#flirting in the park 1933

[thesummernostalgia]

Donald Haines in Flirting in the Park (1933)

[from1837to1945]

Carol Tevis in Flirting in the Park (1933)

[classicalcanvas]

Title: Flirting in the Park of the Villa Borghese, Rome

Artist: Frédéric Soulacroix

Date: 1858 - 1933

Genre: Genre Painting

[mediasaurs]

T. rex Madness Round 2 Masterpost

Prehistoric Planet (Hank) vs. Doctor Who (Deep Breath T. rex)

Fossil Specimen (Black Beauty: RTMP 81.6.1) vs. Old grocery store T. rex toy

Ice Age (Momma Dino) vs. Dinosaur Island (2014/2015)

Prehistoric Park (Terrence) vs. Prehistoric Park (Matilda)

Prehistoric Kingdom T. rex vs. Safari Ltd. Feathered T. rex

Fossil Specimen (Jane BMRP 2002.4.1) vs. Jurassic Park (Rexy)

Night at the Museum (Rexy) vs. Chrome game T. rex

Pokémon (Tyrantrum) vs. Fossil Specimen (Stan BHI 3033)

Charles Knight T. rex vs. Walking With (Mother T. rex)

Super Mario Odyssey (T. rex) vs. Fossil Specimen (Sue FMNH PR 2081)

King Kong 1933 (Tyrannosaurus rex) vs. Fossil Specimen (Rexy AMNH 5027)

We’re Back! (Rex, voiced by John Goodman) vs. The Magic School Bus (T. rex)

King of the Dinosaurs by Michael Berenstain vs. Meet the Robinsons (Tiny)

Fossil Specimen (B-rex: MOR 1125) vs. The Land Before Time (Chomper)

Saurian T. rex vs. Jurassic Park (Lost World family)

Prehysteria! (Elvis) vs. Prehistoric Planet (Flirt Man)

[rialynne]

Little Women Review

I’m feeling incredibly motivated to do this so here we go. To set it up, yes I read little women as a kid and I saw the 1994 version years ago prior to my first viewing. I watched the 1933 and 1949 versions and the 1994 version again before the second viewing. 

TLDR: Go watch this Movie I love it, imma buy this blu ray. To me despite structural changes this is the definitive movie adaptation of Little Women.

So initial personal reasons why I’ve always enjoyed this story is that it takes place in Mass; my cousins live in Concord, I grew up in New England and they definitely filmed in New England cause certain scenes. We still have old style buildings around like they have in the film and the landscape, especially for scenes in the fall were absolutely beautiful. Marmee even name drops my home state at one point so shout out there. 

Greta Gerwig did an absolutely fantastic job with the adapted screenplay of this movie and I am quite the fan of her decision to split up the structure of the novel and create more flash back sequences to emphasize different events that took place and how that impacted characters. I think the decision to film with a yellow warm tone in the past compared with a blue, cool tone in the adulthood scenes was a smart move as a visual way to explicitly indicate which timeline we are in. The fashion of the ladies and the hairstyles definitely did help with the timeline as well. I also love how they designed the girls hair style and clothing when they were younger to have a piece of Marmee’s style with them to signify a piece of Marmee is in each of her daughters. I also really loved the way that scenes played out, how they were shot, how when a bunch of them where showing conversations that could happen in real life. The dynamics of the march sisters remind me of my own family and there are a few scenes where there was like multiple conversations going on at once and I loved that. Also I love the sound track its on par with the 2005 Pride & Prejudice soundtrack.

For the more minor roles:

Meryl Streep did her thing as Aunt March and was quite hilarious, I loved how she was like no kisses plz and her whole you need to marry wealthy and I didn’t get married cause I’m rich bit. Mr. Lawrence has a beautiful character arc especially with Beth. He did so well with that small role and he really made you feel for the loss of his daughter. John Brook was the sweet respectful man for his wife. Friedrich Bhaer was good as well. Not as many scenes of him as I was previously expecting but I bought the connection he and Jo had and he definitely proved to be an intellectual match for him. 

Laura Dern was an excellent Marmee. She really brought the presence that she was the giving, calming presence for all her daughters, especially for Jo. I absolutely love the conversations she had with Jo about her always being angry and for talking to Jo about her not really being in love with Laurie. I felt like that conversation is a really important lesson for everyone to determine if they want to marry someone, to make sure they do marry some one cause they do truly love them and not cause they want to be loved. Mr. Dashwood, the new york city publisher was also a great addition to this story in terms of representing the way publishers were back in the day. 

I loved how connected they made all the March sisters feel. They really did make them all feel like one unit in their younger years, that it hurt much more when they are older when their apart. I really Loved watching Jo especially interact with all her sisters and seeing how the dynamics changed over the years. With Meg she relates to her being the oldest siblings and the scene where they talk about their different goals in life right before Meg gets married. Its a lovely scene indicating not one’s goals in life are better than another persons goals. I Love how she cares so much for Beth and looks out for her. The dynamics of Jo and Amy’s relationship was fascinating to watch cause it reminded me a lot of me and my sister and how we bickered a lot, but still deeply care for one another, and eventually were able to respect one another. 

I knew going into this movie that Saoirse Ronan was going to kill it as Jo, and she flipping delivered. I love her portrayal as Jo where she is not as too much as the 1933 and 1949 portrayals and yet was very ambitious and likable, very similar to the 1994 portrayal from Winona Ryder. I loved her speech with Marmee about how great women are and how she doesn’t have a life goal to get married but how she is very lonely. That hit hard. Her negotiating for her royalties to her book was a great addition to the end of the story. I feel as if she plays a certain type of character in her movies, but she does it sooo well and in a way that no one else can do justice for it. The relationship between Jo and Amy and Jo and Laurie were great to watch. Amy and Jo are so similar besides a few key differences, and those differences help make their tension believable and turns them into remarkable characters.        

I love the take on Beth in this adaptation. They still play her as a sweet and caring individual, one that ultimately leads to her getting sick and dying, but they give her a little more quirky traits and have her say some funny one liners. She has a lot of subtle moments with Jo and Amy especially that makes their reactions to her death feel so real. Emma Watson did a much better job than i expected and gave a surprising amount of depth to Meg. I did really enjoy the sub plot of her buying that fabric for a dress. $50 back then was like close to $1000, and really does show her struggle with wanting to have nice things once in a while. Her speech to Jo about her desires to be a wife and a mother is beautiful. Meg I feel is a difficult role to play due to her calm presence and lack of a super extroverted like personality and Emma made it her own.

Timothee Chalamet is a fantastic Laurie. He did well in balancing Laurie’s immature and lazy side to him while making him endearing. Seeing his love for the March family grow over time was beautiful. His relationship with Jo and Amy were awesome. With Jo, they are a great example of a platonic friendship, especially from when this book was published. I really loved the rejected proposal on the hill. You can see Jo still resisting adulthood still from her sister’s wedding, even when Laurie proposes I think she sees that as the end of childhood for her. Along with that she never had an interest to get married and expresses that she doesn’t love him like that and why they wouldn’t make a good match. The argument doesn’t feel like unrequited love but more like two best friends having a disagreement. His scenes with Amy also highlight his path to adulthood and him learning about love in the process. 

AMY MARCH FINALLY GOT HER DUE! About damn time she did. Amy is my favorite character from this adaptation and is the one that surprised me the most. Lord FLORENCE PUGH needs to get a damn nomination because she was fucking amazing. For me she was able to convincingly play a young and adult Amy so well. Amy is a woman who knows what she wants in life and is very determined to get them and work within the current societal circumstances she is in. She is able to push her ego aside to get what she wants. She is so cheeky and energetic when she is younger but becomes more refined and tactful when older. Her burning Jo’s book did indicate her jealousy of her sister and the immaturity of her emotions that over time she has a grip on more as an adult. Her relationship with Aunt March indicates the idea and pressure she has to take care of the rest of her family. When she has her economic proposition speech, you really see how this is adding so much pressure on her, pressure that does influence her choices and behavior later on. 

But, my absolute favorite part about Amy’s development over the movie was her relationship with Laurie. I’m so happy Greta really took the time to flush out this relationship. I really love these two together. They are both a really great example of love that evolves over time. The little tid bits in the past with the small moments of Amy and her small crush over Laurie: THE FOOT MOLD, the way young Amy looks at Laurie, her drawing of him at the beach while flirting with Fred Vaughn, talking about how hot he is as a half Italian. All of that was perfection. Everything in Paris with these too was also sooo fantastic. I love it that prim and proper 20 year old lady Amy turns into a kid again when she sees Laurie and just jumping and hugging him, and then Laurie is all like you’re beautiful. when she invites him to the ball and he kisses Aunt March. Her being all like “its Laurie!” and looking back at him with that damn smile, the things that make my heart melt. With Amy and Laurie knowing each other for so long, Amy is able to be real with him and call him out throughout their time in Paris, mainly at the ball when his drunken fuckboi ass waltz in. Also The PAINTING ROOM, lawrd. Amy still shitting on Laurie for his behavior, their conversation about love, Amy’s speech on economic proposition, THE UNBUTTONING OF THE PAINTING SMOCK (that absolutely rivals the Pride & Prejudice 2005 hand touch in terms of sexual tension), Amy being able to be her true self around Laurie, Laurie telling Amy “You look beautiful...you are beautiful” (SWOOON). Then when they at the park: Amy scolding him for being lazy and not taking charge and being responsible, Amy drawing him again and showing him the older picture, Laurie telling Amy not to marry Fred “don’t marry him. Why? you know why.”, Amy realizing what hes implying and being all like Naw don’t you dare fam I’ve always been second to Jo “I won’t do it. Not when I have spent my entire life loving you.”. Laurie finally grew a pair and went off to London to make something of himself and Amy turning down Fred’s proposal realizing she wants to marry for love. Them reuniting in Paris after Beth dies, and being alike i wont let you travel alone even if you despise me, which Amy says she doesn’t despise him. And she states she aint marrying Fred and then rambles on and LAURIE KISSES HER GOD BLESS HE DO LOVE HER. and wow. Their love story is one of the most satisfying love story arcs I’ve seen in a long time. 

Any ways that’s my long ass Review of Little Women 2019.  GO watch it in theaters if you can. I will buy it and stream it when it comes out of theaters. This is the definitive adaptation for me and I think it will hold up well as an amazing period drama for years to come. 

[aethelflaedladyofmercia]

Alright, I’ve been saying I’m going to do some Masterposts for my 25 AO3 fics, so here we go...

For those who don’t know me, I write Acespec Ineffable Husbands, and my specialities are historical adventures, character studies, and gut-punching angst. My main series, Sawdust of Words (SoW) contains all of these in spades! Check the TW on anything rated T, as that usually indicates non-graphic violence, threats of violence and physical/emotional abuse.

Please select desired angst level:

I just want something warm and fluffy!

Finding the Words: G, 4509. Aziraphale has something he rather desperately wants to tell Crowley. Immediately after the Ritz. (SoW)

Blizzard! Broken Thermostat! Only One Bed!: G, 1438. It’s snowing — I mean BLIZZARDING — and Crowley has no choice but to pull over at a conveniently located luxury hotel. No choice! Will his cunning plan succeed?

Perception: G, 715. Crowley puzzles over one of the great mysteries of the universe: why isn’t EVERYONE in love with Aziraphale?

Reflections: G, 1229. Aziraphale’s simple question, Do you think I should change, hides a world of doubt. Fortunately, Crowley knows just what to say.

Quarantine: G, 554. Aziraphale and Crowley are quarantined in the bookshop! Wait...why? Half PSA, half clueless flirting!

I want some feels and a happy ending.

Early Days: G, 19,459. In the Beginning, an Angel and Demon met on the Wall of Eden. The next day they really started getting on each other’s nerves. See the very beginning of this relationship for the ages! (SoW)

Careful: G, 1664. For nearly 6,000 years, Aziraphale has been careful to control his actions, his feelings and his thoughts. Until Crowley makes a request that could destroy them both. Divergent AU starting with the fight at St James’s Park.

The Dark of Eden: G, 2980. On their last night in Eden, Aziraphale and Crowley walk together trough the Garden, each reflecting on what he’s lost. But perhaps there is something they have gained. Intended to be fluff, came out sort of melancholy. Direct follow-up to Early Days (SoW)

Sealed: G, 5835. London, Three weeks after the Apocalypse: Crowley finds a certain document tucked away in a forgotten book. / Mercia, 1020 CE: An angel and a demon meet to finalize an Arrangement... (SoW)

Reckless: G, 6303. After Aziraphale's reckless confession, he and Crowley must make plans to keep themselves safe. But the worst happens when certain uninvited guests arrive at the bookshop... Sequel to Careful, one more part expected.

Mystery Science Theater 6000: The 1992 Screenplay: G, 8528. An angel and a demon sit down to watch (and mock, and analyze) a movie that probably shouldn’t exist. A little heavier on the feels than originally anticipated. (Only covers the first 30 pages of the Screenplay, so there may be another chapter or 3 in order.)

Of Poetry and Valentines: G, 3435. Crowley can’t stand what Valentine’s Day has become. If he has to look at one more heart-shaped cake, he’s going to be sick. But it wasn’t always that way. Guess which holiday this was written for!

Our Side: G, 1172. After the end, on the bus ride home, Aziraphale despairs. But Crowley shares a new dream... A ButterOmens fic started by @sani-86!

Anniversaries: G, 2422. Just over a year after the apocalypse didn’t happen, Aziraphale and Crowley’s picnic is interrupted by an old enemy. A ButterOmens fic started by @n0nb1narydemon!

A Cunning Plan: G, 11,275. Two angels and two demons decide to get their revenge on the traitors. But holding Aziraphale captive turns out to be harder than expected. Can they break through his defenses before Crowley mounts a successful rescue? ButterOmens fic begun by @kaz3313!

I want LOTS of angsty feels! (Note: endings range from happy to hopeful)

Give Them Hell: G, 1179 words. After the Apocalypse, Aziraphale and Crowley discuss plans for their upcoming trials... (SoW)

Someplace You Belong: G, 5326. London, 1800, Aziraphale finds he must come to terms with the unexpected emotions of his near-promotion. With gentle prodding from Crowley, he reveals a secret. Something of a follow-up to Obedience, but you will likely still feel sad! (SoW)

In Love with My Car: G, 3287. London, 1933, After 70 years of naps, Crowley meets someone who just might change his life. It’s the Bentley! (SoW) Also has a podfic by @exmarks

What it Means to Be A Demon: T, 32,284. Mesopotamia, c. 2400 BC. After an especially harrowing trip to Hell, Crawley arrives in a tiny Mesopotamian village, where he encounters a familiar face. But Aziraphale soon realizes Crawley isn't acting like his old self. Between his foul mood, his mysterious injuries, and his refusal to talk, the demon is certainly hiding something. What has brought Crawley to Gu'Edena? And is there anything Aziraphale can do? So many TWs — please tread carefully! (SoW)

Boundless Love: G, 54,200 (some chapters approach a T rating). 17 stories of Aziraphale and Crowley, 17 chances to fall in love. Written for @drawlight’s Advent Challenge. (Note: these stories are thematically connected, but they are separate stories, not a single plot.)

Aziraphale’s Path: G, 524. Many years later, Heaven and Hell come for them. Aziraphale returns home too late. Is Crowley gone forever? Part of a ButterOmens chain started by @holycatsandrabbits — links are in the fic!

Never Alone Again: G, 9577. They're on their own side now. But they aren't free yet. After the Apocalypse, Aziraphale and Crowley risk everything in one final, desperate gamble to break free of their old sides and truly start their life together. Bus Ride, Body Swap and Trials, overlaps Give Them Hell and ends just before Finding the Words. (SoW)

Kindly rip out my still-beating heart.

Obedience: T, 1797. Before Eden, before the Fall, there was a War in Heaven. Somewhere amongst the eternal fighting on the endless battlefield, one angel learns the consequences of disobeying an order. This one is an absolute gut punch you have been warned. (SoW)

Three Little Words: G, 3361. London, 1849, Crowley has something he rather desperately wants to tell Aziraphale. But there are some things a demon can never say. Sad ending! But only because this is part of a larger series! It’s going to be ok! (SoW)

Claimed: T, 4182. A dinner of crepes. An angel who's ready to talk. But Crowley's evening is interrupted by the arrival of two demons. And they're not here to deliver a rude note. Made for @whiteleyfoster’s contest. Downer ending, though this one may get another chapter or two in the future to mitigate that.

—

Please feel free to save/reblog to help spread the word!

[ao3feed-creek]

The Perfect Match

read it on the AO3 at https://ift.tt/2w2KRak

by Night_Witch_The_Third, Sir_Weston

When the school does a personality type match up test for a dance, everyone in school suffers. Something goes wrong during the match up, and some weird combinations happen, with every kid being forced to go to a dance with someone they're not happy with. Stan doesn't see anything wrong until he's forced to go with Craig, and Wendy ends up having to go with Butters. Tweek and Clyde have to go with each other, which Craig is not ok with. And Kyle blames Stan when he ends up getting stuck with Cartman!

Words: 1933, Chapters: 1/?, Language: English

Fandoms: South Park

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Categories: F/M, M/M

Characters: Stan Marsh, Kyle Broflovski, Kenny McCormick, Eric Cartman, Wendy Testaburger, Bebe Stevens, Heidi Turner, Nichole Daniels, Craig Tucker, Tweek Tweak, Clyde Donovan, Token Black, Butters Stotch, Jimmy Valmer, Timmy Burch, Nathan (South Park), Henrietta Biggle, Pete (South Park: Raisins), Michael (South Park: Raisins), Firkle (South Park), Dougie O'Connell, Ike Broflovski, Tricia Tucker, PC Principal, Strong Woman (South Park), Kevin Stoley, Thomas (South Park: Le Petit Tourette)

Relationships: Stan Marsh/Wendy Testaburger, Craig Tucker/Tweek Tweak, Kyle Broflovski/Eric Cartman, Eric Cartman/Heidi Turner, Butters Stotch & Wendy Testaburger, Clyde Donovan & Tweek Tweak, Token Black/Nichole Daniels, Pete (South Park: Raisins)/Red, Henrietta Biggle/Pete (South Park: Raisins), Dougie/Karen McCormick, Henrietta Biggle/Kenny McCormick

Additional Tags: Awkward Flirting, Awkward Romance, Awkward Tension, Awkwardness, This Is STUPID, Stupidity, School Dances, Personality Tests, Sabotage, Anger, One-Sided Attraction, One-Sided Relationship, One True Pairing, Aged-Up Character(s), Jealousy

read it on the AO3 at https://ift.tt/2w2KRak

[loumargi]

Frédéric Soulacroix (1858-1933) Flirting in the Park of the Villa Borghese, Rome

[blackkudos]

Rosa Parks

Rosa Louise McCauley Parks (February 4, 1913 – October 24, 2005) was an African American civil rights activist, whom the United States Congress called "the first lady of civil rights" and "the mother of the freedom movement". Her birthday, February 4, and the day she was arrested, December 1, have both become Rosa Parks Day, commemorated in California and Missouri (February 4), and Ohio and Oregon (December 1).

On December 1, 1955, in Montgomery, Alabama, Parks refused to obey bus driver James F. Blake's order to give up her seat in the colored section to a white passenger, after the white section was filled. Parks was not the first person to resist bus segregation. Others had taken similar steps, including Bayard Rustin in 1942, Irene Morgan in 1946, Sarah Louise Keys in 1952, and the members of the ultimately successful Browder v. Gayle 1956 lawsuit (Claudette Colvin, Aurelia Browder, Susie McDonald, and Mary Louise Smith) who were arrested in Montgomery for not giving up their bus seats months before Parks. NAACP organizers believed that Parks was the best candidate for seeing through a court challenge after her arrest for civil disobedience in violating Alabama segregation laws, although eventually her case became bogged down in the state courts while the Browder v. Gayle case succeeded.

Parks' act of defiance and the Montgomery Bus Boycott became important symbols of the modern Civil Rights Movement. She became an international icon of resistance to racial segregation. She organized and collaborated with civil rights leaders, including Edgar Nixon, president of the local chapter of the NAACP; and Martin Luther King, Jr., a new minister in town who gained national prominence in the civil rights movement.

At the time, Parks was secretary of the Montgomery chapter of the NAACP. She had recently attended the Highlander Folk School, a Tennessee center for training activists for workers' rights and racial equality. She acted as a private citizen "tired of giving in". Although widely honored in later years, she also suffered for her act; she was fired from her job as a seamstress in a local department store, and received death threats for years afterwards. Her situation also opened doors.

Shortly after the boycott, she moved to Detroit, where she briefly found similar work. From 1965 to 1988 she served as secretary and receptionist to John Conyers, an African-American US Representative. She was also active in the Black Power movement and the support of political prisoners in the US.

After retirement, Parks wrote her autobiography and continued to insist that the struggle for justice was not over and there was more work to be done. In her final years, she suffered from dementia. Parks received national recognition, including the NAACP's 1979 Spingarn Medal, the Presidential Medal of Freedom, the Congressional Gold Medal, and a posthumous statue in the United States Capitol's National Statuary Hall. Upon her death in 2005, she was the first woman and third non-US government official to lie in honor at the Capitol Rotunda.

Early years

Rosa Parks was born Rosa Louise McCauley in Tuskegee, Alabama, on February 4, 1913, to Leona (née Edwards), a teacher, and James McCauley, a carpenter. She was of African ancestry, though one of her great-grandfathers was Scots-Irish and one of her great-grandmothers was a slave of Native American descent. She was small as a child and suffered poor health with chronic tonsillitis. When her parents separated, she moved with her mother to Pine Level, just outside the state capital, Montgomery. She grew up on a farm with her maternal grandparents, mother, and younger brother Sylvester. They all were members of the African Methodist Episcopal Church (AME), a century-old independent black denomination founded by free blacks in Philadelphia, Pennsylvania, in the early nineteenth century.

McCauley attended rural schools until the age of eleven. As a student at the Industrial School for Girls in Montgomery, she took academic and vocational courses. Parks went on to a laboratory school set up by the Alabama State Teachers College for Negroes for secondary education, but dropped out in order to care for her grandmother and later her mother, after they became ill.

Around the turn of the 20th century, the former Confederate states had adopted new constitutions and electoral laws that effectively disfranchised black voters and, in Alabama, many poor white voters as well. Under the white-established Jim Crow laws, passed after Democrats regained control of southern legislatures, racial segregation was imposed in public facilities and retail stores in the South, including public transportation. Bus and train companies enforced seating policies with separate sections for blacks and whites. School bus transportation was unavailable in any form for black schoolchildren in the South, and black education was always underfunded.

Parks recalled going to elementary school in Pine Level, where school buses took white students to their new school and black students had to walk to theirs:

I'd see the bus pass every day... But to me, that was a way of life; we had no choice but to accept what was the custom. The bus was among the first ways I realized there was a black world and a white world.

Although Parks' autobiography recounts early memories of the kindness of white strangers, she could not ignore the racism of her society. When the Ku Klux Klan marched down the street in front of their house, Parks recalls her grandfather guarding the front door with a shotgun. The Montgomery Industrial School, founded and staffed by white northerners for black children, was burned twice by arsonists. Its faculty was ostracized by the white community.

Repeatedly bullied by white children in her neighborhood, Parks often fought back physically. She later said that "As far back as I remember, I could never think in terms of accepting physical abuse without some form of retaliation if possible."

In 1932, Rosa married Raymond Parks, a barber from Montgomery. He was a member of the NAACP, which at the time was collecting money to support the defense of the Scottsboro Boys, a group of black men falsely accused of raping two white women. Rosa took numerous jobs, ranging from domestic worker to hospital aide. At her husband's urging, she finished her high school studies in 1933, at a time when less than 7% of African Americans had a high school diploma. Despite the Jim Crow laws and discrimination by registrars, she succeeded in registering to vote on her third try.

In December 1943, Parks became active in the Civil Rights Movement, joined the Montgomery chapter of the NAACP, and was elected secretary. She later said, "I was the only woman there, and they needed a secretary, and I was too timid to say no." She continued as secretary until 1957. She worked for the local NAACP leader Edgar Nixon, even though he maintained that "Women don't need to be nowhere but in the kitchen." When Parks asked "Well, what about me?", he replied "I need a secretary and you are a good one."

In 1944, in her capacity as secretary, she investigated the gang-rape of Recy Taylor, a black woman from Abbeville, Alabama. Parks and other civil rights activists organized the "Committee for Equal Justice for Mrs. Recy Taylor", launching what the Chicago Defendercalled "the strongest campaign for equal justice to be seen in a decade."

Although never a member of the Communist Party, she attended meetings with her husband. The notorious Scottsboro case had been brought to prominence by the Communist Party.

In the 1940s, Parks and her husband were members of the Voters' League. Sometime soon after 1944, she held a brief job at Maxwell Air Force Base, which, despite its location in Montgomery, Alabama, did not permit racial segregation because it was federal property. She rode on its integrated trolley. Speaking to her biographer, Parks noted, "You might just say Maxwell opened my eyes up." Parks worked as a housekeeper and seamstress for Clifford and Virginia Durr, a white couple. Politically liberal, the Durrs became her friends. They encouraged—and eventually helped sponsor—Parks in the summer of 1955 to attend the Highlander Folk School, an education center for activism in workers' rights and racial equality in Monteagle, Tennessee. There Parks was mentored by the veteran organizer Septima Clark.

In August 1955, black teenager Emmett Till was brutally murdered after reportedly flirting with a young white woman while visiting relatives in Mississippi. On November 27, 1955, four days before she would make her stand on the bus, Rosa Parks attended a mass meeting at Dexter Avenue Baptist Church in Montgomery that addressed this case as well as the recent murders of the activists George W. Lee and Lamar Smith. The featured speaker was T. R. M. Howard, a black civil rights leader from Mississippi who headed the Regional Council of Negro Leadership. Howard brought news of the recent acquittal of the two men who had murdered Till. Parks was deeply saddened and angry at the news, particularly because Till's case had garnered much more attention than any of the cases she and the Montgomery NAACP had worked on—and yet, the two men still walked free.

Parks and the Montgomery bus boycott

Montgomery buses: law and prevailing customs

In 1900, Montgomery had passed a city ordinance to segregate bus passengers by race. Conductors were empowered to assign seats to achieve that goal. According to the law, no passenger would be required to move or give up his seat and stand if the bus was crowded and no other seats were available. Over time and by custom, however, Montgomery bus drivers adopted the practice of requiring black riders to move when there were no white-only seats left.

The first four rows of seats on each Montgomery bus were reserved for whites. Buses had "colored" sections for black people generally in the rear of the bus, although blacks composed more than 75% of the ridership. The sections were not fixed but were determined by placement of a movable sign. Black people could sit in the middle rows until the white section filled; if more whites needed seats, blacks were to move to seats in the rear, stand, or, if there was no room, leave the bus. Black people could not sit across the aisle in the same row as white people. The driver could move the "colored" section sign, or remove it altogether. If white people were already sitting in the front, black people had to board at the front to pay the fare, then disembark and reenter through the rear door.

For years, the black community had complained that the situation was unfair. Parks said, "My resisting being mistreated on the bus did not begin with that particular arrest...I did a lot of walking in Montgomery."

One day in 1943, Parks boarded the bus and paid the fare. She then moved to her seat but driver James F. Blake told her to follow city rules and enter the bus again from the back door. Parks exited the vehicle and waited for the next bus, determined never to ride with Blake again.

Her refusal to move

After working all day, Parks boarded the Cleveland Avenue bus, a General Motors Old Look bus belonging to the Montgomery City Lines, around 6 p.m., Thursday, December 1, 1955, in downtown Montgomery. She paid her fare and sat in an empty seat in the first row of back seats reserved for blacks in the "colored" section. Near the middle of the bus, her row was directly behind the ten seats reserved for white passengers. Initially, she did not notice that the bus driver was the same man, James F. Blake, who had left her in the rain in 1943. As the bus traveled along its regular route, all of the white-only seats in the bus filled up. The bus reached the third stop in front of the Empire Theater, and several white passengers boarded. Blake noted that two or three white passengers were standing, as the front of the bus had filled to capacity. He moved the "colored" section sign behind Parks and demanded that four black people give up their seats in the middle section so that the white passengers could sit. Years later, in recalling the events of the day, Parks said, "When that white driver stepped back toward us, when he waved his hand and ordered us up and out of our seats, I felt a determination to cover my body like a quilt on a winter night."

By Parks' account, Blake said, "Y'all better make it light on yourselves and let me have those seats." Three of them complied. Parks said, "The driver wanted us to stand up, the four of us. We didn't move at the beginning, but he says, 'Let me have these seats.' And the other three people moved, but I didn't." The black man sitting next to her gave up his seat.

Parks moved, but toward the window seat; she did not get up to move to the redesignated colored section. Parks later said about being asked to move to the rear of the bus, "I thought of Emmett Till and I just couldn't go back." Blake said, "Why don't you stand up?" Parks responded, "I don't think I should have to stand up." Blake called the police to arrest Parks. When recalling the incident forEyes on the Prize, a 1987 public television series on the Civil Rights Movement, Parks said, "When he saw me still sitting, he asked if I was going to stand up, and I said, 'No, I'm not.' And he said, 'Well, if you don't stand up, I'm going to have to call the police and have you arrested.' I said, 'You may do that.'"

During a 1956 radio interview with Sydney Rogers in West Oakland several months after her arrest, Parks said she had decided, "I would have to know for once and for all what rights I had as a human being and a citizen."

In her autobiography, My Story she said:

People always say that I didn't give up my seat because I was tired, but that isn't true. I was not tired physically, or no more tired than I usually was at the end of a working day. I was not old, although some people have an image of me as being old then. I was forty-two. No, the only tired I was, was tired of giving in.

When Parks refused to give up her seat, a police officer arrested her. As the officer took her away, she recalled that she asked, "Why do you push us around?" She remembered him saying, "I don't know, but the law's the law, and you're under arrest." She later said, "I only knew that, as I was being arrested, that it was the very last time that I would ever ride in humiliation of this kind..."

Parks was charged with a violation of Chapter 6, Section 11 segregation law of the Montgomery City code, although technically she had not taken a white-only seat; she had been in a colored section. Edgar Nixon, president of the Montgomery chapter of the NAACP and leader of the Pullman Porters Union, and her friend Clifford Durr bailed Parks out of jail the next evening.

The boycott

Nixon conferred with Jo Ann Robinson, an Alabama State College professor and member of the Women's Political Council (WPC), about the Parks case. Robinson believed it important to seize the opportunity and stayed up all night mimeographing over 35,000 handbills announcing a bus boycott. The Women's Political Council was the first group to officially endorse the boycott.

On Sunday, December 4, 1955, plans for the Montgomery Bus Boycott were announced at black churches in the area, and a front-page article in the Montgomery Advertiser helped spread the word. At a church rally that night, those attending agreed unanimously to continue the boycott until they were treated with the level of courtesy they expected, until black drivers were hired, and until seating in the middle of the bus was handled on a first-come basis.

The next day, Parks was tried on charges of disorderly conduct and violating a local ordinance. The trial lasted 30 minutes. After being found guilty and fined $10, plus $4 in court costs, Parks appealed her conviction and formally challenged the legality of racial segregation. In a 1992 interview with National Public Radio's Lynn Neary, Parks recalled:

I did not want to be mistreated, I did not want to be deprived of a seat that I had paid for. It was just time... there was opportunity for me to take a stand to express the way I felt about being treated in that manner. I had not planned to get arrested. I had plenty to do without having to end up in jail. But when I had to face that decision, I didn't hesitate to do so because I felt that we had endured that too long. The more we gave in, the more we complied with that kind of treatment, the more oppressive it became.

On the day of Parks' trial — December 5, 1955 — the WPC distributed the 35,000 leaflets. The handbill read,

We are...asking every Negro to stay off the buses Monday in protest of the arrest and trial ... You can afford to stay out of school for one day. If you work, take a cab, or walk. But please, children and grown-ups, don't ride the bus at all on Monday. Please stay off the buses Monday.

It rained that day, but the black community persevered in their boycott. Some rode in carpools, while others traveled in black-operated cabs that charged the same fare as the bus, 10 cents. Most of the remainder of the 40,000 black commuters walked, some as far as 20 miles (30 km).

That evening after the success of the one-day boycott, a group of 16 to 18 people gathered at the Mt. Zion AME Zion Church to discuss boycott strategies. At that time Parks was introduced but not asked to speak, despite a standing ovation and calls from the crowd for her to speak; when she asked if she should say something, the reply was, "Why, you've said enough."

The group agreed that a new organization was needed to lead the boycott effort if it were to continue. Rev. Ralph Abernathy suggested the name "Montgomery Improvement Association" (MIA). The name was adopted, and the MIA was formed. Its members elected as their president Martin Luther King, Jr., a relative newcomer to Montgomery, who was a young and mostly unknown minister of the Dexter Avenue Baptist Church.

That Monday night, 50 leaders of the African-American community gathered to discuss actions to respond to Parks' arrest. Edgar Nixon, the president of the NAACP, said, "My God, look what segregation has put in my hands!" Parks was considered the ideal plaintiff for a test case against city and state segregation laws, as she was seen as a responsible, mature woman with a good reputation. She was securely married and employed, was regarded as possessing a quiet and dignified demeanor, and was politically savvy. King said that Parks was regarded as "one of the finest citizens of Montgomery—not one of the finest Negro citizens, but one of the finest citizens of Montgomery."

Parks' court case was being slowed down in appeals through the Alabama courts on their way to a Federal appeal and the process could have taken years. Holding together a boycott for that length of time would have been a great strain. In the end, black residents of Montgomery continued the boycott for 381 days. Dozens of public buses stood idle for months, severely damaging the bus transit company's finances, until the city repealed its law requiring segregation on public buses following the US Supreme Court ruling inBrowder v. Gayle that it was unconstitutional. Parks was not included as a plaintiff in the Browder decision because the attorney Fred Gray concluded the courts would perceive they were attempting to circumvent her prosecution on her charges working their way through the Alabama state court system.

Parks played an important part in raising international awareness of the plight of African Americans and the civil rights struggle. King wrote in his 1958 book Stride Toward Freedom that Parks' arrest was the catalyst rather than the cause of the protest: "The cause lay deep in the record of similar injustices." He wrote, "Actually, no one can understand the action of Mrs. Parks unless he realizes that eventually the cup of endurance runs over, and the human personality cries out, 'I can take it no longer.'"

Detroit years

1960s

After her arrest, Parks became an icon of the Civil Rights Movement but suffered hardships as a result. Due to economic sanctions used against activists, she lost her job at the department store. Her husband quit his job after his boss forbade him to talk about his wife or the legal case. Parks traveled and spoke extensively about the issues.

In 1957, Raymond and Rosa Parks left Montgomery for Hampton, Virginia; mostly because she was unable to find work. She also disagreed with King and other leaders of Montgomery's struggling civil rights movement about how to proceed, and was constantly receiving death threats. In Hampton, she found a job as a hostess in an inn at Hampton Institute, a historically black college.

Later that year, at the urging of her brother and sister-in-law in Detroit, Sylvester and Daisy McCauley, Rosa and Raymond Parks and her mother moved north to join them. The City of Detroit attempted to cultivate a progressive reputation, but Parks encountered numerous signs of discrimination against African-Americans. Schools were effectively segregated, and services in black neighborhoods substandard. In 1964, Mrs. Parks told an interviewer that, "I don't feel a great deal of difference here...Housing segregation is just as bad, and it seems more noticeable in the larger cities." She regularly participated in the movement for open and fair housing.

Parks rendered crucial assistance in the first campaign for Congress by John Conyers. She persuaded Martin Luther King (who was generally reluctant to endorse local candidates) to appear with Conyers, thereby boosting the novice candidate's profile. When Conyers was elected, he hired her as a secretary and receptionist for his congressional office in Detroit. She held this position until she retired in 1988. In a telephone interview with CNN on October 24, 2005, Conyers recalled, "You treated her with deference because she was so quiet, so serene — just a very special person ... There was only one Rosa Parks." Doing much of the daily constituent work for Conyers, Parks often focused on socio-economic issues including welfare, education, job discrimination, and affordable housing. She visited schools, hospitals, senior citizen facilities, and other community meetings and kept Conyers grounded in community concerns and activism.

Parks participated in activism nationally during the mid-1960s, traveling to support the Selma-to-Montgomery Marches, the Freedom Now Party, and the Lowndes County Freedom Organization. She also befriended Malcolm X, who she regarded as a personal hero.

Like many Detroit blacks, Mrs. Parks remained particularly concerned about housing issues. She herself lived in a neighborhood, Virginia Park, which had been compromised by highway construction and urban renewal. By 1962, these policies had destroyed 10,000 structures in Detroit, displacing 43,096 people, 70 percent of them African-American. Parks lived just a mile from the epicenter of the riot that took place in Detroit in 1967, and she considered housing discrimination a major factor that provoked the disorder.

In the aftermath Mrs. Parks collaborated with members of the League of Revolutionary Black Workers and the Republic of New Afrika in raising awareness of police abuse during the conflict. She served on a "people's tribunal" on August 30, 1967 investigating the killing of three young men by police during the 1967 Detroit uprising, in what came to be known as the Algiers Hotel Incident. She also helped form the Virginia Park district council to help rebuild the area. The council facilitated the building of the only black-owned shopping center in the country. Parks took part in the black power movement, attending the Philadelphia Black Power conference, and the Black Political Convention in Gary, Indiana. She also supported and visited the Black Panther school in Oakland.

1970s

In the 1970s, Parks organized for the freedom of political prisoners in the United States, particularly cases involving issues of self-defense. She helped found the Detroit chapter of the Joann Little Defense Committee, and also worked in support of the Wilmington 10, the RNA-11, and Gary Tyler. Following national outcry around her case, Little succeeded in her defense that she used deadly force to resist sexual assault and was acquitted. Gary Tyler was finally released in April 2016 after 41 years in prison.

The 1970s were a decade of loss for Parks in her personal life. Her family was plagued with illness; she and her husband had suffered stomach ulcers for years and both required hospitalization. In spite of her fame and constant speaking engagements, Parks was not a wealthy woman. She donated most of the money from speaking to civil rights causes, and lived on her staff salary and her husband's pension. Medical bills and time missed from work caused financial strain that required her to accept assistance from church groups and admirers.

Her husband died of throat cancer on August 19, 1977 and her brother, her only sibling, died of cancer that November. Her personal ordeals caused her to become removed from the civil rights movement. She learned from a newspaper of the death of Fannie Lou Hamer, once a close friend. Parks suffered two broken bones in a fall on an icy sidewalk, an injury which caused considerable and recurring pain. She decided to move with her mother into an apartment for senior citizens. There she nursed her mother Leona through the final stages of cancer and geriatric dementia until she died in 1979 at the age of 92.

Final years

In 1980, Parks—widowed and without immediate family—rededicated herself to civil rights and educational organizations. She co-founded the Rosa L. Parks Scholarship Foundation for college-bound high school seniors, to which she donated most of her speaker fees. In February 1987 she co-founded, with Elaine Eason Steele, the Rosa and Raymond Parks Institute for Self Development, an institute that runs the "Pathways to Freedom" bus tours which introduce young people to important civil rights and Underground Railroad sites throughout the country. Parks also served on the Board of Advocates of Planned Parenthood. Though her health declined as she entered her seventies, Parks continued to make many appearances and devoted considerable energy to these causes.

In 1992, Parks published Rosa Parks: My Story, an autobiography aimed at younger readers, which recounts her life leading to her decision to keep her seat on the bus. A few years later, she published Quiet Strength (1995), her memoir, which focuses on her faith. On August 30, 1994, Joseph Skipper, an African-American drug addict, entered her home to rob it and attacked the 81-year-old Parks. The incident sparked outrage throughout the United States. After his arrest, Skipper said that he had not known he was in Parks' home but recognized her after entering. Skipper asked, "Hey, aren't you Rosa Parks?" to which she replied, "Yes." She handed him $3 when he demanded money and an additional $50 when he demanded more. Before fleeing, Skipper struck Parks in the face. Skipper was arrested and charged with various breaking and entering offenses against Parks and other neighborhood victims. He admitted guilt and, on August 8, 1995, was sentenced to eight to 15 years in prison. Suffering anxiety upon returning to her small central Detroit house following the ordeal, Parks moved into Riverfront Towers, a secure high-rise apartment building where she lived for the rest of her life.

In 1994 the Ku Klux Klan applied to sponsor a portion of United States Interstate 55 in St. Louis County and Jefferson County, Missouri, near St. Louis, for cleanup (which allowed them to have signs stating that this section of highway was maintained by the organization). Since the state could not refuse the KKK's sponsorship, the Missouri legislature voted to name the highway section the "Rosa Parks Highway". When asked how she felt about this honor, she is reported to have commented, "It is always nice to be thought of."

In 1999 Parks filmed a cameo appearance for the television series Touched by an Angel. It was her last appearance on film; health problems made her increasingly an invalid.

In 2002 Parks received an eviction notice from her $1800 per month apartment due to non-payment of rent. Parks was incapable of managing her own financial affairs by this time due to age-related physical and mental decline. Her rent was paid from a collection taken by Hartford Memorial Baptist Church in Detroit. When her rent became delinquent and her impending eviction was highly publicized in 2004, executives of the ownership company announced they had forgiven the back rent and would allow Parks, by then 91 and in extremely poor health, to live rent free in the building for the remainder of her life. Her heirs and various interest organizations alleged at the time that her financial affairs had been mismanaged.

In popular culture

In 1979, the Supersisters trading card set was produced and distributed; one of the cards featured Parks's name and picture.

The Neville Brothers recorded a song about Parks called "Sister Rosa" on their 1989 album Yellow Moon. A music video for the song was also made.

The song "Daybreak" from The Stone Roses' 1994 album Second Coming pays tribute to Parks with the line "Sister Rosa Lee Parks / Love forever her name in your heart".

In March 1999, Parks filed a lawsuit (Rosa Parks v. LaFace Records) against American hip-hop duo OutKast and their record company, claiming that the duo's song "Rosa Parks", the most successful radio single of their 1998 album Aquemini, had used her name without permission. The lawsuit was settled on April 15, 2005 (six months and nine days before Parks' death); OutKast, their producer and record labels paid Parks an undisclosed cash settlement. They also agreed to work with the Rosa and Raymond Parks Institute to create educational programs about the life of Rosa Parks. The record label and OutKast admitted to no wrongdoing. Responsibility for the payment of legal fees was not disclosed.

The documentary Mighty Times: The Legacy of Rosa Parks (2001) received a 2002 nomination for Academy Award for Documentary Short Subject. She collaborated on a TV movie of her life, The Rosa Parks Story (2002), starring Angela Bassett.

The film Barbershop (2002) featured a barber, played by Cedric the Entertainer, arguing with others that other African Americans before Parks had been active in bus integration, but she was renowned as an NAACP secretary. The activists Jesse Jackson and Al Sharpton launched a boycott against the film, contending it was "disrespectful", but NAACP president Kweisi Mfume stated he thought the controversy was "overblown." Parks was offended and boycotted the NAACP 2003 Image Awards ceremony, which Cedric hosted.

Grime musician Skepta's track "Shutdown" includes the lyrics "Sittin' at the front, just like Rosa Parks".

Death and funeral

Parks resided in Detroit until she died of natural causes at the age of 92 on October 24, 2005, in her apartment on the east side of the city. She and her husband never had children and she outlived her only sibling. She was survived by her sister-in-law (Raymond's sister), 13 nieces and nephews and their families, and several cousins, most of them residents of Michigan or Alabama.

City officials in Montgomery and Detroit announced on October 27, 2005, that the front seats of their city buses would be reserved with black ribbons in honor of Parks until her funeral. Parks' coffin was flown to Montgomery and taken in a horse-drawn hearse to the St. Paul African Methodist Episcopal (AME) church, where she lay in repose at the altar on October 29, 2005, dressed in the uniform of a church deaconess. A memorial service was held there the following morning. One of the speakers, United States Secretary of State Condoleezza Rice, said that if it had not been for Parks, she would probably have never become the Secretary of State. In the evening the casket was transported to Washington, D.C. and transported by a bus similar to the one in which she made her protest, to lie in honor in the rotunda of the U.S. Capitol.

Since the founding in 1852 of the practice of lying in state in the rotunda, Parks was the 31st person, the first American who had not been a U.S. government official, and the second private person (after the French planner Pierre L'Enfant) to be honored in this way. She was the first woman and the second black person to lie in state in the Capitol. An estimated 50,000 people viewed the casket there, and the event was broadcast on television on October 31, 2005. A memorial service was held that afternoon at Metropolitan AME Church in Washington, DC.

With her body and casket returned to Detroit, for two days, Parks lay in repose at the Charles H. Wright Museum of African American History. Her funeral service was seven hours long and was held on November 2, 2005, at the Greater Grace Temple Church in Detroit. After the service, an honor guard from the Michigan National Guard laid the U.S. flag over the casket and carried it to a horse-drawn hearse, which was intended to carry it, in daylight, to the cemetery. As the hearse passed the thousands of people who were viewing the procession, many clapped, cheered loudly and released white balloons. Parks was interred between her husband and mother at Detroit's Woodlawn Cemetery in the chapel's mausoleum. The chapel was renamed the Rosa L. Parks Freedom Chapel in her honor. Parks had previously prepared and placed a headstone on the selected location with the inscription "Rosa L. Parks, wife, 1913–."

Legacy and honors

1976, Detroit renamed 12th Street "Rosa Parks Boulevard."

1979, the NAACP awarded Parks the Spingarn Medal, its highest honor,

1980, she received the Martin Luther King Jr. Award.

1983, she was inducted into Michigan Women's Hall of Fame for her achievements in civil rights.

1984, she received a Candace Award from the National Coalition of 100 Black Women.

1990,

1992, she received the Peace Abbey Courage of Conscience Award along with Dr. Benjamin Spock and others at the Kennedy Library and Museum in Boston, Massachusetts.

1994, she received an honorary doctorate from Soka University in Tokyo, Japan.

1995, she received the Academy of Achievement's Golden Plate Award in Williamsburg, Virginia.

1996, she was awarded the Presidential Medal of Freedom, the highest honor given by the US executive branch.

1998, she was the first to receive the International Freedom Conductor Award given by the National Underground Railroad Freedom Center.

1999,

2000,

2002,

2003, Bus No. 2857 on which Parks was riding is restored and placed on display in The Henry Ford

2004, In the Los Angeles County MetroRail system, the Imperial Highway/Wilmington station, where the Blue Line connects with the Green Line, has been officially named the "Rosa Parks Station".

2005,

Parks was invited to be part of the group welcoming Nelson Mandela upon his release from prison in South Africa.

Parks was in attendance as part of Interstate 475 outside of Toledo, Ohio is named after Parks.

she received the Congressional Gold Medal, the highest award given by the US legislative branch, the medal bears the legend "Mother of the Modern Day Civil Rights Movement"

she receives the Windsor–Detroit International Freedom Festival Freedom Award.

Time named Parks one of the 20 most influential and iconic figures of the 20th century.

President Bill Clinton honored her in his State of the Union address, saying, "She's sitting down with the first lady tonight, and she may get up or not as she chooses."

her home state awarded her the Alabama Academy of Honor,

she receives the first Governor's Medal of Honor for Extraordinary Courage.

She was awarded two dozen honorary doctorates from universities worldwide

She is made an honorary member of the Alpha Kappa Alpha sorority.

the Rosa Parks Library and Museum on the campus of Troy University in Montgomery was dedicated to her.

scholar Molefi Kete Asante listed Parks on his list of 100 Greatest African Americans.

A portion of the Interstate 10 freeway in Los Angeles is named in her honor.

On October 30, 2005 President George W. Bush issued a proclamation ordering that all flags on U.S. public areas both within the country and abroad be flown at half-staff on the day of Parks' funeral.

Metro Transit in King County, Washington placed posters and stickers dedicating the first forward-facing seat of all its buses in Parks' memory shortly after her death,

the American Public Transportation Association declared December 1, 2005, the 50th anniversary of her arrest, to be a "National Transit Tribute to Rosa Parks Day".

On that anniversary, President George W. Bush signed Pub.L. 109–116, directing that a statue of Parks be placed in the United States Capitol's National Statuary Hall. In signing the resolution directing the Joint Commission on the Library to do so, the President stated:

By placing her statue in the heart of the nation's Capitol, we commemorate her work for a more perfect union, and we commit ourselves to continue to struggle for justice for every American.

2006,

2007, Nashville, Tennessee, renamed MetroCenter Boulevard (8th Avenue North) (US 41A and SR 12) in September 2007 as Rosa L. Parks Boulevard.

2009, On July 14, 2009, the Rosa Parks Transit Center opened in Detroit at the corner of Michigan and Cass Avenues.

2010, In Grand Rapids, Michigan, a plaza in the heart of the city is named Rosa Parks Circle.

2012, President Barack Obama visited the famous Rosa Parks bus at the Henry Ford Museum after an event in Dearborn, Michigan, April 18, 2012.

2012, A street in West Valley City, Utah (the state's second largest city), leading to the Utah Cultural Celebration Center was renamed Rosa Parks Drive.

2013,

2014, the asteroid (284996) Rosaparks was named after Rosa Parks.

2015,

Portion of Interstate 96 in Detroit was renamed by the state legislature as the Rosa Parks Memorial Highway in December 2005.

At Super Bowl XL, played at Detroit's Ford Field, long-time Detroit residents Coretta Scott King and Parks were remembered and honored by a moment of silence. The Super Bowl was dedicated to their memory. Parks' nieces and nephews and Martin Luther King III joined the coin toss ceremonies, standing alongside former University of Michigan star Tom Brady who flipped the coin.

On February 14, Nassau County, New York Executive, Thomas Suozzi announced that the Hempstead Transit Center would be renamed the Rosa Parks Hempstead Transit Center in her honor.

On February 1, President Barack Obama proclaimed February 4, 2013, as the "100th Anniversary of the Birth of Rosa Parks." He called "upon all Americans to observe this day with appropriate service, community, and education programs to honor Rosa Parks's enduring legacy."

On February 4, to celebrate Rosa Parks' 100th birthday, the Henry Ford Museum declared the day a "National Day of Courage" with 12 hours of virtual and on-site activities featuring nationally recognized speakers, musical and dramatic interpretative performances, a panel presentation of Rosa's Story and a reading of the tale Quiet Strength. The actual bus on which Rosa Parks sat was made available for the public to board and sit in the seat that Rosa Parks refused to give up.

On February 4, 2,000 birthday wishes gathered from people throughout the United States were transformed into 200 graphics messages at a celebration held on her 100th Birthday at the Davis Theater for the Performing Arts in Montgomery, Alabama. This was the 100th Birthday Wishes Project managed by the Rosa Parks Museum at Troy University and the Mobile Studio and was also a declared event by the Senate.

During both events the USPS unveiled a postage stamp in her honor.

On February 27, Parks became the first African American woman to have her likeness depicted in National Statuary Hall. The monument, created by sculptor Eugene Daub, is a part of the Capitol Art Collection among nine other females featured in the National Statuary Hall Collection.

the papers of Rosa Parks were cataloged into the Library of Congress, after years of a legal battle.

On December 13, the new Rosa Parks Railway Station opened in Paris.

Wikipedia

[vintagedreamsofsennett]

Flirting in the Park (1933)

[lifejustgotawkward]

365 Day Movie Challenge (2017) - #57: The House on 56th Street (1933) - dir. Robert Florey

Kay Francis, the queen of Warner Brothers’ melodramas until Bette Davis stole the crown, stars in this brief (68-minute), initially slow-moving but generally entertaining depiction of the hardships a woman must endure in order to do right by her kind husband (Gene Raymond) and young daughter (played by Margaret Lindsay as an adult). The film begins in 1905 with Francis playing a chorus girl from a questionable background – both dear old dad and granddad were riverboat gamblers. Francis must decide which of two wealthy suitors she prefers: the charming young playboy (Raymond) or the elegant, middle-aged gentleman (John Halliday), both of whom can provide her with a comfortable life thanks to the privileges of the upper class. Francis chooses Raymond, and has a daughter with him, but a tragic accident sends Francis to prison for murder. (Of course she is innocent, but if justice had been served, there would be no movie.) Twenty years later, Francis – widowed after Raymond is killed in action during World War I – has a makeover (including newly henna-dyed hair to hide her strands of grey) and she rejoins polite society.

During a sea voyage, a sweet-talking gambler (Ricardo Cortez) flirts with Francis; they do not engage in romance (kind of unusual for a studio film made at that time, no?) and instead they work as a pair of con artists, swindling international audiences with some sneaky card games. Upon returning to New York, Francis and Cortez set up shop in a new casino, which is – surprise! – situated in the old mansion on 56th Street and Park Avenue where Francis once lived in luxury with Gene Raymond. (Even the old furnishings have remained.) A number of other dramatic events occur before the movie’s final fade-out, so without giving more of the plot away, I shall just say that The House on 56th Street is definitely worth seeing if you’re an admirer of the much underrated Kay Francis. Dressed as beautifully as she is in gowns designed by Earl Luick and Orry-Kelly, you’ll never want to take your eyes off of this beguiling star, and her acting was always equally exquisite.

[theliterateape]

I Like to Watch | The Invisible Man (2020)

by Don Hall

When I was a kid, back in the seventies, I loved the Universal monster movies. My mom would buy me the plastic model kits of the Mummy, Frankenstein’s Monster, Dracula, the Creature from the Black Lagoon. I’d glue them together and paint them. For a few years, these models adorned shelves in the room I shared with my little sister. I was so taken with the Monster Movies, the first film I recall crying at was King Kong as I suppose I identified more strongly with the ape than the humans.

I’m not a huge fan of the Broadway musical Wicked yet I love the source material. The idea of taking a fairly well-known story and pivoting it from the hero’s perspective to that of the villain and seeing it played out is not only fun, it is instructive as to how false is the Good vs Evil binary.

I’m also taken with the Big Metaphor idea: take an existing tale and reframe as a metaphor for something contemporary. Dawn of the Dead — zombie apocalypse as metaphor for rampant consumerism. Frankenstein and Jurassic Park — monsters in the world created through the human need to let science make us god-like. Dracula — the vampire as metaphor for everything from xenophobia to AIDS to moral restrictions on sexuality.

The skill required to make these spins on both popular culture and metaphorical storytelling is one of balance. Too much “on the nose” and the story is lost to the political ramifications. Too little referencing of the source and point of view and it all just becomes an unmemorable waste of time.

Both Get Out and Us are great films but, for my money, Us is superior because the “lesson” is less obvious than “White People Are Evil.” Peele is brilliant and manages to find that balance for the most part but Get Out is almost impossible to see as simply a horror story as the politics gets in the way. Which, hell, might be the point but I prefer my horror films to be horror first, political intent second.

The recent Blumhouse prestige horror film is The Invisible Man and it strikes a near-perfect balance. Telling the story of the insane scientist who discovers how to render himself invisible but from the perspective of one of his victims is fun. It is also laden with the comparison to a woman desperately trying to escape a brutally abusive relationship.

The 1933 Claude Raines vehicle was all about the insane monster — a man who discovers invisibility and comes back to wreak havoc by committing “a few murders here and there.” The 2020 updates the tale to reflect the experience of a woman he has abused and, once she has escaped the domestic violence, is subjected to his invisible stalking and psychological torture while no one believes her.

Elizabeth Moss grounds this thing. Christ, the first ten minutes or so are completely silent as she escapes his house while trying to be as quiet as possible. The terror on her face, the urgency of her escape is almost physically exhausting to watch. Her performance sets the stage for the stakes of the rest of the film.

Once she is safe, she is not safe. First, because she suffers from a PTSD of sorts, terrified of random joggers on the road, spooked by things that don’t quite sound right. Helped by her sister and her sister’s policeman boyfriend (and his daughter), she has allies gently guiding her. Second, this is The Invisible Man we’re watching and knowing that means the tension never releases. You know he’s going to show up. You know that no one will believe her.

Writer/director Leigh Whannell knows how to balance the classic horror elements with the #MeToo message perfectly. Unlike, say, the rebooted Charlie’s Angels (so one note feminist that the three characters are all beautiful, brainy, and badass which leaves virtually no weakness in the heroines of the tale thus no stakes) or the Harley Quinn vehicle (where the battle cry of WOMEN UNITE! is writ large in almost every single scene), Whannell gives us a truly scary thrill and still underscores a message about the trauma domestic violence creates and the journey of simply not being believed when you know you haven’t escaped.

Monster movies almost always have a metaphor for something going on in society. Godzilla is about man flirting with atomic energy, The Mummy is about our thirst for knowledge desecrating the religious history of ancient cultures, The Wolfman covers the ground of our bestial sexual nature. I never really had a bead on The Invisible Man and I suspect that’s why I was never really into him (also there was no plastic model).

With this most recent retelling, from the lens of his victim, The Invisible Man now feels like a serious classic monster.

[mediasaurs]

T. rex Madness Round 1 Masterpost

All round 1 polls are here!

Prehistoric Planet (Hank) vs. Dinosaur Office (Terry)

Extreme Dinosaurs (T-Bone) vs Doctor Who (Deep Breath T. rex)

Fossil Specimen (Black Beauty: RTMP 81.6.1) vs There Are Tyrannosaurs Trying On Pants in My Bedroom

DC Comics (Batcave T. rex) vs Old grocery store T. rex toy

Doraemon: Nobita’s Dinosaur (T. rex) vs Ice Age (Momma Dino)

Dinosaur Revolution (Junior) vs Dinosaur Island (2014/2015)

Prehistoric Park (Terrence) vs Barney (Barney)

T. Rex the band vs. Prehistoric Park (Matilda)

Digimon (Tyrannomon) vs. Prehistoric Kingdom T. rex

Project for Awesome (T. Rax) vs. Safari Ltd. Feathered T. rex

You are Umasou (Heart) vs. Fossil Specimen (Jane BMRP 2002.4.1)

Jurassic Park (Rexy) vs. Dinosaurs (Roy Hess)

Night at the Museum (Rexy) vs. The Lost World (1925)

Beast Wars (Megatron) vs. Chrome game T. rex

Pokémon (Tyranitar) vs. Pokémon (Tyrantrum)

Fossil Specimen (Stan BHI 3033) vs. Toy Story (Rex)

Charles Knight T. rex vs. Transformers (Grimlock)

Theodore Rex (Theodore Rex) vs. Walking With (Mother T. rex)

Super Mario Odyssey (T. rex) vs. Banjo Tooie (T. rex Banjo)

Fossil Specimen (Sue FMNH PR 2081) vs. Jimmy Neutron “Sorry, Wrong Era” T. rex

King Kong 1933 (Tyrannosaurus rex) vs. Mighty Morphin’ Power Rangers (Tyrannosaurus Dinozord)

Marvel Comics (Devil Dinosaur) vs. Fossil Specimen (Rexy AMNH 5027)

When Dinosaurs Roamed America (Narrated by John Goodman) vs. We’re Back! (Rex, voiced by John Goodman)

The Magic School Bus (T. rex) vs. Sinclair Dinoland 1964 World’s Fair

King of the Dinosaurs by Michael Berenstain vs. Dinosaur Train (Buddy)

The Good Dinosaur (Ramsey) vs. Meet the Robinsons (Tiny)

Fossil Specimen (B-rex: MOR 1125) vs. Primal (Fang)

The Land Before Time (Chomper) vs. Project G.e.e.K.e.R. (Noah)

Saurian T. rex vs. Gravity Falls (T. rex in amber)

Jurassic Park (Lost World family) vs. 3D Dinosaur Adventure (Assembled T. rex)

Fantasia (Rite of Spring T. rex) vs. Prehysteria! (Elvis)

Yu-Gi-Oh! (Ultimate Conductor Tyranno) vs. Prehistoric Planet (Flirt Man)