#filmsforus

[thedreadvampy]

The idea of this experiment isn’t to boycott films which don’t meet the criteria, or to imply that only films which do are good or valid, but only to create a list of films which exist outside the usual hegemonic narrative.

Foreign films are allowable but only if they represent similarly marginalised voices in their own countries - for example a Japanese film would not be admissible purely on the basis of being directed by and starring Japanese people, but could be admissible if it was made by and about women, queer people, disabled characters, or starring/about people of colour oppressed in Japan (eg the Ainu, Black people in Japan etc).

Films by/about only straight cis white women or white cis gay men don’t count, although I’ve listed some as honorable mentions, because while they're still underrepresented in film production they're certainly not as unheard as other more marginalised voices.

Reblog with your suggestions and tag them #FilmsForUs!

My initial suggestions:

Comedy

Nina’s Heavenly Delights: Lesbian romcom about a Scots-Indian woman trying to win a curry competition in memory of her recently-passed father (1: almost all Scots-Asian cast with the exception of the love interest, 2&3: dir. Pratibha Parmar, a Desi lesbian, 4: check, 5: side plots about her brother and mother’s relationships, 6: check)

Hunt For The Wilderpeople: A Maori kid from the inner city is adopted out to the country, but when he and his adoptive father disappear into the bush it sparks a nationwide manhunt  (1: Maori protagonist and some core cast, 2&3: dir. Taika Waititi, written by Taika Waititi and Te Arapa Kahi, 4: check, 5: very little romantic content, 6: check (although some jokes referencing CSA))

But I’m A Cheerleader: A naive teenager is sent to a conversion camp when her parents suspect she may be a lesbian, opening her eyes to a whole new world.  (1: Almost exclusively queer characters, 2&3: dir. and written by Jamie Babbit, a lesbian, 4: check, 5: no heterosexual romance, 6: check)

Saving Face: A young closeted Chinese-American surgeon has her life thrown into disarray when her widowed mother becomes pregnant outside wedlock and is thrown out by her parents. (1: I think the whole cast are Asian or Black?, 2&3: dir. and written by Alice Wu, a Chinese-American lesbian, 4: check, 5: mother’s subplot involves, but doesn’t centre around, her relationships, 6: check)

Dear White People: The lives of five very different Black students at an Ivy League college intersect when a campus society organises a blackface party (1: Core cast is two Black women and three Black men, one of whom is gay, 2&3: dir. and written by Justin Simien, a gay black man, 4: check, 5: one of the four storylines is somewhat focused on Sam’s relationships with men but it’s not the primary focus but only an element of her story, 6: check)

Action

Black Panther: The new king of a highly-advanced and secretive African nation is challenged and overthrown by a vengeful rival, who forces him to confront his country’s responsibility to the world (1: Core cast is all Black bar two, 2&3: dir. Ryan Coogler and written by Ryan Coogler and Joe Robert Cole (two Black men), 4: check, 5: There is a romance plot between Nakia and T’Challa but it isn’t foregrounded, 6: check)

Pacific Rim: 

Wonder Woman

Thor: Ragnarok

Drama

Angels in America: Six-hour epic exploring death, religion and sexuality in the AIDS epidemic (1: Main cast mostly gay men and straight women, one Black protagonist and several Jewish ones, several HIV+, 2&3: written by Tony Kushner, a gay Jewish man, 4: check, 5: check, 6: check)

Hidden Figures: The true story of three Black female mathematicians integral to the success of the US Space Program (1: core cast three Black women, 2&3: based on the book by Margot Lee Shetterly, a Black woman, 4: check, 5: check, 6: check)

Moonlight: A gay Black boy grows up in a rough neighbourhood, struggling with his isolation and fear. (1: Core cast all Black, gay protag and bisexual love interest, 2&3: all Black creators, 4: check, 5: check, 6: check)

The Shape of Water: A mute Latina woman working in a Cold War research institute falls in love with an ancient river god held for experimentation, and helped by a Russian spy conspires to save him. (1: Core cast are a disabled latina woman, a gay man, a black woman, a Russian spy and an amphibian monster, 2: dir. and written by Guillermo del Toro (Mexican) and co-written by a woman, 3: Uses the allegory of monsterhood to sensitively explore how each of these people is othered and oppressed, 4: check, 5: check, 6: check)

Boy: In 1984, young Maori boy living in profound poverty is finally able to reconnect with his absentee criminal father, only to find the reality of his dad is very different to what he’s dreamed about. (1: Cast is almost entirely Maori, 2&3: dir., written by, and starring Taika Waititi (as the protag’s shitty dad), 4: check, 5: check, 6: check)

Angry Indian Goddesses: As old friends arrive in Goa to celebrate a friend’s wedding to her mystery partner, they hang out, laugh, drink, dance and unpick the many ways Indian culture ignores and oppresses women. WARNING: This one has very explicit description of rape and abuse. It also has a VERY sudden tonal shift in the final act which...the first 3/4 of the film seems like it’s going towards something fun and uplifting. It’s not. Don’t watch this one when you’re looking for something to cheer you up. (1: Cast includes two queer characters and one mixed-race character, as well as multiple survivors, 2: co-written by Arsala Qureshi, an Indian woman, 3: Handles issues of caste, gender and sexuality thoughtfully and sensitively (although I’m not Indian so feel free to correct me on that), 4: check, 5: check, 6: Rape is a big theme, but it’s there to discuss its devastating impact and to explore how different women react to different manifestations)

Kids

Moana: The daughter of a Polynesian chief, chosen by the sea, sets out on a quest to repair the damage done by the demigod Maui (1: Polynesian cast played by Polynesian VAs, 2&3: Co-written by Hawai’ian brothers Jordan and Aaron Kandell, and initial draft by Taika Waititi, 4: check, 5: check, 6: check)

Honorable mentions (films which I think are in the spirit of #FilmsForUs but may not meet all the requirements as written)

Pride: Comedy The true story of the formation of Gays And Lesbians Support The Miners, an unlikely solidarity organisation in the 80s between the London queer scene and the striking miners’ unions in North Wales (1: All white cast of primarily queer characters, 2&3: written by Stephen Beresford, a gay man, 4: check, 5: check, 6: check - honorable mention because it’s primarily about cis white men - there are lesbian characters but they are not the focus) 

Bend It Like Beckham: Comedy The daughter of an orthodox Sikh family pursues her love of football against her family’s wishes (1: Largely British Asian cast, 2&3: dir. Gurinder Chadha, written by Gurinder Chadha and Guljit Bindra, both British-Indian women, 4: check, 5: unfortunately there is a major romantic subplot and I hate it and this film should have been about the protagonist getting off with Kiera Knightley, 6: check - honorable mention because the protagonist’s straight relationship somewhat dominates the narrative)

Attack The Block: Action/Comedy A gang of teenagers defend their South London council estate from aliens, which the film uses to explore police brutality against Black kids. (1: Most of the cast are Black, 2&3: All white creative staff, although I believe they’re largely from a similar socioeconomic background, 4: check, 5: check, 6: check - honorable mention because despite having a sensitively-written, diverse cast it was written, directed and produced exclusively by white men)

Mad Max: Fury Road: Action 

Battle Of The Sexes: Drama The true story of Billy Jean King, world tennis championship, and her fight for equal pay and respect for female athletes, as well as her struggle as a closeted lesbian (1: Gay female protagonist, 2&3: dir. by a straight man and straight woman, written by a straight man, all white, 4: check, 5: check, 6: check - honorable mention because of a straight white creative team)

Lilo and Stitch: Kids A fugitive alien lands in the middle of two Hawai’ian sisters struggling to keep their family together after the loss of their parents, tackling poverty, colonialism and the threat of CPS (1: Native Hawai’ian cast played by Hawai’ian VAs, 2: All white production staff, 3: Handles Hawai’ian issues thoughtfully and carefully, 4: check, 5: Nani has a romance subplot with David but it isn’t foregrounded, 6: check - honorable mention because no Hawai’ian creators were involved)