#finn is so special to me.. which applies to pretty much all his other alternate selves..but not as much fionna sorry i swear i love women🙏

[pspwiki]

is it ok if i dont rly..care abt fionna and cake

[o-dasaku]

i was wondering if you could explain the descriptions on your fgc posts and how they relate to the characters? i'm v interested

oooo for sure

don’t you (forget about me) > don’t you try and pretend, it’s my feeling we’ll win in the end. 

this one’s kind of obvious, the back half of the lyric is my brot3 tag for blamtina - they’re altogether hopeful kids that go through some (a lot of) shitty times. they’ll come out on top in the end, they’re sure of it.

here comes the sun >  here comes the sun and i say, it’s all right.

it’s a metaphor!!!!!!!! dani’s the sun, you fools!!!!!!!!!!! i don’t want to say that santana spent all of s4 hung up on brittany, but santana spent all of s4 hung up on brittany. i have no doubt she hooked up with her fair share of beautiful ladies, but she definitely didn’t date - i don’t think it’s because she was waiting for brittany to dump sam (okay she was, but not so they could be together again), i think she genuinely just didn’t feel super comfortable with it - she never really dated brittany, they were best friends and then they were girlfriends too and santana doesn’t want to leap into that minefield for the first time with just anybody.

enter: daniella perea, struggling musician who picks up a job at spotlight to help pay the bills and gets along with everybody, which is fucking rare because 90% of that diner’s staff are broadway divas in waiting (and santana) so people take notice and santana doesn’t want to like her, but she does. she really does.

so moving on from britt is hard and it’s scary, but it’s alright. she has dani. they’ll figure it out.

creep > i want a perfect body, i want a perfect soul.

i almost picked like twenty different lyrics here because it’s a Very Them song, but i feel like this speaks very well to their characters: this lyric is rachel in a nutshell, she doesn’t just want to the best, she wants to be perfect. it speaks to brody because it’s the antithesis to him: he doesn’t care to be perfect, he just wants to be himself (who, lucky him, happens to be very talented).

sidenote: i think brochel really work on that level, rachel challenges brody to want to be better while brody can remind rachel that being less than perfect is perfectly okay. i’m still sad about how they treated him.

never can say goodbye > though i try and try to hide my feelings, they always seem to show.

listen, i hate to draw riverdale/glee comparisons, but quinn’s veronica lodge. you want fire, cheryl bombshell? sorry, but my speciality’s ice. quinn wants to be cold, wants to be this untouchable ice queen but-

she just isn’t (just like veronica, funnily enough). quinn fabray feels so much and isn’t that just the worst? i don’t think quinn wears her heart on her sleeve the way so many characters on this show do, but she feels things very strongly, much to her own annoyance. whether or not the world sees isn’t really up to her either, as much as she wishes it was.

(on the riverglee comparisons: santana is cheryl, puck is reggie and sam is archie. i know people cast finn as archie but ehhhh. i don’t have anything super solid on anyone else, but rachel is probably betty and kurt is probably kevin (i’m not saying that because they’re both gay, more “i exist solely to prop up betty/rachel when needed”). jbi is evelyn from the farm and i will hear No Arguments on that.)

being alive > i’ll always be there as frightened as you to help us survive being alive.

i’ll be honest, there is an infinitely more kurt line in this song (someone to crowd you with love/someone to force you to care/someone to make you come through) but um, this is literally one of my top 3 musical theatre songs and that lyric is one of my absolute favorite lyrics ever, musicals or otherwise. 

but this line does relate to kurt (and blaine, i guess- this song is clearly meant to implicate him- for the first time, i really know what it means) well enough. i know there’s a fuckton of kurt and death meta but i don’t claim to know him well enough to make sense of any of it so we’ll look at this very shallowly - i think kurt experiences life quite differently to the normal person, and we can owe that to his mother’s death or the long term bullying or whatever tickles your pickle, but he does seem a little... removed, i think. i don’t think he’s afraid to be alive, but i do think he has a long list of reservations about being alive. i think that’s where blaine generally works for him, because blaine is so alive - even if he’s scared to death about it (see: sadie hawkins, the slushie incident, literal depression), sometimes. 

i’m not here to shit on any ships, but i do wish i shipped klaine more. oh well. i’ll always have s2.

i feel pretty/unpretty > i was told i was beautiful, what does that mean to you?

i know this is a quinn line (and a very good one at that), but i find it interesting when i apply it to both of the girls. quinn and rachel are both very beautiful, though in clearly different ways - and they both have trouble believing that. or more accurately, quinn finds herself beautiful but not her self. 

anyway. i wonder if quinn’s parents ever called her beautiful, before she was quinn. they seem incredibly shallow, even if judy develops away from that - i have a headcanon that lucy was very close with their pastor (not...in a creepy way jdsdlaks) and he was pretty much the only positive interaction she had with any elders until after quinn was a thing but ANYWAY he always told lucy that she was a beautiful person but only tells quinn that she looks lovely. that informs a lot of this performance (especially this line) for me. anyway. whatever.

so to rachel: her brief interactions with her fathers make me think that she grew up being told she was beautiful quite often, but then her peers are always telling her differently - i have no doubt that places more esteem in her father’s opinions, but i’m sure that being told two different things would confuse the fuck out of a kid. quinn was likely spearheading the “crazy berry is ugly” craze in their freshman year, so. i don’t know. the what does that mean to you? is an interesting question for that line of thought.

being good won’t be good enough > i’ll be the best or i’ll be nothing at all.

please, she said emphatically.

everytime > every time i try to fly, i fall; without my wings, i feel so small.

listen. what a marley mood.

it’s all coming back to me now > there were things i’d never do again, but then they’d always seemed right.

rachel Fucks Up A Lot. we been knew. i do think she learns from a lot of her fuck-ups (not all, see: leaving nd for cabaret and then leaving funny girl for that’s so rachel), but she did genuinely think she was doing the right thing a lot of the time (see: telling finn about drizzle’s true paternity and robbing puck and quinn of that opportunity) and i don’t think she’d change much, if she had another chance - she just wouldn’t go repeating the bare majority of fuck ups.

hand in my pocket/i feel the earth move > and what it comes down to, my friends, is that everything’s just fine, fine, fine.

listen, considering this is their proposal song, i would’ve hoped for something a bit more meaningful. but i do think that there is something to the simplicity of this song, - brittany and santana are happy. they have no issues this season (outside of britt’s bridezilla tendencies) and as much as they’ve always been the type to get their feelings out via song (see: landslide, songbird, mine), they’re definitely at a point where they can just. talk about their feelings.

their song is simple because they are too, finally. what it all comes down to? they’re fine, fine, fine. :P

human nature > see that girl? she knows i’m watching, she likes the way i stare.

another song i almost picked like, five different lyrics for lmao. while the others spoke nicely to characters, this lyric is quite indicative of their mid-s3 relationship (mercy is still w shane, sam’s trying to push in on that) and uh, i think this is an unpopular opinion. so. hang tight, kids.

while mercedes and sam were certainly attracted to one another, i think there’s a few more things at play here: sam likes being in a relationship, knows that he and mercedes could be good together and he’s trying to recapture being sixteen again, so dating the girl he’d been embarking on something with is a pretty great way to do that. mercedes? i think she likes the attention, likes actually being noticed. she likes the way he stares, basically. (i’m dropping lyrics into explanations now, sue me.)

crazy/u drive me crazy (you guys are all on notice for letting this flop, btw) > tell me i’m not in the blue, that i’m not wasting my feelings on you.

marley’s spent all episode being warned against jake, but i think it’s interesting that she’s basically seeking him out here and asking are they right? his response leaves something to be desired (tell me i’m the only one you’ll see) but at least it’s a conversation they’re having? it does speak well to marley for the rest of the time she’s on the show - she’s best when talking her issues/concerns out (see: her eating disorder v her wanting to stay abstinent, neither end well for her but she seems more at peace with the latter) while jake is. jake.

(i love jake always!!!!!!!!!!)

and finally, need you now > guess i’d rather hurt than feel nothing at all.

i changed this like, twenty times. the alternative was their ship tag (and i wonder if i ever cross your mind/for me it happens all the time), but i think this speaks a lot more strongly for their characters than that does to their relationship. puck and rachel are both very all-or-nothing characters, but 99% of the time they’re going to pick all. it fucks them over a lot of the time, but i don’t think they regret it much.