Minecraft server for him and his fans to play on. Meaning Dobson would have just wasted time he could spend on creating comics to endulge in his Minecraft obsession.

200$: Writing a Skyrim children book. Aside of the legal nightmare that this could have been (I doubt Valve would have been happy of someone else profiting of their property) I have to ask, who was even interested in Skyrim by 2015 anymore? Sure, Skyrim was a popular game and it had its qualities, but it was also a trend that had passed by that time. So in other words, there was not a market to cater towards here.

300$: A strip per week guaranteed.

… are you fucking kidding me? 75$ per strip essentially? Something people expect you to produce anyway if you want to be considered a “prolific” creator worth supporting online? Imagine if certain internet reviewers would do that, telling you that if they do not earn at least a certain amount of money, they will not produce anything, period, or less than usual. And Dobson had already proven that he can release more than just one comic within a few days, if he is motivated by enough spite.

600$: Starting a podcast with his friends to talk about nerd culture. In my opinion could only work under the assumption that people even like the idea of listening to Dobson and his opinions. Which considering how very little people like talking to him sounds doubtful. Also, considering how Dobson tends to be late to the party when it comes to nerd culture, likely tending to be out of date faster than he could upload. Finally... what friends?

700$: Returning the love, as he says it, by donating some of the money patreon users gave him to other content creators. This in my opinion is the most self defeating cause possible. On one hand sure, being generous and all that. But essentially Dobson admits here he would blow the money people give him to support HIS art on others, essentially defeating the purpose of HIS own account. He also does not clarify how much of that money he would donate, meaning there was a high chance that he would spend less than 10% of it on other creators, only creating the illusion of support while putting the actual earnings/donations into his own pocket.

2000$: A massive jump ahead. 2000$ per month would result in him getting better equipment (as in a new computer e.g.) and as such “potentially” make more comics. Mind you, only potentially.

This goal in my opinion is also the most fucked up one. Primarily for the following reasons:

Lets say Dobson would have achieved the goal and actually earned over 2000$ per month for at least a year. His annual earning would have been 24k, minus whatever he had to pay as taxes and payment for using the patreon service. And what would he do with this money? Get himself a better computer and equipment by paying a minor fraction of it once. Then he could use that computer for years to come while still having over 10k in his account, plus his monthly earnings. And he may still just produce 3-4 comics a month of a series that has as much depth to it than Peppa Pig if not less.

Sure, many patreon users have 2k+ as a stretch goal on their accounts to signify that if they could make that much monthly, they could have the necessary financial security to focus their time primarily on their content instead of a regular job. And if the content they create is actually well made, many people would support that or be okay with it.

But 2000 dollars to buy ONE computer and not account for how this money will add up over time? And that in light of such profits people may actually expect you to create more than you barely do already? That is either a case of narcissism, plain stupidity because you can't look further than 5 feet or just shows how Dobson did not understand at all the tool he had at his disposal.

Bottom line: Dobson, like many times before, fucked it up. He overestimated the potential support and resulting profits he could make, he expected that his name alone would be enough to assure gainings instead of creating content to justify support and he was unwilling to really give his supporters anything worthwhile back.

And while I am sure that there were also many other factors guaranteeing his failure, those at least to me, were his "common" mistakes most other people familiar even with the basics of internet popularity would ahve avoided.

#long post #patreon #syac #submission #very long post #andrew dobson #adobsonartworks #tom preston #adobsonart #soyouareandrewdobson #ripsinfest

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sevenfactorial · 4 years ago

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Info about applying to PhD programs in pure math

This is... basically what it sounds like. I’m sure a lot of this is applicable to other PhD applications but I’m only very familiar with pure math. This is aimed at current seniors about to apply, but there is a section about prepping for applications in advance.

The highlights:

Recommendation letters are the most important thing. Most schools ask for 3ish. Try to get people who know you well, not just a student in the class. Someone you've conducted research with and one from a different institution are ideal if possible

Ask for rec letters at least a month before the due date is a good rule of thumb.

Research experience is probably the second most important.

Get the opinion of multiple professors who know you in order to build a list of potential schools. Then widdle it down to your will-actually-apply list (probably 8-14 ish).

My opinion but please apply to at least 3-4 safety/match schools. Even when you're fully qualified, acceptance rates are simply low enough that a bit of bad luck means getting rejected or waitlisted from a few of them.

Most pure math due dates are in early-mid Dec but a few schools are in Nov and some are as late as mid-Jan.

Schools will generally have their own graduate application portals. Some are better organized than others. Some require you to submit all your material before you can send a request for submitting rec letters so plan accordingly.

Acceptance letters will very slowly start going out in mid-Feb but the vast majority of programs won't send out anything until like, March and not be done until later than that. Accordingly, wait until at least mid-March to begin freaking out if you haven't been accepted anywhere.

You should 100% be expecting a tuition waiver and stipend from a program if you're applying for a PhD.

The rest of the posts is.... ridiculously long so I’m putting it under a cut. I mention things to do in advance to help you decide if grad school is right for you and things that make your application look good, give a full time line of the process, a list of things applications commonly ask for, and some miscellaneous notes. (The points above are repeated in more detail).

In addition, some links to other resources math students may appreciate:

an old post of mine about grad school apps (overlaps a lot and features some ranting from during the application process)

about REUs including my addition specifically about math ones

summer programs for undergrads that aren’t REUs by @counter-example and @jungleuniversity

Tips for prospective grad student visits

Also about prospective grad student visits by @thisurlhasbeenleftasanexercise

Also for context, I went to a large state school in the US for undergrad. I started as a CS major and added on math as a secondary major after my first year and dropped CS during third year. I’m primarily interested in discrete and algebra, though I have a significant topology background from undergrad too. I got most of my advice from people around the department, as I became pretty involved during my third year. Now, I’m a first year grad student at another large state school in the US, generally considered pretty decent though not a “top math program” at all. Not that much else has happened so far.

Things in advance (aka things to help you decide if grad school is for you and things that look good on an application)

Take the standard classes. For pure math, this is at least one semester of linear alg, abstract alg, and analysis each. Linear and analysis are also good for applied math but I'm not sure what else if anything is considered standard.

Take some grad classes if you have the option. Most people are not ready for this until senior year, but some do manage as juniors. Talk to people who know you well and the prof teaching the class before you do this though.

Try to get involved with research whether this is through independent studies at your home institution, REUs, internships, or other stuff.

Be involved in your department. This helps with getting you more personalized advice for applying.

The rough suggested timeline (assuming junior yr is your second to last year and senior is your last of undergrad)

Junior April: Take the math subject GRE so you can take it again in Sep or Oct if desired (perhaps not applicable atm). The general can be taken kinda whenever; I suggest fall of senior year.

Junior April/May: Start talking to professors/post docs/mentors/etc. about programs you may be interested in. Write/type it down. Don't worry if it gets long, you will shorten again later.

Summer: Do some research if possible; an REU or research at your institution (if an REU, also get your mentor's opinion on potential schools towards the end as well)

Senior Sep: Start whittling down your list. 8-14 seems to be the "normal" range of schools to apply to but some people panic and do more. Remember that asking for waivers is completely acceptable but applying is still just generally expensive (I spent around $800 for 10 schools)

Senior Sep: Apply for the NSF GRFP. You can apply as an undergrad senior and once during your first or second year of grad school if you didn't already get it. The due date is in mid-late OC but ideally you'll have a draft of your essays and ask for rec letters by the end of Sep, if not earlier.

Senior early Nov: Ask for rec letters if you haven't already. The rule of thumb is a month before the due date. Provide them a list of schools you want to apply to including due date and where/how to submit as soon as possible (as well as anything else they request of course; many ask for a resume and a draft of your personal statement).

Senior Dec-Jan: Submit stuff! Pure math programs typically have deadlines in Dec or early Jan. I think the big days are Dec 10th, Dec 15th, and Jan 15th but some are earlier or later. (applied math masters tend to be earlier I think; in Nov). I suggest putting them all into a list or calendar. In addition, some schools won't let letter writers submit until all of your stuff is submitted so start applications early, even if you don't finish them immediately.

Senior Feb: Programs will slowly start sending out offers in early Feb and pick up in mid Feb, but don't fret until AT LEAST the beginning of March! Grad programs are just way too slow at getting out offers for it to be worth worrying until then (and even then, it's definitely not time to panic but mathematicians are frequently anxious people so I get it). Waitlists are slower to come out; usually starting in early March. Also note, there are many programs that don't actually send out replies to everyone unfortunately.

Senior late Feb-early April: prospective student days! They might be online in 2021 unfortunately but try to attend whatever form they're in if you can (only one of my visits during spring 2020 was online since the others happen to be very early and safely beat covid in the US). Be warned, it's very possible to get offers of admissions and to visit very last minute. I do not have advice for how to make that less stressful.

Senior April 15th: Common reply deadline. If you got your offer in the first round or two, this is probably your deadline to accept. In addition, this means more offers will likely come out shortly after once more people have declined.

Senior summer: graduate. Send a completed, official transcript to your new institution. Check your new email account for stuff you're suppose to do. Some programs have some sort of program during the summer for in-coming students. Most places have graduate student training of some sort for a week or two before semester starts.

Some common things to be asked for in applications

Not actually a thing asked for but many graduate schools have their own portal for which you will have to make an account to submit an application. A few use a common system that kinda sort shares a database of accounts? Some are fine and some massively suck.

Personal Statement/Statement of Purpose: Occasionally called something else and once in a while actually separate things; will usually have a prompt of wildly differing specificity. Sometimes, the prompts come from the department itself and sometimes from the university's graduate school. I suggest having one or two "base" essays then tweaking them for each school. Sometimes a word/page limit is specified but if it's not, around 2 pages/1000 words is pretty reasonable.

Transcript. Some accept unofficial but some require official but generally not an unsealed one. I ordered myself one official transcript and sent it to multiple schools instead of paying for them to be sent to each school during the application process.

Resume or CV: Most ask for either a CV or is fine with either, in which case I give them my CV. I sent more or less the same one everywhere.

Some other notes

Yes, ask for application waivers. Just be polite about it.

Your goals for your essays are primarily to show that you're interested in math and math research and are capable of like…. writing things that make sense

Do not start out an essay with either "I loved math since I was little" or "I actually didn't like math when I was young" or any variations of those. (I had one essay that started with a mildly humourous anecdote from undergrad combinatorics and another that talked about how my undergrad department has greatly affected me).

You should 100% expect to get a tuition waiver and living stipend as part of a TA fellowship (or more rarely, an research fellowship) as part of your offer of acceptance for a math PhD program (pure or applied). Health insurance is also frequently part of the package. This is not true of masters programs unfortunately.

How schools do waitlists depend wildly though most don't have super long ones like prestigious undergrads do. If you're still interested in a place you're waitlisted at, follow their instructions to confirm your placement on the waitlist then wait until April before following up again, expressing your continued interest and asking for an update. You might even want to wait until around the common deadline, April 15th. The number of people who declined before April is just really really low so nothing really happens until then.

#grad school applications #math grad school applications #math phd applications #math grad school application tips #math grad school application advise #seriously not qualified beyond i managed to do it #but hey it's good to have more people's advice for cross referencing!#seven stories #long post #grad school #god

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pandoriasbox · 5 years ago

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Jade’s SSO Rambles - 3 Archaeology (Current System)

(Please keep in mind that these are my thoughts and opinions at the time of writing these rambles. I may change my mind in the future.)

Star Stable Online’s archaeology isn’t for everyone and that’s absolutely fine as it is a completely optional part of the game. However it does have a large impact on gameplay and not only because of Nic Stoneground and the AAE. It offers additional gameplay and a means of making shillings outside of the limited number of daily quests available. I also feel that if the game is expanded to include crafting that archaeology should play a large part in that and other future optional features. (I have some notes on ideas in the works that may link back to this but I won’t be covering anything in regards to potential future systems/mechanics and such in this particular post.)

Personally I love the idea of archaeology in SSO and I especially like how Epona’s archaeology functions. However the way the player is initially introduced to the archaeology system via Dino Valley feels incredibly outdated and I think it could be changed to better match Epona and improve the initial experience both to new players and the current digging experience for returning ones. I also have some notes on how Epona could be tweaked as well.

Also please note that there are technically minor spoilers in terms of Dino Valley/Epona and archaeology for those who haven’t unlocked these areas. (Nothing story wise though, just locations, names and game mechanics.)

Epona Praise

Epona has 4 collections and 4 areas you can find these items within. Each area is its own self contained section of Epona that doesn’t overlap with the others. This helps avoid confusion when hunting for specific collections and makes planning routes far simpler in my opinion. Each area has a “transition” between them such as the field and roads between Dews and the Marshes.

The layout of the dig sites and the general level design of each area is interesting to navigate without being excruciatingly frustrating. I do think that the Mirror Marshes and Shipwreck Shores could be improved (I will discuss this in my Epona suggestions) but once the player has established a route these are mostly negligible issues.

The available item pool from archaeology is relatively small and even with all the items filling your inventory stacked you still have 2-3 full inventory rows free. There are 4 collections with 4 items each, 4 junk items and 4 “interesting find” items. All of these make sense to find in Epona and the collections also give a hint to the history of Epona. In total if you had at least one of each item in your inventory it would take up 24 slots. I highly prefer the maximum of 4 junk items as this means I can repeatedly stack the junk to avoid taking up more space. I also greatly appreciate that only the tradable items can be pulled from golden dig sites and doesn’t include extra “valuable junk.”

While you can make a full run of Epona without having to stop and sell if you have 24 slots available the overall design of the region lends itself to doing so. There are two major areas you can go to for this, New Hillcrest and Crescent Moon Village both of which are located between major areas as transitions and optional pit stops in routes. Trailering is also really nice when it comes to planning routes as you can easily start at Wolf Hall Inn to begin with Dews or Crescent Moon Village to begin at Shipwreck Shores. There’s also the trailer at New Hillcrest for when you need closer access to Mirror Marshes or you want to turn in items for rewards to Chiron and Winterwell.

Overall I feel the pricing of the items picked up from Epona is pretty fair especially to end game players. At the levels where you unlock Epona there’s hardly anything the player is locked out of (besides due to reputation) and therefore the player often must pay the highest prices for apparel and tack. Epona gives end game players a means of grinding currency outside of the limited daily races and quests. For me personally I make most of my money off of Epona because I do work a full time job and I often only have time to run through the area on a semi daily basis to collect interesting finds and turn them in so I can sell the rewards for high shilling payouts. I think this is extremely fair for end game players and works perfectly with Epona’s archaeology. It is also optional and requires the player to hunt out each golden/interesting find dig spot across the entire map in order to earn it. Often meaning the player must plan a route and figure out how to navigate then adjust if they don’t run the full route. This also plays a huge part into why I personally love archaeology in the game as I adore more explorative features. (Such as hunting for stars, token photos and memories.)

Winterwell’s interesting find rewards I especially feel are well balanced both in how many you turn in as well as pricing. You have a chance of receiving higher priced items that could hit up to around 1,000-2,000 shillings or you can get something that is only worth 250-500 shillings. It’s a gamble and makes it so the player needs to keep hunting every day to find the interesting golden dig sites. I also greatly prefer the setup of having 2 single trade items and 2 double trade items. This means that the player has a 50/50 chance of getting something they can immediately turn in but also doesn’t clog up their inventory with 4 different items if you don’t find enough of each that day. In general Winterwell’s interesting find system and rewards feel far fairer and more interesting to me than Dino Valley’s.

I actually prefer the fact that after you get the Jones apparel the game won’t let you turn in items again to Chiron as it means I can simply chose to either skip or sell all of the excess items I receive from Epona. (I think if it were tack instead it should unlock the ability to buy additional ones after the first freebies.) I also really appreciate that both Chiron and Winterwell are within New Hillcrest and don’t require me to go outside of Epona or even the general area to turn everything in after I’m done.

Epona Suggestions

When Epona is updated I would love to see some adjustments made to the overall model/terrain and movement flow of the Mirror Marshes especially and to a lesser extent Shipwreck Shores.

The Mirror Marshes while it is supposed to be somewhat difficult to navigate should keep the actual digs arranged to allow for routing without too much trouble to players who are familiar with the area. I personally think adding more “underwater land bridges” would greatly help avoid water slow down (if this isn’t fixed in some other way.) There are some throughout the rivers and such where the player isn’t slowed down but I think some more mindful placing would be nice in terms of directions players will naturally move between dig spots. Or could do fallen logs if the collision isn’t difficult to path over. I would also avoid making dig spots that are extremely far out of the way. For example I have a problem with the current layout when it comes to the single dig spot over by the Moon Spring as there’s no natural reason to go in that direction.

Shipwreck Shores actually works fine as is since you can run through it with minimal getting stuck in the bigger holes thanks to the race course. However I feel it’s worth mentioning as the race course will likely get a change if the area does. Overall I like the idea of Shipwreck Shores being this location that may have once been underwater and now we’re moving over this jagged terrain that gave it its name. However I think the team can definitely adjust it so there’s less painful collision and getting stuck in holes while maintaining this feel and keeping a reasonable digging route.

For all areas of Epona (and Dino Valley) I think that the dig spots should be relatively in plain sight. Brush shouldn’t be mostly or partially covering them and placement should avoid having the spot in a very open area that makes it extremely difficult to find. It’s one thing where you go in a straight line between a few dig spots (like in the Mirror Marshes) but another to find those two dig spots in the red/pink dino bone area that are by the portal and tree amongst the dead brush/brambles. I’m not opposed to making it a little more difficult to spot in terms of a cursory glance, it’s fun to hunt down everything but it shouldn’t be difficult to spot when you know where to look. (Unlike the Dino ones I mentioned.)

There appears to be a bug with the coins received from Winterwell where sometimes they are called “Weird Object.” I might actually submit a bug report on this but thank you Cen for bringing this up.

Dino Valley Suggestions

Dino Valley in general I feel needs to be updated to match Epona as a bare minimum. A large part of the issues with it will likely have to be addressed with an entire update to the whole area. However I think the team should focus first on adjusting the item pools, payout and turning items in until they are able to do more with the entirety of Dino Valley.

Item pools should have their “junk” reduced down to 4 items max and should remain related to the valley’s history. I could see items such as dino eggs, used up kalter stone, ice crystal and broken pickaxes making sense. I would avoid using too many human tools or other items personally.

The golden “interesting find” sites need to have only the 4 tradable items available to be pulled from them instead of a chance of random higher paying junk. I would like to see the counts for trading these items match Epona’s 2 single and 2 double as I think this is better for inventory management and player interest/game feel. I’d also replace the tradable items with things that make more sense. At the very least I just don’t like having to turn in so many cellphones and action figures I dig out of the ice in a closed off valley that wouldn’t make sense to hold those. It’s really more of an immersion/lore nit pick.

Overall I think pricing should be adjusted for how much items in Dino are worth but this is something the team would need to decide the balance of based on the level the players who access Dino are at. Overall Dino doesn’t currently lend itself as well to regular archaeology like Epona does and I think that’s fine right now both as an early archaeology area as well as for grinding money for earlier leveled players. But I do think having it is a good boost for shillings grinding before players can access Epona. I would imagine most (non-end game) players who have access to Dino will be making a large amount of shillings from actual main/side quests instead of purely from world wide dailies like end game players do.

Small note on the dig sites I actually think the snow effect on them should be removed and the normal not gold interesting find ones should be more blue (like Epona’s) or otherwise made more noticeable for players. The current color scheme of Dino Valley makes it difficult to make the dig spots out against the ice/snow/rock that they are usually hidden against.

In general I would move many of the dig sites to more reasonable locations such as taking the ones off of the dangerous cliff side beside the elevator or in harder to reach (semi hidden is fine) areas such as the one you must fall down to get to the dig spot on the semi secret side path towards Icengate. If it’s possible to adjust the dig sites so they all have their own individual areas with transition points using the current appearance of the world that would be preferable but I wouldn’t expect it before a proper full terrain/area update. (The only area I think that works mostly well right now is the red/pink bone area. It could be tweaked a lot but I like how it’s sectioned off properly.)

I would like to see Professor Jura moved to Nic’s Camp so you can turn bones in right away in the same place as the interesting finds guy.

Update the Dino Valley dig site expression of “Nearby” vs “Close to” so it matches Epona’s. (Epona has it where nearby=junk, close to=collectable/tradable items.) Technically you could do the opposite and update Epona’s to match Dino since I guess Dino came first, it really doesn’t matter which as long as they match.

I made some notes in my Quality of Life UI rambles post as well, basically I would like to see it where when completing a dig there is no pop up pausing the player. It should do the items flying into your inventory and the shillings and rep you receive will float up and disappear much like after you turn in a race.

This may require a large inventory update/overhaul but I would like to see the game stacking items automatically in your inventory when you receive more than one of the same item. I’d also prefer this being implemented after we can remove items from a stack just in case.

I will have additional thoughts on the game’s archaeology system in the future and I plan on elaborating further on it in regards to potential new features as well as Dino Valley and Nic Stoneground. However I wanted to do a rambles post specifically about the current archaeology system and how I would like to see it upgraded before any new systems are introduced (or before updates to Nic’s quests and the terrain.) I also feel it’s important to point out how Epona has greatly improved not only the general archaeology experience but also the end game for players.

Again thank you for taking the time to read through this! If you have any thoughts of your own or questions feel free to reblog, reply or shoot me an ask!

#jaderambles #sso #sso talk #archaeology #archeology #3 #dino valley #epona #game mechanics #mechanics

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dimensionsunited · 4 years ago

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NOVEMBER 2020 DIMENSIONS ENTERTAINMENT SCHEDULES & REVIEW

Members may earn 3 points each (up to 6 points) for writing, by the end of December 7 KST:

A solo para of 400+ words based on their monthly schedule (does not count toward your monthly total).

A thread of six posts (three per participant, including the starter) based on their monthly schedule.

Threads do not have to take place directly during an important date listed on the schedule, but must be related to what the muse is mentioned to be doing in the paragraph explaining their schedule/the company’s schedule for the month and/or their thoughts on the mentioned activities or lack thereof.

These schedules may be updated throughout the month if new information needs to be added.

Reminder: October schedule posts are due by the end of November 7 KST. Please do not post schedule posts in the fmdschedule tag.

OVERALL COMPANY

food cw // As the Culture Complex grows closer and closer to being finished and is slated for an opening in the first quarter of 2021, the focus has turned to the details of the new center. This month, an offer is extended to all idols under all three companies to submit a cafe menu item idea for a food item themed after them, their group, their company, or their career in general. A contest has also been opened for fans to submit ideas. Idols who submit their ideas and are chosen will get additional publicity through the items’ sale in the center’s cafe and will be awarded a set prize amount in money for their contribution and will earn a percentage of the profit from the menu item once the complex opens. (Menu item ideas should fit a cafe setting and not involve extensive preparation; things like non-alcoholic beverages, small personal desserts, sandwiches, etc.).

Important dates:

N/A

DIMENSIONS SOLOIST 1

Before her comeback promotions come to an end, Dimensions has arranged for her to film a “Dance Training Video” of her newest single where she’ll teach key points of her dance to one of her managers and a member of Dimensions’ marketing department. After the end of her promotions, schedules fall off a lot and she’ll mostly be in for meetings here and there about potential end of the year activities and conversations about her direction in 2021.

Important dates:

November 2: “Pporappippam” Dance Training video filming.

November 5: End of music show promotions.

DIMENSIONS SOLOIST 2

On November 15, he releases his latest single and begins music show promotions for it. For this round of promotions, management is mostly focused on recruiting new idol fans from music show promotions and reigniting the passion of existing fans by encouraging him to participate in fan outreach during the period such as VLives. He will also guest on two radio shows as general public outreach.

Important dates:

November 15: Release of "When You Call My Name”, music show promotions continue through December 15.

November 18: Guesting on KBS Music Plaza radio show.

November 20: Guesting on Naver Now Late Night Studio radio show.

DIMENSIONS SOLOIST 3

Dimensions has decided they’re starting to run thin on how much they can milk the success of “I” and her debut solo mini-album, which means they’ve made final decisions about her first solo comeback. She’ll be returning with a single with a different sound from her first release, while still keeping her within the ballad vein she’s successful with. The back half of this month, she’ll go into the studio to record the final vocals for the track.

Important dates:

N/A

GAL.ACTIC

Gal.actic continues their music show promotions with a couple of radio show guestings and a fan sign. The song receiving a moderate amount of attention, even if the opinion on the title track as a song itself was split, has confirmed another comeback for the group internally, although nothing has been officially decided or announced to the members yet. Instead, during the back half of the month, members are mostly encouraged to focus on individual activities as the year comes to an end.

Important dates:

November 2: Guesting on KBS Music Plaza radio show.

November 6: Guesting on KBS Cool FM Kiss The Radio radio show.

November 7: Fan sign in Gangnam.

November 19: End of music show promotions.

ALIEN

The members will continue to practice their lines and a handful of performances for their upcoming fan meeting, but they also have yet another English-language music video to film, which will serve as the final single off of their English-language album shortly after they release it next year.

Important dates:

November 21: “You Can’t Hold My Heart” M/V filming.

MARS

Their comeback happens on November 17 and its success is apparent soon after release. It charts well, especially for a boy group, and the fan response is even more positive as fans express gratefulness MARS has returned to the dark concepts fans are particularly found of, and it doesn’t hurt their enthusiasm that his concept leans even more sexy than usual. It sends a clear message to Dimensions what fans want and the company attitude seems to be overall pleased with the results of the comeback. In addition to music show promotions, MARS will promote through radio shows and fan signs and they’ll even film a special Christmas dance practice for their latest title track which will be uploaded onto YouTube next month.

Important dates:

November 17: Release of “Chained Up” & Chained Up mini-album, music show promotions continue through December 17.

November 20: Guesting on SBS Power FM Cultwo Show radio show.

November 21: Fan sign in Mapo.

November 27: Fan sign in Gangnam.

November 29: “Chained Up” Christmas dance practice filming.

7ROPHY

The end of Queendom leads directly into their comeback with their finale track and it’s very well-received. It’s by far the most popular single they’ve released this year and it becomes clear 7ROPHY has won by showing themselves as strong competitors on Queendom, even if they didn’t actually win the show. Dimensions hadn’t expected the single to do so well, so promotions are limited to music shows this time around, but a deadline is set for the end of the month for members to contribute to any songs that might be submitted for their next comeback, which Dimensions reports they’re planning for the first quarter of 2021.

Important dates:

November 1: Release of “Lion”, music show promotions continue through December 1.

UNITY

Unity finishes off their preparations for their late-month comeback earlier in November with the teaser photo shoot and music video filming. They don’t get to see too much of the results of this comeback before the month ends, but even from the beginning of promotions, it earns them a place as Dimensions’ crown jewel with better chart results than ever before and an almost assured path to becoming a million seller between this repackage and the original album, placing them only behind the likes of Origin and Knight in physical sales and making them the first from their company’s history to achieve such a feat.

Important dates:

November 3: Comeback teaser photo shoot.

November 10: “Punch” M/V filming.

November 15: Release of “Make Your Day” Episode #1.

November 18: Release of “Nonstop” Episode #2.

November 24: Release of “Punch” & Unity Zone: The Final Round repackaged album, music show promotions continue through December 24.

November 25: Dingo Music Unity in 100SEC Choreography video filming.

↳ CHAMPION

No schedules for the month.

Important dates:

N/A

LUCID

Lucid completes their Asia showcase tour at the beginning of the month, but Dimensions doesn’t have a break in the plans for them. They’ve been invited to perform on Immortal Songs 2 once again and will need to rehearse for that throughout the month. They’ve also been chosen to be turned into characters for the FPS game Sudden Attack due to their popularity with young men, and become ambassadors for the game in the process. Character models will be based off of existing photos of them but they will have to go into the studio to record voice-overs for their character models. If that isn’t enough, they’ll also be in the studio to record their next comeback this month. In a concept meeting earlier in the month, they’ll learn that this comeback is considered critical since they’ve now completed both the original “normal realm” school trilogy and the original “nightmare realm” nightmare trilogy. Officially, this comeback is considered to be a combination of both the regular and nightmare realms — a first for their lore — and the intention is to stay close to the successful sound of their “normal realm” concept with a slightly more girl crush lean, while the music video will involves themes of both realms.

Important dates:

November 7: LOL Asia Showcase tour at Taipei International Convention Center in Taipei, Taiwan.

November 16: Sudden Attack character recording.

November 20: Immortal Songs 2 filming (to be aired: November 28).

#fmdschedule #queued post

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keeroo92 · 5 years ago

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Tumblr Tips You Probably Already Know

So I don’t know about you guys, but for me learning how tumblr works was a pain in the ass. I thought it might be handy to share a few tricks I’ve picked up the last few months for anyone who needs them. Bear in mind I’m still extremely new at this, and not all blogs would benefit from my amateur advice. I’m posting this just in case one of you guys are as frustrated and annoyed as I was at the beginning.

First - Adding a “Keep Reading” divider

Why to do it - If you post a lot of longer stories, viewers will be forced to scroll through the entire post to see anything further on their feed. While this might seem like a good way to get people to read your work, it can become a hindrance if people don’t have the time to read and are forced to either suck it up and scroll, or unfollow you.

How to do it -

When you are preparing to post (Text post) just hit “Enter”. You should see a few icons on the right of where you’re currently typing, like this.

The icon on the far right will insert a divider that can be dragged to anywhere you like, and when you post it will create one of these -

Readers will need to click to view the full post. I don’t know if there’s a way to create these with any other type of post, but it’s something I learned after an Anon asked me to please use the tool. (Thank you Anon!!!)

My personal preference is to also list the word count above the cut off, so that my readers have a rough idea how much time they might need to finish reading. If you aren’t sure what your word count is, you can paste your work here and find out - https://wordcounter.net/

Some programs have something like this built in as well.

Timing your post

Why to do it - Like any site, tumblr has peaks and valleys of activity. I did a little bit of poking around and found that the most active time of day is between 4pm and 10pm Eastern. If you are trying to maximize the number of people who see your post, it may help to post during this window.

How to do it - I’m pretty terrible about dong this, but when you’re preparing a post, you can schedule when it appears by clicking the drop down menu on the post button, here.

A small menu should open, like this.

The schedule can be annoying to work with, since it requires a specific format of date. Again, I suck at this, but I’ve noticed if it doesn’t like what I put in the post only refuses to submit.

The post will not even minimize, so you won’t lose your work. (I still recommend keeping a copy elsewhere just in case!!!) Here’s what it looks like -

This menu will also appear when you reblog a previous post, so you can schedule your reblogs with ease.

Opinions vary on whether reblogs actually do any good, but that’s for you to decide for yourselves. Both these scheduling features can be extremely helpful if you won’t be able to post for a few days (vacation, illness, etc.) but you don’t want your blog to stagnate.

Creating a Masterlist

Why to do it - Once you have a few pieces of writing posted, you want people to be able to find them, right? A Masterlist puts links to all your work in one place, like a Table of Contents. Someone just finding your blog can go through everything you’ve written to date and binge it all at once, or just a few to decide if they really want to follow you.

How to do it - Here’s a link to an in-depth tutorial. I’ll summarize below as well.

Start with a new text post. You’ll want to have an idea of how to organize your stuff in advance. I chose to do mine based off of the main pairing, but I’ve seen others go by the date of the post or type of post. You can do it however you like.

Next, list out everything you can think of. It’s fine if you don’t have a full list, you can always go back and add more later. Make sure you put everything in the right category.

Now the annoying part - linking! Every post you make has its own page, and you’ll need to copy the full URL. There’s a million ways to do it, but I just scrolled through my post history with a tag filter on and opened/copied each one in turn. It can be time consuming if you have a lot of posts, though.

Once you have the URL copied, find the line on your masterlist you want to use and highlight it.. Here’s an example.

Now, click on the little figure eight thing I circled. It’ll open a spot for you to paste the URL, like so.

Once it’s in there, click “Done” on the right side of the bubble to save the link. It’ll add a blue line under the text to show where people can click to follow the link. Repeat this until you’ve got each item linked up!

Go ahead and post it, and grab the URL for the masterlist itself. Navigate to your profile and click the little painter’s palette to edit your blog’s appearance. Mine is in the upper right corner, I don’t know if that’s standard.

On the left side of your screen, a new window should open where you can change all kinds of settings. Scroll down to find the custom link section. I’m not sure if every theme has this feature, so you may need to pick a new one to do this. Here’s what mine looks like.

Make whatever changes you like, but make sure you hit “Save” at the top of the window. You might want to check your profile to make sure it looks the way you want it to, but that should be all you need! Be sure to update your masterlist regularly. If you ever discover a line is missing the blue line underneath to show it’s a link, that likely means the link is broken. Generally, you can fix this by redoing the URL paste step above.

A few handy sites -

https://fanlore.org/wiki/Main_Page

If you feel a bit overwhelmed by the number of fannish words you aren’t familiar with, you can find most here. Great way to deepen your understanding and also make sure you’re tagging the right genre’s!

https://prowritingaid.com/en/Analysis/WebEditor/Go

This site is amazing. They have all kinds of editing tools, too many to list in one post. The main idea here is if you want to analyze your writing, this site does it for free. There’s a 500 word limit unless you want to spend a little money, but IMO it’s worth trying out. However, it can’t tell you your style or identify deliberate grammatical errors. Take it’s advice with a grain of salt, and don’t blindly do everything it says. You will lose what makes your writing unique if you do.

https://write-it-motherfuckers.tumblr.com/

HOLY PROMPTS, BATMAN!!! Seriously, this blog has so many amazing ideas it’s ridiculous. If you want to find a new plot or crazy AU, this WILL give you ideas!

https://writeordie.com/

A great tool for breaking through writer’s block! This site allows you to set a timer and word count, and program sounds to make should you reach/miss your goal. Not for everyone, but I like it for when I have tons of ideas but just can’t settle on one. Best part is it doesn’t delete your work after the time runs out, so you can copy it anywhere you like!

https://ao3commentoftheday.tumblr.com/

This blog is fantastic for any random questions you might have regarding fanfic. They answer things from how to write a chat fic, to how to write an ASL character, to where to find references on how to write a car chase. Truly amazing stuff!

And last lil thing - HAVE FUN!!!!

(Also, sorry if this whole post reads unkindly or in a condescending tone, that is NOT how I mean any of this! I’m not perfect and still have so much to learn, honestly just wanted to share on the off chance it’s useful to someone else.)

#writing stuff #tips and tricks #tumblr tips #writing tips #how to do stuff #useful info #i hope?#idk #this stuff took me way too long to learn #you guys are probably smarter than me

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otayuriweek · 5 years ago

Note

What hard work? Nothing has been done since 2017 and that was nothing but a lot of reblogging. Seriously how is that hard? A lot of people would like to participate in an OtaYuri week, if you're not willing to do something with this blog, delete it and let someone else pick it up. As of right now, you're just being selfish and petty for not allowing someone else to host the week. That's all it boils down too.

Did you even read the post? I will repeat what I said here: anyone is free to host their own Otayuri Week, and we would be happy to support them by reblogging their announcements on our blog provided that they’re being inclusive of all fans.

Otayuri Week doesn’t have to be on this blog. In fact, anon, you’re the one being fairly selfish in telling me to delete it after I explained that the blog is currently serving as an archive for the works submitted to past events. The fact that you think that hosting an event is just “a lot of reblogging” really speaks volumes on how well such a theme week would go if hosted by someone like you.

Detailing it further for others that might be curious on how to host this sort of thing, this implies:

checking if there’s enough interest for the event to be viable through fandom contact, polls, fandom/ship activity in general, amount of creators active, while being aware that only a very small portion of the people claiming to be interested will actually participate

planning out a viable schedule while juggling together: 1) the availability of several mods, 2) the dates for all other fandom events, often gathered by hand and by asking people because most fandoms don’t have a comprehensive event calendar, 3) several other factors such as busy holiday/school/business times for participating fans, time needed to go through each phase with a good response without the fandom losing interest, etc

setting up the blog, themes, etc, involving code and graphic design and image editing, all of which can take a considerable amount of time (also applicable to the steps below)

drafting up banners and other initial graphics for the blog and announcement posts

drafting up the rules for the event as well as coherency rules for the mods, this not to mention extra information pages/posts such as faqs

drafting up an announcement post in a way that will be both informative and engaging

contacting other event blogs for affiliation advertising, spreading the word, answering asks, sending requests to be included on event calendars if they exist, etc, basically PR

setting up necessary media for themes submissions, several rounds of voting for themes, etc, and draft up graphics and announcement posts for ALL those things

process all the data between each phase, often manually, i.e.: go through each and every submitted theme, sort through them to make sure there are no duplicates, discuss with other mods how to handle similar themes, individually input them on the forms to be used for the voting rounds, etc

spread the word AGAIN for every new announcement that is made

create the final theme masterpost including graphics and announcement text, discuss theme placement within the timeframe according to how tired the fandom will be versus how versatile the themes are versus what will work well, etc etc etc

spread the word AGAIN, contact affiliates, more PR effort

figure out all the tags you’re going to use for the event, which can list all the characters involved, pairings present, themes, days, type of media, event date/year, etc so that fans can filter the participating works more easily, set up page on blog sorted by all these, make sure all mods are on the same page regarding tags to use

set up AO3 collection, figure out how that works for a multi-year event, make sure all mods know how to use it

THIS IS ALL BEFORE THE EVENT BEGINS. note that pretty much all of the steps described until now have to be cross-checked with the other mods, which might have conflicting opinions or low availability to confirm everything is up to standard and that we can continue with everyone’s agreement

event begins. there are hundreds of entries every day. you must keep track of which ones have already been reblogged, which ones have not, make sure all of them are tagged properly on the blog with all the tags I described above, cross-check with several other tags for the event because people will put their works even on tags that we supposedly aren’t tracking, or even not tag them at all and expect us to find them anyway. this takes HOURS, even if everything is in its proper place.

find all the works on AO3 for the event, most of which aren’t linked or tagged so that we can find them easily. add them to collection.

post all the submissions that have been sent anonymously for us to post, make sure to tag properly and check they show up on the tag.

if a mod doesn’t show up or doesn’t do their work? you need to go back and do it and have triple the work because you can’t be sure of what has been taken care of or what hasn’t, often by individually checking the notes of each post to make sure it has/hasn’t been reblogged because there are too many entries on our blog to find a single post easily. once again, this for HUNDREDS of posts every day.

keep checking the tags and AO3 several weeks after the event is over for late entries.

Note that this is the condensed version! All this while juggling several mods with probably conflicting opinions on everything, a busy schedule and daily life for everyone, all the time it takes to draft up the posts and do the graphics and process the data, and then dealing with the hundreds of daily entries once the event itself arrives while keeping every single one of those steps on schedule? You can bet it’s hard work.

Yes, we have not hosted Otayuri Week since 2017. You’ll be surprised to find that people with a large amount of responsibilities often don’t have the time and mental availability for this sort of workload, even without any added complications, and neither of the remaining mods is able to keep it up at the moment. I’ve already expressed my thoughts on adding new mods or handing over the event in my other post.

I will not answer anymore asks in the tone of anon above. I have already explained the reasons for this decision and stated my full support for anyone who wishes to host Otayuri Week in the future, and I’m more than happy to explain things further if anyone has more questions. However, I will not stand for the childish sort of personal attacks and disregard for people’s work as were used by anon in this ask, especially since anon chose to completely ignore what I actually said in my original reply.

–Mod Howl

#anonymous #answered #otayuri week

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mregalaphotos-blog · 6 years ago

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Assignment 2: Journal

I have decided to just keep a continuous log with thoughts and ideas and if I explore an artist or concept deeper, I will mention it and make a write up separately. I will post them all at the end. I have had issues with Tumblr deleting posts while I type that out or submit this so keeping them in a document makes sense to me. Apologies for what I assume will be an incredibly long post.

DART 1130 Journal

Monday, March 18: After presentation of our works, we got into discussion of Assignment 2, Make What Will Happen. We discussed multiple different aspects of making the photos unique. I was especially interested in double exposures as an approach. It would be a very difficult thing to do but could lead to interesting juxtapositions of images and ideas. I may explore that further in a deeper dive of the concept. An example of this using an outline to mix concepts is seen below in Andreas Lie’s work.

Friday, March 22: For me, I think nature photography is once of the more interesting and beautiful parts of photography. When you get out into nature, you are no longer shaping the world but experiencing it. The only purely human element in the image and the experience is yourself and the camera you are taking the picture with. The only things you control are how you frame the picture and what parts you choose to capture. I will do a few deep dives into nature photographers and what they draw inspiration from and see if any of what they mention resonates with me and my past and present experiences.

Saturday, March 23: The first nature photographer I will explore is Ansel Adams. A deeper dive will be posted when I post this all, but Ansel Adams is a photographer well known for his images of National Parks in the United States that led to a greater conservation movement because of their profoundness. As someone who has spent much of their lives traveling and hiking the parks, I owe a lot to him.

Monday, March 25: This week is study week for the Paddington campus. I need to expose some images for next week’s class to get a start for the project and be better prepared to develop film. I am going on surf camp this weekend, which I think would be a great time to get some cool and unique pictures. I can capture the human elements with one of my favorite places in the world, the beach. As someone who has grown up on the Gulf Coast of Florida, it has played a major role life and why I decided to study abroad in Sydney. Another interesting thing that I am exciting to take pictures of is sunrise. For most of my life, I have been getting sunsets on beaches as I have lived on the west coast of Florida. On my first morning in Sydney I woke up early (mainly due to jetlag) and figured out the bus system in order to go to the beach and catch sunrise. In many ways it was symbolic of a dawn of a new experience that would be very different yet share some similarities with my past. This could be an interesting thing to explore as it explores my new environment and how it relates to me.

Wednesday, March 27: Discussion of sunrise and sunset made me think I should look at some photographers who take pictures of sunrise and sunset themselves. I will do a deep dive into a photographer and his work and post more on him. Tacita Dean, whose video on chasing the green flash was an interesting introduction to the topic but I want to look into another photographer… After looking around on the internet I have settled on award winning photographer Paul Reiffer. He tells of a similar story to me where he was up early due to jet lag and so took an amazing picture of the Sydney Harbor, as seen below.

Additionally, I went into the campus gallery and checked out what they had. There was an interesting exhibit that played with various shapes and was supposed to tell a story. I had difficulty following along but it seemed like a very interesting storytelling feature in a 3D environment. Another collection showed these black and white pictures that would be most similar to what we are working on class. However, it appears that the artist also used/recreated images from video games or other similar works to make their pictures. In the end they looked pretty demented, but their ability to invoke that kind of response in me was an interesting feature of the art.

Friday, March 29: A short update but I checked out a camera for the weekend. They gave me the Nikon rather than the Pentax K1000. I will see how it goes because it is different from the short introduction we had to the camera. I will take 36 pictures and see how they turn out on Monday. While at Paddington I did a little research for the library activity and looked at Zoe Leonard.

Monday, April 1 (pre-class): A little update on how the weekend went. I got a few candid photographs of some friends I made during surf camp. There are a bunch of good day time images of things like people, signs, birds, and the scenery. I was too exhausted from surfing to be up early enough for sunrise during camp. So, this morning I woke up early and bused down to Coogee and took some sunrise pictures at the beach and finish off the roll. I ran into some issues where it was very difficult to get the camera to wind a little over 20 images in. I rewound the roll a little and it seemed to fix whatever jam there was. Here is a picture from my digital camera from the morning.

There was a beautiful mixture of colors/lighting levels that I am interested to see how it turns out. I think I got some more of the sun in those photos compared to this one.

Monday, April 1 (post-class): In class we developed our pictures, and were supposed to create our proof sheet before the next week. I figured out why the camera lever was not working right when I was working on developing the pictures. I foolishly assumed that the roll of film was 36 frames, but it was actually 24. Therefore, the second half of the roll was double exposed at full exposure and was completely unusable. The reason I was not able to create the proof sheet was that I ran out of time. It took Maria and I a very long time with a lot of struggles to load our film in the complete darkness. By the time we were done we were quite behind the class. After all was said and done, I only had a few workable frames, all from surf camp. I think some got fogged while developing as well or there was some error or another.

Wednesday, April 3: I do not have much time to work on photography this week because I have major projects/presentation and an essay all due on Friday. However, I came into the photography lab to print the proof sheet so I was not completely behind for the coming week. A picture of it can be seen below. There are not many frames to work with and I am not sure I want to incorporate it into the final project but I will at least be able to use the pictures to learn the techniques involved in printing from negatives.

Saturday, April 6: With a little respite from projects I continued to think about interesting ideas and concepts to explore for the final project. While browsing on the internet I came across this photo of a long exposure of a departing train.

It was a very cool picture to me because it expressed this movement of light with a dark background. You can see each point of lights distinct path as it travels. This made me further interested in long exposures and how it can allow you to see interesting things. In having a think about that it led me to think about the many images of the night sky I have seen where the Milky Ways and other stars are incredibly visible and beautiful. These are captured with long exposures and so I thought it would be an interesting concept to explore. Because of that, I looked into Milky Way and long exposure photographers such as Dave Morrow. These kinds of pictures could be a potential thing to explore as I am currently planning a road trip in New Zealand where at night I would be camping in places with very little light pollution. The addition of a thinner ozone layer means I would get pictures I would be unable to get back home in the US.

Monday, April 8: In class I was able to print two negatives from the roll. These were both done using a filter of 2, the largest aperture, and an exposure time of 4 seconds.

Image 1: My thoughts on this are that it turned out much better than I imagined. The lettering on the sign is backwards which I think was interesting and added a little flair to it. The contrast and coloration of it turned out pretty well in my opinion. I really like how the border looks. It gives it an almost 3-dimensional look as if the picture is solid and its own thing.

Image 2: This image was a little bit rushed. It is not as in focus as it should be. The actual image itself was of a bird, which at the time I was exploring using different shutter speeds similar to what we had seen in the first lesson on using the cameras. In the end I don’t think this is really what I wanted to explore in the project.

In class Izabela talked about the piece of paper you use to determine the lighting conditions and camera setup for night time photography with me and Nicole. It is good to know that there is a tool like that to use.

Tuesday, April 9: I needed to go pick up more film so that I could get a better roll of negatives to work with and develop next week. I made sure to verify that this roll had 36 frames to work with. It was the same Ilford brand and ISO 400 that we had used previously so things should be relatively similar.

Friday, April 12: I had some spare time so I thought I would check out a camera and explore Paddington and take some pictures. Unlike the previous roll I had no issues with the camera, both with cocking the lever or rewinding the film. I took pictures of various subjects, ranging from trees and shrubbery to cool things I saw along wall surfaces especially related to lighting. I also got some pictures of streets and street signs similar to the sign I had printed earlier. There was a cute cat that walked up to me so I got some frames of her as well. I will hold on to the frames and see how they turn out on Monday.

Monday, April 15: We discussed an interesting concept in class, the dodging and burning. Using those to block out subjects or only focus on one is really interesting. It explains how some images I have seen such as the bear one from a few weeks back get their distinct outline. This technique could be a very useful tool when it comes to double exposures, where you could use something like the outline of a building and capture nature in the second exposure.

We also took a trip the Art Gallery of New South Wales to see Izabela’s works. I really loved the prints she had on the metal surface. It added an extra element to the work where each leaf in the work had this little shine on it like it was capturing the sunlight and reflecting it even though it was just a picture. Another very interesting takeaway from the work that I enjoyed was being able to see the grains in the picture. It was blown up to an incredible size and so the details didn’t come incredibly sharp but instead you can see the texture to which the medium applied to the work. I also really enjoyed the way the images were presented in a 3D space, with the folds distorting our view as I imagine the view was distorted due to diving and having limited light. A lot of thought was put into the presentation of the work and added to it greatly.

On a separate note I did not know that we would have class off next week and class the following weeks when I was planning on traveling. Due to this I will not be able to attend class in week 11 so all future interaction with this course will be outside the classroom.

Thursday, April 18: I am leaving for Cairns until Sunday. Due to the lending policy I cannot check out a camera for this trip as I would have to return it on Friday. So, instead I will take what photos I can with my digital camera and just reflect on them. I will be seeing some wildlife there and then scuba diving. Another limitation of the camera is I cannot take it underwater so there is really no reason to bring it.

I believe I know what I want to photograph for the final project. Izabela and I had discussed on Monday more about the self-reflection and relating the pictures to myself. I had previously talked about the sunrise and sunset and how they played a major role in my life and my trip to Sydney. So, I will try to capture sunrise in various places on various days with different subjects to illustrate my journeys and experiences with the first light of the day. I will get a long-term rental of a camera for New Zealand and try to photograph sunrises next week. I will bring two rolls of film and hopefully some of those 72 images will turn out well and I can help build a cohesive story around them.

Sunday, April 21: Just a few photos from the Cairns trip.

Monday, April 22: On Tuesday I will be leaving for New Zealand so I have just been preparing. I got an extended loan form singed from Izabela so I can check out a K1000 for a week. I went to Ted’s Photography and picked up two rolls of film to use, same brand.

Before I leave, I wanted to focus on a specific topic for once, which is how to take photos in a way that is aesthetically pleasing and have good compositions. A couple of rules, suggestions, and ideas will be shared in an accompanying post.

Hopefully I can use those rules to make more aesthetically pleasing photos.

Monday, April 29: Disaster has struck… For the past week I have been off the grid due to not having a phone plan while traveling and only being in a camper van during it so no Wifi. I ended up only taking one roll of photos while there due to a combination of sleeping in after exhausting days of travel as well as very poor weather preventing any picturesque sunrises. That would have been all good and fine and possible to work with but there was an issue unloading the film where it got fogged. I had pressed the release button and wound the film back up until it was loose like I had before. However, when I opened it up the film had not rolled up at all and the whole roll was a waste. There go all of those pictures from Wellington to Napier to Taupo to Waitomo to Tongariro to Wairarapa. I will attach some photos from my digital camera from the trip but obviously I cannot use those in the project. I had a lot riding on those so I am going to have to improvise and work fast to make up for the loss. I checked out a camera again to take more pictures. Here are some pictures from the trip that I took on my digital camera.

Tuesday, April 30: I woke up early to take the bus to Coogee beach to get some photos of sunrise. It was a beautiful morning to take pictures, with the lighting elements working out great and providing great layering and levels. I was really excited to use these photos. Sunrise had been a great decision to use for the project and I was excited to develop the photos and begin printing…

The same thing happened as before. I rolled it up, it got completely loose and so I was sure the film was ready to be taken out and of course no, it did not wind up and another roll was fogged. This was very frustrating.

So, I had to go to Ted’s again to buy more film. At this point I am running low on money and film is not cheap. I am also starting to run low on time as I was hoping to have had much more time for prints by then. I checked out a camera again because I am anything if not determined to get quality pictures of sunrise.

Wednesday, May 1: Taking pictures this morning was no issue at all. I had great pictures of sunrise, the cliffs and the waves and once again I was excited to develop pictures. Sunrise and its colors were even more beautiful than the day before and these pictures would turn out really well…

Everything changed when the light nation attacked. I had gotten back to the Paddington campus and everything was going well. Like always I was having difficulties loading the film into the reels. But I got it done and began the rest f the developing process. After the long time of doing so, the moment of truth came and I finally pulled them out of the container. They were all black. I don’t know when or how it happened but some light must have gotten on the film and ruined it. This was another day lost, but at least I had become even more cautious and I knew the routine. I could reasonably give myself Thursday to develop and get the first round of prints done and then Friday to reprint any with flaws.

As I was out of film, I was saved by Melvin who gave me a roll of his Kodak ISO 400. Tomorrow’s roll is realistically my last good chance.

Below is a picture of today’s sunrise.

Thursday, May 2: Things finally turned out much more positive. The bus I took ran late so I missed the best parts of sunrise but I still got some quality pictures. When I got to Paddington there were no issues developing the film. It was the best feeling I had in a while. So, I became very efficient in the dark room for the next couple of hours. I selected promising pictures from the proof sheet I made and started making prints. For the early sunrise photos I used a 2 filter for most of them as I already had some great contrast. When I got to later photos I found that that was not enough. I bumped it up to 3 and got much better variation in the blacks and whites. I was efficient and got many prints in.

At the end I checked the photos again and found little imperfections on the paper. They were minor marks that I wanted to rerun. It seemed like the paper was scratched at some point or perhaps the negatives had specks of dust on the. Either way I am going to rerun the prints tomorrow.

Another note and a point of concern was that as I ran my prints it was towards the end of the day. Those who had been printing earlier started saying that they noticed that the fixer was not quite working right and perhaps it had been used up or contaminated. It was changed by the resource center but not after I had run my prints. I will have to look at them tomorrow and see what I can do. Although not the greatest thing to happen, I am not extremely concerned as the slight pinkness may actually add to the images as they are of sunrise and those are the colors you typically see at the beginning of sunrise.

Friday, May 3: This is the last day I could print. I isolated 10 of the most promising photos from the day before and set out on reprinting those with the flaws I had noticed yesterday. I did see some slight pinkening from poor fixer so I will look at them later. Due to missing filters and interest in bumping up contrast even slightly more I went up by half for this days prints. Overall I was happy with they turned out. For those with better lighting there is great gradation and others with capture the essence of the first light show less of that and show more of the gray’s representative of their nature at that time.

Stylistically I like the slight pinks in the colors. They fit the theme well. Embracing the flaws is a good thing and letting them say something of the work helps add to it. Overall, I am happy with the reprints. I got a good effect of the sunlight on the water for parts of them

Now, with all of the prints done I need to focus on the presentation and putting them in a way where they relate great. I have quality images of sunrise and I have quality images of its effect on cliffs but the lighting looks very different because half is of the source and half is of the subject. Perhaps I will present them so as they are facing each other as they do in real life. The observers of the mare much like what I was in photographing them, as something in between them to see and interpret their interactions.

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random-storykeeper · 6 years ago

Video

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My OHC compilation video is here! This time, I showcase all 29 entries I’ve submitted for One Hour Compos in 2018. The cover art in the centre of the thumbnail is done by my friend catnippackets and I still can’t get over how amazing it is that she took the time to make it for me. :)

Last time I did one of these compilation videos, I made it so that the blurbs I wrote about the individual pieces was on its own, private post. I forgot you could do read mores on video posts, so this time I figured, why not just make this all public? That’s in the full post below:

OHC 482 "Connect the Dots" - When the first OHC of 2018 kicked off, I had a lot of trouble thinking of ideas on how to approach this theme. Eventually, I just settled for keeping things simple, using chiptune with a little bit of guitar to create a more pleasant little nighttime piece.

OHC 483 "Patternwork" - When I first saw the images, I wanted to be direct as possible in terms of my theme approach musically. I would use guitars as my choice of string instruments to convey the “threads” and have them repeat simple patterns with triplets going against eighth notes, taking away and adding layers as the piece went along. I exhausted almost every guitar I had in my soundfont collection and ended up having to use an electric guitar. Surprisingly, it worked out pretty well.

OHC 484 "Going Your Own Way" - I usually approach underwater themes in the same matter - sine waves with lots of release. This time, I wanted to do something a little different, but still chiptune. So I decided to focus more on having a direct melody and using square waves instead. I actually quite like the carefree melody I came up with here - sadly, I didn’t really know how to develop it any further so I ended up just repeating it a lot throughout the piece, haha.

OHC 485 "Rays and Rain" - This theme was difficult to work with. I wasn’t really sure what to interpret the pictures as. I ended up just thinking of “rain with some light coming through” and kind of went off with that in a more laidback fashion. It was this compo that I discovered that slowing down the tempo while using delay that is synchronized to the current tempo creates a cool kind of pulsating effect, which is heard at the end.

OHC 486 "Distant Hearts" - This piece was one of the few vocal entries that felt like it kind of fell into place as I went along. I actually am using an excerpt of the post compo version I did for Chips Compo, the full version which I’ll be posting to my channel some time later this year.

OHC 487 "Drivin' 'Round the Galaxy" - Space in a car = chiptune blues? Sure...and don’t forget the high whistle with plenty of vibrato. :P

OHC 488 "Glass Curiosity" - I’m really not good at doing “rave” or dance pieces, so I decided to just focus on making something that would kind of try to capture the feeling of “losing yourself” via drinking. I mean, it’s a really basic interpretation, but towards the end, I play around a ton with the tempo as well as the filters.

OHC 491 "From the Earth" - Whenever we get nature or plant themes, I feel like I’ve always tried to make them happy and joyous. This time, I wanted to go for a more tranquil, calmer approach. With acoustic guitar, flute, piano and violin, everything started to fall into place from there.

OHC 492 "Cybernetic Rush Hour" - At this point, I realized that my own sounds were severely limiting me, particularly in the electric department. Chiptune sounds weren’t quite cutting it for me, so I ended up booting up Harmless and taking a couple presets from there. I only barely know how to use it, unfortunately. Maybe someday, I’ll learn. The piece only started working for me when I hit those running notes at the end, but by then, time was already running out.

OHC 493 "Routine" - One of the first things I think of when I see a bunch of machines is “conformity” and sticking closely to regular tasks. So I tried to keep the notes as even as possible and then put in some vocals. Ironically, the “just don’t come out of the blue” line really does sound like it came out of the blue lol

OHC 494 "Iris Chase" - I remember playing this one Ludum Dare game that had a red eye similar to these pictures. You would play as a person trying not to die while trapped in a room with several other people. I think the eye would kill people based on a vote and if not it would just kill people randomly. Anyways, I wanted to go with this sort of idea - a sinister eye constantly searching for the kill. I tried to play it really weird with slow pitch LFO, maybe some distortion, tritones, a gradually faster tempo. This was a lot of fun to make, and felt a bit different from what I normally was used to making, which in my opinion, was good.

OHC 495 "Palace 9" - So I pretty much had my instrument set in mind once I saw the images - harps, violins, pizzicato strings, y’know, things that would be light and heavenly. Then I realized, I didn’t really have a good lead. Turns out, the oboe makes a great lead. Although now that I think of it, pitch bending it doesn’t sound that good haha.

OHC 496 "Paws on the Sidewalk" - Seeing fur made me automatically think of white fluffy dogs, so I decided I wanted to make a piece about taking a dog out for a walk on a pleasant sunny day. And yeah...started out with the first few notes you hear on the guitar, and just sort of went at it from there.

OHC 497 "But Only For a Moment" - I really wanted to do a ballroom dance piece for this one. Not only that, but the experience of sort of “having that first dance”, heart pumping in your chest, the pause of anticipation. Of course, it didn’t exactly turn out that way, but the idea was to set a “beautiful” scene cut short by time. How appropriate, given that this is OHC. Surprisingly, this did well in the compo.

OHC 501 "IV Dream" - This was a weird OHC to come back to. I had never worked with a text theme before, so I was a bit taken aback here. There were so many interpretations I could go for. The one I felt the most comfortable with doing was an ocean/underwater track, but I wanted to go for something different but still water related. Then I remembered: just the week before, I was in the hospital (I burst my appendix, it infected my lower abdomen and I had to stay there for a week) and they put an IV in my hand for the antibiotics and hydration. As I was falling asleep there, I would recall the dripping sounds as the fluids made their way into my hand. I dunno, I guess that was kind of a weird approach to the theme: “I’m dreaming of flying through the sky but I’m actually just stuck here in the hospital”. Plus my voice got all messed up from the operation, so the vocals probably sound a lot worse than they normally do. :P

OHC 502 "Chipititis" - I missed making straight-up chiptune, so I made straight-up chiptune. That’s all, lol.

OHC 503 "Open Up" - I chose to go with the theme of “solitude” being a more positive theme, maybe focusing more on the calmness/meditative side of being alone and allowing yourself to be open and free in isolation. The pads in my soundfont set, as I discovered in this compo, actually work really nicely to set a fuller atmosphere.

OHC 504 "Long Lost Reconnections" - In this compo, I tried to make a song based on a dream I had that felt real to me. Unfortunately, I ran out of time before I could fully develop the lyrics and the theme didn’t come across as well as I had hoped.

OHC 505 "Confrontation" - Falling. How on earth are you supposed to portray this musically? I decided I would have to go with the basics: fast, descending chords. Then I hit a bass groove and decided it really needed a sax melody, so I put in that sax. By then, I decided that this piece would be about constantly falling with no end in sight, and having to come to those terms that eventually, you’ve got to land on something...right?

OHC 506 "Being Bold" - When I made this piece, I put in a definite end, and regretted it soon after hearing it in the listening party. Personally, it sounds so much better when the notes at the end don’t resolve, like in the “where does the hope go from here?” sort of way.

OHC 509 "Forgetful Traveller" - Another one of those “hard to convey” themes. The chords had to be just right, conveying someone moving forward, but also kind of thinking that “maybe I should have gone back because I forgot something”. Well, I tried my best.

OHC 510 "Conflicting Voices in My Head" - imo this is easily one of the roughest of the vocal entries I’ve ever done. In the original compo version, I had a lot of trouble getting the vocals to be loud enough for people to actually hear them. Third time’s the charm, I hope.

OHC 511 "Porcelain and Plastic" - I wanted to do a spooky, unsettling piece for this one, so I tried to make a piece about “feeling strange because you’re being watched by a bunch of old dolls in a dimly lit room and also, you might be turning into one of them”.

OHC 512 "Rest in Victory" - Before I started the compo, I wanted to make a piece that would keep building up until it got to a sort of “grand finale”. So for this one, I tried to keep it simple, with the same set of chords repeating and just adding different layers as I went along. I had this crazy idea of putting in electric guitars and wasn’t really sure how these were going to work, but I think there’s some ideas in there that I kind of like.

OHC 513 "Lullaby For a Needlessly Productive AllNighter" - I submitted this with a weird title because it was almost too long to be submitted properly (there’s a weird glitch on OHC where if you submit a title that is too long, it just glitches your piece out entirely). As for the piece itself, I wanted to make a lullaby that was kind of related to my own problems of wanting to stay up to constantly get stuff done.

OHC 530 "Giants" - I missed out of OHC for several months due to one of my classes last term directly conflicting with the time that OHC ran. So I was pretty excited to return. Live entries are always more nervewracking, but they’re a little easier to set up, in a sense - plus, you get more control over the tempo and stuff. That being said, since they are done in one take, there’s a lot that can go wrong. I almost got this one down until I messed up on the last few notes, oops.

OHC 531 "So Just (Let Me Be)" - The theme page originally showed “sjsj” as the theme, so most people started basing their pieces off this. It wasn’t until a few minutes in that the official theme was actually posted. Rather than starting a new piece entirely, I decided to just combine the two themes together. I tried to make several lines of the lyrics start with “S” and “J” then I ran out of time.

OHC 532 "Melting Point" - When I saw the hot springs, it immediately made me think of the hot springs I went to in Japan last summer. It was one of my favourite experiences there. But yeah, I tried to grab a combination of instruments that would sort of capture the contrast between the hot and cold. Vibraphone for a bell-like sound, pizzicato strings for the forest setting, marimba for a warmer sound. Marimba worked surprisingly well for this theme, and I wasn’t the only one in the compo who thought this.

OHC 533 "Hibernal Regret" - Didn’t really want to do a vocal entry, but I couldn’t help myself - this piece needed words, so I put them in. I tried to keep them short and simple rather than spending a huge chunk of the hour just trying to come up with meaningful lyrics. This allowed me time to process them properly and polish things up a little more. Never really thought I’d be combining winter and space, but hey, it was an interesting combination.

#ohc #compositions #music

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patriotsnet · 3 years ago

Text

Who Is Behind Republicans For The Rule Of Law

New Post has been published on https://www.patriotsnet.com/who-is-behind-republicans-for-the-rule-of-law/

Who Is Behind Republicans For The Rule Of Law

A Viral Ad Released By The Group Says Republican Silence On The Mueller Report Is Deafening

Former GOP Governor Bill Weld: Trump And Barr Are Trashing The Rule Of Law | The Last Word | MSNBC

Republicans, your silence is deafening. Stand up for the rule of law.

Republicans for the Rule of Law

A new ad from the Republicans for the Rule of Law has been going viral on social media; you can see it above. Many people are retweeting it and adding instructions to listen with your sound turned all the way up, because this video is supposed to be all about silence. The spot, shot in black and white, features close-ups of Republican Ben senators Sasse, Lindsey Graham, Ted Cruz, John Kennedy, Tim Scott. Theyre all looking straight ahead and saying nothing. You can hear a bit of static and the faint sound of a ticking clock.

A caption at the end reads, Republicans: Your silence is deafening. Our president attempted to obstruct justice. Stand up for the rule of law.

Todays Gop Bears No Resemblance To Party That Stood For The Rule Of Law

The BDN Opinion section operates independently and does not set newsroom policies or contribute to reporting or editing articles elsewhere in the newspaper or on;bangordailynews.com.

Frederic B. Hill of Arrowsic is a former foreign correspondent for The Baltimore Sun and conducted wargaming exercises on national security issues for the Department of State in both Republican and Democratic administrations.

The crisis in the Republican Party over the leadership role of Rep. Liz Cheney revolves around the big lie that Donald Trump won the 2020 election. But there is another, broader lie: the Republican party of 2021 is no longer conservative as it claims. It is reactionary, right-wing and on the verge of embracing authoritarianism.

One fact to set things straight: more than 60 court cases brought by Trump and his lawyers to claim election fraud were rejected by judges across the country, including the U.S. Supreme Court.

Secretaries of state, including Republican officials, found no fraud.

Yet Trump and his backers continued to undermine our democracy for months before, during and after the election as 3,000 Americans died almost daily from a pandemic that, as president, Trump did little to deter or diminish.

An impoverished vocabulary? The daily distortions of Fox News and repetitive labelling of unfavorable developments as fake news and cancel culture.

The Group Is Part Of A Larger Conservative Ngo That Calls For Increasing Legal Immigration & Expanding Free Trade

Republicans for the Rule of Law is part of a larger organization called Defending Democracy Together. That group, a coalition of Republicans and Conservatives, says it is opposed to the nativist tendencies in the modern Republican party. The group is in favor of free trade and legal immigration. The organizations mission statement says, in part:

Today, the Republican Party finds itself entertaining some of the same unsettling nativist and authoritarian impulses that characterized Europe throughout the 20th century. These ideals are antithetical to what it means to be a Republican, and what it means to be American.

Defending Democracy Together is a 501c4 advocacy organization created by lifelong conservatives and Republicans many of whom have served in Republican administrations and write for conservative publications. We are dedicated to defending Americas democratic norms, values, and institutions and fighting for consistent conservative principles like rule of law, free trade, and expanding legal immigration.

You May Like: What Are The Republicans Saying About Impeachment

Strategist Behind Republicans For The Rule Of Law And The Bulwark Launches New Communications Firm

WASHINGTON, Dec. 3, 2019 /PRNewswire/ –;Today, Sarah Longwell announced the formation and launch of Longwell Partners, Inc.;, a full-service communications firm based in Washington, D.C. Longwell is a former Partner and Senior Vice President at Berman and Company.

Longwell is joined in the new venture by Barry Rubin, Carson Putnam, Chris Herbert, and Ben Parker, as well as The Bulwark;Executive Editor Jonathan V. Last.;

Longwell is a Co-Founder, along with Bill Kristol, of the organization Defending Democracy Together and spokeswoman for its flagship project, Republicans for the Rule of Law. In addition to being Publisher of The Bulwark, she is also Chief Strategist for its parent organization, Republic Affairs , a 5013 nonprofit dedicated to strengthening our country’s core values and institutions.;

A long-time Republican strategist and former national board chair of the Log Cabin Republicans, Longwell launched her new firm to harness this unprecedented moment of political realignment and focus on solving some of the country’s most intractable problems such as immigration, erosion of core democratic values, and political polarization.

Longwell Partners CEO Sarah Longwell released the following statement regarding her new venture:;

Beginning January 1, 2020, Longwell Partners will be located at 925 15th Street NW, Washington, DC 20005.;

Some Trumpists Turn Against Cheneys Successor

Rep. Elise Stefanik of New York, who entered the House as a centrist in 2014 but has recast her as a Trumpist with support of Trumps disinformation, has been endorsed by House GOP leader McCarthy as Cheneys successor.

But some Trumpists are already jabbing at Stefanik as a moderate in disguise. Rep. Chip Roy of Texas sent a memo to every Republican representative that Stefanik had cast a series of votes opposed to Trumpism.

We must avoid putting in charge Republicans who campaign as Republicans but then vote for and advance the Democrats agenda once sworn in that is, that we do not make the same mistakes that we did in 2017.

With all due respect to my friend, Elise Stefanik, let us contemplate the message Republican leadership is about to send by rushing to coronate a spokesperson whose voting record embodies much of what led to the 2018 ass-kicking we received by Democrats.

Members of the hard-right Freedom Caucus have privately expressed reluctance, if not opposition, about Stefaniks ascendancy.

The New York representative has sought to appease critics by promising that she would resign as Conference chair before casting a vote that differs from the majority of House Republicans. She told reporters on Tuesday, We have a great deal of support from the Freedom Caucus and others.

Freedom Caucus co-founder Rep. Jim Jordan of Ohio and Trump have backed Stefanik.

Recommended Reading: Who Is Correct Democrats Or Republicans

Trump Republicans And The Rule Of Law

To the editor:

Prior to the 2016 elections, Hillary Clinton had been before a Republican Congress numerous times on Benghazi and lost emails. Seven investigations later it was found there was no wrongdoing. The Republicans severely pilloried Hillary Clinton, all for political gain. They are still at it.

Yet, an intelligence community whistleblower claims that Trump broke the law by illegally asking the newly elected leader of Ukraine to provide dirt on Joe Bidens son so it could be used against Joe Biden, by Republicans, in the 2020 elections, threatening him with withholding budgeted congressional funds if he didnt.

First, Trump denied he pressured the Ukraine leader on getting dirt on Bidens son. Then on Sept. 22, he admitted that he did talk about Biden with the Ukrainian leader.; So here we have a sitting president, who in secret, had talks with a foreign entity, basically asking that entity to provide dirt on a political opponent to influence a political election here at home. Shades of Mueller Report and Russian meddling in American politics.;

Yet crickets from Republicans who were ready to hang Hillary Clinton about some missing emails now are so quiet on this Trump possible treasonous act that you can hear chickens lay eggs.;

James P. ChasseSt Agatha

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Republicans For The Rule Of Law Agreement

PERSONAL AUTHORIZATION AND RELEASE

I hereby grant permission and authorize Defending Democracy Together, a 501 organization, its affiliated project Republicans for the Rule of Law, its assigns and licensees to edit, alter, copy, exhibit, publish, distribute, and make use of my likeness, any and all video, and/or photographs I voluntarily submit for DDTS expressed use, as well as any voluntarily submitted recordings of my voice and/or any of my voluntarily submitted written or transcribed statements for any lawful purpose.

This authorization and release shall NOT extend to any other likeness, video, photographs, recordings of my voice, statements, or use of my name which I have not voluntarily submitted to DDT, regardless of medium and regardless of public availability.

I further understand and expressly grant DDT authorization to use any voluntarily submitted likeness, images, videos, recordings of my voice, statements, as well as my name, in the following manner:

Use in any reproduction, distribution, derivative works, display, and/or performance as DDT shall solely determine;

Use in any composite or modified forms and in any media, now known or later developed, including without limitation newspapers, television, radio, the World Wide Web, and/or social media;

Use for any purpose, in any language, throughout the world including, without limitation, for the purpose of education, advertising, and promotion; and

Read Also: Which Republicans Voted Against The Budget Resolution

Republicans Must Choose Between Trump And The Rule Of Law

The presidents actions Wednesday portend a choice for GOP officials: Is their greater loyalty to the president or to the publics right to know what hes done?

About the author: Conor Friedersdorf is a California-based staff writer at The Atlantic, where he focuses on politics and national affairs. He is the founding editor of The Best of Journalism, a newsletter devoted to exceptional nonfiction.

After Wednesday, elected officials in the Republican Party should have no doubt that Donald Trump will force them to choose in coming days, weeks, and months between loyalty to him and loyalty to the rule of law, between the publics right to the truth and Trumps efforts to hide it.

The president began the day with an extraordinary threat on Twitter: If the Democrats think they are going to waste Taxpayer Money investigating us at the House level, he wrote, then we will likewise be forced to consider investigating them for all of the leaks of Classified Information, and much else, at the Senate level. Two can play that game!

It would be nakedly corrupt to hinge a Senate investigation on partisan game theory or retaliation rather than on the substance of the law and the public interest. Yet the tweet was quickly overshadowed by even bigger newsTrumps ouster of Attorney General Jeff Sessions.

They Recently Posted An Embarrassing Video Of Lindsey Graham From The Clinton Era

New ad campaign calls on Republican leaders to condemn President Trump | KVUE

Sen. Graham says President Clinton should be removed from office for obstructing justice in 1999: “He is the Chief Law Enforcement Officer of the land. He encouraged people to lie for him. He lied. I think he obstructed justice.”

Republicans for the Rule of Law

On April 22, Republicans for the Rule of Law posted a video of Lindsey Graham talking about presidential misconduct. You can see that video above. The video shows Graham saying:

This is about a person out of control. He took the law, turned it upside down. Every time there was a crossroads, he put his personal and legal interest ahead of the nation. He is the Chief Law Enforcement Officer of the land. He encouraged people to lie for him. He lied. I think he obstructed justice. I think theres a convincing and compelling case that he has in fact engaged in conduct that it would be better for him to leave office than to stay in office.

of course, this clip is taken from a 1999 interview Graham gave to C-Span, and the president hes talking about is Bill Clinton, not Donald Trump. But some people take the video as a sign of Republican double standards and are saying that the clip is embarrassing for Lindsey Graham, who pushed hard for Bill Clinton to leave office but has supported President Trump.

Recommended Reading: What National Policies Did Republicans Pursue During The Civil War

Trump Is Growing The Gops Antirule Of Law Wing

The American right has always been home to factions that demand law and order, while declaring themselves and not the federal government the arbiters of legality. The roots of this anarchic conservatism run deep into the foundation of the Republic. Andrew Jackson, who is hailed as a great democratizer by mainstream U.S. history, was a great champion of settlers who defied federal restrictions on their liberty to kill indigenous people and confiscate their lands. The South has, of course, always had a complicated relationship with the concept of federal sovereignty. And the Christian right, once it abandoned that whole render unto Caesar tripe, has insisted that Gods law comes before mans .

This tendency made itself felt during the Obama years through the armed standoff between right-wing militias and federal agents at Cliven Bundys ranch in Nevada. And it gained new institutional form through the Constitutional Sheriffs and Peace Officers Association, a group of active law-enforcement officials who believe the U.S. Constitution gives local government primacy over the state and federal governments, at least on the subject of firearm regulations.

If somebody cheated in the Election, which the Democrats did, why wouldnt the Election be immediately overturned? How can a Country be run like this?

Donald J. Trump

One Pennsylvania Republican offered some insight into her colleagues motives in an interview with the :

Republicans For The Rule Of Law Is Financed By A Democrat

Just hours after Jeff Sessions resigned as attorney general last Wednesday at the presidents behest, #TheResistance found its newest target for destruction: Sessions interim replacement, Matthew Whitaker….NeverTrump conservatives are aiding Schiff and the media in their campaign to paralyze if not remove Whitaker. Commercials attacking the acting attorney general were aired on several Sunday morning political shows. The ads were sponsored by Republicans for the Rule of Law, a group founded earlier this year by Bill Kristol, the editor-at-large of The Weekly Standard. The groups primary role so far appears to be pimping for the Mueller probe, a political witch-hunt that Kristol and his fellow NeverTrumpers pray will lead to the impeachment and removal of the president. The Left and their NeverTrump footsoldiers fear Whitaker will thwart the special counsels investigation instead of rubber stamping Muellers ever-expanding investigation as Deputy Attorney General Rod Rosenstein has done over the past 18 months.

Read Also: Why Are Republicans Scared Of Trump

Trump The Republican Party And The Rule Of Law By: Michael Klarman Kirkland & Ellis Professor Harvard Law School

A quick glance around the world these days can be frightening for defenders of the rule of law: thousands of officially sanctioned extrajudicial killings in the Philippines under President Rodrigo Duterte; lengthy prison sentences on fraudulent charges for two journalists reporting on ethnic cleansing of Rohingya in Myanmar; the officially orchestrated torture and dismemberment of;Washington Post;contributor Jamal Khashoggi in the Saudi Arabian consulate in Istanbul; the imprisonment of hundreds of opposition politicians and journalists by President Recep Erdogan in Turkey; government packing of the courts in Poland; the criminalization of immigrant aid groups and the forced closing of Central European University in Hungary.; The list goes on and on.; Surely, most Americans believe, such things could never happen in the United States.

Think again.; President Trump poses a greater threat to the rule of law than anything Americans have witnessed in generations. To be sure, the United States is not likely any time soon to see officially sanctioned killings of drug users without due process or mass incarcerations of journalists daring to criticize the government.; Yet, along a wide variety of dimensions, Trump shreds the rule of law.; The Republican Party, which has largely become a cult of Trump worshipersin the words of recently retired Republican senator Bob Corkerhas been mostly complicit.; Consider several examples.

Liberal Dark Money: Whos Behind That Bogus Gop Billboard

Who is behind the so-called Republicans for the Rule of Law funding billboards and ads pushing U.S. Sen. Cory Gardner and other GOP senators to impeach President Trump?

According to the Center for Responsive Politics, the group is a partner of Defend American Democracy, a liberal, dark money group thats spending a ton of money to pressuring Republicans to impeach the president.

Not only have they wrangled some Trump-hating Republicans like former U.S. Sen. Slade Gorton of, ahem, Washington state to front for them in campaigns against fellow Republicans, they are also using veterans in ads urging Republicans to impeach the president.

Defend American Democracy is a project of the Sixteen Thirty Fund, the mother of all dark money groups funded by a former Clinton administration officials with more than $100 million in the bank.

The billboard on I-25 in Douglas County declares: Sen. Gardner, the witnesses must testify.

The first clue this isnt a legitimate Republican group, theyre not asking for the actual whistleblower to be a witness.;

They want to drag the Secretary of State, Mike Pompeo in front of the Senate to testify under oath, as well as other top White House officials.;

Which just reinforces our notion that House Democrats never had enough evidence to impeach Trump in the first place, they just want to embarrass him and his administration, and steal the election.

Also Check: Why Are The Republicans So Evil

Do Republicans Value Democracy Or The Rule Of Law The Answer Is Clear But Theres Still Time To Fight Back

Newt Gingrich; John Roberts; Donald Trump

Even before the latest Supreme Court decisions approving hyper-partisan gerrymandering and effectively;allowing;the addition of a citizenship question to the census, experts have wondered aloud whether Republicans remain committed to democracy. Toward the end of a recent plenary;panel;on Supreme Court reform at the American Constitution Societys national convention, University of Chicago law professor Aziz Huq suggested, We dont really know how committed the Republican Party is to the project of democracy.

If the GOP still values the rule of law, then perhaps the danger to democracy will recede after President Trump leaves office. But if the GOP no longer cares about democracy, then our political system could be in peril. Democracy probably cannot survive, after all, if one of our two major political parties is indifferent to its fate.

Unfortunately, the answer to Huqs question is clear. The Republican Party is not at all committed to democracy, and GOP leaders and voters would happily tolerate alternative political arrangements. That is a worrisome claim, to be sure, but the evidence is indisputable. Republicans have abandoned any concerns they may have had for the integrity of our political system.

Thanks to gerrymandering, dark money and voter suppression, it will remain very difficult for Democrats to capture the levers of power. They will require wave elections to do so;

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11 ways to start reversing type 2 diabetes today

by Dr Rangan Chatterjee / November 11, 2015

Whether you have a diagnosis of type 2 diabetes or or you’ve been told you’re at risk, read on for 11 ways to start reversing the effects immediately.

Type 2 diabetes is reaching epidemic proportions. There are 3.9 million people living with diabetes – 90 per cent those of being affected by type 2 diabetes. Here’s another shocking statistic: 1 in 3 UK adults has prediabetes, the condition that precedes diabetes.

As you’ll soon see on BBC One’s Doctor in the House, it is entirely possible to both prevent as well as reverse type 2 diabetes. Unfortunately, a lot of the advice that is given for the condition is, in my opinion, unhelpful and misguided. Most people think of it as a blood sugar problem but this is the ultimate effect rather than the cause.

WHAT IS TYPE 2 DIABETES?

Type 2 diabetes is a condition that is characterised by chronically elevated blood sugar levels. However, the main cause as well as the driver for this condition is something called Insulin Resistance. When you eat certain foods, particularly refined carbohydrates, that food is converted to sugar inside your body. Your body’s way of dealing with this sugar is to produce a hormone called insulin. Insulin moves the sugar inside your cells so that it can be used for energy. Sounds great, right?

Well, yes and no. When working efficiently, this is a fantastic system that helps your body to function well. But when you have type 2 diabetes, prediabetes or significant abdominal obesity, that system does not work so well.

Eating too many refined carbohydrates elevates your insulin levels for long periods of time and your cells start to become resistant to the effects of insulin. Think of this a bit like alcohol. When you start to drink, a single glass of wine can make you feel drunk. Once your body becomes accustomed to drinking, you need more and more alcohol to achieve the same effect. This is what happens in diabetes. You need more and more insulin to do the same thing. The problem is that too much insulin is toxic to the body.

WHAT ARE THE EFFECTS OF RAISED INSULIN LEVELS?

It causes water and salt retention, which causes raised blood pressure

You become at risk of atherosclerosis (“furring of arteries”), which can lead to heart attacks

Raised insulin levels increases VLDL (very low density lipoprotein), a type of blood fat and one of the “bad” forms of cholesterol

Can drive the growth of certain cancer cells

In women, it can cause the ovaries to produce more testosterone, which is associated with Polycystic Ovarian Syndrome

Significantly increases your risk of getting type 2 diabetes

The only way to effectively reverse type 2 diabetes (or even pre-diabetes) is to deal with the underlying cause – Insulin Resistance. Trying to address the blood sugar levels (with medication) without addressing the insulin levels is treating the symptoms, not treating the root cause. It is similar to using a bucket to remove water from an overflowing sink rather than actually turning off the tap!

The most important thing to do is to stop adding fuel to the fire. If Insulin Resistance is driving the condition, you need to firstly stop consuming foods that increase insulin production. Secondly, you need to make some lifestyle changes so that you can become sensitive to insulin once again

SO, WHAT FOODS INCREASE INSULIN PRODUCTION

All carbohydrates – to some degree at least – will raise your blood insulin levels. That is why I consider type 2 diabetes a form of “carbohydrate intolerance”. Protein can also raise levels but to a much lesser degree. The only macronutrient that keeps your insulin levels and, therefore, your blood sugar stable is FAT! Therefore, if you are trying to reduce insulin levels, you need to reduce your amount of certain carbohydrates and replace them instead with healthy, natural fats.

What does that mean in terms of actual FOOD CHOICES though?

When I say healthy, natural fat – think nuts and seeds, avocados, omega 3 fats (found in almonds, flax seed and cold water fish, like wild salmon, herring, mackerel and tuna), extra virgin olive oil and whole eggs.

And when I talk about reducing certain carbohydrates, I mainly mean reducing your intake of refined carbohydrates such as pasta, rice and bread. Non starchy vegetables (such as broccoli, cabbage and cauliflower) are fine and can be eaten in abundance. Many fruits are packed with carbohydrates, so if you’re trying to reduce your carb intake, try and limit your intake to low-carb fruit, such as rhubarb, watermelon, berries, peaches and blackberries.

It is really important to say that I do not believe that there is one perfect diet for everyone. Different people respond to different diets.

However, if you have a diagnosis of type 2 diabetes or if you have been told you are at high risk or if you have significant abdominal obesity, here are 11 ways to start reversing the effects immediately:

Avoid ALL refined carbohydrates. That means no pasta, rice or bread (even wholegrain bread will spike your insulin)

Avoid ALL added sugar. If your body is already in a state where you cannot process carbohydrates and sugars properly, you are going to have to take steps to fully eliminate all sugars, at least in the short term.

Avoid ALL sweet drinks. It is best to stick to water, tea, coffee.

Do not be scared of good quality, healthy, natural fat – avocados, olives, almonds etc. Don’t worry about this causing you to put on weight. A study published in 2003 showed that people who supplemented their diet with almonds lost more weight than those who supplemented with so-called “healthy, complex carbs”

Do not waste your energy counting calories. Concentrate on the quality of the food that you are eating and the calorie control will take care of itself.

FEED YOUR GUT BUGS, not just yourself. There are trillions of bugs that live in your gut – their health is critical in determining your health. Many studiesshow links between the state of your gut bugs (your microbiota) and type 2 diabetes. Start improving the health of your gut immediately by eating five servings of different coloured vegetables each day. The non digestible fibre in vegetables is the preferred food for your gut bacteria and when your gut bugs are happy, you will be happy. The wider the variety of colours, the more phytonutrients you will be getting.

Do my 5 minute kitchen workout once a day. This could be before breakfast, lunch or dinner – whatever works for you.

If you like to snack, keep some high fat healthy snacks with you, such as olives, nuts or hummus. When you snack on refined carbohydrates such as biscuits, you go on a blood sugar rollercoaster that results in you feeling hungry shortly after. Fats, on the other hand, will keep you fuller for longer.

Include high quality protein and fat with EVERY single meal. This helps to stabilise your blood sugars and promotes satiety and fullness, making it less likely that you will want to reach for dessert after your meal.

Eat your meals sitting down at a table. Eating on the sofa while watching TV encourages a mindless form of eating – this can lead you to eat higher quantities than you otherwise would. If you sit at a table and concentrate on what you’re eating, you are more likely to enjoy your food, feel satisfied at the end of your meal and eat less.

Consider a form of regular fasting (more to come in a later blog), such as intermittent fasting or time-restricted feeding (TRF). TRF means eating your calories during a specific window of the day, and choosing not to eat food for the rest. It’s a great way to reduce insulin levels in your body and help undo the effects of chronically elevated levels.

As always, I’m here to answer any questions, so please get in touch via Facebookand Twitter if you’d like to chat.

— Dr Chatterjee

para

DISCLAIMER: The content in this blog is not intended to constitute or be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your doctor or other qualified health care provider with any questions you may have regarding a medical condition. Never disregard professional medical advice or delay in seeking it because of something you have read in this blog or on this website.

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