#fiction creators

[orange-coloredsky-archive]

a development team that looks like this could not possibly have any preconceived biases against Black people. noooo way. its just a mistake that all of the Black people in fo4 are slaves or named after fascist colonizers or murdered or stereotypical conspiracy freaks. there is no way that the reality of this team is reflected in the art they create over and over and over and over and over and over and

[ID 1: A photo of the Fallout 4 development team taken from above and forward, showing a large crowd smiling at the camera, made up apparently entirely by white people, and almost entirely by white men. End ID.]

[scipunk]

The Creator (2023)

[cockworkangels]

truly a moment in tv history. like they are directly addressing the audience with these questions while the spn tptb are in real life bullying the show's fans over these exact questions

[writingwithcolor]

Non-offensive Historical terms for Black people in historical fiction

@pleasespellchimerical asked:

So writing historical fiction, with a white POV character. I'm not sure how to address race in the narration. I do have a Black main character, and I feel like it'd feel out of place to have the narrator refer to her as 'Black', that being a more modern term. Not sure how to do this without dipping into common historical terms that are considered racist today. Thoughts on how to handle this delicately, not pull readers out of the narrative? (fwiw, the POV character has a lot of respect for the Black character. The narration should show this)

There are non-offensive terms you can use, even in historical fiction. We can absolutely refer to Black people without slurs, and if slurs is all one can come up with, it’s time to go back to the drawing board. I cannot say which terms are best for your piece without knowing the time period, but hopefully the list below helps.

Historical terms to use for Black people (non-offensive)

African American documented as early as 1782 (documented in an ad in the Pennsylvania Journal). Note the identity isn’t accurate for non-American Black people.

African could refer to African people or “from 1722 as ‘of or pertaining to black Americans.’”

The place of origin could also be used. For example, “a Nigerian woman”

Africo-American documented as early as 1788.

People of Color documented as early as 1796 (with specific contexts, usually mixed people)

Afro American documented as early as 1817, 1831 (depending on source)

Black American documented as early as 1831 

Black was used in Old English to refer to dark-skinned people. Black was not capitalized until recent years, so “She was a young black woman.” would make sense to say, though “She was a young Black woman.” is the better standard today, although not universally adopted. I personally prefer it capitalized. 

Moor was used as early as the late 1400s for North African people, but had a somewhat flexible use where anyone visibly Black / Of African descent or the Afro Diaspora might be referred to or assumed as a Moor. Note, it has other meanings too, such as referring to Muslim people, but that doesn’t mean the person using it is going by the dictionary definition. Not really the way to go today, but okay in a historical setting (in my opinion).

Biracial (1860s), mixed race (1872), multiracial (1903) and multicultural (1940s) are also terms to refer to people of two or more races.

Occupation + description. Throughout history, many people have been referred to as their occupation. For example, the Carpenter, The Baker, the Blacksmith. Here’s an example of how you might go about using occupation and traits to identify a Black character in history. Here’s an example I came up with on the fly.

“You should go by Jerry’s. He’s the best blacksmith this town’s ever seen. Ya know, the real tall, dark-skinned, curly haired fellow. Family’s come here from Liberia.”

Offensive and less-sensitive terms for Black people 

Blacks was used in plural more, but this is generally offensive today (Even writing it gives me **Thee ick*)

Colored was mostly used post-civil war until the mid 20th century, when it became unacceptable. This is not to be conflated with the South African Coloured ethnic group.

Negro/Negroes were also used as early as the 1550s. Capitalization became common in the early 20th century. I'm sure you know it is offensive today, though, admittedly, was not generally seen as such until around the 1960s, when Black replaced it. It does have its contexts, such as the trope “The Magical Negro” but going around using the term or calling someone that today is a lot different. 

Mulatto referred to mixed people, generally Black and white, and is offensive today. 

The N-word, in all its forms, is explicitly a slur, and there is absolutely no need to use it, especially in a casual manner, in your story. We’ve written about handling the N-word and alluding to it “if need be” but there are other ways to show racism and tension without dropping the word willy-nilly.

Deciding what to use, a modern perspective

I’m in favor of authors relying on the less offensive, more acceptable terms. Particularly, authors outside of the race. Seldom use the offensive terms except from actual direct quotes.

You do not have to use those offensive terms or could at least avoid using them in excess. I know quite famous stories do, but that doesn’t mean we have to so eagerly go that route today. Honestly, from teachers to school, and fellow non-Black students, it’s the modern day glee that people seem to get when they “get a chance to say it” that makes it worse and also makes me not want to give people the chance. 

It goes back to historical accuracy only counting the most for an “authentic experience” when it means being able to use offensive terms or exclude BIPOC from stories. We’ve got to ask ourselves why we want to plaster certain words everywhere for the sake of accuracy when there are other just as accurate, acceptable words to use that hurt less people. 

Disclaimer: Opinions may vary on these matters. But just because someone from the group cosigns something by stating they’re not offended by it, doesn’t mean a whole lot of others are okay with it and their perspectives are now invalid! Also, of course, how one handles the use of these words as a Black person has a different connotation and freedom on how they use them.

~Mod Colette

The colonial context

Since no country was mentioned, I’m going to add a bit about the vocabulary surrounding Black people during slavery, especially in the Caribbean. Although, Colette adds, if your Black characters are slaves, this begs the question why we always gotta be slaves.

At the time, there were words used to describe people based on the percentage of Black blood they had. Those are words you may find during your searches but I advise you not to use them. As you will realize if you dive a bit into this system, it looks like a classifying table. At the time, people were trying to lighten their descent and those words were used for some as a sort of rank. Louisiana being French for a time, those expressions were also seen there until the end of the 19th century.

The fractions I use were the number of Black ancestors someone had to have to be called accordingly.

Short-list here :

½ : mûlatre or mulatto

¼ or ⅛ : quarteron or métis (depending on the island, I’m thinking about Saint-Domingue, Martinique and Guadeloupe)

1/16 : mamelouk

¾ : griffe or capre

⅞ : sacatra

In Saint-Domingue, it could go down to 1/64, where people were considered sang-mêlé (mixed blood for literal translation, but “HP and the Half-Blood Prince” is translated “HP et le Prince de Sang-Mêlé” in French, so I guess this is another translation possibility).

-Lydie

Use the 3rd person narrative to your advantage

If you are intent on illustrating historical changes in terminology consider something as simple as showing the contrast between using “black” for first person character narration, but “Black” for 3rd person narrator omniscient.

-Marika

Add a disclaimer

I liked how this was addressed in the new American Girl books it’s set in Harlem in the 1920’s and there’s a paragraph at the beginning that says “this book uses the common language of the time period and it’s not appropriate to use now”

-SK

More reading:

NYT: Use of ‘African-American’ Dates to Nation’s Early Days

The Etymology dictionary - great resource for historical fiction

Wikipedia: Person of Color

[muirann]

all comic fans know how to do is: develop superiority complexes based on their personal perceptions of a character, eat hot chip, and lie

[duckprintspress]

HAPPY PRIDE MONTH, EVERYONE! We are thrilled to announce our second-annual Pride Bundles for Charity with two all-new short story bundles – 30 stories total! – that we are selling at a discount to raise money for our chosen queer charity!

Last year, our debut Pride bundles raised almost $350 for queer charities. This year, we’re back with a new General Imprint Bundle and a new Explicit Imprint Bundle, each discounted 20% from their list prices (and each including multiple stories that aren’t for sale and are usually only available to our backers on Patreon) and with 20% of the net profit going to Rainbow Railroad.

How This Works

you buy one or both bundles between now and July 8th, 2024.

we tally up all the proceeds earned and do some math-e-magic to figure out how much we’re donating!

before the end of July, we donate the raised money to Rainbow Railroad, we post the proof we’ve done so.

you get fantastic stories!

we all get that happy, glowy feeling of knowing that money has been well-spent on fantastic causes!

About the Press

Duck Prints Press is a queer-owned indie press, founded to publish original works by fancreators. We’ve been in operation for over 3 years, and in that time we’ve worked with well over 150 creators to publish six anthologies and almost 100 other stories, from shorts to novels, and we’ve got more on the works (our next anthology, our first erotica collection, will be crowdfunding within the next month!). The vast majority of our creators and their creations are queer/LGTBQIA+ (maybe even all, but we don’t out anyone and we don’t ask demography because, frankly, it’s none of our business).

25 of our authors have chosen to include their short stories in one or both of these short story bundles, and all our short story authors nominated potential charities and voted to select Rainbow Railroad as the beneficiary for our 2024 Pride Bundles.

About Rainbow Railroad

In countries around the world, LGBTQI+ people face violence and oppression simply because of who they love or who they are. Rainbow Railroad helps them get to safety! Rainbow Railroad is a global not-for-profit organization that helps at-risk LGBTQI+ people get to safety worldwide. Based in the United States and Canada, they’re an organization that helps LGBTQI+ people facing persecution based on their sexual orientation, gender identity and sex characteristics. In a time when there are more displaced people than ever, LGBTQI+ people are uniquely vulnerable due to systemic, state-enabled homophobia and transphobia. These factors either displace them in their own country or prevent them from escaping harm. 

Note: This charity isnot affiliated with the Press, do not know we’re doing this fundraiser, have not endorsed this in anyway and are, as such, utterly uninvolved in this beyond being the beneficiaries of our efforts! Text is from the Rainbow Railroad website.

About the Bundles

We are offering two bundles, one with 18 short stories published under our General Imprint, the other containing 12 stories published under our Explicit Imprint. The shop listings include details about and excerpts from all the stories. Here’s the gist…

Titles in the General Imprint Charity Bundle:

The Princess and the Maze by A. L. Heard

Of Loops and Weaves by Catherine E. Green

Glass Slipper: A Dance by Cedar D. McCafferty-Svec

Songs, Suppers, and Stories by D. V. Morse

Waiting for the Tide to Turn by Genevieve Maxwell

Chinaski’s Dirty Work by J. D. Harlock

Foundations by Johnathan Stern

Seal Island by K. B. Vimes

Into the Wyvern’s Lair by Mikki Madison

Sarisa by N. C. Farrell

Whispers of Atlantis: A Tale of Discovery and Belonging by Neo Scarlett

Be Not Afraid by Nicola Kapron

Awkward and Oblivious by R. L. Houck

Washer Wars: A Laundromat Feud by Samantha M. Piper

The Wayward Timekeeper by Terra P. Waters

if it’s meant to be by Tris Lawrence

Meet C(omm)ute by Violet J. Hayes

Chrysopoeia by Zel Howland

18 stories. 254 pages. 82,462 words of fiction!

Price: $22.50

Approximately 20% of the list price of this bundle will go to Rainbow Railroad.

Titles in the Explicit Imprint Charity Bundle:

Brambles, Pollen, and Other Natural Disasters by A. L. Heard

A night such as this by April Steenburgh

Theirs All Along by boneturtle

Orchidelirium by Dei Walker

Old Kings and New by Lyonel Loy

Weather the Storm by Lyn Weaver

Pretty 7 Days a Week by R. L. Houck

Adventures of the Scarlet Sentry: After Dark by Samantha M. Piper

Worlds Apart (but Still Close) by Sanne Burg

Taken at Sea by Shea Sullivan

Warm Anything You Want by Tris Lawrence

LA Photographs Itself by YF Ollwell

12 stories. 198 pages. 69,550 words.

Price: $21.50

Approximately 20% of the list price of this bundle will go to Rainbow Railroad.

Come get some great stories, support a queer-owned business this Pride, and benefit two fantastic causes. Win-win-win situations don’t get much better than this!

These bundles will only be available for one month, so don’t miss out. Visit our webstore between now and July 8th and get yours!

[podcast-bookclub]

Audio drama creators: what moment made you feel like you were *actually* a creator?

[luxradium]

A recommendation to all the audio drama creators out there:

Always listen to your show in the way your audience is listening to your show.

We tend to edit using nice gear. Good over-the-ear headphones. Quiet rooms. But most of your audience will not listen to your show this way. A recent poll indicated that almost 20% of AD listeners listen with a *single* earbud in. Almost 10% listen on their phone speaker. That's a significant part of your audience that is listening in a mono environment or with tiny speakers (or both). You also likely have listeners with hearing loss in one of their ears*, and you want your show to be accessible to them. Before you release your show, make sure to listen to it at least once on a single earbud in a noisy environment. Is your show still legible this way? Can a listener still enjoy it like this, and understand all the plot beats and character moments? If not, it's a good idea to spend some more time on your edit so that they can. (And it's still definitely OK to make your show sound *great* for those who have a great audio setup! Just make sure the show still works for those who don't.) *You likely also have audience members with hearing loss in *both* ears. Transcripts are important. I'm behind in getting them posted for Metropolis, I need to get on that. (Episode 3 of Metropolis is live, BTW. Just waiting for Spotify to pick up the RSS feed before the big announcement. 😅)

[filmgifs]

THE CREATOR

2023, dir. Gareth Edwards

[bipoctober]

#BIPOCtober Week 2024 - BIPOC AUDIO DRAMA CELEBRATION

Celebrate BIPOC audio drama this October with the hashtag #BIPOCtober!

We'll be spotlighting BIPOC created/led audio dramas and their creators from October 13-20, 2024.

If you'd like to be spotlighted, feel free to send us your show title, a description/summary, some promo materials, and which characters (or creators!) are BIPOC.

BIPOC = Black, Indigenous, People of Color

The Rules:

Use the hashtag #BIPOCtober to share art, fic, features, and other creative posts centred on your favourite BIPOC characters in audio drama, as well as BIPOC voice actors and creators.

Make sure to add a short description of the character or podcast you're spotlighting so that others can learn about them! The aim for this week is to get people interested in the characters and shows they come from.

Try to keep the posts all-ages, but if your work or show has adult elements, ⚠️Place it under the cut (Read More) or add a warning/disclaimer!⚠️ If it's a fic (presumably on AO3), ensure a proper rating and warnings are reflected. We won't exclude adult or mature works (since the founder of this is a horror podcast) but we want to keep things safe for everyone :)

CREATORS ARE ENCOURAGED TO HYPE THEIR OWN SHOWS if they are BIPOC.

But most importantly, have fun! Feel free to ask questions and reach out.

-Motzie (The Hi Nay Podcast)

[cyani07]

the fact there's so many people just silently and collectively agreeing these characters are ocs now is so amusing to me it was always our story and characters in the first place

[scipunk]

The Creator (2023)

[magnusbae]

"...You had to be able to show too much of yourself. You had to be just a little bit more honest than you were comfortable with. And if people judged you, if they felt they knew who you were, that was just something that you were going to have to live with. And what was strange is, once I started doing that, and I was expecting to be judged, or shunned, or people’s opinions or to have to deal with things, what I discovered was, actually, their opinions were, we really like this. We love this story. That’s a good story. It felt huge. It felt personal. And I realized that’s because I was being honest about me.“ —Neil Gaiman

[theweeklydiscourse]

What’s with the ATLA fandom’s bizarre tendency to discuss Aang as if he’s a real-life kid? It’s gotten to the point where if you criticize the messaging of the show or certain writing decisions that are conveyed through Aang, people act like you’re picking on a real person with real feelings. Furthermore, he’s also not a paragon of wisdom, yet people talk about him as though he is based on his fictional circumstances in the narrative. These two issues are connected somehow, both claims ignore the fiction of the show and blur the lines between fictional dilemmas and real-life moral dilemmas. Ultimately, Aang is a vehicle for the morals that Bryke wish to communicate and consequently, their shortcomings, blindspots and biases surface in his character.

[emeryleewho]

I genuinely wonder if people realize how many projects get abandoned because the readership "wasn't there", when in reality, the readership just stayed silent. It's a big thing in trad pub that book series get discontinued because readers pirate the books or wait until the series is finished to buy a copy, leading the publisher to think that nobody actually wants the book enough to continue the series, but it happens with indie creators too.

I've discontinued a lot of free, online series because it's not worth putting 3-5 hours a week into posting a project for no readers. Sometimes I finish the series for me but just never post it again, other times I don't finish it at all because it feels more worthwhile to put my time into other things. Sometimes I hear from readers who are sad or upset that I didn't finish something they were liking, but the *reason* it never got finished is because I didn't know anyone liked it. If you like something, tell the creator, tell your friends, make some noise about it. If you would be sad if a story never finished, make that interest known because one of my biggest considerations before discontinuing a series is "will people miss this? Will I be letting people down" and 9/10 times, I come to the conclusion of "no, it doesn't even seem like anyone's reading this" only to learn after I've moved on that apparently someone was.

[ominous-feychild]

✦ MY WRITEBLR INTRODUCTION ✦

Hey! I've been here for a while and I've somehow amassed a shocking amount of followers and mutuals, so I figured it's finally time for me to force one of these out for you guys!

(And you know... a masterpost... when I get around to it. 😅😭)

About me:

✦ Barlowe (she/her)

✦ In my early 20s

✦ A writer of 10 years ✦ working on novels for 6 of 10!

✦ Less dedicated to—but still interested in!—drawing, animation, photography, and cinematography

✦ AuDHD and a grey lesbian (aka I'm leaning asexual) ✦ (my writing may or may not be a special interest)

✦ I have a whole bunch of other neurodivergencies besides AuDHD but I don't think y'all want me to get into all of them, haha. ✦ oh, and I say "haha" a lot. I apologize in advance.

✦ I think I'm hilarious and make jokes constantly

✦ I use a lot of emojis and tone tags to help convey tone. Please forgive me if it's annoying, it's to cope with my inability to communicate. /lh /hj

Masterlists:

✦ General ✦ Worldbuilding ✦ Sun and Shadow ✦ The Arcane Rifts ✦ Rising From the Ashes

(will be added eventually)

My Obsessions:

✦ Fantasy, horror, mystery, action, and exploration of realistic characters' reactions to the things they go through.

✦ Fairy tales, mythology, and folklore

✦ "Ye Olde History" and language

✦ DIVERSITY!!!

✦ Explorations of "evil-coded" characters and abilities--aka, not just showing them as evil. Show them as people (for characters) and tools (for abilities)!

✦ Traumatizing my characters just like I've been

✦ Traumatizing my characters in ways I haven't been!

✦ Learning!!!

✦ Talking way too much about the things I like to the point that I need to make a whole separate post to share it so it doesn't clutter my intro post... oh, hey, why is this linked?

✦ THE AESTHETIC!!!!

My Aesthetics:

Those who've been following me for a bit probably know that I adore "the aesthetic" and try to make my posts look nice... even if there's no real reason to besides that it gives me a little serotonin. Here's my favorite aesthetics!

✦ Starry; night sky ✦ Dawn / dusk ✦ Sunrise / sunset

✦ Nature! ✦ Forestry ✦ Cottagecore ✦ Rustic ✦ Ocean

✦ Literally all of them, please and thank you

My Writing:

✎ Sun and Shadow

Everything goes wrong for Freya Ula when she leaves her simple life as a fisherwoman to get engaged overseas. Her ship gets wrecked, she finds out her dad's been hiding secrets from her for her whole life, and, oh, she gets framed for a terrorist attack. Wait, WHAT!? After the city's greatest detective is attacked and disappears before she could consult with him, Frey has to enlist the help of his kid and her would-be fiancée to find out who framed her and clear her name. If only Crow was half as good a detective their dad was supposed to be.

Main characters: Freya, Crow, Daleira

✦ Urban-esque high fantasy ✦ purposely very tropey in places ✦ however, as always, I love throwing in curveballs. Wonder what's played straight and what I'm going to emotionally destroy you with. Definitely won't be Crow.

✦ Slow-burn romance between Frey and Crow ✦ immediate interest between Frey / Daleira ✦ oh, look, it's a love triangle? ✦ JOKE'S ON YOU, IT'LL ACTUALLY BE POLY ✦ it's just... going to take a while.

✦ Lesbians, lesbians everywhere ✦ though Crow is actually genderfluid and uses they/them for the first book ✦ despite barely having anything written I've already plotted a bit of book 2 ✦ I desperately need help.

✦ Unsurprisingly is a detective mystery with action mixed in ✦ I'm not typically a romance writer, I excel in action fantasy ✦ please have mercy on my soul

✦ Lots of magic, it's high fantasy + victorian aesthetic ✦ (aka "gaslamp fantasy" if you've heard of it) ✦ Frey's got sun-themed magic ✦ gasp, I know ✦ Crow's got shadow magic ✦ wonder why this sounds familiar ✦ Daleira's got, hm, well it's also shadowy! ✦ spoilers 😘

✦ About to be updated en-masse for a writing contest!!!

✎ The Arcane Rifts

Ghosts of past tragedies haunt the town of Kavo after decades of neglect. Fantastical creatures desiring nothing but fear and destruction hide in invisible tears in reality. Gangs and the police are at constant war with one another, there's a shapeshifting monster running amok, and the mayor's assistant suddenly wants a disabled orphan kicked to the streets. A year ago, Gene was discovered in the forest on the outskirts of town, half dead, amnesiac, and unable to even speak the local language. As he had nowhere to go, he was brought to the orphanage of Kavo for a place to stay. Now Caspar, the assistant of the mayor and the man who funds the orphanage, wants him kicked out. When Gene's left to the cold, cruel streets of Kavo on his own, he has to navigate through a town ravaged by decades of neglect and intrigue. Has the corruption truly been purged from the government? Why are godly forces active in Kavo, a small town in a backwater country? And most importantly--will Gene survive?

Main Characters: Gene, Tazin, Mislav, Ludmila, Rada ❧ Gene and Tazin for book 1 ❧ the other 3 start being MCs books 2 and 3 ❧ I guess Nikolai is also a MC tho

❧ Industrial-era rustic high fantasy ❧ mixes fantasy, action, horror, and mystery! ❧ oh helloooooo "ominous feychild" origin? ❧ very strong folkloric and traditional fantasy inspo ❧ except I mean "traditional fantasy" as in ❧ "we don't understand this magic stuff but we're used to it" ❧ not "travel the world adventures!"

❧ VERY involved story with strong themes of discrimination, poverty, exploitation, trauma, and the recovery from trauma ❧ each main and secondary character is one flavor of discriminated against or another in-universe ❧ obviously I try to write it respectfully, but you can't really write bigots being bigots "respectfully"

❧ Has two "main plots" going on simultaneously; technically three ❧ I periodically give the reader updated "character guides" ❧ like they get more recent plot info added kinda like a red-string board to keep you, the audience, up-to-date with info you might've otherwise missed ❧ I think it's really cool and people seem to enjoy it ❧ I know it seems like a lot but please give it a chance

❧ I've literally plotted out pretty much the entirety of the first and second books, and know most of how book 3 will go, yet there's very little out for the current version of the story ❧ part of that is because I'm paused on the 3rd draft

❧ There's lots of timeskips throughout the first two books, but they're mostly to age up the protagonists! Gene, the MC, starts the series at 7. I promise it's not a kid's story though.

❧ The "secondary MC", Nikolai, is the police chief investigating magical stuff going on at the same time. They tie in with the main story involving Gene, though won't appear to for a long while.

❧ The "golden child" series I love more than SaS; however it's on hiatus because I promised people to work on SaS first and SaS is more popular as a romance-focused story. :/ ❧ I would never be salty about that.

Taglist:

For everything: @honeybewrites @the-golden-comet @illarian-rambling @ashirisu @urnumber1star

@the-letterbox-archives @48lexr @aalinaaaaaa @thecomfywriter @an-indecisive-nerd

For Worldbuilding: @paeliae-occasionally @pluppsauthor @thelovelymachinery

For the Existentials: N/A

For the Avatars: @thelovelymachinery

For Sun and Shadow: @mysticstarlightduck @paeliae-occasionally

For the Arcane Rifts: @paeliae-occasionally

For Rising From the Ashes: N/A

For the Storm Avatars: N/A

For the Order Avatars: @thelovelymachinery

For the Magic Avatars: N/A

For the Fire Avatars: N/A

For the Water Avatars: N/A

To be tagged in tag games: @honeybewrites @aalinaaaaaa

Ask and ye shall be added

Divider by @cafekitsune