#fight that corruption my queers!

[theflagscene]

And this, children, is why you take the murder weapon with you from the crime scene and burn it down to ash at a secondary location.

He wore gloves so it was premeditated and yet he just tossed the racket into a bush!? Moron 🙄

Also I already love Tul and Tin’s sibling relationship.

Shoot your shot Tul, we’re all rooting for you to bag the hot medical examiner!

[good--merits-accumulated]

god writing the first bits of the italian renaissance au is so gruelling. i feel like putting up a big sign on top of the text that says I PROMISE I'M NOT WOOBIFYING TODD. HE'S A GROWN MAN WHO GETS A NUANCED PERSONALITY I PROMISE IT'S JUST THAT ALL THE OTHER CHARACTERS ARE LOOKING AT HIM WRONG. PLEASE

[daculadaculadacula]

damn we really got shafted by funnay long ass fight scenes and dead dad cop b (c?) plot............... i havent looked at the producers and what theyre all about etc but seeing the queer angles get shafted (like its all at once not heavy-handed enough but the next step would have been on-screen making out sloppy style like. tenderness? or something) due to whatever the fuck else that all was...... man

i appreciate that this is a new and fun interpretation and i do love receiving little lgbtq+ pellets but idk. some ingredients in this soup arent doin it for me

[your-greatest-queen]

Putting my tags here because now I have more to vent about

Okay so she stormed off and then when she came back I gently tried to explain that I'm not trying to be judgemental or rude, I just don't know him well enough and I don't feel comfortable calling him my uncle. I have actual uncles that I don't call my uncles because I don't know them well. I mean, c'mon.

And then she says "mhm. You know, you once told me that I don't even try*, so maybe you should watch what you say."

*I once told her while in an argument about my trans brother, who she claims to accept, that she can preach being an ally all she wants, but she never actually tries to change her speech.

I have friends that I met when they were already out as trans and so my mother never once heard their previous pronouns, but still misgenders them.

That is what she's referring to here. I told her she doesn't even try to use the right pronouns for people, and she throws it back at me years later in a situation where I don't want to refer to a near stranger with a familial title.

Okay ma.

My mother yelling at me that "your friends are they slash them, and yet you're pretty judgemental of mine!" simply because I, a grown adult, said I didn't want to refer to her friend, who I have met twice, as my uncle. Not judging him, ma. Just setting boundaries. But ok

[radley-writes]

This is the anti-marketing website, etc. etc. etc., but I've seen a couple of these posts do okay and it's Pride month so... Here goes?

Do ya wanna support a queer disabled author who is still slightly baffled that they broke into tradpub?

Do ya like stories about working class uprisings, set against a backdrop of corporate corruption and Superheroes Behaving Badly?

Do ya yearn for a plucky lesbian underdog of a hero, who becomes a supervillain sidekick while navigating her voracious horniness for both her grumpy butch coworker and her straight best friend (oddly specific, I know)?

Do ya want a murder mystery where we know the victim and the killer, but have to untangle the motive?

Do the descriptions "Laughed my butt off", "Me lesbeeb" and "Books that made me want to burn down the government" make you reach for your wallet?

If so, look no further than my debut, Strictly No Heroics!

[ID: cover of a book showing a figure in a gasmask, hoodie and gloves, leant on an old TV. A rainbow pride pin is pinned to their jacket. Text reads ‘STRICTLY NO HEROICS’ in neon pink and green, and ‘B. L. Radley’ in white.]

Have an actual blurb too, while you're reading!

If you're a powerless normie in a world run by superheroes, you need three rules to survive:

1: Keep your head down

2: Don’t make enemies

3: STRICTLY NO HEROICS

When a hero gropes her best friend, Riley Jones breaks all of them.

​Her attempt at serving justice gets her fired from her summer job. Luckily, Sunnylake City’s biggest business is booming (literally, when there's C4 involved).

​Every villain wants henchmen: masked cronies who take their coffee orders, vacuum their secret lairs, and posture in the background while they fight. The HENCH agency provides a steady stream of drop-outs and losers who are willing to get beaten up for minimum wage.

​Riley might just be the perfect candidate.

You can

buy my book here

UK version here

Reblogs are greatly appreciated, and kisses to everyone who's already got their hands on a copy!

[misscammiedawn]

Thinking about We Know The Devil and Heaven Will Be Mine today. A duology. WKTD the tells the story of accepting you're queer, framed as a horror story of 3 repressed teenagers at a christian summer camp fighting off their inherent queerness and HWBM tells the story of how one accepts their place in society after embracing their queerness.

WKTD uses magical girl tropes in a fairly grounded Midwestern teen experience.

Magical girl stories often involve the struggle of the forces of Good and Evil. Purity and Impurity. Corruption often being a core theme of any girl squad facing down the nightmarish forces. This can be seen from Madoka's approach to the concept which is often referred to as a deconstruction. The Pink Opaque from I Saw The TV Glow overtly uses these themes in the exact same allegory as WKTD with the evil forces attempting to suppress the queerness of the protagonists.

HWBM uses mech anime tropes in an allegorical wonderland where the setting fades away to have the audience engage with the ideas at play rather than the lore. Mech anime often uses the giant robot duels as a method of visualizing ideological struggles. Too often in these shows beam sabers will cross as the pilots yell at one another to embrace ideas of how the concepts of war and prejudice can be battled out of existence.

In HWBM the "war" in play is humans versus space... or more accurately humans versus those who are not of Earth. Versus those who are alien. Versus those who are not human.

The dominant culture versus queer culture.

WKTD frames its tropes via the dating sim mechanics popular within its visual novel medium. But rather than choosing which of the 3 girls the player wishes to romance you must choose which of the 3 you wish to exclude. The idea being to scapegoat one's struggle with queerness by attacking outward, blaming the other, by shaming others into the closet to keep yourself in there.

Lashing outward to prevent reflecting inward.

The only good ending of the game is to accept a polycule dynamic where everyone is seen, accepted and embraced for who they are unconditionally. God's love, in this world, is conditional and one must always be excluded. The devil has room for three.

There is no room in normal society for a polycule. It is inherently queer. The dominant culture is binary and there's no version of a polycule where only a 0 and a 1 are represented. The binary is incompatible.

I recently told a friend that the duology tells the journey of a thousand miles and how it begins with a single step. WKTD is the story of that first and all too important step acceptance.

HWBM is the story of what comes after acceptance. After that first step.

It tells the story of the thousand mile journey.

The ideologies at play are the concepts of assimilation, activism and separationism. In the allegory Earth/Humanity represents the dominant "straight" society and the three characters represent each of these ideologies. Assimilation is to return to Earth, to integrate into the dominant culture and lose some of the inherent joy and "otherness" that being queer brings. It's no coincidence that the character representing this path is a trans woman who is known for defecting from her faction and crossing over to every other side while repeating the mantra "I've never betrayed anyone in my life", it is a coincidence however that her faction's war efforts are lead in part by God's Strongest Chaser herself (as far as I'm aware the Halimede Twitter Account is not affiliated with the game, but I find it funny that the assimilation path is represented by someone who a character whose gimmick account argues "t4t is incest"). It is a life of peace. But it is a life of compromise. Of giving up humanity's dream of the stars. To be grounded and tethered to Earth forever.

The Activism Path represents the idea of staying in Earth's orbit but never surrendering even an ounce of the queer identity for the sake of acceptance. Forcing the dominant culture to argue with us on our terms. Accept us on our terms. It is a life of constant battle but in that battle we will save those on Earth, invite them into the stars, embrace them with acceptance and love. Let them join us or remain where they are. This is a life of constant war, knowing that until all are loved and accepted, no one is and so we continue fighting. Letting people change sides. Nothing changes but maybe it's better that way.

Separation is the idea of abandoning Earth entirely. To become so incompatible with the dominant culture that we are no longer "human" to those who remain tethered. We are unapproachable. Separate. Unique. Other. Queer above anything else and incapable of creating a rational dialogue with the dominant culture. It is picking up your toys and walking away. Going far enough away from the culture war that it will never be able to reach you.

The author of the Halimede account once wrote, while in character, that this is the saddest ending of them all because it's unsustainable and that it does not address the inherent intersectional fighting between communities, allowing wars to simply break out further away from our blue marble in the distant stars. It is a life of abandoning war without embracing peace. To live separate in bubbles apart.

The ending of the game forces you to pick. There is no existing outside of these options. Maybe one day we'll find other ways to be but within the view of this game they are all we have. Embrace Earth, declare war on Earth or abandon Earth.

Choose.

I admit. Since the pandemic and coming out as trans, I've favored Saturn's ideology more than others. Completely giving up on "humanity" and only working within circles of those whose acceptance of queer culture is baked in. I fought so hard to accept who I was and "know the devil", so to speak, that I pulled back and withdrew.

Both games have a lot of themes about the demons ones must face within queer culture and outside of it. The way we hurt ourselves, hurt our allies and how the world outside societal, structural and individual will force us to compromise, to cut away parts of ourselves.

These games are masterpieces.

I wish I found them earlier in my life. I want everyone able to read these words to find them now.

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[eds6ngel]

could you do a sleepover gone smutty for chrissy x reader? 💋

just like in the movies ꒰ঌ ໒꒱

virgin!chrissy cunningham x fem!reader

summary: whilst watching 'black swan' with your best friend, a certain sex scene comes on the screen, to which chrissy is very intrigued as to what it feels like...

warnings: SMUT!! oral (chrissy receiving.) orgasms. kissing. pet names (honey, sweetie, baby.) teensy bit of corruption kink. virgin!chrissy. experienced!reader. queer!reader. swearing. 'black swan' spoilers? 2010s!au. mentions of homophobia. food mentions. some fluff at the end!! [1.8k].

a/n: thank you so much for the request, hun!! just wanna preface by saying thank you to my queer best friend and random posts on reddit for helping me with the description of this. my poor lil virgin self was confused as to how to describe the sensations, but hopefully i got it somewhat accurate in the end :')

You and your best friend Chrissy are enjoying a girls sleepover at your place on a beautiful spring Friday night. Your parents were out of town on a conference trip, so you had the entire place to yourself. Perfect for the both of you to be silly, have aggressive pillow fights, and watch ‘Black Swan’ at the loudest volume possible.

You two are about an hour into the film, occasionally tucking into the bowl of popcorn laid out in front of you. But, you’d both much rather prefer to dig into your individual bars of chocolate on the bedside counters.

You would be lying if you didn’t put this film on for a little bit of self-pleasure for yourself. Although an early 2010’s movie, the sex scene in this film was actually targeted towards a female audience, so it felt special to feel yourself represented authentically on screen in a sexual sense this early on in film history.

When Nina and Lily’s lips crash into one another, Chrissy lets out a little “Oh my gosh!” beside you. Chrissy was always accepting of your queerness, despite the snide remarks from her parents anytime you went to her house. Her shock was obviously related to the context of the movie, the scene was a pure shock factor after all.

However, Chrissy’s eyes seem to dilate when Nina’s head is thrown back, Lily’s mouth attached to her cunt as she eats the woman out.

“Um…” Chrissy squeaks out, “What does that feel like? With, you know… another woman?”

Your eyes take note of the way Chrissy’s thighs are pretty close together, almost squeezing as a way to relieve something…

And it’s hot. It’s super fucking hot.

Your attitude immediately changes to one of sensuality, teeth lightly grazing your bottom lip, angling your body to the side as you sneakily look her up and down in her pink nightdress.

“Why? Is it making you feel a certain way?” you ask, trying to get her to speak up.

Her pussy tightens at the words, her eyebrows raising as she purses her lips, “Feels good… down there.”

She is very shy with you, a new side of her unlocking that the neither of you were aware of. You understand how scary it is realising that maybe you aren’t as straight as you thought you were, so you try to make the situation as comfortable as possible for her.

You grab her bare thigh, pushing it apart, her moisturised, smooth skin brushing softly against your fingertips. Your other hand runs gently across the centre of her cloth-covered vulva, appreciating the way she flinches against your touch. “Yeah? Right here?”

She nods, her eyes not being able to look away from the sight of your black-painted fingernails tracing against her. She never thought she would be so into this. She’s only been with Jason in the past, and he was abstinent, so this would not only be her first time with a girl, but her first time altogether.

“Do you want me to show you what it feels like, Chris?”

“Um…” she thinks, a little hesitant on the whole situation. “I’ve never done this before…” she quietly speaks out.

“Hey, hey,” you shush her softly, “That’s okay.” Your hand flutters tenderly against the side of her cheek, “I can guide you completely through this, okay? And if at any time you want to stop, just let me know, okay?”

She lets out a sigh, nodding softly, “I’m just scared…”

“Scared about what, honey?”

Her breath hitches at the word ‘honey.’ She already liked the sound of that. She wanted to hear you say that more. It was so sweet, so tender, so… loving.

She gulps, “I’m scared I won’t like it…”

You chuckle softly, “As I said, you can stop any time you want. But, the way your pretty little thighs flinched at my touch… I think you’ll enjoy a whole lot.”

She didn’t realise how much notice you had taken to her small actions of pleasure like that. If you took note of that, what would happen when she couldn’t even try to hide it any longer?

You shift your body so your face is in line with her legs, beginning to delicately place tender kisses along the insides of her thighs. Your fingertips knead into her plushy skin, cupping perfectly into the palms of her hands. You refrain from giving her hickeys, although you’d really like to, just in case her parents notice when she wears that nightdress, or even her cheer uniform, at home.

You tap the lining of her underwear with your pointer finger, “Legs up, sweetie.”

Those pet names were gonna send her to Heaven, but before she can dwell on that, she follows your soft-spoken commands, lifting her legs up so you can delicately remove her pink panties, perfectly matching with her nightdress.

You sigh as you take in the sight of her pretty pussy, “Wow, baby… So gorgeous.” You move your middle finger through her glistening folds, her slick immediately collecting on her fingers. Chrissy lets out a soft sigh above you, her legs flinching at the sensation.

“So wet for me, honey. You ready to find out what it feels like?”

She nods more confidently now, the scene long gone on the small television perched on your bedroom dresser.

“Okay. Just tell me if it’s too much, okay?”

She hums in response, before you dive into her pussy. You drag your tongue from her puckered hole to her clit, swirling your tongue around it, letting her feel every sensation of pleasure.

Chrissy cannot believe what she is experiencing. Everything is so… smooth. Your mouth is so warm, and adds so much extra wetness to what she could already feel between her thighs. The sensation is truly unlike anything she had experienced before.

Your tongue is flicking side to side on her clit, Chrissy’s soft moans filling the air, the calm sounds of the film fading behind you. That was no longer the focus. She was the focus. Only her.

She can feel the sensations all over her body, to the point where she feels as if she’s floating, “Gosh, that’s so nice…”

“Yeah?” you come up for air, “Is it as good as you imagined?”

“Better,” she squeaks out, your mouth wrapping around her clit and sucking, causing her to take a harsh intake, “It’s so warm and tingly.”

“Mhmm,” you mumble against her core, completely unaware of the absolute vibrations it would send through her, Chrissy let out a loud cry.

“Holy shit babe, you sound so pretty for me,” you let out without a second thought, you mind consumed by Chrissy.

You’re determined now, your movements speeding up as her moans become more jagged, her hips softly moving against your face. You let her body take over, wanting her to experience everything she ever needed. You could always be rough and demanding with her another time. God, you hoped there was another time.

What once started as small waves were slowly growing into large tides. What she would normally run away from with squeaks and giggles at the beach was the complete opposite here. She wanted to be drowned in them forever.

“Uh, uh, uh, uh.” Those were the only sounds escaping Chrissy’s mouth, her eyes closed and head thrown back. She was on a different planet entirely, never wanting to descend back to Earth.

You moaned, licked, sucked, anything to get her closer to that edge. You could sense by the way her legs were closing further and further into your head, she was almost there. You just had to get her to that final wave.

“Sweet— Sweetie, my gosh. My gosh, something is happening. Feels so good.”

“That’s it, baby,”you cooed at her, “Almost there for me. Just a little bit more, I got you, honey.”

There was something about her innocence about it all that sent your brain into a spiral. The fact she had never felt an orgasm in her life was something you were determined to keep sacred to yourself. You wanted to be her first… and definitely only.

“Ah, ah! I’m gonna— My gosh, oh!”

“Honey, honey, baby, look at me,” you encourage her. She hadn’t opened her eyes in a long time, not even throughout any of your praise, but something in her mind compelled her to look down at you. And thank god she did.

You make direct eye contact with her, completely parting with her lips as you lowly say, “Cum for me,” before sucking as hard as you can on her pretty, swollen clit.

She lets out a loud whine, thighs trapping you against her as they shake uncontrollably. It feels like fireworks have exploded in her stomach, electric shocks being sent to her brain as she has not a single thought in her mind. It’s so… consuming, mind-numbing. She doesn’t even know where she is. Heaven, Earth, Mars, she doesn’t care, as long as she gets to experience that again… and experience it with you.

Her legs are still shaking as you part from her clit, your hands massaging the plushy skin in order to relax her body and muscles. “You doin’ okay?” you ask gently, Chrissy still looking utterly blissed out.

“Yes… I wanna feel that again.”

“You do, huh?” you chuckle with a sweet kiss to her inner thigh, “Well, I’m happy to oblige. But, for now, I think you need some rest.”

The movie is coming towards the end, only a couple more scenes before the ending. You’ll have to watch it again with her someday, hopefully not getting too distracted this time.

You encourage Chrissy to go to the bathroom whilst you set up the bed, discarding of the uneaten snacks and fluffing the pillows for an ultimate night of comfort.

As she returns, her make-up had been removed, much to your dismay. Seeing her mascara dripping down her cheeks was a sight you’d wish to see every goddamn day on this Earth.

She tucks herself in neatly beside you, snuggling under the covers and facing you. She opens her arms up, encouraging you to cuddle her, to which you agree, pressing a soft kiss to her cheek as you get comfy.

“Thank you,” she simply whispers.

“Of course. Anytime, okay?”

She hums, before slowly drifting off into a deep and content sleep. You had no idea where this had left you in terms of the friendship and relationship barrier, but it was something you could worry about in the morning. For now, you could fall asleep with the prettiest girl in existence in your arms, and that’s all that mattered.

taglist: @agxxb @robinsno1lesbian

[flamevbirdv]

video essayists for these trying times!

I watch a lot of youtube so I thought I could round up some recs!

verilybitchie my favorite of the list. bi, trans lense on queer media. expert on calling out lazy representation. famously known for their video "good lgbt representation is boring" but my favorite is a bisexual history of dracula

The Morbid Zoo incredibly smart and sharp commentary on movies and social media. horror fan, clown fan, twilight apologist. my favorite video of hers is the pale man:physical fascism

Maggie Mae Fish powerhouse of the media analysis sphere. I learn so much every time I watch any of her videos. very clear spoken and funny. if you haven't checked her out yet this is your sign. some of her greates hits are "LGBT in fantasy" "superman won't save the cat" "fight club, an analysis" but loki, stalker & the war on terror blew my mind

Princess Weekes bi black icon. the place to go for videos on pop culture, race, feminism, etc. her video how true crime reveals the corruption of the legal system changed my life, no hyperbole. also check out her video on "purity culture & fandom"

Rowan Ellis queer media and history. recently tackles cultural issues like "the infantilization of millenial women" and "corporate queerbaiting" the problem with activist characters is a personal favorite of mine

Ladyknightthebrave a channel with less videos than most of the folks above but you need to watch her video on holocaust cinema

Quality Culture channel shared by two people who love movies (and music!) and research the shit out of their videos. some I really enjoyed are "death note: finding meaning in a meaningless world" "the iron giant: a study in heartfeel film making" and the conflicting ideals of hayao miyazaki

The Princess and the Scrivener it's been a while since they uploaded a video but if you are a fan of disney, these are your gals. however I have to reccomend their videos on dissability and ableism "the wonder of misscasting" and the shape of ableism a joke on the shape of water, yes this video is that old

BONUS!

Elliot Sang he talks about the real world with probably the most nuanced view I've seen from a youtuber ever. another list of greatest hits: "ADHD: a nightmare under capitalism" " is tik tok ruining music?" and "the problem with video essays" LMAO

[damsels-n-dice]

BIRTHDAY SALE

in celebration of my upcoming birthday, my game 'til it kills us is 80% off! that means you can grab it for just $1 for the next two weeks!

'til it kills us is a game about queer activism, community, and the mental health toll of constantly fighting to survive -- all encased in a urban fantasy setting and the wonderful buddy system. each of the game's nine playbooks is focused on a different negative emotion, which fuels that playbook's unique magical powers. will your characters succumb to the corrupting force of their magic, or improve their own life as they fight to help others?

the game is still in playtesting, so i'm also adding various purchase goals to sweeten the deal! my dream here is to get enough support for this project that i have to add even more goals beyond the first six:

at $3, this game gets a proper cover image

at $5, i'll write a PWYW lyric game next month

at $7,  'til it kills us gets a full formatting update (v0.4)

at $10,  i'll add 5 community copies 

at $15, i'll write a (fully-playable) PWYW game by the end of the year

at $20,  i'll write a setting + character companion book for 'til it kills us

if any of that sounds appealing to you, check out the sale at the game link above, or by going directly to my birthday sale page!

[ladyloveandjustice]

Someone's been in the Revolutionary Girl Utena rabbit hole for a bit 👀

I don't even know what it's about, I just see it and get happy

Mind telling me a bit on what it's about? I might watch it myself if it sounds like my thing, bc you seem to have great taste in anime and games

I do have good taste thank you! *flips hair* lol just kidding,

Revolutionary Girl Utena is a surreal and wild queer feminist deconstruction of fairy tale romance and shoujo tropes and it has a lot to say about systems of power, cycles of abuse, the ways people cling to an ideal of innocent childhood which may have never existed anyway, the concept of purity, fear of change and loss, and whether becoming an adult inevitably means being corrupted in some way. Lots and lots of gender, lots of queer characters struggling with compulsory heterosexuality... but over all, it's a deeply meaningful story about the human condition and growing up in an imperfect world.

But also people turn into cows sometimes, there are elephants of surfboards at one point, and one character has a very emotive pet monkey in a tie. at least we think it's a monkey. It can be very silly, is what I'm saying.

The basic plot is that a girl named Utena lost her parents at a very age, but a prince came and comforted her, giving her a ring and telling her to never lose her strength and nobility. Rather than taking that as an engagement offer and aiming to be his princess though, Utena actually admires him so much that she decides to become a prince who saves girls in trouble too. She's determined to find the prince who changed her life though, and her search leads her to a very fancy and phallic looking Ohtori Academy.

Then, when this shitty popular guy makes her friend cry, Utena challenges a guy to a duel to make him pay (as you do). ONLY to find out that the student council of her school are all secretly dueling each other to be engaged to "the Rose Bride", a girl who is supposed to give whoever's engaged to her the power to revolutionize the world. As part of the student council, the shitty popular guy assumes Utena wants to "win" the Rose Bride too.

So next thing Utena knows, she's been dragged into a duel to "win" the "Rose Bride" (who is actually just Utena's classmate, Anthy). Utena thinks that fighting to possess a girl like she's an object is pretty screwed up, but on the other hand, she IS devoted to saving girls, and that shitty popular guy IS treating Anthy pretty badly....

Could be that she'll end up engaged to Anthy, whether she likes it or not....

It covers a lot of dark topics, from misogyny to abuse (sexual abuse included) to child predators to incest (never framed as healthy or okay though, in one case it initially comes off as a joke thing for a character, like the typical anime comedic brother/sister complex, but throughout this characters arc it becomes clear that no, it's really not, and it is not good for the character in question). It's not a graphic show by any means, it handles its subject matter tastefully imo, and the way it explores these things is very effective. It takes a while to build up to where it's going, but the journey is worth it.

If you're interested at all in queer anime or like...queer western cartoons even because odd are they'll have a Utena reference-- it's a must see because it was massively influential. It was made more than 20 years ago and really holds up still.

I also did a review series about it here a while back that people found handy!

[zeronetxt]

who is ur fav bsd character, and whats ur fav headcanon for them?

I have multiple, but I'll answer with the reason I started watching BSD

✨Chuuya Nakahara✨

I relate to him on a vertical level and that's why I kin him HA

He's probably queer (i say that as a queer person myself)

Not necessarily gay or trans, he might be somewhere on the aro/ace spectrum (I am)

He's a tough guy badass who is lowk a bit built, but he probably has a Hello Kitty collection

Or maybe a Pochacco or Pompompurin collection since he a dog lover

Speaking of dogs, he pets stray dogs

He didn't keep growing because he didn't have the genetic ability to (idk how to explain this one well, but in his backstory when he came from a void and he technically a god bod)

He actually respects the ADA (except for that one bandaged dude)

He would honestly fight Tetchou (Tecchou, however you spell it, Tetchō) for custody over Kenji (sibling fun time)

(i feel like i'm just gna base this off a kenji and chuuya bonding session) Chuuya would be scared of cows if they misbehave (but he doesn't want to look bad so he bottles it up and tries not to cry about it later)

PM redheads probably have a GC

not even a hc, i LOVE corruption chuuya he's just badass

probably learned how to ride a motorbike during his time in the sheep, but idk driving law in japan, so he probably never got to ride one until he joined the port mafia

And probably my fav headcanon would be Chuuya and Ranpo get along despite their time in Poe's novel (he also likes the nickname Ranpo gave him)

Like that one scene from Lilo and Stitch, "She thinks it's fancy?" would so apply (and just fyi, I think it's fancy too)

but yeah, i think those would be some of my fav hcs but then again, i just woke up and my brain is mush rn hehe i might do a ranpo one later l

[transmasc-wizard]

Writblr Intro •°☆

it's me! I live! hi again :)

[ID: an aesthetic photo header of books, a sweater, a typewriter and a candle at a window. end ID]

ABOUT ME:

You can call me Beck or Nathan, I'm a teen writer who used to be really active back in 2021/2022 but had a. really. really long writing slump... 😔. but I'm back now!! (I was chaotic-queer-disaster.)

I love fantasy, horror, and queer stories. I also explore disability a lot in my work as someone with both born and acquired disabilities.

some of my favourite themes to explore are identity, loss/grief, hope, friendship, gender (especially in horror), the challenges of morality, and mental illness

I'm looking for fellow writers to talk to and uplift! I'm especially looking if you're any of the following: queer, disabled, teenaged, horror writer, or fantasy writer. (But all are welcome!)

My main projects are under the cut :)

[ID: a dark academia aesthetic photo of a pair of glasses on a cursive-written letter. end ID]

My Projects:

Bad Things Happen - an apocalyptic horror novel. After a party, three young adults get into a particularly nasty car crash. It rips a small hole in the universe, and they begin to be plagued with identical strings of bad luck. Their luck gets worse and more expansive every day, and soon they're fighting to stop the world itself from decaying around them. [Status: draft zero.]

The Other Ones - a half-epistolary horror novel. A group of true crime podcasters go into the strange forest on the edge of town to investigate a disappearance from 2 years ago, only to emerge hours later--covered in blood, no memory of what happened, and accompanied by the missing girl. [Status: outlining.]

Suicide Ghosts - a film script about a trans boy who is sent to an all-girls school and makes friends with the ghost girl who haunts his dorm room. As the school year goes on, they discover corruption, more hauntings, and the horror of holding identities you never asked for. [Status: outlining.]

Untitled Fairytale WIP/"gfs" - YA fantasy series with dystopia undertones. If you've been around for awhile, you'll remember it as GFS/GFW1! A group of teenagers discover they're linked to an ancient prophecy that states they're cursed to awaken gods who have slept since the last divine war. If this happens, desolation is inevitable. They must find a way to avert the prophecy--while an unidentified figure is doing everything in their power to make it come true. [Status: rewriting/reworking.]

If you've read this far, thank you! I'm really glad to be back and I hope to have a lot of fun in this community again :)

[ninellecantpaint]

LISTEN. Listen.

I was born in Russia, a country whose democracy was virtually eliminated, not in 4 years, not in 5, but by gradually, slowly stripping people of their rights to speak out and leaving every institution rotten and corrupted. The entire time I've been alive, Putin has been in power. 24 years. I'm 18. Me and my mother wouldn't be able to escape now if she didn't have enough foresight to leave the country before things went to shit completely. Many times I've wondered what would I be had we stayed. "I'd probably kill myself, haha", that's what I often said. But now, I'm thinking of all the young people, of all the queer people, of all the good people who have to wake up to a hopeless landscape of fascism in front of them. How they still live. Live, though they can't speak out, not even on internet. Live, even though they can go to jail for wearing a rainbow bracelet. How I never thought about them enough, because "oh, it's not my country anymore!".Please. Promise me to be loud. Promise you'll fight like your life depends on this. Russians allowed this to happen because they had zero political consciousness after almost a century spent under soviet oppression. But you are supposed to be a country of freedom. Try to live up to the title. Bite and scratch if you have to in order to defend it. Because maybe one of these days some transgender kid from Novosibirsk will look at you and feel hope. Hope that some things in this world can be saved after all.

[definitely-not-karen]

Wish list of what I wanna see in the next transformers cartoon vaguely organized by how realistic it is to happen from hey they could do that to, no they wouldn’t do that.

Have a more character focused transformers show. Maybe a bit less action and a bit more character development?

A show with a continued narrative, I don’t really want an episodic series.

But if it is episodic, at least let it have a good status quo to build off of and return to each episode.

I wanna see Jazz, Prowl, Ratchet, Rodimus/Hot Rod, Sunstreaker, Sideswipe, Bluestreak, Hound.

I’d like it to be post war.

I’d like Megatron to either be morally ambiguous or good aligned again.

I like when the quintessons are the villains rather than it just being Decepticons vs Autobots

If it is Decepticons vs Autobots, I’d like some interesting things, like Autobots turning into Decepticons and vice versa.

If Decepticons are the evil ones, I’d like to see more of a, Autobots are the resistance rather than the Autobots are good but were corrupt so Decepticons rebelled but oh no they go too far so they’re evil no and Autobots good. Like I get it, it allows for interesting stuff when Decepticons as a movement has been corrupted but I just feel like I haven’t seen that really been utilized that well.

Here’s where my wish list gets unrealistic.

Finish off transformers animated.

Adapt transformers lost light somehow.

Have Rodimus Prime be the main character, maybe even start with Optimus already dead and follow his growth as a young leader, like riff off of G1 but instead of making Hot Rod go from rambunctious kid to burnt out adult immediately, have him keep his youthfulness.

A Swerve’s sit com.

Follow a Decepticon main character. Maybe on their journey of realizing the movement they’re in is corrupt?

Do something new with Transformers rescue bots somehow? Like a completely different continuity disconnected from it but like a spiritual successor.

Just a transformers show that doesn’t have them at war. Like they can fight or whatever but just, does it have to be world ending stakes all the time?

Adapt a Thundercracker redemption to movie director arc.

Bring back combiners so they release a toy line of combiners and I can finally get a First Aid toy.

A 2d animated transformers show. I’m a bit tired of boring backgrounds of the reused assets of the 3D shows.

A proper transformers queer romance. But also I’m not adverse to them all being aromantic.

I thought I’d have more on this wish list but even then this is a lot. Anyways. Make a wish.

[flightofthejackdaw]

Me every time someone misgenders Yamato and Kiku:

It’s really not that hard to just use the right pronouns, even if you don’t believe Yamato is trans, he still uses he/him pronouns and literally EVERY OTHER character also uses them when talking to him

And Kiku is quite clearly a trans woman who openly states as much, and other characters only misgender her out of not knowing any better. Wano is an extremely backwards country, and most seem to accept she’s a woman unless when she’s in the position of a samurai as in Wano women can’t be samurai (which is a whole OTHER issue with Wano, but it seems they’re getting better post Wano arc)

If the reason you think Yamato must be a woman and can’t be a man is because he has boobs, I implore you to actually meet a trans man pre surgery/unbinded because guess what! They’d have tits! Because they either not had anything done about them, don’t want to do anything, or don’t have access to any way to bind/get surgery. The final one is the category I believe Yamato falls into, as I’ve just stated how behind Wano is as a society

Also if you think that Oda wouldn’t have trans characters, and he’s not “woke” or “political”ugh. I think you forgot what show you’re watching, you know the show that had the entire Queer community stage a prison escape and fight the government to help Luffy, or the show in which the government is corrupt and we’re literally going to tear it down!? That show?!

Also also, if you’re first thought when hearing about trans people existing in a piece of media is that it must be “woke” or “political”, please I beg of you…

GO OUTSIDE!!

Like sorry just for existing bro is guess trying to live my life is a political statement!

Trans people just existing isn’t inherently political but it can be used as a political statement, like showing how backwards Wano is though people from there misgendering Kiku but the Strawhat’s getting it right and treating her and Yamato with respect. Showing how those who lived closed off and away from the world form gated ideas, and how those who have had experience will understand more

One piece is full of beautifully colourful characters, yea Oda doesn’t always get it right but at least he’s putting in the effort. And on top of that he’s a brilliant character writer and story writer whose crafted a massive world full of every kind of person, and every human experience. And that’s what makes this series special

Please just actually watch/one piece before misgendering Yamato and Kiku, and just STOP attacking the people actually getting it right because you can’t accept you’re wrong

Yamato and Kiku are amazing characters and are both very high on my favourites list