#folklore out now

[ashleylovestaylor13]

MY MIND TURNS INTO FOLKLORE @taylorswift @taylornation

get ready to return to the folklorian forest with ‘folklore: the long pond studio sessions’ record store day exclusive vinyl. available as part of record store day on april 22. more info at recordstoreday.com 🌲🧚🏻

[jakeperalta]

@giftober 2024 | day 6: brands ➛ folklore: the long pond studio sessions (2020)

[thegreatkarma]

the anti hero, the archer, this is me trying, mirrorball, nothing new, castles crumbling, foolish one girlies

[titsthedamnseason]

eras tour lookbook: my favorites edition

[everytaylorswiftsongisaboutcats]

Credits: Alef Vernon (@alefvernonart on Insta) @alefvernon

[knuckles-bloody-for-me]

Thing is if any debut song was on folklore then yall would EAT them up

[taylor-swift-stan]

I FOUND IT

[serpentface]

What exactly are living gods in the blightseed universe?

Ok here's the (DANGEROUSLY vestigial at this point) Meta Deeplore:

There is a material form of energy that is utilized by biological bodies essentially as an animating force. This IS the vaguely defined, extremely ambiguous magic in the setting. It is what produces the actual experience of Consciousness and can be basically considered 1:1 with conscious experience. All life utilizes this energy (whether actually conscious life in the traditional sense or not).

It cannot be created or destroyed, and rather follows pathways of dispersal between one material plane and a parallel plane. This parallel plane is 'the ether' 'the dreamlands' etc, and has its own matter. Discrete entities from the dreamlands are essentially formed as a byproduct of consciousness and, when interacted with, are deeply susceptible to the influence of conscious Thought (they are essentially matter organized By consciousness and can be reorganized by consciousness)

These are the entities that can become living gods. Dreamlands fauna occasionally slips into prime material reality, at which point they are directly under the influence of consciousness and can be transformed. Dreamlands fauna in of itself is not directly perceivable but produces a sense of Presence, like the feeling of being watched when alone in the wilderness, a 'third man effect', a sense of inexplicable awe or fear, seeing shadows from the corner of your eye, etc. The combination of their tangible effects and their susceptibility to consciousness creates a self-reinforcing cycle that produces living gods.

IE: if one is on a forest and people experience the sensation of its presence, belief that there is some entity there may develop. This will follow the lines of the cultural worldview- say there are already beliefs in spectral hounds that encounter travelers at night, it might be interpreted as a location-specific hound, given a name and identity through stories. This in turn causes the dreamlands fauna to physically embody that form and the assumed qualities, and people will start having absolute materially real encounters with it, thus reinforcing the initial beliefs that created it and generating new elements of the mythology. This is what a living god is.

They need persistent, localized, and coherent beliefs to hold their forms. If a village creates a living god and is then wiped out in a disaster, the god will gradually lose its form and return to its initial state of a sense of Presence. This is also a limiting factor on the 'size' and power of a living god, if an entire religion formed around it and became a widespread phenomena, the living god itself cannot 'keep up'. It is sustained on direct and localized interactions, so belief becoming widely dispersed (especially if the localized belief is lost) will cause it to gradually become less discrete. The effect of this property is that living gods are almost always minor deities or spirits tied to a specific location by a specific nearby culture. A lot of deities in larger religions may have once had a living god component that is now indiscrete.

The living god of the Ur-tree is an unusual exception in that it was created over millennia, basically by the survival instincts of the Plants it interacts with, and has held its form over hundreds of millions of years due to this being ubiquitous and un-susceptible to cultural change. The only thing that could 'kill it' is if its forest was entirely destroyed.

So 99% of living gods can be described as thoughtforms created by the process of folkloric/religious development. They are created BY people and not the other way around, and nothing about their nature confirms or denies the existence of other deities or etc.

And yeah I'm going to be 100% real I am REALLY tempted to dump even this extremely ambiguous magical element like it is soooooooooooooooo fucking NOT important to the setting at this point. I've kind of allowed 'literal god entities created by mortal belief' to be just a tiny part of the world's fabric by their nature, like it works within the worldbuilding for such a hugely significant concept to ultimately be insignificant in the overall framework, so I COULD just Leave It but idk. If it were not for me wanting to still have my big fucking god tree and a talking dog as an actual character it would be out of here soooo fast..........

[faislittlewhiteraven]

Fais fanfic rambles: Introduction to my 'Selkies by Starlight' ISaT AU

Note: Not to be confused with @looped-140-and-counting / Soren_793's wonderful Selkie AU oneshot series 'The Northern Islanders are Selkies' which was hugely inspiring for this if potentially VERY different in vibe (we got very into talking about cloaks! XD)

Basic premise/summary:

In an alternate version of the precanon adventure, the party lead by Mirabelle to stop the King freezing Vaugarde in time, recruit Siffrin as per usual.

Thing is, Siffrin is a Selkie.

A very skittish selkie without a cloak of their own, who openly wears the cloak of another, and due to Reasons is under the impression that the party know all both of those things and the Implications about them, and for whatever reason have decided to welcome him into their group anyway.

Which er, he's completely wrong about as the party know absolutely nothing.

Mira and Isa like most Vaugardian humans think 'shifters' are just fairytales, Odile knows shapeshifters are real but is only really familiar with how foxes like her father work, and Bonnie is actually able to sense some pretty major things but is a preteen dealing with a lot and hasn't even joined the party yet, so this pretty major misunderstanding is sustained for quite a while...

Cue the AUs' main focus being on the resulting party dynamic shifts as more and more canon divergence due to Sif's 'selkie stuff' (both cute and serious) comes into play, the party slowly realising something is up, and all of it hitting an eruption point right around the time of the 4th Orb/the loss of Siffrin's eye...

Some key world building notes: (Note: very summarised from my docs. I have like 20k+ words on this stuff XD)

The Island - Probably the most drastically different thing from canon here, the Island was not forgotten or erased here. Rather it is hidden away and permanently shrouded in Wish Craft generated fog from 'those without cloaks'. Side note: Sif is still unable to return home and continues to have some very plot critical memory problems but those are due to unrelated issues, which means yay I get to have Sif talk 'home culture' with the others in this =D Also idk why the King is freezing Vaugarde still. I've got a few ideas I'm not sure about and he's not in focus enough for it to even matter really, but random suggestions -especially those with possible selkie motivations- would be very much appreciated.

Selkie powers in my setting - Went into something of a deep dive regarding selkie folklore for this and did you know they have an absolute ton of seer/oracle based stuff going on?

From selkie being summoned by their human lovers shedding seven tears into the ocean, to a selkie man telling a former lover that he and their child will die at the hands by her genuinely good and loving future husband, to a selkie woman forseeing her fisherman husband about to die out in a storm just in time for her to swim over there and rescue him, etc.

So... Yeah. This AU has a lot of plot relevant sensory/seer stuff going on as well as the standard seal shapeshifter stuff (Islander selkie traditionally believe it to be the Universe talking with them, in the same way Wish Craft is talking to the Universe), and going off all the stuff I read decided it'd be most fitting if the general rule for how it all works is: - Selkie always passively have a bit of it going on (aka Sif's canon 'you sense someone nearby' stuff) which like most things can be enhanced with Craft use a bit. - Near perfect understanding of all 'connected' bodies of water (aka they know EXACTLY where the tasty fish are/will be and can probably get a general sense of location for most people on a boat) - Potentially get strong 'visions of the future' and/or instincts on what they need to do to avert an outcome when it comes to loved ones being in danger/distress.

They also maybe get to pull very fast, high power Wish Craft 'curses'/miracles' at idk, the cost of something major like their cloak or lives (mostly based off of the The Legend of Kópakonan where the whole island of Kalsoy was cursed with death by a selkie in retaliation for her husband and children being murdered) but not super attached to this idea past it being in 'seal shifter' stories in-setting.

Other non humans in setting and regional differences in shifters - Pretty much only selkie and selkie issues are in focus here, but just as a general thing, all non humans in setting are shapeshifters and originated from human ancestors who went crazy with the the Body Craft and/or used Wish Craft in some way.

Ka Bue in particular has a ton of them since yokai, with their origins being various sects/clans back in the warring eras going so nuts with trying to weaponize Body Craft (super soldiers, enhanced life spans, infiltration, exploiting attraction to furries, etc), that after some particularly high profile incidents (for an idea plz see: Kiyohime, Tamamo no Mae, Kachi-kachi Yama) and 'Body Craft misuse leading to shut down of the brain/vital organs' being the most common cause of death for 10+ years once peace time was established, eventually Ka Bue's authorities set their foot down and banned Body Craft altogether.

Currently the shifter population in Ka Bue is around 30% of the population, shifters are required to have ID regarding their forms (or potential forms if they're merely 'half'), and it's considered distasteful for a shifter to be in non human form outside of private settings/necessity and even ruder to ask a shifter about their non human forms if they haven't brought the topic up yet first (kinda like seeing/asking about someone's underwear or something XD).

In contrast the Vaugarde, Mwudu and Porteria region is extremely shifter sparce, with most of its original shifter population being the result of various Universe worshipping peoples (mostly small groups, like greek mystery cults) deciding to use a big Wish Craft ritual as some sort of religious rite and becoming shifters as a side effect of their primary Wish (usually stuff like 'we wish for us and our descendants to be one with You and the sea/air' or 'may we Change with the phases of the holy moon' etc) which granted them some pretty neat skills but also tended to come with some 'potentially nasty' drawbacks attached (see: selkie and swan maidens with their cloaks, werewolves Changing in both body and mind etc) Which er, lead to some issues born of lack of knowledge about this stuff, later some very nasty anti shifter sentiment in the region, and then around... IDK 200 to 300 years ago or so ended up exploding into violence and other very nasty things, with most shifters able to do so fleeing the region, and those that couldn't either enduring horrible conditions until they could escape/died or went deep into hiding, with the Island's Country being founded by the two later groups who used Wish Craft to hide their new home, erase awareness of their existence from their enemies (a short term, fully intentionally 'forgetting' blast centered specifically around shifters), and developed a LOT of culture and traditions regarding when, who and what can be told to 'outsiders' about themselves, Wish Craft, etc in order to keep their people safe.

There are shifters living in present in Vaugarde of course (anti shifter sentiment died back a LOT after most people stopped thinking they were real, and most modern day Change Believers are more likely to view these 'totally fictional/allegorical' beings as children/messengers of the Change God rather than 'evil demons who stole power by tearing apart the Change God's cloak for themselves and thus have to be hunted down and made to repent' propaganda take that was everywhere back then) but numbers actually living outside the Island as opposed to merely visiting remain low, since either the shifters know their history and stick firmly to their 'stay secret' traditions or quickly pick up on how oddly unknown shifters are around these parts and decide to err on the side of caution... Also 'trust worthy' humans who do learn about them (usually northern coastal folk, gee wonder why) tend to help cover them up so... Yeah =D

---

And... Yeah!

This is hella long as is, so will stop here and ramble about the actual 'how this all affects our beloved Sif and Co plot and culture wise' stuff that is the actual meat of the AU in another post later, but hope this made for an interesting/idea provoking read, know that I have no issue with anyone using any of this for their own works (just please, don't use the 'Selkies under starlight' same story name unless it's actually a fanfic/fanart of my 'hopefully soon has a chapter/one shot up' fic/Ao3 series of the same name so people don't get confused), and I would love to chatter with you about any thoughts/questions you might have so...

Wishing you a good day =D

(sighes in relief finally getting this post finished after literal months. Pheeeeww~)

[aroaessidhe]

ok not to go back to 2012 for a minute but look at these pretty new editions of the wicked lovely series.

art by Lea Yunk

[cruelmidnight]

i want your midnights ✨

[bugwolfsstuff]

You ever get sad about the amount of mythology and folklore we likely will never know about because it was destroyed/never written down?

[daily-mizuki-water]

how the hell do fanfic writers do this its so hard. i havent even opened the google doc yet what the hell. I HAVE IT IN MY HEAD!!! LET ME PSYCHIC BEAM IT INTO THE DOCUMENT

[enchanted2meetuuu]

teehee *1989ifies your Drayton*

Guys I’m so normal!!

on a slightly different note I probably won’t be able to post for a while I’ve been somewhat stressed with some friend issues/finals coming up 😔

but thank you for the support I’ve gotten on my art! It means a whole lot <33

[notsosecretlyalesbian]

"-Quem é você? [Who are you?] -A Cuca. Mas não precisa ficar com medo de mim, padre, porque eu não quero te pegar. [I'm Cuca. But no need to be afraid of me, Father. I didn't come to get you.]"

Alessandra Negrini as Inês/Cuca in INVISIBLE CITY || SEASON 2