#first time painting n really inspired from Mary Blair!

[littlestpersimmon]

in Philippine folklore, Oryol was a beautiful naga with a hypnotic voice. She was the one who commanded vicious mermaids called the Magindara. She was also said to protect the land of Ibalong where monsters and beasts lived peacefully.

[ghost-in-the-hella]

Could I get "39. holding hands in a museum to pull them to the next exhibition", Chasemarsh, Bless this Mess AU?

As you wish :) Same AU as Bless this Mess, but early days. (For those who haven't read Bless this Mess, it's an AU where Victoria and Kate didn't meet until they were adults and therefore Victoria had never bullied Kate) The museum in this ficlet is fictional but based on my own favorite museum, the Eric Carle Museum of Picture Book Art.

---

“This… is a museum?” The building before her has nothing of the grandeur that Victoria has come to expect from museums. It is neither cold nor imposing, just a modest one-story building with some whimsical decorative frills around the entrance. Bright colors show through the large windows. There are bronze statues scattered around the grounds, but they’re all of creatures that look like they’d be more at home in a fairytale than at a museum. Children run around the grounds, screaming and frolicking.

“Of course it is, silly!” Kate stands next to the entrance sign and Vanna Whites a hand across the bold letters. “The Leo and Diane Dillon Museum of Children’s Book Art. See? It says ‘museum’ right there.”

Part of Victoria wants to roll her eyes, curl her upper lip, and unleash a comment so scathing Kate will feel flayed to the bone for having the temerity to call this obvious travesty a ‘museum’. Fortunately, this is the part of Victoria that - with the help of her therapist and years of hard emotional labor - she’s gotten better at catching and overcoming before it can claw its vicious way to the surface. She searches for something nice or at least neutral to say instead. She likes Kate. If she didn’t like her, she would be home marathoning something on crunchyroll in her pajamas instead of getting dressed up on a Saturday morning to go out on this date with her. She doesn’t want to scare Kate off by being needlessly rude. “It’s… not quite what I’d pictured when you invited me to go to a museum with you.”

Kate’s smile doesn’t falter as Victoria had feared. Instead, it softens into a grin that does frankly criminal things to the state of Victoria’s heart. “I know what you mean,” she says so fondly that Victoria is both certain and relieved that Kate has taken her comment as a compliment instead of a barely masked insult. “The first time I came here, I couldn’t believe my eyes.” Her eyes - such warm, lovely eyes; Victoria can’t imagine a work of art that holds a candle to those eyes in any museum - sparkle. “It’s been my favorite museum since I first set foot inside. I come here at least once a month.” She sighs rapturously and Victoria’s heart gives an embarrassing squeeze. “We’re so lucky to have such a special place so close by.”

Victoria makes a noncommittal sound, not wanting to quash Kate’s enthusiasm. Kate smiles at her and beckons playfully for Victoria to follow her as she leads the way inside. They’ve only gone on a handful of dates so far, but already Victoria suspects she’d follow Kate just about anywhere.

The museum truly is unlike any that Victoria’s ever been in before. There are so many children, for one thing. The security guards just smile at them benignly, for another. The last time Victoria was in a museum, she watched someone get chewed out by a security guard for having the audacity to take notes with a pen instead of a pencil. Had a parent been foolish enough to bring a small child inside, they would’ve been stalked by security and stared at so ominously they would soon think better of their faux pas, and perhaps reconsider their decision to reproduce altogether.

But here… Here, the children are not only encouraged to run free, they’re allowed to touch things with their grubby little child hands. Encouraged to, even; there are kiosks set up all over the room they’re in with interactive exhibits, as well as cozy reading areas all around full of children’s books, where parents and children can sit together and paw through museum property with their bare and presumably unwashed hands.

“Isn’t this place amazing?” Kate asks, her voice as warm and gooey as melted chocolate. “You can practically press your nose up against the art and not get in trouble for it. I love it. I can really get in there and see how the artists used all their different materials. It’s so inspiring!”

“I’ve never seen a place like it,” Victoria replies neutrally. Honestly, the idea of children near artwork makes her break out in nervous sweats. She tries to imagine how her parents would react to children running loose at the Chase Space. They’d probably have a coronary each. She herself wasn’t allowed to set foot in the gallery until she was solidly in double digits, and even then she’d always been treated like a disaster waiting to happen, a ticking time bomb in Mary Janes.

Kate nods in satisfaction. “It’s really special.” She gestures at the room they’re in. “This gallery always has a show of Leo and Diane Dillon’s works, plus the interactive exhibits. The specific stuff changes periodically. The gallery across the hall has shows of different works by children’s book illustrators.” She smiles bashfully, a delicious pink tinge warming her cheekbones. “It’s one of my biggest dreams to be included in one of those shows.”

Victoria stops short and blinks rapidly, trying to process. “Here?” she asks, dumbfounded. Here, where children run amok? Where your artwork will never be hung alongside that of a truly great artist?? She remembers Kate mentioning minoring in illustration in undergrad, but somehow that had never really clicked in Victoria’s brain as something important. It’s not like she’d studied photography or even painting, something Victoria would be able to sustain a deep conversation about.

“Of course here!” Kate giggles. “I illustrate children’s books. Well,” she avers with a shy shrug, “a little bit, anyway. It’s only a side hustle right now, but someday I’d like it to be a bigger part of my career.” She looks around the room and sighs dreamily. “It would be such an honor to show here.”

“Here,” Victoria repeats, her brain still struggling to compute. She’s fully being rude now; she can hear it in her voice, a shift from merely confused to straight up condescending.

But Kate just giggles again and rolls her eyes, not looking remotely fazed by Victoria's attitude. “Not every artist needs to show at the Guggenheim, Tori. Some artists dream of being showcased in the Whitney Biennial, and some dream of showing in, well, the Leo and Diane Dillon Museum of Children’s Book Art.”

The nickname throws Victoria even more than Kate’s good natured response to her blatant rudeness does. It distracts her so much she almost doesn’t notice when Kate’s fingers suddenly thread into her own. “Come on,” Kate goes on, “I’m really excited about this month’s exhibit. Have you ever heard of Mary Blair?”

There’s a firm but gentle tug at Victoria’s hand leading her toward the doors separating exhibition rooms and Victoria’s awareness sparks to life. Kate’s holding her hand. Her heart dances a little two-step as she fumbles for words. “N-no, I haven’t.” Heat flushes her cheeks and she clears her throat self-consciously. “My art history degree didn’t cover children’s book art.”

Kate nods thoughtfully as she pushes the doors open and returns the security guard’s smile and wave. “She was actually more involved with animation and concept art, especially for Disney. Murals, too. But it’s true; art history classes tend to leave illustration out as a whole. It’s such a shame, really. There’s some fascinating history there.”

Victoria’s never given a shit about illustration - for children’s books or otherwise - before, but she’s pretty sure Kate could deliver a four hour lecture on the subject and she’d have Victoria’s undivided attention for every minute. “Photography gets the shaft, too, especially in survey courses,” she says. “Anything other than art history courses specifically oriented toward photography, really. It’s like if you’re not a white cishet male painter, you don’t matter.” She shakes her head in aggravation. “As though the advent of photography didn’t change the entire course of art history, and painting in particular. Such bullshit.”

Kate gives Victoria’s hand a little squeeze, and Victoria is floored once more by the realization that Kate is holding her hand. Still. She’s not even leading Victoria anywhere anymore; they’re just standing there, holding hands. It’s astonishing. “We should write a book,” Kate suggests. “Shed some light on the more underappreciated aspects of art history.” Her tone is light and teasing but Victoria finds herself considering it seriously.

“I could probably sell that pitch,” Victoria muses. “I have some contacts in publishing. You could cover illustration, I could cover photography, we could tap my friend Taylor to cover--” She’s snapped out of her brainstorming by the sensation of Kate’s thumb rubbing softly over her knuckles. “Uh, but we can work out those details later. If you want to. In the meantime, why don’t you tell me about…” She gestures with her free hand. “...whatever’s going on here?”

Kate grins and gives her a warm nod, not letting go of her hand as she leads her to the nearest artwork. “Don’t be scared to get up good and close,” Kate instructs her, tugging her closer. “We’re not at the Met, don’t forget.”

Victoria scoffs. “As if I could forget that.” She lets Kate pull her closer til she’s scant inches from the art and her shoulder is pressed firmly against Kate’s. “Close to the art… or to you?” she asks softly. She doesn’t know how to look at art this closely; it all blurs to abstraction as she waits for an answer.

“Both,” Kate replies seconds before a tender kiss presses bold and warm against Victoria’s cheek.