#flaming fist Jonny is not real

[bg3smash-or-pass]

Oh babe we aren’t even AT the obscure characters yet. Sure this guy is really well hidden, but he has a whole SCENE about him. Just wait till we get to Flaming Fist Jonny who just stands there and has one line he repeats when you click on him

[bowiebond]

I thought about an AU where Lonnie got custody of Jonathan and Joyce got Will (she still fights constantly to have Jonathan but Lonnie is pulling strings inside the court to keep Jonathan with him even if he’s pissed he lost Will and Joyce, he likes hanging it over Joyce that she can’t see her son for more than ten minutes outside his school unless she begs him for weeks).

Jonathan already had volatile tendencies when hestill had Joyce to look after him, the anger he bottles, the one that grew beneath his fathers constant berating and negligence and the beatings when he was drunk.

He didn’t pick fights, but anyone who picked one with him got to find out just what his father taught him. What the fist of a man felt like against their face even if his eyes are wet and burning as he straddles some high school bully as a freshman and smashes his face in until he’s dragged off thrashing by teachers.

His dad comes in and just shoves his head with two fingers, Jonathan already refusing to look at him, lip split and glaring at nothing.

“Your principal called me all the way down here to pick you up, you better tell me you won, Jonny.”

Jonathan doesn’t answer. Lonnie just scoffs and rolls his eyes, grabbing him by the scruff of his neck like a kitten and dragging him outta the school, Jonathan’s feet stumbling every few steps.

“Kids wouldn’t pick on you if you didn’t have that fuckin’ creepy face, kid. Try to smile every now and then, eh?” Lonnie slaps his neck a few times, hard enough to make Jonathan almost cough from choking on his own spit. He still says nothing.

“You gonna ignore me, huh? God, you’re just like your fuckin’ mother. Quit clamming up and speak up like a fuckin’ man, you pu—“ His grip tightens on his nape as they stop by his car in the parking lot and Jonathan finally looks at him.

There’s nothing in those dark eyes until something seems to spark, that spark igniting into a flame that lit up those near-black eyes.

Jonathan spits. Right in his face. Blood and saliva and it occurs to Lonnie when he wipes it from his face slowly, rage coiling in his gut, that Jonathan was waiting. Saving that for him. That the thick pink strand sticking to his chin, that the blood on Lonnie’s face, was stored and grew within his mouth that entire walk out of the school. That Jonathan was shutting up for a reason.

He’s fucking grinning too, teeth stained with blood and lips shiny with the saturated spit.

“…Is this funny to you, kid?” Lonnie grabbed his jaw and tugged him downwards, quick and sharp to make it hurt like whiplash. To rid Jonathan of the closing height gap between them, the one that grew smaller and smaller as the weeks passed.

Jonathan laughs, an almost maniac glee in his eyes as he dribbles blood down into his palm. Lonnie wrinkled his nose and wiped it away on his jeans, disgusted. Jonathan continued to giggle, and that only made Lonnie angrier.

“What are you, a fuckin’ girl? Quit giggling.”

Jonathan’s grin closes, a broad smile instead that reopens his split lip with barely a wince.

“I could beat you.” He says it like it’s fact. Like he knows he could. Like that fight had solidified that for him.

“You really gonna fight your old man?” Lonnie chuckled, shaking his head at the gall of the kid. “I’d like to see you try. We both know you’re a wimp when it comes to a real fight, you’re all soft like your mother. A little fag like your soft little brother.”

For a moment, they’re standing in a moment of time, the late fall winds caressing their clothes; his wife beater and baggy jeans, Jonathan’s patchy coat and plain green shirt two sizes too big.

The next, Jonathan’s fist cracks against his face and Lonnie makes a grab for him that’s vicious in a way only a predator can be. Grabs his hair, his shoulder, throws him to the ground hard. Let’s him scramble back up and aim again, Joyce’s fiery eyes glaring up at him like it did every time he saw her, always so full of anger even as he begs to see her boy. Her son.

Jonathan is his as much as he is hers, and Lonnie loves reminding them all of it. Loves seeing Joyce’s fire in Jonathan’s eyes, loves seeing the mean twist in his lip that is entirely Lonnie.

Jonathan was the embodiment of their rage, their fights, their flaws, and Will had always been the embodiment of their softness, their youth, their love. Lonnie loathed Will for being the thing they no longer were. Joyce and Lonnie left their soft, youthful love behind shortly after marrying, and he resented her for it. He was sure she resented him for it too.

He still has their rage; their fire. Jonathan hits him, and it packs heat, leaves his jaw achy and hot as he grabs his collar and throws him against the car, pinning him there. He doesn’t have to hit Jonathan to win this fight. He’ll hit him when he heals, when his adrenaline fades and he stops wanting to fight. He wants that fire to die and to reignite him like a match. He wants his fingers to get burnt by the time the stick turns entirely black, wants Jonathan to keep fighting.

He can fight everyone. He can prove he’s anything but soft like his mother and brother. He can prove he’s a Byers, tough and independent. He can prove he’s a man.

Jonathan breathes heavily as Lonnie presses his forearm against his throat, lips pursed tight and eyes full of distain.

Lonnie holds his gaze, and there’s a sense of pride when Jonathan doesn’t look away. It’s a first. He’s holding his gaze, not hiding a hint of his anger. He’s steel.

Lonnie eases off him slow, smoothing his hands down his sons shoulders and Jonathan is still breathing hard, not from exertion but the burn deep in his gut that fills his lungs with inky smoke. He’s huffing the air from them like a dragon about to open their mouth.

Lonnie smirks and it worms it’s way into a grin that is laced with a rare expression of pride. Of approval.

He claps Jonathan’s shoulders and the boy doesn’t flinch. Just glares at him like he could incinerate him with his mind.

“You know…” Lonnie chuckles. “I think you should visit your mother sometime. How’s Saturday sound?” He lets his son go, watching the anger turn into confusion, the steel melting into a rippling lake. Lonnie took his keys out and spun them as he walked around the car, a self satisfied smirk on his face.

He should show Joyce his hard work. Let her see the callouses he’s finally putting into their sons interior.

At least their son would survive this world; if Will was found in the bottom of the lake before he finished high school, Lonnie wouldn’t be surprised.

He wasn’t gonna let Jonathan, their son, be some wimpy fag. Joyce could keep her son. Lonnie didn’t want him.

[glowcrizzle]

Today is the 1 year AO3 anniversary of Slow Show by @mia-ugly. I am beyond grateful that this experience (and it is an experience) has existed in my life for a year and felt it needed commemorating. 🎂  

I’m not a creator but I made this playlist for me, so I could take the fic with me, have it with my eyes closed, while driving -- you get it. Today seems like an appropriate day to share it. 

It’s a. It’s a lot. Excessive you might even say. Tumblr will only give you the first 100 songs in this, so, Spotify will fulfill you (or overwhelm you). If you hit my username on the playlist, there are separate playlists for each chapter. 

This is also on Apple Music, if that’s your jam, just hit me up and I’ll send you the link. 

🎉 Happy Slow Show Day!! 🎉 

13 pages of track-lists and excerpts below the cut. Godspeed! 💙

Key:

Songs from Mia’s soundtrack

Songs from the Fic

.

--Title--

Slow Show – The National 

_

--Prequel--

Loverman – Nick Cave & The Bad Seeds 

Devils – Say Hi 

_

--Chapter 1--

Here I Go Again – Whitesnake 

_

bad guy – Billie Eilish 

-trash a set and shag your husband

_

Something About You (ODESZA Remix) – Hayden James 

-what it would take for Avery Fell to let his guard down

_

A Little Wicked – Valerie Broussard 

-The handkerchief in his hand is now stained purple

_

You Light Me Up In the Dark – The Hounds Below

-His hair catches the light like a halo, making him look more of an angel than ever.

_

Lazarus – David Bowie 

-This could be a problem

_

--Chapter 2--

Unsteady – X Ambassadors

-much easier than talking about the way his heartbeat is still racing

_

Heart of a Dog – The Kills

-Call me darling again.

_

The Twilight Hour - Still Corners

-Looked across the set and thought, Ah fuck me. I’m in love with him.

_

God’s Mistake – Tears for Fears 

-Avery: He’s closed his eyes again, mouth going flat and still.

_

Lounge Act – Nirvana

-Tell her all the terrible things I want to do to her husband

_

Transatlanticism – Death Cab for Cutie

-There’s a strange urgency tonight, though, and Crowley can guess why.

_

Do I Wanna Know? – Arctic Monkeys

-What could it hurt?

_

Clueless – The Marias 

-“Better - yeah. ‘S late.”

_

Motel – Meg Myers

-The hotel room is another disaster

_

--Chapter 3--

Alone in a Room – Asking Alexandria 

-“I’m having a moment here!”

_

Since You’ve Been Around – Rosie Thomas 

-makes Crowley feel like he can breathe again

_

Home Again – The Disco Biscuits 

-It’s starting to feel like home again

_

Every Other Freckle – alt-J

-Perfect. Ridiculous and impossible and perfect.

_

Something For the Longing – The Orchids 

_

As Far As I Can See – Phantogram 

-it’s been a really, really long time

_

Sinister Kid – The Black Keys 

-“Mothering buggering shit-”

_

All These Things That I’ve Done – The Killers

-Crowley fists one of his hands against his forehead, shuts his eyes tightly.

_

--Chapter 4--

I Like Me Better – Lauv

-I liked the outline of your face under the stagelights

_

I Do This for You (ft. Marlene) – Giorgio Moroder

-“Let me see what I can do. About your precious Hamlet.”

_

The Longing – Imelda May 

-Avery POV: “Look at him like - like - you can’t let him see the way you look at him.”

_

Just a Man – Los Lobos

-Avery POV: like he’s being led into battle and not onto a set to do the job he loves

_

World In My Eyes – Depeche Mode 

-wants to make that bastard purr

_

Tired (ft. Gavin James) – Alan Walker

-Let me be a magpie for you

_

Blow My Mind – The Benjamin Gate 

-Avery: “I know you now.”

_

Breathe You in My Dreams – Trixie Whitley

-Crowley’s seen that expression on Avery’s face in his dreams

_

Love Me Like That (ft. Carly Rae Jepsen) – The Knocks

-What have I done to - oh. Oh. Right.

_

Like Real People Do - Hozier

-“Sure, angel, what- whatever.”

_

Clearly – Grace VanderWaal 

-Crowley waits for the rest of the night.

_

Gwendel – PeelsDeen 

-Az sits in the back seat, away from Crowley. Alone.

_

Now I’m In It – HAIM

-Avery POV: It’s a look like an open grave, a look like desire tempered with grief…

_

Flesh for Fantasy – Billy Idol

-Crowley isn’t lonely for the rest of the night

_

--Chapter 5 (Avery POV)--

Smalltown Boy – Rosborough 

-1978, Hartlepool

_

Bright Horses – Nick Cave & The Bad Seeds

-1986, Newcastle Upon Tyne

_

The Runner – Foals

-1991, Bristol

_

Shock To Your System – Tegan and Sara

-Tracy: “Why d’you let them?”

_

Cracking Codes – Andrew Bird

-“Forever, of course. I’ll never -”

_

Colour me In – Damien Rice

-Their fingers - just touch. Slightly.

_

I’m Not in Love – 10cc

-Less to regret by not ever speaking of it.

_

--Chapter 6--

Electric Current – Lower Dens 

-“I’ll let you know when you find it.”

_

Guess I Miss(ed) You – The Daylights

-Keep talking, keep him here a little while longer.

_

Reflecting Light – Sam Phillips 

-“don’t meet his eyes like that, it looks like it’s a lead-in to a kiss”

_

King of Pain – The Police

-a good reminder of the kind of life he’s got to live

_

I Wanna Get Better – The Bleachers

-and Avery’s gaze is so gentle it hurts a bit

_

Feather – X Ambassadors 

-Avery: “Someone has to”

_

Darker Side - Jonny Lang

-Avery: “Oh - good Lord.”

_

Firestone (Acoustic) – Conrad Sewell 

-“Will you show me?”

_

Velvet Gloves and Spit - Timber Timbre 

-“Anthony - ”

_

Wrong – Depeche Mode

-Avery: “I have to go.”

_

F**k it I love you – Lana Del Rey 

-“Not your fault, angel”

_

--Chapter 7--

Somebody to Love – Queen 

_

Heavenly – Cigarettes After Sex 

-“I fucking still.”

_

Will Do - TV on the Radio

-“You too. I’ll see you there.”

_

Monster – Colours

-No wonder Avery ran off like a thief after a heist

_

Swallow My Pride – Ramones 

-“I feel fucking ill about it.”

_

I Was Wrong - The Oh Hellos

-Avery: “I’m the one who has to apologize, not you.”

_

The Lost Art of Keeping a Secret – Queens of the Stone Age

-Avery: “Please don’t tell anyone”

_

Wait for Me – Kings of Leon

-Avery: “Right now, I’m just - a bit in pieces.”

_

Don’t Stay – X Ambassadors 

-“You can - stay or leave or - whatever you like.”

_

The Moth - Aimee Mann

-Avery’s eyes meet his, and then it’s like a car accident

_

Red Door – Julien Baker 

-“I can - I can wait longer.”

_

Can’t Pretend - Tom Odell

-“I wasn’t apologizing for that. This morning. I won’t.”

_

Come Down to Me – Saving Jane

-Avery: “You were wonderful”

_

Secret Smile – Semisonic

-And if sometimes he catches Az watching him between takes

_

I Want More - KALEO

-Az laces both of their hands together, stares at them.

_

I’m Gonna Do My Thing – Royal Deluxe 

-“So don’t tell me what will hurt me. I know what hurts.”

_

--Chapter 8--

Perfect Day – Lou Reed 

_

Remember to Breathe – Sturgil Simpson

-“You can’t sit in the car all night you absolute nightmare”

_

Wild Love (Acoustic) – James Bay

-The two of them stare at each other and then both look away awkwardly.

_

Seasons – Future Islands

-finally, fucking finally, he’s exactly where he wants to be

_

Closer – Tegan and Sara

-Avery: “if you like”

_

I Want All of You – The Verve Pipe 

-“If you think I can survive this without looking at you -”

_

Use Me – Miguel

-whatever he sees in Crowley’s face makes him come to some sort of decision

_

So Much Love – Depeche Mode

-Love, he said love

_

Don’t Be Scared, I Love You – Bill Ryder-Jones

-I know you, Crowley wants to say, but doesn’t.

_

Become My Dream – Silya & The Sailors 

-“Even if - anything, angel.”

_

I Belong In Your Arms – Chairlift

-For nearly two weeks it goes like this.

_

Faster - Matt Nathanson

-“You’re going to fucking kill me, angel -”

_

Come Together (feat. Sivu) – LAUREL

-In case you think they don’t wake up together

_

The High – Kelela

-Az has pulled a stool over to the edge of the tub

_

Just in Time – Valerie June

-Then Az’s hand is on his shoulder, turning him around.

_

I Can’t Take It – Tegan and Sara

-Avery: “Don’t rush, just - like this.”

_

Like This – Jake Scott

-Avery murmurs and it takes Crowley back to their first kiss

_

Terrible Love – The National

-Flinches away from him.

_

Help You Out - Emarosa

-And he nods.

_

--Chapter 9--

I Remember You – Ramones

-The first person Crowley loved was a liar.

_

Brighter Skies - Race Banyon

-As if they were cut with a jigsaw, as if they were meant to fit.

_

Not Tonight – Tegan and Sara

-When they reach the edge of the city, his hand slides out of Crowley’s.

_

As Sure as I Am – Crowded House

-So Crowley kisses him.

_

A Promise – Miriam Makeba

-And for awhile, he believed her.

_

Mistaken for Strangers – The National

-They’re only two small words, but they still make Crowley’s teeth ache.

_

Hey, That’s No Way To Say Goodbye – Leonard Cohen

-“Good-“ Swallow, speak, leave.

_

The Fear – Pulp

-Crowley should have been smarter this time. He really should have been.

_

Take Me – Leela James 

-“I’d like you to close your blinds.”

_

Whenever You Want It – Clare Maguire 

-“What do we do now?”

_

At My Weakest – James Arthur 

-“It will be.”

_

Komm zurück - Fotos

-For years and years and years, nothing did.

_

Come on Get Higher – Matt Nathanson

-their feet sliding in the tub

_

Lay Down – Sarah Proctor

-I want to wake up with you.

_

Sort Of - Ingrid Michaelson

-Why is my heart breaking?

_

Fairytale of New York – The Pogues 

-Just pump that shit straight into his veins.

_

What Are You Doing New Year’s Eve? – Ella Fitzgerald

-Avery: “What do you think?”

_

We’re Gonna Have A Real Good Time Together – The Velvet Underground

-“You want to grab dinner somewhere?” 

_

Hiding – IAN SWEET

-Crowley stops walking. Looks at Az in the darkness.

_

Romance Dawn – Radkey

-A slice of light cuts through the darkness.

_

Crown of Love – Arcade Fire

-Crowley feels like the world has never been darker, and his heart will never stop beating

_

Devil’s Backbone – The Civil Wars

-He thought he was ready for this conversation, but at the sight of Az’s face, his throat has gotten too tight to speak.

_

Sinners – Lauren Aquilina 

-“If this all goes down in flames, if it all falls apart - we can go off together.”

_

Please Forgive Me (Song of the Crow) – William Fitzsimmons 

-Avery: “It’s over. I’m - I’m so sorry.”

_

Start a War – The National

-He twitches and trips and yet somehow manages to walk away without falling over.

_

Broken – Daley

-And this soft heartache was somehow the sharpest of them all.

_

--Chapter 10 (Avery POV)--

Daily Battles - Thom Yorke & Flea

-He tries to remember these things - but the background is still a chorus of beeping machines. There’s nowhere he can be but here. 

_

Everybody Wants You - Red Hearse

-Go out and surround himself with people much more interesting and available than Avery. Better people, certainly.

_

A Thin Line – Blackchords

-But still - roads not taken, and other fun middle-aged spirals.

_

My Own Soul’s Warning - The Killers

-When was the last time someone asked Avery that? When was the last time he asked himself?

_

Who Am I - NEEDTOBREATHE

-I miss you.  There. It didn’t hurt as much as he thought it would. 

_

Wait for Me - Jack Curley 

-What he wants to say is ‘don’t find someone else. Not yet. You and your black leather and your cut-glass profile: you’re gorgeous and God knows other people want you.’ 

_

Coming & Going – Amaal 

-“Two ships passing in the night,” he says quietly.  Then he takes a swallow of wine, lets it roll down his throat. “If you were here -” 

_

Iron - Woodkid

-Crowley leaves him there, pressed against the wet brick wall.  Crowley leaves him there.  Crowley steps between Avery and a camera, and then leaves him.

_

The Greatest Bastard - Damien Rice

-He can’t be the person that kicks Crowley into the ashes again. He can’t hurt him like this, and Avery’s going to hurt him - he already has. 

_

No Right to Love You – Rhys Lewis

-He deserves someone like - like Daniel. Deserves to be loved in the daylight.

_

If It’s Hurting You - Robbie Williams

-Time is a tricky business when you’re dying slowly; it skips like a flat stone on a quiet lake.

_

Happy For You – Gayle 

-But surely - surely he’s allowed just this much. Just one message, just so Crowley knows that - that he’s happy for him. That Avery is so happy.

_

I See You (ICU) - Phoebe Bridgers

-When Avery sees Crowley on the red carpet, it feels like the sudden remembrance of a lovely dream.

_

Once In My Life - The Decemberists

-Crowley: “I know there’ve been some - hard times. That’s - that is what it is. But for me - it’s been a privilege. A dream. So.” He nods and nods and nods again. “Thank you.”

_

Coming Down - Dum Dum Girls

-Tracy: “But I wasn’t. I was hurting you. This whole time, Az.”  She shakes her head, wiping frantically at tears that won’t stop falling. “He loves you.”

_

I Don’t Know Anything – Little Voice Cast

-He’s afraid of finding out that all this time - he was doing the wrong thing anyway. He’s afraid that Anthony Crowley will never talk to him again.

_

Sweet Sour - Band of Skulls

-"And you're fired"

_

Heart Attack - Devarrow

-The sun is still rising when Avery gets out of the car, closes the door behind him. Though some of the roads have changed, his feet still know the way down to the docks of his youth. He was never a sailor, but the shoreline is familiar as a childhood sweetheart, as a long lost love. 

_

Landslide - Robyn Sherwell

-He’s alone, and he’s nearly fifty years old. He could get on a ship, he could throw himself into the sea. There’s no one holding him back anymore. 

_

All I Can - Sharon van Etten

-And he knows. He knows.

_

--Chapter 11-- 

Salvation - The Strumbellas

- there’s a moment where he swears he sees a young idiot in black standing in the crowd. Red hair gelled up into spikes, black t-shirt full of holes and safety pins. A young man who has no idea how much he’s about to lose.

_

Soldier - Fleurie

-And he’s still fucking here.

_

Easier – Mansionair

-Then he gets the fuck above ground and he calls Beez (oh great, they’re his emotional-support-asshole now. That’s healthy).

_

Deep End – Holly Humberstone  

-“I brought you cheese,” Beez says, and Crowley starts crying.

_

Falling Short – Lapsley

-For the next few days, he lets his stupid body do what it needs to do to keep himself upright.

_

Chariot (Stripped Version) - Gavin DeGraw

-Shit, this was a bad bad idea. 

_

Quiet Light - The National

-There’s a text from Az later that night, and his name on Crowley’s phone makes him feel like jumping off a cliff.

_

All That We Had is Lost - Postiljonen

-He’s not allowed to be in love with that man anymore. Wasn’t ever, really.

_

Heal - Tom Odell

-It makes a rather hysterical laugh well out of his throat. Anthony fucking Crowley. You are still alive. 

_

Let Me Go - HAIM 

-Crowley tries to ignore the soft, injured expression on the other man’s face as he turns away.

_

A Beginning Song - The Decemberists

-“What’s more frightening than having a choice?”

_

The Spark - William Prince

-And he likes to think he would have just burned the world to ashes with the power of his love, would have said fuck everyone, I choose you – but who knows. 

_

Sharp Scratch - The Slow Show

-So stupid, I know, and I’m - sorry, I still love you and I’m tryin’ to stop and I will I just - needed to tell you that. I’ll be fine. You’ll be fine. Just miss you.

_

Beautiful & Brutal – Plested

-Crowley moves without thinking. Falls like a stagelight, glass everywhere. He walks forward and is kissing Az before the door has even been pulled shut.

_

Bad Chemistry - Fake Shark

-“I’ve been - thinking about this -” Az says between darts of his tongue against Crowley’s overheated skin.

_

All We Do – Oh Wonder

-“But I - I love you. And I can’t -  hide. It hurts too much.”

_

Broken Strings - James Morrison (ft Nelly Furtado)

-“I wouldn’t survive it. That way it was. I wouldn’t.”

_

Stole the Show – Parson James

-But even on their distant shores, Crowley and Az don’t stop looking at each other. It feels like an ending. Maybe it is one. Not a happy ending, but not a bad one either.

_

Level Up - Vienna Teng

-excerpt from Anthony Crowley: Out of the shadows, under the spotlight

_

The Wire (Alternate Version) – Patrick Droney 

-Avery: “I’m rather in - in love with you.”

_

Sweet Thing - Van Morrison

-“You can stay at my place. If you like.”

_

Falling in Love - Cigarettes After Sex

-“I love you. I’ve missed you, and I love you, and I want you -”

_

Stay - Cat Power

-He watches the slow flicker of awareness in Avery’s blue eyes. The curve of his mouth into a shade of smile that Crowley’s never seen before.

_

Freedom - George Michael

-“To the world.”

_

--Chapter 12--

Banks - NEEDTOBREATHE

-What he wasn’t used to was bringing someone else down with him, and jail would be a bloody blessing compared to seeing Az grey-faced and staring out windows, or that one time Crowley’s pretty sure the man was crying in the bathroom, trying to swallow down the sound so that Crowley didn’t notice (he clenches his hands into fists just thinking about it).

_

Black Mambo - Glass Animals

-“It’ll have to be.” Crowley drops to his knees. “There’s a lot of ground to cover.” 

_

Florets - Grace VanderWaal

-Crowley can let his fingers curl against Az’s palm, can watch him open as a flame, not caring who notices.

_

Sight of the Sun - fun.

-That this longing won’t destroy him, and won’t destroy Az either. It’s not a shovel for burying Crowley alive - it’s a spade for planting things.

_

Pale Blue Eyes - The Velvet Underground

-Az drops his hand onto Crowley’s knee (“What is this song? I rather like it.”).

_

Only Everything (Acoustic) – Quinn Lewis

-“It’s nice to have someone make it for you, right? Sometimes,” Crowley says softly, too much love in his throat and in his hands. It’s hard to breathe around it, especially when Avery is looking at him.

_

The Book of Love - The Magnetic Fields

-“You bought a cottage for us.” Crowley is an animal being taught to speak through scraps of meat and electric shocks. “This cottage.”

_

Say You’ll Be Mine – Christopher Cross

-Avery: “But if you wanted -” Fuck, there are tears in Avery’s eyes. “If you want. I’d like to call you my husband. I’d like to say ‘let me ask my husband,’ or ‘I brought my husband with me’ or ‘my husband won a BAFTA’.”

_

Anthem - Leonard Cohen

-Their broken edges match. And somehow, the light still shines through.

_

Precious Love – James Morrison

-When the light catches them both, they shine. And so do you. So do we.

_

Good Man (acoustic) - Josh Ritter

_

_

If you made it this far...wow, hi hello. So, this is ours and my musical exposure is limited, if you’ve got a better song for an excerpt, feel free to shoot it over, more than happy for this to be a living changeable thing. 🤡