#feel free to tag me if you do this

[absolutehysteria]

Rules: Go to pinterest and type in “[your name] core aesthetic” and create a moodboard using the first nine images. No need to reveal what your name actually is! 

I was tagged by @insomnikat-mused! Such a neat thing to do.

It feels quite accurate, too 😅 I've been obsessed with faeries since childhood and I love adventuring and finding pretty haunts. I don't know about the swans though LOL

I'm curious about my moots so if you end up doing this, don't hesitate to tag me! (Y'all know I'm weird about tagging folks lol)

[heritageposts]

I'm writing again to bring attention to the GFM campaign of @salahahmed90 (Salah) and @salahmanarfamily (Manar), the parents of two young children in Gaza.

Here's an updated Salah posted last night, after he and his family were displaced for the sixth time:

Please help us, we are being subjected to genocide in Gaza. Hours ago, a house was bombed next to the place where we are and escaped death miraculously. Help us get out of Gaza in order to preserve our children.

Though Salah and Manar started out with the hopes of rebuilding, they've now made the difficult choice to begin saving up for an evacuation. Their campaign, however, is still very low on funds, and its been stagnating completely for the last few days, leaving them with barely enough for their immediate survival.

-> GFM link

The campaign has been verified by @/90-ghost.

If you can, please consider donating. Even a small contribution can make a big difference for the family.

Currently: €3,650 / €70,000

[merwytchart]

Behold! My first ever drawing using a tablet, and my progress 11 years later giving myself the same amount of time: just 1 hour.

Is it perfect? Absolutely not! But I think it's a testament that ANYONE can draw if they dedicate time to practicing and are willing to put their heart into it.

[isjasz]

🎇INPRNT SHOP OPEN🎇

YIPPEE I FINALLY DID IT THIS TOOK SO LONG OH MY GOD. But yeah you can now buy my prints if you wish!!!!!!

Including way too many pieces from the desertduo daily challenge i did #dddaily4sherin and a whole bunch of other pieces, all requested by you guys <3 tysm to everyone who helped me select my pieces!

Giant shout out to thello sillyfairygarden for helping me out with this too, go check out her prints too💥

and now i will stop rambling GO CHECK OUT MY SHOP :D There's a 15% off sale going on too ending tomorrow! (Sept 22)

rbs are super appreciated too🫶!

[bugsinshoes]

BOOK OF BILL SPOLIERS UNDER THE CUT

fiddauthor nation i have (tried) to fix your photo.

i actually love them it hurts

[xxplastic-cubexx]

what kind of underwear do you think Erik and Charles wear (i'm not asking this to see them half naked) ((please believe me)) (((PLEASE)))

My Personal Belief is charles is a briefs guy while erik's a trunks guy. trunks/briefs kinda couple because i can

and idk just a lil bonus or somethin. as i do.

[favroitecrime]

Palestinian freedom fighters breaking out of Gaza and reclaiming their occupied territories. They’ve taken over israeli tanks and have chased out the settlers that were on that land. They’ve launched rockets everywhere and the iron dome has failed to intercept. This is about to mark a momentous event in history.

From the river to the sea, Palestine will be free.

[echo-of-the-eye]

so since it's ace week i wanna talk about my very specific jon's ace ring headcanon. (btw the beginning of this is very inspired by a fic i read once, but i can't remember the name)

so jon has an ace ring. he got it from georgie in uni after she helped him figure out he was ace, and he wears it everyday.

but then, after jude perry burns his hand, he can't wear it for a while (i know if he wore it when shaking her hand it would have probably melted, so let's say he wasn't wearing it for some reason). he keeps the ring in his pocket and after he comes back to the archives martin notices he keeps fidgeting with it. (now this is the part that i read in a fic) martin asks about it and jon admits how upset he is that he can't wear it (this also ends up functioning as a coming out so martin can hear it from jon instead of office gossip!) and martin gives him a chain so he can wear it around his neck while his hand heals.

now this is the part that's all mine. i imagine right before they leave for the unknowing, jon and martin say goodbye (and they kiss cause it makes s4 hurt more and it's basically canon im my mind). jon takes of the ring necklace and gives it to martin, asking him to look after it until he comes back.

then the coma.

at first i imagined jon waking up with the ring next to him but no martin. but then i came up with something sadder (but also maybe sweeter?). martin keeps the ring. he knows he should give it back after jon wakes up and that he could probably find a way to do it without talking to him, but he just can't get himself to do it. jon notices but kinda forgets about it (he's got bigger things to worry about and assumes martin forgot).

then they go to the safehouse. and martin gives back the ring. he apologizes for not doing it before but jon is just touched that he still has it. it's all very emotional and then martin puts the ring on jon's finger and they are both VERY aware of how much it looks like a proposal

[heartorbit]

heartbeat

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[clinicallyinsanedumpsterrabbit]

So I may have got The Book of Bill and it has me in a slight tiny itty bit of a death grip hyperfixation where all I've been able to imagine is his pathetic toxic ex ass

This pathetic triangle has once again parasitically wormed his way into my brain after years of absence

Also he totally would try and gaslight Ford and say he probably just lost the shirt when he stole it if ever asked where the shirt went

Ok so I could've put a ton of things in that last, panel, so I did, with some joke suggestive ones as the last two below the cut

I'm going to explode him with stock video explosions a bajillion times over

[just-creature-things]

THIS TOOK SO SO LONG BUT ITS FINALLY DONE!

Everybody in the life series assigned to a moth! Also if you know about moths and you notice that I drew someone with the wrong gender wings its because they are transgender👍 (or intersex). Hope this helps.

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[charliemwrites]

[bursts in, sweating]

1920’s era candy shop owner by day, flapper by night reader x speakeasy owners Ghoap

[rjshope]

♡♡♡

[silly-solar-robot]

oh my gosh it is SO NICE to have free time!!! here's a drawing of me that i had fun with! i wasn't sure how hard the skirt would be but surprisingly it was VERY easy!!! i hope everyone has had a lovely day!

(i am a real person! please treat me as such!! please don't tag as fnaf!)